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Romeo & Juliet
Taylor University Pillars at Taylor University Taylor Theatre Playbills Campus Events 11-1-2012 Romeo & Juliet Follow this and additional works at: https://pillars.taylor.edu/playbills Part of the Acting Commons, Dance Commons, Higher Education Commons, Playwriting Commons, and the Theatre History Commons Recommended Citation "Romeo & Juliet" (2012). Taylor Theatre Playbills. 23. https://pillars.taylor.edu/playbills/23 This Book is brought to you for free and open access by the Campus Events at Pillars at Taylor University. It has been accepted for inclusion in Taylor Theatre Playbills by an authorized administrator of Pillars at Taylor University. For more information, please contact [email protected]. The Designers *Cory Rodeheaver - Scenic and Projection Designer Cory has been working as a freelance scenic designer for the past 12 years and is no stranger to Taylor Theatre. He has been involved with Taylor theatre for the past 17 years. Last season Cory designed Taylor’s The concession stand is open before the show and production of Proof. Outside of Taylor, Cory has designed for the Summer Studio Theatre Company during intermission. at the University of Illinois, the Feltre Library Theatre in Chicago, Parkland College and the University of Illinois Theatre department to name a few. Some other productions to his credit are: The Hobbit, La Traviata, Aloha Say the Pretty Girls, Tennessee Williams’ Spring Storm, Peter Pan, The Importance of Being Earnest, Tally’s Folley, The Adventures of Tom Sawyer, A Midsummer Night’s Dream, Urine Town the Musical, Into the Woods and staged readings of Ghosts and Desire Under the Elms. -
Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA -
Maine Woods : Vol. 33, No. 12 October 20,1910
VOL. XXXIII. NO. 12—PRICE 4 «/,/ PHILLIPS, MAINE, THURSDAY, OCTOBER 20, 1910. LOCAL EDITION—12 PAGES« i°f/ a «O, WOMAN OF THE WOODS! STEVENS FiR BALSAM BEDS GIVE HER THE GREATEST HAPPINESS. i Doable Barrel Hammerless f t r Canoeing a Delight, and Communion THE BRAND TRADE MARK Gun No. 365 Wjth Nature Far From Fifri «SO. I« U. «• PAT« Off. Avenue the Thing that Restores Krup'p Fluid *& the T iu d Nerves and Effects a Steel Barrels and ^ REVOLVER AND PISTOL Cure. Lugs Drop-forged 4* in one piece. * CARTRIDGES. The following lett<r received sev Breech ^Strong^ eral weeks ago from Mrs. Wilda L. est where others T Winchester Revolver and Pistol cart Brown of Nowi York will douotless ridges in all calibers prove their sup are weak. interest mamy readers of Maine C A N N O T ♦> Woods, who may be wondering what eriority by the targets they make. SHOOT LOOSE £ to do for their sick wives and daugh Shoot them and you’ll find they are Pick up this gun A and feel the bal- y ters: ACCURATG9 CLEAN, SURE ance of it—exam- Since our chat here in Now York ine the working A about the big world out of (hors, g&V parts closely and y fate has been playing pranks with see the fine care X me and it sometimes threatens to N justice to your rifle get and finish of de- A jrevent my ¡being- able to spend the I U M C cartridges. You may prefer tail—you will say y « a Remington, a Marlin, a Winchester, it is a winner! X length of time I desire in the Can X a Savage, or a Stevens rifle. -
AS YOU LIKE IT, the First Production of Our 50Th Anniversary Season, and the First Show in Our Shakespearean Act
