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Frankenstein to NCPA’S Stages PROGRAMME GUIDE JUNE 2011 A Tribute to “The King” Remembering Elvis Presley Women of Power Showcasing Shakti through dance Stage to Screen National Theatre London brings Frankenstein to NCPA’s stages Danny Boyle’s Frankenstein 1 On Stage June 2011 1 On Stage June 2011 from the chairman’s desk facility that members, as well as col- breakfast to dinner time. Its vast spaces tions abroad, so that the best interna- A laborators and supporters have been should be filled with events that will make tional offerings are available for viewing constantly requesting, is a proper theatre it an attractive destination for people by NCPA members and the public. restaurant and café that would cater, from all walks of life. not only to young visitors to the NCPA The NCPA will also embark on a new prop- and members before and after perfor- An exciting event this month is the first ma- erty named NCPA Legends, where we mances, but also to the general public, jor collaboration the NCPA will have with will ask current artistes in various genres to spend time in pleasant surroundings a prestigious foreign organisation, the Na- to pay tribute to legendary performers in and enjoy culinary delights over a wide tional Theatre in London. Although we are all spheres of music. The first concert will range of cuisines. In accordance with offered direct broadcasts of their plays, feature the popular Gary Lawyer, paying these requests, a new restaurant, chris- this would obviously be inconvenient due tribute to the King of Rock and Roll – Elvis tened Amadeus, will be opened around to the time difference. We have therefore Presley. We will also screen Elvis films a mid-June. decided to show these unique events few days prior to the performance. very soon after the actual performance One of the areas that need attention at in London. The NCPA is equipping one of In Indian dance, we will be highlight- the NCPA, is the inability to provide suf- its theatres to ensure a thrilling experience ing the Devi, the female character of ficient entertainment facilities for its mem- and theatre goers will be surprised at Indian Dance. bers during the day. `We are basically a the quality of the presentation provided. bunch of theatres that come alive in the Watch out for the announcement in this We have also decided that we will be evenings and have hardly any activities first series of performances with Danny highlighting future performances in each during the day. This is a situation we seek Boyle’s Frankenstein. issue of On Stage, so that members can to remedy by gradually creating pro- mark their calendars well in advance, grammes and facilities, which will make In the future, we hope to have many such and also arrange for early openings at the NCPA a desirable venue to visit from collaborations with prestigious organisa- the Box Office. Khushroo N. Suntook 2 On Stage June 2011 J une 2 0 11 Danny Boyle’s Frankenstein Danny Boyle’s Frankenstein will send shiver’s down Mumbai’s spine this summer! Letters NCPA – On Stage Magazine to the editor Relationship Manager: Lily Shroff Consulting Editor: Anushree Chatterjee It was indeed an ecstatic experience attending the Mudra Dance Week, 2011. Deputy Editor-in-Chief: Jaideep VG The entire range of performances, with such great dancers from various styles, Editorial Co-ordinators: Divya Mishra, Priyanka Mathur was beautifully organised and presented. I thoroughly enjoyed the flavours of Hilda Darukhanawalla Art Director: Rahul Das each of the genres and will look forward to the same in the forthcoming events. National Photo Editor & Art Director: – Amrita Mukherjee Chirodeep Chaudhuri PR Manager: Rashmi Dhanwani NCPA’s Mudra Dance Week truly showcased some of the finest artistes who Senior RM Sales (West): Vishwanath Shanbhag are exploring the depths of Indian classical dance today. In particular, Margi Designers: Brijesh Gajjar, Chittaranjan Modhave Vijayakumar’s Poothana Moksham was a spectacular performance. One was Digital Imaging: Devang H Makwana left completely mesmerised, forgetting that the dancer was a male, in sthree Published by Deepak Bajaj for vesham! The National Centre for the Performing Arts, Also, it was a rare treat for Mumbai’s dance lovers, for whom Kathakali perfor- NCPA Marg, Nariman Point, Mumbai 400 021. mances in their home town is quite a rarity. – Purnima Patni Produced by Please feel free to write in with your comments to Lily Shroff (Relationship Manager – On Stage). We are committed to providing you with an enjoyable Project Management Team magazine and look forward to your feedback after each issue. We’d Editor in chief: Naresh Fernandes Chief Operating Officer: Rajnish Rawat like to know what you think about our programmes and our stories, and look Chairperson: Smiti Kanodia forward to bringing you exciting events on an ongoing basis. You may send Editorial Office an email to [email protected] with your comments and feedback. Essar House, 11 KK Marg, PO Box No. 7964, Mahalaxmi, Mumbai 400 034. E-mail: [email protected] Printed at NCPA Departments Ganesh Mudra, 208 Atlas Mill Compound, NCPA Chairman: Indian Music: Near Reay Road Station ( W ), Khushroo N. Suntook Dr. Suvarnalata Rao, Dr Baristor Nath Marg, Head – Programming Mazgaon Mumbai – 10 Materials in On Stage cannot be International Music: Marketing, reproduced in part or whole without Farrahnaz Irani the written permission of the publisher. Sales & Administration: Sr.Manager – Programming Views and opinions expressed in this Deepak Bajaj, magazine are not necessarily those Director Theatre & Film: of the publisher. All rights reserved. Deepa Gahlot, NCPA Booking Office 2282 4567 / 6654 8135 / 6622 3724 Head – Programming www.ncpamumbai.com Jt. Executive Director: Dance: www.soimumbai.in D. B. Biswas Amrita Lahiri, We look forward to your feedback and Head – Programming suggestions on the NCPA’s programmes, as well as our magazine On Stage. Please do write in to Centre of Photography as The Editor – On Stage, an Art Form: The National Centre for the Performing Arts, NCPA Marg, Nariman Point, Mumbai 400 021 or Mukesh Parpiani, E-mail [email protected], or Head – Piramal Art Gallery Fax (022) 6622 3830. contents A tribute to the 10 King of Rock ‘n’ Roll The NCPA pays tribute to Elvis Presley. Lily Shroff takes us through this musical journey. On Stage Explores 12 – Shringar rasa Isabel Putinja studies jewellery, one of the prime aspects of an Indian dancer’s couture. On Stage Global 04 – World Views Stage to Screen 14 A look around the world for the most exciting Deepa Gahlot tells us why watching performing arts events in June. the theatre broadcast of Danny Boyle’s Frankenstein is a must-do this month. Programme 15 Guide All of June’s events at the NCPA. Glimpses of 29 April and May 2011 All that was memorable in the last two months. July 2011 30 Highlights 08 What to look forward to in the coming month. Women of Power NCPA Odissi and Bharata Natyam dancers pay homage to the eternal Shakti through their 32 News performances. Karanjeet Kaur tells us more. New developments at the NCPA. 4 On Stage June 2011 Stage Screent A collaboration between the NCPA and London’s National Theatre allows Mumbai audiences to experience the best of British Theatre. Deepa Gahlot tells us more he NCPA always endeavours to bring its audiences the best theatre proj- Tects from across the world. For the first time in India, a collaboration with the UK’s National Theatre will enable audiences in Mumbai to see what the world is watch- ing—not on stage, but through high qual- ity digital recordings shot live. The National Theatre Live (NT Live) is a ground breaking initiative to broadcast the best of live British theatre around the world. The first NT Live production, which will be showcased only at the NCPA, is Danny Boyle’s smash hit, Frankenstein. This grand stage version of the Mary Shelley classic, adapted by Nick Dear, has a cast led by Benedict Cum- berbatch and Jonny Lee Miller alternating the roles of Victor Frankenstein and the Creature. Audiences will have the chance to see both combina- tions. Described as “visionary,” “mesmerising,” “stunning” and “brilliant,” the production by the Oscar-winning Slumdog Million- aire director, has garnered rave reviews in the press. 5 On Stage June 2011 Danny Boyle's Frankenstein comes to send chills down Mumbai's spine In this gothic horror story, a scientist makes of the story have denied it to him. Start- a human creature out of separate body ing from the Creature’s point of view was "Once you get going, parts and brings him to life. Then, horrified the key to unlocking the adaptation. The you need to balance at the sight of the monster he has cre- key to then getting the production up and ated, he casts it away. The ugly innocent running was to rebalance the story. Once the Creature with his creature encounters hostility and cruelty you don’t start with Victor Frankenstein, it’s wherever he goes and in desperation, fantastically refreshing because it means obsession, his creator. then sets out to track down his creator… that you have to rethink everything. Once So we rebalanced our “Urgent concerns of scientific responsibil- you get going, you need to balance the ity, parental neglect, cognitive develop- Creature with his obsession, his creator. So approach by ment and the nature of good and evil are we rebalanced our approach by coming embedded within this thrilling and deeply up with the idea of double casting the coming up with the disturbing classic gothic tale,” reads the NT actors.
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