Solstice and Solar Position Observations in Australian Aboriginal and Torres Strait Islander Traditions
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Annual Report 2012 Annual Report 2012 Report Annual Accountable Officer’S Declaration
Annual Report 2012 Department of Sustainability and Environment Annual Report 2012 Accountable Officer’s declaration In accordance with the Financial Management Act 1994, I am pleased to present the Department of Sustainability and Environment’s Annual Report for the year ending 30 June 2012. Greg Wilson Secretary Department of Sustainability and Environment 10 September 2012 Cover image: Boggy Creek, Nowa Nowa Credit: Alison Pouliot Secretary’s foreword The 2011–12 Annual Report records another signifi cant year Meanwhile, the end of the fi nancial year marked the fi rst year for the department. of the new department structure, with the establishment of regional management teams and consolidated policy functions For the second year running, extreme wet weather and fl ood under Deputy Secretaries. This new structure has provided events presented challenges to the department and its staff. improved coordination, integration and governance and puts the While the rainfall kept water storages high, fl oods heavily department in good stead as we go forward with a continued impacted communities, damaging property, infrastructure emphasis on effective policy and service delivery. and the natural environment and causing evacuations in some townships. The achievements outlined in our Annual Report have been made possible through the efforts of our dedicated and Again, the department and its staff made a signifi cant professional staff and delivery partners. I would like to take contribution to the fl ood effort by assisting emergency this opportunity to thank them for their efforts and dedication services agencies with on-ground support, aircraft and during the year. incident management staff. As was the case in 2010–11, the extreme wet weather delivered obvious challenges to our annual planned burning program. -
'Tongue of Land' Is the Wadawurrung / Wathaurong
DJILLONG Djillong: ‘tongue of land’ is the Wadawurrung / Wathaurong Aboriginal name for Geelong TIMELINE www.djillong.net.au At least 65,000 years ago Evidence of Aboriginal people living on the Australian continent and of the world’s earliest human art. (French cave painting 5,000 years ago, the Mona Lisa, 14th century) 1600s 1688 William Dampier (England) lands on the west coast of Australia. 1700s 1770 Captain James Cook (England) lands on the east coast of Australia. 1800s 1800 Lt James Grant (Lady Nelson ship) sails through Bass Strait. 1802 Dispossession in the Geelong district begins as Lieutenant John Murray takes possession of Port Phillip in King George III’s name and raises the British flag. First contact between Wadawurrung and the Europeans. William Buckley escapes from Capt. Collins’ temporary settlement at Sorrento and walks around Port Phillip Bay. Later he is invited to join the Mon:mart clan of Wadawurrung People when Kondiak:ruk 1803 (Swan Wing) declares him her husband returned from the dead. Aboriginal people believed that the dead were reincarnated in a white form. They call Buckley Morran:gurk (Ghost blood). 1820s 1824 Hume & Hovell arrive on Wadawurrung land at Corio Bay and are greeted by Wadawurrung resistance. In Tasmania settlers are authorised to shoot Aboriginal people. Martial law is declared in Bathurst (NSW) after violent clashes between settlers and Aboriginal people. 1827 Batman and Gellibrand apply to the colonial government for Kulin nation land. 1828 Martial law declared in Tasmania where the Solicitor General says ‘the Aborigines are the open enemies of the King and in a state of actual warfare against him’. -
SCHEDULE to CLAUSE 43.01 HERITAGE OVERLAY C376pt1ggee
GREATER GEELONG PLANNING SCHEME 31/01/2019 SCHEDULE TO CLAUSE 43.01 HERITAGE OVERLAY C376pt1ggee 1.0 Application requirements 06/12/2018 C359pt1 None specified 2.0 Heritage places 14/11/2019--/--/---- C406ggeeProposed C405ggeeThe requirements of this overlay apply to both the heritage place and its associated land. PS map ref Heritage place External Internal Tree Outbuildings Included on Prohibited Aboriginal paint alteration controls or fences not the Victorian uses heritage controls controls apply? exempt under Heritage permitted? place? apply? apply? Clause Register 43.01-4 under the Heritage Act 2017? HO104 Aberdeen Street Baptist Manse Yes Yes No No No Yes No 1 Aberdeen Street, Newtown HO105 Aberdeen Street Baptist Church (former) - - - - Yes Yes No 3 Aberdeen Street, Ref.No.H426 Newtown HO103 Aberdeen Street Baptist Church (present) - - - - Yes Yes No 7 Aberdeen Street, Ref.No.H427 Newtown HO1206 “Rosnashane”, Yes No No No No No No Reception Centre 11 Aberdeen Street, Newtown HO600 Office No No No No No No No 14 Aberdeen Street, Geelong West HO601 Office No No No No No No No Page 1 of 167 GREATER GEELONG PLANNING SCHEME PS map ref Heritage place External Internal Tree Outbuildings Included on Prohibited Aboriginal paint alteration controls or fences not the Victorian uses heritage controls controls apply? exempt under Heritage permitted? place? apply? apply? Clause Register 43.01-4 under the Heritage Act 2017? 16 Aberdeen Street, Geelong West HO602 Office No No No No No No No 18 Aberdeen Street, Geelong West HO1927 “Felicita” Yes -
Wurdi Youang: an Australian Aboriginal Stone Arrangement with Possible Solar Indications
Rock Art Research 2013 - Volume 30, Number 1, pp. 55-65. R. P. NORRIS et al. 55 KEYWORDS: Cultural astronomy – Aboriginal astronomy – Aboriginal culture – Geoglyph WURDI YOUANG: AN AUSTRALIAN ABORIGINAL STONE ARRANGEMENT WITH POSSIBLE SOLAR INDICATIONS Ray P. Norris, Cilla Norris, Duane W. Hamacher and Reg Abrahams Abstract. Wurdi Youang is an egg-shaped Aboriginal stone arrangement in Victoria, Austra- lia. Here we present a new survey of the site, and show that its major axis is aligned within a few degrees of east-west. We confirm a previous hypothesis that it contains alignments to the position on the horizon of the setting sun at the equinox and the solstices, and show that two independent sets of indicators are aligned in these directions. We show that these alignments are unlikely to have arisen by chance, and instead the builders of this stone arrangement ap- pear to have deliberately aligned the site on astronomically significant positions. 1. Introduction assume any similarities with other Aboriginal cultures, 1.1 Aboriginal astronomy although we refer to them to set context. It is well established that the night sky plays an important role in many Australian Aboriginal cultures 1.2 Stone arrangements (Stanbridge 1861; Mountford 1956; Haynes 1992; Stone arrangements were constructed by several Johnson 1998; Cairns and Harney 2003; Norris and Indigenous cultures across Australia, and include many Norris 2009; Norris and Hamacher 2009, 2011). As different morphologies (e.g. circles, lines, pathways, well as being associated with traditional songs and standing stones and cairns; Enright 1937; Towle 1939; ceremonies, the sky is used to regulate calendars, and Palmer 1977; Lane and Fullager 1980; Frankel 1982; mark the time of year when a particular food source Attenbrow 2002). -
Astronomical Symbolism in Australian Aboriginal Rock Art
Rock Art Research 2011 - Voillme 28, Number 1, pp. 99-106. R. P. NORRIS and D. W. HAMACHER 99 KEYWORDS: Aboriginal - Rock art - Archaeoastronomy - Ethnoastronomy - Australia ASTRONOMICAL SYMBOLISM IN AUSTRALIAN ABORIGINAL ROCK ART Ray P. Norris and Duane W. Hamacher Abstract. Traditional Aboriginal Australian cultures include a significant astronomical component, perpetuated through oral tradition and ceremony. This knowledge has practical navigational and calendrical functions, and in some cases extends to a deep understanding of the motion of objects in the sky. Here we explore whether this astronomical tradition is reflected in the rock art of Aboriginal Australians. We find several plaUSible examples of depictions of astronomical figures and symbols, and also evidence that astronomical observations were used to set out stone arrangements. With these exceptions, astronomical themes do not seem to appear as often in rock art as in oral tradition, although it is possible that we are failing to recognise astronomical elements in rock art. Future research will attempt to address this. Introduction about these constellations. This may indicate either The dark night skies of Australia are an important cultural convergent evolution, reflecting the subjective part of the landscape, and would have been very obvious masculine and feminine appearance of Orion and the to Aboriginal people living a traditional lifestyle. So it Pleiades respectively, or else suggest a much earlier is unsurprising to find that stories of the Sun, Moon, story common to both cultural roots. planets and constellations occupy a significant place in In addition to these narratives, the skies had the oral traditions of Aboriginal Australians. This was practical applications for navigation and time keeping first described by Stanbridge (1857), and since noted (e.g. -
Westwind Energy Pty Ltd GOLDEN PLAINS WIND FARM
GOLDEN PLAINS WIND FARM ENVIRONMENT EFFECTS STATEMENT EXPERT EVIDENCE OF BRETT LANE WestWind Energy Pty Ltd Suite 5, 61–63 Camberwell Road, Hawthorn VIC 3123 P.O. Box 337, Camberwell VIC 3124 Ph. (03) 9815 2111 Fax. (03) 9815 2685 20th July 2018 Report No.16064 (7.4) Golden Plains Wind Farm – Biodiversity Assessment Report No. 16064 (7.4) CONTENTS 1. WITNESS DETAILS ............................................................................................................ 1 1.1. Name and address .................................................................................................. 1 1.2. Area of expertise ...................................................................................................... 1 2. SCOPE ............................................................................................................................... 2 2.1. Relevant survey guidelines ...................................................................................... 2 2.2. Investigations undertaken for the EES ................................................................... 3 2.3. Additional Investigations and Discussions ............................................................. 6 2.4. Environment Effects Statement .............................................................................. 7 2.5. Results of Additional Investigations and Discussions ........................................... 7 3. RESPONSE TO SUBMISSIONS ......................................................................................... 9 3.1. DELWP -
Wadawurrung Country Plan 2020-2030
Let’s make Country good together 2020 – 2030 Wadawurrung Country Plan Caring for Country “We deeply respect our people of the past. Our Elders, children, men, women. We deeply respect their knowledge of Country, water, life, their care of the traditions and of each other, we stand with their spirit. Great spirit told us to take care of the great life within the land. To only take what you need without selfishness. Wadawurrung shared their knowledge of singing, dance, trade, camps, fishing, hunting, paintings, and homes to us to protect for our future generations. We all need to help". Stephanie Skinner, Wadawurrung Traditional Owner 2019 Table of Contents Caring for Country 2 Foreword 4 Principles 5 Acknowledgements 6 Key words in Wadawurrung Language 7 Wadawurrung Culture and Country 10 Our Country 12 Our Journey 15 Our Wadawurrung Country Plan 18 Developing the Plan together 19 Our shared Vision 21 Our Values – the elements we want to keep healthy 25 Threats – the problems that make our values unhealthy 47 Threat descriptions 49 Programs and Strategies 60 Appendices 82 Warning, please note this document may contain the names and images of people who are now deceased. 3 Foreword As Chair of the Wadawurrung Traditional Owners Aboriginal Corporation it gives me great pleasure in presenting our Healthy Country Plan. Firstly, I would like to acknowledge all Wadawurrung Traditional Owners, our Ancestors and pay respect to our Elders past, present and emerging. Our connection to Culture and Country continues to provide us with the strength to practice and pass on tens of thousands of years of knowledge, as Wadawurrung People. -
Canberra Australian National University Act 200
Location Suburb / Town State Postcode CANBERRA AUSTRALIAN NATIONAL UNIVERSITY ACT 200 CANBERRA BARTON ACT 2600 CANBERRA CANBERRA ACT 2600 CANBERRA CAPITAL HILL ACT 2600 CANBERRA DEAKIN ACT 2600 CANBERRA DEAKIN WEST ACT 2600 CANBERRA DUNTROON ACT 2600 CANBERRA FAIRBAIRN RAAF ACT 2600 CANBERRA HARMAN ACT 2600 CANBERRA HMAS HARMAN ACT 2600 CANBERRA PARKES ACT 2600 CANBERRA PARLIAMENT HOUSE ACT 2600 CANBERRA RUSSELL ACT 2600 CANBERRA RUSSELL HILL ACT 2600 CANBERRA YARRALUMLA ACT 2600 CANBERRA ACTON ACT 2601 CANBERRA BLACK MOUNTAIN ACT 2601 CANBERRA CITY ACT 2601 CANBERRA AINSLIE ACT 2602 CANBERRA DICKSON ACT 2602 CANBERRA DOWNER ACT 2602 CANBERRA HACKETT ACT 2602 CANBERRA LYNEHAM ACT 2602 CANBERRA O`CONNOR ACT 2602 CANBERRA WATSON ACT 2602 CANBERRA FORREST ACT 2603 CANBERRA GRIFFITH ACT 2603 CANBERRA HONEY SUCKLE CREEK ACT 2603 CANBERRA MANUKA ACT 2603 CANBERRA ORRORAL VALLEY ACT 2603 CANBERRA RED HILL ACT 2603 CANBERRA CAUSEWAY ACT 2604 CANBERRA KINGSTON ACT 2604 CANBERRA NARRABUNDAH ACT 2604 CANBERRA CURTIN ACT 2605 CANBERRA GARRAN ACT 2605 CANBERRA HUGHES ACT 2605 CANBERRA CHIFLEY ACT 2606 CANBERRA LYONS ACT 2606 CANBERRA O`MALLEY ACT 2606 CANBERRA OMALLEY ACT 2606 CANBERRA PHILLIP ACT 2606 CANBERRA SWINGER HILL ACT 2606 CANBERRA WODEN ACT 2606 CANBERRA FARRER ACT 2607 CANBERRA ISAACS ACT 2607 CANBERRA MAWSON ACT 2607 CANBERRA PEARCE ACT 2607 CANBERRA TORRENS ACT 2607 CANBERRA CIVIC SQUARE ACT 2608 CANBERRA FAIRBAIRN CIVIL AERODROME ACT 2609 CANBERRA FYSHWICK ACT 2609 CANBERRA MAJURA ACT 2609 CANBERRA PIALLIGO ACT 2609 CANBERRA SYMONSTON -
Aboriginal Heritage Identification Guide
Aboriginal Heritage Identification Guide Authorised and published by Parks Victoria acknowledges the Traditional Owners of Parks Victoria Victoria, and pays respect to their Elders past, present and Level 10, 535 Bourke Street, future, and their ongoing connection and responsibilities in Melbourne VIC 3000 caring for Country. Parks Victoria thanks Aboriginal Victoria and the following Registered Aboriginal Parties for their knowledge and assistance in developing this guide: © Parks Victoria 2019 Barengi Gadjin Land Council Aboriginal Corporation, This work, the Aboriginal Heritage Identification Guide, is Dja Dja Wurrung Clans Aboriginal Corporation, licensed under a Creative Commons Attribution 4.0 licence. Eastern Maar Aboriginal Corporation, You are free to re use the work under that licence, on the Gunaikurnai Land and Waters Aboriginal Corporation, condition that you credit Parks Victoria as author, indicate Gunditj Mirring Traditional Owners Aboriginal Corporation, if changes were made and comply with the other licence Martang Pty Ltd, Taungurung Clans Aboriginal Corporation, terms. The licence does not apply to any branding including Wathaurung Aboriginal Corporation, the Parks Victoria logo, Victorian Coat of Arms and the Wurundjeri Tribe Land and Compensation Victorian Government logo. Cultural Heritage Council Inc. and This document is intended for the use of Parks Victoria Yorta Yorta Nation Aboriginal Corporation. employees and other agencies, contractors and groups This guide was developed by Parks Victoria’s culture and working on Parks Victoria managed land. Every effort has heritage branch which included Barry Coombes, been made to ensure that the information in this document Chrystle Carr, Damien Jackson, John Clarke, is accurate. Parks Victoria does not guarantee that the Katherine Mullett, Leah Sheppard, Luke Johnson, publication is without flaw of any kind and therefore Rebecca Phillips and Wendy Luke. -
Astronomical Symbolism in Australian Aboriginal Rock Art
Accepted in Rock Art Research (2010) Astronomical Symbolism in Australian Aboriginal Rock Art Ray P. Norris1 and Duane W. Hamacher1 1Department of Indigenous Studies, Macquarie University, NSW 2109, Australia Corresponding author e-mail: [email protected] Abstract Traditional Aboriginal Australian cultures include a significant astronomical component, perpetuated through oral tradition and ceremony. This knowledge has practical navigational and calendrical functions, and sometimes extends to a deep understanding of the motion of objects in the sky. Here we explore whether this astronomical tradition is reflected in the rock art of Aboriginal Australians. We find several plausible examples of depictions of astronomical figures and symbols, and also evidence that astronomical observations were used to set out stone arrangements. However, we recognise that the case is not yet strong enough to make an unequivocal statement, and describe our plans for further research. Keywords: Aboriginal Australian, rock art, archaeoastronomy, ethnoastronomy 1. Introduction The dark night skies of Australia are an important part of the landscape, and would have been very obvious to Aboriginal people around their campfires before the British occupation. So it is unsurprising to find that stories of the Sun, Moon, planets, and constellations occupy a significant place in the oral traditions of Aboriginal Australians. This was first described by Stanbridge (1857), and since noted by many other authors (e.g. Mountford 1976; Haynes 1992; Johnson 1998; Cairns & Harney 2003; and Norris & Norris 2009). The focus of most of these works is on the correspondence between constellations, or celestial bodies, and events or characters in traditional Aboriginal oral traditions. For example, in many Aboriginal cultures the European constellation of Orion is associated with young men, particularly those who are hunting or fishing (e.g. -
An Introduction to Our First Peoples for Young Australians
An introduction to our First peoples for young Australians Teachers’ notes edition by Melinda Sawers Welcome to Country teachers’ notes About these teachers’ notes These teachers’ notes have been written to align with each chapter of the bookWelcome to Country: Youth Edition and to assist teachers to prepare and present lessons and activities that draw on the main book. To use this material, teachers are advised to read the chapter in the main book, Welcome to Country: Youth Edition and then the associated material in these notes. Each chapter in the teachers’ notes follows the same format, and is designed to give teachers a summary of the chapter, background information helpful for teaching the content and then a list of the relevant Organising Ideas from the Cross-Curriculum Priority of Aboriginal and Torres Strait Islander Histories and Cultures. Following this are suggested teaching activities for a variety of subjects with references to resources, links to the relevant Content Descriptions and Content Elaborations for each subject and, finally, an extensive resource list. The Learning Activities range from short and simple, such as watching a three-minute YouTube video that presents new and interesting information to the students, to research topics that can fill an entire unit, such as understanding Australia’s Constitution. There are a wide variety of suggested student outcomes from singing, dancing, art and media productions, to debates, public presentations, scientific field explorations, conversations with historical figures and students producing their own webpage resources to assist others to learn about these topics. Teachers are encouraged to explore the resources listed at the end of each chapter to enrich their own knowledge and to develop their students’ understanding and enjoyment of learning about Australia’s First peoples. -
Wurdi Youang: an Australian Aboriginal Stone Arrangement with Possible Solar Indications
Wurdi Youang: an Australian Aboriginal stone arrangement with possible solar indications. Ray P. Norris1;2, Cilla Norris3, Duane W. Hamacher1;5, Reg Abrahams4 1 Department of Indigenous Studies, Macquarie University, NSW, 2109, Australia 2 CSIRO Astronomy & Space Science, PO Box 76, Epping, NSW, 1710, Australia email: [email protected] 3 Emu Dreaming, PO Box 4335, North Rocks, NSW, 2154, Australia 4 Wathaurong Aboriginal Cooperative, Lot 62, Morgan Street, North Geelong, Vic 3215, Australia 5 Nura Gili Centre for Indigenous Programs, University of New South Wales, Sydney, NSW 2052, Australia Submitted to Rock Art Research 18 August 2011; this version 28 Sep 2012 Abstract: Wurdi Youang is an egg-shaped Aboriginal stone arrangement in Victo- ria, Australia. Here we present a new survey of the site, and show that its major axis is aligned within a few degrees of east-west. We confirm a previous hypothesis that it contains alignments to the position on the horizon of the setting sun at the equinox and the solstices, and show that two independent sets of indicators are aligned in these directions. We show that these alignments are unlikely to have arisen by chance, and instead the builders of this stone arrangement appear to have deliberately aligned the site on astronomically significant positions. Keywords: Cultural astronomy | Aboriginal astronomy | Aboriginal culture | stone ar- ragements 1 Introduction tures in Australia, and it is dangerous to assume similarities between them. On the other hand, it 1.1 Aboriginal Astronomy is important to acknowledge that in some cases there are some similarities. For example, the as- It is well established that the night sky plays an sociation of Orion with a young man or group of important role in many Australian Aboriginal cul- males, and the association of the Pleiades with a tures (Stanbridge 1861; Mountford 1956; Haynes group of girls, are found in many Aboriginal cul- 1992; Johnson 1998; Cairns & Harney 2003; Norris tures across Australia.