Welcome It is my pleasure to welcome you to AS YOU LIKE IT, the first production of our 50th anniversary season, and the first show in our Shakespearean act. Shakespeare’s plays have been a cornerstone of our work at CSC, and his writing continues to reflect and refract our triumphs and trials as individuals and collectively as a society. We inevitability turn to Shakespeare to express our despair, bewilderment, and delight. So, what better place to start our anniversary year than with the contemplative search for self and belonging in As You Like It. At the heart of this beautiful play is a speech that so perfectly encapsulates our mortality. All the world’s a stage, and we go through so many changes as we make our exits and our entrances. You will have noticed many changes for CSC. We have a new look, new membership opportunities, and are programming in a new way with more productions and a season that splits into what we have called “acts.” Each act focuses either on a playwright or on an era of work. It seemed appropriate to inaugurate this with a mini-season of Shakespeare, which continues with Fiasco Theater's TWELFTH NIGHT. Then there is Act II: Americans dedicated to work by American playwrights Terrence McNally (FIRE AND AIR) and Tennessee Williams (SUMMER AND SMOKE); very little of our repertoire has focused on classics written by Americans. This act also premieres a new play by Terrence McNally, as I feel that the word classic can also encapsulate the “bigger idea” and need not always be the work of a writer from the past. -
To Download Resume
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Download Urinetown Theatre Program
From the Director Welcome to the UAH campus and thank you for joining us tonight. Now that the cold dark days of winter are fading, we are here to celebrate the coming of spring with a fun Broad- way musical. This talented and devoted cast of players, artists, directors and technicians have been toiling through the winter months to prepare this wonderful piece of theatre to share with you, our humble audience. UAH Theatre is proud to be a part of this rich artistic community and privileged to offer this creative study to our students. Please enjoy the show and be sure to tell your friends that we are here producing live theatre at Huntsville’s own University. David Harwell - Director About the Musical Winner of three Tony awards and one of the most uproariously funny musicals in recent years, URINETOWN is a hilarious tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold. In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity’s most basic needs. Amid the people, a hero decides he’s had enough, and plans a revolution to lead them all to freedom! Inspired by the works of Bertolt Brecht and Kurt Weill, URINETOWN is an irreverently humorous satire in which no one is safe from scrutiny. Greg Kotis had the idea for Urinetown while traveling in Europe. -
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George Furth
AND Norma and Sol Kugler PRESENT MUSIC & LYRICS BY Stephen Sondheim BOOK BY George Furth STARRING Aaron Tveit AND Jeannette Bayardelle Mara Davi Josh Franklin Ellen Harvey Rebecca Kuznick Kate Loprest James Ludwig Lauren Marcus Jane Pfitsch Zachary Prince Peter Reardon Nora Schell Lawrence E. Street SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Kristen Robinson Sara Jean Tosetti Brian Tovar Ed Chapman HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Liz Printz Renee Lutz Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg Matt Ross Public Relations MUSIC SUPERVISION BY MUSICAL DIRECTION BY Darren R. Cohen Dan Pardo CHOREOGRAPHED BY Jeffrey Page DIRECTED BY Julianne Boyd Sponsored in part by Carrie and David Schulman COMPANY is presented through a special arrangement with Music Theatre International (MTI). ORIGINALLY PRODUCED AND DIRECTED ON BROADWAY BY Harold Prince ORCHESTRATIONS BY Jonathan Tunick BOYD-QUINSON MAINSTAGE AUGUST 10—SEPTEMBER 10, 2017 TIME & PLACE 1970's New York City, Robert’s 35th birthday. CAST IN ORDER OF APPEARANCE Robert .....................................................................................................Aaron Tveit* Susan ...................................................................................................Kate Loprest* Peter ....................................................................................................Josh Franklin* Sarah ........................................................................................Jeannette -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
