Book Factsheet Patricia Highsmith the Blunderer
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Book Factsheet Patricia Highsmith Ripley Under Ground
Book factsheet Patricia Highsmith Crime fiction, General Fiction Ripley Under Ground 368 pages 11.6 × 18.4 cm January 1972 Published by Diogenes as Ripley Under Ground Original title: Ripley Under Ground World rights are handled by Diogenes Rights currently sold: Bulgarian (Fama) Chinese/CN (Shanghai Translation) Danish (Lindhardt & Ringhof) English/USA (Norton) Finnish (WSOY) French (Calmann-Lévy) Greek (Agra) Italian (La nave di Teseo) Japanese (Kawade Shobo) Korean (Eulyoo) Polish (Noir sur Blanc) Portuguese/BRA (Intrinseca) Portuguese/PT (Relógio d'Agua) Romanian (Art ) Russian (Azbooka-Atticus) Spanish/world (Anagrama) Swedish (Norstedts) Turkish (Can) Ukrainian (Hemiro) Vietnamese (BachvietBooks) Movie adaptations 2016: A Kind Of Murder Director: Andy Goddard Screenplay: Susan Boyd Cast: Patrick Wilson, Jessica Biel, Haley Bennett 2015: Carol / Salz und sein Preis Director: Todd Haynes Screenplay: Phyllis Nagy Cast: Cate Blanchett, Rooney Mara und Kyle Chandler 2014: The two faces of January Director: Hossein Amini Screenplay: Hossein Amini Cast: Kirsten Dunst, Viggo Mortensen, Oscar In this harrowing illumination of the psychotic mind, the enviable Isaac Tom Ripley has a lovely house in the French countryside, a beautiful and very rich wife, and an art collection worthy of a connoisseur. But 2009: Cry of the Owl such a gracious life has not come easily. One inopportune inquiry, Director: Jamie Thraves one inconvenient friend, and Ripley's world will come tumbling down Screenplay: Jamie Thraves - unless he takes decisive steps. In a mesmerizing novel that coolly Cast: Paddy Considine, Julia Stiles subverts all traditional notions of literary justice, Ripley enthralls us even as we watch him perform acts of pure and unspeakable evil. -
Patricia Highsmith's Queer Disruption: Subverting Gay Tragedy in the 1950S
Patricia Highsmith’s Queer Disruption: Subverting Gay Tragedy in the 1950s By Charlotte Findlay A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature Victoria University of Wellington 2019 ii iii Contents Acknowledgements ………………………………………………………………..……………..iv Abstract……………………………………………………………………………………………v Introduction………………………………………………………………………………………..1 1: Rejoicing in Evil: Queer Ambiguity and Amorality in The Talented Mr Ripley …………..…14 2: “Don’t Do That in Public”: Finding Space for Lesbians in The Price of Salt…………………44 Conclusion ...…………………………………………………………………………………….80 Works Cited …………..…………………………………………………………………………83 iv Acknowledgements Thanks to my supervisor, Jane Stafford, for providing always excellent advice, for helping me clarify my ideas by pointing out which bits of my drafts were in fact good, and for making the whole process surprisingly painless. Thanks to Mum and Tony, for keeping me functional for the last few months (I am sure all the salad improved my writing immensely.) And last but not least, thanks to the ladies of 804 for the support, gossip, pad thai, and niche literary humour I doubt anybody else would appreciate. I hope your year has been as good as mine. v Abstract Published in a time when tragedy was pervasive in gay literature, Patricia Highsmith’s 1952 novel The Price of Salt, published later as Carol, was the first lesbian novel with a happy ending. It was unusual for depicting lesbians as sympathetic, ordinary women, whose sexuality did not consign them to a life of misery. The novel criticises how 1950s American society worked to suppress lesbianism and women’s agency. It also refuses to let that suppression succeed by giving its lesbian couple a future together. -
GORE VIDAL the United States of Amnesia
Amnesia Productions Presents GORE VIDAL The United States of Amnesia Film info: http://www.tribecafilm.com/filmguide/513a8382c07f5d4713000294-gore-vidal-the-united-sta U.S., 2013 89 minutes / Color / HD World Premiere - 2013 Tribeca Film Festival, Spotlight Section Screening: Thursday 4/18/2013 8:30pm - 1st Screening, AMC Loews Village 7 - 3 Friday 4/19/2013 12:15pm – P&I Screening, Chelsea Clearview Cinemas 6 Saturday 4/20/2013 2:30pm - 2nd Screening, AMC Loews Village 7 - 3 Friday 4/26/2013 5:30pm - 3rd Screening, Chelsea Clearview Cinemas 4 Publicity Contact Sales Contact Matt Johnstone Publicity Preferred Content Matt Johnstone Kevin Iwashina 323 938-7880 c. office +1 323 7829193 [email protected] mobile +1 310 993 7465 [email protected] LOG LINE Anchored by intimate, one-on-one interviews with the man himself, GORE VIDAL: THE UNITED STATS OF AMNESIA is a fascinating and wholly entertaining tribute to the iconic Gore Vidal. Commentary by those who knew him best—including filmmaker/nephew Burr Steers and the late Christopher Hitchens—blends with footage from Vidal’s legendary on-air career to remind us why he will forever stand as one of the most brilliant and fearless critics of our time. SYNOPSIS No twentieth-century figure has had a more profound effect on the worlds of literature, film, politics, historical debate, and the culture wars than Gore Vidal. Anchored by intimate one-on-one interviews with the man himself, Nicholas Wrathall’s new documentary is a fascinating and wholly entertaining portrait of the last lion of the age of American liberalism. -
Book Factsheet Patricia Highsmith a Dog's Ransom
Book factsheet Patricia Highsmith Crime fiction, General Fiction A Dog's Ransom 432 pages 11.3 × 18 cm January 2004 Published by Diogenes as Lösegeld für einen Hund Original title: A Dog's Ransom World rights are handled by Diogenes Rights currently sold: Danish (Lindhardt & Ringhof) English/UK (Little, Brown) English/USA (Norton) French (Calmann-Lévy) Italian (La nave di Teseo) Spanish/world (Anagrama) Turkish (Can) Movie adaptations 2016: A Kind Of Murder Director: Andy Goddard Screenplay: Susan Boyd Cast: Patrick Wilson, Jessica Biel, Haley Bennett 2015: Carol / Salz und sein Preis Director: Todd Haynes Screenplay: Phyllis Nagy Cast: Cate Blanchett, Rooney Mara und Kyle Chandler 2014: The two faces of January Director: Hossein Amini Screenplay: Hossein Amini Cast: Kirsten Dunst, Viggo Mortensen, Oscar Isaac 2009: Cry of the Owl Director: Jamie Thraves Screenplay: Jamie Thraves Cast: Paddy Considine, Julia Stiles 2005: Ripley under Ground Director: Roger Spottiswoode Cast: Barry Pepper, Tom Wilkinson, Claire Forlani With an eerie simplicity of style, Patricia Highsmith turns our next- 1999: The Talented Mr. Ripley door neighbors into sadistic psychopaths, lying in wait among white Director: Anthony Minghella picket fences and manicured lawns. In A Dog's Ransom, Patricia Cast: Matt Damon, Gwyneth Paltrow, Jude Highsmith blends a savage humor with brilliant social satire in this Law, Cate Blanchett dark tale of a highminded criminal who hits a wealthy Manhattan couple where it hurts the most when he kidnaps their beloved poodle. 1996: Once You Meet a Stranger This work attests to Highsmith's reputation as »the poet of Director: Tommy Lee Wallace apprehension« (Graham Greene). -
Beware of Scammers: What You Should Registration Now Know to Protect Yourself
