DOCSLIB.ORG

Twilight Too Soon

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Twilight Too Soon Copyright 2014 2 Twilight Too Soon Michael I. Burke Copyright 2008 “Only God sees the sparrow fall; but even God doesn’t do anything about it” -- John Steinbeck 2 Twilight Too Soon Michael I. Burke Copyright 2008 For Christopher and Lia, who will never know their brother; for Matthew, may it help him remember; for the Colorado cousins, who knew Timothy only through the occasional photo; and for all those who did not know Timothy as well as they might have. For Melissa, who challenged my doubt and differences with God; and posed the suggestion that God might have honored Timothy’s prayers to go, instead of my prayers for him to stay. This is a mostly-true story. I found as I was thinking back as I wrote this that my memory has failed me in some areas. I don’t know if it is the span of time, my poor memory, or the fact that I was too panicked to remember details. In some places I may have left some details out; in others I may have added some touches that never really happened; I may have created conversations with people that happened with others. But, all of the characters are real. Except for Grandma. She’s a composite character made up of a number of people that I know, myself included. I skipped the names of the doctors and nurses so that I don’t risk slighting anyone. I will forever appreciate their hard work and true concern across those six days. In one scene I reference a friend with whom I had a deep conversation. That friend is an invention, as is the conversation, created to catalogue the many conversations I had with people in the weeks and months after. It is true that times like these help you learn who your friends really are. You know who you are; and who you are not. But, in the end, know that everything I feel, everything I say, everything I believe in this story is real. My heart is really shattered and my spirit is really broken. And, my son is really gone… ii Twilight Too Soon Table of Contents Preface ........................................................................................................................................................... 1 Thank You, Timothy ..................................................................................................................... 1 Chapter 1 ........................................................................................................................................................ 7 The Beginning of the End of It All ............................................................................................... 7 Chapter 2 .......................................................................................................................................................17 About a Boy ...................................................................................................................................17 Chapter 3 .......................................................................................................................................................27 The Final Goodbye .......................................................................................................................27 Chapter 4 .......................................................................................................................................................35 He’s Here (Part 1) .........................................................................................................................35 Chapter 5 .......................................................................................................................................................49 The Call .........................................................................................................................................49 Chapter 6 .......................................................................................................................................................55 The Early Years ............................................................................................................................55 Chapter 7 .......................................................................................................................................................61 The Race ........................................................................................................................................61 Chapter 8 .......................................................................................................................................................67 Wicki-Wacki Woo .........................................................................................................................67 Chapter 9 .......................................................................................................................................................87 No Reason ......................................................................................................................................87 Chapter 10 .....................................................................................................................................................99 Soup in a Bread Bowl ...................................................................................................................99 Chapter 11 ...................................................................................................................................................111 He’s Here (Part 2) .......................................................................................................................111 Chapter 12 ...................................................................................................................................................121 The Night Before .........................................................................................................................121 Chapter 13 ...................................................................................................................................................131 The PICU Society ........................................................................................................................131 Chapter 14 ...................................................................................................................................................135 When I Grow Up .........................................................................................................................135 