Are You–Nobody–Too?

Total Page:16

File Type:pdf, Size:1020Kb

Are You–Nobody–Too? Are You–Nobody–Too? An Anthology of Essays, Stories and Poems Composition, Section 160 (Grade 10) September 2011 -- January 2012 Paul D. Schreiber High School Port Washington, New York Students: Ashley Barnett, Nathaniel Chu, Olivia Cisneros, Michael Correale, Alex Dover, Laura Eule, Joelle Feinberg, Alex Hadley, Sydney Heiden, Elizabeth Kallenberg, Helen Kim, Daniel Lee, Lauren Livingston, Derek Moss, Andrew O’Lansen, Kwan Park, Jillian Ring, Stephanie Short, Allison Stewart, Liz Wolf Teacher: Dr. Sara Brock Table of Contents Ashley Barnett A Free Therapist Nathaniel Chu Mr. Antolini (A Monologue) Straightening Out Your Life Olivia Cisneros Past or Present? Michael Correale In Love and Loss Alexandra Dover Seclusion Laura Eule A Pursuit of the Past Joelle Feinberg Another Harmless Lie Alex Hadley An Escape Sydney Heiden “The Folly of His Haste” Elizabeth Kallenberg A Strange Move (A Monologue) Helen Kim Stepping into the Real World What is “Opinion”? Daniel Lee Batman Lauren Livingston The Prostitute That Talks: A Monologue by Sunny Kings in the Back Row: A Monologue by Jane Gallagher Derek Moss A Place to Be Andrew O’Lansen The Taboo Kwan Park Escaping to Freedom Jillian Ring Fall From Grace (A Monologue) Like Looking In the Mirror Stephanie Short A House or a Home? Allison Stewart Then There’s a Pair of Us Elizabeth Wolf The Runaways NOTES: The title of this collection comes from a verse by Emily Dickinson: “I’m Nobody! Who are you? / Are you -- Nobody --Too? / Then there’s a pair of us! / Don’t tell! they’d advertise -- you know!” Cover photo by Sabrina Brennan. A Free Therapist by Ashley Barnett Modern day teenagers listen to music all the time. Some may love it more than others-- some live for it, and some will die for it. It’s a way to escape real life issues that are thrown at you in your life, all you have to do is turn up that I-pod or stereo and then your mind takes you somewhere else and you’ll forget all these little problems. This was also the case for a teenage boy named Paul in Willa Cather’s story, “Paul’s Case.” Paul has a love for the arts and music like modern teenagers. Art seems to be the only thing Paul really cares for in the story, even in his own life. Paul prefers to be alone while listening to music or looking at some sort of art, so he can calm down from daily life. The story seems to reflect that the arts are calming. They can uplift your mood, by making you feel less alone through a bad time. Paul has many problems. He hates and lives in a poor neighborhood, has trouble in school, hates his teacher, lives in a rough home. His dad also has high expectations of him, and Paul just hates and is miserable with his life. Though there is one thing Paul likes about his town, which is the concert hall he works at as an usher. Before work he would go up to the gallery and feel “delighted to find no in the gallery” (Cather, 199). The reason Paul likes this place a lot is that it’s very quiet, and there is art, and this helping him be at peace to free his thoughts. When Paul starts work, he ran down from the gallery passing statues and responds to their faces in a strange manner. Cather writes, “When he bethought him to look at his watch, it was after seven o’clock and he rose with a start and ran downstairs, making a face at Augustus Caesar, peering out from the cast-room an evil gesture at the Venus of Milo as he passed her on the stairway” (Cather, 199). Paul might be so alone with his problems that now he even only responds to what he loves the most, art. Teenagers today express their feeling through art or even towards art, like Paul. Then Paul starts work and must sit everyone down. Once he does he is exhausted from faking smiles to them all, so that once the music comes on he “sinks into one of the rear seats with a long sigh of relief” (Cather, 200). For many teens today once they turn up the volume to their music and then sit or lay down after getting through another day they let out a long sigh. Soon Paul can’t take his town anymore and runs away to New York for a week of its luxuries and art. While he is at a nice hotel alone, he doesn’t feel lonely cause he has music. Cather writes, “Nor was he lonely in the evening in his loge at the Opera. He was entirely rid of his nervous misgivings, of his forced aggressiveness of the imperative