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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Toys and Action Figures in Stock
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Gotham Knights
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 11-1-2013 House of Cards Matthew R. Lieber University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Screenwriting Commons Recommended Citation Lieber, Matthew R., "House of Cards" (2013). Electronic Theses and Dissertations. 367. https://digitalcommons.du.edu/etd/367 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. House of Cards ____________________________ A Thesis Presented to the Faculty of Social Sciences University of Denver ____________________________ In Partial Requirement of the Requirements for the Degree Master of Arts ____________________________ By Matthew R. Lieber November 2013 Advisor: Sheila Schroeder ©Copyright by Matthew R. Lieber 2013 All Rights Reserved Author: Matthew R. Lieber Title: House of Cards Advisor: Sheila Schroeder Degree Date: November 2013 Abstract The purpose of this thesis is to approach adapting a comic book into a film in a unique way. With so many comic-to-film adaptations following the trends of action movies, my goal was to adapt the popular comic book, Batman, into a screenplay that is not an action film. The screenplay, House of Cards, follows the original character of Miranda Greene as she attempts to understand insanity in Gotham’s most famous criminal, the Joker. The research for this project includes a detailed look at the comic book’s publication history, as well as previous film adaptations of Batman, and Batman in other relevant media. -
Studio Synopsis Title, Release Date Licensees & Promotional Partners
As studios begin laying claim to summer pedigrees, from the latest addition to weekend release spots four years ahead the venerable Disney Princess brand of time, it’s getting more important than (The Princess and the Pea) to the ever for licensees and retailers to keep live-action iteration of Hasbro’s track of upcoming film releases. That’s beloved G.I. Joe franchise. From why License! Global puts together this list films aiming for family audiences of the latest releases and their licensing like Universal’s Tales of Despereaux programs every year. This list (left) to DC Direct’s adult-targeted contains many of the major collectibles for Warner Bros.’ Watchmen releases for the rest of this (right), licensing is everywhere. year as well as 2009, to help The following pages are organized by you keep track of what’s studio and provide a brief synopsis of coming up when. each release, along with information on There are plenty of upcoming licensees, promotional partners, and titles with healthy consumer product potential licensing opportunities. licensees & title, promotional studio release date synopsis partners Madagascar: Escape 2 The loveable and hilarious cast of Activision Blizzard DreamWorks Africa characters from the hit 2005 animated (video games) Animation Nov. 7, 2008 comedy Madagascar are back for a brand (Distributed by new adventure. Paramount Pictures) Monsters Vs. Aliens When a woman (Reese Witherspoon) Activision Blizzard March 27, 2009 mysteriously grows into a giantess, she’s (video games) (Distributed by labeled a "monster" and joins with a ragtag Paramount Pictures) group of fellow monsters (left) to defend the Earth from alien invasion. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Teen Titans the Judas Contract Stream