Chapter 15 ...................................................................................................................................................139 The Calm Before the Storm .......................................................................................................139 Chapter 16 ...................................................................................................................................................147 Happiness Ends ...........................................................................................................................147 2 Twilight Too Soon Chapter 17 ...................................................................................................................................................153 A Vigil Interrupted .....................................................................................................................153 Chapter 18 ...................................................................................................................................................161 Words ...........................................................................................................................................161 Chapter 19 ...................................................................................................................................................169 Dawn of the Day ..........................................................................................................................169 Chapter 20 ...................................................................................................................................................177 To Dream or Not to Dream ........................................................................................................177 Chapter 21 ...................................................................................................................................................185 Death Came a’ Knockin’ ............................................................................................................185 Chapter 22 ...................................................................................................................................................189 Of Caffeine and Alcohol .............................................................................................................189 Chapter 23 ...................................................................................................................................................199 The End of the End of It All.......................................................................................................199 Chapter 24 ...................................................................................................................................................209 Coping ..........................................................................................................................................209 Chapter 25 ...................................................................................................................................................217
Load more

Recommended publications
  • Scotland's 'Forgotten' Contribution to the History of the Prime-Time BBC1 Contemporary Single TV Play Slot Cook, John R
    'A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime-time BBC1 contemporary single TV play slot Cook, John R. Published in: Visual Culture in Britain DOI: 10.1080/14714787.2017.1396913 Publication date: 2018 Document Version Author accepted manuscript Link to publication in ResearchOnline Citation for published version (Harvard): Cook, JR 2018, ''A view from north of the border': Scotland's 'forgotten' contribution to the history of the prime- time BBC1 contemporary single TV play slot', Visual Culture in Britain, vol. 18, no. 3, pp. 325-341. https://doi.org/10.1080/14714787.2017.1396913 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please view our takedown policy at https://edshare.gcu.ac.uk/id/eprint/5179 for details of how to contact us. Download date: 26. Sep. 2021 1 Cover page Prof. John R. Cook Professor of Media Department of Social Sciences, Media and Journalism Glasgow Caledonian University 70 Cowcaddens Road Glasgow Scotland, United Kingdom G4 0BA Tel.: (00 44) 141 331 3845 Email: [email protected] Biographical note John R. Cook is Professor of Media at Glasgow Caledonian University, Scotland. He has researched and published extensively in the field of British television drama with specialisms in the works of Dennis Potter, Peter Watkins, British TV science fiction and The Wednesday Play.
    [Show full text]
  • CASH BOX (ISSN 0008-7289) Is Published Mississippi Mass Choir Weekly (Except Cbrishias Holidays) by Cash (LIBERTY) (MALACO) News 3 Box, 1 57 W
    /i triean •"# m v? W Banehkind Jjki: CJiirll: Hosis Aijuj'/ersary Sped-j] STAFF BOX GEORGE ALBERT President and Publisher KEITH ALBERT CftStt Vice President/General Manager FRED L. GOODMAN Editor In Chief CAMILLE COMPASIO Director, Coin Machine Operations LEEJESKE New York Editor THE MUSIC TRADE MAGAZINE MARKETING LEON BELL Director, Los Angeles MARK WAGNER Director, Nashville KEN PIOTROWSKI (LA) EDITORIAL RANDY CLARK, Assoc. Ed. (LA) INSIDE THE BQX BRYAN DeVANEY, Assoc. Ed. (LA) BERNETTA GREEN (New York) COVER STORY STEVE GIUFFRIDA (Nashville) CORY CHESHIRE, Nashville Editor American BandstandTurns 40! GFEGORY S COOPER-Gospe((Nashvte) American Bandstand, the seminal rock 'n' roll dance show that debuted CHART RESEARCH CHERRY URESTI (LA) in 1952, will celebrate its anniversary with a star-studded television RAYMOND BALLARD (LA) MIA TROY (LA) special this week. Host Dick Clark will be joined by over 200 enter- COREY BELL (LA) JOHN GILLEN (LA) tainers, both Hive” and on tape, for the festivities. A salute to Clark is JOHN COSSIBOOM (Nash) CHRIS BERKEY (Nash) also included. PRODUCTION —see page 8 JIM GONZALEZ Art Director CIRCULATION L.A. Retailers React To Riot Losses NINATREGUB, Manager CYNTHIA BANTA The world will not soon forget the horrendous riots that ripped L.A. PUBLICATION OFFICES apart last week, as many stores were destroyed by looting and arson. NEW YORK 157 W.57th Street (Suite 503) New Record retailers, mostly chains, were unfortunately included in the Yoik, NY 10019 Phone: (212) 586-2640 devastation. M.R. Martinez reports on the damage, and looks to the Fax: (212) 582-2571 HOLLYWOOD V future.
    [Show full text]
  • The Life & Rhymes of Jay-Z, an Historical Biography
    ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life.
