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Smash Hits Volume 52
-WjS\ 35p USA $175 27 November -10 December I98i -HITLYRtCS r OfPER TROUPER TMCOMINgOUT EMBARRASSMENT MOTORHEAD NOT THE 9 O'CLOCK NEWS FRAMED BLONDIE PRINTS to be won 3 (SHU* Nov 27 — Dec 10 1980 Vol.2 No.24 ^gTEW^lSl TO CUT A LONG STORY SHORT Spandau Ballet 3 ELSTREE Buggies .....10 EMBARRASSMENT Madness 10 SUPER TROUPER Abba 11 I'M COMING OUT Diana Ross 17 BOURGIEBOURGIE Gladys Knight & The Pips 17 I LIKE WHAT YOU'RE DOING TO ME Young & Co ...23 WOMEN IN UNIFORM Iron Maiden 26 I COULD BE SO GOOD FOR YOU Dennis Waterman 26 SPENDING THE NIGHT TOGETHER Dr. Hook 32 LONELY TOGETHER Barry Manilow 32 TREASON The Teardrop Explodes 35 DO YOU FEEL MY LOVE Eddy Grant 38 THE CALL UP The Clash 38 LOOKING FOR CLUES Robert Palmer 47 TOYAH: Feature 4/5/6 NOT THE 9 O'CLOCK NEWS: Feature 18/19 UB40: Colour Poster 24/25 MOTORHEAD: Feature 36/37 MADNESS: Colour Poster 48 CARTOON 9 HIGHHORDSE 9 BITZ 12/13/14 INDEPENDENT BITZ 21 DISCO 22 CROSSWORD 27 REVIEWS 28/29 STAR TEASER 30 FACT IS 31 BIRO BUDDIES 40 BLONDIE COMPETITION 41 LETTERS 43/44 BADGE & CALENDAR OFFERS 44 GIGZ 46 Editor Editorial Assistants Contributors Ian Cranna Bev Hillier Robin Katz Linda Duff Red Starr Fred DeMar Features Editor David Hepworth Advertisement Manager Mike Stand Rod Sopp JiH Furmanovsky (Tel: 01-4398801) Mark Casto Design Editor Steve Taylor Assistant Steve Bush Mark Ellen Adte Hegarty Production Editor Editorial Consultant Publisher Kasper de Graaf Nick Logan Peter Strong Editorial and Advertising address: Smash Hits. -
Spatial Practices of Icarian Communism
Brigham Young University BYU ScholarsArchive Theses and Dissertations 2008-03-25 Spatial Practices of Icarian Communism John Derek McCorquindale Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the French and Francophone Language and Literature Commons, and the Italian Language and Literature Commons BYU ScholarsArchive Citation McCorquindale, John Derek, "Spatial Practices of Icarian Communism" (2008). Theses and Dissertations. 1364. https://scholarsarchive.byu.edu/etd/1364 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. A SPATIAL HISTORY OF ICARIAN COMMUNISM by John Derek McCorquindale A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Department of French & Italian Brigham Young University April 2008 ABSTRACT A SPATIAL HISTORY OF ICARIAN COMMUNISM John Derek McCorquindale Department of French and Italian Master of Arts Prior to the 1848 Revolution in France, a democrat and communist named Étienne Cabet organized one of the largest worker’s movements in Europe. Called “Icarians,” members of this party ascribed to the social philosophy and utopian vision outlined in Cabet’s 1840 novel, Voyage en Icarie , written while in exile. This thesis analyzes the conception of space developed in Cabet’s book, and tracks the group’s actual spatial practice over the next seventeen years. During this period, thousands of Icarians led by Cabet attempted to establish an actual colony in the wilderness of the United States. -
Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal). -
Universidade Federal Do Ceará Centro De Humanidades Departamento De Ciências Da Informação Curso De Biblioteconomia
UNIVERSIDADE FEDERAL DO CEARÁ CENTRO DE HUMANIDADES DEPARTAMENTO DE CIÊNCIAS DA INFORMAÇÃO CURSO DE BIBLIOTECONOMIA JENNYFER CRISTINA DE MORAES SILVA THE TALE GOES ON: A MEDIAÇÃO DA INFORMAÇÃO NAS COMPOSIÇÕES DA BANDA IRON MAIDEN FORTALEZA – CE 2020 JENNYFER CRISTINA DE MORAES SILVA THE TALE GOES ON: A MEDIAÇÃO DA INFORMAÇÃO NAS COMPOSIÇÕES DA BANDA IRON MAIDEN Monografia apresentada ao Curso de Biblioteconomia da Universidade Federal do Ceará, como requisito parcial para obtenção do título de Bacharel em Biblioteconomia. Orientador: Prof. Dr. Jefferson Veras Nunes. FORTALEZA – CE 2020 Dados Internacionais de Catalogação na Publicação Universidade Federal do Ceará Biblioteca Universitária Gerada automaticamente pelo módulo Catalog, mediante os dados fornecidos pelo(a) autor(a) S58t Silva, Jennyfer Cristina de Moraes. The tale goes on : a mediação da informação nas composições da banda Iron Maiden / Jennyfer Cristina de Moraes Silva. – 2020. 98 f. : il. color. Trabalho de Conclusão de Curso (graduação) – Universidade Federal do Ceará, Centro de Humanidades, Curso de Biblioteconomia, Fortaleza, 2020. Orientação: Prof. Dr. Jefferson Veras Nunes. 1. Mediação da informação. 2. Música e mediação. 3. Iron Maiden. I. Título. CDD 020 JENNYFER CRISTINA DE MORAES SILVA THE TALE GOES ON: A MEDIAÇÃO DA INFORMAÇÃO NAS COMPOSIÇÕES DA BANDA IRON MAIDEN Monografia apresentada ao Curso de Biblioteconomia da Universidade Federal do Ceará, como requisito parcial para obtenção do título de Bacharel em Biblioteconomia. Aprovada em: ____ / ____ / ______. BANCA EXAMINADORA __________________________________________ Prof. Dr. Jefferson Veras Nunes (Orientador) Universidade Federal do Ceará (UFC) __________________________________________ Prof. Dr. Luiz Tadeu Feitosa (Membro titular) Universidade Federal do Ceará (UFC) __________________________________________ Profa. Dra. Maria Giovanna Guedes Farias (Membro titular) Universidade Federal do Ceará (UFC) __________________________________________ Prof. -
2 Minutes to Midnight (Adventure)
2 minutes to midnight A “One page” by Andrea Sbragia This is a module to be used with the Rocko- then finally compete on February 6th. polis RPG rules. One of the difficulties of the contest is that, The Characters’ Band is a Tribute to Iron in addition to having to know the songs, Maiden. the Bands will have to try to imitate their idols also in terms of appearance: at each The creation of the Characters is left freely to stage of the contest, in fact, it is required the Players, with the understanding that the that the Band represent on stage a specific Band is plausibly able to play the songs of LP, including lights, costumes and sceno- the English Band. graphy. It is absolutely forbidden to propose the For them, who adore their idols, this time same album twice. there is a unique opportunity: to open the concert of the great Irons! The contest, therefore, will reward very The famous Band, in fact, has decided to elaborate stages in pure Iron Maiden style, hire one of their own Tribute among the and the tight schedule could create many many scattered around the world to open problems for the Band. the last concert of their career. February 8th (celebrating the release of Being an established Irons Tribute Band, the album “Running Free”), 23:58. it starts with these already known songs: The concert, called “2 minutes to midnight The number of the beast, Flight of Icarus, - LIVE” will take place in London, and will Powerslave, Running Free, Fear of the probably be an event like few others in the Dark, The Evil that men do, Iron Maiden, history of Rock. -
Harvest Records Discography
