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Bibliography on Bollywood Cinema 50 Years of Indian Bibliography on Bollywood Cinema 50 Years of Indian talkies. Calcutta: Federation of Film Societies of India (Eastern Region), [1981]. 70 Years of Indian Cinema 1913-1983Ed. T.M. Ramachandran, associate editor, S. Rukmini. Bombay: CINEMA India-International, 1985. A historical mela : the ABC of India : the art, book & cinema. Curated by Neville Tuli.<2002> Mumbai, India : Osian's, 2002. Agnihotri, Ram. Awatar Social and Political Study of Modern Hindi Cinema: Past, Present, and Future Perspectives.Ram Awatar Agnihotri. New Delhi, India: Commonwealth Publishers, 1990. Agnihotri, Ram Awatar. Modern Indian Films on Rural Background: Social and Political Perspectives with Survey Study.Ram Awatar Agnihotri. New Delhi, India: Commonwealth Publishers, 1991. Agrawal, Binod C. "Indianness of the Indian Cinema." Continuity and Change in Communication Systems: An Asian Perspective./ Eds., Georgette Wang and Wimal Dissanayake .pp: 181-191. Norwood, N.J.: Ablex Pub. Corp., c1984. Communication and information science. Akhtar, Javid. Talking films : conversations on Hindi cinema with Javed Akhtar.[interviewed by] Nasreen Munni Kabir. New Delhi ; New York : Oxford University Press, 1999. Anderson, Pat "A Passage to India." (Review). Films in Review XXXVI/2, Feb 85; p.111-112. Apu and after : re-visiting Ray's cinema Ed. Moinak Biswas.<2006> London ; New York : Seagull Books, 2006. Arnold, Alison E. "Aspects of Production and Consumption in the Popular Hindi Film Song Industry." Asian Music: Journal of the Society for Asian Music, vol. 24 no. 1. 1992 Fall- Winter. pp: 122-36. Arnold, Alison. "Popular Film Song in India: A Case of Mass-Market Musical Eclecticism." Popular Music, vol. 7 no. 2. 1988 May. pp: 177-188. Arora, Poonam. "Sanctioned and proscribed narratives in Indian cinema: a bicultural reading of the courtesan film." Order and Partialities: Theory, Pedagogy, and the "Postcolonial".Ed. Kostas Myrsiades and Jerry McGuire. pp: 59-85. Albany: State University of New York Press, c1995. SUNY series, Interruptions -- Border testimony(ies) and Critical Discourse/s Arora, Poonam."The Production of Third World Subjects for First World Consumption: Salaam Bombay and Parama." Multiple Voices in Feminist Film Criticism.Diane Carson, Linda Dittmar, and Janice R. Welsch, Eds.. pp: 293-304.Minneapolis: University of Minnesota Press, c1994. Arora, V. N. "Popular Songs in Hindi Films." Journal of Popular Culture, vol. 20 no. 2. 1986 Fall. pp: 143-166. Attenborough, Richard."Attenborough on Ray." Sight and Sound 1992 Aug. pp: 37. Baghdadi, Rafique, comp. "Landmarks." Indian Horizons [India] 1995 44(1): 289-303. Baghdadi, Rafique. Talking Films.Rafique Baghdadi, Rajiv Rao; foreword by Govind Nihalani. New Delhi: Indus, c1995. Banaji, Shakuntala. Reading 'Bollywood' : the young audience and Hindi films.Shakuntala Banaji. Basingstoke [England] ; New York : Palgrave Macmillan, 2006. Bandyopadhyaya, Surabhi Satyajit Ray: Beyond the Frame.Surabhi Banerjee. New Delhi: Allied vigo 2 Publishers, 1996. Banerjee, Arundhati. "The Indian Woman's Dilemma: A Study of Formation in Gender Construct Through Mediation of Western Culture in Tagore's Ghare Baire and Ray's Film Version." Gender and Culture in Literature and Film East and West: Issues of Perception and Interpretation: selected conference papers.Ed. Nitaya Masavisut, George Simson, Larry E. Smith. pp: 207-24 Honolulu, HI: College of Languages, Linguistics, and Literature, University of Hawaii: East-West Center, c1994. Banerjee, Samik.Dekha sinema, sinema dekha Kalakata: Anushtupa Prakasani, 2001. Banerjee, Shampa. Profiles, Five Film-makers from India: V. Shantaram, Raj Kapoor, Mrinal Sen, Guru Dutt, Ritwik Ghatak.by Shampa Banerjee. New Delhi, India: Directorate of Film Festivals, National Film Development Corp., c1985. Banerjee, Shampa. One Hundred Indian Feature Films: An Annotated Filmography.Shampa Banerjee, Anil Srivastava. New York: Garland, 1988. Series title: Garland reference library of the humanities; vol. 915. Barnouw, Erik Indian Film [by] Erik Barnouw and S. Krishnaswamy. 2d ed. New York: Oxford University Press, 1980. Barnouw, Erik"Lives of a Bengal Filmmaker: Satyajit Ray of Calcutta." Wonderful Inventions: Motion Pictures, Broadcasting, and Recorded Sound at the Library of Congress.Ed. Iris Newsom. pp. 1-9. Washington: The Library, 1984. Begum, Khani. "E. M. Forster's and David Lean's (Re)Presentations and (Re)Productions of Empire." West Virginia University Philological Papers, vol. 40. 1994. pp: 20-29. Behind the scenes of Hindi cinema : a visual journey through the heart of Bollywood Ed. Johan Manschot and Marijke de Vos. Amsterdam : KIT, c2005. Bell, Millicent. "What Happened in the Cave?" (David Lean's Passage to India) Partisan Review, vol. 53 no. 1. 