2004 Research and Development Exchange Workshop Proceedings
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R-r.>»* . V •>. SUSS CARMAN From a photographic study by J, Vanderpant, F.R.P S. 082 BLISS CARMAN HIS STATUS IN THE ANNALS OF CANADIAN LITERATURE i <";, * BIBUOTH&UfS # y~^\ \, ^Ottawa LIBRARIES • BT M.S. MCCRACKEN B.A. - 1936 - UMI Number: EC55953 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform EC55953 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 CONTENTS Chapter Page Preface i 1 Life 1 11 Early Poems 18 111 Transition 49 IV Later Poetry 101 7 Contemporary Comments 112 Bibliography. 119 THE BOOKS OF BLISS CARMAN LOW TIDE ON GRAND PRE A Book of Lyrics 1893. SONGS FROM VAGABONDIA (with Richard Hovey) 1894. BEHIND THE ARRAS A Book of the Unseen 1895. A SEAMARK A Threnody for B..L. Stevenson 1895. MORE SONGS FROM VAGABONDIA (with R. Hovey) 1896. BALLADS OF LOST HAVEN A Book of the Sea 1897. BY THE AURELIAN WALL AND OTHER ELEGIES 1898. A WINTER HOLIDAY 1899. LAST SONGS FROM VAGABONDIA (withR. -
Commencement1978.Pdf (5.368Mb)
Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/commencement1978 ORDER OF PROCESSION MARSHALS JOHN BARTH FRANCIS E. ROURKE PAUL DANIELS THOMAS W. SIMPSON ARCHIE S. GOLDEN CHARLES R. WESTGATE GERALD S. GOTTERER J. WENDELL WIGGINS JAMES H. HUSTIS III KENNETH T. WILBURN MARGARET E. KNOPF M. GORDON WOLMAN ROBERT A. LYSTAD JOHN P. YOUNG THE GRADUATES * MARSHALS ROGER A. HORN PAUL R. OLSON THE DEANS MEMBERS OF THE SOCIETY OF SCHOLARS OFFICERS OF THE UNIVERSITY THE TRUSTEES * MARSHALS OWEN M. PHILLIPS OREST RANUM THE FACULTIES CHIEF MARSHAL EDYTH H. SCHOENRICH THE CHAPLAINS THE HONORARY DEGREE CANDIDATES THE PROVOST OF THE UNIVERSITY THE CHAIRMAN OF THE BOARD OF TRUSTEES THE PRESIDENT OF THE UNIVERSITY * ORDER OF EVENTS STEVEN MULLER President of the University, presiding * * # FANFARE PROCESSIONAL The audience is requested to stand as the Academic Procession moves into the area and to remain standing after the Invocation. " Trumpet Voluntary " Henry Purcell The Peabody Wind Ensemble Richard Higgins, Director * INVOCATION REV. CHESTER W1CK.WIRE Chaplain, The Johns Hopkins University * THE NATIONAL ANTHEM * GREETINGS ROBERT D. H. HARVEY Chairman of the Board of Trustees * PRESENTATION OF NEW MEMBERS OF THE SOCIETY OF SCHOLARS ARTHUR ADEL WILLARD E. GOODWIN ROBERT AUSTRIAN SAMIR S. NAJJAR JOHN HOWIE FLINT BROTHERSTON KENNETH L. PICKRELL DORLAND JONES DAVIS OSCAR D. RATNOFF RAY E. TRUSSELL SCHOLARS PRESENTED BY RICHARD LONGAKER Provost of the University " Sonata From Die Bankelsangerlieder ANONYMOUS (c. 1684) * CONFERRING OF HONORARY DEGREES ALEXANDER DUNCAN LANGMUIR FRANCIS JOHN PETTIJOHN VIRGIL THOMSON JOHN ROBERT EVANS PRESENTED BY RICHARD LONGAKER ADDRESS JOHN ROBERT EVANS President, University of Toronto CONFERRING OF DEGREES ON CANDIDATES BACHELORS OF ARTS Presented by SIGMUND R. -
Robert Norwood and the Development of a Nova Scotian Literary Tradition, 1885-1932
Henry Raper A "High Anglican Pagan" and His Pupil: Charles G. D. Roberts, Robert Norwood and the Development of a Nova Scotian Literary Tradition, 1885-1932 I When Robert Norwood died in 1932 at the age of 58, he was firmly es tablished as one of the leaders or the Protestant Episcopal Church in the United States. His sermons as Rector of St. Bartholomew's on Park Avenue in New York City were delivered to packed congregations of more than 1,000 people. During his seven years there (1925-1932), he became widely known for his outspoken pronouncements. "I will be perfectly frank and admit that I say the Apostles' Creed only because I am expected to say it," is but one example of his startling assertions from the pulpit. He had no hesitation in informing a group of female New York socialities, after rebuking some of them for whispering while he was giving an address, that Americans "were the most impolite people on the face of the planet." He also publicly attacked Prohibition.1 In 1928 Norwood became the subject of an article in Time magazine when a number of clergymen in his native Nova Scotia wrote to their bishop, C. L. Worrell, protesting against his preaching on the ground that · it was "disposed to shake the faith of the people" (Halifax Chronicle, 29 & 30 Aug. 1928: 1).2 When, shortly before his death, he defended himself from the pulpit against rumors that he was lax in his parochial visiting, Norwood's comments were sufficiently newsworthy to result in articles in the New York Times and the Literary Digest.3 52 DALHOUSIE REVIEW Rhetoric does not necessarily translate well to the printed page. -
The Graphic Art of Thomas Buford Meteyard
The graphic art of Thomas Buford Meteyard The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Finlay, Nancy. 1990. The graphic art of Thomas Buford Meteyard. Harvard Library Bulletin 1 (2), Summer 1990: 50-66. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42661198 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 50 The Graphic Art of Thomas Buford Meteyard Nancy Finlay "Late at night, by a fire of apple logs on the brick hearth, in a little room with pale green walls and white doors, the wood-engraver sits at his table, carving an initial for the Salt Marsh Press, while the lamp lights up his studious forehead and thin hands ... " (CourrierInnocent, No. VII, Spring, 1897) he little room described above, and depicted in a wood-engraving (figure 1) T by Thomas Buford Meteyard (1865-1928), was located in Testudo, Meteyard's seaside home in Scituate, Massachusetts. The print, which depicts Meteyard's friend the architect Bertram Grosvenor Goodhue, appeared in a little journal known as the CourrierInnocent. The text was written by Bliss Carman, a well-known Cana- dian poet; other literary contributors included the American poet Richard Hovey, and Goodhue's architectural partner, Ralph Adams Cram. Both Goodhue and another friend, the English expatriate artist Dawson Dawson-Watson, also contributed wood- cuts to the publication. -
The First Translations of Walt Whitman’S Leaves of Grass Into Catalan, French and Spanish: the Special Case of Cebrià Montoliu
ADVERTIMENT. Lʼaccés als continguts dʼaquesta tesi queda condicionat a lʼacceptació de les condicions dʼús establertes per la següent llicència Creative Commons: http://cat.creativecommons.org/?page_id=184 ADVERTENCIA. El acceso a los contenidos de esta tesis queda condicionado a la aceptación de las condiciones de uso establecidas por la siguiente licencia Creative Commons: http://es.creativecommons.org/blog/licencias/ WARNING. The access to the contents of this doctoral thesis it is limited to the acceptance of the use conditions set by the following Creative Commons license: https://creativecommons.org/licenses/?lang=en Universitat Autònoma de Barcelona Departament de Traducció, Interpretació i Estudis d’Asia Oriental THE FIRST TRANSLATIONS OF WALT WHITMAN’S LEAVES OF GRASS INTO CATALAN, FRENCH AND SPANISH: THE SPECIAL CASE OF CEBRIÀ MONTOLIU TESIS DOCTORAL AUTORA A Kaiser DIRECTOR Francesc Parcerisas i Vázquez Departament de Traducció, Interpretació i Estudis d’Asia Oriental Universitat Autònoma de Barcelona Bellaterra, June 2017 Universitat Autònoma de Barcelona Departament de Traducció, Interpretació i Estudis d’Asia Oriental THE FIRST TRANSLATIONS OF WALT WHITMAN’S LEAVES OF GRASS INTO CATALAN, FRENCH AND SPANISH: THE SPECIAL CASE OF CEBRIÀ MONTOLIU DOCTORAL THESIS PRESENTED by A Kaiser DIRECTED by Francesc Parcerisas i Vázquez Signature of the Author Signature of the Director Bellaterra, June 2017 To Cebrià Montoliu and his discreet yawp for the utopia of a democratic world. THANKS I would first of all like to thank my thesis advisor, Francesc Parcerisas, poet, translator and Professor Emeritus at the Universitat Autònoma de Barcelona. He has been a wise and patient guide throughout this multifarious adventure. -
Walt Whitman and the Modern Movement in American Poetry
Of THE UNfVERSIiy at ILLINOi3 Digitized by the Internet Archive in 2013 http://archive.org/details/waltwhitmanmoderOOseys WALT WHITMAN AND THE MODERN MOVEMENT IN AMERICAN POETRY BY LOIS FERNE SEYSTER THESIS For the Degree of BACHELOR OF ARTS IN ENGLISH COLLEGE OF LIBERAL ARTS AND SCIENCES OF THE UNIVERSITY OF ILLINOIS 1919 UNIVERSITY OF ILLINOIS i£L~*6../£ 191.Z THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY ^rf^irrC. ^d^<*&^. ENTITLED Iri^^*^^^^. "^r^Tr.T*. .-rr^f?±< ^^.f^^*^<. IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF. ^ C Tg-M- Instructor in Charge Approved ; <* /' HEAD OF DEPARTMENT OF ~7^.lif^.. UIUC TABLE OP CONTENTS FOR WALT WHITMAN AND THE MODERN MOVEMENT IN AMERICAN POETRY. I, The Motives that Prompted Whitman to Establish a New Verse-form. II. The Relation of Whitman f s Verse-form to Free Verse. lH.The Modern Writers of Free verse --a Comparison With Whitman: a. Carl Sandburg b. James Oppenheim c. Edgar Lee Masters d. "Des Imagistes" Amy Lowell, H.D. Conclusion. BIBLIOGRAPHY Braithwaite, V/illiam Stanley, Introduction to Anthology of Magazine Verse, Lawrence J. Gorame 1916. Braithwaite, William Stanley, "The Past Year's Poetry" Literary Digest 31:12:145 Dec. 4, 1915. Bredvold, Louis, "Review of Walt Whitman , . A Critical Study by De Selincourt ". Dial 57: 17-8 July 1, 1914. Bennett, Arnold, Old Wives Tales Hodder amd Stoughton. Carpenter, George, Walt Whitman, Macmillan Co. 1909. DeSelincourt, Basil Walt Whitman , A Critical Study Mitchell Kennerly 1914. DeMaupassant , Guy Une Vie Pearson Publishing Co.