UCLA HAMMER MUSEUM Non Profit US Postage Summer 200 3 PAID Los Angeles Permit 202

MUSEUM INFORMATION Admi ssion $5 Adults; $ 3 Seniors (65+) and UCLA ·Al umni Associationm embers with ID; Free Museum members, UCLA faculty/ staff, Students with I.D. and visitors 17 and under. Free Thursdays for all visitors.

Summer Hou rs Tuesday, Saturday and Sunday 12 - 7 pm; Wednesday, Thursday and Friday 12 - 9 pm Closed Mondays, July 4t h, Thanksgiving, Christmas, and New Years Day.

Tours Groups of ten or more are by appointment only. Adult groups with reservations receive a discounted ad mission of S3 per person. Franklin D. Murphy Sculpture Garden group tours available upon request. For reservations, call (310) 443-7041.

Museum Par king Parking is available under the Museum. Discounted parking with Museum stamp is $2.75 for the first three hours plus $1.50 for each additional 20 minutes. S3 flat rate per entry after 6:30 pm on Thursday. 6. Parking is available on levels Pl and P3.

Occidental Petroleum Corporation has par­ tially endowed the Museum and construct­ ed the Occidental Petroleum Cultural Center Building, which houses the Museum.

Cover image: Ch ristian Marclay,Guitar Drag, 2000, video. Courtesy the artist and Paula Cooper Gallery, NY. 10899 Wils hire Boule va rd L os Angel e s, Califo rn ia 900 24 USA For additional program information: VOICE: (310) 443-7000ITT: (310) 443-7094 Website: www.hammer.ucla.edu

- HAMMER Eunice and Hal David Collection Gift turing Barbara Ehrenreich with Julianna Malveaux and The world-famous lyricist Hal David and his wife Eunice Suzan-Lori Parks with Todd Boyd. We also have an have donated their distinguished collection of drawings to impressive group of writers reading their work in the New the UCLA Hammer Museum's Grunwald Center for the American Writing series. Graphic Arts. The collection consists of 59 European and American drawings dating from the early 19th through the At the heart of our summer program is a large exhibition late 20th century, representing work by nearly 50 major of work by Christian Marclay, organized by the Hammer artists, including Mary Cassatt, Edgar Degas, Richard Museum's Chief Curator Russell Ferguson. Marclay's Diebenkorn, David Hockney, Winslow Homer, Edward diverse multi-media approach to art-making is a perfect Hopper, Gustav Klimt, Fernand Leger, Roy Lichtenstein, fit for the Hammer, and it is the first major museum exhi­ Edouard Manet, Henri Matisse, Georgia O'Keeffe, Pablo bition to cover over twenty years of Marclay's sculptures, Picasso, Edouard Vuillard, and Andy Warhol. videos, collages and photographs. As you will read on the following pages, Marclay's visual work is closely tied to The gift is an important addition to the Grunwald Center's music and sound, and reflects his long experience as an holdings of over 40,000 works on paper because it adds active