Why and How to Avoid Complex Non-Free Software in Digital Humanities Projects
Total Page：16
File Type：pdf, Size：1020Kb
Information Services & Use 36 (2016) 203–210 203 DOI 10.3233/ISU-160818 IOS Press Why and how to avoid complex non-free software in Digital Humanities projects Bernd Kulawik Stiftung Bibliothek Werner Oechslin, Luegeten 11, CH-8840 Einsiedeln, Switzerland E-mail: [email protected] Abstract. The ‘fathers of the Internet’ and developers of the TCP/IP, Vint Cerf and Robert Kahn, recently warned computer users to take care of their digital documents. Because there is no solution yet for their long-time preservation, Cerf formulated his warning as: “If there are photos you really care about, print them out.” As Google’s Vice President he knows what he is talking about and is working on a solution called “digital vellum”: It shall be able to emulate document formats, software, operating systems and computer hardware. This paper discusses some problems with this suggestion in the light of the technical development especially from the point of view of the Digital Humanities: Obviously and – thanks to the work of Cerf and Kahn – the typical document (and the system of paradigms it is based on) is fading away, as well as dedicated software or clearly distinguishable computers used to work with it. For a short-term solution, the consequence can only be to avoid complicated and non-free software solutions, even though they may have beautiful and easily usable advantages. For a long-term solution, a basic, institutional shift in the fundamental paradigms of scientific research and its documentation is needed. Keywords: Long-term preservation, data protection, digital dark age, information black hole 1. Introduction “If you have photos you really care about, print them out.” [1] With these words Vint Cerf, one of the “fathers of the Internet” and, more specifically, inventors of the Internet’s most important transmission protocol, the TCP/IP, and today Vice President and “Chief Inter- net Evangelist” at Google, warned his audience – and every computer user – at the Annual Meeting of the American Association for the Advancement of Science at San Jose in February 2015. Cerf specifically warned of the “bit rot” when he spoke about the obvious problems of digitisation and of a sustainable and future-proof storage for digital documents in the broadest sense – be they text documents, e-mails, images, movies or anything alike: “We are nonchalantly throwing all of our data into what could become an information black hole without realising it. We digitise things because we think we will preserve them, but what we don’t understand is that unless we take other steps, those digital versions may not be any better, and may even be worse, than the artefacts that we digitised.” [1] Cerf recently was joined by his “co-father” of the Internet, Robert Kahn, in a speech and interview Kahn gave at the IPRES conference on long-time digital preservation in Berne, Switzerland [2]. With the so-called “digital vellum” Cerf proposes a system that shall provide a solution to the problem of long-term preservation of digital data. It will consist of some sort of digital emulation of the entire computational infrastructure we use to create and work with our documents: the file formats and their 0167-5265/16/$35.00 © 2016 – IOS Press and the authors. This article is published online with Open Access and distributed under the terms of the Creative Commons Attribution Non-Commercial Li- cense (CC BY-NC 4.0). 204 B. Kulawik / Why and how to avoid complex non-free software in Digital Humanities projects descriptions and definitions, the dedicated software programs like office or e-mail programs used to create and edit these files, the operating systems on which they run in that special version used to create the documents and even the hardware on which the operating system runs. Even if we leave aside the problems connected with the legal aspects of licensing all of these parts “for eternity” and the copy- and other rights to use them in such an emulation – and even if this would be possible at all while today some software already protects itself from being run in virtual machines: There still seem to remain some important problems – e.g., such an emulation may only lift the basic problems we are facing with the preservation of digital documents already and in the near future to a higher level. And there, on this “meta level” we – inevitably – may encounter the same problems again. Only the “documents” we will have to store and reconstruct will be larger, i.e.: entire computational systems and their specific states at any given point in time separated from the next by an arbitrary time span. We do not even have to think about computer technologies of the near future like quantum computers that will not be digital in a narrow sense, e.g. will not calculate with ones and zeros anymore. Surely, such super-computers should be able to simulate a virtual environment for the machines and software from our digital ‘stone age’ without any problems. We may think even more ahead into the future and of systems that would not ‘calculate’ with programs and some sort of bits and bytes but, for instance, rather be comparable to biological systems like our brain. Even inside of those the simulation of a specific hardware, software (with its licenses) and documents with their admission rights etc. should be possible – except in those very common cases, where the software needs to “phone home” to get permission from a company’s system to be installed and executed. Could we trust that our then historic office documents, image editing programs or database software will reach its “mothership” some 50, 100 or 200 years from now? – But that is only one, and maybe only the smaller side of the problem. 2. The disappearance of today’s IT paradigms 2.1. The disappearance of the document paradigm The problem exists already today: While Cerf like many archivists is afraid of the digital future of our documents, i.e. digital files (and collections thereof) representing them and created with office programs, saved as PDFs, digital images etc., that is: documents, for which we do not have any solution that could guarantee their availability for the next 50 or even only 25 years ...Whilewearestill looking for a solution to this problem (how to save our digital documents) – this very document paradigm for digital data is already fading. Of course, also in the foreseeable future we will want to keep pictures (or any other form of digital representation) of our beloved ones or important events, we will want to keep movies or films of professional interest like documentations or showing personal moments with our families and we willsurelyalsowanttolistentogreatperformancesofmusicfromanytimeandplace...andespecially: Archives and museums will want and need to keep digital versions of historically important documents of any kind for the longest future possible. We may even suppose that any databases could be seen as a large “documents” (think of CERN’s terabytes of experimental data) that could be saved in the “digital vellum”, and that we will be able to preserve the (constantly changing!) states of these database file(s). Maybe there will even be a possibility not only to read but to work with these databases because the software used to manage the database and to interact with the data would also be part of the “digital vellum”. B. Kulawik / Why and how to avoid complex non-free software in Digital Humanities projects 205 But: The digital “document” itself could, can and will be – and even is already – substituted by other forms of communication, i.e. transmission of information, that do not follow the same paradigm – which, in itself, is only a metaphor. When computers were very large machines with small amounts of memory space and usually handled and administered with cryptic commands, the metaphorical paradigm of the desktop with folders and files containing (text) documents, pictures etc. was invented together with the graphical user interface to make them more user friendly and to help people to orient themselves through the digital ‘jungle’ of the file systems, software and different “drives” of these machines. Before that and for some time even into the 1990s, the common way to interact with computers was any form of command line interface. Do we have any reason to believe that the paradigm how we work with computers will not change as fundamentally during the next 25 years as it did during the last 25? For instance, “tweets” or “timeline” entries – today regularly used to report e.g. live from conferences or for discussions – and their software environments may serve as examples of what I regard as the coming mainstream of our interaction with computers, leading to the displacement, if not even the re- placement of what could be called the “digital document paradigm”. What should the digital archivist keep in the “digital vellum” in these cases? Which kind of “document” that could be saved resembles a tweet and the following comments, re-tweets etc.? Where do we set the limit for these kinds of responses and conversations? After one year or two? After 10 answers or 10,000? Or should we trust that Twitter, the company, will keep them for eternity? In the same way as the Usenet was “saved” or rather: not saved? The question is: What kind of different forms of communication will join or even replace the traditional document and how could these forms be saved? And who should be responsible for archiving such ever-changing “streams” of information? In some cases, the results of such “streams” e.g. in online discussions of research topics, may finally end up as documents like it has been done for centuries.