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ADULT MOVIES 12 Strong [Digitalrecording]
ADULT MOVIES 12 Strong [digitalrecording]. 13 hours : [digitalrecording] the secret soldiers of Benghazi. 22 bullets : [digitalrecording]. 47 Meters Down Uncaged [digitalrecording]. A case of you : [digitalrecording]. A Dog's Way Home [digitalrecording]. A good day to die hard #5 : [digitalrecording]. A Quiet Place : [Digitalrecording]. A Star Is Born : [Digitalrecording]. A Street Cat Named Bob : [digitalrecording]. A walk among : [digitalrecording] the tombstones. Aap Mujhe Achche Lagne Lage [digitalrecording]. Accident man : [digitalrecording]. Admission : [digitalrecording]. Adrift : [digitalrecording]. After shock : [digitalrecording]. Ah Boys to Men : [digitalrecording]. Ah Boys to Men 2 : [digitalrecording]. Ah Boys to Men 3 : Frogmen : [digitalrecording]. Ah Boys to Men 4 [digitalrecording]. Alita: Battle Angel [digitalrecording]. All saints : [digitalrecording]. Allied : [digitalrecording]. Along with the Gods: The Two Worlds [digitalrecording]. American assassin : [digitalrecording]. American hustle : [digitalrecording]. American made : [digitalrecording]. And so it goes : [digitalrecording]. Angels & Demons : [digitalrecording]. Annabelle Comes Home [digitalrecording]. Antaheen : [digitalrecording]. Ant-man #1 : [digitalrecording]. Ant-Man and the Wasp #2 : [digitalrecording]. Aquaman [digitalrecording]. Arrival : [digitalrecording]. Arya-2 : [digitalrecording]. Assassin's Creed : [Digitalrecording]. Austin Powers #1 : [digitalrecording]. Austin Powers #2 : [digitalrecording] Avengers : [digitalrecording] age of ultron. Avengers -
When the Akimotos Went to War
The American Battle Monuments Commission presents WHEN THE AKIMOTOS WENT TO WAR An untold story of family, patriotism, and sacrifice during World War II Matthew Elms The American Battle Monuments Commission presents WHEN THE AKIMOTOS WENT TO WAR An untold story of family, patriotism, and sacrifice during World War II Matthew Elms Copyright © 2015 by the American Battle Monuments Commission Printed in the United States of America For information to reproduce selections from the book, write to American Battle Monuments Commission 2300 Clarendon Blvd, Suite 500 Arlington, VA 22201 www.abmc.gov ISBN 978-0-9790266-4-5 Honorable Merrill A. McPeak Chairman Honorable Cindy Campbell Honorable Rolland Kidder Honorable Barbaralee Honorable Richard L. Klass Diamonstein-Spielvogel Honorable Thomas R. Lamont Honorable Darrell Dorgan Honorable Constance Morella Honorable Larry R. Ellis Honorable John L. Estrada Honorable Max Cleland Secretary Table of Contents Foreward by ABMC Secretary Max Cleland 1 � Acknowledgments 4 � Dedication 7 � Battlefields of France, October 1944 8 � The Akimoto Family, 1870–1941 13 � Captives in France, October 1944 23 � Pearl Harbor, December 7, 1941 26 � Fort Warren, Wyoming, 1942 33 � Captives in America, 1942–1943 37 � The Akimoto Brothers Go to War, 1943 43 � Missing in Action, October 1944 56 � Italy, 1944 61 � Johnny Will Never Come Marching Home, 1944 65 � Wounded POW, November 1944 74 � Victor in Italy and France, 1944 78 � Battle of the Lost Battalion, October 1944 82 � Amputation, 1944 85 � Ted Goes to Japan, 1945 87 � Bad Orb, January 1945 94 � Seizing Bad Orb, April 1945 99 � Postwar: What Brothers Do 105 � Lorraine American Cemetery, 2015 112 � Postscript: Understanding Sacrifice 117 � Epilogue 126 � Endnotes 130 � Bibliography 131 � Index 146 � MAPS Allied Military Advance, October 1944 10 � Japan, Pre-World War II 13 � United States during World War II 29 � Allied Military Advance through Italy, 1943–1944 78 � Allied Military Strategy in Western Europe, 1943–1944 81 � Foreward I am proud to be Secretary of one of the U.S.