musician and DJ. We are thrilled to make the most significant drawings to a collection largely comprised of of this occasion by presenting new and experimental prints. Of particular interest are several drawings by artists music in a series of free summer concerts at the Hammer. also represented by paintings in the Hammer Museum's A Message from the Director permanent collection. New exhibitions this season also include two Hammer I am happy to open our summer season by announcing a gift Projects by Markus Linnenbrink and Deborah Stratman, as Hal David's song-writing has been honored with every of drawings to the UCLA Hammer Museum's Grunwald Center well as a show of work by Honore Daumier drawn from the major award bestowed by the music industry, including by Eunice and Hal David. Nearly sixty 19th-and-20th century collection. Other programs feature readings, conversa­ more than 20 gold records, a Grammy, several Academy drawings comprise this distinct and personal collection, tions and concerts in the International Underground Award nominations and an Oscar for "Raindrops Keep which is an important addition to the Museum's already sig­ series. To give everyone the opportunity to experience Falling on My Head." His Broadway show "Promises, nificant holdings of works on paper. We are grateful to the the exhibitions and collection in addition to evening Promises" received a Grammy and was nominated for a Davids for this generous gift, and look forward to celebrating events, we're changing our hours to be open until 9pm Tony Award when it first appeared on Broadway. Eunice it this fall with an exhibition and a beautiful catalogue. on Wednesdays through Fridays and until 7pm on and Hal David began collecting drawings in the early Tuesdays, Saturdays, and Sundays. I hope that you can The first months of the year have been very busy at the 1990s and are particularly interested in representations of join us often for these exciting summer progirams and Hammer, with a great series of lectures presented in collabo­ the human figure. exhibitions. ration with Catherine Opie and the UCLA Department of Art, and Contemporary Poetry readings organized by poet and An exhibition of the entire collection will be on view from Top: Richard Diebenkorn, Woman Leaning Back in Chair, 1963-64, UCLA professor Stephen Yenser. Our provocative series of November 14, 2003 through February 8, 2004 and will be ink on cardstock. The Eunice and Hal David Collection of 19th and 20th Century Works on Paper. Bottom: Eunice and Hal David with Hammer Conversations continues with two discussions fea- Ann Philbin, director accompanied by a fully-illustrated catalogue featuring an their collection in their home. Photo: Elon Schoenholz. essay by Lee Hendrix, curator of drawings at the J. Paul Getty Museum. The exhibition will travel to the Portland Museum of Art in July 2004. 2 3