Harvest Records Discography Capitol 100 series SKAO 314 - Quatermass - QUATERMASS [1970] Entropy/Black Sheep Of The Family/Post War Saturday Echo/Good Lord Knows/Up On The Ground//Gemini/Make Up Your Mind/Laughin’ Tackle/Entropy (Reprise) SKAO 351 - Horizons - The GREATEST SHOW ON EARTH [1970] Again And Again/Angelina/Day Of The Lady/Horizons/I Fought For Love/Real Cool World/Skylight Man/Sunflower Morning [*] ST 370 - Anthems In Eden - SHIRLEY & DOROTHY COLLINS [1969] Awakening-Whitesun Dance/Beginning/Bonny Cuckoo/Ca’ The Yowes/Courtship-Wedding Song/Denying- Blacksmith/Dream-Lowlands/Foresaking-Our Captain Cried/Gathering Rushes In The Month Of May/God Dog/Gower Wassail/Leavetaking-Pleasant And Delightful/Meeting-Searching For Lambs/Nellie/New Beginning-Staines Morris/Ramble Away [*] ST 371 - Wasa Wasa - The EDGAR BROUGHTON BAND [1969] Death Of An Electric Citizen/American Body Soldier/Why Can’t Somebody Love You/Neptune/Evil//Crying/Love In The Rain/Dawn Crept Away ST 376 - Alchemy - THIRD EAR BAND [1969] Area Three/Dragon Lines/Druid One/Egyptian Book Of The Dead/Ghetto Raga/Lark Rise/Mosaic/Stone Circle [*] SKAO 382 - Atom Heart Mother - The PINK FLOYD [1970] Atom Heart Mother Suite (Father’s Shout-Breast Milky-Mother Fore-Funky Dung-Mind Your Throats Please- Remergence)//If/Summer ’68/Fat Old Sun/Alan’s Psychedelic Breakfast (Rise And Shine-Sunny Side Up- Morning Glory) SKAO 387 - Panama Limited Jug Band - PANAMA LIMITED JUG BAND [1969] Canned Heat/Cocaine Habit/Don’t You Ease Me In/Going To Germany/Railroad/Rich Girl/Sundown/38 -
Bridges to Free-Standing Bridges – Or – the Mutable Modular Model of Metal Music Michael Dekovich University of Oregon
Bridges to Free-Standing Bridges – or – The Mutable Modular Model of Metal Music Michael Dekovich University of Oregon Heavy metal’s defiance of social and musical norms has been a source of fascination since the genre’s earliest days. But although scholars have been attentive to metal’s unique musical expressions, little literature has been devoted to the analysis of musical form. This paper codifies common strategies in metal song forms and theorizes how metal’s transgressive tendencies manifest in formal functions. Transgression implies a dialectical relationship, the negation of a normative standard. Metal composers frequently use rotational forms found throughout Western popular music but are also prone to modifying and avoiding common song forms, a behavior that can be read through dialogic form, “reconstructing a processual dialogue between any individual work (or section thereof) and the charged network of generic norms, guidelines, possibilities, expectations, and limits provided by the implied genre at hand” (Hepokoski 2010, 71). At the same time, metal’s transgression has deeper implications for teleology. Abjection (Kristeva 1982; Dee 2009) provides a means for metal to construct dialectical identities by deferring or denying telos in favor of liminality, the state of being in- between. Whereas pop and rock usually treat the chorus as a song’s most significant formal goal, metal composers’ expansion of bridge sections and the distortion or omission of rotational units pushes form outside of normative confines, producing sections and song forms that complicate narratives of formal progression. Many pop, rock and metal songs follow the template of compound AABA form, wherein each A section contains a cycle beginning with a verse and ending with a chorus, and where the B section is analogous to the bridge or “middle eight” from Tin Pan Alley AABA pop songs, earning it the designation of “bridge section” (Covach 2005, 74; Nobile 2020, 105). -
Disc 1 Disc 2
DISC 1 DISC 2 08.20 DRIVEN AWAY BY OUR ENDLESS DESIRE DEFEAT BY ANGER AND OUR GREATEST FIRE ( SMITH / HARRIS ) ATTACK AGAIN AND TRY AS THEY MIGHT HOLD THEM AGAIN AND SEE THEM RUNNING BEAT THE WARNING THE SOUND OF THE DRUMS RALLYING ROUND TO THE CALL SET THE BEACONS AFIRE FOR THEM ALL WE CAN HEAR FAR AWAY ARE THE SOUND OF DISTANT DRUMS CALL TO ARMS ALL THE MEN FAR AND WIDE AND THEY NEED EVERYONE AT THE WALL HAVE TO FIGHT NOW FOR DYNASTY PRIDE AT STAKE SO THE DAY OF OUR JUDGEMENT HAS NOW BEGUN TO FALL THE INVADERS REPEL FROM THE NORTH HEAR THEM COMING ~ READY NOW WE WAIT KEEP OUT NOMADS WHO COME FROM THE PLAINS MUST BE STEADFAST ~ MUST BE PATIENT NORTHERN GRASSLANDS AWASH WITH THEM ALL BLOCKING THE TRIBES THAT INVADE FROM THE SOUTH OF US MUST BELIEVE IN ~ THAT WE CAN WIN WHAT WILL SAVE US ~ THE GREAT WALL RALLYING ROUND TO THE CALL WE CAN HEAR FAR AWAY ARE THE SOUND OF DISTANT DRUMS NOW UNDER SIEGE HAVE THE REAL STRENGTH TO HOLD THEM NOW AND THEY NEED EVERYONE AT THE WALL HAVE TO BELIEVE THAT WE CAN REPEL THEM SO THE DAY OF OUR JUDGEMENT HAS NOW BEGUN TO FALL FAITH IN THE YEARS OUR ANCESTORS TAUGHT US HAVE THE BELIEF THAT WE CAN PROTECT THE WALL SURVIVE ON LEDGES BITTEN IN DUST KNOWLEDGE AND VIRTUE IS STRICKEN BY LUST TRY IF THEY CAN WE WILL OVERTHROW THEM REALLY BELIEVE THAT THEY’RE COMING FOR US FIGHT TO THE LAST THEY CAN NEVER OWN US DANCING ON GRAVES BATTLE OF WILLS WE’LL FIGHT TO THE LAST MAN OF THOSE WHO BLED FOR US HONOUR OUR DEAD SO THEY NEVER FOUGHT IN VAIN HOLD OUR FORTUNE ~ AVENGE THE MERCIFUL HOLD THE GREAT WALL ~ NEVER FALL -
Close Readings of Metal Lyrics
International Journal of English Learning and Teaching Skills; Vol. 1, No. 4; ISSN : 2639-7412 (Print) ISSN : 2638-5546 (Online) POETRY AND LYRICS IN LANGUAGE ACROSS CENTURIES: CLOSE READINGS OF METAL LYRICS Anushka Banerjee Aishika Mukherjee Sayantan Chanda, Shivam Shubham B.Tech Second Year, Mayurakshi Dev Assistant Professor of English Department of Basic Science and Humanities, Institute of Engineering & Management, Kolkata Introduction Ever since its inception into the realm of music during the mid-70, heavy metal has been hailed as one of the most extreme genres in terms of loudness, machismo and lyrical content. Throughout its existence, heavy metal has been mired with controversies; critics slighted the music by shunning it off as being riddled with overblown adolescent theatrics, and conservative groups have accused the genre of being provocative due to its evil lyrical content. Inspite of all those adversities, heavy metal has held its stance as one of the most consistent forms of rock music. Metal music, through its efforts has reinstated the “ancient Indo-European spirit of vir”1 through a Romantic, Faustian form of music culture. This has staggered the general concept of mainstream music and has hence, since long, remained controversial. Heavy metal has never been popular with the mainstream masses, primarily due to the nature of the music. Amongst other things, lyrical content of the songs is one thing that is largely frowned upon and often considered to be one of the primary reasons why metal music has never struck a chord with the masses. But such allegations, while partly true, remain biased to a large extent. -
Iron Maiden Announce Details of Concerts in South Africa in May 2016 on the Book of Souls World Tour
IRON MAIDEN ANNOUNCE DETAILS OF CONCERTS IN SOUTH AFRICA IN MAY 2016 ON THE BOOK OF SOULS WORLD TOUR THE NEW ALBUM “THE BOOK OF SOULS” DEBUTS AT NUMBER 4 IN S.AFRICA, ALSO DEBUTING AT NO.1 IN THE UK AND MANY OTHER COUNTRIES MAIDEN, CREW AND EQUIPMENT TO ARRIVE ON ED FORCE ONE, A BOEING 747-400 JUMBO JET PILOTED BY VOCALIST BRUCE DICKINSON Rock legends IRON MAIDEN whose new studio double album “The Book Of Souls” debuted this week at No 4 in South Africa, will make a massively anticipated return in May on their enormous Boeing 747-400 jumbo jet Ed Force One piloted by vocalist Bruce Dickinson and carrying band, crew and stage production and equipment. Maiden will play two shows: May 18 in Cape Town at the Grand Arena followed by May 21 at the Johannesburg Carnival City Festival Lawns. Bruce comments; “We cannot wait to get back out on tour. When we start in the USA in late February it will be 19 months since our last show at Sonisphere in the UK so we are raring to go. Maiden thrive on touring and getting out to our fans, it’s what we do best, so it will be a great feeling to board our new Jumbo Ed Force One with the crew and the gear and head round the globe and get back on stage for you guys. I’m especially delighted to be coming to South Africa, as although the band has played here before, it’ll be the first time that Adrian Smith and myself will be touring here as part of Iron Maiden, so we’re really looking forward to seeing all our fans! “Of course we haven't decided on the set list as yet and won’t until we start rehearsing but we really look forward to playing a number of new songs live, especially as the recording was so much live. -
IRON MAIDEN PRO MANUAL 500-55N5-01 © 2018 Iron Maiden LLP, Under License to Stern Pinball, Inc
SERVICE AND OPERATION MANUAL Aces High written by Stephen Percy Harris -- Universal Music - Z Tunes Llc. on behalf of Iron Maiden Publ. Can I Play With Madness? written by Bruce Dickinson, Stephen Percy Harris, Adrian Frederick Smith -- Universal Overseas Ltd. Music - Z Tunes Llc. on behalf of Imagem London Ltd. and Adrian Smith Ent.Ltd. Used by Permission - All Rights Reserved Used by Permission - All Rights Reserved Two Minutes To Midnight written by Adrian Frederick Smith, Bruce Dickinson -- Universal Music - Z Tunes Powerslave written by Bruce Dickinson -- Universal Music - Z Tunes Llc. on behalf of Iron Maiden Publishing Llc. on behalf of Adrian Smith Ent. Ltd. Overseas Ltd. Used by Permission - All Rights Reserved Used by Permission - All Rights Reserved Trooper, The written by Stephen Percy Harris -- Universal Music - Z Tunes Llc. on behalf of Iron Maiden Hallowed Be Thy Name written by Stephen Percy Harris -- Universal Music - Z Tunes Llc. on behalf of Imagem Publ. Overseas Ltd. London Ltd. Used by Permission - All Rights Reserved Used by Permission - All Rights Reserved Wasted Years written by Adrian Frederick Smith -- Universal Music - Z Tunes Llc. on behalf of Adrian Smith Flight Of Icarus written by Adrian Frederick Smith, Bruce Dickinson -- Universal Music - Z Tunes Llc on behalf of Ent. Ltd. Adrian Smith Ent. Ltd. Used by Permission - All Rights Reserved Used by Permission - All Rights Reserved Number Of The Beast, The written by Stephen Percy Harris -- Universal Music - Z Tunes Llc. on behalf of Rime Of The Ancient Mariner written by Stephen Percy Harris -- Universal Music - Z Tunes Llc on behalf of Iron Iron Maiden Publ. -
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt.