UCAS and the Personal Statement Useful Hints and Tips for S6 Students
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KARLA BLACK Born 1972 in Alexandria, Scotland Lives And
KARLA BLACK Born 1972 in Alexandria, Scotland Lives and works in Glasgow Education 2002-2004 Master of Fine Art, Glasgow School of Art 1999-2000 Master of Philosophy (Art in Organisational Contexts), Glasgow School of Art 1995-1999 BA (Hons) Fine Art, Sculpture, Glasgow School of Art Solo Exhibitions 2021 Karla Black: Sculptures 2000 - 2020, FruitMarket Gallery, Edinburgh 2020 Karla Black: 20 Years, Des Moines Art Centre, Des Moines 2019 Schirn Kunsthalle, Frankfurt Galerie Gisela Capitain, Cologne 2018 The Power Plant, Toronto Karla Black / Luke Fowler, Capitain Petzel, Berlin 2017 Stuart Shave / Modern Art, London Festival d’AutoMne, Musée des Archives Nationales and École des Beaux-Arts, Paris MuseuM Dhondt-Dhaenens, Deurle 2016 Galleria Raffaella Cortese, Milan A New Order (with Kishio Suga), Scottish National Gallery of Modern Art, National Galleries of Scotland, Edinburgh David Zwirner, New York Galerie Gisela Capitain, Cologne 2015 Irish MuseuM of Modern Art, Dublin 2014 Stuart Shave / Modern Art, London Galleria Raffaella Cortese, Milan David Zwirner, New York 2013 Kestner Gesellschaft, Hannover Institute of ConteMporary Art, University of Pennsylvania, Philadelphia Galerie Gisela Capitain, Cologne GeMeenteMuseuM, The Hague 2012 Concentrations 55, Dallas MuseuM of Art, Dallas Schinkel Pavillon, Berlin Gallery of Modern Art, Glasgow Stuart Shave / Modern Art, London 2011 Scotland + Venice 2011 (curated by The FruitMarket Gallery), Palazzo Pisani, 54th Venice Biennale, Venice 2010 Capitain Petzel, Berlin WittMann Collection, Ingolstadt -
Download Press Release
LUCY SKAER CAROL RHODES HANNELINE VISNES HEAVY WEATHER May 18 – July 13, 2019 Opening Saturday May 18th Frans Halsstraat 26 From 6pm until 8pm GRIMM is proud to present Heavy Weather, an exhibition showers’ and ‘Violent Thunder’. These works function as an organised by Lucy Skaer (UK, 1975) with selected works by exploration of the role of feeling, emotion and subjectivity in Carol Rhodes (UK, 1959-2018) and Hanneline Visnes (NO, how we experience history, objects, images, or situations, 1972). The works in the show are united by the theme of despite degrees of abstraction or transmutation. temporality and landscape, meditating on nature, how it is altered and effected by human vision and action. This is In the paintings of Hanneline Visnes, which surround Skaer’s Skaer’s second exhibition with the gallery in Amsterdam La Chasse, stylised motifs of animals and plants are used to and follows her recent collaborative exhibition The Green comment on the representation and control of nature. Visnes Man held at the Talbot Rice Gallery in Edinburgh (UK). merges disparate patterns, motifs, and subjects into her meticulously crafted paintings. She explores and harnesses Lucy Skaer’s main body of work in the exhibition is titled the power of colour, utilising complementary hues that bounce La Chasse, after Le Livre du Chasse, a hunting manual by and fight off the surface, causing her still lifes to dance with Gaston Phébus from the fourteenth century. Skaer was agitated energy. By treating her ‘subject’ and background compelled by illustrations in this medieval manuscript with the same process, the traditional focal point of the work for their representation of time and form. -
Jim Lambie Education Solo Exhibitions & Projects
FUNCTIONAL OBJECTS BY CONTEMPORARY ARTISTS ! ! ! ! !JIM LAMBIE Born in Glasgow, Scotland, 1964 !Lives and works in Glasgow ! !EDUCATION !1980 Glasgow School of Art, BA (Hons) Fine Art ! !SOLO EXHIBITIONS & PROJECTS 2015 Anton Kern Gallery, New York, NY (forthcoming) Zero Concerto, Roslyn Oxley9 Gallery, Sydney, Australia Sun Rise, Sun Ra, Sun Set, Rat Hole Gallery, Tokyo, Japan 2014 Answer Machine, Sadie Coles HQ, London, UK The Fruitmarket Gallery, Edinburgh, Scotland 2013 The Flowers of Romance, Pearl Lam Galleries, Hong Kong! 2012 Shaved Ice, The Modern Institute, Glasgow, Scotland Metal Box, Gerhardsen Gerner, Berlin, Germany you drunken me – Jim Lambie in collaboration with Richard Hell, Arch Six, Glasgow, Scotland Everything Louder Than Everything Else, Franco Noero Gallery, Torino, Italy 2011 Spiritualized, Anton Kern Gallery, New York, NY Beach Boy, Pier Art Centre, Orkney, Scotland Goss-Michael Foundation, Dallas, TX 2010 Boyzilian, Galerie Patrick Seguin, Paris, France Jupiter Artland, Edinburgh, Scotland Metal Urbain, The Modern Institute, Glasgow, Scotland! 2009 Atelier Hermes, Seoul, South Korea ! Jim Lambie: Selected works 1996- 2006, Charles Riva Collection, Brussels, Belgium Television, Sadie Coles HQ, London, UK 2008 RSVP: Jim Lambie, Museum of Fine Arts, Boston, MA ! Festival Secret Afair, Inverleith House, Ediburgh, Scotland Forever Changes, Glasgow Museum of Modern Art, Glasgow, Scotland Rowche Rumble, c/o Atle Gerhardsen, Berlin, Germany Eight Miles High, ACCA, Melbourne, Australia Unknown Pleasures, Hara Museum of -
UCAS Council Members Biographies
UCAS Council Members Biographies David Lowen Independent Governor and Chair of Leeds Beckett University and Deputy Chair of the Committee of University Chairs (CUC) UCAS Council Chair nominated by the CUC David is a television executive of wide experience and consultant adviser to broadcasters, programme makers and financial institutions. He was appointed Chair in December 2015 and is also Deputy Chair of the Committee of University Chairs (CUC), which plays a leading role in governance and regulation of the HE sector. He was board Director of Network Programme Development and later board Director of Corporate Development for ITV Yorkshire Television before leading ITV Network’s digital terrestrial television launch project, the first successful launch in the world. David runs International Television and Media Consulting Ltd, with many European broadcasters among its recent clients. He was “parachuted” into EuroNews by ITN to stabilise successfully the news channel’s finances, legal status, funding and creative structure ahead of the second Gulf War. He was Chairman of SysMedia Group plc, which recently sold its worldwide software development and subtitling business to a US-backed company. He is part-owner and director of Format Futures, a TV content “ideas factory”. He is a former President of CIRCOM, the organisation of Europe’s regional public service broadcasters, and currently President of its programme and TV skills awards. David is Honorary Secretary and trustee of the Royal Television Society; Honorary Fellow of Emmanuel College, Cambridge, and until recently Chairman of the Emmanuel Society (alumni); and Fellow of the Royal Society of Arts. Security marking: PUBLIC Document owner: Legal and Corporate Governance Assistant (Angharad Tompkins) Dr Tim Westlake Chief Operating Officer, University of Sussex; UCAS Council Deputy Chair Nominated to the UCAS Council by UUK (Universities UK) to represent English universities Since August 2017, Dr Tim Westlake has been Chief Operating Officer at the University of Sussex. -
Janice Mcnab — Curriculum Vitae
Janice McNab — Curriculum vitae Born in Aberfeldy, Scotland. Lives and works in The Hague. EDUCATION 2019 PhD, Amsterdam School for Cultural Analysis, University of Amsterdam 1997 MFA, Glasgow School of Art. Exchange to Hunter College of the Arts, New York 1986 BA, Edinburgh College of Art EMPLOYMENT 2020–2022 Post-doc researcher, ACPA, University of the Arts, The Hague and Leiden University 2015–ongoing Head, MA Artistic Research, The Royal Academy of Art, The Hague Previous teaching experience includes: 2013–2015 Thesis supervisor, Piet Zwart Masters Institute, Rotterdam 2011–2015 Thesis supervisor, Gerrit Rietveld Academy, Amsterdam 2009–2015 Studio tutor, The Royal Academy of Art, The Hague 2006–2008 Thesis supervisor, Piet Zwart Masters Institute, Rotterdam 1997–1999 Studio tutor, Glasgow