HAMMER HAMMER PROJECTS Collections

Deborah Stratman LOBBYGALLERY The Armand Hammer Collection APRIL22 - AUGUST3, 2003 This summer, rediscover worksin the Museum'scollection Describedby the artist as "an uncompromisinglook at the ways through "Writings on the Wall," a project curated by privacy, safety, convenience and surveillance determine our Victoria Dailey.Several prominent people who are knowl­ environment," In Order Not To Be Here, 2002 is also a lyrical edgeable in the arts are participating by writing short meditation on the suburban American landscape. Shot com­ essays about different works in the collection. These pletely at night, it unfolds in a series of grainy shots of empty texts will be mounted as wall labels next to the paint­ parking lots, unattended ATMs,brightly lit subdivision name­ ings, introducing museum-goers to works they might plates, and nighttime freeway traffic. These relatively quiet otherwise overlook, and providing new perspectives and images are bracketed by infrared footage of what appear to be insight on already familiar pieces. an arrest and an escape. Interspersed throughout are snippets of police radio conversations, TV newscasts, sirens, and car A selection of paintings and works on paper from the alarms. Recently screened at the 2003 Sundance Film Festival, Armand Hammer Collection is permanently on view and Stratman's piece offers us evidence of a crime (or crimes) while consists primarily of works by French nineteenth-century simultaneously withholding a narrative. masters that provide an overview of the major artistic movements of that period. A small but wide-ranging FromStone to Paper: Processand group of European old master paintings as well as work Markus Linnenbrink by American artists from the eighteenth to twentieth Collaborationin Daumier'sPrints century are also represented. APRIL11 - AUGUST17, 2003 LOBBYWA LL Much of Honore Daumier's artistic career focused on the MAY30, 2003 - JANUARY4, 2004 creation of prints for journals such as La Caricatureand Le Markus Linnenbrink paints lines. Sometimes on canvas, floors, Charivari on a weekly and daily basis. This constant and or ceilings, but most often on walls, these stripes of intense necessarily rapid production involved many people beyond color coalesce into works that encourage the viewer to con­ just Daumier.The publisher Charles Philipon, caption edi­ template the nature of creativity, of the artist's hand, of archi­ tors, and printers were among those who had a role in tectural space, and of paint. Using dry pigment, water, and an bringing Daumier'sdrawing from the stone to an image on acrylic binder, he brushes bright parallel swaths of color to the the page of the journal. This exhibition will explore that wall. His strokes wobble with the motion of "freehand" appli­ technical and collaborative process. Composed of works cation, creating a palpable vibration in the air. He allows the from the Armand Hammer Daumier and Contemporaries paint to dribble and run in response to gravity, creating an Collection,it will include rare and unique works such as one uneven grid-like pattern of broad stripes and thin rivulets. The of Daumier's lithographic stones, prints with handwritten resulting works highlight the energy and atmosphere of the captions, and hand-colored lithographs as well as one of rooms they occupy, combining the spatial concerns of Sol Le Daumier'swood-engraving blocks. Witt's installations with the transcendence of Agnes Martin's PROGRAM: HammerProjects are made possible with supportfrom paintings. With their room-size scale, they allow the viewer to Sunday, July 20, 3pm The AnnenbergFoundation, The HoraceW. Goldsmith walk into a painting and become part of the work. Foundation,The Andy WarholFoundation for the Visual Gallery Talk by Carolyn Peter, exhibition curator Arts, and the Los AngelesCounty Arts Commission. PROGRAM: Top: DeborahStratman, still from In OrderNot To Be Here,2002. Above: Honore Daumier, MonsieurDaumier, your Robert Macoireseries is Courtesythe artist. Bottom: MarkusLinnenbrink, Wallpainting, Sunday, June 1, 3pm delightful! ... , 1838, lithograph, ii/iv. The Armand Hammer Daumier and 6 2002, detail. HertzliyaMuseum of Art, Jerusalem, Israel. Gallery Talk by Markus Linnenbrink ContemporariesCollection. Left: Rembrandtvan Rijn, Portraitof a ManHolding a BlackHat, c. 1637, oil on panel. The ArmandHammer Collection, Gift of the Armand HammerFoundation. 7 HAMMER HAMMER Conversations FORUM

BarbaraEhrenreich and Julianne Malveaux Wednesday,July 9, 7pm Sponsored and co-organized by ROAR Sidney Blumenthaland Patt Morrison Barbara Ehrenreichis among our most influential and recognized social commen­ (Retain OurAmerican Rights) Sunday, June 1, 6:30pm tators, writers, and journalists. Her articles, reviews, essays and humor have Sidney Blumenthal was born in Chicago and educated at Brandeis appeared in a range of national publications, including Time, The New YorkTimes University. He began his journalistic career in Boston, then wrote Magazine, The WashingtonPost Magazine,Ms., Esquire, The Atlantic Monthly, Harper's,The Nation, TheNew Republic, and SocialPolicy. Ehrenreich's most recent for The New Republic, The WashingtonPost, and The New Yorker An ongoing series of provocative book, Nickel and Dimed, has received great critical attention. She is also the before serving as assistant and senior adviser to President Clinton dialogues on the arts, politics, recipient of numerous grants and awards, including a Ford Foundation Awardfor from August 1997 to January 2001. He is the author of several Humanistic Perspectives on Contemporary Society (1982), a Guggenheim books, including The PermanentCampaign, The Rise of the Counter­ culture, and sciences Fellowship(1987-88), and a grant for Researchand Writingfrom the John D. and Establishment, and PledgingAllegiance: The Last Campaignof the Catherine T. MacArthurFoundation (1995). ColdWar. He lives in Washington, D.C., with his wife; they have two sons. Julianne Malveauxis recognized for her provocative, progressive, and insightful observations. She is an economist, author, and commentator and the President Patt Morrisonis a writer and columnist for the Los Angeles Times. and CEOof the multimedia production company Last Word Productions, Inc. Dr. Malveaux's contributions to the public dialogue on issues such as race, culture, Among her many accolades, she won Pulitzer Prizes for coverage of gender, and their economic impacts are helping to shape public opinion in 21st the 1992 riots and for coverage of the city's 1994 earthquake. century America. Morrison is host and consulting producer of "The BookShowwith Patt Morrison"produced by PBSstation KCET.Morrison has won five Suzan-LoriParks and ToddBoyd Emmysand four Golden Mikeawards as founding host and commen­ Thursday,July 17, 7pm tator on KCET's"Life & Times Tonight." Her best-selling book, Rio Suzan-LoriParks is a novelist, playwright, songwriter, and screenwriter. She was Left: Sidney Blumenthal LA, Talesfrom the Los Angeles River,was published in July 2001 by the recipient of the 2002 Pulitzer Prize for Dramafor her play Topdog/Underdog, Right: Patt Morrison Angel City Press. She served for eight years as adjunct professor at as well as a 2001 MacArthur"genius grant." Her plays include FuckingA, In the the University of Southern California'sSchool of Journalism, and in Blood, TheAmerica Play, Venus,and The Deathof the Last BlackMan in the Whole 1989-90 was director of the school's London program. Entire World.Her first feature film, Girl6, was directed by Spike Lee. A graduate of Mount HolyokeCollege, where she studied with James Baldwin,she has taught creative writing in universities across the country, including at the YaleSchool of Drama, and she heads the Dramatic Writing Program at CalArts.She just com­ HammerForum is a new series of timely pleted the screenplay adaptation for Zora Neale Hurston's Their Eyes Were dialogues on currentsocial and political issues. WatchingGod and is currently writing an adaptation of Toni Morrison's novel Paradisefor OprahWinfrey, and the musical Hoopzfor Disney. This March18, on the eve of war, Hammer Forumwas inaugurat­ ed with a conversation between author and prolific anti-war Todd Boyd, an internationally recognized expert on film and popular culture, is essayist Gore Vidal and radio host Laura Flanders. The event was currently a tenured professor of Critical Studies in the USCSchool of Cinema­ Clockwisefrom top: Barbara Television. He is the author of four books, including his latest, The New H.N.I.C: jointly hosted by UCLALive at UCLA'sRoyce Hall, and drew a Ehrenreich,Julianne Malveaux, capacity audience of 1,800. Todd Boyd, Suzan-LoriParks. The Death of CivilRights and the Reignof Hip Hop. His other books indude; Am I Black Enough For You? PopularCulture from the 'Hood and Beyond, Out of Bounds:Sports, Mediaand the Politicsof Identity, and BasketballJones: America Because of their timely nature, Hammer Forum events are Above the Rim. Boydwas also a producer and co-writer on the Paramount Pictures often scheduled with Little advance notice. Please visit our film The Wood(1999). His comments have appeared in publications suich as The website for complete and continually updated postings, or to New YorkTimes , Time,Newsweek, and USAToday. He has also appeared as a com­ join our email announcement List. mentator on NBCNightly News, The Today Show, CBSEvening News, The News Hour,Biography (A&E), Politically Incorrect, and Outsidethe Lines (ESPN),among ROAR(Retain Our American Rights) is a group of concerned citi­ others. His next book, Young,Black, Rich , and Famous:The Rise of the NBA,The Hip Hop Invasion, and the Transformationof AmericanCulture will be published zens who support the belief that an informed public is the safe­ this October. guard of democracy. For more information please visit their web­ 8 site, www.goROAR.com. 9 HAMMERCALENDAR OF EVENTS

Left to right: Lee Ranaldoand Christian Marclay,Stephen Prina, Djs Daedelusand Frosty, CarlosNiiio, Tom Recchion.

15 Tues 7pm NewAmerican Writing 29 Tues 7pm NewAmerican Writing Dylan Landis and Zach Braun Nathaniel Minton 19 Thurs 7pm Lecture - Christian Marclay and Robert Olmstead JUNE Douglas Kahn, Director of 16 Wed 12:30pm Lunchtime Art Talks 1 Sun 3pm GalleryTalk Technocultural Studies, UCDavis Markus Linnenbrink LobbyWall by Markus Linnenbrink 30 Wed 12:30pm Lunchtime Art Talks The Codomasfrom Jazz 25 Wed 12:30pm Lunchtime Art Talks 16 Wed 7pm International Underground by Henri Matisse 1 Sun 6:30pm Hammer Forum Circus Gfrl by Georges Rouault Sidney Blumenthal and Garit Bulbul and Maya Haddi 30 Wed 7pm International Underground Patt Morrison 26 Thurs 7:30pm MarclayConcert Series 17 Thurs 7pm HammerConversations Sophiline Cheam Shapiro Carlos Nino and ADVENTURETIME Suzan-Lori Parks and Todd Boyd and Ayo Adeyemi 5 Thurs 6:30pm GalleryTalk - Christian Marclay featuring DJs Daedelus and Frosty Miwon Kwon, UCLAAssistant Professor of Art History 20 Sun 3pm GalleryTalk - Honore Daumier 31 Thurs 7:30pm MarclayConcert Series Carolyn Peter, exhibition curator djTRIOwith Christian Marclay, 5 Thurs 7:30pm MarclayConcert Series JULY Tom Recchion and Toshio Kajiwara 22 Tue 7pm NewAmerican Writing Christian Marclay and Lee Ranaldo 8 Tues 7pm NewAmerican Writing Zadie Smith Dennis Cooper and Christopher Russell For additional program information: Website: www.hammer.ucla.edu 6 Wed 12:30pm Lunchtime Art Talks Voice: (310) 443-7000 TTY: (310) 443-7094 23 Wed 12:30pm Lunchtime Art Talks Tape Fall by Christian Marclay 9 Wed 12:30pm Lunchtime Art Talks All Hammer Museum programs are FREEto the public, KingDavid by Gustave Moreau In Order Not To Be Here l except where otherwise noted. 11 Wed 12:30pm Lunchtime Art Talks by Deborah Stratman Education of the Virgin 23 Wed 7pm International Underground Masakazu Yoshizawa and Drita by Jean-Honore Fragonard 9 Wed 7pm Hammer Conversations UCLAHAMMER MUSEUM 10899 WilshireBoulevard Los Angeles,California 90024 Barbara Ehrenreich 24 Thurs 7:30pm MarclayConcert Series 18 Wed 12:30pm Lunchtime Art Talks and Julianne Malveaux Robert Macaire & Bertrand ••• Stephen Prina performs Please note new summer hours: Marclay'sGraffiti Composition Tuesday, Saturday and Sunday, 12-7pm by Honore Daumier 10 Thur 7pm Screening of Christian Marclay'sfilm Wednesday, Thursday and Friday, 12-9pm Up & Out 10 11 HAMMER HAMMER Readings Music

GaritBulbul and MayaHaddi Wednesday, July 16, 2002, 7pm Garit Bulbul is an ensemble that plays music of Anatolia New American Writing and the Balkansin styles that were popular during the late Ottoman Empire. Energetic dance melodies, intricate Organizedand hosted by BenjaminWeissman, professor instrumentals and songs with sad story lines are wrapped of creative writing at Art Center Collegeof Design. in complex rhythms and brilliant improvisations. Maya Haddi studied at the Rimon School of Musicin Israel and the Berklee College of Musicin Boston. Her performances Dennis Cooperand ChristopherRussell have a variety of musicalinfluences from traditional Middle Tuesday, July 8, 7pm Eastern to soul and jazz. In 2002 she won the prize for Dennis Cooper is the author of "The GeorgeMiles Cycle,"a WorldMusic Song at the John Lennon MusicAwards. sequence of five interconnected novels that includes Closer (1989), Frisk(1991), Try (1994), Guide (1997), and Period MasakazuYoshizawa and Drita (2000). The cycle is published by Grove Press and has been Wednesday, July 23, 2002, 7pm translated into thirteen languages. His most recent novel is MasakazuYoshizawa is an internationally known and multi­ My LooseThread (Canongate, 2002). He is a contributing edi­ faceted musician, perhaps best knownfor his performances tor of Artforum. Zadie Smith with various Japanese flutes and percussion instruments. Tuesday, July 22, 7pm Drita (the light) was founded in 1982 by Ian Price. During ChristopherRussell is an artist and writer who lives and works Zadie Smith was born in northwest London in 1975. The some 30 visits to Albania since 1968, Price has collected in Los Angeles. He publishes Bedwetterand co-publishes the AutographMan is her second novel. Her first, White Teeth, hundreds of audio recordings, books, instruments, cos­ upcoming ... A line of HomelessIdeas. He has spoken about was the winner of the Whitbread First Novel Award, the tumes and videos documenting the folk music traditions of his work at a number of California universities and art col­ James Tait Black Memorial Prize for Fiction, and the that country. He is also a percussionist, string player, and leges. His visual work has appeared in several Americanand CommonwealthWriters First Book Prize. She currentLylives vocalist for the band. European exhibitions and was included in the Harper Collins in Cambridge,Massachusetts. photo book, Voyeur. International Underground Sophiline CheamShapiro and Ayo Adeyemi Nathaniel Mintonand RobertOlmstead Wednesday, July 30, 2002, 7pm Dylan Landisand Zach Braun Tuesday, July 29, 7pm Composer and record producer Yuval Ron returns Sophiline CheamShapiro was among the first generation of Tuesday, July 15, 7pm Nathaniel Minton lives in Los Angeles. His fiction has with the dynamic and experimental music pairings classically-trained dancers to graduate from Phnom Penh's DylanLandis is writing a novel and a collection of stories, all appeared in Zyzzyva and McSweeney's,and he is currently he presented to Hammer audiences in the last two School of Fine Arts in the post Khmer Rouge era. She interlocking. The stories have run in Tin House, The Santa at work on his first novel. summers. In each concert, accomplished musicians devoted herself to mastering the intricate, complex move­ MonicaReview, and New YorkStories and in the anthology, from two cultural traditions perform first individu­ ments that characterize classical Cambodiandance and is Bestial Noise. She won the Ray Bradbury Fellowship, was a Robert Olmstead's novels are Americaby Land, A Trailof ally and then together in a final set that combines now a teacher as well as a performer. Ayo Adeyemi is a finalist in the WilliamFaulkner Creative Writing Competition, Heart's Blood, WhereverWe Go, and Soft Water. He has native of Ijebu, Nigeria. In 1992 he founded the Yoruba and was a newspaper reporter covering medicine and interior written a memoir,Stay HereWith Me; a textbook, Elements innovation with mastery. This series features some of the foremost World Music performers working in House of Drum in Los Angeles with his family. Yoruba design. of the WritingCraft; and a short story collection, River House creates a safe and sacred space for people to expe­ Los Angeles today. Dogs. He has received a John Simon Guggenheim rience the power and the unity of the drum. He teaches Zach Braun is from Los Angeles. His work has been published Foundation Fellowship, N.E.A. Fellowship, Honorable and performs at the Yoruba House regularly. in The Santa MonicaReview. He will be attending U.C.Irvine Mention 0. Henry, and Honorable Mention Best American All concerts are free of charge. for his M.F.A.in fiction next fall. Short Stories.

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HAMMER HAMMER NEWS Exhibitions UpcomingExhibitions at the Hammer

