699 Hon. Jon C. Porter Hon. Steven R. Rothman Hon

Total Page:16

File Type:pdf, Size:1020Kb

699 Hon. Jon C. Porter Hon. Steven R. Rothman Hon February 1, 2006 EXTENSIONS OF REMARKS 699 were people in the past such as Jackie Robin- Florence Murphy, and her achievements, in Snopek began her work at St. Francis, enroll- son, Harriet Tubman, and Dr. Vivien Thomas front of my colleagues of the house. ment in the school has increased greatly and who laid the paths for all Americans. The hard f the majority of the students are testing above work, sacrifices and hardships of these role the 75th percentile in all academic areas on models permitted the accomplishments of a TRIBUTE TO MR. FRANK CUTRONA standardized tests. new generation: Tiger Woods, Senator Aside from initiated programs that benefit BARACK OBAMA, and Dr. Benjamin Carson. HON. STEVEN R. ROTHMAN students, Ms. Snopek is also credited with an Mr. Speaker, with all of the significant con- OF NEW JERSEY excellent ability to recognize the talents of her tributions African-Americans have accom- IN THE HOUSE OF REPRESENTATIVES teachers. She helps develop staff members by providing them with varied opportunities for plished throughout history, it is important that Wednesday, February 1, 2006 we recognize those achievements. Let’s make professional growth, including pursuing ad- sure that all Americans celebrate and under- Mr. ROTHMAN. Mr. Speaker, I rise to rec- vanced degrees. Teachers and administration stand the principles, achievements and ideals ognize Mr. Frank Cutrona, a resident of the alike recognize Ms. Snopek as one who of African-Americans; after all, African Amer- Ninth District of New Jersey and the San Ciro merges her responsibilities as a spiritual and ican history is American history. Society’s Man of the Year for 2006. educational leader to the benefit of her stu- dents and staff. f The San Ciro Society, located in Garfield, NJ, is an organization comprised of New It is my honor to recognize Ms. Barbara PAYING TRIBUTE TO FLORENCE Jerseyans of Italian-American descent that Snopek who serves as an example of one of MURPHY, PILOT AND CO- makes contributions to many worthy charitable the best in PreK–8 school leadership and FOUNDER OF NORTH LAS VEGAS causes each year. Locally, it provides students helps to foster a greater understanding of the AIRPORT with scholarships to continue their education. principal’s key role in meeting the challenging On the international level, the society has responsibility of educating children. HON. JON C. PORTER sponsored foster children in Africa. f OF NEVADA Frank Cutrona was born in Marineo, Italy on THE LEGACY OF FAYARD IN THE HOUSE OF REPRESENTATIVES February 18, 1956. At the age of 13, his family NICHOLAS moved to America to realize the American Wednesday, February 1, 2006 dream and settled in Garfield, NJ. Frank grew HON. CHARLES B. RANGEL Mr. PORTER. Mr. Speaker, I rise today to up in Garfield and worked as a truck driver for OF NEW YORK honor the memory of Florence Murphy who Dorwin Manufacturing, located in Elmwood IN THE HOUSE OF REPRESENTATIVES died Monday January 22, at the age of 94. I Park, NJ, for 26 years. He now lives in Wednesday, February 1, 2006 recognize Florence for her accomplishments in Carlstadt with his beautiful wife, Rosa, where aviation and business, and for paving the way they run their own deli and where Frank works Mr. RANGEL. Mr. Speaker, today I rise to for other women as one of Nevada’s first fe- part-time for the Carlstadt Board of Education. recognize legendary tap dancer Fayard Nich- male pilots and the first woman to be vice The couple has two wonderful children, Jo- olas who died on Tuesday, January 24, 2006 president of an airline company. seph and Christina. Frank has been a devoted at the age of 91 and to enter into the RECORD Florence Murphy attended the University of member of the San Ciro Society for 15 years a statement remembering Nicholas prepared Nevada, Reno, for 2 years before meeting her and has served as its secretary of finance for by the National Association for the Advance- husband, John Murphy. He worked for the 7 years. ment of Colored People. State Highway Department and she was a Today, I would like to recognize Frank Nicholas was the elder half of an amazing legal secretary when they first got the chance Cutrona’s dedication to the San Ciro Society tap dance legend—The Nicholas Brothers. To- to fly in 1936. Two years later they each had and send the Garfield, NJ’s San Ciro Societa gether the show-stopping duo influenced gen- erations of dancers with their wildly creative their pilot’s licenses. Murphy earned her flight Religiosa my best wishes for their upcoming tap routines, which included slides across the instructor’s license in 1941, and 3 years later 97th annual Dinner Dance. Viva San Ciro. she became the first woman in Nevada to floor and signature no-hands leg splits. f Legends in their own time and ours, Fayard earn a commercial pilot’s license. and Harold Nicholas are best known for their She was not always welcomed in the male- HONORING BARBARA SNOPEK, unforgettable appearances in more than 30 dominated field of commercial aviation, espe- PRINCIPAL OF SAINT FRANCIS XAVIER Hollywood musicals in the 1930s and ’40s. cially when she took the controls of an airliner. They were talented singers and actors as well, At times, she had to board the plane before but Jim Crow segregationist customs kept the passengers so they could not see that a HON. DANIEL LIPINSKI them from having speaking parts. Their ar- woman was flying the plane. OF ILLINOIS tistry, choreographic genius, and unique In 1941, Florence Murphy, her husband and IN THE HOUSE OF REPRESENTATIVES style—a smooth mix of tap, jazz, ballet and their friend Bob Barrett built Sky Haven Air- Wednesday, February 1, 2006 acrobatic moves—have astonished vaudeville, port, which is now North Las Vegas Airport. theatre, film and television audiences all over The airport opened on December 7, 1941. The Mr. LIPINSKI. Mr. Speaker, I rise today to the world. Their work influenced dancers from festivities came to an abrupt end when an un- honor Barbara Snopek, Principal of Saint Gene Kelly to Fred Astaire to Debbie Allen, scheduled military plane landed and shut Francis Xavier in La Grange, Illinois and re- Gregory Hines to Savion Glover. Russian bal- down the airport with the announcement that cipient of the 2005 National Distinguished let dancer Mikhail Baryshnikov once called the Pearl Harbor had just been bombed. Flor- Principal Award. Nicholas Brothers ‘‘the most amazing dancers ence’s husband and Barrett then went to Ari- The National Distinguished Principals Pro- I have ever seen in my life—ever.’’ zona as civilian flight instructors. Florence gram was established in 1984 as an annual Born in Mobile, the brothers learned to stayed behind to keep the Sky Haven running event to honor exemplary elementary school dance while watching their musician parents during World War II. principals who set the pace, character, and who played in their own band at the old After the war, Florence met Ed Converse, a quality of the education children receive during Standard Theater—their mother at the piano Navy veteran who had started Bonanza Air- their early school years. One principal is cho- and father on drums. Fayard was 18 and Har- lines. She joined the company and eventually sen from each of the 50 states and the District old was just 11 when they became the fea- became vice president, the first woman to hold of Columbia, and this year Ms. Barbara tured act at New York’s Cotton Club in 1932. such a position with an airline. She stayed Snopek has been selected as a National Dis- They then appeared on Broadway with ‘‘The with the company until 1958, when she started tinguished Principal. Ziegfield Follies of 1936’’ and later Hollywood a real estate company with another friend, Before arriving at St. Francis in 1989, appearing in such great hits as ‘‘The Pirate’’ Larry McNeil. She remained active as a li- Snopek served as principal at St. Genevieve (1948) with Gene Kelly and Stormy Weather censed pilot until the age of 82 and as a real in Chicago and St. Suzanna in Harvey, Illinois. (1943) with Fred Astaire. estate executive until 93. In her first year at St. Francis she worked In 1981, the Brothers were honored with a Mr. Speaker, it is with great pride that I closely with the staff to create and implement retrospective of their work in films at the Acad- have the opportunity to honor the memory of new curricula for the school. Since Ms. emy Awards. Fayard received a Tony Award VerDate Sep 11 2014 13:27 Mar 08, 2017 Jkt 000000 PO 00000 Frm 00242 Fmt 0689 Sfmt 9920 E:\FDSYS\BOUNDRECORD\BOOK1\BR01FE06.DAT BR01FE06 ejoyner on DSK30MW082PROD with CONG-REC-ONLINE 700 EXTENSIONS OF REMARKS February 1, 2006 for his choreography in the Tony Award win- TRIBUTE TO NORMAN J. PERA President Clinton for their contributions to the ning Broadway show ‘‘Black and Blue’’ in 1995 White House Christmas celebration. 1989. Two years later, the brothers received a HON. ANNA G. ESHOO Graduates from the 2004 and 2005 ATTC cul- Kennedy Center Honor. Their legacy has also OF CALIFORNIA inary arts program have received over been remembered with a star on the Holly- IN THE HOUSE OF REPRESENTATIVES $90,000 in scholarships, due mainly to Mr. wood Walk of Fame and induction into the Doram’s fine teaching. Apollo Theater Hall of Fame. Even after Har- Wednesday, February 1, 2006 Prior to becoming a teacher, Mr. Doram old passed away in 2000 due to heart failure, Ms.
Recommended publications
  • CONGRESSIONAL RECORD— Extensions of Remarks E62 HON
    E62 CONGRESSIONAL RECORD — Extensions of Remarks February 1, 2006 Fayard kept their legend alive by giving lec- Norman J. Pera was born in Gary, Indiana, money in the operations of the culinary depart- tures and demonstrations until 2004, when he where he graduated from Horace Mann High ments, throughout the United States Armed suffered a stroke. School in 1939. He served honorably from Forces. Not only is the Nicholas Brother’s dance 1942 to 1946 in the U.S. Navy, including ac- The Clark County School District will greatly skill to be admired and remembered but so is tive duty in the Pacific Theater during Word miss Mr. Doram, who during his years as a their spirit. With each advancement in their ca- War II. teacher was an outstanding educator who reer, they overcame racial discrimination, Upon completing military service, he at- deeply cared about the youth of Nevada. Yet proving that even ignorance cannot dampen tended the Rose Hulman Institute of Tech- his legacy of service to the community will be one’s skills and drive. The Nicholas Brothers nology in Terre Haute, Indiana, and graduated seen for generations to come. stand as a testament and an example to all by in 1948 with a degree in Mechanical Engineer- Mr. Speaker, it is an honor that I am able finding joy in following one’s passion. I join the ing. He worked for Inland Steel of East Chi- to recognize Tyronne E. Doram today, on the NAACP in remembering Fayard Nicholas. cago, Indiana, and retired in 1982 as the As- floor of the House in front of my colleagues.
    [Show full text]
  • Focus Winter 2002/Web Edition
    OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Focus on The School of American Dance and Arts Management A National Reputation Built on Tough Academics, World-Class Training, and Attention to the Business of Entertainment Light the Campus In December 2001, Oklahoma’s United Methodist university began an annual tradition with the first Light the Campus celebration. Editor Robert K. Erwin Designer David Johnson Writers Christine Berney Robert K. Erwin Diane Murphree Sally Ray Focus Magazine Tony Sellars Photography OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Christine Berney Ashley Griffith Joseph Mills Dan Morgan Ann Sherman Vice President for Features Institutional Advancement 10 Cover Story: Focus on the School John C. Barner of American Dance and Arts Management Director of University Relations Robert K. Erwin A reputation for producing professional, employable graduates comes from over twenty years of commitment to academic and Director of Alumni and Parent Relations program excellence. Diane Murphree Director of Athletics Development 27 Gear Up and Sports Information Tony Sellars Oklahoma City University is the only private institution in Oklahoma to partner with public schools in this President of Alumni Board Drew Williamson ’90 national program. President of Law School Alumni Board Allen Harris ’70 Departments Parents’ Council President 2 From the President Ken Harmon Academic and program excellence means Focus Magazine more opportunities for our graduates. 2501 N. Blackwelder Oklahoma City, OK 73106-1493 4 University Update Editor e-mail: [email protected] The buzz on events and people campus-wide. Through the Years Alumni and Parent Relations 24 Sports Update e-mail: [email protected] Your Stars in action.
    [Show full text]
  • Completeandleft Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F
    MEN WOMEN 1. FA Frankie Avalon=Singer, actor=18,169=39 Fiona Apple=Singer-songwriter, musician=49,834=26 Fred Astaire=Dancer, actor=30,877=25 Faune A.+Chambers=American actress=7,433=137 Ferman Akgül=Musician=2,512=194 Farrah Abraham=American, Reality TV=15,972=77 Flex Alexander=Actor, dancer, Freema Agyeman=English actress=35,934=36 comedian=2,401=201 Filiz Ahmet=Turkish, Actress=68,355=18 Freddy Adu=Footballer=10,606=74 Filiz Akin=Turkish, Actress=2,064=265 Frank Agnello=American, TV Faria Alam=Football Association secretary=11,226=108 Personality=3,111=165 Flávia Alessandra=Brazilian, Actress=16,503=74 Faiz Ahmad=Afghan communist leader=3,510=150 Fauzia Ali=British, Homemaker=17,028=72 Fu'ad Aït+Aattou=French actor=8,799=87 Filiz Alpgezmen=Writer=2,276=251 Frank Aletter=Actor=1,210=289 Frances Anderson=American, Actress=1,818=279 Francis Alexander+Shields= =1,653=246 Fernanda Andrade=Brazilian, Actress=5,654=166 Fernando Alonso=Spanish Formula One Fernanda Andrande= =1,680=292 driver.=63,949=10 France Anglade=French, Actress=2,977=227 Federico Amador=Argentinean, Actor=14,526=48 Francesca Annis=Actress=28,385=45 Fabrizio Ambroso= =2,936=175 Fanny Ardant=French actress=87,411=13 Franco Amurri=Italian, Writer=2,144=209 Firoozeh Athari=Iranian=1,617=298 Fedor Andreev=Figure skater=3,368=159 ………… Facundo Arana=Argentinean, Actor=59,952=11 Frickin' A Francesco Arca=Italian, Model=2,917=177 Fred Armisen=Actor=11,503=68 Frank ,Abagnale ,Criminal ,Catch Me If You Can François Arnaud=French Canadian actor=9,058=86 Ferhat ,Abbas ,Head of State ,President of Algeria, 1962-63 Fábio Assunção=Brazilian actor=6,802=99 Floyd ,Abrams ,Attorney ,First Amendment lawyer COMPLETEandLEFT Felix ,Adler ,Educator ,Ethical Culture Ferrán ,Adrià ,Chef ,El Bulli FA,F.
    [Show full text]
  • Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
    UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body.
    [Show full text]
  • Danny Daniels Papers LSC.1925
    http://oac.cdlib.org/findaid/ark:/13030/c8tm7h6q No online items Finding Aid for the Danny Daniels Papers LSC.1925 Finding aid prepared by Douglas Johnson, 2017; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Online finding aid last updated on 2020 October 16. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections Finding Aid for the Danny Daniels LSC.1925 1 Papers LSC.1925 Contributing Institution: UCLA Library Special Collections Title: Danny Daniels papers Creator: Daniels, Danny Identifier/Call Number: LSC.1925 Physical Description: 36.2 Linear Feet(61 boxes, 3 cartons, 2 shoe boxes, 16 flat boxes, 2 oversize flat boxes) Date (inclusive): 1925-2004 Date (bulk): 1947-2004 Abstract: Danny Daniels was a tap dancer, choreographer, and entrepreneur. The collection consists primarily of material from his long career on stage and in film and television. There are also records from his eponymous dance school, as well as other business ventures. There is a small amount of personal material, including his collection of theater programs spanning five decades. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: Materials are primarily in English, with a very small portion in French and Italian. Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Physical Characteristics and Technical Requirements COLLECTION CONTAINS AUDIOVISUAL MATERIALS: This collection contains both processed and unprocessed audiovisua materials.
    [Show full text]
  • George P. Johnson Negro Film Collection LSC.1042
    http://oac.cdlib.org/findaid/ark:/13030/tf5s2006kz No online items George P. Johnson Negro Film Collection LSC.1042 Finding aid prepared by Hilda Bohem; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Online finding aid last updated on 2020 November 2. Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: https://www.library.ucla.edu/special-collections George P. Johnson Negro Film LSC.1042 1 Collection LSC.1042 Contributing Institution: UCLA Library Special Collections Title: George P. Johnson Negro Film collection Identifier/Call Number: LSC.1042 Physical Description: 35.5 Linear Feet(71 boxes) Date (inclusive): 1916-1977 Abstract: George Perry Johnson (1885-1977) was a writer, producer, and distributor for the Lincoln Motion Picture Company (1916-23). After the company closed, he established and ran the Pacific Coast News Bureau for the dissemination of Negro news of national importance (1923-27). He started the Negro in film collection about the time he started working for Lincoln. The collection consists of newspaper clippings, photographs, publicity material, posters, correspondence, and business records related to early Black film companies, Black films, films with Black casts, and Black musicians, sports figures and entertainers. Stored off-site. All requests to access special collections material must be made in advance using the request button located on this page. Language of Material: English . Conditions Governing Access Open for research. All requests to access special collections materials must be made in advance using the request button located on this page. Portions of this collection are available on microfilm (12 reels) in UCLA Library Special Collections.
    [Show full text]
  • Stardom: Industry of Desire 1
    STARDOM What makes a star? Why do we have stars? Do we want or need them? Newspapers, magazines, TV chat shows, record sleeves—all display a proliferation of film star images. In the past, we have tended to see stars as cogs in a mass entertainment industry selling desires and ideologies. But since the 1970s, new approaches have explored the active role of the star in producing meanings, pleasures and identities for a diversity of audiences. Stardom brings together some of the best recent writing which represents these new approaches. Drawn from film history, sociology, textual analysis, audience research, psychoanalysis and cultural politics, the essays raise important questions for the politics of representation, the impact of stars on society and the cultural limitations and possibilities of stars. STARDOM Industry of Desire Edited by Christine Gledhill LONDON AND NEW YORK First published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1991 editorial matter, Christine Gledhill; individual articles © respective contributors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
    [Show full text]
  • Jazz at Lincoln Center Orchestra
    Jazz at Lincoln Center Orchestra Spaces with Lil Buck and Jared Grimes WHEN: VENUE: WEDNESDAY, BING SEPTEMBER 26, 2018 CONCERT HALL 7∶30 PM Program Artists Spaces by Wynton Marsalis: Jazz at Lincoln Center Orchestra Wynton Marsalis, Ch-Ch-Ch-Chicken Music Director, Trumpet Monkey in a Tree Ryan Kisor, Trumpet Pachyderm Shout Kenny Rampton, Trumpet Leap Frogs Marcus Printup, Trumpet Mr. Penguin Please Vincent Gardner, Trombone Chris Crenshaw, Trombone — INTERMISSION — Elliot Mason, Trombone Sherman Irby, Alto and Soprano Like a Snake Saxophones, Flute, Clarinet Those Sanctified Swallows Ted Nash, Alto and Soprano Saxophones, A Nightingale Flute, Clarinet King Lion Victor Goines, Tenor and Soprano Bees Bees Bees Saxophones, Clarinet, Bass Clarinet Greg Tardy, Tenor and Soprano Saxophones, Clarinet This program is generously supported by Paul Nedzela, Baritone and Soprano Stephanie and Fred Harman and the Koret Foundation, Saxophones, Bass Clarinet with additional support from the Western States Arts Federation Dan Nimmer, Piano and the National Endowment for the Arts. Carlos Henriquez, Bass The Koret Jazz Project is a multiyear initiative to support, expand, and celebrate Charles Goold, Drums the role of jazz in the artistic and educational programming of Stanford Live. Lil Buck and Jared Grimes, Dancers Brooks Brothers is the official clothier of the Jazz at Lincoln Center Orchestra Jazz at Lincoln Center’s commissioning of Spaces was made possible, in part, with Wynton Marsalis. by a leadership gift from Jody and John Arnhold and a generous grant from the Howard Gilman Foundation. PROGRAM SUBJECT TO CHANGE. Please be considerate of others and turn off all phones, pagers, and watch alarms.
    [Show full text]
  • Advanced Beginner Tap Tap Dance Trivia Name
    Advanced Beginner Tap Tap Dance Trivia Name: __________________________________________ Period:___________ 1. Which tap dancer is famous for his “Stair Dance?” a. Jimmy Slyde b. Bill “Bojangles” Robinson c. Fred Astaire d. King Rastus Brown 2. In the 1930s, the Nicholas Brothers dance at what famous New York City club? a. The Jazz Club b. The Jazz House c. The Cotton Club d. The Vine 3. Which tap dancer is famous for appearing in movies with Shirley Temple? a. Bill “Bojangles” Robinson b. Willie Coven c. LaVaughn Robinson d. Eddie Brown 4. Which female tap dancers was known for her “machine gun” fast tapping in the 1930s and 1940s? a. Jeni LeGon b. Elenor Powell c. Ginger Rogers d. Ann Miller 5. Which tap dancer appeared with Gene Kelly and Debbie Reynolds in MGM’s “Singing in the Rain?” a. Fred Astaire b. Donald O’Connor c. Fred Kelly d. Buddy Ebsen 6. Some historians think that tap dancing is a mix of which dance forms? a. Irish Step Dance b. African Dance c. English Clog Dance d. All of the above 7. This small room in a New York club served as the “Harlem Headquarters” for tap dancers in the 1930s: a. The Hoofers Club b. The Hoofers Lounge c. The Tappers Club d. The Hoofers Corner 8. Leonard Reed is known for this tap dance routine: a. The Charleston b. The Tack Annie c. The Shim Sham Shimmy d. The Cakewalk 9. The Famous tap dancers who starred in the film “Tap” was: a. Gene Kelly b. Gregory Hines c.
    [Show full text]
  • An African American Experience with Race, Racism, and the White Aesthetic in Dance
    Final I Just Want to Get My Groove On: An African American Experience with Race, Racism, and the White Aesthetic in Dance by Tracey Owens Patton, Ph.D. Director of African American & Diaspora Studies and Associate Professor, Department of Communication & Journalism The University of Wyoming Tracey Owens Patton ([email protected] ) is Director of African American & Diaspora Studies as well as an Associate Professor of Communication in the Department of Communication and Journalism at The University of Wyoming. She earned her Ph.D. in Communication at the University of Utah. Her area of specialization is critical cultural communication and rhetorical studies. Her work is strongly influenced by critical theory, cultural studies, womanist theory, and rhetorical theory. She has authored a number of academic articles on topics involving the interdependence between race, gender, and power and how these issues interrelate culturally and rhetorically in education, media, and speeches. Dr. Patton presents her research at numerous academic conferences, and has published extensively in academic journals and books. Abstract Dance, like other sports, operates through the frame of cultural identity. However, while there may be freedom in bodily movement, the body is constrained when it comes to who is able to dance. Oftentimes dancers do not fit into a certain racial aesthetic. Using an autoethnographic approach, examples in this paper stretch over three decades to examine the question of race, power, and White aesthetic. The personal narratives shared are through the lens of an African American, non-professional dancer whose dance experiences have been solely in largely White homogenous dance studios or companies (an earlier version of this paper was presented in 2011 at the National Council for Black Studies conference in Cincinnati, Ohio.
