DOSSIER DE PRESSE 2016 Sommaire

Total Page:16

File Type:pdf, Size:1020Kb

DOSSIER DE PRESSE 2016 Sommaire DOSSIER DE PRESSE 2016 SOMMAire Candidat/e/s sélectionné/e/s pour le concours 2016 p. 1–3 Nationalités représentées p. 4 Planning de la semaine du concours p. 5 Jury p. 6–7 Critères d’évaluation du potentiel des candidat/e/s p. 8 Variations classiques p. 9–10 Variations contemporaines et chorégraphes p. 11–13 Répétiteurs, professeurs, musiciens p. 14 Prix aux lauréat/e/s, « networking forum » p. 15–16 Écoles et compagnies partenaires p. 17–19 Les Rendez-vous du Prix (Daily dance dialogue) p. 20 Intermède p. 21–22 Budget p. 23 Sponsors, mécènes et partenaires p. 24–29 Retransmissions Internet, live streaming et réseaux sociaux p. 30 CONTACT prEssE Stéphanie Cavallero T +41 (0)21 643 24 03 F +41 (0)21 643 24 09 [email protected] [email protected] CANdidATS SÉlecTioNNÉS FILLES A (15 ET 16 ANS) DOSSARD PRÉNOM NOM NATIONAliTÉ ÉCOLE 101 NANAKA MiZUHARA JAPON ETOilE BALLET SCHOOL, JAPON 102 MinA MATSUMOTO JAPON KAYOKO OnO BAllET SCHOOL, JAPON 103* CAROLYNE DE FREITAS GAlvÃO BRÉsil CEP EM ArTES BAsilEU FRANÇA, BRÉsil 105 KANON KiMURA JAPON AYAKO HATTORI BALLET CLASS, JAPON 106 MAKEnsiE HENSON AUSTRALIE PRUDEncE BOWEN ATELIER, AUSTRALIE 107 DAnbi KiM CORÉE DU SUD LEE WON-A BAllET ACADEMY OF BAllET, CORÉE DU SUD 108 YEOjin SHIM CORÉE DU SUD YOO'S BAllET COnsErvATORY, CORÉE DU SUD 109 TEssA HARTMANN ÉTATS-Unis NEXT GENERATION BALLET, USA 110 RILEY LAPHAM AUSTRALIE THE AUSTRALIAN BAllET SCHOOL, AUSTRALIE 111 LANIA ATKins AUSTRALIE THE DAncE SPOT, AUSTRALIE 112 NATALIE TAYLOR AUSTRALIE TANYA PEArsON CLAssicAL COACHing AcADEMY, AUSTRALIE 113 ErinA YOSHIE JAPON AYAKO HATTOri BAllET CLAss, JAPON 114 MinAgi NEgisHI JAPON Y’S DAncE COMPANY,JAPON 115 FREYA WilKinsON AUSTRALIE THE AUSTRALIAN COnsErvATOIRE OF BAllET, AUSTRALIE 116 ALEXAndrA Oliff ROYAUME-UNI GRAHAM SCHOOL OF DAncE, ROYAUME-Uni 117 NAOMI SANO AUSTRALIE SYdnEY BAllET SCHOOL, AUSTRALIE 118 Min KYUng KiM CORÉE DU SUD SEOUL ArTS HigH SCHOOL, CORÉE DU SUD 119 GRACE RObsON AUSTRALIE ROYAL COnsErvATOriUM, THE HAGUE, PAYS-BAS 120 EMilY BRAY AUSTRALIE THE jANE MOORE ACADEMY OF BALLET, AUSTRAliE 121 A MAN LEE CORÉE DU SUD SEOUL ARTS HigH scHOOL, CORÉE DU SUD 122 CHAYEON LEE CORÉE DU SUD PALUccA HOCHscHULE FÜR TANZ, ALLEMAGNE 123 YIYAng FU CHINE SHAngHAI DAncE SCHOOL, CHINE 124 KrisZTinA BOUNAKOVA HOngriE HUngARIAN DANCE AcADEMY, HOngriE 125 LEA FLEYTOUX FRAncE COnsErvATOirE NATIONAL SUPÉriEUR DE DAnsE clAssiQUE DE PAris, frAncE 126 HANG YU CHINE SHAngHAI DAncE SCHOOL, CHINE 1 PRIX DE LAUSANNE 2016 – 44e ÉDITION GARÇONS A (15 ET 16 ANS) DOSSARD PRÉNOM NOM NATIONAliTÉ ÉCOLE 201 KYO MASUDA JAPON K. CLAssic BAllET STUdiO, JAPON 202 JEOngMI CHEON CORÉE DU SUD YOO'S BAllET COnsErvATORY, CORÉE DU SUD 203 DAvi RAMOS BRÉsil LYCEU DAncE SCHOOL, brÉsil 204 ALEXAndrE JOAQUIM PORTUGAL COMPANHIA DE DANÇA DO AlgArvE'S scHOOL, PORTUGAL 205 JUNNOSUKE NAKAMURA JAPON Acri HOriMOTO BAllET AcADEMY, JAPON 206 LEROY MOKGATLE AfriQUE DU SUD ArT OF MOTION, AfriQUE DU SUD 207 GEOrgE SUSMAN AUSTRALIE THE DAncE SPOT, AUSTRALIE 208 BRAYDEN GAllUcci AUSTRALIE AlEgriA DAncE STUdiOS, AUSTRALIE 209 TATE LEE ÉTATS-Unis diMITri KULEV clAssicAL BALLET ACADEMY, USA 210 THOMAS BRUN FRAncE COnsErvATOirE NATIONAL SUPÉriEUR DE DAnsE CLAssiQUE DE PARIS, FRANCE 211 DingKAI BAI CHINE SHAngHAI DAncE SCHOOL, CHINE 212 TAisUKE NAKAO JAPON AKADEMIE DES TANZES, AllEMAgnE 213 GIAnlUCA BENEDETTI ITALIE PROFEssiONE DANZA PARMA, ITAliE FILLES B (17 ET 18 ANS) 301 HYEOnjEOng YOO CORÉE DU SUD SEOUL ArTS HigH SCHOOL, CORÉE DU SUD 302 JIYE JEOng CORÉE DU SUD SEOUL ArTS HigH SCHOOL, CORÉE DU SUD 303 MAR EscODA LLOREns EspAgnE BALLETscHULE THEATER BASEL, SUissE 304 KYUng SEO JI CORÉE DU SUD SEOUL ARTS HigH scHOOL, CORÉE DU SUD 305 ALENA KOVALEVA RUssiE ACADÉMIE DE DAnsE VAGANOVA, RUssiE 306 KATHErinE SOnnEKUS NOUVELLE-ZÉLAndE TANYA PEArsON CLAssicAL COACHing AcADEMY, AUSTRALIE 307 MAdisON YOUNG ÉTATS-Unis HOUSTON BALLET AcADEMY, USA 308 SEHYUN AN CORÉE DU SUD SEOUL ArTS HigH SCHOOL, CORÉE DU SUD 309 RINA MURAKAMI JAPON REIKO YAMAMOTO BAllET SCHOOL, JAPON 310 KAngMI KiM CORÉE DU SUD SUNHWA ARTS scHOOL, CORÉE DU SUD 311 SilviA SIMEONE ITALIE TANZ AKADEMIE ZÜricH, SUissE 312 RUIKA YOKOYAMA JAPON NATIONAL COnsErvATORY DANCE SCHOOL OF LisbON, PORTUGAL 313 AllisON ROBLES ÉTATS-Unis THE ArT OF CLAssicAL BALLET, USA 2 PRIX DE LAUSANNE 2016 – 44e ÉDITION DOSSARD PRÉNOM NOM NATIONAliTÉ ÉCOLE 314 LAURA FErnAndEZ SUISSE EcOLE DE BAllET VAGANOVa – tANZ AKADEMIE ZÜricH, SUissE 315 NOÉMI ZiTA Verbőczi HONGRIE HUngARIAN DANCE AcADEMY, HOngriE 316 MArgAridA CANTO E CASTRO TrigUEirOS PORTUGAL TANZ AKADEMIE ZÜricH, SUissE 317 JANA NENADOvic SErbiE BALLET scHOOL LUJO DAvicO, SErbiE 318 YUME OKANO JAPON JOHN CRANKO SCHULE, ALLEMAgnE GARÇONS B (17 ET 18 ANS) 401* Eric FigUEREDO AMÂnciO BRÉsil EscOLA DE DANÇA FUndAÇÃO PORTO REAL, brÉsil 402 ZHEYU GU CHINE BEijing DAncE ACADEMY, CHINE 403 JOÃO PEdrO DE MATTOS MENEGUssi BRÉsil TANZ AKADEMIE ZÜricH, SUissE 404 NOAM DURAND FRAncE COnsErvATOirE NATIONAL SUPÉriEUR DE MUsiQUE ET DE DAnsE DE PAris, frAncE 405 SHINTARO AKANA JAPON K-BALLET SCHOOL, JAPON 406 BYEOngin CHOI CORÉE DU SUD JH POSE BAllET ACADEMY, CORÉE DU SUD 407 AidEN FOSTER AUSTRALIE CHArlESWORTH BAllET InsTITUTE, AUSTRALIE 408 JONATHAN OLOfssON SUÈDE OslO NATIONAL AcADEMY OF THE ArTS, NOrvÈGE 409 SEU KiM CORÉE DU SUD THE AUSTRALIAN BAllET scHOOL, AUSTRALIE 410 PAblO GONZÁLEZ ESPAGNE COnsErvATOriO PROFEsiONAL DE DANZA DE MUrciA, EspAgnE 411 THOMAS BAdrOCK ROYAUME-UNI CENTRAL SCHOOL OF BAllET, ROYAUME-Uni 412 VincENZO DI PriMO ITALIE VIEnnA STATE OPERA BAllET SCHOOL, AUTricHE 413* FACUNDO LUQUI ArgENTinE InsTITUTO SUPEriOR DE ArTE DEL TEATRO COLON, ArgENTinE 414 EvEN CApiTAinE FRAncE ÉCOLE DE DAnsE BOLCHOÎ DE MinsK, biÉLORUssiE 415 MArcOS ViniciUS DE SOUZA SilvA BRÉsil ÉCOLE SUPÉriEURE DE DAnsE DE CAnnES-MOUgins ROSEllA HigHTOWER, FRAncE * cAndidATS SÉLECTIOnnÉS À LA prÉSELECTION EN AMÉriQUE LATinE 3 PRIX DE LAUSANNE 2016 – 44e ÉDITION NATIONALITÉS REPRÉSENTÉES NATIONALITÉ FILLES GARÇONS TOTAL AfriQUE DU SUD 1 1 ArgENTinE 1* 1 AUSTRALIE 8 3 11 BRÉsil 1* 3+1* 5 CHINE 2 2 4 CORÉE DU SUD 10 3 13 EspAgnE 1 1 2 ÉTATS-Unis 3 1 4 FRAncE 1 3 4 HOngriE 2 2 ITALIE 1 2 3 JAPON 8 4 12 NOUVELLE-ZÉLAndE 1 1 PORTUGAL 1 1 2 ROYAUME-Uni 1 1 2 RUssiE 2 2 SErbiE 1 1 SUÈDE 1 1 SUissE 1 1 TOTAL 44 28 71 * CAndidATS SÉLECTIOnnÉS À LA prÉSELECTION EN AMÉriQUE LATinE 4 PRIX DE LAUSANNE 2016 – 44e ÉDITION PLANNING DE LA SEMAINE LUNdi 1ER FÉVrier MArdi 2 FÉVrier Mercredi 3 FÉVrier JEUdi 4 FÉVrier VENDREDI 5 FÉVRIER SAMEDI 6 FÉVRIER OBSERVATION SÉLECTIONS SÉLECTIONS SÉLECTIONS SÉLECTIONS FINALE 10:00–11:45 GARÇONS A 09:15–11:00 GARÇONS A 08:00–09:15 GARÇOns A + B 09:00–10:15 GARÇONS A 08:45–09:45 FillES A 08:30–10:00 fillES B 12:00–13:45 FILLES B 11:15–13:00 fillES A 09:00–10:15 FillES B 13:45–15:00 GARÇONS B 08:45–09:45 GARÇONS A 08:30–10:00 GARÇONS B 14:45–16:30 GARÇONS B 14:00–15:45 GARÇONS B 13:30–14:45 FILLES A COUrs clAssiQUE 13:15–14:15 FIllES B 10:15–11:45 fillES A 16:45–18:30 FILLES A 16:00–17:45 FILLES B COUrs clAssiQUE 13:15–14:15 GARÇONS B 10:15–11:45 GARÇONS A COURS CLASSIQUE* COUrs clAssiQUE* 09:15–10:45 FILLES A ÉCHAUffEMENT clAssiQUE NETWORKing FORUM 09:30–11:00 GARÇONS B 11:15–12:45 FILLES B 10:15–11:45 FILLES A 09:30–11:00 fillES B 11:15–12:45 GARÇONS A COURS CONTEMPORAIN* 10:00–13:15 fillES A 13:00–14:30 finAlisTES 12:15–13:45 GARÇONS B 11:15–12:45 GARÇONS B COUrs CONTEMPORAin* 10:00–13:15 GARÇONS A COUrs clAssiQUE 14:45–16:15 GARÇONS A 13:45–15:15 FILLES A 09:00–10.45 FILLES B 14:30–17:15 FILLES B 17:15–18:45 FILLES B 15:30–17:00 GARÇONS A 09:30–11:00 GARÇONS A 10:30–12:45 GARÇONS A 14:30–17:15 GARÇONS B COURS CONTEMPORAIN COURS CONTEMPORAIN 10:30–13:15 FILLES B 11:00–13:45 FILLES A clAssiQUE ET CONTEMPORAin* 11:15–12:45 GARÇONS B 15:15–17:45 GARÇONS B 10:45–11:45 GARÇONS B 09:00–11:00 GARÇONS B 15:00–19:15 FILLES A COACHING CLASSIQUE 12:00–13:00 GARÇONS A 11:15–12:45 GARÇONS A COACHING CLASSIQUE 14:00–15:45 FILLES A 13:30–15:45 FILLES B 14:30–18:30 fillES A 15:45–17:00 FILLES B 16:00–18:30 FILLES A 13:30–17:45 GARÇOns A + B 14:30–18:30 fillES B RÉPÉTITIONS CLASSIQUE COACHING CONTEMPORAIN RÉPÉTITION CONTEMPORAin RÉPÉTITION CONTEMPORAin 13:45–15:30 GARÇOns A + B 13:45–15:30 fillES A + B * devant le jury COACHing CONTEMPORAIN* COACHing CONTEMPORAIN* 17:15–19:30 LEÇON DE DANSE CLASS + CONT. POUR LES ÉLÈVES DE LA RÉGION 13:00–14:00 CONFÉRENCE DE prESSE AU PRESBYTÈRE 15:00–18:00 18:30 finALE ANNONCE DES RÉSULTATS – 2 VAriATIONS (~20 CAndidATS SÉLECTIONNÉS – ENTRACTE + inTERMÈDE POUR LA finALE) – CÉRÉMOniE REMisE DES priX 18:00–18:30 16:00–16:30 17:00–17:30 18:00–19:30 DAILY DANCE DIALOGUE DAilY DAncE diALOGUE DAILY DANCE DIALOGUE APÉriTif DE clÔTURE NIKOLAI TSKISKARIDZE VIVIANA DURANTE D. VIsHNEVA + M. GOMES 5 PRIX DE LAUSANNE 2016 – 44e ÉDITION MEMBRES DU JURY JULIO BOCCA PRÉsidENT JAN BROECKX LUCINDA DUNN VIVIANA DURANTE MARCELO GOMES LUCA MASALA ELISABETH PLATEL NIKOLAI TSISKARIDZE RUHENG ZHAO 6 PRIX DE LAUSANNE 2016 – 44e ÉDITION MEMBRES DU JURY Le jury est composé de 9 personnes, chacune remplissant un ou plusieurs des critères suivants : – lien avec l’une de nos écoles partenaires – lien avec l’une de nos compagnies partenaires – lauréat du Prix de Lausanne D’autres aspects sont pris en considération pour composer ce panel : – large représentation géographique – mélange de jeunesse et d’expérience – représentation de styles de danse différents M.
Recommended publications
  • Les Ballets De Monte-Carlo Thema : La Relecture Des Œuvres À La Vidéothèque Zoom Sur
    PROCHAINEMENT... BENJAMIN MILLEPIED OVRE PHILIPPE DECOUFLÉ SOUS la PRÉsidence DE S.A.R. EIFMAN BALLET DE SAINT-PÉTERSBOURG la Princesse DE HAN LES 7 DOIGTS DE LA MAIN BATSHEVA DANCE COMPANY allets DEO MOURAD MERZOUKI LES B ARLT DAVE ST-PIERRE O THIERRY MALANDAIN MONTEO-CPHE MAILL SIDI LARBI CHERKAOUI hrist JEAN-C BALLET DU CAPITOLE DE TOULOUSE… Toute la programmation sur maisondeladanse.com Lac ABONNEZ-VOUS À PARTIR DE 3 SPECTACLES 21 > 25 MAI 2014 maisondeladanse.com LA MAISON 04 72 78 18 00 DE TOUTES numeridanse.tv LES DANSES RessourcesANSE.TV vidéo SUR NUMERID Channel : Les Ballets de Monte-Carlo Thema : La relecture des œuvres À LA VIDÉOTHÈQUE Zoom sur ... Jean-Christophe Maillot Toute l'actualité de la Maison de la Danse est sur maisondeladanse.com et sur les réseaux sociaux ! Crédits photographiques : Couverture © Laurent Philippe ; Licences : 1-1054424, 2-1054425, 3-1054423 Suivez-nous sur PARTENAIRES PUBLICS GRAND MÉCÈNE Mécènes d’un PROGRAMME DURÉE : 2H AVEC LE SOUTIEN DE LA MINUTE DU SPECTATEUR MEMBRES DU CLUB DES ENTREPRISES MÉCÈNES Agence immobilière Mercure Rhône-Alpes, Atelier d’Architecture Hervé Vincent, COFELY GDF SUEZ, Crédit Agricole Centre-Est European Dancehouse maisondeladanse.com numeridanse.tv E D N Network RENSEIGNEMENTS ET ADMINISTRATION - TÉL. +33 (0)4 72 78 18 18 8 AVENUE JEAN MERMOZ - 69008 LYON - FRANCE JEAN-CHRISTOPHE MAILLOT, CHORÉGRAPHE-DIRECTEUR DES Ballets DE MONTE-CARLO Rosella Hightower aimait dire de son élève Jean-Christophe Maillot que sa vie n’était qu’une union des opposés. De fait, chez l’actuel chorégraphe directeur des Ballets de Monte-Carlo, la danse côtoie le théâtre, entre en piste sous un chapiteau, évolue au milieu des arts plastiques, se nourrit des partitions les plus diverses et explore différentes formes de littérature..
    [Show full text]
  • February 12 – 16, 2016
    February 12 – 16, 2016 danceFilms.org | Filmlinc.org ta b l e o F CONTENTS DA N C E O N CAMERA F E S T I VA L Inaugurated in 1971, and co-presented with Dance Films Association and the Film Society of Lincoln Center since 1996 (now celebrating the 20th anniversary of this esteemed partnership), the annual festival is the most anticipated and widely attended dance film event in New York City. Each year artists, filmmakers and hundreds of film lovers come together to experience the latest in groundbreaking, thought-provoking, and mesmerizing cinema. This year’s festival celebrates everything from ballet and contemporary dance to the high-flying world of trapeze. ta b l e o F CONTENTS about dance Films association 4 Welcome 6 about dance on camera Festival 8 dance in Focus aWards 11 g a l l e ry e x h i b i t 13 Free events 14 special events 16 opening and closing programs 18 main slate 20 Full schedule 26 s h o r t s p r o g r a m s 32 cover: Ted Shawn and His Men Dancers in Kinetic Molpai, ca. 1935 courtesy of Jacob’s Pillow Dance festival archives this Page: The Dance Goodbye ron steinman back cover: Feelings are Facts: The Life of Yvonne Rainer courtesy estate of warner JePson ABOUT DANCE dance Films association dance Films association and dance on camera board oF directors Festival staFF Greg Vander Veer Nancy Allison Donna Rubin Interim Executive Director President Virginia Brooks Liz Wolff Co-Curator Dance on Camera Festival Paul Galando Brian Cummings Joanna Ney Co-Curator Dance on Camera Festival Vice President and Chair of Ron
    [Show full text]
  • A Mixed Blessing at the Ballet 01
    Daily Telegraph July 28 2001 A mixed blessing at the ballet Photo Sheila Rock As Anthony Dowell leaves the Royal Ballet, dance critic Ismene Brown assesses his 15-year regime as director - and stars pay tribute below AT THE Royal Ballet the countdown has begun to the end of an era. A week tonight, amid flowers, Champagne and tears, Sir Anthony Dowell, the longest-serving ballet director since the company’s founder, Ninette de Valois, will end his 15-year regime. He was undoubtedly one of the great world stars of dancing, and the “Celebration Programme” will mark his achievements as such. But about his success as director of the company, opinion is far from unanimous. What makes a good director? The question has never been more of a poser than during Dowell\s captaincy of the ballet, in the most turbulent years of the Royal Opera House’s history. There are many pluses on Dowell’s account sheet - his maintenance of high classical technical standards, his welcoming of key foreign artists into the Royal (particularly Sylvie Guillem and Irek Mukhamedov), his inspiring coaching, to which leading guest stars attest opposite. The rise of Darcey Bussell to world acclaim, the forging of a superb partnership between Mukhamedov and Viviana Durante, this final, nostalgic and beautiful 2000-01 season - these are positive memories. He will be noted as a conservative, and many welcomed this after an insecure period of modernising under his predecessor, Norman Morrice. Whether conservatism has served the company well for the future, though, is debatable. In the shifting landscape of ballet, conservatism is not enough to hold steady.
    [Show full text]
  • Sommaire Édito
    BULLETIN D’INFORMATION DU CENTRE CHORÉGRAPHIQUE NATIONAL / BALLET BIARRITZ / THIERRY MALANDAIN JUILLET – AOÛT – SEPTEMBRE 2004 ÉDITO SOMMAIRE INTERREG III En évoquant dans un précédent Numéro la nomination L’ÉVÉNEMENT 2 Avec le soutien de de Création aux Benois de la Danse, j’accompagnais cette LA DANSE À BIARRITZ N°18 5 l’Association Française d’Action Artistique -Ministère des Affaires information de la formule du «senior des anneaux» : «l’im- SENSIBILISATION 7 Étrangères et de l’AFAA-Ville de Biarritz portant est de participer». Une précaution utile, d’autant ACTIVITÉ TRANSFRONTALIÈRE 8 pour ses tournées à l’étranger que parmi les nominés figuraient des «pointures» de la DANSEURS À LA UNE 9 danse internationale. Notamment, John Neumeier, Mark EN BREF 11 Morris ou le couple formé par Paul Lightfoot et Sol Léon. En CALENDRIER 12 définitive, ce sont ces derniers, chorégraphes résidents au Nederlands Dans Teater qui furent consacrés. Aucun regret, cette cérémonie au Bolchoï de Moscou, riche de strass et de stress aura permis à Nathalie Verspecht de remporter un joli succès dans Pierre de Lune et me concernant, figurer vulnérable que les battements d’un cœur. «Le temps du parmi les nominés aux «oscars» de la danse était déjà fort monde fini commence» disait Paul Valéry. Rien ne meurt réjouissant. vraiment, tout se transforme. En questionnant la Danse, Création était déjà nourri de ce sentiment. Le Sang des Aussitôt rentrés, nous mettions en chantier Le Sang des étoiles devrait s’emparer de ce même état d’âme. On par- étoiles qui ouvrira la prochaine édition du Temps d’Aimer.
    [Show full text]
  • British Ballet Charity Gala
    BRITISH BALLET CHARITY GALA HELD AT ROYAL ALBERT HALL on Thursday Evening, June 3rd, 2021 with the ROYAL BALLET SINFONIA The Orchestra of Birmingham Royal Ballet Principal Conductor: Mr. Paul Murphy, Leader: Mr. Robert Gibbs hosted by DAME DARCEY BUSSELL and MR. ORE ODUBA SCOTTISH BALLET NEW ADVENTURES DEXTERA SPITFIRE Choreography: Sophie Laplane Choreography: Matthew Bourne Music: Wolfgang Amadeus Mozart – Gran Partita and Eine kleine Nachtmusik Music: Excerpts from Don Quixote and La Bayadère by Léon Minkus; Dancers: Javier Andreu, Thomas Edwards, Grace Horler, Evan Loudon, Sophie and The Seasons, Op. 67 by Alexander Glazunov Martin, Rimbaud Patron, Claire Souet, Kayla-Maree Tarantolo, Aarón Venegas, Dancers: Harrison Dowzell, Paris Fitzpatrick, Glenn Graham, Andrew Anna Williams Monaghan, Dominic North, Danny Reubens Community Dance Company (CDC): Scottish Ballet Youth Exchange – CDC: Dance United Yorkshire – Artistic Director: Helen Linsell Director of Engagement: Catherine Cassidy ENGLISH NATIONAL BALLET BALLET BLACK SENSELESS KINDNESS Choreography: Yuri Possokhov THEN OR NOW Music: Piano Trio No. 1, Op. 8 by Dmitri Shostakovich, by kind permission Choreography: Will Tuckett of Boosey and Hawkes. Recorded by musicians from English National Music: Daniel Pioro and Heinrich Ignaz Franz von Biber – Passacaglia for solo Ballet Philharmonic, conducted by Gavin Sutherland. violin, featuring the voices of Natasha Gordon, Hafsah Bashir and Michael Dancers: Emma Hawes, Francesco Gabriele Frola, Alison McWhinney, Schae!er, and the poetry of
    [Show full text]
  • L'heure Exquise
    2021 L’Heure Exquise Variazioni su un tema di Samuel Beckett “Oh, les beaux jours” progetto sostenuto da Teatro Alighieri 4, 5, 6 giugno, ore 21.30 con il patrocinio di Senato della Repubblica Camera dei Deputati Ministero della Cultura Ministero degli Affari Esteri e della Cooperazione Internazionale con il sostegno di Ministero degli Affari Esteri e della Cooperazione Internazionale con il contributo di Comune di Cervia Comune di Lugo Comune di Russi Koichi Suzuki partner principale si ringrazia con il patrocinio di Ambasciata d’ItaliaMinistero degli Affari Esteri Jerevan e della Cooperazione Internazionale NON ABBIAMO UNA STORIA. NE ABBIAMO TANTE. ASCOLTALE SU INTESA SANPAOLO ON AIR Scopri tutti i podcast di Intesa Sanpaolo On Air su gruppo.intesasanpaolo.com e Spotify, Apple Podcast, Google Podcast. gruppo.intesasanpaolo.com © ASH L’Heure Exquise Variazioni su un tema di Samuel Beckett “Oh, les beaux jours” regia e coreografia diMaurice Béjart rimontata da Maina Gielgud e Micha van Hoecke su gentile concessione di Fondation Maurice Béjart personaggi e interpreti Lei Alessandra Ferri Lui Carsten Jung scene e luci Roger Bernard costumi Luisa Spinatelli musiche di Anton Webern, Gustav Mahler, Wolfgang Amadeus Mozart, Franz Lehár riallestimento coprodotto da AF DANCE, Ravenna Festival, The Royal Ballet Londra con il sostegno di Ministero della Cultura, “Progetti Speciali” un ringraziamento speciale a Lady Angela Bernstein CBE creato al Teatro Carignano di Torino il 13 settembre 1998, co-produzione Ensemble di Micha Van Hoecke e Festival Torino Danza prima nazionale spettacolo in due parti senza intervallo si ringraziano inoltre Oriente Occidente Dance Festival – Passo Nord e Comune di Rovereto per gli spazi della residenza creativa.
    [Show full text]
  • David Justin CV 2014 Pennsylvania Ballet
    David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net CURRICULUM VITAE ACADEMIC EDUCATION • University of Birmingham, United Kingdom, Master of Arts in Dance in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, London, United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship DANCE EDUCATION • School of American Ballet, 1987, full scholarship • San Francisco Ballet School, 1986, full scholarship • Ballet West Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship PROFESSIONAL EXPERIENCE Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts,
    [Show full text]
  • September 4, 2014 Kansas City Ballet New Artistic Staff and Company
    Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead.
    [Show full text]
  • And Then There Were Two Jan01
    Website of the Telegraph Media Group with breaking news, sport, business, latest UK and world news. Content from the Daily Telegraph and Sunday Telegraph newspapers and video from Telegraph TV. And then there were two In 1998, six of the Royal Ballet's male stars left to form the pioneering K Ballet. Two of them - Michael Nunn and William Trevitt - tell Ismene Brown how their optimism turned sour By Ismene Brown 12:00AM GMT 23 Jan 2001 'ROYAL Ballet reels as top dancers break away," said the headline in The Daily Telegraph. Ballet dancers rarely make the news pages, but, at the end of 1998, there was something strangely potent about the idea of six leading men at our national flagship company leaving to set up their own company. They called themselves K Ballet, after their leader, the Royal Ballet's virtuoso Tetsuya Kumakawa, whose fame in Japan had created the opening. Ballet boys: Michael Nunn [left] and William Trevitt, who were eclipsed by the star status of fellow K Ballet member Tetsuya Kumakawa It was the lowest point in the Royal Ballet's annus horribilis, with the Opera House shut for development, the dancers under threat of mass redundancy, chief executives entering and exiting, and the new Sadler's Wells Theatre, where the company was dancing in exile, not finished. Royal Ballet director Anthony Dowell reacted to the resignations as to a severe personal slight. But storms pass, and somehow ballet life goes on. The Royal Ballet survived its painful loss by using its reputation to attract visiting guests, while older resident males found themselves unexpectedly appreciated again.
    [Show full text]
  • Ballet Technique Demi Pointe- High on the Balls of the Feet
    Ballet Unit Guide Name:_________________ Pd. ____ ​ ​ Ballet Technique Demi Pointe- High on the balls of the feet. Demi Plie- Half bend of the knees. ​ ​ Port de Bras- Carriage of the arms. ​ Tendu- Stretched, to point. ​ En Bas- Low (arms). ​ Degage- To disengage. En Haut- High (arms). ​ ​ Devant- Front. Rond de Jambe- Round of the leg, circular ​ ​ movement. A la Seconde- To the second (side). ​ Derriere- Behind, back. Fondu- To melt. ​ ​ In a cross (front, side, back, side). En Croix- Developpe- To develop, developing movement. ​ ​ Reverence- Curtsey. ​ Grand Battement- Large beat. ​ Passe- To pass, passed. ​ Releve- To rise to the balls of the feet from plie. Pirouette- Spin or whirl. ​ ​ Cou de pied- “Neck” of the foot, wrapped. ● En dedans- Inside. ​ ​ Sous Sous- Over, under. ● En dehors- Outside. ​ ​ Saute- to jump, jumped. Chaines- Series of rapid turns, chain, link. ​ ​ Attitude- Position on one leg, other lifted in back, Chasse- Chased. ​ ​ the knee bent at an angle of 90 degrees so that the Tombe- To fall, falling down. knee is higher than the foot. ​ Pas de Bourre- Back, side, front. Bourre step. ​ Arabesque- The position of the body supported on ​ Grand Jete- Large throw. one leg with the opposite leg extended (straight) ​ behind the body. Pas de Chat- Step of the cat. ​ Saut de Chat- Jump of the cat. ​ ​ A series of slow, fluid exercises to develop the dancer’s balance, strength and grace. *Adagio- ​ ​ ​ Support of the skeletal system. Moving in a safe and healthy way Dynamic Alignment- ​ for your body. ​ ​ Turn Out- Rotation of the leg which comes from the hips, causing the knee and foot to ​ ​ turn outward​ , away from the center of the body.
    [Show full text]
  • Guide to Dance 2018-2019 Study Guide
    GUIDE TO DANCE 2018-2019 STUDY GUIDE Learn about the art of dance and go behind-the-scenes with a professional dance company. Written and compiled by Ambre Emory-Maier, Director of Education, and other contributors l ©2018 BalletMet Columbus TABLE OF CONTENTS Behind the Scenes ............................................................................................................................................. 2 Brief History of BalletMet ................................................................................................................................. 3 BalletMet Offerings ........................................................................................................................................... 4 The Five W’s and H of Dance .......................................................................................................................... 5 Brief History of Ballet ..................................................................................................................................... 6-7 Important Tutu Facts ......................................................................................................................................... 8 Important Pointe Shoe Facts .......................................................................................................................... 9 Glossary of Dance Terms ......................................................................................................................... 10-12 Ballet Terminology..........................................................................................................................................
    [Show full text]
  • Julio Bocca Born in Buenos Aires, Argentina, He Has Been An
    Julio Bocca Born in Buenos Aires, Argentina, he has been an international dance star, director and manager. After training at the National School of Dance, in 1982 he joined the Chamber Ballet of the Colón Theatre as a child prodigy, and a year later he was already performing as a soloist. His career began as principal dancer with the Teresa Carreño Foundation in Caracas, in 1985 he won the Gold Medal at the International Competition in Moscow, and the following year he began a 20-year relationship with the American Ballet Theatre in New York as principal dancer. He is a frequent guest dancer with many companies, including the Royal Ballet, Bolshoi Ballet, Kirov Ballet, Ballet de La Scala, Royal Danish Ballet, Oslo Opera House, Stuttgart Ballet, Paris Opera, Cuban National Ballet, Ballet de Santiago, Eifman Ballet, New World Ballet of Venezuela, National Ballet of Mexico, Cairo Opera Ballet, National Ballet of Spain and San Martín Theatre Ballet in Buenos Aires. He took part in the opening of the Helsinki Opera, having also presented in Poland, the Philippines, Greece and Japan, and in the Havana Festival and the leading festivals in Europe. He has shared a stage with Natalia Makarova, Nina Ananiashvili, Eleonora Cassano, Alessandra Ferri, Cecilia Figaredo, Carla Fracci, Cynthia Gregory, Cynthia Harvey, Paloma Herrera, Susan Jaffe, Julie Kent, Amanda McKerrow, Noelle Pontois, Raquel Rossetti, Tamara Rojo, Viviana Durante, Heidi Ryon, Darcey Bussell, Sara Nieto, Silvia Bazilis, Cristina Delmagro, Ana Botafogo, Monique Loudières, Ludmila Semeniaka, Cecilia Kerche, Monique Loudières, Ludmila Semeniaka, Cecilia Kerche, Aurélie Dupont, Cheryl Yeager, Mariana Tcherkassky, Arantxa Argüelles and Maria Ricceto.
    [Show full text]