Giuffrida Zhang Daoling Tellin
2 Transcendence, Thunder and Exorcism Images of the Daoist Patriarch Zhang Daoling in Books and Paintings Noelle Giuffrida Representations of figures from Chinese history, legend, literature and religion appear in a variety of pictorial forms including murals, scroll paintings, engraved steles and woodblock-printed books. These images range from imaginary portraits of individual figures in simple settings to fully elaborated pictorial biographies that unfold over a series of scenes featuring multiple figures, detailed settings and activities. As we see throughout the essays collected in this volume, though these pictures’ semantic and physical relationships with textual sources vary, each connects with a narrative. Some images present what Susan Nelson and Kathlyn Liscomb have referred to as an ‘iconic event’, where an episode from a figure’s biography is singled out, narrated and depicted in multiple forms.1 On the other hand, imaginary portraits rely primarily on the visual language of iconography, attributes and setting to prompt viewers to recognize the figure, and also trigger memories of the individual’s actions known through the oral and textual trans- mission of tales. Ming (1368–1644) and Qing (1644–1911) pictures featuring the founding patriarch of Celestial Master Daoism,2 Zhang Daoling (34–156), survive in many forms including illustrated scriptures and books, occasional and liturgical scroll paintings, and printed talismans. The initial impetus for my investigation into the patriarch came from a desire to situate Zhou Xun’s (1649–1729) painting (see Figure 2.9), featured in the Telling Images exhibition, within the larger net- work of Zhang images. Woodblock-printed books from the late sixteenth to the eighteenth century provide one of the richest reservoirs for studying stories about and representations of religious figures.
[Show full text]