School of Art External examiner, visiting artist and guest lecturer at various art schools across Britain and Europe, including, in 2020, lectures for DutchCulture.nl Brexit debates and ASCA, University of Amsterdam 30th anniversary conference. OTHER PROFESSIONAL EXPERIENCE 2018–ongoing Chair, Board of 1646 Experimental Art Space, The Hague 2009–2015 Co-editor, If I Can’t Dance Publications, Amsterdam 2008–2009 Mentor, My Miyagi Young Curator programme, Stichting Mama, Rotterdam 2006–2009 Co-curator, Artis Den Bosch, Art Space, ‘s Hertogenbosch 1/4 SELECTED EXHIBITIONS AND PROJECTS 2020 Slits and a Skull, Bradwolff Projects, Amsterdam A New World, Stroom, The Hague 2016 Hollandaise, The Dutch Embassy and New Art Projects, London 2015 Undone, Bradwolff -
How to Find Us
THE GLASGOW SCHOOL OF ART LOCATIONS Whisky Bond Possil Road Dawson Road Stow Building Garscube Road West Graham Street COWCADDENS Garnethill Craighall Road Craighall Cathedral Street Eastvale Place BUCHANAN STREET Kelvinhaugh Street North Hanover Street ST ENOCH The Pacific Quay Hub IBROX Garnethill Campus Highlands & Islands Campus (not pictured) See detailed section on reverse page Innovation School studios and workshops Visitor information at gsadesigninnovation.com Stow Building Altyre Estate, Forres IV36 2SH School of Fine Art studios and workshops 43 Shamrock Street, G4 9LD GSofA Singapore (not pictured) Communication Design and Interior Design studios The Hub and workshops School of Simulation and Visualisation studios and workshops Visitor information at gsa.ac.uk/singapore Visitors should report to the reception on the ground floor SIT@TP, Singapore 528694 70 Pacific Quay, G51 1EA Whisky Bond Archives & Collections Centre Access by appointment – contact [email protected] 2 Dawson Road, G4 9SS Contact The Glasgow School of Art 167 Renfrew Street Glasgow G3 6RQ +44(0)141 353 4500 [email protected] THE GLASGOW SCHOOL OF ART GARNETHILL CAMPUS ENTRANCE SHAMROCK STREET 14 WEST GRAHAM STREET GARNETHILL STREET GARNETSTREET 6 BUCCLEUCH STREET STREET DALHOUSIE 7 4-5 HILL STREET ROSE STREET ROSE CAMBRIDGE STREET 9 2 1 10 ENTRANCE RENFREW STREET 3 STREET SCOTT 13 GFT 8 SAUCHIEHALL STREET BATH STREET 11 12 WEST REGENT STREET Road closures Road closures 1 Reid Building 8 Rose Street 3D Making Workshops, Fashion + Textiles Workshops, Administration Offices for Specialist Schools, Laser Cutting, Media Studio + Store, Photo Print Development, Finance, Health and Safety, Prototyping Workshop, School of Design Studios, HR, Information Technology, Registry Silversmithing & Jewellery Workshop 9 No. -
The Unlearning Organisation: Cultural
Edinburgh Research Explorer The Unlearning Organisation Citation for published version: Mulholland, N 2018, 'The Unlearning Organisation: Cultural Devolution and Scotland’s Visual Arts 1967- 2017', Paper presented at The Scottish Society for Art History’s Study Day 2018 , Glasgow, United Kingdom, 10/02/18 - 10/02/18. Link: Link to publication record in Edinburgh Research Explorer Document Version: Version created as part of publication process; publisher's layout; not normally made publicly available Publisher Rights Statement: Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License By exercising the Licensed Rights (Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License), You accept and agree to be bound by the terms and conditions of this Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License ("Public License"). To the extent this Public License may be interpreted as a contract, You are granted the Licensed Rights in consideration of Your acceptance of these terms and conditions, and the Licensor grants You such rights in consideration of benefits the Licensor receives from making the Licensed Material available under these terms and conditions. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Degrees, Diplomas and Certificates Awarded in Conjunction with the Glasgow School of Art
Calendar 2011-12 DEGREES, DIPLOMAS AND CERTIFICATES AWARDED IN CONJUNCTION WITH THE GLASGOW SCHOOL OF ART CONTENTS LIST Page Appeals by Students ........................................................................................ 4 Introduction ...................................................................................................... 4 Degrees of Bachelor of Arts in Design, Bachelor of Arts in Fine Art, Bachelor of Arts in Communication Design, Bachelor of Arts in Interior Design, and Bachelor of Arts in Silversmithing and Jewellery Design .............. 5 Degree of Bachelor of Arts in Design (Part-Time) Ceramics ............................ 8 Degree of Bachelor of Architecture .................................................................. 8 Diploma in Architecture and Master of Architecture (by Conversion) Degree ........................................................................................................... 11 Degrees in Product Design Engineering ........................................................ 13 Degrees of Bachelor of Design (Product Design) and Master of European Design (Product Design) ................................................................ 14 Degree of Bachelor of Design in Fashion Textiles ......................................... 17 Degree of Bachelor of Deisgn in Digital Culture ............................................. 20 Taught Postgraduate Awards at The Glasgow School of Art ......................... 22 Degree of Master of Science in Product Design Engineering........................ -
Course Entry Requirement Statement for 2021 Entry
Course Entry Requirements Statement for 2021 Entry Course Entry Requirement Statement for 2021 Entry Contents Scope and Purpose ........................................................................................ 3 UK QUALIFICATIONS ......................................................................................... 4 GCSEs and equivalent qualifications .................................................................... 4 A’Levels and equivalent qualifications ................................................................. 4 EU AND INTERNATIONAL QUALIFICATIONS .............................................................. 19 Maritime Courses ........................................................................................ 31 ENGLISH LANGUAGE REQUIREMENTS .................................................................... 29 APPENDIX A: EXEMPTIONS AND EXCEPTIONS ......................................................... 29 APPENDIX B: ACCEPTABLE ENGLISH LANGUAGE QUALIFICATIONS FOR STUDENTS REQUIRING A STUDENT ROUTE VISA ................................................................................... 32 APPENDIX C: EUROPEAN SCHOOL LEAVING/MATRICULATION CERTIFICATES EQUIVALENT TO IELTS (ACADEMIC) 6.0 OVERALL ....................................................................... 38 External Relations | Admissions and Enrolment 2 Updated April 2021 Course Entry Requirements Statement for 2021 Entry Scope and Purpose 1. This document is designed for use by Solent University (SU) staff when evaluating applicants for entry -
UCAS Undergraduate Admissions Guide for Entry to University Or College in 2019 Contents
UCAS Undergraduate Admissions Guide For entry to university or college in 2019 Contents Glossary of terms 3 2.32 How to submit an RPA and OPF 21 2.33 Applicants accepted by RPA or OPF 21 UCAS calendar for all applications – 2019 entry 6 2.34 web-link 21 Changes for 2019 entry 9 2.35 odbc-link and xml-link 21 2.36 Management information menu in web-link 21 Section 1 – UCAS Application and Recruitment Policy 11 2.37 Collection tool 21 2.38 Downloading copies of applications 22 Section 2 – Applications and data 2.1 Course categories for inclusion in the Section 3 – Decisions and replies UCAS Undergraduate scheme 13 3.1 Outstanding decisions timetable 24 2.2 Applicant categories that apply through the UCAS Undergraduate scheme 13 3.2 When to make decisions 24 2.3 Applicant categories that are exempt from 3.3 Applications rejected by default (RBD) 24 using the UCAS Undergraduate scheme 15 3.4 Decisions for courses with an early start date 24 2.4 Apply 15 3.5 Types of decisions 25 2.5 Applicant identification – Personal ID 3.6 Offer and reply combinations 27 and applicant scheme code 15 3.7 Applicant reply dates 27 2.6 Deferred entry 15 3.8 DBD and RBD calendar 27 2.7 Validated data 15 3.9 Errors in decisions 27 2.8 Verified data 15 2.9 Applicant information not passed on 16 Section 4 – Changes and amendments 2.10 Visibility of all courses 16 4.1 Amendments 29 2.11 Contextual data 16 4.2 Before you have made an initial decision 29 2.12 Residential category codes 16 4.3 After you have entered a decision, but before 2.13 Disabled applicants 16 -
Download Edinburgh Exhibition Guide
Edinburgh exhibitors Edinburgh seminar programme University of Aberdeen 2 University of Liverpool 33 Time Seminar room A Seminar room B Seminar room C Abertay University 1 Loughborough College 34 Aston University 3 The University of Manchester 35 10:00 – 10:30 Applying to university through UCAS Student life Creative careers Bishop Grosseteste University 4 Newcastle University 36 10:45 – 11:15 Alternative routes and pathways Student finance Law BIMM 5 New College of the Humanities 37 Bournemouth University 6 Northumbria University, Newcastle 38 11:30 – 12:00 Applying to university through UCAS Student life Applying to Oxford and Cambridge The University of Bristol 7 University of Nottingham 39 University of Cambridge 8 University of Oxford 47 12:15 – 12:45 Alternative routes and pathways Student finance Careers in the music industry Cardiff University 9 Queen Margaret University, Edinburgh 48 13:00 – 13:30 Applying to university through UCAS Student life Nursing and midwifery The Northern School of Art 10 Queen's University Belfast 49 University for the Creative Arts 11 Robert Gordon University 50 13:45 – 14:15 Alternative routes and pathways Student finance International education University of Dundee 12 Royal Agricultural University 51 Durham University 13 Royal Academy of Dance 52 University of Edinburgh 14 Royal Conservatoire of Scotland 53 Edinburgh Napier University 15 Edinburgh floor plan Fire exit ESCP Europe 17 54 University of Glasgow 18 Fire exit Glasgow Caledonian University 20 SAE Institute 55 The Glasgow School of Art 21 -
University of Westminster Undergraduate Prospectus 2022
IT ALL STARTS HERE UNDERGRADUATE COURSES 2022 CONTENTS WELCOME FROM OUR COURSES THE VICE-CHANCELLOR.....................2 ACCOUNTING AND FINANCE ........38 WELCOME FROM THE STUDENTS’ UNION ....................4 ARCHITECTURE, INTERIORS AND URBAN DESIGN ..................... 40 LIVE AND STUDY IN LONDON ...........6 ART, DESIGN AND WHILE YOU’RE NOT STUDYING .........8 VISUAL CULTURE ............................ 44 HELLO JOB ......................................10 BIOLOGICAL AND BIOMEDICAL SCIENCES .....................50 GET THE JOB YOU WANT ...............14 BUSINESS AND MANAGEMENT ......54 MODEL YOUR DEGREE ....................16 COMPUTER SCIENCE INTERNATIONAL EXPERIENCE ..........18 AND ENGINEERING ..........................58 LONDON IS OUR CAMPUS ............ 20 CONSTRUCTION, SURVEYING AND REAL ESTATE ...........................62 OUR FACILITIES ...............................22 CRIMINOLOGY AND SOCIOLOGY .. 64 STUDENT ACCOMMODATION ........24 DATA SCIENCE WESTMINSTER AND YOU ................26 AND INFORMATICS ....................... 66 THE WESTMINSTER ECONOMICS .................................68 WORLDWIDE WELCOME ....................28 ENGLISH AND STUDENTS’ UNION .........................30 CREATIVE WRITING .........................70 ALUMNI .........................................32 FASHION .......................................74 OPEN DAYS ....................................34 FILM AND TELEVISION .....................78 Teaching on undergraduate courses is usually split into modules lasting either for the whole academic year or