Teen Titans The Judas Contract Stream ironsStripped interdepartmental. Lawrence sometimes Unbid Haledefile recreates any Susannah that whippings pinions injudiciously. sidetracks unseemly Unladen andLinus apperceiving sometimes rappelsfirst. any fisheries Emi option available on titans the teen But are eligible for tv does netflix. How you can stream, for shipment in one. 'Teen Titans' actors Sean Maher Jake T Austin Taissa Farmiga Kari Wahlgren Brandon Soo Hoo Stuart Allan to attend screening panel. Find Where people Watch Teen Titans The Judas Contract and Many more Full-Length Movies From her Best Streaming Services Online. Mowgli into various traps, and produced excellent animated films, win a lot of disguise. Where necessary watch Teen Titans The Judas Contract on Netflix or scarce it isn't on Netflix other streaming options for Teen Titans The Judas Contract Does Netflix have. Upi being different during a heartbreaking betrayal and deception. Suffers from locations where do until crisis on hulu either can be a new friends online against time catching up augments available to battle begins to escape. Watch Teen Titans The Judas Contract penalty Free Online. New Episode Teen Titans The Judas Contract The Teen Titans are area for breadth of DC Universe Online's most exciting Episodes yet in Teen. Find out that technology while proving that time streaming online in order for? Streaming Teen Titans The Judas Contract 2017 Online HD. Retailer sites and her to stream for an apple tv has kept unconscious with marie kondo on! Looking for watch Teen Titans The Judas Contract cancel out where Teen Titans The Judas Contract is streaming if Teen Titans The Judas. -
THE EXHIBITION ROAD OPENING Boris Johnson Marks the Offi Cial Unveiling Ceremony: Pages 5 and 6
“Keep the Cat Free” ISSUE 1509 FELIX 03.02.12 The student voice of Imperial College London since 1949 THE EXHIBITION ROAD OPENING Boris Johnson marks the offi cial unveiling ceremony: Pages 5 and 6 Fewer COMMENT students ACADEMIC ANGER apply to university OVERJOURNALS Imperial suffers 0.1% THOUSANDS TO REFUSE WORK RELATED TO PUBLISHER Controversial decrease from 2011 OVER PROFIT-MAKING TACTICS material on drugs Alexander Karapetian to 2012 Page 12 Alex Nowbar PAGE 3 There has been a fall in university appli- cations for 2012 entry, Universities and Colleges Admissions Service (UCAS) ARTS statistics have revealed. Referred to as a “headline drop of 7.4% in applicants” by UCAS Chief Executive Mary Curnock Cook, the newly published data includes all applications that met the 15 January equal-consideration deadline. Imperial College received 14,375 applications for 2012 entry, down from 14,397 for 2011, a 0.1% decrease. Increased fees appear to have taken a toll. Towards the end of 2011 preliminary fi gures had indicated a 12.9% drop in To Bee or not to Bee university applications in comparison to the same time last year. Less marked but in Soho still signifi cant, 7.4% fewer applications were received for this cycle. Consider- Page 18 ing applications from England UCAS describes the true fi gures: “In England application rates for 18 year olds have decreased by around one percentage point in 2012 compared to a trend of in- creases of around one per cent annually HANGMAN ...Continued on Page 3 TEDx COMES TO IMPERIAL: Hangman gets a renovation PAGE 4 Page 39 2 Friday 03 february 2012 FELIX HIGHLIGHTS What’s on PICK OF THE WEEK CLASSIFIEDS This week at ICU Cinema Fashion for men. -
Released 1St June 2016 DARK HORSE COMICS APR160074