desire to show himself different from his surroundings. He now felt his surroundings explained himself” (Cather, 211). This is presenting how the arts are calming, and making you feel less lonely. Paul really cares for the arts more than anything. Like teens today, it helps him to free his mind from how he was feeling. Even though Paul acts strange by not wanting to meet people and talking to sculptures, it actually helps him a lot to not be restless and not have to fake a smile, or any of his emotions. The story reflects the idea that music and art uplift your mood, and can help to release any of your emotions you have about anything going on at that moment, like free therapy. 1 Mr. Antolini by Nathaniel Chu Frankly, I don’t know what the hell to say to you . --Mr. Antolini in J. D. Salinger’s The Catcher in the Rye Holden and I knew each other well At least I thought we did He came over right before Christmas We talked about his life I tried to give advice I don’t think he cared I tried to write it down I was drinking and couldn’t think of anything He went to sleep late Woke up early Ran out of the house before I could say anything It looked like he was scared I don’t know by what though 2 Straightening Out Your Life: A Look at Problems During Teenage Years by Nathaniel Chu A lady is driving quickly to a meeting, and she is running late. She decides to take a short cut that drives through mountains, even though the road is more dangerous. Signs along the road warn her about dangerous cliffs and to go slowly around turns, but she takes no notice to them and continues driving quickly. She takes to sharp of a turn and falls of the cliff. This passage describes the life of teenagers in today’s world. They are speeding through their lives and are taking no notice to the warning signs about them. If they ignore these signs the consequences could be devastating. Holden, from J.D. Salinger’s novel, The Catcher in the Rye, and Paul from the short story Paul’s Case, by Willa Cather, are both teenagers going through this very kind of situation. Holden and Paul start out, go though and end in similar situations and their stories describe the downfall of a teenager in modern-day society. Even though these stories were written during two different time periods, there are signs that show a teenager is headed down the wrong path. Holden and Paul have many likenesses, which makes it seem as if the authors are describing the same character. Both characters seem to have a similar outlook; they are pessimistic and not being able to appreciate anything in their lives. An example of this is when Holden is talking to his sister Phoebe who asks, “`Name one thing [you like]’ `One thing? One thing I like? Okay.’ The thing is I couldn’t concentrate too hot. Sometimes it’s hard to concentrate” (Salinger, 169). Here you see that Holden cannot think of anything that he enjoys in his life. He may say that it was “hard to concentrate”, but you can infer that he just couldn’t answer the question. A similar example from the story Paul’s Case is a passage where the author talks about many of the physical things that Paul dislikes in his life. “After each of these orgies of living he experienced all the physical depression which follows a debauch; the loathing of respectable beds, of common food, of a house penetrated by kitchen odors; a shuddering repulsion for the flavorless colorless mass of everyday existence; a morbid desire for cool things and soft lights and fresh flowers (Cather). Paul has a desire to live a luxurious lifestyle and he is afraid that he may never experience this because he lives in a poor household. Both of these characters refuse to look for the positive things in their lives. In Holden’s case, it seems that it is impossible for him to find anything that he enjoys in life, and he always critiques everyone that he meets. Paul, on the other hand, has found things that he enjoys in life such as the concert hall, where he “[sinks] into one of the rear seats with a long sight of relief,” but when he comes home he cannot find the anything that he enjoys compared to the concert hall (Cather). Both boys dislike their lives because they cannot find enough in their present circumstances to be happy, which can be a sign that teenagers are going down the wrong path. Because of these negative outlooks, both characters are depressed and do not want to continue their lives.
