Journal of Religion & Film Volume 21 Article 42 Issue 1 April 2017 4-1-2017 Religion and Violence in Jesse James Films, 1972–2010 Travis Warren Cooper Indiana University - Bloomington,
[email protected] Recommended Citation Cooper, Travis Warren (2017) "Religion and Violence in Jesse James Films, 1972–2010," Journal of Religion & Film: Vol. 21 : Iss. 1 , Article 42. Available at: https://digitalcommons.unomaha.edu/jrf/vol21/iss1/42 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact
[email protected]. Religion and Violence in Jesse James Films, 1972–2010 Abstract This essay analyzes recent depictions of Jesse James in cinema, examining filmic portrayals of the figure between the years of 1972 and 2010. Working from the intersection of the anthropology of film and religious studies approaches to popular culture, the essay fills significant gaps in the study of James folklore. As no substantial examinations of the religious aspects of the James myths exist, I hone in on the legend’s religiosity as contested in filmic form. Films, including revisionist Westerns, are not unlike oral-history statements recorded and analyzed by anthropologists, folklorists, and ethnographers. Jesse James movies, in other words, have much to do with the construction of American identity. Employing theorist Roland Barthes’s textual codes implicit within narrative accounts, I argue that these Revisionist Western films use religion as an intentional trope in their negotiated deconstructions and re-appropriations of the American legend.