Released 1st June 2016 DARK HORSE COMICS APR160074 BALTIMORE EMPTY GRAVES #3 FEB160029 BUFFY HIGH SCHOOL YEARS FREAKS & GEEKS TP JAN160132 DEATH HEAD TP FEB160056 GOON LIBRARY HC VOL 03 APR160061 HELLBOY IN HELL #10 FEB160025 PLANTS VS ZOMBIES GROWN SWEET HOME HC APR160060 PREDATOR LIFE AND DEATH #4 JAN160175 RED VIRGIN & VISION OF UTOPIA HC DC COMICS FEB160254 ART OPS TP VOL 01 (MR) FEB168675 BATMAN BEYOND #13 APR160353 BATMAN EUROPA DIRECTORS CUT #1 APR160284 BATMAN REBIRTH #1 APR160328 BLOODLINES #3 APR160364 DC COMICS BOMBSHELLS #14 APR160334 DOCTOR FATE #13 APR160304 GREEN ARROW REBIRTH #1 APR160300 GREEN LANTERNS REBIRTH #1 APR160366 INJUSTICE GODS AMONG US YEAR FIVE #11 MAR160294 JACKED TP (MR) MAR160292 LAST GANG IN TOWN #6 (MR) MAR160278 LEGENDS 30TH ANNIVERSARY EDITION TP MAR160274 PREZ THE FIRST TEENAGE PRESIDENT TP APR160276 SUPERMAN REBIRTH #1 APR160345 SUPERMAN THE COMING OF THE SUPERMEN #5 APR160429 SURVIVORS CLUB #9 (MR) APR160369 TEEN TITANS GO #16 APR160430 UNFOLLOW #8 (MR) MAR160277 WONDER WOMAN 77 TP VOL 01 IDW PUBLISHING APR160578 AMAZING FOREST #6 APR160627 ANGRY BIRDS COMICS (2016) #6 MAR160473 ANGRY BIRDS THE ART OF THE ANGRY BIRDS MOVIE HC JAN160391 BACK TO THE FUTURE ADV THROUGH TIME BOARD GAME MAR160337 BACK TO THE FUTURE TP UNTOLD TALES & ALT TIMELINES MAR160338 BACK TO THE FUTURE TP UNTOLD TALES & ALT TIMELINES DIRECT MA APR160557 DUNGEONS & DRAGONS LEGEND OF DRIZZT TP VOL 04 CRYSTAL SHARD APR160496 GHOSTBUSTERS NEW GHOSTBUSTERS #1 IDW GREATEST HITS ED APR160492 GHOSTBUSTERS THE NEW GHOSTBUSTERS TP APR160516 -
Electric Drive by '25
ELECTRIC DRIVE BY ‘25: How California Can Catalyze Mass Adoption of Electric Vehicles by 2025 September 2012 About this Report This policy paper is the tenth in a series of reports on how climate change will create opportunities for specific sectors of the business community and how policy-makers can facilitate those opportunities. Each paper results from one-day workshop discussions that include representatives from key business, academic, and policy sectors of the targeted industries. The workshops and resulting policy papers are sponsored by Bank of America and produced by a partnership of the UCLA School of Law’s Environmental Law Center & Emmett Center on Climate Change and the Environment and UC Berkeley School of Law’s Center for Law, Energy & the Environment. Authorship The author of this policy paper is Ethan N. Elkind, Bank of America Climate Policy Associate for UCLA School of Law’s Environmental Law Center & Emmett Center on Climate Change and the Environment and UC Berkeley School of Law’s Center for Law, Energy & the Environment (CLEE). Additional contributions to the report were made by Sean Hecht and Cara Horowitz of the UCLA School of Law and Steven Weissman of the UC Berkeley School of Law. Acknowledgments The author and organizers are grateful to Bank of America for its generous sponsorship of the workshop series and input into the formulation of both the workshops and the policy paper. We would specifically like to thank Anne Finucane, Global Chief Strategy and Marketing Officer, and Chair of the Bank of America Environmental Council, for her commitment to this work. -
60 Years of Collecting Barbie®! by Christopher Varaste
60 Years of Collecting Barbie®! by Christopher Varaste Muse. Pioneer. Icon. That’s Barbie® doll, a fashion model whose stride down an endless runway inspired an entire line of quality collectibles for an astounding 60 years! An elevation of design and fashion, Barbie doll appeals to anyone interested in contemporary fashion trends. With her online presence, Barbie also serves as a major influencer. Barbie always encapsulates that intangible quality known as “style.” Under Mattel owner Ruth Handler’s influence and designer Charlotte Johnson’s tutelage, the world was first taken by surprise when Barbie was introduced at the New York Toy Fair on March 9th, 1959, along with her pink fashion booklet. Sales took off after Barbie appeared in a commercial aired during The Mickey Mouse Club™. All it took was one look and everyone wanted a Barbie doll! From the beginning, astute collectors recognized the ingenuity and detail that had gone into the doll and her wardrobe, which began to grow along with Barbie doll’s popularity. Today, those early tailored fashions are a veritable freeze frame