Pagan and Christian Rome
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Palencia Históríco ^Nonurnental
Palencia históríco ^nonurnental Por Angel Sancho Campo U Excmos. e Ilmos. señores. Señores académicos. Señoras v señores. Agradezco a la Institución "'1"ello Téllez de Meneses" el alto honor que ine hace al distinguirme con la elección para ocupar uu puesto entre sus prestigiosos miembros. Mi niás profundo agradecimiento a las autoridades, amigos y asistentes a este acto y que tanto me honran con su presencia. Vamos a intentar ofrecer lnla visión panorámica de lo que la provincia de Palencia tiene como m.ás destacado en lo histórico, artistico y arqueológico. En los dos primeros aspectos es más conocida que e q el íilti- mo, por lo que en esta ocasión nos vamos a detener especialmente en el aspecto arqueológico. I'a hace más de cuarenta años, don Rafael Navarro García, de grata y venerable memoria, hizo una verdadera carta arqueo- lógica, a través de las páginas c1e1 Catcílogo ltlo^zumental de la proviiicia de Palencia. Es una obra admirable si tenemos en cuen- ta los escasos recursos de toda índole en aquellos tiempos, y fue uno de los primeros catálogos de España. A pesar de los reproches infundados de algunos eruditos, sigue siendo fuente y guía para cualquier estudio de nuestca provincia, e insustituible en tanto no aparezca otro mejor hecho con los medios y recursos actuales, y en labor de equipo. Desde entonces, que nosoiros sepamos, no se ha vuelto a hacer catálogo arqueológico algtuio de los yacimientos de la provincia de. Palencia. 216 ANUF.L^ SANCtIO CAMPO Nosotros hoy añadiremos a aquella 'ista, couao ^uticipo c3e una obra que tenemos entre manos, los más iinportantes yacimien- tos aparecidos después, con las limitaciones de detalles y biblio- grafía, que la brevedad de una conferencia impone. -
Demography Roman Spain
CARRERAS MONFORT C. A new perspective for the demographic study of Roman Spain. Revista de Historia da Arte e Arqueologia n.2, 1995-1996; pp. 59-82. A NEW PERSPECTIVE FOR THE DEMOGRAPHIC STUDY OF ROMAN SPAIN César Carreras Monfort* * Universitat Oberta de Catalunya e-mail: [email protected] In the last years, there has been an increase in the number of demographic studies of ancient societies, with the main aim to recognize the internal organization of the populations and, to some extent, how the resources of a territory determined patterns of distribution [Gallo, 1984; Parkin, 1992]. Actually, within the limits of the Roman society, these studies allowed us to revise again basic concepts such as the relationship between the urban and rural world [López Paz, 1994], or even, to discuss about the degree of urbanism that supposedly it is accepted for the Graeco-Roman world. The demographic analyses on the Roman period were recently favoured by a better knowledge now, of the urban perimeters of ancient Roman cities, and the patterns of rural distribution; thanks to the contribution of either the urban archaeology and the rural field-surveys [Barker, 1991] and cadastres studies [Chouquer and Favory, 1991]. Furthermore, the important contribution of papyrology also stands out, since they supply information on demography, which despite being basically about Roman Egypt, it can be extrapolated to other provinces [Hombert and Preaux, 1952; Bagnall and Frier, 1994]. These new documental evidences allow us to carry out a new estimate, from another viewpoint, of the population in a very particular province such as Roman Spain, and also they become a headway in the detailed study of population patterns. -
Luisa Rabbia
GALLERY PETER BLUM LUISA RABBIA PETER BLUM GALLERY LUISA RABBIA Born 1970 in Pinerolo (Torino, Italy) Lives and works in Brooklyn, New York SELECTED SOLO EXHIBITIONS 2020 From Mitosis to Rainbow, Peter Blum Gallery, New York, NY 2018 Death&Birth, Peter Blum Gallery, New York, NY 2017 Love, Collezione Maramotti, Reggio Emilia, Italy (catalogue) 2016 Territories, Frieze Art Fair, Peter Blum Gallery, New York, NY A Matter of Life, RLWindow, Ryan Lee Gallery, New York, NY 2014-15 Drawing, Peter Blum Gallery, New York, NY Waterfall, installation for the façade of the Isabella Stewart Gardner Museum, Boston, MA Everyone, Studio Eos, Rome, Italy 2012 Coming and Going, Peter Blum Chelsea, New York, NY 2010 Luisa Rabbia, Fundación PROA, Buenos Aires, Argentina, curated by Beatrice Merz (catalogue) You Were Here. You Were There, Galerie Charlotte Moser, Genève, Switzerland 2009 Luisa Rabbia: Travels with Isabella. Travel Scrapbooks 1883/2008, Fondazione Querini Stampalia, Venezia, Italy In viaggio sotto lo stesso cielo, Fondazione Merz, Torino, Italy, curated by Beatrice Merz 2008 Travels with Isabella. Travel Scrapbooks 1883/2008, Isabella Stewart Gardner Museum, Boston, MA, curated by Pieranna Cavalchini (catalogue) 2007 Yesterdaytodaytomorrow, Mario Diacono Gallery, Boston, MA Together, Galleria Rossana Ciocca, Milano, Italy Luisa Rabbia, Massimo Audiello Gallery, New York, NY 2006 Luisa Rabbia, Marta Cervera Gallery, Madrid, Spain 2005 ISLANDS, GAMeC Galleria d'Arte Moderna e Contemporanea Raffaele de Grada, San Gimignano, Italy, curated by -
Roma Subterranea
Roma Subterranea The Catacombs of Late Antique Rome | Marenka Timmermans 0 Illustration front page: After http://www.livescience.com/16318-photos-early-christian-rome-catacombs-artifacts.html 1 Roma Subterranea The Catacombs of Late Antique Rome Marenka Timmermans S0837865 Prof. dr. Sojc Classical Archaeology Leiden University, Faculty of Archaeology Leiden, June 15th, 2012 2 Marenka Timmermans Hogewoerd 141 2311 HK Leiden [email protected] +316-44420389 3 Table of Contents Chapter 1. Introduction 5 1.1 Research goal, methodology and research questions 5 Chapter 2. The origins and further development of the catacombs 7 2.1 Chapter summary 10 Chapter 3. Research performed in the catacombs up to the late 20th century 11 3.1 The 'rediscovery' 11 3.2 Early Catacomb Archaeology 13 3.2.1 Antonio Bosio 13 3.2.2 Giovanni di Rossi 14 3.3 Archaeological research in the late 19th and up to the late 20th century 17 3.4 Chapter conclusion 18 Chapter 4. Modern catacomb research 21 4.1 Demography 21 4.2 Science-based Archaeology 23 4.2.1 Stable isotope analysis 23 4.2.2 Radiocarbon dating 25 4.3 Physical Anthropology 26 4.4 Other sciences in and around the catacombs 27 4.5 Chapter Conclusion 28 Chapter 5. Discussion 31 Chapter 6. Conclusion 37 Summary 39 Samenvatting 41 Bibliography 43 List of Figures 49 List of Tables 51 Appendix I 53 Appendix II 57 3 4 Chapter 1. Introduction The subject of this BA-thesis is the catacombs of Late Antique Rome. The catacombs are formed by large subterranean complexes, consisting of extensive galleries. -
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REVUE BELGE DE NUMISMATIQUE ET DE SIGILLOGRAPHIE PUBLIÉE UITGEGEVEN SOUS LE HAUT PATRONAGE ONDER DE HOGE BESCHERMING DE S. M. LE ROI VAN Z. M. DE KONING PAR LA Doon HET SOCIÉTÉ ROYALE KONINKLIJK BELGISCH DE NUMISMATIQUE DE BELGIQUE GENOOTSCHAP VOOR NUMISIVIATIEK ET SUBSIDIÉE PAR LE EN :MET DE STEUN VAN DE GOUVERNgl\IENT REGEIUNG DIRECTEURS: PAUL NASTER, ÉMILE BROUETTE, JEAN JADûT, TONY HACKENS CXX - 1974. BHUXELLES BRUSSEL WILLIAM E. METCALF THE «CAIRO)} HOARD OF TETRARCHIC FOLLES (Planche 1) In March, 1914, the late E. T. Newell acquired a large hoard of tetrarchie folles from Hassan Abd-el-Salam, a Cairo dealer. Beyond the fact of its purchase at Cairo, nothing is known of the hoard's provenance; but this combines with the dominance of Alexandrian issues to suggest an Egyptian find spot. At an unknown date, Newell listed the contents of the hoard, describing types and legends and including references to Voetter's catalogue of the Gerin collection. About 1932 poorly preserved and duplicate specimens were removed from his trays; until recently, 400 such specimens remained in theîr original box and wrappings. Approxîmately 350 more pieces, aIl later issues of Alexandria, were discarded, sold, or lost ; they cannot now be located. It is possible to reconstruct the hoard fully from Newell's notes, though not in every case to identify pieces which came from it (1). Where his notes cau be checked against current ANS holdings, they are accurate; and despite the loss of many pieces which might have illuminated mint activity at Alexandria, the size and prove nance of the hoard warrant a record of its contents. -
Rome of the Pilgrims and Pilgrimage to Rome
58 CHAPTER 2 Rome of the pilgrims and pilgrimage to Rome 2.1 Introduction As noted, the sacred topography of early Christian Rome focused on different sites: the official Constantinian foundations and the more private intra-mural churches, the tituli, often developed and enlarged under the patronage of wealthy Roman families or popes. A third, essential category is that of the extra- mural places of worship, almost always associated with catacombs or sites of martyrdom. It is these that will be examined here, with a particular attention paid to the documented interaction with Anglo-Saxon pilgrims, providing insight to their visual experience of Rome. The phenomenon of pilgrims and pilgrimage to Rome was caused and constantly influenced by the attitude of the early-Christian faithful and the Church hierarchies towards the cult of saints and martyrs. Rome became the focal point of this tendency for a number of reasons, not least of which was the actual presence of so many shrines of the Apostles and martyrs of the early Church. Also important was the architectural manipulation of these tombs, sepulchres and relics by the early popes: obviously and in the first place this was a direct consequence of the increasing number of pilgrims interested in visiting the sites, but it seems also to have been an act of intentional propaganda to focus attention on certain shrines, at least from the time of Pope Damasus (366-84).1 The topographic and architectonic centre of the mass of early Christian Rome kept shifting and moving, shaped by the needs of visitors and ‒ at the same time ‒ directing these same needs towards specific monuments; the monuments themselves were often built or renovated following a programme rich in liturgical and political sub-text. -
The Developmentof Early Imperial Dress from the Tetrachs to The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Archive, E-theses Repository University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. The Development of Early Imperial Dress from the Tetrarchs to the Herakleian Dynasty General Introduction The emperor, as head of state, was the most important and powerful individual in the land; his official portraits and to a lesser extent those of the empress were depicted throughout the realm. His image occurred most frequently on small items issued by government officials such as coins, market weights, seals, imperial standards, medallions displayed beside new consuls, and even on the inkwells of public officials. As a sign of their loyalty, his portrait sometimes appeared on the patches sown on his supporters’ garments, embossed on their shields and armour or even embellishing their jewelry. Among more expensive forms of art, the emperor’s portrait appeared in illuminated manuscripts, mosaics, and wall paintings such as murals and donor portraits. Several types of statues bore his likeness, including those worshiped as part of the imperial cult, examples erected by public 1 officials, and individual or family groupings placed in buildings, gardens and even harbours at the emperor’s personal expense. -
Impa Gendel Publish 01 21-03-2008 12:54 Pagina 1
