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The Statesman at 1:45 in the Morning One Day This Past July, Bono, The
New York Times September 18, 2005 The Statesman By JAMES TRAUB At 1:45 in the morning one day this past July, Bono, the lead singer for U2 and the world's foremost agitator for aid to Africa, was in a van heading back to his hotel in Edinburgh from Murrayfield Stadium; he had just performed in, and expounded at, a concert designed to coincide with the beginning of the summit meeting of the major industrialized nations, held nearby at the Gleneagles resort. Despite the hour, practically everybody in the van was on a cellphone. The bodyguard in the front seat was calling the hotel to see if a huge crowd would still be camped outside hoping to catch a glimpse of their world-straddling hero. (Roger that.) Lucy Matthew, the head of the London office of DATA, Bono's policy and advocacy body - the acronym stands for Debt AIDS Trade Africa - was whispering to some contact in the States. And Bono, who had been conferring 12 hours earlier at Gleneagles with President George Bush, Prime Minister Tony Blair and Chancellor Gerhard Schröder, was sharing an anxiety attack with a friend. The leaders of the G-8, as the group is known, were going to offer far less in aid and trade to developing nations in Africa than the activists had led their followers to expect. Thousands of bright-eyed young recruits to the cause were going to go home in disgust. Bono, normally the most courteous of men, shouted an obscenity in Matthew's general direction, though the intended target was himself, or perhaps fate. -
Tony Bennett and Lady Gaga Prove That the Classics Are
VOLUME 8, NUMBER 2 TONY BENNETT AND LADY GAGA PROVE THAT THE CLASSICS ARE AGELESS Untitled-2 2 5/27/15 11:56 AM Steven Klein 418 Sheridan Road Highland Park, IL 60035 847-266-5000 www.ravinia.org Welz Kauffman President and CEO Nick Pullia Communications Director, Executive Editor Nick Panfil Publications Manager, Editor Alexandra Pikeas Graphic Designer IN THIS ISSUE TABLE OF CONTENTS DEPARTMENTS 18 This Boy Does Cabaret 13 Message from John Anderson Since 1991 Alan Cumming conquers the world stage and Welz Kauffman 3453 Commercial Ave., Northbrook, IL 60062 with a “sappy” song in his heart. www.performancemedia.us 24 No Keeping Up 59 Foodstuff Gail McGrath Publisher & President Sharon Jones puts her soul into energetic 60 Ravinia’s Steans Music Institute Sheldon Levin Publisher & Director of Finance singing. REACH*TEACH*PLAY Account Managers 30 Big Band Romance 62 Sheryl Fisher - Mike Hedge - Arnie Hoffman Tony Bennett and Lady Gaga prove that 65 Lawn Clippings Karen Mathis - Greg Pigott the classics are ageless. East Coast 67 Salute to Sponsors 38 Long Train Runnin’ Manzo Media Group 610-527-7047 The Doobie Brothers have earned their 82 Annual Fund Donors Southwest station as rock icons. Betsy Gugick & Associates 972-387-1347 88 Corporate Partners 44 It’s Not Black and White Sales & Marketing Consultant Bobby McFerrin sees his own history 89 Corporate Matching Gifts David L. Strouse, Ltd. 847-835-5197 with Porgy and Bess. 90 Special Gifts Cathy Kiepura Graphic Designer 54 Swan Songs (and Symphonies) Lory Richards Graphic Designer James Conlon recalls his Ravinia themes 91 Board of Trustees A.J. -
Broadway's Smash Hit Beautiful – the Carole King Musical Makes Its
FOR IMMEDIATE RELEASE Broadway’s smash hit Beautiful – The Carole King Musical makes its Worcester premiere September 26-29 Worcester, Mass. (September 9, 2019) The Tony® and Grammy® Award-winning Broadway hit Beautiful—The Carole King Musical, about the early life and career of the legendary and groundbreaking singer/songwriter, will make its Worcester premiere at The Hanover Theatre and Conservatory for the Performing Arts Thursday, September 26 - Sunday, September 29, locally sponsored by Fidelity Investments. Tickets are on sale now. “Carole King might be a native New Yorker, but her story of struggle and triumph is as universal as they come, and her music is loved the world over,” producer Paul Blake said. “I am thrilled that Beautiful continues to delight and entertain audiences around the globe, in England, Japan and Australia and that we are entering our fifth amazing year of touring the US. We are so grateful that over five million audience members have been entertained by our celebration of Carole's story and her timeless music.” With a book by Tony® and Academy® Award-nominee Douglas McGrath and direction by Marc Bruni and choreography by Josh Prince, Beautiful features a stunning array of beloved songs written by Gerry Goffin/Carole King and Barry Mann/Cynthia Weil. The show opened on Broadway at the Stephen Sondheim Theatre in January 2014, where it has since broken all box office records and became the highest grossing production in the Theatre’s history. The Original Broadway Cast Recording of Beautiful – The Carole King Musical (Ghostlight Records) won the 2015 Grammy Award for Best Musical Theater Album and is available on CD, digitally, and on vinyl. -
