Mark Zuelzke Resume
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Criminal Minds: Haunted
“Haunted” Written by Erica Messer Directed by Jon Cassar © 2009 ABC Studios. All rights reserved. This material is the exclusive property of ABC Studios and is intended solely for the use of its personnel. Distribution to unauthorized persons or reproduction, in whole or in part, without the written consent of ABC Studios is strictly prohibited. PRODUCTION #502 Episode Ninety-Three Final Draft(PINK) July 29, 2009 Copyright © 2009 ABC Studios All Rights Reserved CRIMINAL MINDS “Haunted” Script Revision History DATE COLOR PAGES 7/25/2009 BLUE CAST, SET, 1-63 7/29/2009 PINK CAST, SET, 1-64 CRIMINAL MINDS “Haunted” CAST LIST ROSSI HOTCH PRENTISS MORGAN REID JENNIFER GARCIA DARRIN CALL YOUNG CALL PHARMACIST STOCK BOY * LOCAL REPORTER LIEUTENANT KEVIN MITCHELL DR. CHARLES CIPOLLA PATIENT YOUNG TOMMY WOMAN THOMAS (TOMMY) ANDERSON BILL JARVIS YOUNG BILL JARVIS FEATURED EXTRAS BANK GUARD CRIMINAL MINDS “Haunted” SET LIST INTERIORS EXTERIORS BAU JET BAU JET – DAY (STOCK) * BAU Runway High Tech Room Rossi’s Office COUNTRY ROAD - DAY PHARMACY LOUISVILLE STREET – DAY Counter Alley Aisles JARVIS HOUSE - DAY HOTCH’S APARTMENT KENTUCKY – DAY (STOCK) LOUISVILLE METRO P.D. MACHINE SHOP – DAY * CIPOLLA’S OFFICE LOUISVILLE METRO P.D. – DAY CIPOLLA’S OFFICE – DAY STREET – DAY DARRIN CALL’S APARTMENT CURBSIDE – DAY TOMMY ANDERSON’S HOUSE STERNER ORPHANAGE – DAY JARVIS HOUSE HITCHENS AVENUE - DAY MOVING SHOTS BAU SUV – Hotch & Morgan MINIVAN – Call & Ryan CRIMINAL MINDS “Haunted” TIME SPAN This episode takes place over 1 day. Teaser: Day 1 Act One: Day 1 Act Two: Day 1 Act Three: Day 1 Act Four: Day 1, Night 1 CRIMINAL MINDS "Haunted" PINK 7/29/09 1. -
Gary Barber Born: in 1957 in Johannesburg, South Africa Residence: Los Angeles, California Family: Three Daughters Education: Earned a B.S
Gary Barber Born: In 1957 in Johannesburg, South Africa Residence: Los Angeles, California Family: Three daughters Education: Earned a B.S. in accounting at Witwatersand University in South Africa while on a soccer scholarship. Business: He was the chairman and CEO of MGM Studios in Hollywood for eight years until March 2018. • Worked as a chartered accountant in South Africa and as a certified public accountant in the United States before moving into the film industry. He came to the United States in 1982, following his brother, Cecil, who came in 1979. • Co-founder, along with Roger Birnbaum, and CEO of Spyglass Entertainment, which has produced such motion pictures as “Seabiscuit,” “Memoirs of a Geisha,” “The Insider,” and “The Sixth Sense.” The original Spyglass shuttered when its co-founders went to work at MGM in 2010. He has been the executive producer of more than 50 movies. Together with Lantern Entertainment, he relaunched Spyglass Media Group in early 2019 as a content distribution company. • Has been a major player in Southern California over the years, racking up impressive victories with The Deputy, winner of 2000 Santa Anita Derby (G1), as a partner with Team Valor; Gitano Hernando, Red Arrow, Reine de Romance and $50,000 claim, Cost of Freedom, who was a graded stakes winner on his way to becoming a third-place finisher in the 2009 Sprint. • His stable has an international flavor as well as being prominent in North America, scoring big wins in France, Ireland, Australia and his homeland, South Africa. He has owned a number of horses in partnership with Team Valor International, Eclipse Thoroughbred Partners, Altamira Racing, Kevin Tsujihara and trainer Jerry Hollendorfer. -
Paramount Pictures' 3-D Movie Transformers: Dark of The
PARAMOUNT PICTURES’3 -D MOVIE TRANSFORMERS: DARK OF THE MOON LAUNCHES BACK INTO IMAX® THEATRES FOR EXTENDED TWO-WEEK RUN Film Grosses $1,095 Billion to Date Los Angeles, CA (August 23, 2011) – IMAX Corporation (NYSE:IMAX; TSX:IMX) and Paramount Pictures announced today that Transformers: Dark of the Moon, the third film in the blockbuster Transformers franchise, is returning to 246 IMAX® domestic locations for an extended two-week run from Friday, Aug. 26 through Thursday, Sept. 8. During those two weeks, the 3-D film will play simultaneously with other films in the IMAX network. Since its launch on June 29, Transformers: Dark of the Moon has grossed $1,095 billion globally, with $59.6 million generated from IMAX theatres globally. “The fans have spoken and we are excited to bring Transformers: Dark of the Moon back to IMAX theatres,”said Greg Foster, IMAX Chairman and President of Filmed Entertainment. “The film has been a remarkable success and we are thrilled to offer fans in North America another chance to experience the latest chapter in this history making franchise.”Transformers: Dark of the Moon: An IMAX 3D Experience has been digitally re-mastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Re-mastering) technology for presentation in IMAX 3D. The crystal-clear images, coupled with IMAX’s customized theatre geometry and powerful digital audio, create a unique immersive environment that will make audiences feel as if they are in the movie. About Transformers: Dark of the Moon Shia LaBeouf returns as Sam Witwicky in Transformers: Dark of the Moon. -
Children of Glory
ANDREW G. VAJNA PRESENTS CHILDREN OF GLORY Cast: Iván Feny ı Kata Dobó Sándor Csányi Károly Gesztesi Original Story by: Joe Eszterhas Writing Credits by : Joe Eszterhas Eva Gárdos Géza Bereményi Réka Divinyi Co-Producers : Clive Parsons S. Tamás Zákonyi Cinematography by : Buda Gulyás Production Desing by : János Szabolcs Costume Desing by : Beatrix Aruna Pásztor Original Music by : Nick Glennie-Smith Producer: Andrew G. Vajna Directed by : Krisztina Goda Website: www.szabadsagszerelemafilm.hu SYNOPSIS The year is 1956. While Hungary is only a small slave nation within the massive Soviet Block, it is also a superpower – its national water polo team is invincible. Even locked behind the Iron Curtain, the players feel like kings. Thriving on success and enjoying the attention of every girl in the country, they stand self-assured and unified. The team has lost only once in 1955, when a referee in Moscow simply did not let them win. The team are now bracing themselves for a rematch due to take place at the 1956 Olympic Games in Melbourne. History, however, throws a major obstacle in team’s path, and a revolution breaks out in Budapest and the young star of the team, Karcsi (Iván Feny ı) and his friend, Tibi (Sándor Csányi) get embroiled in the events occurring out on the streets. At first, they are only out for adventure, but a fiery student - Viki Falk (Kata Dobó) - from the Technical University catches Karcsi’s eye and in following her steps he finds himself right at the heart of the uprising - the Kossuth square and the subsequent siege of the National Radio station. -
Composer (Films)
