Luca Bigazzi Director of Photography

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Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net LUCA BIGAZZI DIRECTOR OF PHOTOGRAPHY FILM/TELEVISION DIRECTOR PRODUCER THE YOUNG POPE Paolo Sorrentino HBO VIVA LA SPOSA Ascanio Celestini Malia YOUTH Paolo Sorrentino Indigo Film Winner, Best Film, European Film Awards (2015) Winner, Best Director, European Film Awards (2015) Winner, Best Actor, European Film Awards (2015) Official Selection, Cannes Film Festival (2015) Official Selection, Toronto Film Festival (2015) Official Selection, London Film Festival (2015) THE GREAT BEAUTY Paolo Sorrentino Indigo Film Winner, Best Foreign Language Film, Academy Awards (2014) Winner, Best Foreign Language Film, BAFTA Awards (2014) Official Selection, Cannes Film Festival (2013) SHUN LI AND THE POET Andrea Segre Jolefilm THIS MUST BE THE PLACE Paolo Sorrentino Indigo Film Official Selection, Cannes Film Festival (2011) THE JEWEL Andrea Molaioli Indigo Film Nominated, Best Cinematography, David di Donatello Awards (2011) CERTIFIED COPY Abbas Kiarostami IFC Films Winner, Best Actress, Cannes Film Festival (2010) LO SPAZIO BIANCO Francesca Comencini Fandango Winner, Pasinetti Award – Best Film, Venice Film Festival (2009) THE SICILIAN GIRL Marco Amenta R & C Produzioni IL DIVO Paolo Sorrentino Indigo Film Winner, Best Cinematography, David di Donatello Awards (2009) Winner, Jury Prize, Cannes Film Festival (2008) Winner, Jury Prize, Toronto Film Festival (2008) THE MISSING STAR Gianni Amelio Cattleya Official Selection, Venice Film Festival (2006) Official Selection, Toronto Film Festival (2006) THE FAMILY FRIEND Paolo Sorrentino Fandango Official Selection, Cannes Film Festival (2006) Nominated, Best Cinematography, David di Donatello Awards (2007) ROMANZO CRIMINALE Michele Placido Cattleya Winner, Best Cinematography, David di Donatello Awards (2006) Official Selection, Berlin Film Festival (2006) THE KEYS TO THE HOUSE Gianni Amelio Rai Cinema Winner, Best Film, Venice Film Festival (2004) Official Selection, Toronto Film Festival (2004) THE CONSEQUENCES OF LOVE Paolo Sorrentino Fandango Winner, Best Cinematography, David di Donatello Awards (2005) Official Selection, Cannes, Film Festival (2002) BURNING IN THE WIND Silvio Soldini Albachiara Official Selection, Berlin Film Festival (2002) THE WORDS OF MY FATHER Francesca Comencini Bianca Film Official Selection, Cannes Film Festival (2002) TOMORROW Frencesca Archibugi Warner Bros. Official Selection, Cannes Film Festival (2001) BREAD & TULIPS Silvio Soldini Instituto Luce Winner, Best Cinematography, David di Donatello Awards (2000) Official Selection, Toronto Film Festival (2000) COSÌ RIDEVANO Gianni Amelio New Yorker Films Winner, Best Film, Venice Film Festival (1998) Winner, Best Cinematography, Venice Film Festival (1998) LAMERICA Gianni Amelio New Yorker Films Winner, Best Cinematography, David di Donatello Awards (1995) Winner, Best Director, Venice Film Festival (1994) .

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Presseinformation Verleihung des 17. Marburger Kamerapreises an Luca Bigazzi Der 1958 in Mailand geborene Luca Bigazzi erhält den mit 5.000 € dotierten Marburger Kamerapreis 2017. Er ist der erste italienische Kameramann unter den bisher 17 Preisträger/innen. In der Begründung des Beirats heißt es zu dem einstimmigen Votum: „Unter den aktiven Kameraleuten des italienischen Films nimmt Luca Bigazzi eine herausragende Stellung ein. Seit über 30 Jahren hat er mit vielen wichtigen italienischen Regisseurinnen und Regisseuren wie Silvio Soldini, Gianni Amelio, Francesca Comencini und Paolo Sorrentino zusammengearbeitet und erheblich zur internationalen Renaissance des italienischen Kinos beigetragen. [...] Bigazzi beherrscht eine breite Palette an Bildsprachen meisterhaft [und ist längst] selbst zu einem prägenden Akteur der italienischen und europäischen Filmgeschichte geworden, dem in den kommenden Jahren eine gewichtige Rolle bei der Herausbildung und Weiterentwicklung einer digitalen Bildsprache zuzutrauen ist.“ Bigazzis Weg zum Film führte ihn nicht über die Filmschule, sondern über die Werbebranche, wo er 1977 als Regieassistent für Fernsehspots zu arbeiten begann. Seinen Einstieg als Kameramann hatte er mit dem minimalistischem Filmdebüt PAESAGGIO CON FIGURE (LANDSCAPES WITH FIGURES, 1983) des Regisseurs Silvio Soldini. Die Zusammenarbeit mit diesem aufstrebenden Regisseur trug weitere Früchte, vor allem in der Erfolgskomödie PANE E TULIPANI (BROT UND TULPEN, 2000), die neun Mal mit dem bedeutendsten italienischen Filmpreis, David di
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In Another Country
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Activity Results for 2019
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European Film Awards
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Denmark Christian Monggaard
102 | DENMARK INTERNATIONAL FILM GUIDE Denmark Christian Monggaard t’s difficult not feeling a bit like Alice wasn’t enough, in December the Danish Film travelling through Wonderland when you Institute released numbers showing that Ilook at Danish cinema over the course of Danish films had sold more than 3.4 million the last year – it is nothing if not paradoxical. tickets in Denmark in 2011, which raised the domestic market share to 28 per cent, the Apparently, everything is going very well. third best year in the last decade and the best Early in 2011, Susanne Bier won an Oscar since the record set in 2008. Why are we still for In a Better World, Lars von Trier created complaining then? headlines at his press conference in Cannes, while Kirsten Dunst won an award for her performance in the Danish director’s apocalyptic Melancholia. Also in Cannes, Trier’s younger colleague, Nicolas Winding Refn, won the director award for his first American production, Drive. And then, in December, the Danes scooped up no fewer than five awards at the European Film Awards in Berlin. Susanne Bier won for directing, Melancholia won three prizes, including Best European Film, and the Danish actor Mads Mikkelsen was presented with an award for Birgitte Stærmose’s Room 304 European Achievement in World Cinema. Danish production companies are still struggling. Just five of the 24 feature films produced last year account for 60 per cent of all the tickets sold. The remaining 19 films more or less under-performed, with five titles (Beast, Room 304, Skyscraper, Miss Julie, Love is in the Air) selling less than 3,000 tickets each, while a sixth (ID:A) just managed to scrape past 10,000 tickets.