Serving the Cities of River Oaks and Westworth Village 78th Year No. 29 817-246-2473 7820 Wyatt Drive, Fort Worth, Texas 76108 suburban-newspapers.com July 19, 2018 Around the Town With Jo Ann Dennis and Melody Dennis Castleberry ISD Beware of Scammers: What You Should Registration Now Know to Protect Yourself Through July 31 is thief. All scammers are trying to steal something from you by using confusing tricks, which can It is time to start getting ready for the next appear legal and even good at first glance. They school year at Castleberry ISD. Online registration may try to steal your money, your identification opens on Monday, July 9 and closes on Tuesday, information, bank account information, and Social July 31. Castleberry ISD will be providing assis- Security number. These criminals will trick you tance for parents registering their child online at out of anything they can, if you go along with the Technology Building, located at 315 Churchill what they are asking. Road. Help will be available from 9 a.m. to 4 p.m. Some very common signs of scams are the fol- Monday through Thursday beginning Monday, lowing phrases, which the scammer will say to July 16 and ending Thursday, July 26. you on the phone: 1. You have been especially To get started with online registration visit the selected for this offer. 2. You will get a free bonus Family Access page at www.castleberryisd.n- if you buy our product. 3. You have won one of et/family/familyaccess. five valuable prizes. -
Texts and Other Fictions in Gore Vidal╎s Burr
Studies in English, New Series Volume 11 Volumes 11-12 Article 29 1993 Texts and Other Fictions in Gore Vidal’s Burr Thomas Gladsky Central Missouri State University Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons Recommended Citation Gladsky, Thomas (1993) "Texts and Other Fictions in Gore Vidal’s Burr," Studies in English, New Series: Vol. 11 , Article 29. Available at: https://egrove.olemiss.edu/studies_eng_new/vol11/iss1/29 This Article is brought to you for free and open access by the Studies in English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Gladsky: Texts and Other Fictions in Gore Vidal’s Burr TEXTS AND OTHER FICTIONS IN GORE VIDAL’S BURR Thomas Gladsky Central Missouri State University Over the years, Gore Vidal has campaigned furiously against theorists and writers of the new novel who, according to Vidal, “have attempted to change not only the form of the novel but the relationship between book and reader” (“French Letters” 67). In his essays, he has condemned the “misdirected” efforts of writers such as Donald Barthelme, John Gardner, Thomas Pynchon, John Barth, William Gass, and all those who come equipped with “formulas, theorems, signs, and diagrams because words have once again failed them” (“American Plastic” 102). In comparison, Vidal presents himself as a literary conservative, a defender of traditional form in fiction even though his own novels betray his willingness to penetrate beyond words and to experiment with form, especially in his series of historical novels. -
Visit to a Small Planet and the ―Fish out of Water‖ Comedy
Audience Guide Written and compiled by Jack Marshall July 8–August 6, 2011 Theatre Two, Gunston Arts Center Theater you can afford to see— plays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called ―the American Century.‖ The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
Michael Krasny Has Interviewed a Wide Range of Major Political and Cultural Figures Including Edward Albee, Madeleine Albright
Michael Krasny has interviewed a wide range of major political and cultural figures including Edward Albee, Madeleine Albright, Sherman Alexei, Robert Altman, Maya Angelou, Margaret Atwood, Ken Auletta, Paul Auster, Richard Avedon, Joan Baez, Alec Baldwin, Dave Barry, Harry Belafonte, Annette Bening, Wendell Berry, Claire Bloom, Andy Borowitz, T.S. Boyle, Ray Bradbury, Ben Bradlee, Bill Bradley, Stephen Breyer, Tom Brokaw, David Brooks, Patrick Buchanan, William F. Buckley Jr, Jimmy Carter, James Carville, Michael Chabon, Noam Chomsky, Hillary Rodham Clinton, Cesar Chavez, Bill Cosby, Sandra Cisneros, Billy Collins, Pat Conroy, Francis Ford Coppola, Jacques Cousteau, Michael Crichton, Francis Crick, Mario Cuomo, Tony Curtis, Marc Danner, Ted Danson, Don DeLillo, Gerard Depardieu, Junot Diaz, Leonardo DiCaprio, Joan Didion, Maureen Dowd. Jennifer Egan, Daniel Ellsberg, Rahm Emanuel, Nora Ephron, Susan Faludi, Diane Feinstein, Jane Fonda, Barney Frank, Jonathan Franzen, Lady Antonia Fraser, Thomas Friedman, Carlos Fuentes, John Kenneth Galbraith, Andy Garcia, Jerry Garcia, Robert Gates, Newt Gingrich, Allen Ginsberg, Malcolm Gladwell, Danny Glover, Jane Goodall, Stephen Greenblatt, Matt Groening, Sammy Hagar, Woody Harrelson, Robert Hass, Werner Herzog, Christopher Hitchens, Nick Hornby, Khaled Hosseini, Patricia Ireland, Kazuo Ishiguro, Molly Ivins, Jesse Jackson, PD James, Bill T. Jones, James Earl Jones, Ashley Judd, Pauline Kael, John Kerry, Tracy Kidder, Barbara Kingsolver, Alonzo King, Galway Kinnell, Ertha Kitt, Paul Krugman, Ray -
HAMMER Exhibitions
UCLA HAMMER MUSEUM Non Profit US Postage Summer 200 3 PAID Los Angeles Permit 202 MUSEUM INFORMATION Admi ssion $5 Adults; $ 3 Seniors (65+) and UCLA ·Al umni Associationm embers with ID; Free Museum members, UCLA faculty/ staff, Students with I.D. and visitors 17 and under. Free Thursdays for all visitors. Summer Hou rs Tuesday, Saturday and Sunday 12 - 7 pm; Wednesday, Thursday and Friday 12 - 9 pm Closed Mondays, July 4t h, Thanksgiving, Christmas, and New Years Day. Tours Groups of ten or more are by appointment only. Adult groups with reservations receive a discounted ad mission of S3 per person. Franklin D. Murphy Sculpture Garden group tours available upon request. For reservations, call (310) 443-7041. Museum Par king Parking is available under the Museum. Discounted parking with Museum stamp is $2.75 for the first three hours plus $1.50 for each additional 20 minutes. S3 flat rate per entry after 6:30 pm on Thursday. 6. Parking is available on levels Pl and P3. Occidental Petroleum Corporation has par tially endowed the Museum and construct ed the Occidental Petroleum Cultural Center Building, which houses the Museum. Cover image: Ch ristian Marclay,Guitar Drag, 2000, video. Courtesy the artist and Paula Cooper Gallery, NY. 10899 Wils hire Boule va rd L os Angel e s, Califo rn ia 900 24 USA For additional program information: VOICE: (310) 443-7000ITT: (310) 443-7094 Website: www.hammer.ucla.edu - HAMMER Eunice and Hal David Collection Gift turing Barbara Ehrenreich with Julianna Malveaux and The world-famous lyricist Hal David and his wife Eunice Suzan-Lori Parks with Todd Boyd. -
Patricia Highsmith Books Pdf
Patricia highsmith books pdf Continue Influential author of The Unknown Patricia Highsmith is still not exactly a household name, but her books have had a lasting impact on pop culture and literature for several decades. Anthony Minghella's 1999 film The Talented Mr. Ripley starring Matt Damon was based on Highsmith's novel of the same name. Many other directors, including Alfred Hitchcock, Renee Clement and Wim Wenders, adapted her work, and her characters were brought to life on screen by the likes of Dennis Hopper, John Malkovich and Cate Blanchett. Much of Highsmith's early work, which has now entered the mainstream, contains strange subtexts or strange coded characters, and she wrote a novel in the early 1950s that was significant at the time for showing a novel between two women with a happy, if complex, ending. This book, Carol, was originally published under a pseudonym, but in the final years of her career, Highsmith began to include more characters in books she wrote under her own name that were openly and unequivocally strange. Despite Highsmith's importance to LGBT literature and the literary world in general, immersing herself in her work means being subjected to the personal flaws she has brought to her. Accidental (and not so casual) racism has leaked into many of her books. This uncomfortable truth sits next to the fact that its fiction, albeit in a rather strange and devious way, is refreshingly anti-capitalist and more than willing to paint the police, the U.S. prison system, and the rich in a very unflattering light. -