NOAH SOROTA TELEVISION AMAZING STORIES (Ep. 103) Steven Spielberg, exec. prods. Universal Television Brian Wankum, prod. Composer SIGMUND AND THE SEA Marty Kroffit, Sid Kroffit, Bradley Sweig, exec. prods. MONSTERS (series) Amazon Studios Composer FALLING SKIES (series) Steven Spielberg, Justin Falvey, Darryl Frank, Amblin Television / TNT Robert Rodat, Graham Yost, exec. prods. Composer REBUILDING GROUND ZERO (series) Jessica Lyne de Ver, prod. Discovery John Hock, dir. Composer MOTION PICTURES THE RIVER AND THE WALL Dennis Aig, prod. Fin & Fur Films Phillip Baribeau, dir. Composer UNBRANDED Dennis Aig, prod. Cedar Creek Productions Phillip Baribeau, dir. Composer THE GRACEFIELD INCIDENT Mathieu Ratthe, prod / dir. Matt Ratt Productions Composer JINN Richard Mandell, prod. Exodus Pictures Ajmal Zaheer Ahmad, dir. Composer CLASH OF THE TITANS Kevin De La Noy, Basil Iwanyk, Guy Warner Brothers Wilson, prods. Additional Music Louis Leterrier, dir. SHERLOCK HOLMES Bruce Berman, Dana Goldberg, Warner Brothers Michael Tadross, exec. prods. Featured Soloist: Violin Guy Ritchie, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 NOAH SOROTA HENRI IV Regina Ziegler, prod. Ziegler Films Jo Baier, dir. Additional Music Solo Violin TRANSFORMERS: REVENGE OF Ian Bryce, Tom DeSanto, THE FALLEN Lorenzo di Bonaventura, DreamWorks Don Murphy, prods. Technical Score Assistant Michael Bay, dir. ANGELS AND DEMONS John Calley, Brian Grazer, Columbia Pictures Ron Howard, prods. Synth Programmer Ron Howard, dir. MONSTERS VS ALIENS Lisa Stewart, prod. DreamWorks Animation Rob Letterman, Conrad Vernon, dirs. Musician: Solo Violin THE DARK KNIGHT Kevin De La Noy, Warner Brothers Benjamin Melniker, Thomas Tull, Sequencer Programmer Michael E. Uslan, exec. prods. Musician: Violin (uncredited) Christopher Nolan, dir. -
Feature Film
RAMIN DJAWADI AWARDS & NOMINATIONS HOLLYWOOD MUSIC IN MEDIA TOM CLANCY’S JACK RYAN AWARD NOMINATION (2019) Main Title Theme – TV Show/Limited Series EMMY AWARD (2019) GAME OF THRONES Outstanding Music Composition for a “The Long Night” Series (Original Dramatic Score) EMMY AWARD (2018) GAME OF THRONES Outstanding Music Composition for a Series (Original Dramatic Score) EMMY NOMINATION (2018) WESTWORLD Outstanding Music Composition for a Series (Original Dramatic Score) GRAMMY NOMINATION (2017) GAME OF THRONES Best Score Soundtrack for Visual Media WORLD SOUNDTRACK AWARD WESTWORLD, PRISON BREAK: NOMINATION (2017) RESURRECTION, THE STRAIN Best TV Composer of the Year EMMY NOMINATION (2017) WESTWORLD Best Original Main Title Theme Music EMMY NOMINATION (2014) GAME OF THRONES Outstanding Music Composition for a Series GAME AUDIO NETWORK GUILD MEDAL OF HONOR NOMINATION (2011) Best Cinematic / Cut-Scene Audio EMMY NOMINATION (2010) FLASH FORWARD Outstanding Music Composition for a Series GRAMMY NOMINATION (2006) IRON MAN Best Score Soundtrack Album iTUNES AWARD (2008) IRON MAN Best Score The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 RAMIN DJAWADI WORLD SOUNDTRACK AWARD MR. BROOKS NOMINATION Discovery Of The Year (2007) EMMY NOMINATION (2006) PRISON BREAK Outstanding Main Title Theme Music FEATURE FILM ELEPHANT EDEN Alastair Fothergill, prod. DisneyNature Mark Linfield, dir. THE QUEEN’S CORGI Ben Stasson, prod. Lionsgate Ben Stasson, dir. SLENDER MAN Robyn Meisinger, Sarah Snow, Bradley Fischer, James Screen Gems Productions Vanderbilt, William Sherak, prods. *With Brandon Campbell Sylvain White, dir. A WRINKLE IN TIME Jim Whitaker, Catherine Hand, Adam Borba, prods. Walt Disney Studios Ava DuVernay, dir. THE MOUNTAIN BETWEEN US Peter Chernin, Jenno Topping, prods. -
Ramin Djawadi
