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UvA-DARE (Digital Academic Repository) A tool of remembrance: the shofar in modern music, literature and art van Hage, K.R.A. Publication date 2014 Link to publication Citation for published version (APA): van Hage, K. R. A. (2014). A tool of remembrance: the shofar in modern music, literature and art. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:25 Sep 2021 Bibliography Aberbach, David. 1988. Bialik. London: Peter Halban Publishers. Abramson, Glenda. 1989. The Writing of Yehuda Amichai: A Thematic Approach. New York: State Uni- versity of New York Press. ---. 2010. “Yitzhak Oren’s Fantastic Science: Two Stories.” Melilah: Manchester Journal of Jewish Stud- ies, 2010/5. Piscataway, NJ: Gorgias Press: 2-17. Ackerman, James S. 1987. “Jonah.” The Literary Guide to the Bible, Edited by Robert Alter and Frank Kermode. Cambridge, MA: Harvard University Press: 234-43. Adler, Cyrus. 1893. “The Shofar—Its Use and Origin.” Proceedings of the United States National Muse- um, Vol. XVI. Washington: Government Printing Office: 287-301. Agnon, Shmuel Yosef. 1995 [1948]. Days of Awe: A Treasury of Jewish Wisdom for Reflection, Repentance, and Renewal on the High Holy Days. Foreword by Arthur Green. Introduction by Judah Goldin. Trans. Maurice T. Galpert. New York: Schocken. Alemannia Judaica, Arbeitsgemeinschaft für die Erforschung der Geschichte der Juden im süd- deutschen und angrenzenden Raum. “Die Synagoge in Strümpfelbrunn.” [January 1, 2014] <www.alemannia-judaica.de/struempfelbrunn_synagoge.htm>. Alter, Robert. 2003. “Yehuda Amichai: Jerusalem is a port city.” The Modern Hebrew Poem Itself: A New and Updated Edition. Eds. Stanley Burnshaw et al. Detroit: Wayne State University Press: 209-10. ---. 2003. “To the Sun.” Reading Hebrew Literature: Critical Discussions of Six Modern Texts. Alan Mintz, Editor. Hanover, NH-London: Brandeis University Press: 92-101. Amichai, Yehuda. 1996 [1968]. “Jerusalem, 1967.” The Selected Poetry of Yehuda Amichai. Newly Re- vised and Expanded Edition, Translated by Chana Bloch and Stephen Mitchell. Berkeley: University of California Press: 47-55. ---. 1996 [1983]. “The Real Hero.” The Selected Poetry of Yehuda Amichai: 156. Anderson, Ewan W., and Liam D. Anderson. 2010. An Atlas of Middle Eastern Affairs. Abingdon-New York: Routledge. Annink, Ed, and Max Bruinsma, Eds. 2010. Gerd Arntz, Graphic Designer. Rotterdam: 010 Publishers. Anski, S. 2000 [1919]. “The Dybbuk, or Between Two Worlds (A Dramatic Legend in Four Acts).” The Dybbuk and the Yiddish Imagination: A Haunted Reader. Edited and Translated from the Yiddish by Joachim Neugroschel. Syracuse: Syracuse University Press: 3-52. ---. 2000 [1924]. “From A Letter to Khaim Zhitlovsky.” The Dybbuk and the Yiddish Imagination: A Haunted Reader: 1-2. Apollinaire, Guillaume. 1980 [1915]. Calligrammes. Translated by Anne Hyde Greet. Introduction by S.I. Lockerbie. Los Angeles and London: Universitotsy of California Press. Arzt, Max. 1963. Justice and Mercy: Commentary on the Liturgy of the New Year and the Day of Atone- ment. New York: Holt, Rinehart and Winston. Aspden, Peter. 2005. “Orchestrating the Holocaust.” Financial Times, January 14, 2005. [January 1, 2014] <www.ft.com/intl/cms/s/0/6f529828-651a-11d9-9f8b-00000e2511c8.html#axzz1k1zvooY9>. Avrahami, Idit, and Nurit Wurgaft. 2005. “Naomi Shemer had no reason to feel bad, says Basque singer.” Haaretz, May 6, 2005. [January 1, 2014] <www.haaretz.com/hasen/pages/ShArt.jhtml?itemNo=573295>. Baigell, Matthew. 2006. American Artists, Jewish Images. Syracuse, NY: Syracuse University Press. ---. 2007. Jewish Art in America: An Introduction. Lanham, MA: Rowman and Littlefield. Bakhtin, Mikhail. 1984 [1929]. Problems of Dostoevsky’s Poetics. Edited and Translated by Caryl Emerson. Introduction by Wayne C. Booth. Minneapolis: University of Minnesota Press. ---. 1981 [1935]. “Discourse in the Novel.” The Dialogic Imagination. Four Essays by M.M. Bakhtin. Edit- ed by Michael Holquist, Translated by Caryl Emerson and Michael Holquist. Austin: University of Texas Press: 259-422. ---. 1981 [1938]. “Forms of Time and of the Chronotope in the Novel.” The Dialogic Imagination: 84- 258. ---. 1981 [1940]. “From the Prehistory of Novelistic Discourse.” The Dialogic Imagination: 41-83. 371 ---. 1981 [1941]. “Epic and Novel.” The Dialogic Imagination: 3-40. ---. 