Book Factsheet Patricia Highsmith the Blunderer
Book factsheet Patricia Highsmith General Fiction The Blunderer 416 pages 11.3 × 18 cm May 2007 Published by Diogenes as Der Stümper Original title: The Blunderer World rights are handled by Diogenes Rights currently sold: Basque (Txalaparta) English/UK (Little, Brown) English/USA (Norton) Finnish (Siniplaneetta) French (Calmann-Lévy) Italian (La nave di Teseo) Korean (Openhouse) Polish (Noir sur Blanc) Portuguese/BRA (Saraiva) Spanish/world (Anagrama) Movie adaptations 2016: A Kind Of Murder Director: Andy Goddard Screenplay: Susan Boyd Cast: Patrick Wilson, Jessica Biel, Haley Bennett 2015: Carol / Salz und sein Preis Director: Todd Haynes Screenplay: Phyllis Nagy Cast: Cate Blanchett, Rooney Mara und Kyle Chandler 2014: The two faces of January Director: Hossein Amini Screenplay: Hossein Amini Cast: Kirsten Dunst, Viggo Mortensen, Oscar Isaac 2009: Cry of the Owl Director: Jamie Thraves Screenplay: Jamie Thraves Cast: Paddy Considine, Julia Stiles 2005: Ripley under Ground Director: Roger Spottiswoode Cast: Barry Pepper, Tom Wilkinson, Claire Forlani 1999: The Talented Mr. Ripley Director: Anthony Minghella Cast: Matt Damon, Gwyneth Paltrow, Jude Law, Cate Blanchett 1996: Once You Meet a Stranger Director: Tommy Lee Wallace Cast: Jacqueline Bisset, Mimi Kennedy, Andi Chapman 1993: Trip nach Tunis Director: Peter Goedel Cast: Hunt David, Sillas Karen 1 / 7 Movie adaptations (cont'd) 1991: Der Geschichtenerzähler Director: Rainer Boldt Cast: Christine Kaufmann, Udo Schenk, Anke Sevenich 1989: A Curious Suicide Director: Bob Biermann Cast: Nicol Williamson, J. Lapotaire 1989: Le jardin des Disparus Director: Mai Zetterling Cast: Ian Holm, Eileen Atkins 1989: L´Amateur de Frissons Director: Roger Andrieux Cast: Jean-Pierre Bisson, Marisa Berenson 1989: L´Epouvantail Director: Maroun Bagdad Photo: © Archiv Diogenes Verlag Cast: Jean-Pierre Cassel, J. -
Notesj 60 3Notes 341..480
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RERO DOC Digital Library 466 NOTES AND QUERIES 2013 (72–85), Animal Farm (1945) and Nineteen FIONA PETERS, Anxiety and Evil in the Writings Eighty-Four (1949) are both cogently pre- of Patricia Highsmith. Pp. viii þ 206. Farn- sented, especially in terms of the former’s ham and Burlington: Ashgate, 2011. £55.00 fraught publication context and the latter’s (ISBN 978 1 4094 2334 8). preoccupation with totalitarianism and human frailty within the context of Orwell’s IT is because Patricia Highsmith is an enigma own rapidly failing health. that her writing, according to Fiona Peters, has One of the most interesting sections of this received little critical attention. In Anxiety and short book is its concluding chapter which con- Evil in the Writings of Patricia Highsmith siders Orwell’s critical reception during his Peters contends that it is due to the impossibil- own lifetime and posthumously. The latter ity of categorizing her work (2)—floating be- has developed in diverse directions since his tween the genres of crime fiction and serious death in January 1950 when Stephen Spender literature—that she has been wrongfully described him as ‘a kind of English Candide of denied her place in particularly American aca- the twentieth century’ and Bertrand Russell la- demic discussion (3). Beneath the flatness and mented the personal cost of his innate ‘love of clarity of the language, Peters unearths com- humanity’ on his own health and personal re- plex characters with their evil obsessions lurk- lationships.