RAMIN DJAWADI AWARDS & NOMINATIONS 67th ANNUAL GRAMMY AWARDS GAME OF THRONES: SEASON 8 NOMINATION (2020) Best Score Soundtrack for Visual Media HOLLYWOOD MUSIC IN MEDIA TOM CLANCY’S JACK RYAN AWARD NOMINATION (2019) Main Title Theme – TV Show/Limited Series EMMY AWARD (2019) GAME OF THRONES Outstanding Music Composition for a “The Long Night” Series (Original Dramatic Score) EMMY AWARD (2018) GAME OF THRONES Outstanding Music Composition for a Series (Original Dramatic Score) EMMY NOMINATION (2018) WESTWORLD Outstanding Music Composition for a Series (Original Dramatic Score) GRAMMY NOMINATION (2017) GAME OF THRONES Best Score Soundtrack for Visual Media WORLD SOUNDTRACK AWARD WESTWORLD, PRISON BREAK: NOMINATION (2017) RESURRECTION, THE STRAIN Best TV Composer of the Year EMMY NOMINATION (2017) WESTWORLD Best Original Main Title Theme Music EMMY NOMINATION (2014) GAME OF THRONES Outstanding Music Composition for a Series GAME AUDIO NETWORK GUILD MEDAL OF HONOR NOMINATION (2011) Best Cinematic / Cut-Scene Audio EMMY NOMINATION (2010) FLASH FORWARD Outstanding Music Composition for a Series The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 RAMIN DJAWADI GRAMMY NOMINATION (2006) IRON MAN Best Score Soundtrack Album iTUNES AWARD (2008) IRON MAN Best Score WORLD SOUNDTRACK AWARD MR. BROOKS NOMINATION Discovery Of The Year (2007) EMMY NOMINATION (2006) PRISON BREAK Outstanding Main Title Theme Music FEATURE FILM THE ETERNALS Chloé Zhao, dir. Marvel Studios Mitchell Bell, Kevin Feige, Nate Moore, prods. THE MAN FROM TORONTO Todd Black, Jason Blumenthal, Steve Tisch, prods. Sony Pictures Entertainment Patrick Hughes, dir. ELEPHANT Alastair Fothergill, prod. Disneynature Mark Linfield, dir. THE QUEEN’S CORGI Ben Stasson, prod. Lionsgate Ben Stasson, dir. -
(212) 735-3000 Nick P. S
SKADDEN, ARPS, SLATE, MEAGHER & FLOM LLP Jay M. Goffman Four Times Square New York, New York 10036 (212) 735-3000 Nick P. Saggese Rick C. Madden Glenn S. Walter 300 South Grand Avenue Suite 3400 Los Angeles, California 90071 (213) 687-5000 and KLEE, TUCHIN, BOGDANOFF & STERN LLP Kenneth N. Klee Michael L. Tuchin 1999 Avenue of the Stars Thirty-Ninth Floor Los Angeles, California 90067 (310) 407-4000 Proposed Counsel for Debtors and Debtors in Possession UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - x : In re: : Chapter 11 : METRO-GOLDWYN-MAYER STUDIOS INC., : Case No. 10- et al., : : (Motion for Joint Administration Debtors. : Pending) : - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - x JOINT PREPACKAGED PLAN OF REORGANIZATION OF METRO-GOLDWYN- MAYER STUDIOS INC. AND CERTAIN OF ITS AFFILIATES Dated: October 7, 2010 TABLE OF CONTENTS Page INTRODUCTION ARTICLE I DEFINED TERMS AND RULES OF INTERPRETATION 1.1 Additional Debtor............................................................................................................... 1 1.2 Administrative Agent.......................................................................................................... 1 1.3 Administrative Claim.......................................................................................................... 1 1.4 Allowed.............................................................................................................................. -
Downloaded,” and Galen Tryol Has a Son, Nicholas, with His Human Wife, Cally, When the Couple Lives on the Planet New Caprica
DISTRIBUTION AGREEMENT In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in who or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation ____________________________________ July 16, 2014__________ Sarah Toton Date From Mechanical Men to Cybernetic Skin-Jobs: A History of Robots in American Popular Culture By Sarah Toton Doctor of Philosophy Graduate Institute of the Liberal Arts ________________________________________________ Cristine Levenduski, Ph.D. Co-Chair ________________________________________________ Kevin Corrigan, Ph.D. Co-Chair ________________________________________________ Ted Friedman, Ph.D. Outside Co-Chair ________________________________________________ Karla Oeler, Ph.D. Committee Member Accepted: ________________________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies _______________________ Date ! From Mechanical Men to Cybernetic Skin-Jobs: A History of Robots in American Popular Culture -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Transformers Franchise, and Redefines What It Means to Be a Hero
Paramount Pictures Presents In Association with Hasbro A Don Murphy/Tom DeSanto / di Bonaventura Pictures / Ian Bryce Production A Michael Bay Film Executive Produced by Steven Spielberg Michael Bay Brian Goldner Mark Vahradian Produced by Lorenzo di Bonaventura, p.g.a. Tom DeSanto Don Murphy Ian Bryce, p.g.a. Story by Akiva Goldsman and Art Marcum & Matt Holloway & Ken Nolan Screenplay by Art Marcum & Matt Holloway & Ken Nolan Directed by Michael Bay Cast: Mark Wahlberg, Josh Duhamel, Anthony Hopkins, Laura Haddock, Jerrod Carmichael, Isabela Moner, Santiago Cabrera Synopsis: The Last Knight shatters the core myths of the Transformers franchise, and redefines what it means to be a hero. Humans and Transformers are at war, Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth. Saving our world falls upon the shoulders of an unlikely alliance: Cade Yeager (Mark Wahlberg); Bumblebee; an English Lord (Anthony Hopkins); and an Oxford Professor (Laura Haddock). There comes a moment in everyone’s life when we are called upon to make a difference. In Transformers: The Last Knight, the hunted will become heroes. Heroes will become villains. Only one world will survive: theirs, or ours. TRANSFORMERS: THE LAST KNIGHT is in theatres [local date], 2017 TRANSFORMERS: THE LAST KNIGHT has been rated [local rating]. ABOUT THE CAST MARK WAHLBERG (“Cade Yeager”) earned both Academy Award® and Golden Globe® nominations for his standout work in the family boxing film The Fighter and Martin Scorsese’s acclaimed drama The Departed. -
Reframe and Imdbpro Announce Second Round of Films to Receive Reframe Stamp for Gender-Balanced Production
FOR IMMEDIATE RELEASE Media Contacts: August 28, 2018 For Sundance Institute: Spencer Alcorn 310.360.1981 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce Second Round of Films to Receive ReFrame Stamp for Gender-Balanced Production ReFrame and IMDbPro Celebrate 22 ReFrame Stamp Recipients Including A Simple Favor; Booksmart; Crazy Rich Asians; Late Night; Mary Shelley; and The Wife Los Angeles, CA — ReFrame™ (ReFrameProject.org), a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute—whose mission is to increase the number of women of all backgrounds working in film, TV and media—and IMDbPro (imdbpro.com/)— the essential information resource for the entertainment industry—announced today the second round of feature films that qualify for the ReFrame Stamp to recogniZe standout, gender-balanced films. The complete list of stamp recipients can be found at ReFrameProject.org/stamp and imdb.com/reframe. The ReFrame Stamp program launched on June 8, 2018 with the announcement of 12 films that earned the stamp out of 100 films surveyed. We then expanded the program by inviting studio and independent films that have secured U.S. domestic theatrical or streaming distribution to submit their films for stamp consideration. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts.