Clarence Darrow's Letters
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2. the Scope~ Kial Transcripts (1925)
2. THE SCOPE~ ~KIAL TRANSCRIPTS (1925) The spread of the fundamentalist movement during the 1920s led many states to pass laws specifically banning or restricting the teaching of evolution in public schools. In 1925, a Tennessee high-school teacher named John Scopes (1900-1970) was convinced by several like-minded evolutionists to test the legit- imacy of his own state's prohibition of evolution in its classrooms. The result was one of the most celebrated trials of the century, the so-called Monkey Trial held in Dayton, Tennessee. In the following excerpts from the trial transcripts, the main antagonists attempt to frame the question in terms of monumental so- cial and religious choices. For Scopes's defense attorney, Clarence Darrow (1857-1938), the case represented a showdown between the forces of progres- sive enlightenment and backward religious bigotry. As a famous criminal and labor attorney, Darrow reveled in courtroom confrontation and seized this op- portunity to go after fundamentalist lawmakers in one of their strongholds. The I state's case was prosecuted by perhaps the other most famous American lawyer of the day, three-time populist candidate for the presidency, William Jennings Bryan (1860-1925). In Bryan's opening speech he portrayed Darrow and other evolutionists as outside agitators, bent on overturning the will of the people of Tennessee. Though Bryan did not live to deliver the closing speech he com- posed, it is clear that he too saw the conflict in epic terms. The compatibility of science and religion proposed by the Modernist theologian Kirby Mather, whose testimony is excerpted in the third reading, did not seem to strike either the atheist Darrow or the fundamentalist Bryan as even a remote possibility, thereby ) The ScopesTrial TranscriPts(1925) 439 indicating the depth of the antagonism the issue inspired. -
John Randolph Haynes Papers, Circa 1873-1960S LSC.1241
http://oac.cdlib.org/findaid/ark:/13030/tf558006bd No online items Finding Aid for the John Randolph Haynes papers, circa 1873-1960s LSC.1241 Finding aid prepared by Simon Elliott with assistance from Brittany Sprigg and Bernadette Roca; machine-readable finding aid created by Caroline Cubé and edited by Josh Fiala, 2004. Additional processing by Kelly Besser with assistance from Kuhelika Ghosh and Krystell Jimenez, 2018. Machine-readable finding aid revised and updated by Kelly Besser, 2018. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Online finding aid last updated 2018 May 5. Finding Aid for the John Randolph LSC.1241 1 Haynes papers, circa 1873-1960s LSC.1241 Title: John Randolph Haynes papers Identifier/Call Number: LSC.1241 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 351.0 linear feet(358 boxes, 106 oversize flat boxes, 36 cartons, and 15 map folders) Date (bulk): Bulk, 1890-1937 Date (inclusive): circa 1873-1960s Abstract: John Randolph Haynes was an active reformer and member of the Progressive movement. His wife, Dora Haynes was a suffragist, leading the campaign for women’s right to vote in California. Together, they founded The John Randolph Haynes and Dora Haynes Foundation in 1926. The collection primarily consists of manuscripts, maps, correspondence, minutes, notes, newspaper clippings, photographs, reports, speeches, scrapbooks, ephemera, and other printed materials related to John Randolph Haynes’ involvement with local and regional planning in Southern California and a variety of social and political issues. -
There Was a Great Fear of Communism That Swept Through the United States in the Years Following the Russian Revolution of 1917
Academic Literacy Skills Sample (ALST) Sample Constructed Response Item Passage A Argument of Clarence Darrow in the Case of the Communist Labor Party There was a great fear of Communism that swept through the United States in the years following the Russian Revolution of 1917. As a result, several states passed espionage acts that restricted political discussion, and radicals of all descriptions were rounded up in so-called Red Raids conducted by the attorney general’s office. Some were convicted and imprisoned; others were deported. This is the background for this particular reading passage about a trial in Chicago that took place in August, 1920. This trial involved twenty men charged under Illinois’s espionage statute with advocating the violent overthrow of the government. The charge rested on the fact that all of the defendants were members of the newly formed Communist Labor Party. The accused in the case were represented by Clarence Darrow, one of the foremost defense attorneys in the country. Throughout his career, Darrow had defended the poor and the despised against exploitation and prejudice. He defended the rights of labor unions, for example, at a time when many sought to outlaw the strike, and he was resolute in defending constitutional freedoms. The following are excerpts from Darrow’s summation to the jury. 1. Members of the jury: I have for a good many years been arguing cases in court and in my own way, as a lawyer, asking jurors to forget their prejudices and their feelings and deliver a verdict according to the evidence, uninfluenced by fear or passion or heat. -
1 Who Brings the Funny? 3 Mirroring the Political Climate: Satire in History
Notes 1 Who Brings the Funny? 1 . Obscenity, incitement to violence, and threatening the life of the president are several examples of restrictions on expression. 2 . There have been several cases of threats against political cartoonists and comedians made by Islamic extremists who felt their religion was being mocked. These examples include (but are not limited to) the Danish political cartoonist who drew a depiction of the Prophet Mohammed, the creators of South Park who pretended to, and David Letterman who mocked Al Qaida. 3 Mirroring the Political Climate: Satire in History 1 . I urge readers to review K. J. Dover’s (1974) and Jeffrey Henderson’s (1980) work on Aristophanes, and see Peter Green (1974) and Susanna Morton Braund (2004). Other work on Juvenal includes texts by Gilbert Highet (1960) and J. P. Sullivan (1963). I have also been directed by very smart people to Ralph M. Rosen, Making Mockery: The Poetics of Ancient Satire, (New York: Oxford University Press, 2 0 0 7 ) . 2 . Apparently, the “definitive” Pope prose is found in the volume edited by Ault and Cowler (Oxford: Blackwell, 1936–1986), and the “definitive” text for Gay’s poetry is edited by Dearing (Oxford: Clarendon, 1974). 3. The best collection from Swift comes from Cambridge Press: English Political Writings 1711–1714, edited by Goldgar (2008). Thanks to Dr. Sharon Harrow for her assistance in finding this authoritative resource. 4 . The most authoritative biographies of Franklin are from Isaacson (2003) and Brands (2002), and I recommend readers look to these two authors for more information on one of the most fascinating of our founding fathers. -
For Sale: Historic Bridge in Jackson Park
For sale: Historic bridge in Jackson Park chicagotribune.com/news/ct-met-darrow-bridge-for-sale-20171214-story.html Lolly Bowean There’s a historic bridge for sale in Jackson Park. And it’s not a con game. The Columbia Bridge, widely known as the Clarence Darrow Memorial Bridge, is to be rebuilt in 2019. But before the Chicago Department of Transportation can start construction on the new pedestrian bridge, the agency has to offer the old one to the public for possible reuse, said Mike Claffey, a spokesman for CDOT. It’s all part of the federal government’s National Environment Policy Act and Section 106 process. But recently, the issue of the bridge being sold sparked some curiosity when an advertisement offering it for sale ran in a local newspaper. “The Darrow Bridge is an important community landmark because (Clarence) Darrow was a fixture in our community,” said Louise McCurry, president of the Jackson Park Advisory Council. When she learned of the ad, she immediately jumped into activist mode to spread information in her Hyde Park community about the sale. “That bridge is the biggest link to Jackson Park, so it’s a sacred landmark,” she said. “So now to see it’s being sold? Truly fascinating.” 1/3 The Darrow Memorial Bridge, which has unique abutment walls and a storied history, is crumbling and unusable. It has been closed to cars since 2009 and to pedestrians since 2015. The structure isn’t actually going to be sold for a price, Claffey said. Rather, interested parties have to provide a proposal by 4 p.m. -
Hastings Community (Fall 1991) Hastings College of the Law Alumni Association
UC Hastings Scholarship Repository Hastings Alumni Publications 9-1-1991 Hastings Community (Fall 1991) Hastings College of the Law Alumni Association Follow this and additional works at: http://repository.uchastings.edu/alumni_mag Recommended Citation Hastings College of the Law Alumni Association, "Hastings Community (Fall 1991)" (1991). Hastings Alumni Publications. 78. http://repository.uchastings.edu/alumni_mag/78 This is brought to you for free and open access by UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Alumni Publications by an authorized administrator of UC Hastings Scholarship Repository. IN al IN, HASTINGS- CAMPUS NEWS FACULTY NEWS AND NOTES ALUMNI NEWS 13 18 Exploring Ideas for New Curriculum 'Rugby Team' isAlive and Winning Academic Dean Mary Kay Kane talks about The regular team the College once fielded may be ways in which Hastings is moving ahead in gone, but alumni stalwarts are making sure 1 broadening its curricular offerings and discusses Hastings' rugby wont soon be forgotten as an questions that deserve further exploration in the alumni group calling itself the "Hastings Old Boys' A New Class, A Big Welcome broader alumni community. takes top honors at the prestigious Santa Barbara Rugby Tournament. Students in the Class of 1994 arrive from forty states and seven nations, receiving a summer-long welcome 14 from alumni, faculty, staff, and fellow students. "You are here, each of you, to become great Hastings' New Faculty lawyers," Dean Tom Read tells them. "We welcome The five new professors who arrived on campus this you with great enthusiasm." fall are introduced to the Hastings alumni family - with a brief outline of the diverse scholarship they 7 bring to current students. -
Clarence Darrow on Religion, Law, and Society
Introduction Clarence Darrow (1857–1938), whose decades-long championing of the despised and powerless earned him the sobriquet of “The Great Defender,” was born four years before the beginning of the Civil War and died a year before the beginning of World War II. These eighty years could well be considered the most transformative in United States his- tory—years that saw America expand from a fledgling and sparsely populated nation of farmers and small businessmen to an emerging super- power. Darrow witnessed and, in no insignificant way, participated in the multifaceted growing pains incident to this transformation: on such issues as the relations between capital and labor, the role of women in society, the place of religion in a diverse population, and, particularly, the theoretical and practical status of crime and punishment, Darrow made signal contributions that endured far beyond the span of his own life. A lawyer first and a writer second, he nonetheless left behind a succession of treatises whose provocative content still challenges us. Darrow, a self-proclaimed rebel who sided, both intellectually and emo- tionally, with the minority, remains a figure to contend with. Throughout his writings, whether they be on crime, religion, or morals, Darrow expressed the conviction that our views of life are fun- damentally and unalterably shaped by childhood experience. In this as- sertion he may well have been considering his own upbringing, for the kernels of many facets of his thought can be found in the events of his youth and adolescence. He was born on April 18, 1857, in the village of vii Kinsman, in northeast Ohio, the fifth of eight children born to Amirus and Emily (Eddy) Darrow. -
Satchmo's Shadow