Special Edition Band Songlist
(revised for January 2021) POP/DANCE 24-Karat Magic Bruno Mars Ain't It Fun Paramore Ain't Nobody Chaka Khan All About The Bass Meghan Trainor Attention Charlie Puth Bad Romance Lady Gaga Bang Bang Ariana Grande/Nicki Minaj Bidi Bidi Bom Bom Selena Gomez Big Time Peter Gabriel Billie Jean Michael Jackson Blurred Lines Robin Thicke Boogie Oogie Oogie Taste Of Honey California Gurls Katy Perry Can't Stop the Feelin' Justin Timberlake Celebration Kool & The Gang Cheap Thrills Sia Cheerleader Felix Jaehn Chunky Bruno Mars Conga Gloria Estefan and The Miami Sound Machine Crazy In Love Beyoncé Dancing Queen Abba Donna Summer Medley Donna Summer Don't Cha Pussycat Dolls Don't Stop The Music Rhianna Drag Me Down One Direction Ex's and Oh's Elle King Faith George Michael Family Affair Mary J Blige Fancy Iggy Azalea feat. Charli XCX Feel It Still Portugal, The Man Finesse Bruno Mars/Cardi B Footloose Kenny Loggins Funkytown Lipps, Inc. Girls Just Wanna Have Fun Cyndi Lauper Give Me Everything Pitbull Good Kisser Usher Groove is in The Heart Deee-Lite Happy Pharrell Williams Havana Camilla Cabello Hella Good No Doubt I Feel For You Chaka Khan I Gotta Feelin' Black Eyed Peas I Wanna Dance With Somebody Whitney Houston I Will Survive Gloria Gaynor Intentions Justin Bieber I'm Like A Bird Nelly Furtado Jealous Nick Jonas Just Dance Lady Gaga Kiss Prince Lady Marmalade LaBelle/Shakira Last Dance Donna Summer Leave Your Hat On Joe Cocker Let's Go Crazy Prince Let's Groove Tonight Earth, Wind and Fire Locked Out Of Heaven Bruno Mars Love on Top Beyoncé -
The "Stars for Freedom" Rally
National Park Service U.S. Department of the Interior Selma-to-Montgomery National Historic Trail The "Stars for Freedom" Rally March 24,1965 The "March to Montgomery" held the promise of fulfilling the hopes of many Americans who desired to witness the reality of freedom and liberty for all citizens. It was a movement which drew many luminaries of American society, including internationally-known performers and artists. In a drenching rain, on the fourth day, March 24th, carloads and busloads of participants joined the march as U.S. Highway 80 widened to four lanes, thus allowing a greater volume of participants than the court- imposed 300-person limitation when the roadway was narrower. There were many well-known celebrities among the more than 25,000 persons camped on the 36-acre grounds of the City of St. Jude, a Catholic social services complex which included a school, hospital, and other service facilities, located within the Washington Park neighborhood. This fourth campsite, situated on a rain-soaked playing field, held a flatbed trailer that served as a stage and a host of famous participants that provided the scene for an inspirational performance enjoyed by thousands on the dampened grounds. The event was organized and coordinated by the internationally acclaimed activist and screen star Harry Belafonte, on the evening of March 24, 1965. The night "the Stars" came out in Alabama Mr. Belafonte had been an acquaintance of Dr. Martin Luther King, Jr. since 1956. He later raised thousands of dollars in funding support for the Freedom Riders and to bailout many protesters incarcerated during the era, including Dr. -
Reviews: Baby It's Cold Outside
Reviews: Baby It’s Cold Outside Chris Pasin, trumpet; Patricia Dalton Fennell, vocals; Armen Donelian, piano; Ira Coleman, bass; Rich Syracuse, bass; Peter Einhorn, guitar; Jeff Siegel, drums Today’s Deep Roots Christmas Pick. December 20, 2017: Chris Pasin and Friends – ‘Baby It’s Cold Outside’ Deep Roots, David McGee Here’s a holiday outing that should satisfy traditionalists and adventurous spirits alike, a true rarity. Trumpeter/flugelhorn master Chris Pasin, whose resume includes several years touring as a soloist with Buddy Rich and backing giants on the order of Sinatra, Torme, Sarah Vaughn, Nancy Wilson, Ray Charles and Tony Bennett, as well crafting his own projects with some of New York’s finest jazz players, has brought some Gotham friends together, along with upstate New York-based vocalist Patricia Dalton Fennell (in a dual role as