1986 [1953]. “The Problem of Speech Genres.” Speech Genres and Other Late Essays. Translated by Vern W. McGee, Edited by Caryl Emerson and Michael Holquist. Austin: University of Texas Press: 60-102. ---. 1986 [1960]. “The Problem of the Text.” Speech Genres and Other Late Essays: 103-31. ---. 1986 [1970]. “Response to a Question from the Novy Mir Editorial Staff.” Speech Genres and Other Late Essays: 1-9. ---. 1986 [1971]. “From Notes Made in 1970-71.” Speech Genres and Other Late Essays: 132-58. ---. 1986 [1974]. “Toward a Methodology of the Human Sciences.” Speech Genres and Other Late Es- says: 159-72. Bambach, Charles. 2013. Thinking the Poetic Measure of Justice: Hölderlin – Heidegger – Celan. New York: State University of New York Press. Barlach, Ernst. 2001 [1932]. “Der neue Tag.” Sämtliche Werke: Kritische Ausgabe, Vol. 10. Leipzig: E.A. Seemann Verlag: 180. Barnett, Rob. 2004. “Kurt Weill (1900-1950): The Eternal Road.” MusicWeb International. [January 1, 2014] <www.musicweb-international.com/classrev/2004/oct04/milken_series.htm>. Barnhart, Scotty. 2005. The World of Jazz Trumpet: A Comprehensive History & Practical Philosophy. Milwaukee, WI: Hal Leonard. Bar-Yosef, Hamutal. 2008. “Recreating Jewish Identity.” Benjamin Nathans and Gabriella Safran, Eds. Culture Front: Representing Jews in Eastern Europe. Philadelphia: University of Pennsylvania Press: 176-95. Batnitzky, Leora. 2000. Idolatry and Representation: The Philosophy of Franz Rosenzweig Reconsidered. Princeton: Princeton University Press. ---. 2011. How Judaism became a religion: an introduction to modern Jewish thought. Princeton, NJ: Princeton University Press. Bauschinger, Sigrid. 2004. “Else Lasker-Schüler on the Lost Bridge between Jews and Christians.” Textures and Meaning: Thirty Years of Judaic Studies at the University of Massachusetts Amherst. Eds. L. Ehrlich, S. Bolozky, R. Rothstein, M. Schwartz, J. Berkovitz, J. Young. Amherst: University of Massa- chusetts: 237-50. Bayer, Bathja. 2006. “Music.” Encyclopaedia Judaica. Second Edition. Fred Skolnik, Editor in Chief, Mi- chael Berenbaum Executive Editor, Vol. 14: 637. Jerusalem: Keter. Ben-Amots, Ofer. 2004. Psalm 81. CD. Naxos 8.559421. ---. 2004. A Dialogue with Ofer Ben-Amots. Milken Archive of Jewish Music. [January 1, 2014] <www.milkenarchive.org/articles/view/a-dialogue-with-ofer-ben-amots>. ---. 2010 [1989, 1997]. Psalm 81 for S.A.T.B. choir and percussion. Colorado Springs, CO: The Compos- er’s Own Press. Ben Sasson, H.H., Ed. 1976. A History of the Jewish People. Cambridge, MA: Harvard University Press. Ben Zvi, Ehud. 2003. Signs of Jonah: Reading and Rereading in Ancient Yehud. London and New York: Sheffield Academic Press. Berger, Eva, Inge Jaehner, Peter Junk, Karl Georg Kaster, Manfred Meinz, and Wendelin Zimmer. 1995. Felix Nussbaum: Verfehmte Kunst – Exilkunst – Widerstandskunst. Bramsche: Rasch Verlag. Berio, Luciano. 1995. Hör per coro e orchestra. Testo di Paul Celan. Vienna: Universal Edition. ---. 1995. Shofar for Mixed Chorus and Orchestra. Milan: Ricordi. ---. 1995. “Prolog.” Requiem of Reconciliation. CD 98-931. Neuhausen-Stuttgart: Hänssler. ---. 2006. Remembering the Future. Cambridge, MA-London: Harvard University Press. Berlinski, David. 2000. The Advent of the Algorithm: The 300-Year Journey from an Idea to the Computer. San Diego, CA and New York: Harcourt. Berlinski, Herman. 1965. Shofar Service for Mixed Chorus with Tenor or Baritone Solo, Shofar, Organ, and Trumpets. King of Prussia, PA: Mercury Music Corporation (Theodore Presser Company). ---. 2006. Shofar Service. CD. Naxos 8.559446. Biale, David, Ed. 2002. Cultures of the Jews. Vol. III: Modern Encounters. New York: Schocken. Bialik, Ḥayyim Naḥman. 2004 [1908]. “And it shall be when the days grow long...” C.N. Bialik, Se- lected Poems. Edited and Translated by David Aberbach. In Hebrew and English. New York: Overlook Duckworth: 136-43. Birnbaum, Uriel. 1973 [1935] “A Great Shofar Sounds.” Philip Goodman, Ed. The Rosh Hashanah 372 Anthology. Philadelphia: The Jewish Publication Society: 260. Blank, Lena, and Michael Theede. 2004. “Babette Koblenz.” MUGI Musik und Gender im Internet. [January 1, 2014] <http://mugi.hfmt-hamburg.de/A_lexartikel/lexartikel.php?id=kobl1956>. Bloch, Ernest. 1919 [1912]. “Psaume 114.” Deux Psaumes pour Chant et Orchestre (Version pour chant et piano par
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