DOCSLIB.ORG

20200323 Locally Yours Flye-EN

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
20200323 Locally Yours Flye-EN FOR THE EXPLORERS A LOCAL EXPERIENCE Explore the beautiful Cordis, Dongqian Lake, Ningbo with these exciting local adventures. Choose from our selection of local itinerary ideas to help you make the most of your sightseeing around Dongqian Lake. DAY ONE Start your day with a delicious breakfast at Cordis Market Take a leisurely bike ride around Dongqian Lake, enjoy the dramatic scenery and abundant nature. Visit Xiao Putuo and go on a boat ride to appreciate landscapes of lakes and mountains End the day with our tailor-made cocktails with local ingredients at Bar 29゜ DAY TWO Explore Hanling – a village with a 1000-year history, take a step back in time and relive Ningbo’s historical past Take a picnic or Cordis Afternoon Tea to Fuquan Mountain with breathtaking views over the tea plantations Watch the sunset over a relaxing “Fisherman’s Table” dinner at Lake House DAY THREE Experience a Tai Chi Class at the Health Club terrace Have a healthy breakfast at Health Club to energize your whole day Explore Southern Song Stone Sculpture Park — a national Key Cultural Relic Protection Unit Unwind at Chuan Spa experiencing one of our signature massages or enjoy our relaxing pool in our Health Club FOR THE FAMILIES A LOCAL EXPERIENCE Enjoy a fun family adventure with these amazing local experiences. Choose from our selection of local itinerary ideas to help you make the most of your family holiday in Dongqian Lake. DAY ONE Have a delicious breakfast at Cordis Market Cycle around Dongqian Lake and enjoy the beautiful scenery Discover the amazing native and exotic wildlife in Ningbo Youngor Zoo Enjoy movie night at Cordis Kids zone DAY TWO Explore the beautiful gardens around the resort to look for Mr. Frog Join in series of activities designed by Cordis Kids Centre Spend the afternoon exploring Wu Longtan scenic area Enjoy a relaxing family dinner at Cordis Market DAY THREE Walk along the Wetland Park to enjoy the fresh air in the morning Experience local traditional dessert making at Xiashui Village Enjoy Fuquan Mountain with breathtaking views over the tea plantations and have a picnic on the mountain top FOR THE ROMANTICS A LOCAL EXPERIENCE Looking for a romantic gateway? Enjoy a Dongqian Lake mini-moon with our exclusive suggestions for romantics. Choose from our selection of local itinerary ideas to help you make the most of your break with your other half. DAY ONE Head to Cordis Market for an incredible interactive breakfast Embark on a breath-taking sailing boat experience on Dongqian Lake Try our tailor-made cocktails with local features at Bar 29° DAY TWO Start your romantic day with a private breakfast in your room Indulge in a delicate lunch at Ming Court, namesake of the Michelin-starred restaurant in Hong Kong Hike along the wooden trail to be amazed by the breathtaking views of Fuquan Mountain Unwind at Chuan Spa experiencing our signature massages for couples (booking in advance highly recommended) DAY THREE Embark on a new day with a private couple yoga session at the spa garden Head to Taogong Island, the God of Wealth, Fan Li, and Venus Xi Shi, lived several thousand years ago Enjoy a romantic “Fisherman’s Table” dinner at Lake House.
Load more

Recommended publications
  • Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(S): Eugene Yuejin Wang Source: the Art Bulletin, Vol
    Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(s): Eugene Yuejin Wang Source: The Art Bulletin, Vol. 76, No. 3, (Sep., 1994), pp. 511-534 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3046042 Accessed: 17/04/2008 11:17 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Eugene Yuejin Wang a 1 Jian (looking/mirror), stages of development of ancient ideograph (adapted from Zhongwendazzdian [Encyclopedic dictionary of the Chinese language], Taipei, 1982, vi, 9853) History as Mirror: Trope and Artifact people.
    [Show full text]
  • Economic Cycles in Ancient China
    NBER WORKING PAPER SERIES ECONOMIC CYCLES IN ANCIENT CHINA Yaguang Zhang Guo Fan John Whalley Working Paper 21672 http://www.nber.org/papers/w21672 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 October 2015 This paper is the second of a planned series examining the Chinese history of ancient economic thought in light of later Western thought. The first paper is Monetary Theory and Policy from a Chinese Historical Perspective which has been published in China Economic Review (Volume 26, September 2013, Pages 89-104.) This work is of importance in better understanding the Chinese policy response to the global issues of the day; the financial crisis, global warming and climate change. We acknowledge financial support from the Ontario Research Fund (ORF-F3), IDRC, and the Centre for International Governance Innovation (CIGI), Waterloo Ontario. The views expressed herein are those of the authors and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2015 by Yaguang Zhang, Guo Fan, and John Whalley. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Economic Cycles in Ancient China Yaguang Zhang, Guo Fan, and John Whalley NBER Working Paper No. 21672 October 2015 JEL No. N1,N15 ABSTRACT We discuss business cycles in ancient China.
    [Show full text]
  • THE RECORD of the LANDS of YUE Introduction Is Chapter Describes Key Sites in the Kingdom of Yue, Including King Goujian's
    'A6G*+B *+) THE RECORD OF THE LANDS OF YUE Introduction !is chapter describes key sites in the kingdom of Yue, including King Goujian’s capital, which was one of China’s oldest recorded planned cities.1 !is chapter emphasises the impact King Goujian had on the land- scape of this region: virtually every building mentioned is said to have been erected either for his personal use or as part of the war e"ort he ini- tiated to defeat the kingdom of Wu. In this text the authors repeatedly link landscape features of northern Zhejiang province to events from the life of the greatest king of Yue. However these attributions (in the absence of further evidence) must remain largely speculative. Numerous geograph- ical features and ancient buildings south of the Yangtze river have been linked to famous ?gures from the con#ict between Wu, Yue and Chu, and sometimes these attributions have been conclusively disproved.2 It is important to stress that unlike King Helü’s capital (modern Suzhou), 1 !e site of King Goujian’s capital is now the city of Shaoxing in Zhejiang province. !e name Shaoxing commemorates a turn in the fortunes of the Southern Song dynasty. In 0015, the capital of the Northern Song dynasty Bianliang ϰΔ (now known as Kaifeng –ݶǭ) fell to the Jurchen Jin dynasty. !e new emperor, Song Gaozong LJࠆlj (r. 0012 0051), moved south to evade capture, and established his capital at a series of southern dž (now known as Hangzhou ʹș), Pingjiang ȳϭ (modernט cities, including Lin’an ș) and Yuezhou ۚș (Shaoxing).
    [Show full text]
  • Concert Program
    Performers Shih-Hua Judy Yeh Shih-Hua (Judy) Yeh, acclaimed Guqin and Guzheng Master, is both Founder and Director of the Taiwanese Music Ensemble of New York. She is also Founder of the SPOTLIGHT New York Guqin School. Shih-Hua has specialized in playing professional concert performances on many varied Chinese musical instruments. She is a highly respected music educator and in 2011 was named an official judge of music examinations by the China Conservatory of Music and Chinese Music Organization. She has also been a lecturer of the Jinwen University of Science and Technology in A Night of Traditional Chinese Music Taipei. Yeh graduated from the Taipei National University of the Art (TNUA) with a Guqin Major. She later earned her Master’s degree in Ethnomusicology from Sheffield University in the UK. Yeh is a member of Water Stage Ensemble based at TNUA and has performed both nationally and internationally. She has won numerous awards at distinguished Chinese music event, and she has been invited to perform at such highly honored and respected professional venues as Lincoln Center, Merkin Hall and Weill Recital Hall, Carnegie Hall. Wei-Yang (Andy) Lin Wei-Yang (Andy) Lin, born in Taiwan, holds his Bachelor and Master’s Degrees from October 16 at 8-9PM The Juilliard School. He won the Top Prize in the Juilliard Viola Concerto Competition and subsequently made his Avery Fisher Hall solo debut. He is a member of the award Lang Recital Hall (4th Floor, Hunter College North) winning string quartet, the Amphion String Quartet. The quartet was a winner of the 2011 Concert Artists Guild Victor Elmaleh Competition and was recently selected to join the roster of the Lincoln Center’s Chamber Music Society Two for a three-year Reception to Follow 9-10PM residency.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 Permalink https://escholarship.org/uc/item/40698689 Author Eisenman, Lujing Ma Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Lujing Ma Eisenman 2016 © Copyright by Lujing Ma Eisenman 2016 ABSTRACT OF THE DISSERTATION Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 By Lujing Ma Eisenman Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2016 Professor Theodore D Huters, Chair This dissertation examines the emergence and development of modern Chinese martial arts fiction during the first half of the twentieth century and argues for the literary autonomy it manifested. It engages in the studies of modern Chinese literature and culture from three perspectives. First, approaching martial arts fiction as a literary subgenre, it partakes in the genre studies of martial arts fiction and through investigating major writers and their works explains how the genre was written, received, reflected, and innovated during the period in question. Second, positioning martial arts fiction as one of the most well received literary subgenre in the modern Chinese literary field, it discusses the “great divide” between “pure” and “popular” literatures and the question of how to evaluate popular literature in modern China.
    [Show full text]
  • Speaking to History 5/13/08 1:52 PM Page 1
    1.Cohen, Speaking to History 5/13/08 1:52 PM Page 1 one The Goujian Story in Antiquity before looking at the variety of ways in which the figure of Gou- jian assumed meaning for Chinese in the twentieth century, we need to ex- amine the story itself. In reconstructing the Goujian story, I have not been unduly concerned with the historicity of particular incidents or details.1 The impact of the story in the twentieth century, as noted in the preface, derived not from its accuracy as history but from its power as narrative.2 Nor have I attempted to trace the evolution of the story as it wended its way from ancient times on up to the end of the imperial era. This is not an exercise in Chinese literary history. What I want to do in this opening chapter is establish a rough baseline for what was known about the Gou- jian narrative in the first century c.e., the time when the first full-fledged version of the story (of which we are aware) appeared. To this end, I have consulted, either in the original or in translation, such basic ancient sources as Zuozhuan (Zuo’s Tradition), Guoyu (Legends of the States), Sima Qian’s Shiji (Records of the Historian), and Lüshi chunqiu (The Annals of Lü Buwei).3 However, I have relied most heavily on the later (and highly fic- tionalized) Wu Yue chunqiu (The Annals of Wu and Yue), originally com- piled by the Eastern Han author Zhao Ye from 58 to 75 c.e.4 I have done this for two reasons.
    [Show full text]
  • A Buried Past: the Tomb Inscription
    Journal of the Economic and Social History of the Orient 52 (2009) 14-56 www.brill.nl/jesho A Buried Past: Th e Tomb Inscription (Muzhiming) and Offi cial Biographies of Wang Chuzhi (863-923) Angela Schottenhammer* Abstract Th e present article investigates the tomb inscription of Wang Chuzhi (863-923), a military governor whose career spanned the end of the Tang and the beginning of the Five Dynas- ties. By comparing the inscription with representations of the deceased in offi cial sources, the article reveals that the tomb inscription presents a critical attitude toward the moral standards of conventional historiography, and demonstrates a shifting moral geography in the works of Song historians. Th is new standard increasingly excluded nomadic peoples from the newly imagined political body, and excluded with them the pragmatic diplomacy that had characterized the politics of the Five Dynasties. Cet article analyse l’inscription funéraire de Wang Chuzhi (863-923). Ce gouverneur mili- taire vécut à la fi n des Tang et au début de la période des Cinq Dynasties. La comparaison de l’inscription à diverses représentations du défunt contenues dans les sources offi cielles montre la manière dont l’auteur de l’inscription critique les standards moraux de l’historiographie offi cielle. Elle montre aussi le cadre géographique mouvant dans lequel s’appliquait la morale Song : les populations nomades étaient de plus en plus exclues du corps politique tel qu’il était alors imaginé ; la diplomatie pragmatique qui avait dominé la période des Cinq Dynasties était abandonnée. Keywords tomb inscriptions, historiography, dynastic histories, Five Dynasties, Wang Chuzhi Introduction Wang Chuzhi 王處直 (863-923) was a high-ranking Military Commis- sioner who lived during the closing decades of the Tang (618-907) and the early years of the Five Dynasties (907-960), a time characterized by unceas- *) Angela Schottenhammer, Sinology, Japanese Studies, Munich University and Mar- burg University, Germany, [email protected].
    [Show full text]
  • DEVELOPING CREATIVE SERVICE INDUSTRIES in HANGZHOU, CHINA – 103 Provided by Queensland University of Technology Eprints Archive
    CORE Metadata, citation and similar papers at core.ac.uk II. CASE STUDY – DEVELOPING CREATIVE SERVICE INDUSTRIES IN HANGZHOU, CHINA – 103 Provided by Queensland University of Technology ePrints Archive Developing creative service industries in Hangzhou, China This case study is based on research by Wen Wen, Shenzhen University, People’s Republic of China and Michael Keane, Queensland University of Technology, Australia. TOURISM AND THE CREATIVE ECONOMY © OECD 2014 104 – II. CASE STUDY – DEVELOPING CREATIVE SERVICE INDUSTRIES IN HANGZHOU, CHINA Creativity is changing the People’s Republic of China according to Li Wuwei (2011), a leading Chinese economist and policy advisor. The nation is learning to embrace a “third industrial revolution” (Rifkin, 2011) while banking the economic capital of the carbon-dependent manufacturing economy. Urbanisation is also driving change and consumer culture (Gerth, 2010). Most of China’s high-value creative service industries are found in the large urban centres of Beijing, Shanghai, Guangzhou and Shenzhen in the coastal provinces. China’s second-tier cities, including Hangzhou in Zhejiang province, are also seeking to make capital out of culture, albeit with different strategies than the coastal hubs. The Hangzhou metropolitan area is the fourth largest in China, with 8.8 million residents. Zhejiang province was once known as the “land of rice and fish.” However, with the increased emphasis on productivity in China’s economic reforms since 1978, the province became an economic heavyweight, characterised by small and medium-sized enterprises often working together to produce complementary products. As more growth occurs in second-tier cities like Hangzhou and the environmental impact of the manufacturing industries are more apparent, service industries are gaining momentum and support from government think tanks to support growth.
    [Show full text]
  • Staff and Students
    KIB STAFF AND STUDENTS HAN Min CHEN Shao-Tian WANG Ying JI Yun-Heng Director: XUAN Yu CHEN Wen-Yun LI De-Zhu DUAN Jun-Hong GU Shuang-Hua The Herbarium Deputy Directors: PENG Hua (Curator) SUN Hang Sci. & Tech. Information Center LEI Li-Gong YANG Yong-Ping WANG Li-Song ZHOU Bing (Chief Executive) LIU Ji-Kai LI Xue-Dong LIU Ai-Qin GAN Fan-Yuan WANG Jing-Hua ZHOU Yi-Lan Director Emeritus: ZHANG Yan DU Ning WU Zheng-Yi WANG Ling HE Yan-Biao XIANG Jian-Ying HE Yun-Cheng General Administrative Offi ce LIU En-De YANG Qian GAN Fan-Yuan (Head, concurrent WU Xi-Lin post) ZHOU Hong-Xia QIAN Jie (Deputy Head) Biogeography and Ecology XIONG De-Hua Department Other Members ZHAO JI-Dong Head: ZHOU Zhe-Kun SHUI Yu-Min TIAN Zhi-Duan Deputy Head: PENG Hua YANG Shi-Xiong HUANG Lu-Lu HU Yun-Qian WU Yan CAS Key Laboratory of Biodiversity CHEN Wen-Hong CHEN Xing-Cai (Retired Apr. 2006) and Biogeography YANG Xue ZHANG Yi Director: SUN Hang (concurrent post) SU Yong-Ge (Retired Apr. 2006) Executive Director: ZHOU Zhe-Kun CAI Jie Division of Human Resources, Innovation Base Consultant: WU Master' s Students Zheng-Yi CPC & Education Affairs FANG Wei YANG Yun-Shan (secretary) WU Shu-Guang (Head) REN Zong-Xin LI Ying LI De-Zhu' s Group LIU Jie ZENG Yan-Mei LI De-Zhu ZHANG Yu-Xiao YIN Wen WANG Hong YU Wen-Bin LI Jiang-Wei YANG Jun-Bo AI Hong-Lian WU Shao-Bo XUE Chun-Ying ZHANG Shu PU Ying-Dong GAO Lian-Ming ZHOU Wei HE Hai-Yan LU Jin-Mei DENG Xiao-Juan HUA Hong-Ying TIAN Xiao-Fei LIU Pei-Gui' s Group LIANG Wen-Xing XIAO Yue-Qin LIU Pei-Gui QIAO Qin ZHANG Chang-Qin Division of Science and TIAN Wei WANG Xiang-Hua Development MA Yong-Peng YU Fu-Qiang WANG Yu-Hua (Head) SHEN Min WANG Yun LI Zhi-Jian ZHU Wei-Dong MA Xiao-Qing SUN Hang' s Group NIU Yang YUE Yuan-Zheng SUN Hang YUE Liang-Liang LI Xiao-Xian NIE Ze-Long LI Yan-Chun TIAN Ning YUE Ji-Pei FENG Bang NI Jing-Yun ZHA Hong-Guang XIA Ke HU Guo-Wen (Retired Jun.
    [Show full text]
  • “The Hereditary House of King Goujian of Yue”
    "Yuewang Goujian Shijia": An Annotated Translation Item Type text; Electronic Thesis Authors Daniels, Benjamin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 20:21:08 Link to Item http://hdl.handle.net/10150/293623 “YUEWANG GOUJIAN SHIJIA”: AN ANNOTATED TRANSLATION by Benjamin Daniels ____________________________ Copyright © Benjamin Daniels 2013 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2013 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Benjamin Daniels APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: Dr. Brigitta Lee May 8, 2013 3 ACKNOWLEDGEMENTS First, I need to express my deepest gratitude to Dr. Enno Giele, who was my first mentor in anything related to ancient China.
    [Show full text]
  • Mingfei Qu" and the Poetics of Disagreement Author(S): Yang Xiaoshan Source: Chinese Literature: Essays, Articles, Reviews (CLEAR), Vol
    Wang Anshi's "Mingfei qu" and the Poetics of Disagreement Author(s): Yang Xiaoshan Source: Chinese Literature: Essays, Articles, Reviews (CLEAR), Vol. 29 (Dec., 2007), pp. 55- 84 Published by: Chinese Literature: essays, articles, reviews (CLEAR) Stable URL: http://www.jstor.org/stable/25478397 Accessed: 14-08-2017 01:58 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/25478397?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Chinese Literature: essays, articles, reviews (CLEAR) is collaborating with JSTOR to digitize, preserve and extend access to Chinese Literature: Essays, Articles, Reviews (CLEAR) This content downloaded from 66.31.142.119 on Mon, 14 Aug 2017 01:58:38 UTC All use subject to http://about.jstor.org/terms Wang Anshi's "Mingfei qu" and the Poetics of Disagreement Yang Xiaoshan University of Notre Dame This essay reconsiders the controversy surrounding Wang Anshi's two poems on the Wang Zhaojun legend in light of his deliberate use of unconventional rhetoric to shock and awe his audience, especially in poems dealing with historical subjects.
    [Show full text]
  • Tales of the Hegemons of the Spring and Autumn Period from C
    History and Fiction: Tales of the Hegemons of the Spring and Autumn Period from c. 300 BC to AD 220 This dissertation is submitted for the degree of Doctor of Philosophy Olivia Milburn School of Oriental and African Studies University of London ProQuest Number: 10731298 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731298 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 p Abstract This thesis focusses on historical and fictional accounts of the hegemons of the Spring and Autumn period: Lord Huan of Qi, Lord Wen of Jin, Lord Mu of Qin, King Zhuang of Chu, King Helu of Wu and King Goujian of Yue. Chapter One describes the methodological basis. Many ancient Chinese texts underwent periods of oral transmission, but the effect on their form and content has been little researched. Theme and formula are important for understanding the development of these texts. The hegemons are also investigated for the degree to which they conform to greater patterns: the Indo-European models of the hero and good ruler.
    [Show full text]