vocalist and producer), and given the holiday season the scintillating Baby It’s Cold Outside. For those more interested in new insights into seasonal warhorses, Pasin and friends offer a five-and-a- half-minute journey through “Santa Claus Is Coming to Town,” featuring discursive solos by Pasin on trumpet and pianist Armen Donelian, as well as a tasty drum-and-bass dialogue between Jeff Siegel and Ira Coleman, respectively, plus a couple of nice tempo changes for added texture. Similarly, “We Three Kings of Orient Are” is almost unrecognizable when Pasin soars into upper register impressionistic flurries before giving way to Donelian skittering across the keys and taking the melody line into uncharted waters over the course of six-and-a-half minutes. -
September – October 2013
123 POINT OF VIEW JEROME’S NEWSLETTER September – October 2013 From the Mayor Without much noise, Jerome quietly passed and enacted to civil rights and ideological tyranny. I find it so a civil union ordinance. No one showed up to the interesting that, thus far, the ideological discomfort of meetings to speak out against, or fervently support this those that oppose gay marriage has been honored over issue… and I know its not because we lack civic the rights of the LGBT community – Which I assume engagement in this town! How wonderful that our town provides ideological discomfort by just existing for some held up no opposition to supporting our delightfully people. It’s silly to think that those bothered will diverse population! magically change their mind on the topic, but it is So, what have we done? How is it different than simply outrageous to continue to deny basic rights to a marriage? How will the rest of Arizona respond? Our section of the population. civil union ordinance is certainly not as broad as a proper And so, dear residents, I hope that you can all be proud marriage. First, it isn’t accompanied by marriage & of what Jerome has accomplished here, and I hope to divorce law, which maps out alimony and such. It does, have your continued support, even if we receive some however provide room for a committed, previously negative attention for enacting this ordinance. Thank unmarried couple to scribble down some agreements You! about property, finances, and medical care and have it Mayor Nikki Check available on file in the Town of Jerome for a one-time fee of $73. -
U2thejoshuatree2017 #Setlistgeek Chart by @Markpeterboro. for Full
#U2TheJoshuaTree2017 #setlistgeek chart by @markpeterboro. For full setlists visit www.u2gigs.com Vancouver Seattle Clara Santa Angeles Los Angeles Los Houston Dallas Chicago Chicago Pittsburgh FestivalBonnaroo Miami Tampa Louisville Philadelphia Washington Toronto Boston Rutherford East Rutherford East Cleveland London London Berlin Rome Rome Barcelona Dublin Paris Paris Amsterdam Amsterdam Brussels Detroit Buffalo Minneapolis Indianapolis City Kansas New Orleans Phoenix DiegoSan City Mexico City Mexico Bogota Aires Buenos Aires Buenos Santiago Sao Paulo Sao Paulo Sao Paulo Sao Paulo Number of plays Sunday Bloody Sunday 100% OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO 51 New Year's Day 100% 51 Bad 88.2% 45 A Sort Of Homecoming 15.7% 8 MLK 2.0% 1 Pride (In The Name Of Love) 100% 51 Where The Streets Have No Name 100% 51 I Still Haven't Found What I'm Looking For 100% 51 With Or Without You 100% 51 Bullet The Blue Sky 100% 51 Running To Stand Still 100% 51 Red Hill Mining Town 100% 51 In God's Country 100% 51 Trip Through Your Wires 100% 51 One Tree Hill 100% 51 Exit 100% 51 Mothers Of The Disappeared 100% 51 Miss Sarajevo 66.7% 34 Beautiful Day 100% 51 Elevation 100% 51 Vertigo 80.4% CCCCC 41 Mysterious Ways 23.5% 12 You're The Best Thing About Me 29.4% 15 Ultra Violet (Light My Way) 98.0% 50 One 100% C CC CC C C CCCCC CC CC CCCC 51 The Little Things That Give You Away 27.5% C CCCCCCC CCCC 14 Spanish Eyes 2.0% C 1 Sweetest Thing 2.0% C 1 I Will Follow 21.6% CCCCC CCCCCC 11 Don't Look Back In Anger (Oasis cover) 2.0% C 1 Number Of Songs Played: 22 23 22 22 21 21 21 21 21 21 19 21 21 21 21 21 22 22 22 22 22 23 22 22 22 22 22 22 22 23 22 22 22 21 21 21 21 21 22 22 22 22 22 21 21 22 21 21 21 22 22 51. -
KILLING BONO a Nick Hamm Film