1986. pp: 103-110. Benegal, Shyam "The enduring allure of the big screen : a century of Indian cinema." 2000, reflections on the arts in India.Ed. Pratapaditya Pal. Mumbai : Marg Publications, 2000. Benegal, Shyam. On Ray: Satyajit Ray, A Film.by Shyam Benegal; script reconstructed by Alaknanda Datta and Samik Bandyopadhyay. Calcutta: Seagull Books, 1988. "Bengali Cinema. Treats, Triumphs - and Troubles." Cinema in India II/2, Apr-June 88; p.50-51. Bhaumik,Kaushik. «Sulochana : clothes, stardom and gender in early Indian cinema." Fashioning film stars : dress, culture, identity.Ed. Rachel Moseley. London : BFI Pub., 2005. Bhaumika, Somesvara. Indian Cinema, Colonial Contours.Someswar Bhowmik. Calcutta, India: Papyrus, 1995. "The Big: The Rise and Fall and Rebirth of Bollywood Superstar Amitabh Bachchan." Film Comment, vol. 41, no. 2, pp. 50-56, March 2005. Binford, Mira Reym "Mira Reym Binford from India." (Festival Report). Film Comment XV/5, Sept-Oct 79; p.4-8. Binford, Mira Reym & others. "Indian cinema." (Special Issue). Quarterly Review of Film and Video XI/3, Oct 1989; p.1-92. Illustration(s), Filmography, Bibliography. Binford, Mira Reym. "Indian popular cinema: a selected filmography." (Article).Quarterly Review of Film and Video XI/3, Oct 1989; p.79-81. Credits, Filmography. Binford, Mira Reym. "The New Cinema of India." Quarterly Review of Film Studies VIII/4, Fall 83; p.47-67. Bollywood: popular Indian cinema London : Dakini, 2002. vigo 3 Bollyworld : popular Indian cinema through a transnational lens Eds., Raminder Kaur, Ajay J. Sinha. ew Delhi ; Thousand Oaks, Calif. ; London : Sage Publications, 2005. "Bollywood in Britain." (filming of Indian movies in the UK) Sight and Sound v8, n8 (August, 1998):20 (3 pages). Booth, Greg "Pandits in the Movies: Contesting the Identity of Hindustani Classical Music and Musicians in the Hindi Popular Cinema." Asian Music: Journal of the Society for Asian Music, vol. 36, no. 1, pp. 60-86, Winter 2005 Booth, Gregory D."Traditional Content and Narrative Structure in Hindi Commercial Cinema." Asian Folklore Studies, vol. 54 no. 2. 1995. pp: 169-90. Bora, Prafulla Prasad. Cinema in Assam.Prafulla Pr. Bora. Gauhati: Performing Arts Centre, 1978. Bora, Raj. "Assamese Cinema: Not So Bad a Start." Cinema in India II/2, Apr-June 88; p.51. Bose, Brinda. "Desire and diaspora: gender, memory and nostalgia in British South Asian cinema." India in the age of globalization : contemporary discourses and texts.Ed. Suman Gupta, Tapan Basu, Subarno Chattarji. New Delhi : Nehru Memorial Museum and Library, 2003. Bose, Brinda. "Transgressions: Female Desire and Postcolonial Identity in Contemporary Indian Women's Cinema. " Interventions: Feminist Dialogues on Third World Women's Literature and Film.Ed. Bishnupriya Ghosh. pp: 119-33. New York: Garland, 1997. Gender, culture, and global politics; v. 1 Bose, Brinda. "Transgressions: Female Desire and Postcolonial Identity in Contemporary Indian Women's Cinema." Interventions: Feminist Dialogues on Third World Women's Literature and Film.Ed. Bishnupriya Ghosh and Brinda Bose. pp: 119-33. New York: Garland, 1997. Gender, culture, and global politics; v. 1 Garland reference library of the humanities; vol. 1943. Bouquet, Stephane."Contes moraux." Cahiers du Cinema no479/480 May 1994. p. 108-10. Bourne, S. "Out of India." (Interview). Films & Filming /393, June 87; p.24-25. Broege, Valerie. "The Journey toward Individuation of Adela Quested in E. M. Forster's and David Lean's A Passage to India." Heroines of Popular Culture..ed. by Pat Browne. pp: 41-53. Bowling Green, Ohio: Bowling Green State University Popular Press, c1987. Buruma, Ian."Satyajit Ray: the last Bengali renaissance man." The missionary and the libertine : love and war in East and West.Ian Buruma. 1st U.S. ed. New York : Random House, c2000. Chakravarty, Sumita S. "Fragmenting the nation : images of terrorism in Indian popular cinema." Cinema and nation.Ed. Mette Hjort and Scott MacKenzie. London ; New York : Routledge, 2000. Chakravarty, Sumita S. National Identity in Indian Popular Cinema, 1947-1987.Sumita S. Chakravarty. 1st ed. Aust University of Texas Press, 1993. Series title: Texas film studies series. Chandavarkar, Bhaskar "How Classical is Filmi Classical?"Cinema in India II/4, Oct-Dec 88; p.18-23. Chandavarkar, Bhaskar"The Music Director Who Wasn't."Cinema in India II/3, July-Sept 88; p.6-10. Chatterjee, Gayatri. Awara.Gayatri Chatterjee. New Delhi: Wiley Eastern, 1992. Chatterjee, Partha."When Melody Ruled the Day." Indian Horizons [India] 1995 44(1): 51-65. Chatterji, Shoma A. Subject cinema, object women: a study of the portrayal of women in Indian vigo 4 cinema.by Shoma A. Chatterji. Calcutta: Parumita Publications, 1998. Chopra, Anupama. Sholay: the making of a classic New Delhi; New York: Penguin
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