Recommended publications
  • Exhibit C: Studies That Were Not Included in the NTT and COT Reports
    Exhibit C: Studies that Were Not Included in the NTT and COT Reports I. Tall Structures The NTT and COT Reports do not reflect the current understanding of the impacts of tall structures to GRSG. The studies cited below are those which either should have been considered or have changed the understanding of impacts to GRSG. A. Studies Ignored Messmer, T. A., R. Hasenyager, and J. Burruss. 2010. Contemporary Knowledge and Research Needs Regarding the Effects of Tall Structures on Sage-grouse (Centrocercus urophasianus and C. minimus). Utah Wildlife in Need Foundation. Salt Lake City, Utah. Messmer, T.A. 2011. Protocols for Investigating the Effects of Tall Structure on Sage-grouse (Centrocercus urophasianus). Utah Wildlife in Need Foundation. Salt Lake City, Utah. Utah Wildlife in Need (UWIN). 2010. Contemporary Knowledge and Research Needs Regarding the Potential Effects of Tall Structures on Sage-grouse (Centrocercus urophasianus and C. minimus). http://www.utahcbcp.org/htm/tall-structure-info B. Additional Studies that Must be Considered LeBeau, C.W. 2012. Evaluation of Greater Sage-Grouse Reproductive Habitat and Response to Wind Energy Development in south-Central Wyoming, MS Thesis, Department of Ecosystem Science and Management, University of Wyoming. August 2012. Messmer, T., A., R. Hasenyager, J. Burruss, and S. Liguori. 2013. Stakeholder contemporary knowledge needs regarding the potential effects of tall structures on sage-grouse. Human- Wildlife Interactions 7(2):273-298. Nonne, D., E. Blomberg, and J. Sedinger. 2013. Dynamics of Greater Sage-grouse (Centrocercus urophasianus) populations in response to transmission lines in central Nevada. Progress Report: Year 10. February 2013. Department of Natural Resources and Environmental Sciences, University of Nevada, Reno.
    [Show full text]
  • Must-Read Debut Novels @ San Rafael Public Library
    Must-Read Debut Novels @ San Rafael Public Library Taken BY Scott Bergstrom meets The Girl with the Dragon Tattoo and The Bourne Identity in this action-packed debut thriller (optioned for film by Jerry Bruckheimer) about a girl who must train as an assassin to deal with the gangsters who have kidnapped her father. Things Fall Apart by Chinua Achebe: “Things Fall Apart—the first volume of Chinua Achebe’s masterpiece The African Trilogy—tells two intertwining stories, both centering on Okonkwo, a “strong man” of an Igbo village in Nigeria. The first, a powerful fable of the immemorial conflict between the individual and society, traces Okonkwo’s fall from grace in his world. The second, as modern as the first is ancient, concerns the clash of cultures and the destruction of that world when European missionaries arrive in his village.” Purple Hibiscus by Chimamanda Ngozi Adichie: “Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in beautiful house, with a caring family, and attend an exclusive missionary school. They’re completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear.” The House of the Spirits by Isabel Allende: “One of the most important novels of the twentieth century, The House of the Spirits is an enthralling epic that spans decades and lives, weaving the personal and the political into a universal story of love, magic, and fate.” Bastard Out of Carolina by Dorothy Allison: “At the heart of this story is Ruth Anne Boatwright, known simply as Bone, a bastard child who observes the world around her with a mercilessly keen perspective.
    [Show full text]
  • PW Remainder Ad
    PW ANNOUNCEMENT - May 20, 2019 LAST DAY OF RETURNS - November 30, 2019 October 2019 Full Remainder COVER FMT (13) ISBN TITLE AUTHOR PRICE Avery and Tarcher Perigree TR 9780143109617 WAVE MARTIN, SHANTELL $15.00 Division 17 HC 9781623366728 ICE CREAM ADVENTURES FERRARI, STEF $24.99 TR 9781623362065 FUTURECHEFS GANESHRAM, RAMIN $24.99 HC 9781623368609 SICK LIFE WATKINS, TIONNE $26.99 HC 9781623366629 OASIS IN TIME PAUL, MARILYN $25.99 HC 9781623368173 STIMULATI EXPERIENCE, THE CURTIS, JIM $25.99 HC 9780525573555 THIS IS ME, PERIOD. COWELL, PHILIP $15.99 HC 9780451497987 DIET RIGHT FOR YOUR PERSONALIT WIDERSTROM, JEN $26.00 HC 9780609609156 ART OF SHAVING ZAOUI, MYRIAM $17.50 HC 9781623364762 LOSE WEIGHT HERE TETA, JADE $25.99 HC 9781623366681 DNA RESTART MOALEM, SHARON $26.99 HC 9780307884978 FUTURE OF GOD, THE CHOPRA, DEEPAK MD $25.00 HC 9781623365714 TIGHTEN YOUR TUMMY IN 2 WEEKS DARDEN, ELLINGTON PHD $26.99 HC 9781594867446 INTELLECTUAL DEVOTION:AMERHIST KIDDER, DAVID S. $24.00 HC 9781623365158 MEN'S HEALTH:UNCOMMON KNOWLEDG EDITORS OF MEN'S HEALTH $24.99 HC 9781623367220 BODYWISE ABRAMS, RACHEL CARLTON MD$24.99 HC 9781623360450 SOUTH BEACH DIET GLUTEN SOLN AGATSTON, ARTHUR $25.99 HC 9781623362935 HD DIET GILBERT, KEREN $25.99 Random House HC 9780812998726 ADDLANDS BULLOUGH, TOM $27.00 HC 9781400069026 AMERICAN ULYSSES WHITE, RONALD C. $35.00 HC 9780812995152 BALLROOM, THE HOPE, ANNA $27.00 HC 9780399591655 BEAUTY IN THE BROKEN PLACES PATAKI, ALLISON $26.00 HC 9780399592270 CONFESSIONS OF THE FOX ROSENBERG, JORDY $27.00 HC 9780812998429 DINOSAURS ON OTHER PLANETS MCLAUGHLIN, DANIELLE $27.00 HC 9780525508748 DISTANCE HOME, THE SAUNDERS, PAULA $27.00 HC 9781400065561 HECKUVA JOB, A TRILLIN, CALVIN $12.95 HC 9780525508717 HIGH SEASON, THE BLUNDELL, JUDY $27.00 HC 9780812996081 MILLER'S VALLEY QUINDLEN, ANNA $28.00 HC 9780812998023 PILGRIMAGE SHRIVER, MARK K.
    [Show full text]
  • Luther: Word, Doctrine, and Confession Robert D
    CONCORDIA THEOLOGICAL QUARTERLY Volume 60: Number 3 JULY 1996 Dedicated to the Memory of Robert David Preus (1924-1995) A Brief Chronology of Robert Preus' Work at Concordia Theological Seminary ............................................ 162 Robert D. Preus: A Bibliography ....................... ................. 163 Robert D. Preus: A Tribute Eugene F. Klug ........................................................................ 169 i Luther: Word, Doctrine, and Confession Robert D. Preus ......................................................................... 175 A Review of J. A. 0. Preus' The Second Martin Robert D. Preus ........................................................................ 229 Chapel Sem~onon 2 Timothy 4 Winter Call Service, February 4, 1986 Robert D. Preus ......................................................................... 235 CONCORDIA THEOLOGICAL QUARTERLY ISSN 0038-8610 The CONCORDIA THEOLOGICAL QUARTERLY, a continuation of The Springfielder, is a theological journal of the Lutheran Church- Missouri Synod, published for its ministerium by the faculty of Concordia Theological Seminary, Fort Wayne, Indiana. Heino 0. Kadai, Editor; Douglas McC. L. Judisch, Associate Editor; Lawrence R. Rast, Jr., Assistant Editor: William C. Weinrich, Book Review Editor, Gregory J. Lockwood, Richard E. Muller, Robert D. Newton, Dean 0. Wenthe, Members of the Editorial Committee. The Faculty: James G. Bollhagen, Eugene W. Bunkowske, Lane A. Burgland, Daniel L. Gard, Douglas McC. L. Judisch, Arthur A. Just, Heino 0. Kadai,