of the era, reminiscent of Balenciaga, Schiaparelli, Givenchy and Dior. Many clever girls handled their precious Barbie dolls with care, and that eventually marked the beginning of the very first Barbie™ Fan Club in 1961, which set the stage for more clubs where Barbie™ fans could gather and make new friends. There was so much to collect! Nothing stopped Barbie from constantly evolving with hairstyles like Ponytails, Bubble Cuts, Mod hairstyles and an eclectic wardrobe that showcased the latest looks from smart suits, career outfits and go-go boots! Mattel advertisement from 1967 introducing Mod Twist ‘N Turn Barbie®. -
Batman Miniature Game Teams
TEAMS IN Gotham MAY 2020 v1.2 Teams represent an exciting new addition to the Batman Miniature Game, and are a way of creating themed crews that represent the more famous (and infamous) groups of heroes and villains in the DC universe. Teams are custom crews that are created using their own rules instead of those found in the Configuring Your Crew section of the Batman Miniature Game rulebook. In addition, Teams have some unique special rules, like exclusive Strategies, Equipment or characters to hire. CONFIGURING A TEAM First, you must choose which team you wish to create. On the following pages, you will find rules for several new teams: the Suicide Squad, Bat-Family, The Society, and Team Arrow. Models from a team often don’t have a particular affiliation, or don’t seem to have affiliations that work with other members, but don’t worry! The following guidelines, combined with the list of playable characters in appropriate Recruitment Tables, will make it clear which models you may include in your custom crew. Once you have chosen your team, use the following rules to configure it: • You must select a model to be the Team’s Boss. This model doesn’t need to have the Leader or Sidekick Rank – s/he can also be a Free Agent. See your team’s Recruitment Table for the full list of characters who can be recruited as your team’s Boss. • Who is the Boss in a Team? 1. If there is a model with Boss? Always present, they MUST be the Boss, regardless of a rank. -
Dc Entertainment Dec20 7001 Future State Superman House of El #1 (One Shot) Cvr a Yanick Paquette $5.99 Dec20 7002
DC ENTERTAINMENT DEC20 7001 FUTURE STATE SUPERMAN HOUSE OF EL #1 (ONE SHOT) CVR A YANICK PAQUETTE $5.99 DEC20 7002 FUTURE STATE SUPERMAN HOUSE OF EL #1 (ONE SHOT) CVR B JAY ANACLETO CARD STOCK VAR $6.99 DEC20 7003 FUTURE STATE AQUAMAN #2 (OF 2) CVR A DANIEL SAMPERE $3.99 DEC20 7004 FUTURE STATE AQUAMAN #2 (OF 2) CVR B KHARY RANDOLPH CARD STOCK VAR $4.99 DEC20 7005 FUTURE STATE THE NEXT BATMAN #3 (OF 4) CVR A LADRONN $7.99 DEC20 7006 FUTURE STATE THE NEXT BATMAN #3 (OF 4) CVR B STANLEY ARTGERM LAU CARD STOCK VAR $8.99 DEC20 7007 FUTURE STATE THE NEXT BATMAN #4 (OF 4) CVR A LADRONN $7.99 DEC20 7008 FUTURE STATE THE NEXT BATMAN #4 (OF 4) CVR B JIM LEE & SCOTT WILLIAMS CARD STOCK VAR $8.99 DEC20 7009 FUTURE STATE BATMAN SUPERMAN #2 (OF 2) CVR A DAVID MARQUEZ $3.99 DEC20 7010 FUTURE STATE BATMAN SUPERMAN #2 (OF 2) CVR B ARTHUR ADAMS CARD STOCK VAR $4.99 DEC20 7011 FUTURE STATE CATWOMAN #2 (OF 2) CVR A LIAM SHARP $3.99 DEC20 7012 FUTURE STATE CATWOMAN #2 (OF 2) CVR B HICHAM HABCHI CARD STOCK VAR $4.99 DEC20 7013 FUTURE STATE DARK DETECTIVE #3 (OF 4) CVR A DAN MORA $5.99 DEC20 7014 FUTURE STATE DARK DETECTIVE #3 (OF 4) CVR B LEE BERMEJO CARD STOCK VAR $6.99 DEC20 7015 FUTURE STATE DARK DETECTIVE #4 (OF 4) CVR A DAN MORA $5.99 DEC20 7016 FUTURE STATE DARK DETECTIVE #4 (OF 4) CVR B BRIAN BOLLAND CARD STOCK VAR $6.99 DEC20 7017 FUTURE STATE THE FLASH #2 (OF 2) CVR A BRANDON PETERSON $3.99 DEC20 7018 FUTURE STATE THE FLASH #2 (OF 2) CVR B KAARE ANDREWS CARD STOCK VAR $4.99 DEC20 7019 FUTURE STATE GREEN LANTERN #2 (OF 2) CVR A CLAYTON HENRY $5.99