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Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Defending Literary Culture in the Fiction of David Foster
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Texas A&M University NOVEL AFFIRMATIONS: DEFENDING LITERARY CULTURE IN THE FICTION OF DAVID FOSTER WALLACE, JONATHAN FRANZEN, AND RICHARD POWERS A Dissertation by MICHAEL LITTLE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2004 Major Subject: English NOVEL AFFIRMATIONS: DEFENDING LITERARY CULTURE IN THE FICTION OF DAVID FOSTER WALLACE, JONATHAN FRANZEN, AND RICHARD POWERS A Dissertation by MICHAEL LITTLE Submitted to Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved as to style and content by: David McWhirter Mary Ann O’Farrell (Chair of Committee) (Member) Sally Robinson Stephen Daniel (Member) (Member) Paul Parrish (Head of Department) May 2004 Major Subject: English iii ABSTRACT Novel Affirmations: Defending Literary Culture in the Fiction of David Foster Wallace, Jonathan Franzen, and Richard Powers. (May 2004) Michael Little, B.A., University of Houston; M.A., University of Houston Chair of Advisory Committee: Dr. David McWhirter This dissertation studies the fictional and non-fictional responses of David Foster Wallace, Jonathan Franzen, and Richard Powers to their felt anxieties about the vitality of literature in contemporary culture. The intangible nature of literature’s social value marks the literary as an uneasy, contested, and defensive cultural site. At the same time, the significance of any given cultural artifact or medium, such as television, film, radio, or fiction, is in a continual state of flux. -
Amy's Top 10 Books of 2018 As a Young Kid in the Late 1970S, I Used
Amy’s Top 10 Books of 2018 As a young kid in the late 1970s, I used to watch a show called In Search Of. Each episode, narrated by Leonard Nimoy, examined the supernatural and paranormal as well as other mysterious phenomenon. My favorite episodes featured investigations of UFOs, the Loch Ness monster, the Bermuda Triangle and anything to do with missing persons. I was fascinated by the strange phenomena as much as I was the search for answers to an unsolved mystery. Despite some of the highly speculative storylines, the show gave me my first taste of investigative journalism, the very thing I majored in at college. (No offense to my other heroes Nancy Drew, Encyclopedia Brown or Woodward and Bernstein.) For me, the fun of the show was in the chase and the search more than finding the definitive answers. It’s no wonder then that I’ve always had a passion for reading and fiction writing, for a character’s search is the bread and butter of any great story. Early on in fiction writing classes, you learn about the hero’s journey. Your main character embarks on a quest for something—either psychological or physical—she most desperately needs or wants. To keep the reader’s interest, the search must feature obstacles and complications and detours for your character to overcome. As readers, we crave the complicated journey. No one wants to read about a character who has it easy—it’s the hard stuff of conflict that keeps us turning pages into the wee hours of the morning. -
The Return of Omniscience in Contemporary Fiction Paul Dawson
The Return of Omniscience in Contemporary Fiction Paul Dawson Narrative, Volume 17, Number 2, May 2009, pp. 143-161 (Article) Published by The Ohio State University Press DOI: 10.1353/nar.0.0023 For additional information about this article http://muse.jhu.edu/journals/nar/summary/v017/17.2.dawson.html Access Provided by Queens College (CUNY) at 06/24/11 1:53AM GMT Paul Dawson The Return of Omniscience in Contemporary Fiction I want to begin this essay by pointing out what I think has become a salient fea- ture, or at least significant trend, in contemporary British and American literary fic- tion: namely, a prominent reappearance of the ostensibly outmoded omniscient narrator. In the last two decades, and particularly since the turn of the millennium, a number of important and popular novelists have produced books which exhibit all the formal elements we typically associate with literary omniscience: an all-know- ing, heterodiegetic narrator who addresses the reader directly, offers intrusive com- mentary on the events being narrated, provides access to the consciousness of a range of characters, and generally asserts a palpable presence within the fictional world. The novelists I’m thinking of include Salman Rushdie, Martin Amis, Zadie Smith, David Lodge, Adam Thirlwell, Michel Faber, and Nicola Barker in the UK; and Jonathan Franzen, Don DeLillo, David Foster Wallace, Tom Wolfe, Rick Moody, and John Updike in the US. In this paper I want to consider why so many contempo- rary writers have turned to omniscient narration, given the aesthetic prejudice against this narrative voice which has prevailed for at least a century. -