    [Show full text]
  • Jay Weigel 504.258.8299 Selected Film and Recording Credits [email protected]
    Jay Weigel 504.258.8299 Selected Film and Recording Credits [email protected] Jay Weigel is a distinguished composer, producer, conductor, arranger, orchestrator, and contractor for film, television, recordings, and concerts. Based in New Orleans, he has worked in the film and television industry since 19. His recent scores and soundtrack recordings can be heard in studio projects produced by Warner Brothers, Paramount Pictures, Universal, Netflix, Tyler Perry Studios, and numerous documentaries and independent films such as: The Campaign, Green Lantern, Grudge Match, Get Hard, Midnight Special, A Fall From Grace, Caged No More, Camp Cool Kids,The Oval, For Colored Girls, Too Close To Home, The Last laugh, Paradise Lost, The Highwaymen, and NCIS New Orleans. He has worked as an orchestrator, conductor, contractor and/or score preparer for composers such as George S. Clinton, Christopher Young, David Wingo, Jon Swihart, Christopher Lennertz and Terence Blanchard. As an arranger and orchestrator, he has worked with PJ Morton, Andra Day, REM, Tank and the Bangas, Chris Thomas King, and Judith Owen. Select Credits Film/TV Scores Director Producer/Studio Unexpected Modernism Gregory Kallenberg Chris Lyons The Oval (new series 25 episodes) Tyler Perry Antoinetta Hairston A Fall from Grace Tyler Perry Michelle Sneed Eagle and the Albatross Angela Shelton Mike Montgomery The Last Laugh Greg Pritikin Rob Paris/Netflix Heart, Baby! Angela Shelton Kim Barnard Boo 2! A Madea Halloween (end titles) Tyler Perry Ozzie Areu The True Don Quixote Chris
    [Show full text]
  • How to Read Literature Like a Professor Notes
    How to Read Literature Like a Professor (Thomas C. Foster) Notes Introduction Archetypes: Faustian deal with the devil (i.e. trade soul for something he/she wants) Spring (i.e. youth, promise, rebirth, renewal, fertility) Comedic traits: tragic downfall is threatened but avoided hero wrestles with his/her own demons and comes out victorious What do I look for in literature? - A set of patterns - Interpretive options (readers draw their own conclusions but must be able to support it) - Details ALL feed the major theme - What causes specific events in the story? - Resemblance to earlier works - Characters’ resemblance to other works - Symbol - Pattern(s) Works: A Raisin in the Sun, Dr. Faustus, “The Devil and Daniel Webster”, Damn Yankees, Beowulf Chapter 1: The Quest The Quest: key details 1. a quester (i.e. the person on the quest) 2. a destination 3. a stated purpose 4. challenges that must be faced during on the path to the destination 5. a reason for the quester to go to the destination (cannot be wholly metaphorical) The motivation for the quest is implicit- the stated reason for going on the journey is never the real reason for going The real reason for ANY quest: self-knowledge Works: The Crying of Lot 49 Chapter 2: Acts of Communion Major rule: whenever characters eat or drink together, it’s communion! Pomerantz 1 Communion: key details 1. sharing and peace 2. not always holy 3. personal activity/shared experience 4. indicates how characters are getting along 5. communion enables characters to overcome some kind of internal obstacle Communion scenes often force/enable reader to empathize with character(s) Meal/communion= life, mortality Universal truth: We all eat to live, we all die.
    [Show full text]
  • Reshaping Opera
    Reshaping Opera Reshaping Opera: A Critical Reflection on Arts Management By Paola Trevisan Reshaping Opera: A Critical Reflection on Arts Management Series: “Schwung”; Critical Curating and Aesthetic Management for Art, Business and Politics By Paola Trevisan This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Paola Trevisan All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-9886-4 ISBN (13): 978-1-4438-9886-7 TABLE OF CONTENTS Acknowledgements ................................................................................... vii Introduction ................................................................................................. 1 Chapter One ................................................................................................. 5 Overture Chapter Two .............................................................................................. 15 An Overview of Opera Production Chapter Three ............................................................................................ 31 The Italian Opera Sector: A Fall from Grace Chapter Four .............................................................................................
    [Show full text]
  • Fall from Grace
    Fall from Grace By Kristi Hardison Chapter 1 Grace. That’s what my mother named me. Perhaps she had different visions for my future… or one hell of a sense of humor. I run my hands up and down the black straps of my cheap back pack. Imagine Dragons blasting in my ears. “The beast inside” vibrates through my head. It feels like a movie with an amazing soundtrack. The traffic and people almost appear to be in slow motion and the world around me looks a little less bleak as though I’m some sort of heroine figuring her life out. Everything works out for those people… always. I find myself here every day, waiting for the public transit bus to take me to and from two jobs all so I can hand over nearly every cent to pay for a roach infested, sorry excuse for an apartment that has about an arm span between the toilet and kitchen sink. After bus fares and the occasional textbook for my nursing courses, I barely have enough to eat. I suppose I shouldn’t complain about having food in my stomach. I just always wished for so much more. I look at my watch and seriously begin to worry that I’m going to be late, yet again. God, I’d kill someone for a car. Literally. Riding public transportation in a city like New York was like playing Russian roulette with dishonest people. If you didn’t die from contracting a rare disease formed by an unknown super bacteria, you could surely get robbed, raped or murdered for something as small as the last 20 dollars in your pocket.
    [Show full text]
  • A Suggested Source of Some Expressions in The. Baptist Confession of Faith, London 1644
    A Suggested Source of Some Expressions in the. Baptist Confession of Faith, London 1644. HE purpose of this paper' is to draw attention to a probable T source of some of the doctrinal expressions in the Con­ fession of the Seven Churches issued in London in 1644. This is a well-known and justly prized document of the Baptist churches who accepted the Calvinistic tradition and has often been described so that it is unnecessary to enlarge upon the conditions of its appearance. It may be sufficient to remark that the Baptists were not allowed any place in the deliberations of the Westminster Assembly of Divines who had been summoned by the English Parliament to adjust the religious affairs to the nation in view of the changed conditions of the period. The Royal favour was neither sought nor given, but the purpose of the Assembly had the hearty approbation of the Scottish Presbyterians. The latter were represented by Commissioners of weighty learning and con­ troversial ability whose animus against all that smacked of Anabaptism is notorious, and it may be taken for granted that while they had any influence upon .the deliberations in the Jerusalem Chamber all pleas that the Baptists should be given an opportunity to declare their mind would be rejected with a perfeot scorn? This exclusion only stimulated the productive activity of the Baptist apologists, and the great debate of those stirring times was given an impetus which is astonishing in its magnitude. For the next decade and more, pamphlet after pamphlet poured from the printing presses.