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Written by Thomas Vinterberg and Tobias Lindholm Starring: Mads Mikkelsen, Thomas Bo Larsen, Magnus Millang, Lars Ranthe
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Regulations for the European Film Awards and the Consent to Make the Film Available on the EFA VOD Platform
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LORO 2 PB 27 Aprile DEF
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Luca Bigazzi © Privatarchiv Luca Bigazzi
19. Bild-Kunst Kameragespräche und Verleihung des 17. Marburger Kamerapreises 2017 an Luca Bigazzi © Privatarchiv Luca Bigazzi Freitag, 3. März Marburger Filmkunsttheater, Oberstadt, Steinweg 4 G 17.00 Uhr tarchiv Luca Bigazzi IL DIVO IL DIVO – DER GÖTTLICHE 2008, 110 Minuten Regie: Paolo Sorrentino © Gianni Fiorito / Priva Kamera: Luca Bigazzi Darsteller: Toni Servillo, Anna Bonaiuto, Giulio Bosetti, Flavio Bucci G19.00 bis 20.30 Uhr Podiumsdiskussion zur Digitalisierung der Filmproduktion und ihren Folgen für die Bildgestaltung Rolf Silber, BVR, Regisseur/Produzent, Frankfurt Johannes Kirchlechner, BVK, Kameramann München Markus Schott, BVK, Kameramann, Berlin Moderation: Prof. Dr. Barbara Flückiger Filmwissenschaftlerin, Zürich, Schweiz © Gianni Fiorito / DCM Samstag, 4. März Marburger Filmkunsttheater, Oberstadt Steinweg 4 G12.00 Uhr PANE E TULIPANI BROT UND TULPEN 2000, 114 Minuten Regie: Silvio Soldini Kamera: Luca Bigazzi Darsteller: Licia Maglietta, Bruno Ganz, Giuseppe Battiston, Antonio Catania © Tobis Film / Bildquelle: Deutsches Filminstitut DIF, Frankfurt G14.00 Uhr Eröffnung Prof. Dr. Malte Hagener Philipps-Universität Marburg Institut für Medienwissenschaft Achim Friederich Grußworte © Fotodokumentation G14.30 Uhr LAMERICA 1994, 127 Minuten Regie: Gianni Amelio Kamera: Luca Bigazzi Darsteller: Enrico Lo Verso, Michele Placido, Piro Milkani, Cermelo Di Mazzarelli G16.45 Uhr Kaffeepause G17.00 bis 18.15 Uhr Werkstattgespräch Prof. Dr. Francesco Bono Filmwissenschaftler und -kritiker, Perugia, Italien mit Luca Bigazzi © Prokino
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Introducing Eurimages
INTRODUCING Eurimages supports EURIMAGES European cinematographic co- productions. It also Our Structure provides financial assistance for European film THE FUND distribution and Operational since 1989, Eurimages was set up as a cultural support fund European cinemas in within the Council of Europe. It currently has 36 member states with an countries which are annual budget of approximately €24 million. not members of the European Union’s THE BOARD OF MANAGEMENT (EU) MEDIA This is the decision-making body of Eurimages. It is made up of one Programme.1 delegation from each member state, represented by experts in the field of film funding. The Board, under the authority of its President, meets four Eurimages was times a year and decides on the various forms of support granted by established through a Eurimages, 90% of which is devoted to co-productions. Mr Jobst Plog is partial agreement currently the President of Eurimages. within the Council of Europe and thus, is not THE SECRETARIAT part of the EU’s The Secretariat maintains contacts with cinema professionals and has the task MEDIA Programme. of assessing funding applications as well as ensuring the follow-up of However, these two supported projects. It is responsible for implementing the decisions taken by entities collaborate in the Board of Management. The Secretariat is based in Strasbourg. Mr specific areas. Roberto Olla is currently the Executive Director of Eurimages. 1 Albania, Bosnia and Eurimages’ member states are: Albania, Austria, Belgium, Bosnia and Herzegovina, Herzegovina, Georgia, Bulgaria, Croatia, Cyprus, the Czech Republic, Denmark, Estonia, Finland, France, Georgia, Russian Federation, Serbia, Germany, Hungary, Iceland, Ireland, Ireland, Italy, Latvia, Lithuania, Luxembourg, the “the former Yugolsav Republic of Macedonia” Netherlands, Norway, Poland, Portugal, Romania, Russian Federation, Serbia, Slovakia, and Turkey.
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