    [Show full text]
  • Cemetery Without Cro
    VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO VIDEO ARROW ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW VIDEO 1 ARROW VIDEO VIDEO VIDEO VIDEO ARROW VIDEO CEMETERY WITHOUT CROSSES (aka UNE CORDE UN COLT… / CIMITERO SENZA CROCI) MICHÈLE MERCIER ... Maria Caine Directed by ROBERT HOSSEIN ROBERT HOSSEINARROW ... Manuel Produced by JEAN-PIERRE LABATUT GUIDO LOLLOBRIGIDA (credited as LEE BURTON) ... Thomas Caine WrittenVIDEO by ROBERT HOSSEIN and CLAUDE DESAILLY DANIEL VARGAS ... Will Rogers (and DARIO ARGENTO [Italian version only]) VIDEO SERGE MARQUAND ... Larry Rogers Director of Photography HENRI PERSIN PIERRE HATET ... Frank Rogers Edited by MARIE-SOPHIE DUBUS PHILIPPE BARONNET ... Bud Rogers Music by ANDRÉ HOSSEIN PIERRE COLLET ... Sheriff Ben ARROW IVANO STACCIOLI ... Vallee ‘The RopeVIDEO and the Colt’ BÉATRICE ALTARIBA ... Saloon woman Music by ANDRÉ HOSSEIN VIDEOMICHEL LEMOINE ... Eli Caine Lyrics by HAL SHAPER ANNE-MARIE BALIN ... Johanna Sung by SCOTT WALKER ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO VIDEO ARROW ARROW VIDEO VIDEO 2 3 ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO VIDEO VIDEO ARROW VIDEO ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW VIDEO ARROW VIDEO ARROW ARROW VIDEO VIDEO ARROW ARROW VIDEO VIDEO ARROW VIDEO VIDEO ARROW WESTERN WITHOUT AMERICANS (2015) VIDEO 4 THE MOVIEGOING SCOTT WALKER (2015) CONTENTS by Ginette Vincendeau ARROW CREDITS ABOUT THE RESTORATION VIDEO 2 by Rob Young 6 18 VIDEO 22 5 VIDEO VIDEO ARROW VIDEO Scott Walker: ‘The Rope and the Colt’ however was written, like the rest of the film’s WESTERN WITHOUT AMERICANS (2015) music, by Hossein’s father, the composer André Hossein.
    [Show full text]
  • Professor Robert Beveridge FRSA, University of Sassari
    Culture, Tourism, Europe and External Relations Committee Scotland’s Screen Sector Written submission from Professor Robert Beveridge FRSA, University of Sassari 1. Introduction While it is important that the Scottish Parliament continues to investigate and monitor the state of the creative and screen industries in Scotland, the time has surely come for action rather than continued deliberation(s) The time has surely come when we need to stop having endless working parties and spending money on consultants trying to work out what to do. Remember the ‘Yes Minister’ Law of Inverse Relevance ‘ ‘The less you intend to do about something, the more you have to keep talking about it ‘ ‘Yes Minister’ Episode 1: Open Government Therefore, please note that we already know what to do. That is: 1.1 - Appoint the right people with the vision leadership and energy to succeed. 1.2 - Provide a positive legislative/strategic/policy framework for support. 1.3 - Provide better budgets and funding for investment and/or leverage for the same. (You already have access to the data on existing funding for projects and programmes of all kinds. If the Scottish Government wishes to help to improve performance in the screen sector, there will need to be a step change in investment. There is widespread agreement that more is needed.) 1.4 Give them space to get on with it. That is what happened with the National Theatre of Scotland. This is what happened with MG Alba. Both signal success stories. Do likewise with the Screen Industries in Scotland 2. Context Some ten years ago the Scottish Government established the Scottish Broadcasting Commission.
    [Show full text]
  • Song & Music in the Movement
    Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.
    [Show full text]
  • Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Scott Walker and the Late Twentieth Century Phenomenon of Phonographic Auteurism Duncan G. Hammons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC SCOTT WALKER AND THE LATE TWENTIETH CENTURY PHENOMENON OF PHONOGRAPHIC AUTEURISM By DUNCAN G. HAMMONS A Thesis Submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2013 Duncan Hammons defended this thesis on April 4, 2013 The members of the supervisory committee were: Kimberly VanWeelden Professor Directing Thesis Jane Clendinning Professor Co-Directing Thesis Frank Gunderson Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the has been approved in accordance with university requirements. ii Dedicated to my family and friends for their endless encouragements and many stimulating conversations that fostered the growth of my curiosity in this subject, and the memory of my father, Charles Edwin Hammons (November 1, 1941 - April 28, 2012), who taught me the invaluable lesson of consolidating work and play. iii ACKNOWLEDGEMENTS I would like to acknowledge the members of my supervisory committee, Dr. Jane P. Clendinning, Dr. Kimberly VanWeelden and Dr. Frank Gunderson for their enthusiasm and generosity in their guidance of this research, and additionally, Dr. Laura Lee and Dr. Barry Faulk for lending their expertise and additional resources to the better development of this work. iv TABLE OF CONTENTS List of Figures ...............................................................................................................................vii Abstract ........................................................................................................................................viii 1.
