Augustus, Tiberius, and the End of the Roman Triumph 3 Society Defined by Republican Politics
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HARRIET FLOWER Augustus, Tiberius, and the End of the Roman Triumph Downloaded from http://online.ucpress.edu/ca/article-pdf/39/1/1/386301/ca_39_1_001.pdf by guest on 30 September 2021 The triumph was the most prestigious accolade a politician and general could receive in republican Rome. After a brief review of the role played by the triumph in republican politi- cal culture, this article analyzes the severe limits Augustus placed on triumphal parades after 19 BC, which then became very rare celebrations. It is argued that Augustus aimed at and almost succeeded in eliminating traditional triumphal celebrations completely during his life- time, by using a combination of refusing them for himself and his relatives and of rewarding his legates who fought under his auspices with ornamenta triumphalia and an honorific statue in the Forum of Augustus. Subsequently, the elimination of the triumph would have been one natural result of the limit placed on further imperial expansion recommended by Augustus in his will, a policy his successors chose not to follow. Tiberius, however, was unwilling to conform to this new order and retired from public life to Rhodes the year after celebrating a triumph in 7 BC, the first such celebration since 19 BC. Tiberius’ two triumphs and the senate’s repeated offers of further triumphs to Augustus himself represented a differ- ent vision of the role triumphal celebration should take in a restored res publica and an ongo- ing challenge to the princeps. For Karl-Joachim Hölkeskamp, on the occasion of his 65th birthday bis ovans triumphavi et tris egi curulis triumphos et appellatus sum viciens et semel imperator, decernente pluris triumphos mihi senatu, quibus omni- bus supersedi. Augustus RG 4 This paper was written for the celebration of Karl-Joachim Hölkeskamp’s 65th birthday at the Fritz Thyssen Stiftung in Cologne on 25 July 2018. Other versions were delivered as a Poultney Memorial Lecture at Johns Hopkins University and at workshops at the University of Lille and the University of Chicago. I am especially grateful to the following for their help: Yelena Baraz, Hans Beck, Stéphane Benoist, Angela Ganter, Michael Flower, Wolfgang Havener, Tanja Itgenshorst, and the anonymous read- ers for Classical Antiquity. Classical Antiquity, Vol. 39, Issue 1, pp. 1–28. ISSN: 0278-6656(p); 1067-8344(e) © 2020 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press’sRightsand Permissions website at https://www.ucpress.edu/journals/reprints-permissions. DOI: https://doi.org/ 10.1525/ca.2020.39.1.1 2 CLASSICAL ANTIQUITY Volume 39/No. 1/April 2020 iam tantus erat Caesar, ut triumpho augeri contemneret. Flor. 2.33.53 This paper aims to reexamine the emperor Augustus’ role in limiting the celebration of a traditional triumph in Rome, despite both the many military successes during his time in power and his extensive use of the imagery of victory and world con- quest. After 19 BC, triumphs became rare in Rome and were only ever celebrated by members of the imperial family or household.1 The interruption of an ancient and very public celebration must have been striking at the time, perhaps even shock- ing. Augustus’ intervention shaped the way triumphs would be celebrated by all Downloaded from http://online.ucpress.edu/ca/article-pdf/39/1/1/386301/ca_39_1_001.pdf by guest on 30 September 2021 future Roman emperors; triumphs became rituals enacted only once or twice in a generation, even at the height of Rome’s imperial reach. But what was Augustus try- ing to achieve? How does his decision to change triumphal practice reflect on the long history of the triumph before his own magnificent triple victory celebration in 29 BC? Why did Augustus himself consistently refuse to triumph again after 29 BC, despite repeated offers from the senate? I will first examine the republican triumph as Augustus inherited it, since this tradition forms the essential background to the princeps’ own experience, before going on to offer a new analysis of his use of triumphal celebrations within the imperial context of his own day. Republican norms and habits shaped Augustus’ expectations and policies in vital ways; his choices can be read as his commentary on the republican triumph as he himself understood it. THE REPUBLICAN TRIUMPH AND THE CULTURE OF THE NOBILES Many rich sources of ancient evidence survive to conjure up various aspects of Roman parades, games, and religious festivals.2 As has often been recognized, how- ever, the celebration of a triumph was traditionally the ultimate honor for a Roman general; and, consequently (and unsurprisingly), it provided the ultimate show for his fellow citizens, as they lined the streets of the city to hail his victory.3 