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The New Hong Kong Cinema and the "Déjà Disparu" Author(S): Ackbar Abbas Source: Discourse, Vol
The New Hong Kong Cinema and the "Déjà Disparu" Author(s): Ackbar Abbas Source: Discourse, Vol. 16, No. 3 (Spring 1994), pp. 65-77 Published by: Wayne State University Press Stable URL: http://www.jstor.org/stable/41389334 Accessed: 22-12-2015 11:50 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Wayne State University Press is collaborating with JSTOR to digitize, preserve and extend access to Discourse. http://www.jstor.org This content downloaded from 142.157.160.248 on Tue, 22 Dec 2015 11:50:37 UTC All use subject to JSTOR Terms and Conditions The New Hong Kong Cinema and the Déjà Disparu Ackbar Abbas I For about a decade now, it has become increasinglyapparent that a new Hong Kong cinema has been emerging.It is both a popular cinema and a cinema of auteurs,with directors like Ann Hui, Tsui Hark, Allen Fong, John Woo, Stanley Kwan, and Wong Rar-wei gaining not only local acclaim but a certain measure of interna- tional recognitionas well in the formof awards at international filmfestivals. The emergence of this new cinema can be roughly dated; twodates are significant,though in verydifferent ways. -
ASIAN Athletics 2 0 1 7 R a N K I N G S
ASIAN athletics 2 0 1 7 R a n k i n g s compiled by: Heinrich Hubbeling - ASIAN AA Statistician – C o n t e n t s Page 1 Table of Contents/Abbreviations for countries 2 - 3 Introduction/Details 4 - 9 Asian Continental Records 10 - 60 2017 Rankings – Men events 60 Name changes (to Women´s Rankings) 61 - 108 2017 Rankings – Women events 109 – 111 Asian athletes in 2017 World lists 112 Additions/Corrections to 2016 Rankings 113 - 114 Contacts for other publications etc. ============================================================== Abbreviations for countries (as used in this booklet) AFG - Afghanistan KGZ - Kyrghizstan PLE - Palestine BAN - Bangladesh KOR - Korea (South) PRK - D P R Korea BHU - Bhutan KSA - Saudi Arabia QAT - Qatar BRN - Bahrain KUW - Kuwait SGP - Singapore BRU - Brunei LAO - Laos SRI - Sri Lanka CAM - Cambodia LBN - Lebanon SYR - Syria CHN - China MAC - Macau THA - Thailand HKG - Hongkong MAS - Malaysia TJK - Tajikistan INA - Indonesia MDV - Maldives TKM - Turkmenistan IND - India MGL - Mongolia TLS - East Timor IRI - Iran MYA - Myanmar TPE - Chinese Taipei IRQ - Iraq NEP - Nepal UAE - United Arab E. JOR - Jordan OMA - Oman UZB - Uzbekistan JPN - Japan PAK - Pakistan VIE - Vietnam KAZ - Kazakhstan PHI - Philippines YEM - Yemen ============================================================== Cover Photo: MUTAZ ESSA BARSHIM -World Athlet of the Year 2017 -World Champion 2017 -World 2017 leader with 2.40 m (achieved twice) -undefeated during the 2017 season 1 I n t r o d u c t i o n With this booklet I present my 29th consecutive edition of Asian athletics statistics. As in the previous years I am very grateful to the ASIAN ATHLETICS ASSOCIATION and its secretary and treasurer, Mr Maurice Nicholas as well as to Mrs Regina Long; without their support I would not have been able to realise this project. -
The Filmic Bodies of Wong Kar-Wai