Satchmo’s Shadow: An Excerpt from Satchmo at the Waldorf Terry Teachout Downloaded from http://direct.mit.edu/daed/article-pdf/142/4/135/1831623/daed_a_00242.pdf by guest on 02 October 2021 Author’s Note: Writing the biography of a perform- ing artist is like standing in the wings to watch a play. You see what the public sees, only from a dif- ferent perspective. Pops: A Life of Louis Armstrong, my 2009 biography of the greatest jazz musician of the twentieth century, is about the much-loved genius-entertainer who made millions of people feel warm inside–but it’s also about the private Armstrong, who swore like a trooper and knew how to hold a grudge. The fact that Satchmo (as he liked to call himself ) had two sides to his personality doesn’t mean that the public man was somehow less “real” TERRY TEACHOUT, drama critic than the private one. Like all geniuses, Armstrong for The Wall Street Journal, is the au - was complicated, and that complexity was part of thor of Satchmo at the Waldorf (2011), what made his music so beautiful and profound. which premiered in Orlando, Fla., Biography is about telling, theater about show- and was produced in 2012 at Shake - ing. Having written a book that told the story of speare & Company of Lenox, Mass., Armstrong’s life, it occurred to me that it might be Long Wharf Theatre of New Ha - a worthwhile challenge to try to show an audience ven, Conn., and Philadelphia’s Wil - what he was like offstage. -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. -
Wait Until Dark
Otterbein University Digital Commons @ Otterbein 1994 Summer Theatre Productions 1991-2000 7-20-1994 Wait Until Dark Otterbein University Theatre and Dance Department Follow this and additional works at: https://digitalcommons.otterbein.edu/summer_production_1994 Part of the Acting Commons, Dance Commons, and the Theatre History Commons Recommended Citation Otterbein University Theatre and Dance Department, "Wait Until Dark" (1994). 1994 Summer Theatre. 3. https://digitalcommons.otterbein.edu/summer_production_1994/3 This Book is brought to you for free and open access by the Productions 1991-2000 at Digital Commons @ Otterbein. It has been accepted for inclusion in 1994 Summer Theatre by an authorized administrator of Digital Commons @ Otterbein. For more information, please contact [email protected]. OTTERBEIN SUMMER THEATRE PRESENTS... miT uNm ourk BY FREDERICK KNOTT JULY 20-24 AND JULY 27-31,1994 28th summer season SPONSORED BY OAKLAND NURSERY Ottcrbein Summer Theatre * Otterbein College 100 West Home Street Westerville, Ohio 43081 Bank One Supports the Arts The Blue Goose of Otterbein & The Blue Goose at Corbin’s Saloon UPTOWN WESTERVILLE 17 N. State Street Phone: 248-2640 V Framed Prints Westerville South V Pottery 77 Huber Village Blvd. V Lizzie High dolls V Gourmet Gifts Phone: 248-2650 V Muffy bears V Yankee candles V Cats Meow V Toiletries Monday-SaturdayWam-5pm 29 West Main Street BANKsONE Wednesday until 9pm Westerville 890-0081 Whatever it takes: BANK ONE. LOLUMttUi. \A Mcmha ; 0/(, —CAXTON' PRINTING■—W COMPANY' -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
Applied Ethnomusicology and America's Classical Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Liberty University Digital Commons SAVING JAZZ: APPLIED ETHNOMUSICOLOGY AND AMERICA’S CLASSICAL MUSIC A MASTER’S THESIS SUBMITTED TO THE GRADUATE FACULTY LIBERTY UNIVERSITY BY CHRIS LONG IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY APRIL 2014 © 2014 Chris Long Acknowledgements Upon graduating from college with a bachelor’s degree in Cultural Anthropology (emphasis in folklore and music), I expected to embark on additional studies in ethnomusicology after only a short break. However, one thing led to another and it was almost thirty years before the opportunity to study at Liberty University presented itself. I would like to thank John Benham and Katherine Morehouse for making the Liberty program a welcoming place for someone so out of practice and out of touch with academia. I have found your sensitivity to students, your expertise in the field, and your encouragement in the spiritual dimensions of music to be life changing. The seeds of ethnomusicological passion were planted early in my college career. I am very grateful to Alan Dundes, my anthropology advisor, for encouraging me to pursue music inside of anthropology and folklore, and specifically for allowing me to get my feet wet by collecting and analyzing dozens of versions of the folk song, Frankie and Johnny. I also appreciate anthropology professor James Deetz who allowed me to explore what I believed were the parallels between American vernacular architecture and musical form. I am indebted to composer Olly Wilson for providing me new ways to understand popular music and identify and distinguish both European and African elements that are jointly present in American popular forms.