The UCLAHammer Museum collaborated with UCLALive to pre­ Lee Bontecou:A Retrospective sent a discussion with author Gore Vidal and radio host Laura October 5, 2003 - January 11, 2004 Flanders on March 18, 2003. Held at UCLA'sRoyce Hall, the free The first major exhibition of the artist's work as a whole, Lee Bontecou: A event filled all 1,800 seats while several hundred listened in the Retrospective,includes sculptures and drawings by the American artist Lee overflow space. Vidal discussed his recent book, DreamingWar: Bontecou (b. 1931) - one of the Leadingfigures of her generation. Bontecou Bloodfor Oil and the Cheney-BushJunta, on the eve of war. created a strikingly original body of work that was critically acclaimed and actively collected during the 1960s and 1970s. The work she has created since A major exhibition of Douglas Gordon's work organized in 2001 that time, however,is little known and has never been publicly exhibited. The exhibition presents approximately50 sculptures and 75 drawingsthat span sev­ by Hammer Museum Chief Curator Russell Ferguson for the eral decades and provide an extraordinary opportunity to re-evaluate the career Museum of Contempoary Art, Los Angeles, is on view at the of an artist who has become a legendary figure in the art world. Curated by Rufino Tamayo Museumin MexicoCity from March 13 to June 22, ElizabethSmith, chief curator of the Museumof ContemporaryArt , Chicago,the 2003. exhibition is co-organizedby the MCAand the HammerMuseum . It debuts in Los Angelesbefore traveling to Chicagoand to the Museumof ModernArt, NewYork. The education department has completed the first of its two-year professional development program for teachers at Moffett The Euniceand Hal David Collection Elementary School in Lennox. Funding for this program has been of 19th and 20th Century Workson Paper generously provided by the J.P. Morgan Chase Foundation. November 14, 2003 - February 8, 2004 During February and March this year, the Hammer Museum's The collection comprisesappro ximately 60 Europeanand Americandrawings dat­ Education Department offered "Master Artist/Mentor Program: ing from the early 19th through the late 20th century. Varioustypes of draw­ ings, such as exploratory sketches, preliminarydrawings for paintings, and large Multi-Media Collage" for high school students from around Los scale works, are included. The exhibition is accompanied by a fully-illustrated Angeles. The workshop was lead by artist David Brady, composer catalogue and will travel to the Portland Museumof Art in July 2004. and electric bassist Mark London Sims, and the poetry/ perfor­ mance collective Zero3-Traci Kato-Kiriyama, Edren Sumagaysay, The Last Picture Show and Kennedy Kabasares. Top: View of crowd at Gore Vidal lecture. Bottom: Some of t he stu­ Artists Using Photography,1960-1985 dents participating in the Multi-MediaCo llage workshop, with instruc­ February 8 - May 11, 2004 Altria Group, Inc. has made a major grant in support of Lee tors (from left to right): Jeanne Hoel (Hammer Museum), Lindsey Bontecou:A Retrospective.The exhibition is jointly organized by Nam, Daniel Madrigal, Ashley Williams, Christian Robinson, Megan The medium of photography has become a pervasive, primary means of contem­ Hallo, Haikouhi Tataryan, Nallyve de Leon, Pavel Beltr.m, Christine porary artistic expression. The Last PictureShow traces the conceptual trends in the Museum of Contemporary Art, Chicago, and the UCLA Lao; back: instructors Edren Sumagaysay, David Bracly and Mark Hammer Museum, where it opens on October 5, 2003 before trav­ London Sims; front: instructor Traci Kato-Kiriyama,Jere my Espinoza. postwar photographic practice beginning with the work of artists such as Bernd eling to Chicago and the Museum of Modern Art, New York. and Hilla Becher, Ed Ruscha, and Bruce Naumanin the 1960s. The exhibition includes approximately100 works by more than 40 artists and examines a range of issues artists have addressed with photography.Included are works by Richard After participating in national and international exhibitions, NEW SUMMERHOURS Prince, Cindy Sherman, Gilbert and George, Vito Acconci, Andy Warhol, Dan three popular paintings from the permanent collection will EffectiveJune 1, the UCLAHammer Museum will Graham,Gordon Matta Clark,Robert Smithson, Sherrie Levine,Charles Ray,John return to the Hammer Museum this summer. Dancers in Yellow be open late for visitors to enjoy the exhibitions Baldessari,Peter FischLi and DavidWeiss, and many others. TheLast PictureShow Skirts by Edgar Degas and Juno by Rembrandt van Rijn will be on as well as evening public programs. is curated by DouglasFogle for the WalkerArt Center,where it opens on October view again in June. John Singer Sargent's Dr. Pozzi at Home is 11, 2003; the UCLAHammer Museum is its second venue. returning from a show at the Metropolitan Museum of Art, New Tuesday,Saturday and Sunday,12-7pm York, and will be back on view at the Hammer in July. Wednesday,Thursday and Friday, 12-9p1m Fromtop to bottom: Lee Bontecou, Untitled, 1959, welded steel with canvas and wire. CollectionClaudia Luebbers, Chicago. Gustav Klimt, Study for Satyr CarryingDrum, c. 1886-88, graphite and white chalk on paper. The Euniceand Hal DavidCollect ion of 19th and 20th CenturyWorks on Paper. Bruce Nauman, Bound to Fail, 1967-70, color photograph. Private collection. 18 19

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