The Filmic Bodies of Wong Kar-wai Louise Malcolm A Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy School of Arts and Media University ofNew South Wales August 2013 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Malcolm First name: Louise Other name/s: Anne Abbreviation for degree as given in the University calendar: PhD School: Arts and Media Faculty: Arts and Social Sciences Title: The Filmic Bodies of Wong Kar-wai Abstract 350 words maximum: (PLEASE TYPE) This thesis analyses the films of Wong Kar-wai as important examples of affective film performance. It ~xp l ores the particular performative and cinematic techniques found in his work. Through the close examination of these techniques this thesis suggests how Wong creates conditions for spectators to engage bodily with performing bodies on screen. The thesis treats film performance as a matter of film style, seeing it as always constructed through combinations of the performing body, the camera and the edit. It approaches performance on film as a filmic body; an amalgam of performative and cinematic techniques inextricably melded together. This thesis sets up fragmentation as the key trait of Wong's film style, central to his filmic bodies and to the way spectators may engage affectively with them. In particular, the thesis addresses how multiple levels of fragmentation, both performative and cinematic, operate in concert. Visual, temporal and spatial tragmentation are analysed as central components of Wong's filmic bodies in this regard. Further, this stylistic analysis suggests a notion of affective intertextuality, based on stylistic connections between his films, as vital to how spectators can engage bodily with his filmic bodies. -
Asia-Top10-2014
A S I A N A T H L E T I C S TOP 10 R A N K I N G S 2 0 1 4 - compiled by Heinrich Hubbeling, ASIAN AA Statistician - M E N e v e n t s 100 m / automatic timing 9.93 +0.4 AR Femi Seun Ogunode QAT 150591 1 Incheon 28.09.14 10.05 +1.6 AJR Yoshihide Kiryu JPN 151295 1rA Kumagaya 17.05.14 10.10 +0.4 Su Bingtian CHN 290889 2 Incheon 28.09.14 10.13 +0.7 Kei Takase JPN 251188 1 Hiroshima 29.04.14 10.14 +0.1 Ryota Yamagata JPN 100692 1s2 Kumagaya 05.09.14 10.17 +0.2 Zhang Peimeng CHN 130387 3s2 Incheon 28.09.14 10.21 +1.6 Asuka Cambridge JPN 310593 2rA Kumagaya 17.05.14 10.22 +1.1 Hasan Taftian IRI 040593 1 Almaty 14.06.14 10.22 +1.8 Yusuke Kotani JPN 230989 1r2 Fuse 29.06.14 10.22 +1.0 Pan Xinyue CHN 170193 1 Jinhua 06.07.14 irregular auto-timing 10.08 +1.7 Jirapong Meenapra THA 110593 1h3 Nakhon Ratchas. 11.12.14 wind-aided 10.08 +2.7 Zhang Peimeng CHN 130387 7 Eugene 31.05.14 10.10 +3.4 Sota Kawatsura JPN 190689 1 Austin 29.03.14 10.19 +3.0 Takuya Kawakami JPN 080695 1h3 Taipei 12.06.14 10.20 +2.2 Reza Ghasemi IRI 240787 1 Oordegem 05.07.14 10.21 +3.4 Yuki Koike JPN 130595 3 Austin 29.03.14 10.22 +2.6 Samuel Francis QAT 270387 1 Plovdiv 12.07.14 200 m / automatic timing 20.06 +1.7 Femi Seun Ogunode QAT 150591 1 Sofia 28.06.14 20.34 +1.7 Kei Takase JPN 251188 1h3 Fukuroi 03.05.14 20.39 +0.8 Shota Iizuka JPN 250691 1rA Fukuroi 03.05.14 20.41 0.0 Shota Hara JPN 180792 1 Yokohama 25.05.14 20.44 +1.8 Masafumi Naoki JPN 191193 1h4 Fukuroi 03.05.14 20.44 -0.3 NR Xie Zhenye CHN 170893 1 Suzhou 11.10.14 20.45 +0.6 Kotaro Taniguchi JPN 031194 1rB Fukuroi -
The Ambivalent Identity of Wong Kar-Wai's Cinema
Université de Montréal The ambivalent identity of Wong Kar-wai’s cinema par Ludmila Moreira Macedo de Carvalho Département de Littérature Comparée Faculté des Arts et des Sciences Thèse présentée à la Faculté des études supérieures et postdoctorales en vue de l’obtention du grade de Ph.D. en Littérature option Littérature et cinéma Juin 2009 Copyright Ludmila Moreira Macedo de Carvalho, 2009 Université de Montréal Faculté des Arts et des Sciences Cette thèse intitulée The ambivalent identity of Wong Kar-wai’s cinema présentée par : Ludmila Moreira Macedo de Carvalho a été évaluée par un jury composé des personnes suivantes : Savoy, Eric Président-rapporteur Lu, Tonglin Directrice de recherche Vigo, Julian Membre du jury Liu, Kang Examinateur externe Garneau, Michèle Représentante du doyen de Faculté ii Sommaire Ayant réalisé neuf longs-métrages entre 1988 et 2007, aussi que plusieurs campagnes publicitaires, vidéo-clips, courts-métrages et projets collectifs, Wong Kar- wai est un des réalisateurs contemporains les plus importants actuellement. Issu de l'industrie cinématographique fortement commerciale de Hong Kong, Wong est parvenu à attirer l'attention du circuit international des festivals de cinéma avec son style visuel unique et son récit fragmenté. Considéré par plusieurs critiques comme le poète de la recherche d’identité de Hong Kong après 1997, Wong Kar-wai défie toutes les tentatives de catégorisation. L’étude qui se poursuivit ici a donc pour objet essentiel de fournir une analyse attentive et complète de son oeuvre, tout en se concentrant sur les traits stylistiques qui donnent à ses films une unité. Ces caractéristiques correspondent à une certaine façon de raconter des histoires, de composer des personnages et des récits, de manipuler le temps et d'utiliser des ressources techniques de sorte que ses films offrent une identité cohérente. -
Newsletter 35
Hong Kong Film Archive Quarterly 35 Newsletter 02.2006 17 Editorial@ChatRoom 3 The Glorious Modernity of Kong Ngee 6 The Nanyang Connection 9 The Cultural Map of Locations 12 Our Pilgrimage to the US 14 Film Conservation Jargons The Glorious Modernity of Kong Ngee www.filmarchive.gov.hk Published in April 2006 Hong Kong Film Archive Head Angela Tong Section Heads Venue Mgt Rebecca Lam IT Systems Lawrence Hui Acquisition Mable Ho Conservation Edward Tse Resource Centre Chau Yu-ching [[email protected]] Research Wong Ain-ling Editorial Kwok Ching-ling It’s Film Festival Time Again Programming Sam Ho Winnie Fu Every year, the Hong Kong Film Archive organises the Hong Kong retrospective programme and produces a book on the topic to complement the Hong Kong International Film Festival in April. The Film Festival celebrates Newsletter its 30th anniversary this year. Retrospective catalogues published in the past two decades have become Editors Kwok Ching-ling indispensable reference materials for researchers of Hong Kong cinema. Since the HKFA took over the reins of the Edith Chiu retrospective five years ago, we have explored Cathay and Shaw Studios, as well as the development of the film industry and network between Hong Kong and Guangdong. The latest topic—Kong Ngee and its relationship 50 Lei King Road, Sai Wan Ho, Hong Kong with Hong Kong and Singapore cinema—finetunes the limelight of Hong Kong film studies on interactions between Tel: 2739 2139 Hong Kong and Singapore/Malaysia. Fax: 2311 5229 The book’s title The Glorious Modernity of Kong Ngee is editor Wong Ain-ling’s open appreciation for Kong E-mail: [email protected] Ngee’s urban modernity, while Sam Ho and his colleagues’ special visit to Mr Ho Kian-ngiap in Singapore adds Design: TomSenga Design Printing: Quality Printing Limited different angles to the study of Hong Kong cinema (see pp 3-8). -
Indoor Athletics Arena Indoor Athletics Ýapyk Bina Ýeňil Atletika Toplumy Ýeňil Atletika
Indoor Athletics Arena Indoor Athletics Ýapyk bina ýeňil atletika toplumy Ýeňil atletika MON 18 SEP 2017 Daily Competition Schedule REVISED 18 SEP 12:24 Time Event Round 9:00 Women's Pentathlon 60m Hurdles Heat 1 9:06 Women's Pentathlon 60m Hurdles Heat 2 9:15 Men's 800m Round 1 Heat 1 9:24 Men's 800m Round 1 Heat 2 9:33 Men's 800m Round 1 Heat 3 9:42 Men's 800m Round 1 Heat 4 9:50 Women's Pentathlon High Jump 9:55 Women's 800m Round 1 Heat 1 10:02 Women's 800m Round 1 Heat 2 10:20 Men's 400m Round 1 Heat 1 10:26 Men's 400m Round 1 Heat 2 10:32 Men's 400m Round 1 Heat 3 10:38 Men's 400m Round 1 Heat 4 10:44 Men's 400m Round 1 Heat 5 10:50 Men's 400m Round 1 Heat 6 11:00 Women's 400m Round 1 Heat 1 11:06 Women's 400m Round 1 Heat 2 11:12 Women's 400m Round 1 Heat 3 11:30 Men's 3000m Round 1 Heat 1 11:42 Men's 3000m Round 1 Heat 2 12:00 Women's 60m Hurdles Round 1 Heat 1 12:05 Women's Pentathlon Shot Put 12:06 Women's 60m Hurdles Round 1 Heat 2 12:15 Men's 60m Hurdles Round 1 Heat 1 12:25 Men's 60m Hurdles Round 1 Heat 2 17:00 Women's Pentathlon Long Jump 17:05 Women's High Jump Final 17:40 Men's Pole Vault Final 17:45 Men's Shot Put Final 18:00 Women's Pentathlon 800m 18:20 Men's 60m Hurdles Final 18:28 Women's Long Jump Final 18:35 Women's 60m Hurdles Final 18:45 Women's High Jump Medal Ceremony 18:50 Women's Pentathlon Medal Ceremony 19:05 Women's 3000m Final 19:23 Men's 400m Semi-Final 1 19:30 Men's 400m Semi-Final 2 19:37 Men's 400m Semi-Final 3 19:40 Men's 60m Hurdles Medal Ceremony 19:45 Women's 60m Hurdles Medal Ceremony 19:55 Women's -
Bart Testa on Boat People Filmography 1 the Higher Learning
Bart Testa on Boat People Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films mentioned or discussed during the event A Simple Life (Tao jie). Dir. Ann Hui, 2012, Hong Kong. 118 mins. Production Co.: Bona International Film Group/Focus Films/Sil-Metropole Organization. Boy from Vietnam. Dir. Ann Hui, 1978, Hong Kong. Runtime unknown. Production Co.: unknown. Boat People (Tau ban no hoi). Dir. Ann Hui, 1982, Hong Kong. 109 mins. Production Co.: Bluebird Movie Enterprises Ltd. Song of the Exile (Ke tu qiu hen). Dir. Ann Hui, 1990, Hong Kong, 100 mins. Production Co.: Cos Group. The Story of Woo Viet (Woo Yuet dik goo si). Dir. Ann Hui, 1981, Hong Kong. 90 mins. Production Co.: Pearl City Films. The Secret (Fung gip). Dir. Ann Hui, 1979, Hong Kong. 85 mins. Production Co.: Unique. The Spooky Bunch (Zhuang dao zheng). Dir. Ann Hui, 1980, Hong Kong. 97 mins. Production Co.: Hi- Pitch Productions. The Way We Are (Tin shui wai dik yat yu ye). Dir. Ann Hui, 2008, Hong Kong. 90 mins. Production Co.: Class Limited / Mega-Vision Pictures. -
A Different Brilliance—The D & B Story
1. Yes, Madam (1985): Michelle Yeoh 2. Love Unto Wastes (1986): (left) Elaine Jin; (right) Tony Leung Chiu-wai 3. An Autumn’s Tale (1987): (left) Chow Yun-fat; (right) Cherie Chung 4. Where’s Officer Tuba? (1986): Sammo Hung 5. Hong Kong 1941 (1984): (from left) Alex Man, Cecilia Yip, Chow Yun-fat 6. It’s a Mad, Mad, Mad World (1987): (front row from left) Loletta Lee, Elsie Chan, Pauline Kwan, Lydia Sum, Bill Tung; (back row) John Chiang 7. The Return of Pom Pom (1984): (left) John Sham; (right) Richard Ng 8. Heart to Hearts (1988): (from left) Dodo Cheng, George Lam, Vivian Chow Pic. 1-8 © 2010 Fortune Star Media Limited All Rights Reserved Contents 4 Foreword Kwok Ching-ling, Wong Ha-pak 〈Chapter I〉 Production • Cinema Circuits 10 D & B’s Development: From Production Company to Theatrical Distribution Po Fung Circuit 19 Retrospective on the Big Three: Dickson Poon and the Rise-and-Fall Story of the Wong Ha-pak D & B Cinema Circuit 29 An Unconventional Filmmaker—John Sham Eric Tsang Siu-wang 36 My Days at D & B Shu Kei In-Depth Portraits 46 John Sham Diversification Strategies of a Resolute Producer 54 Stephen Shin Targeting the Middle-Class Audience Demographic 61 Linda Kuk An Administrative Producer Who Embodies Both Strength and Gentleness 67 Norman Chan A Production Controller Who Changes the Game 73 Terence Chang Bringing Hong Kong Films to the International Stage 78 Otto Leong Cinema Circuit Management: Flexibility Is the Way to Go 〈Chapter II〉 Creative Minds 86 D & B: The Creative Trajectory of a Trailblazer Thomas Shin 92 From -
Results from ASIA 2011-05 on THE
With permission from, Heinrich Hubbeling, statistician for IAAF and ASIAN AA. 7th Digest Edition Results from ASIA 2011-07 ON THE TRACK SAUDI ARABIA GCC Regional Championships at Makkah / 02. – 04.04.2011 (-courtesy of the KSA-Federation – website -) - these championships were held for Senior Men & Youth Boys categories with athletes from the 6 GULF countries; however, Bahrain entered only few Youth Boys and did not particpate in the Senior Champs and overall several TOP athletes (such as from QAT) did not compete in these Regional Champs – - following are detailed results for Men events & the results for all winners plus additional best performances for the Youth category; unfortunately times in some middle- and long-distance events on 2nd day were recorded in full seconds only and can not be valued for statistics – Men: 100 m (2)/ 0.0: Barakat M.Al-Harthi OMA 10.30; Femi Seun Ogunode QAT 10.34; Yasser Belghith Al-Nashiri KSA 10.57; Yahya Hassan Habib KSA 10.61; Ahmed Jouma Sanqour Al-Zaabi UAE 10.71; Essa Abdullah Al-Yoha KUW 10.72; Fahad Khamis Al-Jabri OMA 10.82; -heats- (2) h1/+1.2: Al-Harthi 10.32; Ogunode 10.44; Al-Nashiri 10.61; h2/+1.2: Al-Zaabi 10.69; Habib 10.75; Al-Jabri 10.77; 200 m (4)/ 0.0: Femi Seun Ogunode QAT 20.79; Abdullah Saeed Al-Sooli OMA 21.05; Yahya Salem Al-Nofali OMA 21.21; Hamed Hamadan Al-Bishi KSA 21.22; 400 m (2): Ismail Mohamed Al-Sabyani KSA 46.78; Mohamed Ali Al-Bishi KSA 47.89; Obaid Abdullah Al-Quraini OMA 48.31; Youssef Karam Mohamed Daher KUW/93 48.55; Othman Ali Al-Bousaidi OMA/92 48.98; 800 m (3)/times -
The Circulation of Chinese Cinemas in the UK: Studies in Taste, Tastemaking and Film Cultures
The Circulation of Chinese Cinemas in the UK: Studies in Taste, Tastemaking and Film Cultures A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2017 Fraser W. Elliott School of Arts, Languages and Cultures List of Contents List of Figures ........................................................................................................... 4 Abstract .................................................................................................................... 5 Declaration ............................................................................................................... 6 Copyright Statement ................................................................................................. 7 Acknowledgements .................................................................................................. 8 The Author ............................................................................................................... 9 Introduction ........................................................................................................... 10 Studies of film circulation ............................................................................................ 11 A new methodological approach ................................................................................ 18 A note on structure ..................................................................................................... 25 1. Curiosity is Awakened: Incompatibility -
20Th Asian Athletics Championships
20th Asian Athletics Championships-2013 * 03rd to 07th July 2013 * Pune, Maharastra, INDIA * *~*~* Final Results *~*~* Event # 1 MENS 100m Time:-19:15 Hrs 04/07/2013 # W.R.:-:USAIN BOLT JAM,BERLIN,GER 9.58 16-8-2009 % A.R.:-:Samuel Francis QAT;Amman 9.99 26.07.2007 &M.R.:-:S.Francis QAT; Amman 9.99 26.07.2007 Final 1 SU BINGTIAN 29/08/89 CHN -0.3m/s 10.17 2 SAMUEL ADELEBARI FRANCIS 27/03/87 QAT -0.3m/s 10.27 3 BARAKAT AL HARTHI 15/06/88 OMA -0.3m/s 10.30 4 REZA GHASEMI 24/07/87 IRI -0.3m/s 10.37 5 FAHAD MOHAMMED ALSUBAIE 04/02/94 KSA -0.3m/s 10.48 6 NG KA FUNG 27/10/92 HKG -0.3m/s 10.52 7 NAOKI TSUKAHARA 10/05/85 JPN -0.3m/s 10.54 8 HASSAN TAFTIAN 04/05/93 IRI -0.3m/s 10.54 Semi Final-1 1 SU BINGTIAN 29/08/89 CHN -1.1M/S 10.37 2 REZA GHASEMI 24/07/87 IRI -1.1M/S 10.38 3 FAHAD MOHAMMED ALSUBAIE 04/02/94 KSA -1.1M/S 10.48 4 TSUI CHI HO 17/02/90 HKG -1.1M/S 10.52 5 ANIRUDDH KALIDAS GUJJAR 14/11/90 IND -1.1M/S 10.59 6 MOHAMED SALMAN 04/04/92 BRN -1.1M/S 10.86 EID ABDULLA E A AL KUWARI 04/02/93 QAT DQ SOTA KAWATSURA 19/06/89 JPN DQ Semi Final-2 1 BARAKAT AL HARTHI 15/06/88 OMA -0.5M/S 10.27 2 SAMUEL ADELEBARI FRANCIS 27/03/87 QAT -0.5M/S 10.30 3 HASSAN TAFTIAN 04/05/93 IRI -0.5M/S 10.32 4 NAOKI TSUKAHARA 10/05/85 JPN -0.5M/S 10.44 5 NG KA FUNG 27/10/92 HKG -0.5M/S 10.47 6 ALI AL DOSERI 02/03/83 BRN -0.5M/S 10.59 7 LIAQAT ALI 06/08/83 PAK -0.5M/S 10.64 8 SAPWATUR RAHMAN 13/05/94 INA -0.5M/S 10.78 Heat-1 1 REZA GHASEMI 24/07/87 IRI -0.2m/s 10.41 2 NG KA FUNG 27/10/92 HKG -0.2m/s 10.51 3 ALI AL DOSERI 02/03/83 BRN -0.2m/s 10.72 4 KRITSADA NAMSUWAN