KILLING BONO A Nick Hamm Film Production Notes Due for Release in UK: 1st April 2011 Running Time: 114 mins Killing Bono | Production Notes Press Quotes: Short Synopsis: KILLING BONO is a rock n’ roll comedy about two Irish brothers struggling to forge their path through the 1980’s music scene… whilst the meteoric rise to fame of their old school pals U2 only serves to cast them deeper into the shadows. Long Synopsis: Neil McCormick (Ben Barnes) always knew he’d be famous. A young Irish songwriter and budding genius, nothing less than a life of rock n’ roll stardom will do. But there’s only room for one singer in school band The Hype and his friend Paul’s already bagged the job. So Neil forms his own band with his brother Ivan (Robert Sheehan), determined to leave The Hype in his wake. There’s only one problem: The Hype have changed their name. To ‘U2’. And Paul (Martin McCann) has turned into ‘Bono’. Naturally there’s only one option for Neil: become bigger than U2. The brothers head to London in their quest for fame, but they are blighted by the injustices of the music industry, and their every action is dwarfed by the soaring success of their old school rivals. Then, just as they land some success of their own, Ivan discovers the shocking truth behind Neil’s rivalry with U2, and it threatens to destroy everything. As his rock n’ roll dream crashes and burns, Neil feels like his failure is directly linked to Bono’s success. -
The Bosnian War and Life Under Siege in Sarajevo: Final Assessment
NAME: The Bosnian War and Life under Siege in Sarajevo: Final Assessment Multiple Choice: 5 points each 1. Yugoslavia was a federation of six republics under the leadership of -- A) Radovan Karadzic B) Alija Izetbegovic C) Slobodan Milosevic D) Josip Broz Tito 2. Which republics first declared independence from Yugoslavia? A) Macedonia and Slovenia B) Bosnia and Serbia C) Croatia and Slovenia D) Serbia and Montenegro 3. Who was vying for territory in Bosnia? A) Croatia and Serbia B) Montenegro and Macedonia C) Slovenia and Serbia D) Serbia and Macedonia 4. Generally speaking, what religion do Serbs follow? A) Roman Catholicism B) Eastern Orthodox C) Judaism D) Islam 5. Why do many Serbs, still to this day, feel animosity towards the Bosnian Muslims? A) because Islam does not believe Jesus was the son of God B) because they are fearful of radical Islamic fundamentalism C) because they are associated with the Ottoman Empire's invasion of the region D) because they don't agree in religiously mixed relationships 6. What are the key factors leading up to the break up of Yugoslavia? A) the death of the federation's leader B) economic decline after the fall of the Soviet Union C) tensions within Serbia's autonomous regions D) all of the above 7. In contrast to the Bosnia the world saw during wartime, what modern event highlighted Bosnia in better days? A) the 1984 Winter Olympic Games B) the 1986 World Cup C) the 1976 establishment of national health care D) the 1993 Miss Sarajevo Beauty Pageant 8. What musical piece did the cellist of Sarajevo play? A) Beethoven's Symphony No. -
Sociopolitical Issues in U2's War and the Joshua Tree
Études irlandaises 45-2 | 2020 Varia “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Elena Canido Muiño Electronic version URL: http://journals.openedition.org/etudesirlandaises/10187 DOI: 10.4000/etudesirlandaises.10187 ISSN: 2259-8863 Publisher Presses universitaires de Caen Printed version Date of publication: 31 December 2020 Number of pages: 55-75 ISBN: 978-2-84133-996-9 ISSN: 0183-973X Electronic reference Elena Canido Muiño, ““Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree”, Études irlandaises [Online], 45-2 | 2020, Online since 31 December 2020, connection on 14 February 2021. URL: http://journals.openedition.org/etudesirlandaises/10187 ; DOI: https://doi.org/10.4000/ etudesirlandaises.10187 Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. “Flowers of Fire”: Sociopolitical Issues in U2’s War and The Joshua Tree Abstract: U2 have always managed to hold a narrow line between social awareness and partisan political allegiance, belonging to a broad category of music that Rachel E. Seiler calls “contemporary conscious popular music”, which includes “music of any genre that focuses on social issues and perceived problems in society and may or may not include music that carries an overtly political message”. Consequently, much of the analysis of their songs claim that these are only a mere description of the terrible situation countries such as Ireland and the US were facing at that time. In this paper, however, I will examine the sociopolitical significance of U2’s songs as an appreciator of their cultural contribution and show that the events which formed the backdrop to some of U2’s most explicitly political songs in the 1980s – especially those included in War and The Joshua Tree – are etched indelibly into the text of both Ireland’s and America’s troubled colonial and political history. -