Fiction Award Winners 2019
1989: Spartina by John Casey 2016: The Sympathizer by Viet Thanh Nguyen National Book 1988: Paris Trout by Pete Dexter 2015: All the Light We Cannot See by A. Doerr 1987: Paco’s Story by Larry Heinemann 2014: The Goldfinch by Donna Tartt Award 1986: World’s Fair by E. L. Doctorow 2013: Orphan Master’s Son by Adam Johnson 1985: White Noise by Don DeLillo 2012: No prize awarded 2011: A Visit from the Goon Squad “Established in 1950, the National Book Award is an 1984: Victory Over Japan by Ellen Gilchrist by Jennifer Egan American literary prize administered by the National 1983: The Color Purple by Alice Walker 2010: Tinkers by Paul Harding Book Foundation, a nonprofit organization.” 1982: Rabbit Is Rich by John Updike 2009: Olive Kitteridge by Elizabeth Strout - from the National Book Foundation website. 1980: Sophie’s Choice by William Styron 2008: The Brief Wondrous Life of Oscar Wao 1979: Going After Cacciato by Tim O’Brien by Junot Diaz 2018: The Friend by Sigrid Nunez 1978: Blood Tie by Mary Lee Settle 2007: The Road by Cormac McCarthy 2017: Sing, Unburied, Sing by Jesmyn Ward 1977: The Spectator Bird by Wallace Stegner 2006: March by Geraldine Brooks 2016: The Underground Railroad by Colson 1976: J.R. by William Gaddis 2005: Gilead by Marilynne Robinson Whitehead 1975: Dog Soldiers by Robert Stone 2004: The Known World by Edward P. Jones 2015: Fortune Smiles by Adam Johnson The Hair of Harold Roux 2003: Middlesex by Jeffrey Eugenides 2014: Redeployment by Phil Klay by Thomas Williams 2002: Empire Falls by Richard Russo 2013: Good Lord Bird by James McBride 1974: Gravity’s Rainbow by Thomas Pynchon 2001: The Amazing Adventures of 2012: Round House by Louise Erdrich 1973: Chimera by John Barth Kavalier and Clay by Michael Chabon 2011: Salvage the Bones by Jesmyn Ward 1972: The Complete Stories 2000: Interpreter of Maladies by Jhumpa Lahiri 2010: Lord of Misrule by Jaimy Gordon by Flannery O’Connor 1999: The Hours by Michael Cunningham 2009: Let the Great World Spin by Colum McCann 1971: Mr. -
Award Winners
Look for the Award Winner label when browsing! Award Read Winners Anywhere Anytime! → eBooks & Audiobooks on Wisconsin’s Digital Library by OverDrive & Hoopla! Nothing listed here sound interesting? Ask the Reference Staff for even more awards and winners! June 2020 Pulitzer Prize (Literary) Locking Up Our Own by James Forman Jr. Ararat by Christopher Golden (2017) (2018) Fiction The Cabin at the End of the World by Paul Amity and Prosperity by Eliza Griswold (2019) Tremblay (218) Tinker by by Paul Harding (2010) The Undying by Anne Boyer (2020) Coyote Rage by Owl Goingback (2019) A Visit from the Goon Squad by Jennifer Egan The End of the Myth by Greg Grandin (2020) Orpahn Master’s Son by Adam Johnson (2013) Hugo (Sci-Fi & Fantasy) National Book Award (Literary) Among Others by Jo Walton (2012) The Goldfinch by Donna Tart(2014) Fiction All the Light We Cannot See by by Anthony Redshirts by John Scalzi (2013) The Round House by Louise Erdrich (2012) Doerr (2015) Ancillary Justice (2014) The Good Lord Bird by James McBride (2013) The Sympathizer by Viet Thanh Nguyen The Three-Body Problem by Cixin Liu (2015) (2016) Redeployment by Phil Klay (2014) The Fifth Season by NK Jemisin (2016) Underground Railroad by Colson Whitehead Fortunate Smiles by Adam Johnson (2015) The Obelisk Gate by N. K. Jemisin (2017) The Underground Railroad by Colson The Stone Sky by N.K. Jemisin (2018) Less by Andrew Sean Greer (2018) Whitehead (2016) The Calculating Stars by Mary Robinette The Overstory by Richard Powers (2019) Sing, Unburied, Sing by Jesymyd Ward (2019) (2017) The Nickel Boys by Colson Whitehead (2020) Agatha Awards (Mystery) The Friend by Sigrid Nunez (2018) Nonfiction The Wrong Girl by Hank Phillippi Ryan (2013) Trust Exercise by Susan Choi (2019) The Dead Hand by David E. -
Modern World Fiction
Modern World Fiction Course Description: As an IMSA student, you spent your first year-and-a-half in the core English courses, learning about foundational texts of American and British literature. But what comes after – what builds upon these foundations today? And what about the literatures of non-western cultures? This course endeavors to explore and to answer these questions. In this section of Modern World Fiction, you will examine some of the most acclaimed world authors of the late 20th and early 21st centuries. You’ll read authors from nineteen different nationalities. The reading list includes four Nobel Prize winners for literature – Yasunari Kawabata (Japan, 1952), Gabriel García Márquez (Columbia, 1982), Mario Vargas Llosa (Peru, 2010), and Mo Yan (China, 2012). Of the American authors, you will read five who have won National Book Awards, two others who were finalists for the National Book Award, and four Pulitzer Prize winners (including the 2016 winner), and the 2017 Man Booker Prize winner – nearly all of these awards coming in the last fifteen years. Eleven titles in this course have been published in the last year. We will read several novels. We will also explore a brief play, and devote considerable time to short stories. In so doing, we will attempt to uncover not only the modern concerns – personal, social, and sometimes political – unique to these cultures, but also the universal questions and topics that have fascinated all of mankind throughout time. INSTRUCTOR: Dr. Kotlarczyk Office A126 Telephone number: 907-5888 Email address(es): [email protected] Meeting Days, Time and Room(s) TBD Text(s) / Materials: You will be expected to bring your current reading packets (critical essays, short stories, and novellas), whether in paper or .pdf form, to class, and your copies of our core texts as we read and discuss them: Sigrid Nunez. -
AP Literature Summer Reading 2021
John Jay High School/Science and Engineering Academy Advanced Placement Literature and Composition Welcome to AP Literature! Reading is one of the best things you can do to prepare yourself for the challenges of the upcoming school year and beyond. Now more than ever, it is important to sharpen your critical reading skills, expand your vocabulary and enhance your focus and imagination - all in the comfort of your own home. There’s no better way to accomplish this than by sitting down with a good book. We are asking that you, as an AP Literature student, read at least one novel of your choice this summer. There is no other assignment than to read and be ready to discuss your book when school starts. Remember, you can choose any book you wish to read - it does not have to be on the list below. The following titles are included just to give you some ideas. The novels marked by an asterisk indicate those which are on the Northside approved book list. Other titles may contain adult themes and content, so we encourage you to do some research before selecting a title. You can check out digital books on Sora, Libby, and Overdrive through your school library. If you have any questions or need assistance, please contact the English Department Coordinator, Mrs. Katawaba Brown ([email protected]). Happy reading! Romance 1. All the Ugly and Wonderful Things by Bryn Greenwood 2. Frankly In Love by David Yoon 3. The Importance of Being Earnest* by Oscar Wilde 4. Jane Eyre* by Charlotte Brontë 5. -
Defending Literary Culture in the Fiction of David Foster
NOVEL AFFIRMATIONS: DEFENDING LITERARY CULTURE IN THE FICTION OF DAVID FOSTER WALLACE, JONATHAN FRANZEN, AND RICHARD POWERS A Dissertation by MICHAEL LITTLE Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2004 Major Subject: English NOVEL AFFIRMATIONS: DEFENDING LITERARY CULTURE IN THE FICTION OF DAVID FOSTER WALLACE, JONATHAN FRANZEN, AND RICHARD POWERS A Dissertation by MICHAEL LITTLE Submitted to Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved as to style and content by: David McWhirter Mary Ann O’Farrell (Chair of Committee) (Member) Sally Robinson Stephen Daniel (Member) (Member) Paul Parrish (Head of Department) May 2004 Major Subject: English iii ABSTRACT Novel Affirmations: Defending Literary Culture in the Fiction of David Foster Wallace, Jonathan Franzen, and Richard Powers. (May 2004) Michael Little, B.A., University of Houston; M.A., University of Houston Chair of Advisory Committee: Dr. David McWhirter This dissertation studies the fictional and non-fictional responses of David Foster Wallace, Jonathan Franzen, and Richard Powers to their felt anxieties about the vitality of literature in contemporary culture. The intangible nature of literature’s social value marks the literary as an uneasy, contested, and defensive cultural site. At the same time, the significance of any given cultural artifact or medium, such as television, film, radio, or fiction, is in a continual state of flux. Within that broad context I examine some of the cultural institutions competing with literature for public attention, as well as some of the cultural developments impacting the availability of public attention for literary concerns. -
Lesson Plans and Resources for Sing, Unburied, Sing