impa gendel publish 01 21-03-2008 12:54 Pagina 1 MILTON GENDEL PHOTOGRAPHS impa gendel publish 01 21-03-2008 12:54 Pagina 2 Cover: 70. Triple Public Exposure, New York, 1942 impa gendel publish 01 21-03-2008 12:54 Pagina 3 MILTON GENDEL PHOTOGRAPHS AT TRINITY FINE ART LTD 29 BRUTON STREET LONDON W1J 6QP TELEPHONE 0044 (0) 20 7493 4916 FAX 0044 (0) 020 7355 3454 E-MAIL: [email protected] WEBSITE: www.trinityfineart.com Wednesday 17 November – Friday 26 November 10 AM - 6 PM DAILY (CLOSED SUNDAY 21 NOVEMBER) impa gendel publish 01 21-03-2008 12:54 Pagina 4 John Winter Jonathan Mennell TRINITY FINE ART LTD 29 Bruton Street - London w1j 6qp Telephone: 0044 (0) 20 7493 4916 Telefax: 0044 (0) 20 7355 3454 e-mail: [email protected] website: www.trinityfineart.com In association with: Edoardo Testori via Olmetto, 17 - 20123 Milan (Italy) Telephone and telefax: 0039 02 804073 e-mail: [email protected] and Carlo Orsi Carlo Orsi Antichità Via Bagutta, 14 - 20121 Milan (Italy) Telephone: 0039 02 76002214 Telefax: 0039 02 76004019 e-mail: [email protected] impa gendel publish 01 21-03-2008 12:54 Pagina 5 We would like to express our gratitude to all those who have helped in the preparation of this catalogue and in the organisation of the exhibition. Many scholars and colleagues have given useful advice and in particular we would like to thank: Gabriele Borghini, Museo Archivio di Fotografia Storica, Istituto Centrale per il Catalogo e la Documentazione, Rome; Luigi Ficacci, Istituto Nazionale per la Grafica, Rome; Achille Bonito Oliva, art critic; Gianni Mercurio, curator, and Claudio Strinati, Polo Museale, Rome. -
Catacombs of Rome
Catacombs of Rome The Catacombs of Rome (Italian: Catacombe di Roma) are ancient catacombs, underground burial places under Rome, Italy, of which there are at least forty, some discovered only in recent decades. Though most famous for Christian burials, either in separate catacombs or mixed together, people of all the Roman religions are buried in them, beginning in the 2nd century AD,[1] mainly as a response to overcrowding and shortage of land. The Etruscans, like many other European peoples, used to bury their dead in underground chambers. The original Roman custom was cremation, after which the burnt remains were kept in a pot, ash-chest or urn, often in a columbarium. From about the 2nd century AD, inhumation (burial of unburnt remains) became more fashionable, in graves or sarcophagi, often elaborately carved, for those who could afford them. Christians also preferred burial to cremation because of their belief in bodily resurrection at the Second Coming. The Park of the Caffarella and Colli Albani (Rome Metro) are nearby. The Christian catacombs are extremely important for the art history of Early Christian art, as they contain the great majority of examples from before about 400 AD, in fresco and sculpture, as well as gold glass medallions (these, like most bodies, have been removed). The Jewish catacombs are similarly important for the study of Jewish culture at this period. A number of dubious relics of A Procession in the Catacomb of catacomb saints were promoted after the rediscovery of the catacombs. Callixtus, 1905 by Alberto -
Socio-Spatial Inequalities and Urban Transformation. the Case of Rome
Socio-Economic Planning Sciences xxx (xxxx) xxx–xxx Contents lists available at ScienceDirect Socio-Economic Planning Sciences journal homepage: www.elsevier.com/locate/seps Socio-spatial inequalities and urban transformation. The case of Rome districts ∗ Keti Leloa, Salvatore Monnib, , Federico Tomassic a Department of Business Studies, Roma Tre University, Via Silvio D'amico 77, Rome, 00145, Italy b Department of Economics, Roma Tre University; Via Silvio D'amico 77, Rome, 00145, Italy c Italian Agency for Territorial Cohesion, Rome, Via Sicilia 162, Rome, 00187, Italy ARTICLE INFO ABSTRACT Keywords: Over the past thirty years, public policy in Rome has failed to effectively address a rising level of socio-economic Socio-spatial inequalities inequality. Indicators such as level of education or number of household members appear to be geographically Mapping concentrated and sensitive to the distance from the city centre. The hypothesis that socio-spatial inequalities Periphery strongly influence economic performance and foster political instability has been subject to numerous empirical Rome investigations. Nevertheless, studies of specific urban contexts are not common. The absence of empirical ap- plications at this scale is probably due to the fact that variables used for analysing the economic and social performance of regions are difficult to quantify or inapplicable at the micro level. The purpose of this paperisto examine the spatial distribution of socioeconomic inequalities in the municipal territory of Rome and to explore the conditions that account for them. We will analyse the spatial distribution of urban quality indicators and socio-economic profiles with data from different sources, aggregated at the neighbourhood level. 1. -
From the Via Appia Antica to the Park of the Via Latina
From the Via Appia Antica to the Park of the Via Latina Caffarella Valley / Park of the Via Latina / Via Appia Antica This itinerary crosses the Caffarella Valley, the backdrop of many of the myths and legends of Ancient Rome. Tradition had it that this was the home of the water nymph Egeria, a divine consort and counsellor of one of the kings of Rome, Numa Pompilius, to whom the Egeria spring is dedicated. From here you can visit the Valley, dotted with ancient, medieval and modern buildings, surrounded by an immensely evocative natural environment. The highlights of the Valley are the Valca Tower, a medieval watchtower built to defend a bridge across the POI Distance river Almone, a small affluent of the Tiber that crosses the Valley, and the so-called 9 3.28 Km Columbarium of Constantine. From Via dell’Almone, just north of the junction with Via Appia Nuova, you can reach the Park of the Via Latina, which preserves a long stretch of the Roman road lined with tombs, some of which feature marvellous interior decorations. Poi The itinerary enters the Caffarella Valley via the underpass of the Fonte Egeria mineral water plant, which is subject to opening times, as follows: Monday to Saturday, 9 am to 5 pm; 1 The Via Appia Antica Sunday and Holidays, 9 am to 1.30 pm. These hours, however, may change at the discretion 2 The Appia Pignatelli Artillery Fort of the plant. 3 Egeria Spring 4 Roman cistern 5 The Sacred Grove 6 Costantine's Colombarium 7 The Valca Tower 8 River Almone (South) Scan the QrCode to 9 The Archeological park of access the navigable the Tombs of the Via mobile version of the Latina itinerary Poi 1 The Via Appia Antica Roma / Place to visit - Ancient streets The long story of the Via Appia unfolds in space and time. -
005-Santa Susanna
(005/11) Santa Susanna Santa Susanna is an 15th century monastic and titular church. It is on the Piazza San Bernardo, on the Via XX Settembre just north-west of the Piazza della Repubblica and its metro station in the rione Trevi. The dedication is to St Susanna, and the full official title is Santa Susanna alle Terme di Diocleziano. (1) History A church at Santa Susanna commemorates the place where, according to St. Jerome, a young Christian woman was martyred for refusing to worship Rome's pagan gods. Around the year 290 Susanna was residing with her father, Christian presbyter Gabinus, right next door to her saintly uncle Pope Caius (283-296), and in the shadows of the Emperor Diocletian's (284-305) immense baths. After refusing to break a vow of virginity to marry her insistent suitor Maximianus Galerius (none other than the Emperor's adopted son and heir), Susanna also balked at offering a pagan sacrifice, and was beheaded in her own home. The church of Santa Susanna is one of the oldest titles of Rome. The first Christian place of worship was built here in the 4th century. It was probably the titulus of Pope Caius (283-296). The early Christian church was built on the remains of three Roman villas, and was located immediately outside the fence of the Baths of Diocletian and close to the Servian walls. (8) First church By tradition, the church was built in 330, and named San Caio after the owner of the first chapel. In 590, the church was rededicated to St Susan because of her growing popularity.