    [Show full text]
  • MCA Label, Part 3
    MCA 300 Series by Dvaid Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA 300 Main Series: MCA 300 - Entertainer of the Year - Loretta Lynn [1973]. (3-73 #1CW) Rated “X”/’Til The Pain Outwears The Shame/Ruby, Madge And Mable/Legend In My Mind/Ain't It Funny/Yesterday Will Come Again Tonight//Hanky Panky Woman/I'm All He's Got (But He’s Got All Of Me)/I'm Paying For My Raising/Possessions/I Need Someone To Hold Me (When I Cry) MCA 301 - Do You Know What It’s LikeTo Be Lonesome - Jerry Wallace [1973] (2-73 #179 #6CW) Do You Know What It's Like To Be Lonesome?/Sound Of Goodbye/The Love Song Of The Year/Until You/A Standing Ovation//Hot Line/The Song That Nobody Sings/Even The Bad Times Are Good/Where Did He Come From?/The Greatest Feeling MCA 302 - Old Hat - Uncle Dog [1973] River Road/Movie Time/Old Hat/Boogie With Me/We’ve Got Time//Smoke/I’ll Be Your Baby Tonight/Mystery Train/Lose Me MCA 303 - She Needs Someone - Conway Twitty [1973] (3-73 #3CW) She Needs Someone to Hold Her (When She Cries)/Sweet Memories/I’ve Just Destroyed The World/Even The Bad Times Are Good/It’s Not Love (But It’s Not Bad)/Dim Lonely Places//Darlin’/I Don’t Believe I’ll Fall in Love Today/Each Season Changes You/Why Not Tonight/Don’t Cry Daddy MCA 304 - Hi Ho Silver - Kajanus Pickett [1973] Changes/Cold Harbour Morning/Hometown Girl/Tomorrow/Chosen Wings//Parachute/Nature Man/Flying Machine/Movin' On/Passing Time MCA 305 - Brenda - Brenda Lee [1973] (4-73 #206 #7CW) Nobody Wins/I Can See Clearly Now/Sweet Memories/Everybody’s Reaching Out for Someone/Here I Am Again/Run to Me//Something’s Wrong with Me/I’m a Memory/My Sweet Baby/We Had a Good Thing Going/Always on My Mind MCA 306 - Silverhead - Silverhead [1973] Reissue of Signpost SP 8407.
    [Show full text]
  • Heroes and Superheroes V1.Indb
    MASTER LIST OF CONTENTS Volume 1 Contents ...................................................................... v Concrete .................................................................. 187 Publisher’s Note .........................................................xi Cosmic Odyssey ...................................................... 192 Introduction ..............................................................xiii Criminal .................................................................. 197 Contributors ............................................................xvii Crisis on Infinite Earths .......................................... 202 100% ........................................................................... 1 Daredevil ................................................................. 207 100 Bullets .................................................................. 5 Daredevil: Born Again ............................................ 213 Alias .......................................................................... 10 Daredevil: The Man Without Fear .......................... 217 All-Star Batman and Robin, the Boy Wonder ........... 15 Death of Captain America, The .............................. 221 All-Star Superman ..................................................... 20 Death of Captain Marvel, The ................................ 226 Amazing Adventures of the Escapist, The ................. 25 Death: The High Cost of Living .............................. 229 American Flagg! ......................................................
    [Show full text]
  • One-Act Plays and Readings
    Bulletin 37 4-A One-Act Plays And Readings This Library of Plays is maintain­ ed by Colorado State College so you may read plays without hav­ ing to buy them. How To Use This Library 1. We send to one borrower not more than 5 three-act plays and 5 one-act plays or two collections. 'When these are returned we are glad to send others as requested. 2. Charges: 5 three-act plays, $.25 plus return postage. 5 one-act plays, $.20 plus return postage. 1 collection, $.10 plus return postage. 3. Plays should be back in the Library of Plays within 18 days from the time they are mailed out. A three-act play may be kept for an extra week for $.25. 4. The fine on an overdue package is $1.00. 5. H. e lend ploys for reading only, and therefore send only one copy of each play requested to a borrower. Borrow from this library to select your play; order copies for your cast from the publisher. 6. Take up all questions concerning royalty with the publisher of your play. 7. The Library of Plays is closed during June, July, and August. To help you select your play, we use the following: * Senior High School. H Junior High School. *** Either Senior or Junior High School. 1 Christmas or religious play. t Special occasions, other than Christmas or religious. Children. Mo~t of these recommendations as to suitability of a certain play for a certain use are made by the publishers. Plays listed for high schools are usually suitable for community or club use.
    [Show full text]
  • The Making of a Scottish National Cinema Through Short Fiction Films 1930-2016 Zach Finch University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2017 A’ Oor Ain: the Making of a Scottish National Cinema Through Short Fiction Films 1930-2016 Zach Finch University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Film and Media Studies Commons Recommended Citation Finch, Zach, "A’ Oor Ain: the Making of a Scottish National Cinema Through Short Fiction Films 1930-2016" (2017). Theses and Dissertations. 1469. https://dc.uwm.edu/etd/1469 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. A’ OOR AIN: THE MAKING OF A SCOTTISH NATIONAL CINEMA THROUGH SHORT FICTION FILMS 1930-2016 by Zach Finch A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2017 ABSTRACT A’ OOR AIN: THE MAKING OF A SCOTTISH NATIONAL CINEMA THROUGH SHORT FICTION FILMS 1930-2016 by Zach Finch The University of Wisconsin-Milwaukee, 2017 Under the Supervision of Professor Tami Williams This dissertation tells a story of Scottish national cinema through Scotland’s short fiction films from 1930 to 2016. As a small nation within the United Kingdom, Scotland’s film culture has played a subordinate role in relation to England’s, and has struggled for decades to create its own thriving film industry. However, in the mid-1990s, critics and scholars began to talk of a uniquely Scottish national cinema, rather than the traditional and all-encompassing “British cinema,” because of the success of films like Shallow Grave (1994) and Trainspotting (1996).
    [Show full text]
  • On the on The
    RECORDRECORDON THE ON THE IN THIS ISSUE: ENOUGH: MEET THE YOUTH REVOLUTION p. 22 LOUISVILLE KIDS OF PRISONERS FIND HOPE p. 6 THINKING INTERSECTIONALLY p. 14 HOW HEROIN TRAPPED THE GIRL NEXT DOOR p. 10 LOCAL VICTIMS FIGHT HUMAN TRAFFICKING p. 34 STAFF EDITOR-IN-CHIEF ALICE DETERS COPY EDITOR AUDREY CHAMPELLI VISUAL DIRECTOR GET READY ELLA MAYS MANAGING EDITOR TO TAKE SYLVIA GOODMAN CREATIVE DIRECTOR FROM THE EDITOR NYAH MATTISON FLIGHT. DEAR READERS, ASSIGNMENT EDITORS ZAKEYA BAKER, OLIVIA BROTZGE, January shook us up. Quintin (your local TARC bus driver), and LUCY CALDERON, MATTIE TOWNSON We try to report on new topics here at some moving details about how Antonio, a LEAD WRITERS On The Record — what you need to know, child of incarcerated parents, is getting the CAMERON DANIEL, WESLEY what other sources aren’t making as acces- tools he needs to choose “sentence struc- LYNCH, KARAC MEDLEY, MELISSA SCIANIMANICO sible or applicable to Louisville youth. But tures over a sentencing.” by February, we decided that we couldn’t let This issue is the product of four months WRITERS school shootings, human trafficking, or her- time in the newsroom. Days of video edit- EUAN DUNN, YSA LEON, EVAN SHOWALTER, ALI SHACKELFORD, oin abuse ever be old news. Current events ing translated into the minutes you see on CORA KIRBY, JEDIAH HOLMAN, were making that easy enough: while Evan our website. Hours of interviews. Hundreds MADDIE CURRIE, ELLA TREINEN, Schedule your campus visit to learn more about joining and Cora were writing a story about the of discarded designs. The staff list you SKY CARROLL the Cardinal Family.
    [Show full text]