Lesson Plans and Resources for Sing, Unburied, Sing Table of Contents 1. Overview and Essential Questions 2. In-Class Introduction 3. Common Core Standards Alignment 4. Reader Response Questions 5. Vocabulary + Sample Sentences 6. Literary Log Prompts + Worksheets 7. Suggested Analytical Assessments 8. Suggested Creative Assessments 9. Online Resources 10. Print Resources - NPR Article: Writing Mississippi: Jesmyn Ward Salvages Stories of the Silenced - Book Review from The New York Times - Interview with Jesmyn Ward - “Raising a Black Son” by Jesmyn Ward These resources are all available, both separately and together, at www.freelibrary.org/onebook Please send any comments or feedback about these resources to [email protected]. OVERVIEW AND ESSENTIAL QUESTIONS The materials in this unit plan are meant to be flexible and easy to adapt to your own classroom. Each chapter has discussion questions provided in a later section. Through reading the book and completing any of the suggested activities, students can achieve any number of the following understandings: - Family connection is not automatic – you can choose to care for someone, and also choose not to. - Trauma and hardship takes up the space and time needed to live a good, healthy life. - When their lives feel unresolved, the dead stay with us. Students should be introduced to the following key questions as they begin reading. They can be discussed both in universal terms and in relation to specific characters in the book: Universal - Who in your family cares for you? How -
Reader's Advisory Lists
R E C E N T A W A R D - W I N N I N G LITERARY FICTION PULITZER Doerr, Anthony: All the Light We Cannot See WHERE DO I FIND Egan, Jennifer: A Visit From the Goon Squad THESE BOOKS? Greer, Andrew Sean: Less Harding, Paul: Tinkers They are shelved under the Johnson, Adam: The Orphan Master's Son author’s last name in our Fiction Nguyen, Viet Thanh: The Sympathizer collection unless Powers, Richard: The Overstory otherwise indicated. Tartt, Donna: The Goldfinch Whitehead, Colson: The Underground Railroad* & The Can’t find it? Please ask us - we’ll be glad to help! Nickel Boys MAN BOOKER PRIZE Atwood, Margaret: The Testaments EBOOKS & Barnes, Julian: The Sense of an Ending AUDIOBOOKS Beatty, Paul: The Sellout Burns, Anna: Milkman Catton, Eleanor: The Luminaries Don’t forget to check our free Evaristo, Bernardine: Girl, Woman, Other digital collections for eBooks Flanagan, Richard: The Narrow Road to the Deep North and downloadable audiobooks. Jacobson, Howard: The Finkler Question James, Marlon: Visit StauntonLibrary.org or ask a A Brief History of Seven Killings staff member for more details. Mantel, Hilary: Bring Up the Bodies Saunders, George: Lincoln in the Bardo NATIONAL BOOK AWARD Choi, Susan: Trust Exercises CONTACT US Erdrich, Louise: The Round House Johnson, Denis: Tree of Smoke [email protected] Klay, Phil: Redeployment www.StauntonLibrary.org McBride, James: The Good Lord Bird 1 Churchville Ave. McCann, Colum: Staunton, VA 24401 Let the Great World Spin 540.332.3902 Nunez, Sigrid: The Friend Ward, Jesmyn: Sing, Unburied, Sing & Salvage the Bones *Winner of both the Pulitzer & National Book Awards. -
NCPR Spring 2019 Reading List (Titles and Authors Only)
NCPR Spring 2019 Reading List (titles and authors only) The Great Believers, Rebecca Makai Fear, Bob Woodward The Spinning Heart, Donal Ryan Sacred Hunger, Barry Unsworth The Secret River, Kate Grenville The Road to Unfreedom The Friend, Sigrid Nunez Washington Black, Esi Edugyan Imagine Me Gone, Adam Haslett Educated, Tara Westove Us Against You, Fredrik Backman Normal People, Sally Rooney The Seven Husbands of Evelyn Hugo, Taylor Jenkins The Good Liar, Catherine McKenzie Verity, Colleen Hoover The Days of Abandonment, Elena Ferrante All These Beautiful Strangers, Elizabeth Klehfoth Believe It, Nick Foles Tuck Everlasting, Natalie Babbit Matilda, Roald Dahl Richard Powers, The Overstory Colm Toibin, The Master: Andrew Martin, Early Work Rachel Cusk, Kudos Kevin Wilson, Baby, You’re Gonna Be Mine Cherie Dimaline, The Marrow Thieves Sigrid Nunez, The Friend Zachary Lazar, Vengeance Carmen Maria Machado, Her Body and Other Parties Anna Burns, Milkman Didier Fassin, Life: A Critical User’s Manual Janet Malcolm, Nobody’s Looking at You Patrick Radden Keefe, Say Nothing Nick Thorkelson, Herbert Marcuse: Philosopher of Utopia, A Graphic Biography Oliver Sacks, Musicophilia Martin Hagglund, This Life Mark C. Taylor, Abiding Grace James McBride, Kill’em and Leave. Also The Color of Water;The Good Lord Bird) Kiese Laymon, Heavy Kathryn Edin and H. Luke Shaeffer, $2.00 A Day: Living on Almost Nothing in America. Desert Solitaire, Edward Abbey. Also: The Monkey Wrench Gang; Abbey’s Road Say Nothing: A True Story of Murder and Memory in Northern Ireland, Patrick Radden Keefe. Also: Chatter; The Snakehead Bad Blood: Secrets and Lies in a Silicon Valley Startup, John Carreyrou The Overstory, Richard Powers.