Uva-DARE (Digital Academic Repository)

Uva-DARE (Digital Academic Repository)

UvA-DARE (Digital Academic Repository) A tool of remembrance: the shofar in modern music, literature and art van Hage, K.R.A. Publication date 2014 Link to publication Citation for published version (APA): van Hage, K. R. A. (2014). A tool of remembrance: the shofar in modern music, literature and art. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:25 Sep 2021 Bibliography Aberbach, David. 1988. Bialik. London: Peter Halban Publishers. Abramson, Glenda. 1989. The Writing of Yehuda Amichai: A Thematic Approach. New York: State Uni- versity of New York Press. ---. 2010. “Yitzhak Oren’s Fantastic Science: Two Stories.” Melilah: Manchester Journal of Jewish Stud- ies, 2010/5. Piscataway, NJ: Gorgias Press: 2-17. Ackerman, James S. 1987. “Jonah.” The Literary Guide to the Bible, Edited by Robert Alter and Frank Kermode. Cambridge, MA: Harvard University Press: 234-43. Adler, Cyrus. 1893. “The Shofar—Its Use and Origin.” Proceedings of the United States National Muse- um, Vol. XVI. 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Edit- ed by Michael Holquist, Translated by Caryl Emerson and Michael Holquist. Austin: University of Texas Press: 259-422. ---. 1981 [1938]. “Forms of Time and of the Chronotope in the Novel.” The Dialogic Imagination: 84- 258. ---. 1981 [1940]. “From the Prehistory of Novelistic Discourse.” The Dialogic Imagination: 41-83. 371 ---. 1981 [1941]. “Epic and Novel.” The Dialogic Imagination: 3-40. ---. 1986 [1953]. “The Problem of Speech Genres.” Speech Genres and Other Late Essays. Translated by Vern W. McGee, Edited by Caryl Emerson and Michael Holquist. 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Ben-Amots, Ofer. 2004. Psalm 81. CD. Naxos 8.559421. ---. 2004. A Dialogue with Ofer Ben-Amots. Milken Archive of Jewish Music. [January 1, 2014] <www.milkenarchive.org/articles/view/a-dialogue-with-ofer-ben-amots>. ---. 2010 [1989, 1997]. Psalm 81 for S.A.T.B. choir and percussion. Colorado Springs, CO: The Compos- er’s Own Press. Ben Sasson, H.H., Ed. 1976. A History of the Jewish People. Cambridge, MA: Harvard University Press. Ben Zvi, Ehud. 2003. Signs of Jonah: Reading and Rereading in Ancient Yehud. London and New York: Sheffield Academic Press. Berger, Eva, Inge Jaehner, Peter Junk, Karl Georg Kaster, Manfred Meinz, and Wendelin Zimmer. 1995. Felix Nussbaum: Verfehmte Kunst – Exilkunst – Widerstandskunst. Bramsche: Rasch Verlag. Berio, Luciano. 1995. Hör per coro e orchestra. Testo di Paul Celan. Vienna: Universal Edition. ---. 1995. Shofar for Mixed Chorus and Orchestra. Milan: Ricordi. ---. 1995. “Prolog.” Requiem of Reconciliation. CD 98-931. 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Blank, Lena, and Michael Theede. 2004. “Babette Koblenz.” MUGI Musik und Gender im Internet. [January 1, 2014] <http://mugi.hfmt-hamburg.de/A_lexartikel/lexartikel.php?id=kobl1956>. Bloch, Ernest. 1919 [1912]. “Psaume 114.” Deux Psaumes pour Chant et Orchestre (Version pour chant et piano par

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