    [Show full text]
  • Dorrance Dance Sponsored by Sherman Capital Markets, Llc
    48 DANCE DORRANCE DANCE SPONSORED BY SHERMAN CAPITAL MARKETS, LLC SOUNDspace Memminger Auditorium May 31 and June 7 at 8:00pm; June 7 and 8 at 2:30pm Artistic Director and Choreographer Michelle Dorrance, with improvisational solo work by dancers Production Manager/Technical Director Tony Mayes Lighting Designer Kathy Kaufmann Assistant Stage/Production Manager Ali Dietz Costumes Mishay Petronelli Original Live Music Greg Richardson Original Body Percussion Score Nicholas Young Dancers Megan Bartula Elizabeth Burke Warren Craft Ali Dietz (Understudy) Michelle Dorrance Karida Griffith Logan Miller Demi Remick Caleb Teicher Byron Tittle Nicholas Young PERFORMED WITHOUT AN INTERMISSION. Originally a site-specific work that explored the unique acoustics of New York City’s St. Mark’s church through the myriad sounds and textures of the feet, SOUNDspace has been adapted specifically for Spoleto Festival USA and continues to explore what is most beautiful and exceptional about tap dancing—movement as music. DORRANCE DANCE 49 DELTA TO DUSK Memminger Auditorium June 1, 2, 5, and 6 at 8:00pm; June 3 at 7:00pm Artistic Director and Choreographer Michelle Dorrance, with improvisational solo work by dancers Production Manager/Technical Director Tony Mayes Lighting Designer Kathy Kaufmann Assistant Stage/Production Manager Ali Dietz Costumes Mishay Petronelli, Michelle Dorrance, Andrew Jordan Music Toshi Reagon, Etta James, Muddy Waters, Chris Whitley, The Beatles, Regina Spektor, Fiona Apple, the Squirrel Nut Zuppers, Manu Chao, Radiohead,Stevie Wonder. Dancers Megan Bartula Elizabeth Burke Warren Craft Ali Dietz (Understudy) Michelle Dorrance Karida Griffith Logan Miller Carson Murphy Claudia Rahardjanoto Demi Remick Caleb Teicher Byron Tittle Nicholas Young PERFORMED WITHOUT AN INTERMISSION.
    [Show full text]
  • Schooltime Performance Series Beats, Rhymes and Tap Shoes
    teacher resource guide schooltime performance series beats, rhymes and tap shoes with Maurice Chestnut about the performance Explosive, rhythmic, soulful, and beautiful. Lincoln Center’s Jazz for Young People (JFYP) program. and Midnight Marauders. ATCQ’s debut was heralded Beats, Rhymes and Tap Shoes with Maurice Chestnut is For Lincoln Center’s JALCYO (Jazz at Lincoln Center as groundbreaking and revolutionary. They brought an innovative journey through tap dance, celebrating Youth Orchestra) programs, he is an instructor and a laid-back, playful element to rap while widening the the music of the seminal rap group A Tribe Called Quest. ensemble leader. For Jazz House Kids, a New Jersey vocabulary and emotional landscape that rappers Created by Newark, New Jersey native and dance community arts organization dedicated to educating could inhabit. They did not have a tough-guy image impresario Maurice Chestnut, and with musical direction children through jazz, he is also a drum instructor and compared to other groups and hip-hop artists at the by Jerome Jennings, this interactive performance highlights ensemble leader. At NJPAC, Jennings is a teen mentor, time. The group was having fun and didn’t seem to the jazz sampling that is part of A Tribe Called Quest’s ensemble coach and drum instructor. take themselves too seriously in songs like “I Left DNA. The performance by tap dancers and a live band As a drummer, he has performed at every major jazz My Wallet in El Segundo.” The group also brought will also explore the social issues of today, which are club in the New York City area: the Village Vanguard, in samples from jazz, R&B, and rock artists—like Lou present in the songs of this classic hip-hop unit.
    [Show full text]