    [Show full text]
  • Firing Back: How Great Leaders Rebound After Career Disasters
    www.hbr.org The leader’s fall from “Who’s Who” to “Who’s that?” is full Firing Back of stigma and shame. But the How Great Leaders Rebound After Career story doesn’t have to end there. Disasters by Jeffrey A. Sonnenfeld and Andrew J. Ward Reprint R0701G The leader’s fall from “Who’s Who” to “Who’s that?” is full of stigma and shame. But the story doesn’t have to end there. Firing Back How Great Leaders Rebound After Career Disasters by Jeffrey A. Sonnenfeld and Andrew J. Ward Among the tests of a leader, few are more These stories are still the exception rather challenging—and more painful—than recov- than the rule. F. Scott Fitzgerald’s famous ob- ering from a career catastrophe, whether it is servation that there are no second acts in caused by natural disaster, illness, misconduct, American lives casts an especially dark shadow slipups, or unjust conspiratorial overthrow. over the derailed careers of business leaders. In But real leaders don’t cave in. Defeat energizes our research—analyzing more than 450 CEO them to rejoin the fray with greater determi- successions between 1988 and 1992 at large, nation and vigor. publicly traded companies—we found that only Take the case of Jamie Dimon, who was fired 35% of ousted CEOs returned to an active exec- as president of Citigroup but now is CEO of JP- utive role within two years of departure; 22% Morgan Chase. Or look at Vanguard founder stepped back and took only advisory roles, gen- Jack Bogle, who was removed from his posi- erally counseling smaller organizations or sit- tion as president of Wellington Management ting on boards.
    [Show full text]
  • J. Joseph Marr, MD
    Fall from grace J. Joseph Marr, MD The author (AΩA, Johns Hopkins as there a certain time when Whenever it occurred, the transforma- University, 1964) is a retired academic it happened? If so, probably tion of the physician during the sec- physician and business executive. He is the inflection point occurred ond half of the twentieth century from a member of the editorial board of The Win the nineties when business took over shaman to skilled labor was inexorable Pharos. formally. That was a watershed series and, in my opinion, will prove to be of events, surely, but the full process irreversible. Illustrations by Jim M’Guinness. seems to have been more like death from All of us who were active in medicine a thousand cuts, some self-inflicted. and medical science during these years 8 The Pharos/Winter 2014 played a role in its transformation. We Two things happened in 1961, when I their time to patient care and paid little were troubled—and then horrified— was a sophomore in medical school, that attention to the institutions in which observers, yet often more than a little were to some degree prophetic. I recog- the care was delivered unless there were complicit. Hubris had much to do with nized both of them as being significant, obvious issues of neglect or mismanage- it, and all of us were culpable to varying but did not see that they were harbingers ment. They also paid little attention to degrees. Is medicine today better, worse, of the future. An article in the Journal patients themselves beyond the office or just different? Does it matter? Perhaps of the American Medical Association or hospital visits.
    [Show full text]
  • A Sentencing Problem: How Far Is a Fall from Grace
    Cleveland State Law Review Volume 15 Issue 3 Article 16 1966 A Sentencing Problem: How Far Is a Fall from Grace H. H. A. Cooper Follow this and additional works at: https://engagedscholarship.csuohio.edu/clevstlrev Part of the Criminal Law Commons, and the Law Enforcement and Corrections Commons How does access to this work benefit ou?y Let us know! Recommended Citation H. H. A. Cooper, A Sentencing Problem: How Far Is a Fall from Grace, 15 Clev.-Marshall L. Rev. 587 (1966) This Article is brought to you for free and open access by the Journals at EngagedScholarship@CSU. It has been accepted for inclusion in Cleveland State Law Review by an authorized editor of EngagedScholarship@CSU. For more information, please contact [email protected]. A Sentencing Problem: How Far Is a Fall From Grace? H. H. A. Cooper* T IS NOW ALMOST UNIVERSALLY ACCEPTED that there are three possible bases underlying sentences imposed by the Courts, following some breach of the criminal law. These are generally described as retribution, deterrence and reformation. Occasion- ally these qualities are considered in combination under some such title as the "aims of penal measures." 1 Another factor, ever present in a vague though influential form, now seems to be emerging from the shadows to assume more definite shape. Yet to materialize is its relationship to the other established, uncon- troverted aims. The emergent element may conveniently be termed "public disapproval," under which may be subsumed all those social sentiments, tacit or express, which reflect in the view taken of the offender's conduct.
    [Show full text]