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NOAH SOROTA TELEVISION AMAZING STORIES (Ep. 103) Steven Spielberg, exec. prods. Universal Television Brian Wankum, prod. Composer SIGMUND AND THE SEA Marty Kroffit, Sid Kroffit, Bradley Sweig, exec. prods. MONSTERS (series) Amazon Studios Composer FALLING SKIES (series) Steven Spielberg, Justin Falvey, Darryl Frank, Amblin Television / TNT Robert Rodat, Graham Yost, exec. prods. Composer REBUILDING GROUND ZERO (series) Jessica Lyne de Ver, prod. Discovery John Hock, dir. Composer MOTION PICTURES THE RIVER AND THE WALL Dennis Aig, prod. Fin & Fur Films Phillip Baribeau, dir. Composer UNBRANDED Dennis Aig, prod. Cedar Creek Productions Phillip Baribeau, dir. Composer THE GRACEFIELD INCIDENT Mathieu Ratthe, prod / dir. Matt Ratt Productions Composer JINN Richard Mandell, prod. Exodus Pictures Ajmal Zaheer Ahmad, dir. Composer CLASH OF THE TITANS Kevin De La Noy, Basil Iwanyk, Guy Warner Brothers Wilson, prods. Additional Music Louis Leterrier, dir. SHERLOCK HOLMES Bruce Berman, Dana Goldberg, Warner Brothers Michael Tadross, exec. prods. Featured Soloist: Violin Guy Ritchie, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 NOAH SOROTA HENRI IV Regina Ziegler, prod. Ziegler Films Jo Baier, dir. Additional Music Solo Violin TRANSFORMERS: REVENGE OF Ian Bryce, Tom DeSanto, THE FALLEN Lorenzo di Bonaventura, DreamWorks Don Murphy, prods. Technical Score Assistant Michael Bay, dir. ANGELS AND DEMONS John Calley, Brian Grazer, Columbia Pictures Ron Howard, prods. Synth Programmer Ron Howard, dir. MONSTERS VS ALIENS Lisa Stewart, prod. DreamWorks Animation Rob Letterman, Conrad Vernon, dirs. Musician: Solo Violin THE DARK KNIGHT Kevin De La Noy, Warner Brothers Benjamin Melniker, Thomas Tull, Sequencer Programmer Michael E. Uslan, exec. prods. Musician: Violin (uncredited) Christopher Nolan, dir. BEE MOVIE Jerry Seinfeld, Christine Steinberg, prods. DreamWorks Animation Steve Hickner, Simon J. Smith, dirs. Technical Score Engineer THE SIMPSONS MOVIE James L. Brooks, Matt Groening, Al Jean, 20th Century Fox Richard Sakai, Mike Scully, prods. Technical Music Assistant David Silverman, dir. TRANSFORMERS Ian Bryce, Tom DeSanto, DreamWorks SKG Lorenzo di Bonaventura, Technical Music Assistant Don Murphy, prods. Michael Bay, dir. FURNACE Scott Aronson, William Butler, Melee Entertainment / Swirl Films Eric Tomosunas, prods. Composer William Butler, dir. VIDEO GAMES CALL OF DUTY: MODERN Infinity Ward WARFARE 2 Musician: Electric Violins The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 2 .

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SSA/CHICAGO at the University of Chicago
A publication by students of the School of Social Service Administration SSA/CHICAGO at the University of Chicago Advocates’ FORUM 2006 Advocates’ FORUM 2006 COEDITORS IN CHIEF Charlotte Hamilton Amy Proger EDITORIAL BOARD Vanessa Askot Stephen Brehm Marianne Cook Jessica Falk Charlotte Hamilton Christina James Amy Proger Liz Schnitz Marion Scotchmer Aaron Willis ADVISOR Virginia Parks, Ph.D. MISSION STATEMENT Advocates’ Forum is an academic journal that explores clinical implications, social issues, admin- istration, and public policies linked to the social work profession. The journal is written, edited, and ESSAYS AND ARTICLES created by students of the School of Social Service Administration, Mapping the American Political Stream: and its readership includes current The Stuart B. McKinney Homeless Assistance Act students, alumni, faculty, fieldwork by Betsy Carlson . 6 supervisors, and other professionals in the ﬁeld. The editors of Advocates’ The Stink beneath the Ink: How Cartoons Are Forum seek to provide a medium through which SSA students Animating the Gay and Lesbian Culture Wars can contribute to the continuing by Frank Baiocchi . 16 discourse on social welfare and policy. Those of a Queer Age: Insights into Aging in the Gay and Lesbian Community EDITORIAL POLICY by Stephanie Schmitz-Bechteler . 26 Advocates’ Forum is published by the students of the School of Transgender Inclusion and Feminism: Social Service Administration Organizations and Innovation (SSA) at the University of Chicago. by Katherine S. Stepleton . 37 Submissions to the journal are selected by the editorial board from An Introduction to the Client-Oriented, Practical, works submitted by SSA students and edited in an extensive revision Evidence Search (COPES) process with the authors’ permis- by Aaron Willis and Andrew Gill .
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As Writers of Film and Television and Members of the Writers Guild Of
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