Ancient city states operated as face-to-face societies, in which citizens and others interacted personally in regular ways. But no culture was as engaged with spectacle or as polit- ically dependent on making achievements visible as republican Rome.4 It is within this specifically Roman context that the triumph stands out as the prime example of a celebration of community success that reflected a way of life based on war and a 1. For a tabulation of all triumphs and similar or possibly equivalent ceremonies, see Goldbeck and Wienand 2017: 588–95. There were eight triumphs after Balbus’ in 19 BC before the empire reached its greatest extent under Trajan, who celebrated two further triumphs of his own. 2. Bernstein 1998 remains the fundamental treatment of republican games. For the Augustan and Julio-Claudian period, see Benoist 1999. 3. The bibliography on the triumph is extensive. I have found the following recent works especially informative: Auliard 2001; Itgenshorst 2005; Hölkeskamp 2006, 2007; Bastien 2007; Beard 2007; Hölkeskamp 2008, 2010a, 2010b; Krasser, Pausch, and Petrovic 2008; La Rocca and Tortorella 2008; Rüpke 2008; Östenberg 2009a, 2009b; Lange and Vervaet 2014; Goldbeck and Wienand 2017. 4. See Hölkeskamp 2011 [1987]; Flaig 2003a; Sumi 2005; Flower 2014; Hölkeskamp 2017. FLOWER: Augustus, Tiberius, and the End of the Roman Triumph 3 society defined by republican politics. Even as the career structure of Rome’s office- holding elite, the nobiles, evolved over time in tandem with Rome’s growing influ- ence within the Mediterranean and beyond, in each new political context the triumph remained the top prize for a Roman politician, a prize that defined his ultimate status within his own community. The unique prestige of the triumph is most clearly demonstrated in the funeral ritual—specifically during the pompa funebris, as practiced by Rome’s political leaders. This ceremony involved wax masks (imagines) of those who had held high political office, as described most fully for us by Polybius in the mid-second century BC.5 Each deceased magistrate, represented by an actor wearing a lifelike Downloaded from http://online.ucpress.edu/ca/article-pdf/39/1/1/386301/ca_39_1_001.pdf by guest on 30 September 2021 mask, would appear in the costume and display the attributes of the highest politi- cal office to which he had been elected during his lifetime. In other words, even in death relative rank and status within the political hierarchy was preserved in a fixed pattern; not all distinguished ancestors were equal. But a man who had cele- brated a triumph stepped outside this hierarchy of political office (cursus honorum) and wore his triumphal garb forever after, first at his own funeral and then at each subsequent family funeral.6 Even if, for example, he had gone on to hold the office of censor after celebrating a triumph, a not uncommon pattern for the highest achievers, that further promotion was not commemorated as his ultimate status after death. In effect, to remember him was to recall his triumph and his wearing of the special triumphal costume in perpetuity. It is this visual prominence of the purple and gold associated with the triumph, as well as the opportunity offered by a family funeral to re-parade spoils, maps, pic- tures, or placards from the actual triumphal procession, that brings us face to face (as it were) with the essential paradox of the republican triumphal celebration. Whatever its ultimate origins may have been, whether in Etruria or in Rome, triumphal garb (and the whole ritual with its intense focus on the general himself) had a distinctly unrepublican, possibly monarchical aspect to it.7 That is to say, the ultimate prize for a nobilis was not actually the highest political office or a recognition of the status of that high office conferred by the citizens voting in the electoral assembly within a republican system. Rather, it was a celebration allotted primarily by his peers in the senate and thought by Romans to have originated as a way to recognize a victorious king (initially Rome’s founder Romulus) as the single, highest military leader of the community, accompanied by a costume that recalled the garb of the cult statue of Jupiter Optimus Maximus in the Capitoline temple.8 5. See Flaig 1995 and Flower 1996. 6. Polyb. 6.53–54. In 191 BC Scipio Nasica is represented as saying that his standing would not be enhanced by a triumph (Livy 36.40.8–9). 7. For the origins of the triumph, see Versnel 1970; Bonfante Warren 1970; Beard 2007: 305–318; Armstrong 2013. 8. Polyb. 6.53.7 is specific about the use of triumphal costume in the aristocratic funeral around the middle of the second century BC. Itgenshorst 2005: 193–200 and 2017 reads the costume as that of a king. Rüpke 2008 and Janda 2009 argue for the triumphator dressing like the statue of Jupiter Optimus Maximus.