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INTRODUCTION

HE CUSTOM OF RE-PRINTING a year's sup- Tply of dances in a special volume known as the Sets in Order Yearbook, started sev- eral years ago and has been continued as a part of Sets in Order's many activities. Chances are, the routine would have con- tinued without interruption had we not been faced with a minor catastrophe. Last year when the 1967 Yearbook was ready for publication, the completed manu- script was being delivered to the home of one of our editor's for proof-reading, when the entire collection disappeared from the face of the earth. Nobody had any idea where the 500 dances had vanished, and CONTENTS search as we might, we finally had to give I. Patter Calls and Breaks . . . 3 up and simply cross the yearbook project 373 Square Dances, Breaks and off our list. And that, we thought, was the Fillers. end of the matter. However, soon after the announcements II. Collections and Drills . . 24 went out, letters, some angry, some in prose, 103 examples by various cont- others in poetry, many short, some long and ributors using a number of extremely expressive, came in asking — no, themes and movements, demanding — that we "do something about some old, some new. it!" Well, it hasn't been easy, but we were III. Feature Callers 29 able to recoup much of the original type- Short biographies of 12 well- set material, and so, combining all of the known callers and 155 dances dances from the year 1966 with those of they enjoy calling. 1967, we have the grandest total we have ever come up with. A collection of proven IV. Elliott's Scrap Book 39 material, all workshopped several times in George opens his notebook the process, totaling 1069 different dances. and comes up with 164 We discovered that in doubling the size examples based on 24 solid of the yearbook we could still fit it into 100 and traditional basics. pages, but of course the page size had to be enlarged a bit. So, this book is different V. Experimental Lab 50 in every way. In total number of dances as "How To Do" explanations Well as in vertical and horizontal measure- for 13 experimental figures ments. together with 95 examples. We hope that you enjoy the collection VI. Contra Dances 54 and we pay special tribute to all Sets in Order dance editors, and especially to Joy For Variety, 11 Contra Dances. Cramlet, our coordinator, and June Berlin, VII. Singing Calls 55 our yearbook editor. We've selected 4 dances each — Bob Osgood, Editor month from the great number Sets in Order of releases for a total of 96. Beverly Hills, California VIII. Round Dances 69 November 1967 72 Rounds and Mixers selected by our editor. IX. Index ...... 95 DEDICATION Alphabetical listing of the 1,069 dances and drills presented in this volume. O THE MEN AND WOMEN who form the Tspecial Gold Ribbon Committee of square dancing, this volume is respectfully dedicated. This group with representatives in almost every field of the activity and located throughout the world of square dancing, represent the determination of the great majority who firmly believe that this activity should be perpetuated — indefinite- ly. Through their unselfish study and re- search, their efforts will help to point the direction to a secure future built on a sound Copyright 1967 foundation. Sets in Order points with pride Sets in Order, The Official Magazine of Square Dancing, 462 North Robertson Blvd., Los Angeles, Calif. 90048 to this group and the work they are setting printed in U.S.A. out to achieve, ANOTHER INTERWOVEN FANTASY By Bill Castner, Lafayette, California Heads right, circle four dlead gents break to a line of four Forward eight and back for fun ass thru, girls run The II eight circulate 1irls run and line up four "'Forward eight and back for fun -Iass thru, girls run II eight circulate PATTER irls run to a left allemande A-PEELING , By Royce Waugh, Cuyahoga Falls, Ohio Head two gents and the corner girl Up to the middle and back you whirl CALLS Square thru in the middle you do Four hands around ... then split those two Around one to a line of four HE IDEAS YOU FIND IN THIS SECTION represent the type of extemporized calling Dance up to the middle and back once more Tthat proves so popular today among the world's callers. Differing from singing Center four square thru three quarter round calls, these patterns are combinations of basic movements which the caller fits to Do a centers in and the ends fold Peel off ... face back in any of a broad selection of hoedown tunes. While good calling fits the music, Go forward up and back again the calls are not "sung" to the necessarily melody, but will be compatible to the Center four square thru three quarter round musical phrase. There are enough items in this section to supply a caller with a Do a centers in ... and the ends fold fresh call every day. At the end of the section, on page 23, you'll find a dozen Peel off ... here's the deal Pass thru and wheel and deal figures known as breaks, which can be easily adaptable almost any place in the Face your partner ... star thru callers repertoire. If you are looking for variety, you will find it here. Now double pass thru First couple left, next one right Cross trail and look out Sam There's the corner, Left allemande. ALAMO CIRCULATE ALL KINDS By Chet and Barbara Smith, Boylston, Mass. By Jeanne Moody, Salinas, California Allemande left in the alamo style One and three square thru four hands/ BACKTRACK SLIDE THRU Right to your partner balance Do sa do to ocean wave/ By Beryl Main, Denver, Colorado Then the heads circulate —Swing thru Heads square thru four hands Then everybody turn by the left half Girls TRAM.— Slide thru pass thru wheel and deal Then the sides circulate ,,,Spin the top Backtrack centers in cast off three quarters Then everybody turn by the left half Boys TRADE.— Pass thru wheel and deal Then the heads circulate Right and left thru Men slide thru — single file turn left Then everybody turn by the left half Pass thru, on to next,- Go round two girls Then the sides circulate quare thru three quarter., Come down the middle Then everybody turn by the left half lturn back,/square thru three quarter Dixie style to ocean wave Left allemande Go right and left grand Straight ahead — left allemande

ALAMO STYLE — TRADE AND NOW BASIC FUN By Chet Smith, Boyleston, Mass. By Bob Kirkland, San Bruno, California By Bob Barnes, Phoenix, Arizona Allemande left make alamo style Head ladies chain One and three right and left thru Give a right to your partner balance awhile One and three square thru four hands Star thru -Read men trade with your partner Star thru Square thru four hands around Two ladies trade/ two men trade Right and left thru Clover leaf just you two Side men trade with your partner Dixie spin Outsides in plead men trade with your partner Left spin the top Forward up and back Two ladies trade,two men trade All eight circulate Bend the line pass thru Side men trade with your partner Ladies circulate Wheel and deal double pass thru Left allemande Left allemande Men only "U" turn back Left allemande ALL EIGHT SPIN THE TOP By Dan Schmelzer, Torrance, California AND THEN ROUNDOFF Allemande left, a right to your girl By Bob Kent, Warwick, Rhode Island BASICS TO A DIXIE GRAND All eight spin the top, (all swing right a half) Side couples do a right and left thru By Mr. and Mrs. R. J. Hutchinson, Ladies star left three quarters 'round, men move Same two ladies chain you do Whitby, Ontario, Canada up a quarter Heads a half sashay Heads square thru, four hands All eight balance (same girl) Lead to the right, circle that way Pass thru outside two All eight spin the top (all swing right a half) Ladies break to a line of four Centers square thru four hands while Men star left three quarters, girls move up Forward up and back of course Heads cross trail and star thru a quarter Pass on thru roundoff Go centers in and cast off three quarters round „All eight balance (same girl) Ladies square thru three quarters Ends trade Swing by the right to a left allemande, etc. Left allemande Centers pass thru Centers trade Forward eight and back ALLEN'S DANCE AN OUTING Pass thru By Allan Brozek, Oxford, Connecticut By "Sparky" Sparks, Clearlake Highlands, Calif. Wheel and deal Heads right and left thru Heads right circle up four Girls in front, double pass thru Same two ladies chain Head gents break to line of four Face to center, back away Square thru four hands Up to middle, back you reel Join hands make a ring Swing thru outside two Pass thru, then wheel and deal Circle left, back by the right Men trade Double pass thru, first go left Men turn back, Dixie grand Men circulate Next right, right and left thru Right, left, right Men run The first old two, turn your Sue Meet your own, swat the flea Wheel and deal Square thru, count four hands you do Change hands, right, left grand Spin the top When you're thru, centers TRADE Box the gnat Centers in, cast off three quarter Right and left thru Square thru across from you BE CAREFUL Pass thru Count four hands around you do By Fred Whiteford, Costa Mesa, California Bend the line When you're thru, outside four TRADE Sides chain heads chain left Pass thru Do a Dixie Daisy, right pull by Heads square thru four hands Wheel and deal Left turn half, right pull by Centers in (outside two) Square thru three hands Centers out, bend the line Corners all Allemande left Left allemande Allemande left

3 BENDIT LINE OF TWO BOB'S OWN Pass thru By Mac McCuller, San Luis Obispo, California By Bob Kirkland, San Bruno, California Bend the line One and three up to the middle One and three right and left thru Just the ends star thru And back in time Head ladies chain Four ladies chain, she's your partner Into the middle and bend the line Four ladies chain three quarter Stand right there Pass thru split those two One and three right circle to a line Go 'round one Right and left thru, Dixie spin Meet this girl and box the gnat Left spin the top CASTING SUBS Everybody to right and left grand Left swing thru By Monty Montooth, Fayetteville, N. C. Boys run, wheel and deal Heads cross trail, go around one Box the gnat Make a line of four, have a little fun Square thru three quarter Forward eight, come on back BIG EIGHT Left allemande Pass on thru, you turn back, star thru By Dick Kenyon, Lansing, Michigan Right and left thru in the middle of the pen Allemande left, swing your girl Do a full turn around, then centers in All four couples fold a girl, star thru Cast off three quarters round Then promenade go round the town BOYS SLIDE THRU Meet a new Sue, ain't she cute Keep on going and don't slow down By Chet Smith, Boylston, Massachusetts Star thru, then substitute One and three wheel around Promenade—Boys roll back just one Square thru in the middle of the land Right and left thru, turn on around Promenade with the corner, son Three quarters round to beat the band Pass thru, wheel and deal Heads wheel around star thru Allemande with your left hand Double pass thru, fold a girl Dive thru pass thru star thru Partner right, right and left gran-' Star thru make a line of eight Pass thru wheel and deal Go forward and back, don't be late Double pass thru centers in Bend that big old line you do Cast off three quarter round pass thru CATCHY Right and left turn, turn your Sue Wheel and deal girls substitute By Fred Whiteford, Costa Mesa, California Cross trail back, look out man Back over two—boys slide thru Sides chain heads half sashay There's the corner left allemande. Turn left go round the land Lead right circle four Girls pass thru to a left allemande Side gents break to line of four Pass thru wheel and deal BILL'S FOLD Double pass thru centers in By Bill Jordan, Eastlake, Ohio BOYS WHAT? Allemande left Heads right circle four By Herb Mercier, Manchester, Connecticut Head gents break to line of four Heads swing Star Thru to the outside two Forward and back you're doing fine Swing thru boys Trade CENTERS IN CIRCULATION Pass thru and fold the ends Boys circulate, boys run By Dave Marton, Nottingham, England Box the gnat across from you Wheel and deal One and three square thru four hands Come on back, right and left thru Left allemande Do-sa-do to an ocean wave Dive thru, pass thru All eight circulate Square thru with outside two Balance up and back Two lines of four go out and back BREAK FROM PROMENADE Swing thru two by two Now fold the ends, box the gnat By Jimmy Huff, Lafayette, Louisiana Just the men circulate Right and left thru other way back Heads wheel around and star thru Ladies trade balance up and back Dive thru, pass thru Pass thru, (in the middle) With this girl box the gnat Square thru three quarter, man Go right and left thru full turn Promenade wrong way round Left allemande Others cross fold, right and left thru Heads step apart do a centers in Pass thru, (in the middle) Cast off three quarter round Go right and left thru full turn Girl in front star thru Others cross fold, right and left thru Promenade two by two BIRMINGHAM SLIDER Square thru three quarters round One and three wheel around By Ralph Kinnane, Birmingham, Alabama Allemande left Cross Trail thru One and three right and left thru Allemande left One and three to right, circle to line Ladies chain Pass thru BROKEN CAST #1 & #2 CENTERS TRADE Wheel and deal By Julius King, Lexington, Massachusetts By Tom Miller, San Luis Obispo, California Centers pass thru Heads lead right and circle up four Heads lead right circle to a line Box the gnat Head men break and line up four Right and left grand Forward eight and back you reel Pass thru head couples Frontier whirl Pass thru, wheel and deal Centers trade wheel and deal Inside two do a U-turn back Pass thru left allemande Centers in and cast off, Jack BLACK'S BREAK Three-quarters 'round, ends trade By Ron Black, Los Angeles, Calif. Forward up and back, he said CHAIN AND STAR THRU One and three square thru Star thru then swing thru By The Board of S.D.C.A. of Southern California Right and left thru Box the gnat when you get thru Four ladies chain Outsides arch Pull on by left allemande Head ladies chain star thru Insides duck out and separate, 'round one Partner right and a right and left grand Side ladies chain star thru Down the center, girls grand chain One and three Frontier whirl Promenade don't stop Heads lead right and circle up four Right and left thru One and three wheel 'round Head men break and line up four Star thru pass thru Cross trail Forward eight and back you reel Turn back swing etc. Allemande Pass thru, wheel and deal Inside two do a U-turn back Centers in and cast off, Jack CHAIN RIGHT NOW THE BLYTHE-ER Three-quarters 'round, ends trade By George Etzel, Santa Ana, California By Fred Bailey, No. Las Vegas, Nevada Forward eight and back you reel Head ladies chain right Head two ladies chain to the right Pass thru, wheel and deal New side ladies chain right Turn 'em around, hug 'em up tight Inside two do a U-turn back Head ladies chain right Walk all around new corner maid Centers in and cast off, Jack New side ladies chain right Come back one and promenade Three-quarters 'round, ends trade All four ladies lead right, allemande left, etc. Promenade but don't slow down Forward eight and back with you Two and four wheel around Right and left thru and turn 'em too Cross trail across the land Right and left thru go two by two CHAIN STAR THRU Find the corner do a left allemande Two ladies chain when you get thru By Hillis Hauck, Pomona, California Cross trail thru Heads rignt and left thru U turn back Same ladies wheel chain Star thru across the track BUCKET STIR Sides pass thru Frontier whirl Eight chain thru, go across the land By Shinichi Ichimura, Tokyo, Japan Side ladies wheel chain Meet that couple and star thru One and three you right and left thru All four ladies chain star thru Forward eight and back with you Two and four pass thru Promenade Fold the centers U turn back All four couples wheel around Square thru Half square thru Promenade wrong way 'round Three quarter around and watch it, man Do sa do, make an ocean wave Girls roll a half sashay Count to three Swing thru, without a stop Girls turn back Left allemande Spin the top, without a stop Left allemande CHUCKALUK CLOVER AND SQUARE THRU Into the middle turn thru By Chuck Raley, Lakewood, California By Gil Buck, Downey, California Sides turn back cloverleaf to a One and four right and left thru One and three right and left thru Right and left grand Side ladies chain Turn the girls, four ladies grand chain New number one face the corner One and three square thru four hands Box the gnat Four hands round you do and pass thru CLYDE'S CUTIE Heads crosstrail thru Clover and square thru four hands By Clarence E. Eskridge, Green River, Wyoming Go around two make line of four Four hands round you do Heads to the middle and back with you Pass thru; wheel and deal Square thru, the outside two four hands Do sa do the opposite two Centers square thru three quarter Four hands round you do All the way, make an ocean wave Do-sa-do to an ocean wave All eight California twirl Rock up and back then spin the top Boys swing thru Dixie chain across the track Turn right, girls left, make a new line Girls spin the top Girls turn back left allemande, etc. Centers trade without a stop Boys spin the top Spin the top, don't be afraid Girls swing thru Balance once then centers trade Pass thru bend the line CLOVERLEAF CHAIN Double spin the top this time Pass thru, wheel and deal By Tom Tobin, Los Angeles, California Keep on going you're doing fine Centers pass thru Head two ladies chain across, turn 'em Rock up and back in the middle of the land Star thru, bend the line One and three move up to the middle, back Cross trail thru Crosstrail thru Square thru four hands around Left allemande Left allemande Star thru Bend the line COMBINATION Two ladies chain across turn 'em By Stub Davis, Waurika, Oklahoma Forward eight and come on back One and three square thru CIRCULATE Center four pass thru Three quarters round By Gordon Blaum, Miami Beach, Florida U turn back Separate, go round one to line of four One and three square thru Forward eight and back with you Pass thru, wheel and deal Four hands around pass thru Star thru Double pass thru, centers in All eight circulate pass thru Double pass thru Cast off three quarters round All eight circulate Cloverleaf go single file Pass thru, wheel and deal Left allemande Center four go right and left thru with full turn Double pass thru, centers in Face the outside Cast off three quarters round Eight chain three Pass thru, wheel and deal Go right, left, right CIRCULATE AND ROCK IT Inside four square thru Left allemande Author Unknown Three quarters round Head ladies chain Left allemande partner right One and three CLOVERLEAF DIFFERENT Right and left grand. Square thru four hands By Tom Tobin, Los Angeles, California Do-sa-do the outside two One and three go right and left thru Make an ocean wave CORNER FUN Swing thru two by two Whirlaway with half sashay Pass thre go round one By Bob Kent, Warwick, Rhode Island All eight circulate rock it To make a line of four Head gents and your corner girl Swing thru two by two Go up to the middle and back Forward eight and back All eight circulate rock it Forward again and box the gnat Half square thru Swing thru two by two Right and left thru, the other way back U turn back, box the gnat All eight circulate rock it Swing star thru, split two Right and left thru the other way back Go right and left grand etc. Around one, down the middle, right and left thru Star thru, bend the line The other two up to the middle and back Up and back and half square thru Forward again and box the gnat Center four turn back Right and left thru the other way back Let's Cloverleaf, go single file CIRCULATE TWICE Swing star thru, split two Center four half square thru By Gordon Blaum, Miami, Florida Around one down the middle, cross trail Then U turn back One and three wheel around Box the flea, change hands Heads you pass thru, turn back Right and left thru slide thru Go right and left grand Do-sa-do make an ocean wave balance Sides you star thru All eight circulate twice Then Allemande left. Then do a right hand swing COUNT DOWN All eight circulate twice boys run By Don DuBois, Portland, Oregon Wheel and deal and a quarter more CLOVER LEAF LUCK One and three square thru Cross trail thru By Jerry Helt, Cincinnati, Ohio Five hands around the count is five Allemande left Heads pass thru and cloverleaf Separate go round one All double pass thru and cloverleaf Into the middle and square thru All double pass thru and cloverleaf Four hands around the count is four Center two pass thru Separate go round one CIRCULATE YOU DO Split the outside and cloverleaf Into the middle and square thru By Gene Pearson, Groves, Texas All double pass thru and cloverleaf The count is three Head two couples square thru All double pass thru and cloverleaf Do sa do the outside two Four hands and when you Center two pass thru Half square thru the count is two Do sa do the outside two Split the outside and cloverleaf One to the next and square thru Make an ocean wave and rock Left allemande. One hand — left allemande All eight circulate Then blast off in a right and left grand Then swing thru two by two CLOVERLEAF TO A LEFT ALLEMANDE All eight circulate and rock By Dan Schmelzer, Torrance, Calif. COUNTRY COUSIN DOUBLE STAR Swing thru two by two Three and four right and left thru By Ray Stouffer, Cincinnati, Ohio Right and left thru and turn your Sue New three and two ladies chain Heads half sashay, star right in the middle of the Dive thru, pass thru Number two promenade ring To a left Allemande Three quarters 'round Once and a quarter, double the star Stand behind couple one (left hand star) with folks you met Number four lead left Heads star right in the center of set CIRCULATION Circle half way 'round Sides divide, you're not thru yet By Cal Lambert, Houston, texas Dive thru (automatic star thru) Four ladies chain across you do Those who can right and left thru Once and a quarter, keep it buzzin' Then one and three cross trail thru Turn your girl and pass thru Double the star with your country cousin (left) Go around one, make a line of four Those who can Same old four in middle of the square Go up to the middle and back once more Square thru three quarters 'round (once and a quarter) Go right and left thru across you do Those who can Sides divide, leave your lady fair Two ladies chain and when you do Left square thru four hands Double star in middle of the night Just the girls — circulate, left allemande While others clover leaf to a Back to the center star by the right Left allemande Sides divide and away you go Four ladies chain across you do Double the star and don't be slow Then two and four cross trail thru Back to the center away we go Go around one, make a line of four CLOVER TO A Sides divide just one more time Go up to the middle and back once more By Wayne West, Anaheim, California Ring up four in the middle of the floor Two ladies chain and when you do One and three right and left thru Roll away, half sashay, star right Just the men — circulate, left allemande Crosstrail round one Corners all left allemande COUPLES CIRCULATE DAISY DOOSIE Put 'em in the lead go Dixie Style By Dewey L. Glass, Montgomery, Alabama By Bruce Elm, Provo, Utah Pass thru and circle up four Head ladies chain Side two ladies chain across Head men break to a line of four Heads right and left thru While the head two couples half sashay Move up to the middle and back Half square thru, Heads square thru four hands round Right and left thru Do sa do make an ocean wave When you get to four do a U turn back Put the girls in the lead, Dixie Spin Swing thru Double pass thru U turn back Without a stop pass thru Ladies do a U turn back All four men diagonally And bend the line Couples circulate Dixie chain across the track Right and left thru turn the girl Bend the line Both turn right while the girls turn back Put her in the lead for a Dixie Spin Star thru Meet your own, box the gnat Without a stop crosstrail, find the corner Pass thru Promenade just like that Left allemande. Left allemande Heads wheel around, now cross trail thru Left allemande DIXIE DAISIES COUPLES PROMENADE THREE QUARTERS By Hayes Herschler, Colmar, Pennsylvania By Gene Pearson, Groves, Texas One and three go up to the middle and back DAISY TRADERS Square thru in the middle of the track Head two couples go right and left thru By Sparky Sparks, Clearlake Highlands, Calif. Turn the girls round Four hands round that's what you do Heads to middle back you do And when you're thru do a right and left thru Same two promenade Star thru, do a Dixie daisy Three quarters round With the outside two Right, pull by, left turn half Turn 'em right around and dive thru Center couples (sides) Right, pull by, all eight trade Do sa do all the way round Square thru in the middle of the track Do a Dixie daisy Three hands round then U turn back Make an ocean wave swing thru Right, pull by, left turn half Do a Dixie daisy on a double track Rock it up and back Right, pull by, all eight trade Chain on over, chain on back Box the gnat pull her by Center four square thru The outside four you turn around Allemande left Three quarters around you do Allemande left with the one you found Allemande left. One and three go up to the middle and back CROSS FOLDS I Square thru in the middle of the track By Jimmy Huff, Lafayette, Louisiana DEED Four hands round that's what you do Heads cross trail thru and go round two And when you're thru, split the outside two And make a line of four By "Mac" McCuller, San Luis Obispo, California One and three right and left thru Go around one, line up four, the inside two Forward eight and back so bold Star thru — pass thru half sashay Pass thru ends cross fold Square thru four hands Eight go up and back you reel And a right and left thru With lady on right Pass thru and wheel and deal Dive thru, star thru Left allemande Do a Dixie daisy on a double track Roll with a half sashay and square thru Chain on over, chain on back Split two and a line of four Four little girls U turn back Forward eight and back you are told Allemande left Pass thru, ends cross fold DID I? Right and left thru By Sam Stead, Lethbridge, Alberta, Canada Dive thru, pass thru Four ladies chain you do DIXIE DAISY DOUBLE TRACK Allemande left Turn your girl and the head two By Bob Barnes, Phoenix, Arizona Star thru and pass thru One and three lead to the right, circie to a line Circle there to a line of four Pass thru — wheel and deal CROSS WHEEL Pass thru wheel and deal Center two — cross trail thru and you turn back By Jerry Helt, Cincinnati, Ohio Dixie daisy (patter) Dixie daisy on double track Four ladies chain Centers in cast off three quarter star thru Clover leaf go two by two Across the square Centers in cast off three quarter star thru Center two — crosstrail thru and you turn back Heads forward Square thru three quarter allemande Dixie daisy on double track Do sa do to an ocean wave Clover leaf go two by two — double pass thru Rock it forward and back First two left — second two right Sides forward and back DIFFERENT Right and left thru — Crosstrail Along that wave By Robert Helms, Newhall, California Left allemande. Sides forward Eight to the middle and back again Do sa do to an ocean wave Face your corner and all eight chain Everybody rock forward and back With a right pull by, then a left DIXIE DAISY Girls U turn back Turn the Jane By Dewey L. Glass, Montgomery, Alabama Everybody wheel and deal Circle to the left around the ring Head ladies dixie daisy Left allemande. Face your corner and all eight chain Cross by right turn half by left With a right pull by Cross again follow man to left Then a left hand swing Around one into middle head men CURLY TOP Half way round four ladies chain Dixie daisy cross by right turn half By "Sparky" Sparks, Clearlake Highlands, Turn her around By left cross again follow girl California Four men chain three quarters round To left around one into middle Heads to middle, back you do Left hand turn your corner maid Do a dixie chain lady go left Forward again and *curl thru Come back one, promenade Men to right around one into middle Do sa do to ocean wave, rock it Heads step apart, sides step up Box the gnat pull by Swing thru but don't you stop Centers in cast off three quarters round Left allemande Spin the top, and when you're thru Star thru when you come down Pass thru, curl thru, then Promenade wrong way round The outside two do sa do Sides step apart, heads step up DIXIE DAISY ±t2 All the way to an ocean wave Centers in cast off three quarters round By Dewey L. Glass, Montgomery, Alabama Swing thru, but don't you stop Star thru Head ladies chain to right Spin the top, and when you're thru Promenade around New head ladies chain across Rock it, man, then pass thru Two and four do a half sashay On to the next, curl thru Now head ladies dixie daisy Do sa do to ocean wave, rock it DIVE THRU SWING THRU Cross by right turn half by left Swing thru, but don't you stop Author Unknown Cross again follow man to left Spin the top, don't be late Head ladies chain Around one into middle head men All eight circulate, to a curl thru Dixie daisy cross by right Left allemande Heads promenade half way, Swing star thru, Right and left thru Turn half by left *Curl thru or use right and left thru Dive thru, Swing thru, Box the gnat Cross again follow girl to left Right and left thru — Pass thru Around one into middle DAISIES IN THE CLOVER Eight chain four, right and left thru Do a dixie chain but girls turn back By Bob Nipper, Edwards, California Dive thru — Swing thru, Box the gnat Left allemande Heads star thru, dixie daisy Right and left-thru — Pass thru Centers in, cast off three quarters round Left allemande Star thru, cloverleaf DIXIE GRAND Dixie daisy, centers in By Garrett Gilliam, Phoenix, Arizona All eight U turn back DIXIE Two and four lead to the right Star thru, substitute By Les Ely, Phoenix, Arizona Circle up four Center two square thru three quarters One and three right and left thru Side men break two lines of four Left allemande Turn 'em on around Forward eight and back with you Turn thru and bend the line DIXIE SPIN #2 DIXIE STYLE PRACTICE Forward eight and back you reel By Tom Rinker, Omaha, Nebraska By Stub Davis, Waurika, Oklahoma Pass thru wheel and deal Side ladies chain you do One and three half sashay Dixie daisy cross by the right Same ladies lead in a dixie spin Circle eight while you're that way Turn half by the left When you're through, do a left swing thru Circle eight around that track Cross by the right centers in Girls run, cast off three quarter round Four men go up and back And cast off three quarter round Pass thru across the town Four men pass thru, both turn left Turn thru and bend the line Allemande left Go round the outside round two Pass thru wheel and deal Down the middle dixie style rock it Center four pass thru Walk straight ahead Split two make lines of four DIXIE SPIN #3 Left allemande Join hands and circle left By Tom Rinker, Omaha, Nebraska Partner's right right and left grand Reverse back go single file Promenade Note: To put the girls to work Gents turn around Head two couples wheel around have the four ladies chain, then Do a dixie grand go right left right Star thru with the two you found use the same figure except have the Left allemande Ladies lead in a dixie spin girls working instead of men. Slide thru, star thru Square thru three quarter DIXIE GRAND Allemande left DIXIE STYLE TRADE By Mr. and Mrs. R. J. Hutchinson, By Bill Peters, San Jose, California Whitby, Ontario, Canada Two and four right and left thru Two head ladies chain to the right DIXIE SPIN # 4 Head ladies chain right Heads lead right make a line By Tom Rinker, Omaha, Nebraska One and three pass thru Pass thru Head ladies chain you do Round one, line up four Wheel and deal Head couples square on thru Pass thru wheel and deal Double pass thru Right and left thru the outside two (On double track) Dixie style to ocean wave Face the center back away Men lead in a dixie spin Girls trade Forward and back pass thru All eight circulate, still not done Men trade Wheel and deal Centers circulate, then ends run Left allemande Double pass thru face the center Cast off three quarter, keep in time Join those hands circle left Pass thru, bend the line DIXIE TOP Back by the right Box the gnat, then a right and left thru By Lee Payne, Norwalk, California Men turn back Dixie grand Ladies chain across you do Heads square thru four hands Right left right Then square thru three quarter man Swing thru men run Left allemande Look on the right, Left allemande Wheel and deal dixie spin Cross trail U turn back DIXIELATE #1 DIXIE SPIN #5 Right and left thru By Bob Baxter, Long Beach, California By Tom Rinker, Omaha, Nebraska Dive thru pass thru swing thru One and three out to the right, circle four Sides lead right, circle up four Men run wheel and deal dixie spin Head gents break, line up four Side men break, gonna make a line Cross trail but U turn back Ladies lead Dixie style to an Ocean wave Pass thru and bend the line Right and left thru dive thru Girls circulate, men turn back Men lead in a dixie spin Right and left thru Bend the line, ladies lead Dixie Style Left spin the top, watch it pop Roll a half sashay Ocean wave, girls circulate, Those facing out, do a U turn back Do a U turn back Men turn back, bend the line Up to the middle and back you reel Left allemande Right and left thru, crosstrail Pass thru and wheel and deal Allemande left Allemande left DIXIE TURN THRU By: Dan Dedo, No. Tonawanda, New York DIXIELATE #2 Partner left a do paso DIXIE SPIN #6 By Bob Baxter, Long Beach, California Four couples dixie turn thru Two and four right and left thru By Tom Rinker, Omaha, Nebraska You all turn left single file Same ladies lead with a Pixie Style Four ladies chain three quarter round Girls in the lead Ocean Wave, step ahead, circle four Turn the girl with an arm around Girls back track Side gents break, line up four Head couples do a half square thru Meet the same gent with catch all eight Bend the line, two ladies chain Right and left thru the outside two Right hand half Same ladies lead Dixie Style to an Ladies lead in a dixie spin Back by the left a full turn Ocean Wave, girls circulate Slide thru then crosstrail Four couples do a dixie turn thru Allemande left. Allemande left You all turn left single file Girls in the lead DIXIE SPINETTE Four men back track DIXIE SLIDE By Larry Hale, Oakland, California Meet Mother with a catch all eight By Herb Mercier, Manchester, Conn. Four ladies chain Make an allemande thar Four ladies chain Heads star by the right Slip the clutch Heads right and left thru Back up the left, pick up corner Left allemande Sides cross trail thru and go around two Back out and circle to left Make a line and go forward and back Four girls into middle, back DO IT Slide thru to a dixie grand Head ladies in lead Dixie spin By Joe Barcelow, Ionia, Michigan Right left right then pull by Left swing thru Circle eight and rollaway Allemande left Left spin the top Heads square thru four hands Girls pass thru Go right and ... DIXIE SPIN Left allemande Left allemande By Joe Boykin, Phoenix, Arizona Head ladies chain right New ladies chain across DIXIE STYLE CIRCULATE DON'T KNOW WHO WROTE IT Heads pass thru By Bill Peters, San Jose, California Author Unknown Separate around one make a line Head ladies chain right One and three do a do-sa-do Go up and back, star thru One and three pass thru Then ocean wave and rock it so Centers pass thru, swing thru Round one, line up four Swing thru without a stop Girls circulate, men run Pass thru Same four spin the top Wheel and deal Wheel and deal With a right pull by and Two ladies lead Dixie spin (On double track) Dixie style to ocean wave Allemande etc. Left allemande All eight circulate Allemande left DON'T RUSH IT DIXIE SPIN #1 By Jay King, Lexington, Mass. By Tom Rinker, Omaha, Nebraska DIXIE STYLE CIRCULATE Heads go forward, back with you Head couples go right and left thru By Sal Fanara, Independence, Missouri Swing thru go two by two Same ladies lead in a dixie spin Heads lead right and circle four Spin the top is what you do Centers trade, then centers run Head gents break to a line Then you're gonna pass thru Cast off three quarter, box the gnat End ladies diagonally chain Spin the top but double it, Pop Square thru three quarter round Now down the line two ladies chain Two times without a stop Circle up four when you come down Now chain 'em back Swing thru go two by two Heads break and make a line you do Then chain across Spin the top is what you do Move up and back, then star thru And chain them back Then you're gonna pass thru Then eight chain one Send 'em back Dixie style to an ocean wave On to the next with Sal and Sue Do an allemande left with the corner son All eight circulate, left allemande Spin the top but triple it, Pop Three times without a stop EIGHT CHAIN ERICK'S DREAM Swing thru one more time By Ed Fraidenburg, Flint, Michigan By F/L (Arch) Erickson, Greenwood, N.S., Canada Right and left thru, doin' fine Promenade heads wheel around Four ladies chain across turn the girls Allemande left Star thru, eight chain four (patter) Allemande left Slide thru, pass thru, wheel and deal Go right and left to an allemande thar DO'S DOOM Centers pass thru, Men back in make a right hand star By Carl and Fred, "The Hootin' Two," Eight chain six (patter) slide thru Shoot that star a full turn round Miami, Florida Pass thru, wheel and deal New corner right make a wrong way thar First and third promenade three quarters Centers pass thru Swing thru, swing right, girls swing left Side two square thru three hands Eight chain thru (patter) slide thru Balance up and balance back Do sa do all the way Cross trail thru Spin the top Face her and star thru Left allemande Swing right the men swing left three quarter Go up and back then bend the line round New two do sa do, ready with a right Box the gnat, pull by Spin the top take your time EIGHT CHAIN ONE ... LEFT ALLEMANDE Left allemande Then balance Pop By Joe Boykin, Phoenix, Arizona All eight circulate Side couples right and left thru Head gent new corner girl Grand right and left EVENFLO Go up and back By Jay King, Lexington, Massachusetts DOUBLE DIXIE Star thru Head two swing thru Circle four full around By Stub Davis, Waurika, Oklahoma Boys trade boys run Ladies break and make a line Four ladies chain across that town Wheel and deal, face those two Go up and back Four ladies chain three quarters round Slide thru pass thru Pass thru wheel and deal Heads forward, back you roar Swing thru the outside two Outside in and make a line Sides divide, line up four Boys trade boys run Go up and back Forward eight, come right back Wheel and deal, face those two Slide thru and then Pass thru, U turn back Slide thru cross trail Do an eight chain one Just the ends star thru Allemande left and on you sail Same four, cross trail across the floor Left allemande Go round one and line up four Forward eight, back you reel EIGHT CHAIN SUSIE Q. EVERYBODY CIRCULATE Pass thru, wheel and deal By Jeanne Moody, Salinas, Calif. By Tom Tobin, Los Angeles, California Double pass thru, centers in One and three Susie Q All four ladies chain across Cast off three quarters round All the way Two and four a right and left thru Eight pass thru across the track Face corner-eight chain three One and three up to the middle and back Ends fold, centers turn back Catch partners left for do pa so Half square thru, box the gnat Dixie chain a double track Corner right partner left Gents join hands, make an ocean wave Ladies left, gents right, left allemande Allemande thar Balance, everybody circulate Partners right, right and left grand Slip the clutch Then box the gnat, change hands Left allemande. Left allemande, etc. DOUBLE STAR By Bob Kriesten, Teheran, Iran Head two ladies chain across END BOYS OUT EVERYTHING FOLDS Turn 'em boy and don't get lost By Don Cameron, Glendora, California By Sal Fanara, Independence, Missouri Now the side two half square thru One and three go up to the middle and back Heads lead right circle four And circle four with the outside two Head ladies chain across, turn them around Head gents break line up four Head gents break, you make a line Same two cross trail thru around two Pass thru girls fold Forward eight and back in time Hook on the ends and join hands Star thru—substitute Forward again and pass thru Circle up eight, circle left you go Bend line Bend the line that's what you do Four girls move up to the middle and back Pass thru boys fold Chain the ladies across the way Pass thru, separate around one Star thru—substitute Make lines of four and stay that way Pass thru, split two and around one Bend line Couples one and two half sashay Pass thru, around one to a line of four Pass thru centers fold Forward eight and back that way Move up to the middle and back you shout Star thru (cross trail—left allemande) The inside arch and the ends duck under Arch in the middle, end boys duck out Pass thru ends fold Round just one and don't you blunder Around one, into the middle Star thru—California twirl Cross trail thru and you turn back Left square thru four hands in the middle of Right and left thru—cross trail Now the same two pass thru the land Left allemande You turn back that's what you do Left allemande, etc. Now the other two cross trail thru Round just one make lines of four Forward eight and back with you END BOYS OUT 4=2 EXPLOSION Forward again and pass thru By Don Cameron, Glendora, California By Dan Schmelzer, Torrance, Calif. Bend the line that's what you do One and three go up to the middle and back Promenade don't slow down ,One and three wheel around star thru Now the men star left and the ladies star right Right and left thru, turn that sue —Dive thru pass thru star thru Got two stars a goin' tonight Cross trail thru and around two Pass thru on to the next star thru Gents take your partner for a star promenade Make a line of four balance forward and back _bive thru pass thru star thru Ladies gonna backtrack 'round like that Pass thru and wheel and deal Meet your partner and box the gnat Double pass thru and centers out Go -right and left thru Pull 'em by to a left allemande Bend the line to a line of four Turn your girl and star thru Arch in the middle and end boys turn out —Dive thru pass thru star thru Around one, come down the middle Pass thru on to the next star thru EASY ONE —Dive thru pass thru star thru By Tom Tobin, Los Angeles, California Around one into the middle Square thru three quarters around in the middle Cross trail corners all First and third dance up to the middle and back Left allemande Square thru, four hands around on the inside track of the land Full around, then a right and left thru with the Left allemande, etc. outside two FAST BREAK Same two a double star thru, and when END GIRLS OUT By Frank Sanders, Ogden, Utah you're thru Heads go forward up and back Go right and left grand, etc. By Don Cameron, Glendora, California Four ladies chain across, and turn them and don't Cross trail thru go round two get lost Line up four forward up and back EASY TRADE One and three right and left thru, then turn Star thru double pass thru By Vic Harris, Burnaby, B.C., Canada that sue First two left Head two ladies chain to the right-right-right Pass thru and around one Next two right New side ladies chain across Make a line of four, go forward up and back Meet two pass thru One and three dance up to the middle and back you reel Wheel and deal Now one and three you square thru four hands Pass thru and wheel and deal Inside two square thru three quarter around you do Double pass thru, do a centers in Left allemande Do sa do the outside two Cast off three quarters to a line of four All the way around to an ocean wave Forward up and back you shout Rock up and back and swing thru Arch in the middle, end girls duck out FOLD A BOY—GIRL Along that track Around one, into the middle By Dick Kenyon, Lansing, Michigan And the men trade Left square thru, four hands in the middle of Heads right, circle up four And box the gnat the land Head gents break to a line of four Now pull her by, left allemande Left allemande, etc. Forward eight, back with you Square thru three quarter FRED WHO GET SET California twirl By Fred Whiteford, Costa Mesa, California By Bill Stringer, Livermore, California Right and left thru Side to the right circle to a line Two and four right and left thru Star thru Center two half sashay Turn 'em and when you do Right and left thru Girls half sashay Ladies chain three quarter Star thru, pass thru Centers half sashay Turn this girl and then California twirl Forward eight and back Heads lead right circle up four Forward eight, back, then pass thru Pass thru wheel and deal Head men break to lines of four Fold a boy, star thru Center two square thru three quarters Pass thru men run Fold a girl, star thru With the outside two pass thru Do a double swing thru Bend the line Allemande left Rock that line when you're straight Cross trail thru All eight circulate Left allemande Men run to lines of four FROM A PROMENADE Ends trade centers trade FOLDEMANDE By Gene Pearson, Groves, Texas Star thru guess who By Dick Kenyon, Lansing, Michigan Gents roll in a left face whirl Allemande left Head two ladies chain to the right Promenade the corner girl New head ladies chain across Heads wheel around half square thru GET THE POINT Heads right circle up four Those in the middle square thru three quarters George Sword, Hagerstown, Maryland Head gents break to a line of four round By Four ladies chain Forward and back, don't get lost Centers in cast off three quarters round One and three lead right circle four to a line Then pass thru and wheel-cross Star thru, center four star thru Pass thru, wheel and deal, double pass thru Forward eight, back to the land Cross trail, go around one Face this partner and back away Fold a girl Into the middle box the gnat Go eight to the middle and back you reel Left allemande Look her in the eye Pull her by, do a left allemande Pass thru wheel and deal Girls square thru four hands around FOLLOW IT UP Get all the way around, move out By Ed Fraidenburg, Flint, Michigan Boys move in square thru four hands around Side couples star thru, pass thru FROM PROMENADE Get all the way around Star thru the outside two By Chic Burgess, So. San Francisco, California Then centers in and cast off three quarters Pass thru, bend the line From promenade Eight to the middle and back you reel Do a right and left thru, star thru Two and four wheel around Pass thru, wheel and deal Square thru four hands around One and two spin the top Double pass thru, centers in and Go out and back, bend the line Three and four spin the top Cast off three quarters A right and left thru, pass thru One and two spin the top Then cross trail thru and allemande left Do a you turn back, box the gnat Three and four spin the top Right and left thru the other way back One and two right and left thru Turn the girl and do a dixie chain Three and four square thru three quarter around GIANT CLOVER Follow the girls One and two pass thru, on to next By Ron Haggerty, Oakland, California Move on to the next do a dixie chain Cross trail thru, left allemande Number one promenade three quarter Follow the girls, on to the next Centers in Two ladies chain, chain back Number two promenade a half Centers in Now all four ladies chain across FROM PROMENADE Left allemande Number three promenade one quarter By Fred Christopher, St. Petersburg, Florida Centers in Promenade, don't slow down Bend the line, star thru FOUR PLANETS Heads wheel around Dixie style, ocean wave Giant clover leaf (like any clover leaf) Presented by Training Committee S.D.C.A. Ends run, cast off three quarters here's the deal If you can star thru and promenade Heads to the right and circle up four Just pass thru, wheel and deal If you can star thru and promenade Break right out to a line of four Double pass thru, all turn back If you can star thru and promenade Forward eight and back there too, double star Substitute, box the gnat, change hands left If you can star thru and promenade thru allemande Cast off three-quarters round And box the gnat when you come down GIRL CROSSING By Bob Page, Hayward, California Cross trail but U turn back FUN CASTING Double star thru across the track By Ed Fraidenburg, Flint, Michigan Four ladies chain across you go Eight turn back and make a ring One and three half sashay One and three right and left thru Do the allemande left, etc. And square thru that way Same two couples swing thru Do sa do to an ocean wave Girls (ends) cross fold and star thru And rock it up and back Do a right and left thru with the outside two 14 DAY NON-STOP FACE TO FACE Cast off three quarter round Two ladies chain and the same couples swing By Sam Grundman, Berkeley, California Now the ends trade thru Head couples square thru Cast off three quarter round Girls (ends) cross fold and star thru Count four hands, without a stop Right and left thru You're facing out so wheel and deal Swing thru cast off three quarters Dive thru substitute Substitute and the center two square thru Swing thru cast off three quarters And those in the middle three-quarters round Swing thru cast off three quarters Square thru three quarter Allemande left etc. Change hands, left allemande Left allemande GIRLS DIXIE SLIDE FOUR TIMES By Beryl Main, Denver, Colorado By Julius King, Lexington, Massachusetts FUN WITH FOLD #4 Four ladies chain across for me Head ladies chain right By Bill Stringer, Livermore, Calif. New side ladies chain across Turn the girls, then one and three Two and four right and left thru Swing star thru, oh yes you do Head man face corner box the gnat Turn 'em and half sashay Girls go forward and back Swing star thru the outside two Head two cross trail Bend the line, go in and back Girls slide thru Go around two to make lines of four In single file split the boys Swing star thru, keep workin, Jack Forward eight back so bold Center two swing star thru Turn right around one Pass thru centers fold Down the middle dixie style to ocean wawa Separate around just one Allemande left Face these two and look out, son Pass thru left allemande Allemande left

GENE'S WHEEL AND DEAL GIRLS SLIDE THRU FRED WHAT By Gene Wilkinson, Dawson Creek, B.C., Canada By Chet Smith, Boylston, Massachusetts By Fred Whiteford, Costa Mesa, California Heads to the right circle to a line Promenade don't slow down Four ladies chain three quarters Pass thru, wheel and deal Girls roll back just one man Four ladies chain Double pass thru Promenade go round the land Sides right and left thru Centers in cast off three quarters Heads wheel around right and left thru star thru Heads square thru four hands Pass thru wheel and deal Dive thru pass thru star thru Pass thru the outside two Double pass thru Pass thru wheel and deal All "U" turn back First two left, second two right Double pass thru centers in Swing thru spin the top Star thru, double pass thru Cast off three quarter round pass thru Swing thru spin the top First couple left, second couple right Wheel and deal girls slide thru All eight circulate (promenade) Cross trail thru Turn right go round the land Right and left grand Left Allemande Boys pass thru to a left allemande

9 GIRLS TRADE GRAND ALLEMANDE BREAK HEART'S DELIGHT By Herb Mercier, Manchester, Conn. By Charlie Gwinn, Hawthorne, California By Robert E Valentine, Irvington, California Heads swing thru Four ladies chain straight across One and three you promenade the set Girls trade box the gnat Turn the girls and Go half way around and then Square thru the other way back Chain them back three quarter round Lead to the right, swing thru 't wing thru the outside two *One and three square thru four hands Rock it when you get there (one long line) Girls trade box the gnat Go right and left thru Go two by two then pass thru, LI turn back Right and left thru With the outside two Star thru, dive thru And turn 'em too Rollaway with a half sashay and star thru Square thru three quarters round Dive thru pass thru Now bend the line and half square thru Do sa do with the outside two "Twing thrulgirls trade And those who can a half square thru Right and left thru with same old two And box the gnat And those who can Frontier whirl* * Star thru, two ladies chain Right and left thru Sides face—grand square Turn 'em boys to a Dixie chain And turn 'em Walk two three turn Ladies go left, gents to the right Dive thru swing thru Walk two left allemande Left allemande Girls trade and box the gnat Partner right a right and left grand Pull by left allemande Any zero movement can be used between * and "* HENNY PENNY By Carl & Fred "The Hootin' Two" GIRLS WHAT? Miami, Florida By Herb Mercier, Manchester, Conn. GRAND RIPPLE THE WAVE By Gordon Blaum, Miami Beach, Florida Promenade don't slow down Side ladies chain Heads to the right and circle to a line One and three wheel around Heads square thru Forward eight and back Do sa do the two you found Swing thru the girls trade Do-sa-do Make an ocean wave and rock it Girls circulate, girls run Make a grand ocean wave Spin the top go all the way Wheel and deal then box the gnat Balance eight in line Then centers trade and promenade Change hands End boys ripple the wave Left allemande All the way to the end of the line Four boys step thru HERE'S ONE Girls face the middle By Jay King, Lexington, Mass. GIVE IT A TRY Then dixie chain Head two swing thru By F/ L (Arch) Erickson, Greenwood, N.S., Canada First lady left next one right Boys run, wheel across Allemande left to an allemande thar Go round one then Wheel and deal, don't get lost Go right and left and form a star Allemande left Right and left thru in front of you Get along guys in a back up star Two ladies chain, turn your Sue Shoot that star with a full turn round GRAND SPINNING CLOVER Half square thru to the outside two New corner right make a wrong way thar By John Frenchman, Dublin, California Right and left thru, yes you do Move along but not too far Two and four go right and left thru Swing thru, two by two Swing thru, swing right girls swing half and Same two ladies chain Boys run, wheel across balance Four ladies chain three quarter around Wheel and deal, don't get lost Shoot the star and swat the flea Heads to right circle four Right and left thru in front of you Hold right on for a left allemande. Head gent break to line up four Two ladies chain, turn that Sue Pass thru, wheel and deal Eight chain one Inside two swing thru Left allemande Spin the top Here we go, right and left grand "GOODIE" FOR "BEAVER" Square thru four hands around By Milton Lease, Palm Springs, California With outside two swing thru Heads go forward and back with you Spin the top HIAWATHA HALL Star thru Then right and left thru By Emanuel Duming, Jackson, Mississippi Pass thru Pass thru, wheel and deal Four ladies chain Star thru Inside couples swing thru Heads right and left thru All pass thru, ends cross over Box the gnat Same two square thru four hands Centers turn back Right and left other way back Do-sa-do ocean wave and balance Bend the line Then double pass thru Everybody step forward Pass thru, ends cross over Cloverleaf, do a Dixie grand Centers square thru three quarters Centers turn That's right, left, right Centers in cast off three quarters Bend the line, pass thru Left allemande Fold the girls, check it man Make a line go forward and back She's your corner, Pass thru wheel and deal Left allemande HAVE FAITH Substitute gents slide thru By Dan Schmelzer, Torrance, Califofnia Step forward both turn left Two and four square thru, three quarters round First gent around two And when you're thru Second gent around one GOOD TRADE One and three box the gnat, pull by Four line line go forward and back By Sam Stead, Lethbridge, Alberta, Canada Separate, round one face those two Center four left square thru full around Head ladies chain across the world Square thru just like that Just the ends star twirl Head gents and the corner girl Count four hands to a line of four Everybody left allemande etc. Move up and back then star thru Bend the line, go up and back, star thru Circle four, head men break to a line Clover leaf go two by two, centers box the gnat Now pass thru, wheel and deal Change hands, left square thru three quarters do Double pass thru, now centers in Square thru the outside two, four hands HOT OR COLD Cast off three quarters, then Four hands round to a line of four By Robert E. Petrie, Montgomery, Alabama Pass on thru, the men trade Bend the line, star thru, substitute Four ladies chain three quarters round Swing on thru, look out man Square thru three quarters round Turn that girl with an arm around Ends will trade, left allemande Left allemande Do an allemande left for an allemande thar Go right and left the four gents star Shoot that star and go red hot Right hand lady with a right hand round Back to your own with a left hand round SETS in ORDER FOR THE DANCER TOO! Go all the way round To your left hand lady ROM THE CONTENTS OF THIS YEARBOOK you would imagine that Sets in Order is With a right hand round back to your own F designed only with the caller-teacher in mind. This, of course, is not com- With a left hand round go ice cold pletely true. Everything in Sets in Order is of vital interest to the caller and the Thats your left hand lady teacher. However, the greatest portion of the magazine is also of vital interest to With a right hand round Back to your own with a left hand round anyone engaged in this great hobby. The Workshop section, which contains these All the way round to your right hand lady dances each month, represents a total of 8 pages out of an average 80 page With a right hand round magazine. Other articles include picture studies of the dance movements and are Now back to your own with a left hand designed to help the caller orient his dancers in the many and varied technical Do an allemande thar Gents wheel in phases of dancing. In addition, there are articles of lasting interest designed to Make a right hand star assist the dancer, his club, and his association. Truthfully, Sets in Order, the Slip the clutch, left allemande Official Magazine of Square Dancing — is for everyone! Partners right Go right and left grand.

10 HOW'S THAT? Boys run and line up four J. M. BREAK By: Bob Barnes, Phoenix, Arizona Forward eight, back for fun By Jim McDonald, Castro Valley, California One and three do sa do, ocean wave Pass thru, boys run Allemande left promenade Girls you turn back All eight circulate Two and four wheel around Cast off three quarters Boys run to a left allemande One and two right and left thru Pass thru Three and four square thru Slide to a line with outside two IT'S A CORKER Three quarters 'round Wheel and deal By Corky Birt, Yorkton, Sask., Canada One and two pass thru Dive thru Four ladies chain across the floor Everybody bend the line Slide to a line just you two Heads to the right and circle four Two and three star thru Turn the line one half round Head men break to a line of four One and four right and left thru Cast off three quarters round Dance eight to the middle and come on back Two and three square thru One and three lead to the right Go right and left thru across I say Three quarters Left allemande Then whirl away half sashay One and four cross trail Star thru, centers, square thru three quarters Look for your corner round Allemande IF YOU CAN Go centers in and cast off three quarters round By Ron Haggerty, Oakland, California Run eight to the middle and back One and two men face corner box the gnat Star thru, double pass thru Square your sets just like that First couple left, next right JOE'S GOOF New side couples pass thru Go right and left thru across I say Author Unknown Separate around two make a line Roll away half sashay Sides right and left thru If you can Slide thru (all can) Star thru, centers square thru three quarters Heads square thru If you can Slide thru (six can) round Four hands around to outside two If you can Slide thru (four can) Go centers in and cast off three quarters round Do sa do all way to ocean wave If you can Slide thru (two can) Run eight to the middle and back Rock it up and rock it back If you can bend the line Star thru, double pass thru Men circulate and then Everyone make a U-turn back First couple left, next right Square thru four hands You're doing fine If you can do a Dixie daisy Right and left thru, star thru, pass thru, Facing out so bend the line Boys go right single file Left allemande Just the ends star thru Girls go left IT'S A.O.K. Do a right and left thru Allemande left (With variations) Turn the girl and half sashay By Bob Kirkland, San Bruno, California Square thru while you're that way Side ladies chain to the right Just four hands around the land IF YOU CAN #1 Sides square thru Everybody go right and left grand By: Roy Haslund, Winnipeg, Manitoba, Canada Double swing thru, girls run Head two pass thru Wheel and deal Both turn right lady around two Left allemande, swing your own Gent around one Promenade JUST HASH Make a line of four Sides wheel around, By Joyce M. Buzzard, Boring, Oregon Everybody slide thru Crosstrail, find the corner left allemande One and three pass thru join hands If you can, turn thru Promenade left around just one Men left turn thru IT'S FUN Make a line of four Centers in Forward eight and back with you Cast off three quarters round By Ed Fraidenburg, Flint, Michigan Four ladies chain across Star thru and substitute Make a line of four Center four star thru Go eight to the middle, back once more Couples one and two half sashay Pass thru join hands Everybody slide thru The heads square thru Four hands you do Promenade left around just one If you can, turn thru To a line of four Four men, pass thru Now square thru the outside two Go out and back Up to the middle and back Centers in Star thru and substitute Cast off three quarters round Bend the line and circle up eight One lady with a man on her left Right and left thru in the middle you do Make a line of four Box the gnat, pass thru Go eight to the middle and back once more Do a half sashay Circle up four Four men make a right hand star Now two ladies do a half sashay Three ladies half sashay Side gent breaks to a line of four Once around from where you are Just the girls up and back Allemande left Allemande left just one maid Come back one and promenade Pass thru, U turn back One and two wheel around Left square thru count four hands Allemande left IN & OUT Right and left thru the couple you found By Wayne Moyers, Fort Worth, Texas Now the same four circle four Head two ladies chain to the right Side men break and line up four Do a right and left thru New side ladies chain across JUST RAMBLING AROUND Then cross trail Side couples half sashay By Gene Pearson, Groves, Texas Left allemande, etc. While the heads go forward, back away Two and four go right and left thru Heads pass thru go around one Head two ladies chain to the right Come into the middle and turn thru IT'S THRU AND New head ladies chain straight across Then left turn thru with the outside two By Tom Miller, San Luis Obispo, California Two and four lead out to the right, circle up four Now turn thru in the middle you do One and three promenade all the way around Head gents break to a line of four Centers in, cast off three quarters Down the middle lady leads Go right and left thru across the set Cross trail, left allemande Dixie style to an ocean wave Turn your pet, cross trail thru Left swing thru double it too Skip one, allemande left the next Pass thru Grand right and left INDIAN DANCE. Right and left thru with outside two Four ladies chain three quarters round By Ray Vierra, Concord, California Dive thru Heads go up to the middle, square thru Four ladies chain three quarters around Two ladies chain pass thru Three quarters round, separate go round one Heads half sashay, pass thru Left allemande Make a line of four, center four square thru Go around one to line of four Three quarters round do a centers in Forward and back, star thru JILLSOUIET! Cast off three quarters round Do sa do to ocean wave, up and back By Bill Stringer, Livermore, California Center four do a U turn back Swing thru, don't stop, spin the top Ladies chain three quarter around Bend the line, go right and left thru Right and left thru, pass thru Heads to middle back with you Star thru, square thru three quarters round Wheel and deal, double pass thru Swing thru and when you do Look for the corner, left allemande First couple right, second couple right Don't stop, spin the top All promenade around Rock it, then box the gnat Two and four wheel around, star thru Pull 'em by, divide the sides Pass thru, allemande left Around one make lines of four KEEP GOING Pass thru, ends TRADE By Ralph Kinnane, Birmingham, Alabama Centers U turn back Heads square thru INTERWOVEN FANTASIES Forward eight, come on back Do sa do to ocean wave By Bill Castner, Lafayette, California Give a right to opposite Swing thru, balance Heads right, circle four Box the gnat, pull 'em by Circulate, box the gnat Head gents break to a line of four Got lines of four Right and left thru Forward eight and back for fun Girls TRADE, boys TRADE Star thru, two ladies chain Pass thru, boys run Everybody star thru, pass thru Dixie style to ocean wave, balance All eight circulate Allemande left Left swing thru, allemande left

11 KEELS LAID Do sa do to ocean wave MEN KEEP ALERT By Bill Stringer, Livermore, California Boys trade By Stub Davis, Waurika, Oklahoma Head ladies chain across the way Girls trade Head ladies chain to the right Finish it off with a half sashay Girls circulate Sides right and left thru Star thru, do sa do all the way Box the gnat One and three half sashay To an ocean wave, spin the top Right and left grand Lead right circle that way Rock it, rare back—pass thru Ladies break two lines of four Bend the line, forward and back Pass thru across that track LINE MAKER Just the ends star thru Ladies trade men turn back By Herb Mercier, Manchester, Connecticut Promenade LEFT half way you do Forward eight and back with you Heads square thru Down the middle right and left thru With the opposite two square thru Swing thru boys trade Turn 'em on around, star thru Men in middle Boys circulate, boys run Square thru three-quarters around Square thru three quarters do Wheel and deal then circle four Do sa do all way to ocean wave Centers in Head gents break to a line of four Rock it and swing thru Cast off three quarters—then (With partner and in sequence) Rock up and back, box the gnat Pass thru wheel and deal Star thru, right and left thru Right and left thru after that Left allemande Swing thru boys trade Turn 'em on around, dive thru Box the gnat Substitute, star thru Boys (or girls) circulate Two ladies chain MISCELLANEOUS Left allemande Turn 'em on around By Ed Fraidenburg, Flint, Michigan LEFT square thru Heads lead right and circle four Head gents break and line up four Count four hands you do LITTLE JIM #4 Forward four and back you roll Left allemande By Jimmy Huff, Lafayette, Louisiana Pass thru and the girls fold, star thru One and three do a half square thru Bend the line go up to the middle and back Then a right and left thru Do a right and left thru, now square thru KEEP IT NEAT Now pass thru Three quarter round face out and bend the line By Ed Fraidenburg, Flint, Michigan In the middle square thru five hands Four ladies chain across Others, cross fold Pass thru and the girls fold, star thru Substitute (back over one) bend the line And turn 'em full around Allemande left Right and left thru and cross trail thru Separate and star thru the first you meet Left allemande etc. Frontier whirl and keep it neat Four ladies chain across LONESOME MEN By Beryl Main, Denver, Colorado And turn 'em full around MIXED DAISIES Separate and star thru the first you meet Heads promenade half way round Same ladies chain across By Sparky Sparks, Clearlake Highlands, California Frontier whirl and keep it neat Allemande left for a Dixie daisy Four ladies chain across Same ladies chain three quarters Side men turn 'em Right pull by, left turn half And turn 'em full around Rollaway to line of three Right pull by, corners all Promenade home and settle down Lonesome head men slide thru Left allemande like a Daisy chain Left allemande Go forward two, right, left, turn back Right hand round that corner LADIES GO LEFT MEN GO RIGHT Go forward two, left and right From notes of So. Calif. Caller's Ass'n. MacFOLDER Turn back again, allemande left One and three half sashay By Mac McCullar, San Luis Obispo, California For a Dixie daisy, a right pull by Lead to the right circle four One and three lead to the right Left turn half, right pull by Ladies break make a line of four Circle to a line Corners all left allemande Go up and back pass thru Forward eight and back you whirl Like a daisy chain, forward two Lines divide move onto the next Pass thru Right, left, turn back again Do a dixie chain Fold the girl Right around corner, then forward two Ladies go left men go right Star thru Right and left, turn back again Allemande left etc. Promenade the wrong way round Allemande left for Dixie daisy One and three wheel around, pass thru Right pull by, left turn half Right pull by, corners all Left square thru with the next 'ole two LEFT TURN Left allemande Four hands and look for the corner By Vern Churchill, Rohnert Park, California Left allemande Head ladies chain right Heads lead right circle half MORE GRAND SQUARE Dive thru MACNOMER By Stub Davis, Waurika, Oklahoma Left turn thru By "Mac" McCullar, San Luis Obispo, California Four ladies chain across the way Sides half sashay One and three star thru — pass thru — right and Chain right back, don't take all day Go right and left grand left thru Then all four couples half sashay Star thru — pass thru — cast off three quarters Heads go forward, back from there Go forward eight and back with me Sides face, grand square (32 counts) LEFTY'S LEAD End ladies chain diagonally When you're thru, hear what I say By Harley Smith, San Dimas, California All four men go across from you Sides keep facing, back away Head two ladies chain to the right Swing that girl and when you're thru (Line up four, with the heads) Turn 'em on around don't take all night Back right out and make a ring Forward eight, back you reel Heads to the middle go right and left thru Circle to left — left allemande. Pass thru, wheel and deal Side two couples cross trail thru Double pass thru, first left, next right Round the outside and around just two MAN'S RIGHT Square thru with the first in sight Join your hands an eight hand ring From notes of So. Calif. Caller's Assn. Four hands, don't ask why Then all four men move up and back One and three dance up to the middle Partner right, pull by Lead to the left now as a pair And back with you Left Allemande Allemande left Same two box the gnat And do-sa-do all the way and star thru MUMBO Box the gnat with the outside two By Jay King, Lexington, Mass. LET'S GO RED HOT And do-sa-do all the way you do Heads spin the top By Howard Hillyer, Daly City, California Star thru and face your own In the middle of the pen One and three right and left thru With a do-sa-do all the way and star thru Turn thru, split two and then All four couples half sashay Now roll away a half sashay Into the middle with a half square thru One and three half square thru And allemande left Double swing thru with the outside two Right and left thru and go red hot Circulate all eight of you Right hand lady right hand around MEN DIXIE SLIDE Spin the top at the side of the town Partner left all way around By Beryl Main, Denver, Colorado Box the gnat as you come down Corner girl right arm around From promenade heads wheel around Cross trail thru to the corner, man Partner left allemande thar Right and left thru Allemande left go right and left grand Gents swing in to a right hand star Two ladies chain Slip the clutch, left allemande. Circle up eight Two and four half sashay keep circling MUTTS MUTTERINGS Boys go up to the middle and back By Frank Sanders, Ogden, Utah LET'S TRADE Boys slide thru in single file Two and four go right and left thru By Jeanne Moody, Salinas, Calif. Split the girls turn left round one Same ladies chain One and three star thru Down the middle dixie style to ocean wave One and three lead to the right Pass thru Pass thru left allemande And circle up four

12 Head gents break to lines of four Now double pass thru OCEAN RUN Forward up and back Lead couples left, next go right By Luther Bowers, San Lorenzo, California Square thru four hands around Left square thru with those in sight One and three right and left thru And when you're thru When you're done, stick out a hand Same two square thru four hands Center two square thru Allemande left ... Do sa do to an ocean wave Three hands around Go right and left grand All eight circulate, rock it When you do centers in Centers run, wheel and deal Cast off three quarters round Square thru four hands NOW THEN Star thru double pass thru Cast off three quarters, pass thru By Sie Watson, Phoenix, Arizona Clover leaf two by two Wheel and deal Four ladies chain Pair off centers in Square thru three quarters around One and three right and left thru Cast off three quarters round Do sa do to an ocean wave Same ladies chain three quarter Star thru double pass thru Ends run, cast off three quarters Side men turn 'em Clover leaf two by two Allemande left and back Pair off Forward six First go left second right Do-sa-do—ocean wave When you meet star thru Swing thru ON A BENDER Left allemande Slide thru By Bruce H. Elm, Provo, Utah Left allemande Gent number one and his corner girl Go up to the middle and back to the world Same two, take your partner now MY FAVORITE NOW YOU'RE READY In a line of four go up and back By Paul Merola, W. Bridgewater, Massachusetts By Paul Herzog, Wilmington, California Same four bend the line All four ladies chain Two and four right and left thru Go right left thru Heads square thru three quarters Roll away half sashay Turn the girl, then pass thru Separate, go around one Then turn thru Cross trail, look for corner Line up four Courtesy turn the girl All eight, left allemande Eight forward and back Right and left thru Pass thru, arch in the middle Then allemande Ends turn in, substitute ONE AND ONE AIN'T TWO Substitute, you turn back By Carl and Fred, "The Hootin' Two," Miami, Fla. Spin the top and double it too NUMBER FOUR Head men take your corner girl Cross trail, you turn back By Ron Haggerty, Oakland, California Up to the middle and back Allemande left Head ladies chain Same four square thru Heads lead right, circle to a line Four hands inside that track Pass thru, boys trade Do sa do the outside two NOISY BREAK Cast off three quarters Ready with the right swing thru By Stub Davis, Waurika, Oklahoma Circulate, allemande left Without a stop go right and left thru From promenade Turn the girl and star thru Heads wheel around Pass thru and wheel and deal Square thru four hands around NUMBER ONE AND A HALF Pass thru and pass thru And when you're thru By Jimmy Huff, Lafayette, Louisiana Left Allemande Inside four star thru square thru One and three square thru, count four hands When you're thru A right and left thru the outside two Centers in cast off three quarters round Full turn around and substitute, too ONE MORE DOODLE Square thru four hands you do Eight turn back to a right and left grand, etc. By Ed Fraidenburg, Flint, Michigan Inside four star thru One and three swing thru, then spin the top Frontier whirl right and left thru Pass thru and a right and left thru Turn the girl roll away half sashay NUMBER 1271 Now dive thru, pass thru and Up and back do a half square thru By Ralph Kinnane, Birmingham, Alabama Swing thru the outside two Centers in cast off three quarters man Heads to right circle to line Then spin the top and do a right and left thru Do an allemande left Pass thru Pass thru and bend the line Right and left grand Wheel and deal Go forward up and back pass thru Double pass thru, face partner Wheel and deal two by two Pass thru, men turn back Now double pass thru Centers swing left half about NONSENSE First couple go left, the next go right By Van Van der Walker, San Diego, California Couples wheel right three quarters round Right and left thru the first in sight (Line up four) (Use a break or gimmick to get men with their Now star thru, dive thru, pass thru Half square thru, men turn back opposites and back home) Left allemande etc. Ladies chain across First couple out to the right and circle to a line Cross trail thru The head gent breaks Allemande left Now you bend that line like you ought to do ORBIT Or And those that can do a half square thru By Jay Fenimore, Hollywood, Florida Those that can do a half square thru Couples wheel right one fourth around Heads square thru, four hands Wheel and deal ,center two box the gnat Those that can do a half square thru Sides divide and star thru Right and left thru Those that can California twirl Heads cross trail, around one Pass thru Those that can do a half square thru Into the middle and square thru, four hands Eight chain two (or six) Those that can do a half square thru Sides divide and star thru Box the gnat Those that can do a half square thru Swing thru, box the gnat Right and left grand Everybody California twirl Square thru, three hands (other way back) Now find old corner left allemande, etc. Men pass thru, Girls U turn back Allemande left NUMBER SEVEN NO STOP By Ray Sanchez, San Leandro, California By Garry Vrieling, La Mirada, Calif. Heads lead right, circle up four ORION One and three do-se-do, then swing thru Head men break to line of four Presented by Training Committee of S.D.C.A. Don't stop, spin the top Up to the middle, back in time One and three move up to the middle and back Pass thru, do-sa-do the outside two Pass thru, bend the line Same two star thru and pass thru Swing thru, don't stop Cross trail, do a U-turn back Double star thru the outside two Spin the top Lines of four dance up and back Then pass thru and centers in Then you pass thru, bend the line Men in lead Dixie daisy And everybody wheel and deal Square thru three quarters 'round Right pull by, left turn half Men turn around and allemande left, etc. Go on to the next Right pull by, men go right Do-sa-do, double swing thru Lady go left, allemande left ... OUTSIDES DIVIDE Doing fine, pass thru, allemande left, etc. By Roy Haslund, Winnipeg, Manitoba, Canada NUMBER THREE Side ladies chain to the right By Ron Haggerty, Oakland, California Heads lead to the right NO WHEEL — NO DEAL Heads square thru four hands Circle to a line By Royce Waugh, Cuyahoga Falls, Ohio Do sa do to an ocean wave Pass thru wheel and deal Head ladies chain across the way Girls circulate, cast off three quarters Center four square thru four hands All four couples a half sashay Girls trade, boys trade Outsides divide and star thru One and three, square thru three quarter round Cast off three quarters Right and left thru Separate, behind the sides star thru Boys circulate, cast off three quarters The outside two turn the girl Sides square thru ...separate Girls trade, boys trade Dive thru square thru three quarters Behind the heads star thru Cast off three quarters Outsides divide Substitute ...Go right and left thru All eight circulate, allemande left ... Allemande

13 PASSIN' CLOVER Center four square thru three quarters round Turn thru with first in sight By Don Bishop, Baldwin Park, Calif. Do a centers in On to the next square thru Heads right and left thru turn 'em Ends fold Four hands just like that Same two lead right circle to a line Peel off and face back in Everybody "U" turn back Forward and back pass thru Center four square thru three quarters round Star thru Wheel and deal Do a centers in Crosstrail thru Substitute back over two Ends fold Allemande left. Double pass thru Peel off you're doing fine Two by two clover leaf Bend the line Don't take all night Cross trail thru, stick out a hand QUESTION MARKS Double pass thru two by two Find the corner By Ray Vierra, Concord, California Clover leaf again you do Left allemande Head ladies chain across Centers pass thru Same two right and left thru Right and left thru Slide thru, pass thru Turn 'em dive thru PITTER PATTER Square thru four hands around Ladies chain turn 'em By John Ward, Alton, Kansas Fold the girl, star thru Pass thru The heads to the right and circle four Wheel and deal, swing thru Left allemande The head gents break and line up four Don't stop — spin the top Go forward eight and back with you Right and left thru, slide thru The ends star thru then half square thru Pass thru, Allemande left PASS THRU PASS TO THE CENTER Now half square thru the outside two By Dean Hood, Wheatridge, Colorado Bend the line and when you do Side ladies chain to the right The ends star thru then half square thru RAY'S SPECIAL Sides roll away half sashay Now half square thru the outside two By Ray Sanches, San Leandro, California One and three star thru pass thru Bend the line and when you do Heads square thru four hands Square thru four hands Do a left square thru, count four hands man Do sa do with outside two Wheel and deal And find the corner go left allemande, etc. To an ocean wave you do Pass thru pass to the center pass thru Swing thru two by two, box the gnat Left allemande Right and left thru Slide thru POINTCHUREARS Two ladies chain, turn the girls By Bill Stringer, Livermore, California Face lady on your right PASS TO THE CENTER All four ladies chain across Box the gnat, change hands By Dean Hood, Wheatridge, Colorado Two and four right and left thru Left allemande Heads lead right circle four to a line First couple only face your corner Star thru—pass to the center Box the gnat, square your set New head couples pass thru Box the gnat REEL — PASS THRU — WHEEL AND DEAL Separate go around two Square thru three quarters By Barry Aronovitch, Avalon, California Hook on the ends, two lines of four Pass to the center Sides lead right Star thru, California twirl Right and left thru Circle to a line of four sides break Those who can, right and left thru — full turn Left allemande Up and back you reel Those who can, right and left thru — full turn Pass wheel and deal Centers in, cast off three quarters Double pass thru Just the ends pass thru Centers in cast off three quarters PATTERN Behind the sides and around two Up and back you reel pass thru By Barry B. Arnonovitch, Avalon, Calif. Meet that girl and star thru Wheel and deal Head ladies chain Other four right and left thru Double pass thru centers in Same pair star thru pass thru Pass thru, face your partner Cast off three quarters 'round Circle with the outside two Pass thru, that's your corner Up and back you reel Heads break Allemande left Two and four up and back you reel Pass thru wheel and deal Pass thru wheel and deal Double pass thru Double pass thru Centers in cast off three quarters POW Pass thru Frontier whirl dixie chain Separate go single file By Jerry Helt, Cincinnati, Ohio Pass by two with them line up four Ladies left gents right Heads to the right and circle to a line Left allemande Up and back you reel Forward eight and back in time Pass thru wheel and deal Pass thru ends run around one Double pass thru Cast off three quarters around REVERSE SLIDE Separate go single file Ends run around one By George Jowdy, North Ridgeville, Ohio Pass by two with them line up four Cast off three quarters around Sides rollaway half sashay Up and back you reel Lines pass thru Heads slide thru Pass thru wheel and deal Ends run around one Reverse slide thru Double pass thru Cast off three quarters around Separate around one Separate pass by two Ends run around one Come into the middle box the gnat With them line up four Cast off three quarters around Slide thru reverse slide thru Do a left square thru four hand around Left allemande Allemande left Slide thru bend the line Box the gnat Centers right and left thru PROMENADE Left allemande PATTERN BY BARRY By Sie Watson, Phoenix, Arizona By Barry B. Aronovitch, Avalon, Calif. Jne and three wheel around Heads lead right Right and left thru RIPPLE, SWING OR TRADE Circle to line of four heads break Two ladies chain pass thru By Chip Hendrickson, Ridgefield, Connecticut Up and back you reel On to the next slide thru First and third swing thru Pass thru wheel and deal Two ladies chain dive thru Box the gnat Double pass thru Pass thru slide thru Right and left thru the other way back Face your partner back away Two ladies chain Star thru Pass thru wheel and deal Same two spin the top Pass thru Double pass thru Without a stop Circle four with the outside pair Face your partner back away Go right and left grand Head men break in a line right there Pass thru wheel and deal Forward eight and back you do Double pass thru Straight across you all pass thru Face your partner right and left thru PROMENADE BREAK WITH TURN THRU Wheel and deal Cross trail By Dan Schmelzer, Torrance, California Inside four do-sa-do to an ocean wave Left allemande Promenade, don't slow down 1 — Both men ripple the wave Heads wheel around Right, left, right, now find the corner Turn thru Allemande left PEEL OFF On to the next or By Royce Waugh, Cuyahoga Falls, Ohio Turn thru 2 — Swing thru three hands Couples two and four go right and left thru Forward out and back you reel Right, left, right, now find the corner Now Dixie style to an ocean wave Just as you are Allemande left Move straight ahead, circle up four Wheel and deal or Side men break to a line of four Double pass thru 3 — Men trade and then balance Go forward up and back away First couple left Pass thru, now find the corner Roll away with a half sashay Next right Allemande left

14 RIPPLE THE ENDS RON'S DANCE Center two pass thru (both ends) By Ron Haggarty, Oakland, California Centers in By Bill Peters, San Jose, California Head ladies chain to right Cast off three quarters Four ladies chain Side ladies chain across Pass thru One and three lead right Heads square thru four hands Wheel and deal (girls in middle) Circle to a line of four Do sa do an ocean wave Girls pass thru, men turn that Sue Do sa do to an eight hand ocean wave And cast off three quarters Make a line face to the middle Both ends ripple the wave Boys fold, girls pass thru Circle left Right and left thru Star thru, wheel and deal Left allemande Pass thru bend the line Do sa do to an ocean wave Do sa do to an eight hand ocean wave And cast off three quarters SCOOT & SCAT Bothe ends ripple the wave Boys fold, girls pass thru (Mixer) Right and left thru Star thru, wheel and deal By Robert Helms, Newhall, Calif. Star thru Pass thru, allemande Do an allemande left Pass thru Like an allemande thar Allemande left ROUND OFF Go right and left and make a star By Otto Degner, Farmington, New Mexico Girls scat from where you are Heads to right circle to line Join right up with another star RIPPLE THE WAVE #1 Pass thru, round off Girls latch on with a brand new man By Gordon Blaum, Miami Beach, Florida Double pass thru Hang on tight we're gone again Head two ladies chain across Centers in cast off three quarters Girls swing in for a back up star Head two couples do sa do Pass thru wheel and deal Men scoot out from where you are To an ocean wave Centers turn thru Join up boys in another star Boys ripple the wave Left turn thru the outside two Latch on boys with your left hand Half square thru Centers pass thru, centers in The girls swing out the men swing in Do sa do the outside two Cast off three quarters Slip the clutch left allemande Make an ocean wave Pass thru, round off Come back one and promenade Boys ripple the wave Double pass thru Promenade just like that Girls trade Centers in cast off three quarters Everybody scoot and scat Square thru four hands around Pass thru wheel and deal Pick up two and circle up four Bend the line, slide thru Centers turn thru Open right up and make it eight Allemande left Left turn thru the outside two Circle to the left Centers pass thru, centers in Till you get straight Cast off three quarters Somebody holler stop and home you go Cross trail thru RIPPLE THE WAVE #2 Left Allemande By Gordon Blaum, Miami Beach, Florida SEVEN IN ONE Head ladies chain across the square By Jeanne Moody, Salinas, California Allemande left come on back and promenade RUN AND COUPLES CIRCULATE One and Three star thru One and three wheel around By Dan Schmelzer, Torrance, Calif. Dixie daisy, centers in Do sa do to an ocean wave Heads square thru, four hands you do Cast off three quarters Boys ripple the wave Swing thru the outside two Star thru, Calif twirl Balance step thru Men run right (around your girl) Square thru three quarter Go on to the next and swing thru As couples, all eight circulate Left allemande Girls ripple the wave Bend the line, go up and back Boys run wheel and deal Spin the top, go two by two Two ladies chain to a Then girls run right SHORT CLOVERLEAF TO LEFT ALLEMANDE Left allemande You're still not thru By Joe Boykin, Phoenix, Arizona As couples, all eight circulate Four ladies chain three quarters Bend the line, go up and back Turn the girls and roll away RIPPLE THE WAVE #3 Star thru Heads go forward and back Frontier whirl all eight of you By Gordon Blaum, Miami Beach, Florida Turn thru and separate Dive thru, pass thru, guess who? Head couples bow and swing Around one and into the middle Allemande left Spin your girl to the right Box the gnat pull by And line up three Left turn thru back to the center Forward six and back RUN CAST Left turn cloverleaf down the middle Do sa do make a wave By Jerry Helt, Cincinnati, Ohio Left allemande End ladies ripple the wave Heads lead right Gents run Circle to a line SHORT CLOVERLEAF VARIATION End ladies turn back Forward eight By Joe Boykin, Phoenix, Arizona Wheel and deal three by three And back in time Four ladies chain three quarters Girl pass thru Ends run around one Sides go right and left thru Then allemande left New ends run around one Four couples roll away Cast off three quarters around Heads forward and back Ends run around one Half square thru and then turn thru RIPPLE THE WAVE # 4 New ends run around one Back to middle By Gordon Blaum, Miami Beach, Florida Cast off three quarters around Left turn thru and then cloverleaf Four ladies chain across the square Left Allemande Down the middle Head ladies chain three quarters Left allemande Turn this girl and put her on the right Forward six and back RUN THE WHEEL SHORT DIXIE DAISY Do so do make an ocen wave By Bill Stringer, Livermore, California By Garrett Gilliam, Phoenix, Arizona Boys ripple the wave Head two square thru Sides go forward up and back Girls step thru and turn back Count four hand you do Swing thru and box the gnat Four boys face the middle and Dixie chain Do sa do the outside two Spin the top just like that Turn to the right,go single file All the way around right Girls pass thru Boys run wheel and deal Do a Dixie daisy cross by the Allemande left When you do swing thru Turn half by the left cross by the right Then just for fun girls run Centers in cast off three quarter round Wheel and deal to face those two Left allemande Star thru and then you ROCK IT JACK Wheel and deal SHORT DIXIE DAISY By Gone Pearson, Groves, Texas Center four pass thru By "Mac" McCullar, San Luis Obispo, California Head couples promenade Left allemande. Three quarters round the ring One and three half sashay Side two, go right and left thru Go up to the middle and back that way Turn that pretty thing SASHAY SUE Cross trail thru Pass thru, circle four, once around By Bill Jonas, Belmont, California Separate go around one Side gents break to a line One and three half sashay Into the middle Pass thru, wheel and deal Lead right circle four Dixie daisy Center couples do sa do to an ocean wave Ladies break to a line Go across the track when you're thru Swing thru, rock it jack Girls pass thru, men turn that Sue All U turn back Box the gnat, right and left thru Make a line face to the middle Square thru in the middle Square thru, three quarters round Star thru You do three quarter round Allemande left Square thru three quarters Left allemande

15 SHORT FIVER Those who can, right and left thru Star thru, first couple right, next couple left By Gene Pearson, Groves, Texas The others change hands Meet those two, cross trail Head two star thru Everybody, left allemande Allemande left Then square thru five hands While the sides do a California twirl Heads do a centers in SKIPPY LOU SLIDE THRU WHO Cast off three quarters round By Gene Pearson, Groves, Texas By Mac McCullar, San Luis Obispo, Calif. Star thru, Center four Four ladies chain, turn 'em on around Two and four half sashay Square thru five hands in the middle of the land Head two go right and left thru Slide two slide thru Corners all left allemande Then lead to the right and circle up four Slide thru with the outside two Head gents break make a line of four Pass thru Pass thru, wheel and deal, double pass thru, Wheel and deal two by two First couple go right, Next one left SHORTIE Slide thru Square thru the first ole two, four hands, By Ralph Kinnane, Birmingham, Alabama Two ladies chain across Give a right to the next wrong way thar, Head ladies chain Four ladies chain three quarters round Gents back in a left hand star, Shoot the star One and three half square thru Left allemande Skip one girl, allemande left. Do sa do, ocean wave Heads run, pass thru Wheel and deal SLIDING RIDING SLIDE AND CAST Allemande left By Paul Herzog, Wilmington, California By Mac McCullar, San Luis Obispo, California Heads to the right and circle four Four ladies chain Head gents break make lines of four A grand chain four Go forward eight and back in time SHORTIE Side ladies chain back home once more Pass thru and bend the line By Jim Ferguson, Lakewood, California Head two couples Frontier whirl Now forward eight and back you reel All four ladies chain or (partner trade) Then pass thru, wheel and deal Allemande left alamo style Separate go round one Substitute, center four slide thru Right to partner, balance To a line of four Then a right and left thru Swing thru, turn thru Forward eight and back with you Now turn your girl Left allemande Then turn thru Then cross trail around just one Cast off three quarter do Make a line Slide thru Now forward eight and back in time SHORT ONE Lead couple promenade left Pass thru, bend the line By Les Ely, Phoenix, Arizona Next go right to a line of four Now forward eight and back you reel One and three dance up to the middle, back Forward up and back with you Then pass thru, wheel and deal Right and left thru Cast off three quarter do Substitute, center four slide thru Turn that girl, cross trail Look for the corner Then a right and left thru Separate around one, into middle Left allemande Now turn your girl Dixie daisy (patter till thru) Cross trail, keep in time Centers in Go round one, make a line SLIDE AND TURN Cast off three quarters, allemande left Go forward eight and back in time By Mac McCullar, San Luis Obispo, California Pass thru, bend the line Two and four slide thru Cross trail across the land Turn thru then turn thru Find the corner - Slide thru turn thru SIMPLE ROUNDOFF Left allemande By Bob Kent, Warwick, Rhode Island Separate go round one to face those two Heads right circle four Turn thru Head gents break to lines of four Half square thru in the middle you do SLIP AND SLIDE Forward up and back of course Frontier whirl all eight of you' By Al Berger, Orangevale, California Pass on thru Roundoff Four ladies grand chain Side ladies chain across Centers square thru three quarters round All join hands and circle left One and three star thru Split the outside around one Left allemande Slide thru, half square thru Down the middle star thru 'Here you are in sequence with your opposite Star thru, slide thru Substitute double pass thru lady—use your own "get out" if you like. Center two California twirl Centers in Double pass thru Cast off three quarter round First go right, next go left Forward and back SLIDE THRU Slide thru, centers arch Forward again box the gnat By Jim Mayo, South Acton, Massachusetts Dive thru, centers slide thru Slide thru Head couples swing thru Box the gnat Pass thru Box the gnat then square thru Back out and make a ring Left allemande Swing thru the outside two Circle left Box the gnat then square thru Those who can, roll away Bend the line Those who can, allemande left Just the ends slide thru then half square thru SIMPLE SIX Everybody slide thru Presented by Ted Wegener, Gardena, California Just the ends pass thru SLIPPERY Head two ladies chain three quarters 'round Bend the line, right and left thru By Jay King, Lexington, Mass. Side men turn 'em with an arm around Roll away, slide thru Four ladies chain across the town Forward six and back that way Left allemande Heads square thru four hands around Those who can you roll away Swing thru the outside two Side ladies chain three quarters 'round All eight circulate with you Head men turn 'em with an arm around SLIDE THRU Swing thru one more time Join hands and make a ring By Jim Mayo, South Acton, Masaschusetts Circulate all eight that's fine Circle to the left like everything Head couples right and left thru Star thru, slide thru Those who can left allemande Then roll away Allemande left is what you do The rest roll away go right and left grand, etc. Slide thru Right and left thru the outside two Roll away and slide thru now Bend the line SNORTER SIR ARKY LATE Right and left thru and roll away By Joyce Buzzard, Boring, Oregon By Bob Kent, Warwick, Rhode Island Pass thru, ends fold All four ladies chain across Head ladies chain you do Left allemande Turn the girl and you don't get lost Couples two and three right and left thru Side ladies chain back Side couples right and left thru Chain back on the same old track Same ladies chain you do SLIDE THRU SAME AS STAR THRU? One and three do a right and left thru Couple number one stand back to back DON'T YOU BELIEVE ITI Turn the girl and do sa do With your corner box the gnat By Ray Sanchez, San Leandro, California All the way around to an ocean wave Square your set, let's dance like that Heads promenade half way Swing Star Thru Head couples do a half square thru Out to the right, star thru Circle up four Do sa do and don't be vexed Lines dance up and back Once around on the side of the floor Make an ocean wave with same sex Slide thru, dive thru Inside couple rip and snort All eight circulate you do Into the middle, cross trail Pull 'em thru to a line of four Now swing thru Face those two Go up to the middle and back All eight circulate you do Slide thru, heads separate Center four, left square thru Now swing thru Go around one to a line of four Four hands in the middle you do Box the gnat with that Sue Up to the middle and back Allemande left

16 SOME CLOVER Do-sa-do outside two Pass back thru, then star thru, dive thru By Wayne West, Anaheim, California All the way ocean wave Swing thru in the middle you do, rock it Jack One and three half sashay All eight circulate balance up and back Box the gnat, right and left thru, pass thru Lead right circle four Spin the top without a stop Allemande left Ladies break to a line Swing thru balance up and back Circle up eight Spin the top without a stop SPIN THE TRAVELER Four girls forward four and back Swing thru two by two By Ray Vierra, Concord, California Girls pass thru Balance there do a right and left thru One and three pass thru Clover leaf behind men Turn the girl dive thru pass thru U turn back, star thru Double pass thru Left allemande. Centers in cast off three quarter Do sa do to an ocean wave Circle eight when you come down Swing thru—don't stop Four men forward four and back Spin the top, right and left thru Star thru, square thru Men pass thru SPINCHAIN GRAND (1.0.U. AN ALLEMANDE) U turn back, box the gnat Cloverleaf behind the girls By Ken Laidman, Prince George, B.C., Canada Right and left thru after that Double pass thru Heads square thru Star thru, right and left thru Centers in cast off three quarter Ocean wave Dive thru, pass thru, swing thru Circle eight Spin chain thru Don't stop—spin the top Those who can right and left thru Ends double circulate Other four star thru Go right and left grand Right and left thru, star thru Dive thru and square thru three quarter Square thru—U turn back Allemande left Box the gnat Right and left thru after that Star thru, right and left thru SPINCHAINRUNFOLD or VERTIGO Dive thru, pass thru, allemande SOMETHING DIFFERENT NUMBER ONE By Ken Laidman, Prince George, B.C., Canada By Stub Davis, Waurika, Oklahoma Head ladies chain One and three right and circle to a line Sides right and left thru SPREAD IT Pass thru, wheel and deal Heads square thru ocean wave From notes of No. Calif. Callers Ass'n. Double pass thru Spin chain thru boys run Heads right and circle four Centers in, wheel and deal All four couples circulate Head gents break make a line Double pass thru Ends trade girls fold Forward eight back I said Centers in, wheel and deal Left allemande Left allemande Pass thru and wheel and spread Bend the line then wheel and spread End cross over ladies turn back SPINNING AND SWINGING Pass thru and wheel and spread SOMETHING DIFFERENT NUMBER TWO Pass thru fold the girls By Stub Davis, Waurika, Oklahoma By John Candy, New London, Connecticut Head ladies chain to the right Star thru wheel and deal One and three right and circle to line Star thru cross trail thru As you stand wheel and deal Turn them and hold them tight New head ladies chain across Ladies go left gents go right Centers in (facing out) Allemande left As you stand wheel and deal Turn 'em boys so they don't get lost Centers in (facing in) Head couples slide thru Swing thru don't stop As you stand wheel and deal SPREAD THREE'S Triple spin the top Centers in (facing out) By Jim Gammalo, Olmsted Falls, Ohio Square thru three hands As you stand wheel and deal Head ladies chain three quarters around *Inside four pass thru star thru Then separate around one into the middle Slide thru Side men turn 'em, roll half sashay Two ladies chain cross trail Lines of three pass thru, wheel and spread Spin the top, don't stop Left allemande If you can star thru and square thru *Alt: Inside four swing thru Triple swing thru Pass thru Join hands with that lonesome girl circle, Box the gnat pull by ladies break Left allemande. Square thru three hands Left allemande New lines of three Pass thru wheel and spread If you can star thru and square thru S000... Join hands with that lonesome girl circle By Bob Kirkland, San Bruno, California SPINNING THE TOPS Ladies break, line of three allemande left Two and four right and left thru By Fred Christopher, St. Petersburg, Florida Side ladies chain Heads go forward, come right back One and three right, circle to a line Spin the top then box the gnat SPREAD THREE'S Star thru, right and left thru Swing star thru in the middle of the floor (A Variation) Dixie Spin Separate around one line up four Head ladies chain across the set Left swing thru Dance forward eight, eight fall back Heads right and left thru you're not thru yet Left allemande Swing thru across, then spin the top Head ladies chain three quarters round Without a stop, half square thru Side gent turn 'em arm around Wheel and deal two by two Roll away half sashay Lines of three forward six SPARKY'S MIXTURE Girls swing thru, pass thru, star thru Back you tread By Sparky Sparks, Clearlake Highlands, California All promenade go two by two Pass thru — wheel and spread Allemande left for a Dixie daisy Heads wheel around go right and left thru Those who can half sashay Right, pull by, left turn half Same ladies chain across you do Everybody left allemande. Right, pull by Turn the girl and just don't stand Allemande left allemande thar Square thru three quarters then cross trail, Go right and left and make a star left allemande, etc. SQUARES IN THE CLOVER Back up boys, in a right hand star By Glenn Hinton, Curtis, Nebraska Shoot that star go all the way around Head two couples a half square thru Give a right to the corner all eight chain Pass thru and centers square thru Turn 'em boys, we're gone again SPINNIN' TOPS Others clover leaf take a new Sue Allemande left like a daisy chain By Gene Pearson, Groves, Texas First and Meet a couple and swing thru Go right and left, turn back again third do sa do make an ocean wave Spin the top, don't you stop Pass thru and centers square thru A right hand round that corner, Mac Swing thru two by two and when you're thru Others clover letf take a new Sue Go left and right, turn back again Pass thru, swing thru with the outside two Meet a couple and swing thru Allemande left for a Dixie daisy Spin the top, don't you stop Rock it up and back to the land Right, pull by, left turn half Pass thru go on to the next Change hands left allemande Right, pull by Spin the top again and double it too Allemande left, allemande thar Pass back thru to the next old two Go right and left make a star Star thru, inside arch, dive thru SQUARE THRU THREE QUARTERS MORE Back up boys, in a right hand star Square thru five hands in the middle of the land By Harris Roe, Edmonton, Alberta, Canada Shoot that star go all the way around Corners all left allemande Head two square thru Give a right to the corner, all eight chain Slide thru the outside two Allemande left Head ladies chain on across the ring Square thru in the middle Same two couples, spin the top and when you Square thru three quarters more stop Centers in SPIN AND CIRCLE =TWO Swing thru two by two, then pass thru Cast off three quarters By Bill Lucerne, Phoenix, Arizona Swing thru with the outside two Star thru substitute One and three square thru Spin the top and when you stop, pass thru Square thru three quarters Count four hands On to the next, right and left thru Allemande left

17 SQUARE THRU THREE QUARTERS OR Gents star across to opposite Head men break make a line LEFT ALLEMANDE Like allemande thar Up and back By Jim Ferguson, Long Beach, California Back up star shoot the star Bend the line Two and four swing star thru Pass by one box the gnat Right and left thru Circle up four to a line And box it back pull by Bend the line Pass thru, wheel and deal Left around the next Pass thru Double pass thru Wrong way right and left grand Wheel and deal Clover leaf, double pass thru, centers in Meet your own box the gnat Double pass thru Cast off three quarters, star thru Box it back pull by Face your partner back away Dixie daisy, centers in Left allemande Just the ends star thru Cast off three quarters Four ladies chain, she's your partner Star thru, cloverleaf Stand right there Double pass thru STARS AND SCARS First left, second right By Jeanne Moody, Salinas, California Star thru, square thru three quarters One and three star thru SUBLINE Left allemande Fold the girl By Roy Haslund, Winnipeg, Manitoba, Canada Star thru, pass thru Head two right and left thru Promenade left outside Rollaway with a half sashay SQUARE TRADE Go around one into the middle Join eight hands circle left By Glenn Hinton, Curtis, Nebraska Box the gnat, pull by Four girls go forward and back One and three go right and left thru Split two, go around one to a line Pass thru and separate Square thru to the outside two Star thru, double pass thru Go around one to a line of four Square thru again you do Fold the girl Forward eight and back you reel Bend the line and pass thru Star thru, Fold the girl Pass thru wheel and deal Girls trade then swing thru Star thru, substitute Double pass thru Centers trade, boys run *Square thru three quarter ,left allemande Cloverleaf—substitute Wheel and deal double pass thru Or Allemande left First couple left next go right *Square thru three quarter Right and left thru the first in sight Corner star thru, Fold the girl Two ladies chain, left allemande Left allemande SURE AND SIMPLE By Jay King, Lexington, Mass. Heads spin the top In the middle of the ring SQUARE TWIRL STARS GALORE Pass thru, split two, I sing By George Dreier, South San Francisco, California By Ken Ehrhardt, Scottsdale, Arizona Around one come into the middle Head ladies chain, sides half sashay One and three make a right hand star Spin the top to the tune of the fiddle Heads cross trail, up the outside Turn it once around Square thru three quarters man Go round two hook on the ends Back by the left to the corner Find the corner do a Lines of four pass thru With a right and left thru Left allemande Bend the line, square thru opposite two Dive thru pass thru Full around and when you're thru Right and left thru the outside two With girl on the right Calif twirl Dive thru pass thru SURE YOU CAN Right and left thru, circle up four Star by the left hand By Jim Mayo, South Acton, Mass. Head gent break to a line of four With the outside two Pass thru, bend the line Go one full turn Head couples swing thru Square thru opposite two full around Allemande left Box the gnat then square thru When you're thru, with girl on right Swing thru the outside two Calif twirl and then right and left thru Box the gnat then square thru STARS GALORE AND MORE STARS Square thru three quarters round Bend the line just the ends slide thru By Ken Ehrhardt, Scottsdale, Arizona Corners all, left allemande Then half square thru One and three square thru count four hands Everybody slide thru Star right with the outside two Just the ends pass thru Heads to the middle with a left hand star Bend the line right and left thru SQUARE WHEEL AND SLIDE Go once around Roll away slide thru By Stub Davis, Waurika, Oklahoma To the same two right and left thru Left allemande. One and three square thru Dive thru pass thru Three quarters round Star right with the outside two Separate, go round one to line of four Heads to the middle SWAPPIN'S GRAND Pass thru wheel and deal With a left hand star By Harley Smith, San Dimas, California Double pass thru Go once around to the same two Side ladies chain across the way Girls promenade left men promenade right Right and left thru Heads to the middle and back away Star thru with the first in sight Dive thru square thru Then back to the middle a half square thru Inside four square thru three quarters round Five hands around and then Right and left thru with the outside two Split the girls go round one Left allemande Turn with the girls then swap around Into the middle square thru Outsides separate around the town Count four hands that's what you do Come down the middle a half square thru Face the girls star thru STINKER #2 Gonna box the gnat across the way Slide thru By Tom Miller, San Luis Obispo, California Then a right and left grand around I say Left allemande Head two couples right and left thru Star thru, pass thru Centers in make a line SWAP POP By Sam Grundman, Berkeley, California STAR AWAY Ends Trade, wheel and deal Heads right and left thru By Monty Montooth, Fayetteville, North Carolina Girls square thru three quarter around Side ladies chain Heads now, right and left thru With the men star thru Heads half sashay Side couples half sashay All eight circulate, wheel and deal Lead to line, ladies break All eight circle to the left Left allemande. Pass thru, wheel and spread All four men square thru Swap around, bend the line Four hands around you do Swap around left allemande Face the girls, right and left thru STIR THE BUCKET She's your Pet, do an eight chain one By Shinichi Ichimura, Tokyo, Japan Men star left Couples one and three go up to the middle and TO IT Girls turn right, go around the track back SWAP Meet your partner, box the gnat Star thru and pass thru By Jay King, Lexington, Massachusetts Pull on by, left allemande Calif twirl and double pass thru Four ladies chain three quarters round, then Centers in and cast off Four ladies chain across the town Three quarters round and make a line Heads move up and back with you Pass thru and bend the line Star thru, pass thru STARIN' SQUARE Pass thru and bend the line Star thru with the outside two By Don Bishop, Baldwin Park, Calif. The ends star thru then all four ladies chain Swap around, Calif twirl Heads lead right and circle four She's your partner and stand right there Two ladies chain across the world Heads break line of four For a singing call Star thru, inside arch Star thru right and left thru Dive thru, pass thru Turn 'em star thru Star thru with the outside two Left square thru four hands STIR THE BUCKET Swap around, Calif twirl Left allemande partner right half around By Shinichi Ichimura, Tokyo, Japan Two ladies chain across the world Back by the left for a do paso Head ladies chain Star thru, Calif twirl Corner right partner left all 'round Heads to the right circle four Allemande left that corner girl

18 SWING A GO GO SWING TURN THRU #1 THREE IN LINE #5 By Frank Sanders, Ogden, Utah By Dan Schmelzer, Torrance, Calif. By Sam Grundman, Berkeley, California Four ladies chain across you do Heads do-sa-do to an ocean wave Head ladies chain Two and four go right and left thru Swing turn thru The pretty little thing Heads lead right circle up four Separate, around one, into the middle Turn 'em on around Head gents, break to lines of four Right and left thru To an eight hand ring Forward eight and back you do Swing turn thru Circle to the left Just the ends star thru Left Allemande Head two gents Then half square thru Take your partner and your corner And half square thru the outside two Into the middle and back Bend the line pass thru wheel and deal Then pass thru Then double pass thru centers in THINKER #1 Ends trade centers turn back Cast off three quarters man Circle to the left while you're like that By Dan Schmelzer, Torrance, California Pass thru wheel and deal the inside two Side two gents Sides a right and left thru across the way Swing thru right then left Take your partner and your corner Rock it Sam pass thru Finish it off, a half sashay Heads square thru in the middle you do Into the middle and back Left allemande Then pass thru Four hands around, you're still not thru Square thru with the outside two Ends trade centers turn back Circle to the left while you're like that SWING CHAIN FOURS Heads count four, sides go three Sides divide and star thru Head two gents By Mark Bates, El Cerrito, California Forward eight and back that way Take your partner and your corner Head ladies chain Into the middle back away Promenade half, swing star thru Half square thru across the way Bend the line, go up and back Lady on the right half sashay Right and left thru, dive thru Just the ends star thru circle three Swing thru, box the gnat Pass thru, do a U turn back Star thru, substitute Two men break to a line of three Right and left thru, pass thru Forward six come on back pass thru Eight chain four, right and left thru Then square thru three quarters 'round Allemande left when you come down, etc. Ends trade centers turn back Dive thru, swing thru, box the gnat Circle eight go 'round the land Right and left thru, pass thru Whirlaway left allemande etc. Eight chain four, right and left thru Dive thru, square thru three quarters, allemande THINKER #2 3 IN LINE SLIDE THRU By Dan Schmelzer, Torrance, CaFifornia By Beryl Main, Denver, Colorado SWING CROSS OVER Heads square thru in the middle you do Four ladies chain three quarters round By Ray Vierra, Concord, California Four hands around, you're still not thru Two and four right and left thru Allemande left in Alamo style Square thru with the outside two Head ladies chain three quarters round Right to partner, balance a while Heads count four, sides go three Side men turn 'em rollaway half sashay Forward and back, swing thru Sides divide and star thru Forward six and back slide thru Forward and back gents cross over Clover leaf go two by two Girls will turn about Sides, you pass thru, then square thru Left allemande. Balance out and in Sides count four, heads go three Swing with the left half about Heads divide and star thru Forward and back, swing thru Forward eight and back that way THREE OF A KIND Forward and back, gents cross over A half square thru across the way By Jay King, Lexington, Mass. Girls will turn about Forward out and back you reel Heads swing thru without a stop Balance out and in, swing with right Just as you are, wheel and deal Spin the top keep movin' Pop Allemands left Double pass thru, boys go left, girls go right Right and left thru turn 'em too Star thru, clover leaf, go two by two Swing thru with all your might Substitute,pass thru, left allemande, etc. Spin the top again tonight SWING SPIN THRU Suzy Q turn opposite right By Frank Sanders, Ogden, Utah Partner left the left hand 'round Heads promenade half way round Opposite right as you come down Two and four go right and left thru Partner left to the corner Joe THIS AND THAT Heads half square thru and then Turn her right the right elbow By Gene Pearson, Groves, Texas Swing thru and when you do Run on home turn partner left One and three go right and left thru Without a stop spin the top Roll promenade around the set Turn your pretty Sue And when you do without a stop Same two lead out to the right Right and left thru turn the girls Circle up four • Pass thru go on to the next THRU AND THRU AND THRU Head gents break and make that line Star thru do a do sa do By Norm Clark, Burnaby, B.C., Canada Up to the middle and back with you Around you go ocean wave One and three square thru Just the ends star thru Rock it mate all eight circulate Do-sa-do then arch and ends duck thru Center couples box the gnat Swing thru and when you do U turn and a right and left thru Right and left thru the other way back Without a stop spin the top Dive thru pass thru Star thru, pass thru And when you do without a stop Do-sa-do then arch and ends duck thru Right and left thru Right and left thru turn 'em too U turn and a right and left thru Star thru, cross trail thru Star thru left allemande Dive thru pass thru Left allemande that corner girl Left allemande Grand right and left around the world. SWING THRU, ENDS TRADE By Ron Haggerty, Oakland, California TIMPANOGOS TOPPER Heads right circle to a line By Bruce Elm, Provo, Utah Pass thru THREE BREAKS Head two ladies chain to the right Boys run to an ocean wave Try these three breaks by Joe Boykin, Phoenix, Turn this gal, say, she's all right Swing thru Arizona. New head ladies chain I say Ends trade Heads star thru, pass thru Well, end it off with a half sashay Box the gnat Circle up four, make a line *Sides do sa do to an ocean wave Do sa do to an ocean wave Go up and back Rock up and back, swing thru Swing thru Slide thru, swing thru Now don't you stop, spin the top Ends trade Girls circulate and turn thru Those in the line change hands Boys run to a line Left allemande All eight, left allemande Cross trail to a "lf you are tired of ocean waves do the following Left allemande. Head ladies chain to the right turn the girls instead Side couples right and left thru Side two couples star thru Heads pass thru and you turn back Go right left thru in front of you SWINGTOPULATE Slide thru and swing thru All eight, left allemande By Don. Haley, Berwick, N.S., Canada Girls circulate — turn thru Heads lead right circle four Left allemande Head gents break make lines of four 'TIS EASY Do•sa-do to an ocean wave Heads right circle four to a line By Paul Herzog, Wilmington, California Swing thru and without a stop Pass thru, bend the line One and three right and left thru Spin the top and then Go forward and back Then turn thru Just the men circulate Dixie style to an ocean wave Separate go round one Balance—change hands Balance — men trade In the middle half sashay Allemande left Girls circulate Pass thru Partners all right and left grand Left allemande, etc. Left allemande

19 TRADE DRILL Heads lead to the right Rollaway half sashay By Fred Whiteford, Costa Mesa, Calif. And circle to a line Square thru go all the way (Ocean wave to two faced line) Go forward and back and pass thru Partner right Heads right and left thru, four ladies chain Centers trade Go right and left grand Heads square thru four hands around Cast off three quarter round Do sa do, ocean wave, sides trade, centers half Ends trade and wheel and deal TRUST ME sashay Centers pass thru and circle four By Glenn Hinton, Curtis, Nebraska Sides trade, wheel and deal, allemande left, etc. Heads break to a line of four Heads promenade half way you do Go forward and back and pass thru Come into the middle swing thru Centers trade When you do box the gnat TRADE EASY Cast off three quarter round Right and left thru the other way back By Bill Stringer, Livermore, California Ends trade and wheel and deal Head two square thru Then lead to the right circle four Centers square thru three quarter round Head men break line up four Count four hands in the middle you do Left allemande Do sa do the outside two Roll away a half sashay All the way to an ocean wave Forward eight and back away Pass thru and ends turn in Boys trade, girls trade TRADING GNATS Center two square thru Rock that line, then right and left thru By Herb Mercier, Manchester, Conn. Four hands round stay facing out Dive thru, pass thru Heads go forward and come on back Join hands circle eight Do sa do the outside two Swing thru watch it Mack Two boys together trade All the way to an ocean wave Boys trade and box the gnat Those facing out divide and star thru Boys trade, girls trade Right and left thru the other way back Centers arch substitute Rock it, then right and left thru Turn your Sue then square thru Allemande left Dive thru, pass thru Count to four and when you're thru Allemande left With the outside two swing thru Then the boys trade and box the gnat T'S DOUBLE TROUBLE TRADE 'EM Right and left thru and the inside arch By Tom Tobin, Los Angeles, California Dive thru pass thru swing thru All four ladies chain across, turn 'em on around By Tom Miller, San Luis Obispo, California Boys trade and box the gnat One and three go right and left thru Heads square thru Change hands left allemande Two and four up to the middle and back Do sa do to ocean wave Square thru, all the way around in the middle Men trade, swing thru you do Girls trade, swing thru With the outside two, double star thru, and then Centers trade, star thru TRADING POST Go right and left grand, etc. Pass thru, wheel and deal By Sam Stead, Lethbridge, Alberta, Canada Substitute, center two square thru Four ladies chain and turn your sue Five hands to a left allemande Heads square thru and when you do TURN BACK WHO? Circle four with the outside two By Tom Rinker, Omaha, Nebraska Make a line, don't be afraid Head ladies chain to the right TRADES Pass on thru and centers trade Turn the girl with all your might By Will Orlich, Cuyahoga Falls, Ohio Now the ends trade and bend the line New side ladies chain across Allemande left in Alamo style Pass thru and wheel and deal Turn the girl, don't get lost Heads trade Double pass thru you do Same two do a half square thru Gents trade Centers in and cast off Circle up four with the outside two Girls trade Three quarters round and pass thru Side gents break, make a line of four Sides trade Centers trade, ends trade bend the line Pass thru across that floor Heads trade Pass thru and wheel and deal Girls turn back, make a wave you do Double pass thru you do Gents trade Swing thru, go two by two Centers in and cast off Girls trade Those facing out turn back, make a line of four Three quarters, man, pass on thru Sides trade Move up to the middle and back once more Left allemande Allemande left Pass thru, wheel and deal Girls make an arch, substitute Double pass thru TRADES TRADING SAM Centers in, cast off three quarters round By Ralph Kinnane, Birmingham, Alabama By Sam Stead, Lethbridge, Alberta, Canada Pass thru, wheel and deal One and three go right and left thru One and three star thru Double pass thru Cross trail thru, go around two Pass thru, swing thru Centers in, all eight make a U turn back Line up four When you do, girls trade Star thru, pass thru Pass thru, ends cross fold Boys trade, centers run Allemande left Star thru, then do sa do Wheel and deal two by two Spin the top, balance Right and left thru turn your Sue Dive thru, pass thru, swing thru TURN THAT JANE Men trade, girls turn alone By Ed Fraidenburg, Flint, Michigan Promenade With the outside two Heads lead right and circle four One and three backtrack, half square thru Girls trade, boys trade Heads break and line up four Girls in center, pass thru Centers run, wheel and deal, allemande Two ladies chain across, turn that Jane Centers in cast off three quarters, make line Face down the line Pass thru, wheel and deal Two ladies chain Go right and left grand TRADING STAMPS By: Bob Kent, Warwick, Rhode Island Pass thru Four ladies chain turn this Jane Wheel and deal TRADE THRU Heads square thru four hands in time Double pass thru By George Dreier, South San Francisco, California Split the outside around one to a line First couple left (Note: This is a conversion of the "SQUARE Forward and back and don't be late The next right TWIRL" shown on page 35.) Just the ends circulate Two ladies chain Sides half sashay Ladies trade Face down the line Heads do sa do to an ocean wave Men trade Two ladies chain, turn that Jane Swing thru, ends trade Ends trade Star thru, Frontier whirl Centers run, wheel and deal Forward eight and back you do qt Allemande Same two cross trail Center two do a double swing thru Round two make a line of four Ends star thru Frontier whirl TURN THROUGH SMOOTHIES Pass thru, bend the line Go along the line with a By Zelma McDaniel, San Angelo, Texas Swing thru, centers trade right and left thru #1 Slide thru, with girl on the right Centers slide thru Heads wheel around Calif twirl — right and left thru Square thru three quarters Right and left through Circle four head gent break to a line around the land Turn through, bend the line Pass thru, bend the line Corners left allemande Turn through, bend the line Swing thru, centers trade Cross trail to a left allemande Slide thru, with the girl on the right Calif twirl, right and left thru TROUBLE #2 Square thru three quarters round Author Unknown Heads wheel around Corners all, left allemande All four ladies chain across Pass through, wheel and deal, centers left turn Two and four right and left thru through One and three square thru al the way Spin the top with the outside two TRADIN' Do sa do to an ocean wave Pass through, wheel and deal, centers left turn By Dennis McConkey, Denver, Colorado Men circulate through Head ladies chain across Square thru to a line of four facing out Spin the top with the outside two And turn them in time Bend the line, star thru, right and left thru Square through, Allemande left.

20 TURN THRU TURN THRU FOUR TWO FACE LINE By Joe Barcelow, Ionia, Michigan By Dan Schmelzer, Torrance, California By Gene Pearson, Groves, Texas Heads square thru One and three square thru Four ladies chain on across the ring Swing thru the outside two Four hands around in the middle Heads star thru, pass thru, split the outside Girls circulate Turn thru the outside two Make a line of four, pass thru, arch in the middle Boys trade Sides divide and star thru while Ends duck thru, right and left thru Turn thru Heads just star thru Pass thru, centers in cast off three quarters round Left allemande Turn thru the outside two Center four square thru three quarters round Sides divide and star thru Centers in cast off three quarters round Heads just star thru Star thru, center four square thru three quarters TURN THRU Turn thru the outside two round By Chuck Raley, Lakewood, California Sides divide and star thru Allemande left #1 Heads just star thru Heads go right and left thru Heads go up and back Turn thru the outside two Then square thru four hands round Turn thru Sides divide and star thru Centers in cast off three quarters round Separate go 'round one Heads just star thru Center four square thru three quarters round Into the middle, Right and left thru Centers in cast off three quarters round Turn thru Turn your Sue Left allemande Center four square thru three quarters round Dive thru, star thru, crosstrail Allemande left #2 Left allemande Heads square thru all the way around Split the outside two TWO OF A KIND Line up four By Jay King, Lexington, Massachusetts TURN THRU WITH SUE Heads promenade half way round Turn thru, bend the line By Paul Herzog, Wilmington, Calif. Swing thru in the middle of the town Turn thru One and three Girls trade, boys trade Left allemande Lead to the right and circle up four Swing thru again-he said Heads break to a line of four Boys trade, girls trade Star thru roll away half sashay Suzy Q, turn opposite right TURN THRU Why don't you turn thru Partner by the left hand round By Vern Churchill, Rohnert Park, California And courtesy turn your girl Opposite right across the town Another star thru, Four ladies chain across Partner left to the corner go Right and left thru Four ladies chain three quarters Swing thru on the heel and toe Left allemande Heads half sashay, pass thru Boys trade, box the gnat Separate and turn thru behind the sides Change hands Sides star thru, pass thru Left allemande Everybody U turn back TURN TO DIXIE Allemande By John Condy, New London, Conn. UNUSUAL ALLEMANDES Heads to the right and circle four By Chet Smith, Boylston, Massachusetts TURN THRU Make a line like you did before Promenade go round the land By Dewey L. Glass, Montgomery, Alabama Forward eight and back you reel Girls roll back pass one man Sides right and left thru Pass thru wheel and deal Promenade the next go round the land Same ladies chain Dixie daisy on the double track Heads wheel around go right and left thru Heads to right and circle to a line Turn on the outside then come back Turn a little girl then star thru Pass thru, wheel and deal Centers in then cast off three quarters Dive thru pass thru Double pass thru Pass thru with a wheel and deal Centers in cast off three quarter Those in the middle do a triple turn thru Split two and line up four Pass thru, wheel and deal Then centers out Forward eight and back right out Girls turn thru And cast off three quarters Centers arch ends duck out Left allemande Pass thru wheel and deal Do a left allemande Dixie daisy on the double track Centers in when they come back UTAH MIXUP TURN THRU AND FRONTIER WHIRL Then cast off three quarters around By Bruce H. Elm, Provo, Utah By Dan Schmelzer, Torrance, California Star thru across the town Gent number one and his opposite lady Sides half sashay Then Allemande left Star thru then frontier whirl Heads square thru four hands With the old left hand Turn thru Here we go in a right and left grand Split those two go round one Inside four turn thru Line up four go up and back Outside four Frontier whirl The lonesome two star thru Allemande left Then frontier whirl, do sa do Heads square thru four hands TWIRLING CAST With the outside two make an ocean wave Turn thru By Jay King, Lexington, Massachusetts Swing thru, when you get thru Center four turn thru Heads up and back you go Listen Pop, spin the top Centers in cast off three quarters Do sa do one time you know Same four square thru five hands round Forward and back Boys run and then cast off All eight left allemande Star thru Frontier whirl Three quarters 'round, don't get lost NOTE: Do sa do to an ocean wave, swing thru Allemande left Frontier whirl is what you do Spin the top may be replaced by Do sa do the outside two Star thru, right left thru Boys run and then cast off TURN THRU AND STAR THRU Three quarters 'round, don't get lost U WHEEL By Dan Schmelzer, Torrance, California Frontier whirl and bend the line By Jerry Helt, Cincinnati, Ohio Sides right and left thru Up and back, doin' fine Heads forward Four ladies chain Right and left thru, turn 'em 'round Do sa do to an ocean wave Heads square thru four hands Do sa do when you come down Rock it up and back Turn thru Boys run and then cast off Men U turn back Sides divide and star thru Three quarters 'round, don't get lost Wheel and deal Heads just star thru Frontier whirl is what I say Do sa do all the way around Allemande left Whirl away with a half sashay To an ocean wave, U-turn back, left allemande (Men in the middle of the wave) Here we go, right and left grand Rock up and back TURN THRU FIGURE Girls U turn back By Dap Schmelzer, Torrance, Calif. Wheel and deal Four ladies chain Cross trail thru to the corner TWO DIXIE SPIN Figures Sides half sashay Left allemande Heads square thru four hands By Larry Hale, Oakland, California Turn thru with outside two (same sex) #1 Center four box the gnat Heads right and left thru VERY QUICKIE Square thru other way back Dixie spin left swing thru By Stub Davis, Waurika, Oklahoma Four hands and while you do Girls run wheel and deal Head ladies chain across the floor Sides divide and star thru Left allemande Sides divide, line up four Centers in, cast off three quarters #2 Forward eight, back you reel Star thru - Substitute Heads right circle to a line Pass thru, wheel and deal Right and left thru Dixie spin left swing thru Inside four box the gnat Substitute - pass thru Girls run wheel and deal Change hands, everybody Allemande left. Cross trail left allemande Left allemande, etc.

21 WAGON ROLL Pass thru, wheel and deal swing, go out to the side) By Sam Gibson, Oakland, California Inside two pass thru, right and left thru With a right and left thru Walk all around the left hand lady Turn your girl and circle four Dive thru and substitute See saw your pretty little taw Side gent break and line up four Susie Q, sides divide and star thru Allemande left, right to your girl Forward eight and back you reel (In the middle finish your cue with a left hand A wagon wheel, give her a whirl Pass thru, wheel and deal swing, go out to the sides) Roll that wagon around the world Double pass thru, first left, second right With a right and left thru Spread way out across that town Pass thru the first two Dive thru and substitute Gents walk out with a wrap around With the next two cross trail Square thru three quarters round Girls star right when you come down To a left allemande, etc. Allemande left Girls back out, spin her, Joe Catch her by the left, do paso Her by the left, corner right WHEEL AND DIXIE WHIRLY STAR THRU Box the gnat, change hands By Ron Haggerty, Oakland, California By Don Cameron, Glendora, California Box the flea and pull her by Heads wheel around Two and four go forward up and back Right to your partner Right and left thru Pass thru, separate 'round one Girls Dixie daisy, on to next Into the middle right and left thru Boys Dixie daisy, on to the next Pass thru and star thru . WAVE AND CHAIN Dixie chain Sides go two, heads go three By Sam Gibson, Oakland, California Lady left, man go right Now when you're thru sides separate One and three half square thru Left allemande ... Meet a girl and star thru Do sa do with outside two Right and left thru, turn that Sue All way around to ocean wave Dive thru and square'thru three quarters 'round To a left allemande, etc. Balance up, back WHEEL AND SPREAD #1 End two ripple the wave By Jim Gammalo, Olmsted Falls, Ohio Ends run Join hands circle left WHO CAN SLIDE THRU All four couples wheel to face Head gents, corner forward and back By Beryl Main, Denver, Colorado Eight chain thru, go cross the floor Box the gnat Heads half square thru Hurry boys we'll dance some more Right and left thru Circle four head men break Long way over, long way back Turn a girl Pass thru wheel and deal When you're straight, dive thru Pass thru, both turn right single file Double pass thru Pass ttru Lady around one, gent around three Allemande left Line up four Centers in cast off three quarter round Pass thru, wheel and spread Pass thru wheel and deal Allemande left Double pass thru Centers in cast off three quarter round WEDID Go forward and back By Sam Stead, Lethbridge, Alberta, Canada WHEEL AND SPREAD #2 Slide thru One and three swing thru, and when you do star Those who can slide thru thru By Jim Gammalo, Olmsted Falls, Ohio Head gents face your corner, box the gnat Others turn back and slide thru Split two round one to a line of four Square your sets just like that Wheel and deal to face those two Pass thru wheel and deal Spin the top to ocean wave Dixie daisy (patter) Four girls do a double swing thru Then square thru three quarters Girls run cast off three quarter round Centers in cast off three quarter, star thru Box the gnat change hands allemande Separate, around one line up four Pass thru, wheel and spread Left allemande Allemande left

WELL THEN WHO TRADES? By Chuck Raley, Lakewood, California WHEEL AROUND EQUIVALENT By Herb Mercier, Manchester, Connecticut Head ladies chain and then By Ed Fraidenburg, Flint, Michigan Heads swing thru girls trade and star thru Head ladies chain to the right Heads right and left thru Swing thru boys trade and star thru Sides rollaway Now lead right and circle four Frontier whirl and star thru Heads lead right circle four Sides break and line up four Swing thru girls trade and star thru Heads break line up four Two side ladies chain Frontier whirl and star thru Pass thru—wheel and deal Same couples star thru Dive thru pass thru Swing thru Centers turn thru Square thru four hands around Boys trade and Star thru Left swing thru with the outside two Walk straight out Frontier whirl and star thru All eight circulate Heads crosstrail and do a centers in Swing thru the girls trade and star thru Left allemande Cast off three quarters round Frontier whirl star thru Star thru and double pass thru Swing thru the boys trade and star thru First couple left Frontier whirl Star thru Next couple right, star thru* Left allemande WHAT KIND OF DEAL IS THIS Right and left thru, dive thru By Ed Fraidenburg, Flint, Michigan Pass thru, star thru Four ladies chain three quarter round *(Equiv. Heads wheel around) Heads do a half sashay WHO WROTE IT?? Right and left thru Now lead right and circle four From notes of So. Calif. Caller's Ass'n. Crosstrail thru Allemande left, the old left hand Two ladies break and line up four Left allemande Square thru four hands around Partner right, a right and left grand Every other girl, every other hand Centers square thru three quarter round Centers in and cast off three quarter round Meet your own with a do-sa-do WHEEL THE CORNER Square thru four hands around Look her in the eye By Ed Fraidenburg, Flint, Michigan Centers square thru three quarter Dixie daisy Head gents with your corner girl Centers in Right, pull by, left, turn half, Go forward and back Cast off three quarter round Right pull by Same four star thru Circle up eight around the floor Left Allemande Now circle four Two men break and line up four Two ladies break and line up four Square thru four hands around Square thru four hands around Centers square thru three quarter round WILD IN DIXIE Centers square thru three quarter round Centers in and cast off three quarter round By Bruce Elm, Provo, Utah And centers in Square thru four hands around Lady number one chain to the right Cast off three quarter round Centers square thru three quarter Right, right, right Square thru four hands around Centers in and cast off three quarter round New head ladies chain across Centers square thru three quarter round Circle eight then Couple number four promenade And centers in All the way around and a quarter more Four girls (boys) do sa do to an ocean wave Cast off three quarter round Double swing thru While couple number two do a half sashay Pass thru wheel and deal Now cross trail thru Head two couples go right left thru Left allemande Left allemande Turn around, put the lady in the lead Go Dixie style to an ocean wave Rock up, then back WHIRLING SUSIE Left swing thru in the middle of the track WHEEL AND DEAL REVIEW By Jimmy Huff, Lafayette, Louisiana Balance now like you did before By Ken Ehrhardt, Scottsdale, Arizona Heads pass thru, go round one Swat the flea, and let us see One and three lead right, circle four Come into the middle and Left square thru Head gent break, line up four Susie Q, sides divide and star thru Six hands round in the middle of the floor Forward eight and back you reel (In the middle finish your cue with a left hand Wham bam, left allemande

22

WILD TRADE BREAK BREAK By Mark Bates, El Cerrito, California By Chuck Raley, Lakewood, California By Sie Watson, Phoenix, Arizona Four ladies chain Four ladies chain three quarter round Promenade: Heads lead right, circle to a line Two and four right and left thru One and three wheel around Pass thru, centers trade Circle up eight Right and left thru the couple you found Same four pass thru, centers in Head gents (or sides) take both girls Pass thru, on to the next Cast off three quarters round Into the middle and back slide thru Right and left thru, two ladies chain Pass thru, centers trade Allemande left Same. two spin the top Ends trade, left allemande Without a stop go right and left grand, etc

BREAK BREAK YES SOME CLOVER By Fred Whiteford, Costa Mesa, California By Fred Whiteford, Costa Mesa, California By Wayne West, Anaheim, California Heads square thru, all pass thru Side ladies chain right One and three square thru four hands Center two pass thru Heads square thru four hands Sides face grand square (16 steps) Centers in, cast off three quarters. Po sa do to ocean wave Heads clover and grand square (16 steps) Star thru, center two pass thru Swing star thru, bend the line Sides divide star thru and All pass thru, center two pass thru All four couples half sashay Square thru three quarter Centers in, cast off three quarters Ends star thru Left allemande Star thru, pass thru All cross trail thru Allemande left, etc. Allemande left, etc. ZERO BREAK By Garrett Gilliam, Phoenix, Arizona BREAK Two and four lead to the right BREAK Circle up four By Bill Castner, Lafayette, Calif. By George Sword, Hagerstown, Maryland Side men break two lines of four Four ladies chain Two and four right and left thru Forward eight and back with you Three quarter round Same ladies chain Star thru ladies lead with a Dixie spin One and three out to the right Now one and three promenade outside half way Slide thru square thru Circle four around Three quarter round Head gents break line up four Two and four star thru Go on to the next Pass thru girls run Double pass thru Swing thru two by two All eight circulate First couple go left Spin the top and slide thru Girls run pass thru girls run Next couple go right Square thru ladies lead with a Dixie spin All eight circulate Right and left thru Slide thru square thru three quarter round Allemande left Turn this girl Go on to the next Cross trail thru and allemande left Swing thru BREAK By Bob Barnes, Phoenix, Arizona BREAK ZERO #2 Head two ladies chain across By Les Ely, Phoenix, Arizona By Mark Bates, El Cerrito, California One and three right and left thru Head two ladies chain to the right Heads lead right circle to a line Turn 'em around Turn 'em on around Center four square thru four hands Ladies lead in a Dixie chain One and three square thru Ends star twirl, centers in Girls only you turn back Count to four that's what you do Cast off three quarters ... zero to a line of four Now turn 'em left three quarter 'round Four hands around Girls stay there A right and left thru and turn the girl Men star right in the middle of the square Put her in the lead go Dixie style BREAK It's once and a half to the opposite maid To an ocean wave rock it up and back By Ray Vierra, Concord, California Turn her left to an alamande thar Use your left swing thru Head ladies chain across Back right along in a back up star Without a stop spin the top Same two slide thru, pass thru Now slip the clutch Without a stop Circle four, head gent break line up four Left allemande Left allemande Right and left thru, slide thru Pass thru, allemande left

BREAK By Chuck Raley, Lakewood, Calif. Heads square thru Four hands 'round Split two round one Line up four bend the line ‘itsmag_oR WORKSHOP Center four go right and left thru Same four square turn thru FOR LEADERS IN THE FIELD OF SQUARE AND ROUND DANCING Three quarter round Other two turn thru Allemande left

BREAK ACH MONTH SCORES OF LETTERS containing Fadler, and contras by Don Armstrong. As By Fred Whiteford, Costa Mesa, California fi square dance routines, workshop ideas, an issue deadline appears, Joy Cramlet, Heads chain to left, new heads chain across suggestions for Experimental movements, who serves as coordinator for the workshop Heads lead right, circle four section, receives the special chapter from Full around and little bit more round dance patterns, and singing calls Side gents break to line of four come in to the offices of Sets in Order. Each George Elliott's notebook, and also the All four couples half sashay letter is acknowledged and the material is Feature Caller section from different well- Just the ends star thru immediately sent to different caller-leaders known callers across the country. From where you stand All cross trail thru for checking. All square dance material is For the 50 dances that appear in each Allemande left, etc. sent to Hayward, Calif., where Bob and issue of SIO's Workshop, virtually two Nita Page conduct a monthly Sets in Order months are spent in research, planning. BREAK Workshop. Here, the contributions are sort- workshopping, and correcting. This service By Sie Watson, Phoenix, Arizona ed according to danceability and original- is unique with Sets in Order, and you can Four ladies chain ity. Once workshopped, they are returned be sure, as a subscriber, that you receive One and three square thru to Sets in Order for grouping into coming not only the current material, but material Four hands round to the outside two Go right and left thru issues. that is carefully checked before it ever ap- Dive thru pass thru As each issue is assembled, the material pears in print. Do sa do to an ocean wave is re-typed, ready for the topographer, and Balance up and back SPECIAL WORKSHOP EDITORS Ends around one is checked once again by another workshop Cast off three quarters group headed by Ken and Dotty Collins. Joy Cramlet Coordinator Do a right and left thru At this time all of the singing calls are Joe Fadler Round Dance Editor With the opposite two checked out and the copy carefully proof- Bob Page Square Dance Editor Turn your girl slide thru read before being set into type. Don Armstrong Contra Dance Editor Ladies lead to a dixie spin Ken Collins Final Checkoff To an allemande left All round dances are checked by Joe

23 New number one promenade a quarter New number three lead right and circle half Those who want to square thru three quarters The other four do a frontier whirl If the couple in front has their backs to you And if you want to do a centers in or double COLLECTIONS And if you did that cast off three quarters round If you did that star thru All face your partners If you want to but you don't have to box the gnat Bend the lines, pass thru and Wheel and deal two by two Centers square thru three quarters left allemande, etc.

Four ladies chain three quarters around DRILLS Turn 'em all with an arm around Number one promenade a quarter Number three lead right and circle half Square thru three quarters In the middle pass thru Swing thru double with the outside two O ACHIEVE VARIETY IN HIS CALLING, a caller will often select a series of move- When you're thru, pass thru Tments based on a theme that blend well together. These will use a series of The other four do a frontier whirl accepted basics in unusual, or unexpected, combinations. It is this type of mate- In the middle, pass thru, if you can, square thru three quarters rial that a caller often seeks in order to provide continual variety and "challenge" If you want to, but you don't have to for his dancers. The selections that you will find in this chapter are based on Do a centers in or double and cast off three different themes. Some are combinations using particular basics; others require quarters a specific "set up" in order to move into the movement. Chances are, you will If you did that, star thru All face your partners and if you want to but find some selections here that will prove helpful to you. you don't have to Box the gnat Now bend the lines and pass thru Wheel and deal two by two And now divide and star thru Jean Alve Substitute and square thru three quarters man Sides divide and star thru Spencer, New York Don't you stand Corners all left allemande, etc. Left Allemande THREE EXAMPLES OF TRADE Four ladies chain three quarters around Turn 'em all with an arm around All four ladies chain three-quarters One and two go right and left thru Turn 'em boys and Lee Boswell Three and four you do it too Couples one and three star thru Gardena, California New head couples, right and left thru with a Pass thru, do a do sa do GIMMICKS full turn around All the way around and Promenade left three quarters Swing thru go two by two Four ladies chain across the way Original number one gent, girl with you do a Girls trade and swing Turn 'em around with a half sashay frontier whirl Swing your girl and promenade Heads go up to the middle and back you go Square thru three quarters with that girl Opposite two, do sa do, sides divide, everybody In the middle star thru Head couples half square thru Go right and left grand around that land, etc. Square thru full around in the middle of the floor Do sa do with the outside two If you can square thru three quarters more Ready with the right swing thru Head couples do a right and left thru If you want to but you don't have to centers in Girls trade in the line Same two cross trail thru, around one or double Swing thru, you're doing fine Into the middle, do sa do And cast off three quarters Men trade, go right and left thru With the men in the middle, make an ocean wave If you did that star thru all face your partner Turn on around and dive thru You rock it and swing thru If you want to, but you don't have to Pass thru, allemande left When you're thru, do a right and left thru Box the gnat, but bend the line, pass thru Turn your girl with a half sashay Wheel and deal two by two, substitute, square Head ladies chain across Pass thru, do sa do the outside two Head couples square thru thru three quarters, man Girl and girl, man and man Should be the corner, left allemande, etc. Four hands around you go Make an ocean wave, swing thru Do sa do with the outside two Then go right and left grand, etc. Swing thru, two by two Girls circulate and swing thru Head couples pass thru Bruce Elm When you're thru, boys trade Separate, around one, to a line you do Provo, Utah Go right and left thru Go forward eight and back you reel Turn on around and swing thru Pass thru and wheel and deal PROGRESSIVE SQUARES When you're thru, girls trade Girls, 1.1 turn back Box the gnat, change hands Left allemande, etc. #1 Allemande left Head two couple move up to the middle Then back right out to the outside ring Fred Christopher Now square thru, five hands round George Baker St. Petersburg, Florida When you get to five you're facing out Sheridan, Wyoming Pass thru to a new square IF YOU WANT TO TURN THRU FIGURES Head ladies chain three quarters around Side two you star thru Turn that gal with an arm around Then square thru four hands round Heads star thru Count to four around the town Square thru three quarters Head couples promenade three quarters around Number two do a frontier whirl square thru Go right and left thru with the two you meet U turn straight back—turn thru Then square thru three-quarters round Do a left turn thru on the outside track three quarters In the middle pass thru -tt2 In the middle turn thru and then Head two do a half sashay Centers in cast off three quarters Square thru the outside two three quarters more but listen Jack Box the gnat across the way Star thru If there's a couple in front with their back to you Then square thru three-quarters round Whirl with a half sashay and if you want to With the two you found do a right and left thru U turn back Do a centers in or double then cast off With a full turn round to a brand new square Left Allemande three quarters round If you did that star thru, all face your partners Then the sides go up to the middle and back Heads promenade half If you want to, but you don't have to, box the Half square thru and across the track Half square thru gnat, bend the lines You turn back and star thru Do a turn thru on the outside track Pass thru, wheel and deal, substitute, square thru Pass thru to another square Come down the middle left turn thru #3 three quarters man Centers in cast off three quarters Should be the corner, left allemande All four ladies chain across Star thru This new gent is now your boss Centers square thru nine hands Four ladies chain three quarters around Heads to the right with a right and left thru Sides Frontier whirl Head two couples go right and left thru Now square your sets like you always do

94 #4 Center two pass thru Right and left thru star thru pass thru New head couples go right and left thru Left allemande Star thru square thru three quarter Then end it all with a half sashay Bend the line, bend the line Box the gnat across the way Head ladies chain right Center four square thru three quarter Well, pull 'em by — pass thru Heads square thru Clover And star thru To a brand new square you do Do-sa-do to an ocean wave Swing thru spin the top #5 Swing thru Right and left thru pass thru Side two star thru Round off, cloverleaf in Clover And star thru Go right and left thru, across from you Double pass thru Clover And star thru pass thru Turn that gal, she's sweet Sue Girls U Turn Back Clover And star thru Frontier whirl Half square thru, go right and left Left allemande Clover And double pass thru Pass on thru to brand new squares Cloverleaf double pass thru Note: The following part of the sequence combines Cloverleaf center four pass thru the heads movement and the sides movement into Sam Grundman Left allemande one figure. Berkeley, California Note: Refer to Sets in Order, March, 1966 #6 issue, page 70 for clarification of Clover Head two go right and left thru SQUARE TURN THRU Side two go right and left thru Turn your girls like you always do Sides right and left thru Max Hartwell Calif twirl, face out One and three half sashay Redondo Beach, California Go right and left thru with the two you face Heads half square turn thru It's a full turn to a brand new square Right and left thru DIXIE DAISY Dive thru Side two go right and left thru Square thru three quarters Heads lead right, circle to line Head two go right and left thru Find the corner Frontier whirl, bend the line Repeat the sequence to get everyone back home. Girls Dixie daisy, centers in Heads three quarter square turn thru Cast off three quarters, gals star right Separate, around one into the middle Look for the corner, left allemande Clarence E. Eskridge Three quarter square turn thru Green River, Wyoming Left allemande Heads star thru, right and left thru Pass thru, square thru four hands Head ladies chain right VI'S VARIATIONS (facing out, move out and back) New side ladies chain across Frontier whirl, bend the line Head ladies chain to the right Two and four right and left thru Rollaway half sashay Gals Dixie daisy, centers in Heads to the middle and back with you Centers fold, left allemande Swing thru the opposite two Heads square turn thru, then Rock up and back and listen Pop Three quarter square turn thru Left allemande One and three star thru, Dixie daisy Centers trade without a stop Centers out (move out and back) Spin the top, turn right One and three half sashay Wheel and deal, Dixie daisy Girls left three-quarters round Left square turn thru *Tap that person, they turn around Gents move up, rock up and down Left allemande Left allemande Pull on by to the outside pair *Gals turn back, star thru Double spin the top right there Four ladies chain three quarters Forward eight and back Turn right, men left three-quarters Two and four half sashay Wheel and deal Turn right, girls left three-quarters Heads square turn thru Dive thru, substitute Balance just one time man Go right and left grand Pass thru, left allemande Double pass thru, first left Next go right, right and left thru Note: Square Turn Thru: On the last hand (leg) of Half sashay, left allemande Heads to the middle and back with you any square thru (half; three quarter; full; or left) Right and left thru and turn your Sue do a turn thru. Turn thru is to turn your opposite Four ladies chain three quarters Swing thru the opposite two half way round and pull by. Sides lead right, circle to line Rock up and back and listen Pop Centers trade without a stop Gals Dixie daisy, centers in Spin the top, turn right Larry Hale Cast off three quarters Girls left three-quarters Oakland, California Gents Dixie daisy, centers in Gents step up rock up and down (move out and back) Centers trade and balance there CLOVER AND FIGURES Just one and three frontier whirl Pull on by to the outside pair Forward eight, back you reel Star thru, then swing thru Clover And. Four couples wheel and deal Without a stop spin the top Couples facing out do the Clover Dive thru, square thru four hands Balance once then change hands Couples facing in do the And Heads divide and star thru Allemande left Frontier whirl, cloverleaf, go two by two Heads right circle to a line Into the middle, two ladies chain Heads to the middle and back with you Pass thru wheel and deal Allemande left Swing thru the opposite two Star thru pass thru Rock up and back and listen Pop Clover And swing thru Heads star thru, Dixie daisy Centers trade without a stop Box the gnat pull 'em by Centers in, cast off three quarters Spin the top, turn right Left allemande Star thru, cloverleaf Girls left three-quarters round Dixie daisy, centers in Gents move up, rock up and down All four couples half sashay Cast off three quarters, star thru Pull by to the outside pair Heads pass thru ... stop Cloverleaf, double pass thru Swing thru and balance there Sides pass thru ... stop Centers in, cast off three quarters Centers trade meet a new girl Clover And left allemande Star thru, substitute Spin the top give her a whirl Center two square thru three quarters All four ladies chain Balance once then cross trail thru Left allemande Heads star thru Frontier whirl Hurry man left allemande Star thru centers square thru three quarter Heads star thru, Dixie daisy Clover And star thru Centers in, cast off three quarters Slide thru pass thru Star thru, cloverleaf Dewey L. Glass Clover And star thru Dixie daisy, centers in Montgomery, Alabama Clover and pass thru left allemande Cast off three quarters, star thru Cloverleaf, Dixie daisy ROUND OFF Heads right and left thru Centers in, cast off three quarters Head ladies chain Star thru, cloverleaf Heads square thru do-sa-do Heads right circle to a line Dixie daisy, centers in Ocean wave, swing thru Pass thru wheel and deal Cast off three quarters, star thru Girls trade, men trade Double pass thru Cloverleaf Round off, cloverleaf in Cloverleaf star thru pass thru Center two square thru three quarters Center two pass thru Clover And star thru pass thru Allemande left Left allemande Clover And star thru pass thru Clover And star thru pass thru Four ladies chain Clover And double pass thru Sides right and left thru Cloverleaf center four pass thru Heads square thru Left allemande Do-sa-do to an ocean wave Swing thru Heads square thru four hands Round off, cloverleaf in Right and left thru dive thru star thru

25 Robert Holup Boys circulate and wheel and deal The boys trade and star thru Dive thru Go on to the next and swing thru Wausau, Wisconsin Pass thru The boys trade and star thru Left allemande DIXIE DAISY TURN THRU Left allemande. CIRCULATION Heads star thru Frontier whirl Heads to the right circle up four (For Girls) Swing thru girls circulate Make a line pass thru Heads star thru Boys trade box the gnat Wheel and deal Right and left thru Boys circulate left allemande Dixie daisy turn thru Pass thru Centers in Star thru with the outside two Cast off three quarters Dixie style to an ocean wave and rock Pass thru wheel and deal Girls circulate and courtesy turn* Art Miller Dixie daisy turn thru Girls circulate and Anaheim, California Centers in Cast off three quarter round Cast off three quarters Pass thru and wheel and deal FROM A PROMENADE Cross trail thru Centers pass thru Left allemande Star thru with the outside two Gents roll in left face whirl Promenade with partner Dixie style to an ocean wave Promenade the corner girl Gents roll in And rock Back out make a ring Left face whirl and promenade Girls circulate and Four ladies chain One and three wheel around Courtesy turn One and three pass thru Pass thru wheel and deal Girls circulate and Separate around one Dixie daisy turn thru Cast off three quarter round In the middle box the gnat Centers in Pass thru Pull by split the pair Cast off three quarters Wheel and deal Around one line of four Pass thru wheel and deal Centers pass thru Pass thru wheel and deal Dixie daisy turn thru Left allemande Double pass thru girls arch Centers in *Note: The boys must end the courtesy turn Men duck thru turn back Cast off three quarters 'round facing the same direction as when they starred Star thru promenade Slide thru with the girl on the right. Left allemande. One and three wheel around Note: Start the basic Dixie Daisy and on the last Herb Mercier Do sa do ocean wave hand do a Turn Thru. Refer to Sets in Order, June, Swing thru box the gnat 1965 for explanation of Dixie Daisy, and Sept., Manchester, Connecticut Right and left thru 1965 for explanation of Turn Thru. SLIDE THRU Star thru dive thru Pass thru do sa do GENTS SLIDE Ocean wave swing thru Lee Kopman Sides to the center and back to the bar Box the gnat Forward again make a right hand star Right and left thru Long Island, New York Turn around then back by the left Star thru cross trail HASH Pick up your corner as you come around Allemande left Star promenade go round the town Four ladies chain Insides back out with a full turn around Gents roll in left face whirl Two and four right and left thru Circle to the left as you come down Promenade the corner One and three right and left thru The four gents go forward and back you do One and three wheel around (make it a full turn) The four gents will then slide thru Star thru dive thru Side Frontier whirl Single file split the girls Square thru four hands Everybody separate Both turn left go around one Stay facing out Walk around one and face to the middle Come down the middle with a dixie chain Other two star thru Frontier whirl Left allemande First gent left and the second gent right Centers in cast off three quarters Allemande left. Pass thru bend the line kleads right and circle to a line Star thru substitute Right and left thru across GIRLS SLIDE Heads to the center and back to the bar Square thru three quarters Girls lead dixie style to an ocean wave Allemande left Ends circulate Go into the center make a right hand star Centers trade to a Back by the left Left allemande Pick up the corner star promenade Back out and circle to the left Monty Montooth Two and four right and left thru Four girls go forward and back Fayetteville, No. Carolina Same ladies chain them half sashay Then slide thru ONE MAN SHOW And circle eight that way Single file split the gents Reverse in single file Both turn right and go around one Dixie chain YOU GOT 'EM MAN Heads turn back same sex chain Head couples bow, now you swing To a left allemande First girl right the second one left Allemande left Take this girl and promenade Half way round, then no more Two and four right and left thru Four ladies chain, grand chain four Heads lead right and circle to a line Herb Mercier Sides now forward and back Pass thru Box the gnat, pull on by Men run swing thru one time Manchester, Connecticut Separate around one four in line Ends trade centers trade TRADE Right and left thru across you do Swing thru to a grand right and left Turn right back and chain your Sue Heads go forward and back you do Now send her back Dixie style Circle eight Swing thru go two by two Ocean wave, balance forward up and back Heads Frontier whirl then clover leaf The boys trade and star thru Circulate go round the track Sides pass thru right and left thru Swing thru with the outside two Rock it now, you got 'em man To a left allemande The boys trade and star thru Circulate — go, left allemande Frontier whirl then star thru Right and left thru CROSSED BACK #2 Dennis McConkey Turn your Sue Promenade and don't slow down Denver, Colorado Slide thru — star thru Gents roll in left face whirl Dive thru — pass thru Promenade with a brand new girl CIRCULATION Swing thru the outside two Two and four gonna back-track Boys trade and star thru Pass thru, on to the next CIRCULATION Frontier whirl then star thru Half square thru, girls in (For Boys) the middle pass thru Right and left thru Centers in, cast off three quarters round Heads star thru Turn your Sue Forward eight back you're told Right and left thru Slide thru — star thru Pass thru, men cross fold Pass thru Dive thru — pass thru Left allemande Star thru wtih the outside two Left allemande Dixie style to an ocean wave and rock SWING THRU BREAK Girls circulate and courtesy turn Promenade don't slow down Promenade, don't slow down Boys circulate and wheel and deal One and three wheel around Heads wheel around, swing thru Dive thru and pass thru Star thru — swing thru Balance forward and back pass thru Star thru with the outside two The boys trade and star thru On to the next box the gnat Dixie style to an ocean wave and rock Go on to the next Right and left thru, pass thru Girls circulate and courtesy turn Star thru — swing thru On to the next swing thru

26 Balance forward and back, pass thru Head men pass thru, turn to the left One and three lead right On to the next, box the gnat Behind that lone lady stand Circle to a line Right and left thru Forward eight, back with you Right and left thru Cross trail, find the corner Center four pass thru, circle three Star thru Left allemande Side gents break, two lines of three Eight chain five Forward eight, back once more left allemande. WALISCH Six pass thru and circle four Sides now half sashay Side gents break and circle eight Two and four right and left thru Heads cross trail round one I say Those who can, right and left thru Same two star thru Into the middle box the gnat The other four, the opposite swing Substitute Gents turn back, ladies follow that man Face that couple on the side of the ring Centers right and left thru Split the sides, turn to the right Allemande left Pass thru Down the middle Dixie Style Eight chain five CROSS FOLD BREAK Ocean wave, rock forward and back U turn back Promenade don't slow down Pull by box the gnat Star thru Right and left thru, turn the girl Gents roll back, promenade corner Two and four back track Bend the line Dive thru, pass thru, swing thru Two ladies chain Balance again, that's Sweetie Pie Circle up four with the couple in back Head gents break to a line of four Pass thru Box the gnat, pull her by Wheel and deal Allemande left Forward eight, back you're told Pass thru, men cross fold Centers square thru three quarters Girls turn back, square thru three quarters round eft allemande. CROSS FOLD BREAK Allemande left Four ladies chain Heads star thru, substitute CROSS TRAIL HASH Bob Nipper Double pass thru, centers in Promenade, don't slow down Edwards, California Cast off three quarters round Heads wheel around, cross trail Forward eight back you're told Do a left allemande ALL ERA IT SWAP AROUND Pass thru, ends cross fold Forward three, right, left, right Left allemande All eight to the middle and back to town Promenade, don't slow down All eight gonna swap around Sides wheel around, cross trail Heads separate and star thru with the one you TULA Do a left allemande Heads star thru, substitute meet Forward three, right, left, right Centers in cast off three-quarters round Right and left thru, full turn Promenade home, don't take all night Circle up four with the outside two Star thru when you come down Side men break to a line of four Center two square thru three-quarters Forward and back and when you do Jeanne Moody Corner all left allemande Right and left thru, turn this Sue Salinas, California Eight to the middle and back to town Two ladies chain across I'm told All eight gonna swap around Pass on thru, ends cross fold SQUARE THRU FOUR Heads separate and star thru with the one you Centers turn back, square thru HANDS EQUIVALENTS meet Three quarters round All clover leaf with a brand new Sue Allemande left One and three right and left thru Center two pass thru left allemande Same two ladies chain Eight to middle and back to town BALANCING FLEA Spin the top All eight gonna swap around Sides star thru, then pass thru Box the gnat pull by Heads separate, star thru with the one you meet Right and left thru the outside two All clover leaf, center two swap around Dive to the middle, box the flea One and three star thru Circle up four, heads break to a line Girls join hands and wave it please Swing thru Star thru, double swing thru Swing by the left, full around Swing thru Eight chain one, left allemande Two ladies chain across the town Pass thru Roll this girl a half sashay Eight to the middle and back to town Star thru across the way Head ladies chain All eight gonna swap around Right and left thru the outside two Same ladies Dixie style Heads separate and star thru with the one you Right and left back go two by two To an ocean wave meet Dive to the middle, box the flea Pass thru Then roll away a half sashay Girls join hands and wave it please Centers in cast off three-quarters Swing by the left, full around Heads square thru half way Move up and back, turn thru Two ladies chain across the town 1.1 turn back Bend the line, star thru Roll this girl a half sashay Box the gnat Dive thru Star thru across the way Centers square thru three-quarters Allemande left Swing thru Swing thru Corners all left allemande THERE SHE IS Pull by Promenade, don't slow down Gene Pearson Gents roll back, promenade corner Head ladies chain Groves, Texas Heads wheel around, pass thru Right and left thru On to the next, right and left thru Dixie style to ocean wve SWINGING CIRCULATE, Turn the girl, half square thru Men trade TRADE AND FUN Lady on the right, frontier whirl Girls trade Head two couples square thru Lady in front, star thru Pass thru Four hands round Lady on the right, half sashay Do sa do the outside two Center four star thru One and three star thru Same two girls half sashay Make an ocean wave Do sa do to ocean wave Swing thru Everybody box the gnat, pull by Men trade Left allemande Girls circulate Girls trade Boys trade DIXIE CROSS Pass thru Swing thru One and three half sashay Girls trade Circle up eight while you're that,.way Heads right and left thru Boys run All four men forward and back Heads ladies chain Wheel and deal Square thru three quarters round Star thru Two face two Separate, around one, four in line Do sa do to ocean wave Circle up four Forward and back, then bend the line Ends run Head gents break to a line of four Pass thru, men cross fold Wheel and deal Star thru Girls turn back Pass thru Pass thru Dixie chain on the double track Allemande left Ladies left, gents go right Jeanne Moody Allemande left Head ladies chain Salinas, California Same two square thru four hands CIRCULITIS EIGHT CHAIN Do sa do the outside two Two and four right and left thru Make an ocean wave Head two ladies chain across Promenade don't slow down Swing thru Chain 'em back three quarters round One and three wheel around Girls circulate Side men turn 'em arm around Right and left thru ------Boys trade Roll away half sashay Star thru Swing thru Forward six back you reel Eight chain nine`lor chain one) Girls trade Pass on thru, wheel and deal Left allemande. Boys run

27 Wheel and deal Ends trade, swing thru Go right and left thru Two face two Double spin the top Turn the girls and dive thru Left allemande Walk straight ahead Square thru three quarters round Allemande left Left allemande. Head ladies chain Sides lead right, circle up four JUXTAPOSITION SWING THRU Same two couples star thru Side gents break to a line of four Heads to the right circle four Frontier whirl Girls trade, you're doing fine Heads break to a line of four Do sa do that opposite girl Swing thru right down the line Forward eight and back again Make an ocean wave Girls trade, ends circulate Star thru and the ladies chain Swing thru Centers circulate, ends trade Turn 'em on around and then - Girls circulate Girls trade, bend the line Do a right and left thru Boys trade Two ladies chain, you're doing fine Turn 'em on around then pass thru Swing thru Star thru, then eight chain five You turn back and do sa do. Girls trade Eight chain five and man alive It's back to back then swing thru Boys run Pull on by, allemande left Don't stop go right and left thru Wheel and deal, two face two Don't stop you square thru Right and left thru Head ladies chain you do Three quarters round find the corner Dive thru, pass thru Head couples square thru Left allemande. Four hands around, then centers in Do sa do the outside two START WHIRL CAST OFFS Make an ocean wave, swing thru Ends trade, bend the line Heads to the middle come on back Forward up and back you reel Girls circulate Pass thru and you turn back Pass thru, wheel and deal Boys trade Do a half square thru Girls pass thru, star thru Swing thru Split the sides and line up four Promenade (with partner, in sequence) Girls trade Forward eight and back to the world. Boys run Star thru frontier whirl Side couples move up and back Wheel and deal, two face two Go centers in and cast off Do sa do all the way to make an ocean wave Circle up four Three quarters round line up four Ends trade, centers too Head gents break to a line of four" Forward eight and back to the land. Pass thru, separate around one "All the above is equivalent to Heads lead out to Star thru then square thru Into the middle, swing thru the right circle four, Head gents break to a line Three quarters round in the middle of the land of four,—You take it from there. Ends trade, centers run Wheel and deal to face those two Left allemande. Go right and left thru CIRCULATING TRADES Bill Peters Turn the girl, pass thru #1 San Jose, California Swing thru the outside two Head two couples promenade Do it twice and when you're thru Half way round with your maid RIPPLE THE WAVE Girls trade, rock up and back Down the middle a right and left thru Pass thru, allemande left Same two ladies chain to the right Four ladies chain Turn 'em on around then one and three One and three square thru Star thru pass thru Do-sa-do to an ocean wave Ray Vierra Swing thru and the girls Both ends ripple the wave Circulate —, and balance Right and left thru Concord, California The boys trade and balance Dive thru pass thru TRIPLE SPIN TOP Spin the top and balance Do-sa-do to an ocean wave Up and back then cross trail Both ends ripple the wave Head two do sa do to ocean wave Left allemande. Right and left thru Swing thru, don't stop #2 Dive thru pass thru Triple spin the top Heads promenade half way round Left allemande Right and left thru, pass thru Go into the middle and do sa do Allemande left Don't stop do a swing star thru Head ladies chain Do sa do the outside two. One and three promenade half way Side ladies chain across Don't stop — swing through Lead right circle to a line of four Finish it off half sashay Girls circulate, the boys trade. Do-sa-do to an ocean wave Forward do sa do to ocean wave Balance there go up and back (8 hand ocean wave) Balance forward and back Spin the top and don't stop Both ends ripple the wave Triple spin the top Do a right and left through Right and left thru Right and left thru, pass thru Don't stop — star through Cross trail Allemande left Left allemande Allemande left Heads square thru four hands around Swing thru the outside two, don't stop #3 Tom Rinker Triple spin the top Head two couples promenade Omaha, Nebraska Right and left thru, star thru Half way round with your maid Allemande left Right and left thru and - SIX EXAMPLES OF TRADE Same ladies chain to the right. Head ladies chain right Turn 'em on around then two and four Head ladies chain you do Four ladies chain across Square through four hands Head couples cross trail thru Heads pass thru, promenade right Go to the heads and swing thru. Around one into the middle Go round two to line of four The girls circulate — Boys trade Box the gnat, go right and left thru Pass thru, wheel and deal Balance thru and spin the top. Make a U turn back Center two pass thru, do sa do Don't stop go right and left Do sa do, make an ocean wave To an ocean wave, swing thru Don't stop go cross trail Centers trade, then girls turn back Don't stop, triple spin the top Left allemande. Star thru Square thru three-quarters, wheel and deal Go eight chain nine (patter) Center two pass thru, swing thru Allemande left Right and left grand Sides roll away a half sashay During Sets in Orders' first 19 years, one Square thru while you're that way John Winton of the biggest tasks faced by our crew was Swing thru the outside two West Vancouver, B.C., Canada Spin the top and watch it pop to acquaint the square dancing public with Do sa do all the way round, star thru LITTLE OF EVERYTHING Sets in Order — the Official Magazine of Centers do sa do, make an ocean wave SWINGING TRADES Square Dancing. At one time, everyone Ends trade, swing thru Heads a half sashay Ends trade, swing thru knew that "Sets in Order" was used to get Do sa do and don't stop Rock up and back, pull by all the squares on the floor and ready to Swing thru and the boys trade Allemande left Go right and left thru dance. However, the educational part of Turn the girls and cross trail our program sometimes slips, particularly Four ladies chain three-quarters round Go to the corner left allemande. Head couples star thru when we get a letter addressed to "Such an Substitute, star thru Heads forward back to the world Odor," or "Sex in Order." The payoff came Square thru, four hands you do Star thru Frontier whirl not long ago when we received $5 for a Do sa do the outside two With the sides you square thru subscription to Sets in Order, and at the Make an ocean wave Three hands and then stop Ends trade, centers trade You turn back and do sa do bottom of the letter the sender wrote, "Do All eight double circulate Go back to back then swing thru you folks also put out a magazine on square Ends trade, swing thru The boys trade to the end of the line dancing?"

28 Cast off three quarter Box the gnat across from you Change hands Box the flea Change girls FEATURE Box the gnat Change hands Left allemande

The two calls below I use a great deal as sing- ing calls as they fit any standard 64 beat tune. CALLERS Melody line and wording can be adjusted easily to fit into the tune being used. NY ACTIVITY WITH HUNDREDS OF THOUSANDS Of Heads promenade the outside half way round enthusiasts involved, will boast Down the middle right and left thru A of a list of individuals whose names have become especially significant to the Star thru activity. Every year there are the Gary Bebans in football, the Arnold Palmer's Square thru three quarters in golf, and the Billie Jean King's in tennis. The same thing holds true in the Allemande left your corner Do-sa-do your own world of entertainment and in other fields, and there will be names that make the Go back and swing your corner headlines that are significant even to those who may not be dyed-in-the-wool Twice around now enthusiasts. In square dancing a similar "star" system exists. Those best known as Allemande left "name callers" are the ones who most frequently appear on the line-ups of the Come home and promenade —16 beats of music left big festivals and conventions, whose names you will find on the labels of the —sing words of the tune you're using various recording companies and who staff the square dance vacation institutes. One reason for the success of these individuals is the ability they possess in cre- Head two couples promenade half way round ating enjoyable dance situations. Their know-how in adapting available material, Side two couples do the right and left thru Heads square thru four hands around not necessarily items that are original to them, but material which seems to stand Get to the outside two out as comfortable, is one reason for their popularity. Each month, Sets in Order Right and left thru puts the spotlight on a different individual who appears to have achieved "star Rollaway a half sashay billing" and, in this section, you will see the contributions presented by each. Pass thru U turn back Corner swing awhile and Promenade —16 beats of music left Al Brundage Side gents break —sing words of tune you're using Stamford, Connecticut Make a line Star thru Circle eight and around you go Dive thru Partner left Pass thru Do paso Few people will ever equal the record of this Star thru Her by the left month's spotlight caller. Al started calling in Crosstrail Corner right 1935 as part of a 4-H Club project. After Allemande left Partner left not too far Corner right a graduating from the University of Maine some- Promenade don't slow down Wrong way thar time later, he built and operated the "Country bleads wheel around Men back up a left hand star Barn" including the Calico Ball, Danstitute, Pass thru All eight spin the top Many "firsts" were originated in the "Country Boys run Girls star left Balance four in line Men move up Barn" including the Calico Ball, Danstitute, Swing thru Spin the top again Funstitute, and an endless stream of square Balance Men star left dance classes which introduced Western style Centers run (boy/boy, girl/girl) Girls move up Wheel and deal Same girl box the gnat square dancing to the New England states. Face those two Change hands left allemande Al has always been in great demand for Star thru festivals and institutes, and he has been a fea- Bend the line Four ladies chain three quarter round tured recording artist on Windsor records for 'Crosstrail Promenade don't slow down quite a number of years. Together with his Left allemande Head two couples wheel around Four ladies chain across Star thru wife Bea, Al conducts nine square dance week- Right and left thru end vacations each year, and in addition, takes Heads right and left thru Heads square thru nine hands around Dive thru groups of happy square dancers to such places Sides divide Pass thru as Bermuda, Jamaica, and Hawaii. Callers' Star thru Star thru Sides divide Pass thru classes, books on specialized forms of the On to the next dance, and appearances on the stage and on Star thru Sides divide Star thru television, round out an exceptionally busy Star thru Dive thru career for this outstanding caller. Left allemande Pass thru Allemande left One and three swing star thru Promenade don't slow down Promenade don't slow down Circle four with outside two Sides wheel around Gents roll back Head gents break Star thru Quarter whirl Make a line Right and left thru Star thru Half square thru Promenade corner girl Heads wheel around Right and left thru On to the next Dixie chain Spin the top Star thru On to the next Without a stop spin it again Right and left thru Without a stop square thru three quarters Half square thru forward out Two ladies chain Allemande left California twirl Same two ladies wheel chain Rollaway Same two ladies dixie chain On to the next two ladies chain One and three lead to the right Box the gnat across from you Circle four Crosstrail Same two ladies wheel chain Head gents break Allemande left Lookout man should be corner Make a line Left allemande Slide thru Head ladies chain to the right Double swing thru New head ladies chain across Right and left thru Heads lead to the right Dive thru Circle four Substitute Head gents break Allemande left Make two lines 20th Pass thru Four ladies chain across Round off !tau ‘1 Two and four swing star thru Double pass thru Circle four Centers in

29 Bob Dawson All four men Swing your corners partners Marshall Flippo Sarasota, Florida Right hand lady Abilene, Texas Heads square thru Right and left thru Few callers have greater versatility than Star thru Marshall Flippo, or "Flip" as he is known does Bob Dawson of Sarasota, Florida. In the Frontier whirl to his thousands of friends throughout the U turn back square dance world, owes a great deal of his one extreme you will find Bob well versed in Star thru the theories of sight calling. His text book, Substitute and initial square dance interest to veteran caller "The Keys To Calling," written together with Boompsa daisy Betty Casey in Amarillo, Texas. Betty tells of Don Bell, has been used as a reference by call- Left allemande the endless hours Flip used to spend in going ers all over the world. His specialized courses over and over his calls in the early days. She using a limited number of basics emphasizing referred to him as perfectionist, and it is this Heads star thru quality of dedication which has had much to the "fun for everyone" theory, have interested Double pass thru thousands in square dancing. Bob and his wife Clover leaf do with his success over the years. Shirley, are true enthusiasts and continually Centers star thru and "Not only is Flip a fine caller, but he's a contribute to the activity. Back away wonderful person as well." These sentiments, Others move up and expressed by one dancer seem to capture the Star thru Double pass thru public's feeling quite well. If Flip had his way, Head ladies chain Clover leaf he'd spend as much time as possible at home Heads promenade half Centers star thru and with his wife Neeca and young son, John. Per- Sides right Back away haps the closest he comes to realizing this goal Circle to a line Others move up and Pass thru Left allemande is during the months the three spend together Wheel and deal at Kirkwood Lodge. The balance of the year Center couples lead right finds Marshall in virtually every city, giving There's nobody there out with his special brand of infectious square Heads half square thru Same two Frontier whirl and dancing enjoyment. Lead to the right Split around one to a line There's somebody there Forward eight and back right out Left allemande Arch in middle ends duck out Around one and down the middle I like these two by Chet Smith, Boylston, Half square thru Massachusetts Four ladies chain Split around one to a line Heads right and left thru Forward eight and back right out Head ladies to the right you'll chain Head ladies chain three quarters Arch in the middle Four ladies chain across the ring Side men turn them to a line of three And the ends look out Heads half square thru Forward six and back Left allemande Do-sa-do Just the ends star thru Star thru Right and left thru Two ladies chain Two ladies chain Send 'em back dixie style Pass thru )leads square thru Girls circulate twice Circle three Right and left thru Boys trade Head men break to line of three Circle half Courtesy turn Forward six and back Dive thru All eight circulate Just the ends star thru Square thru three quarters Wheel and deal Right and left thru Inside arch Star thru Two ladies chain Dive thru Two ladies chain Pass thru Square thru three quarters Send 'em back Circle three Left allemande or Dixie style to an ocean wave Head men break to line of three Inside arch Girls circulate twice Forward six and back Dive thru Boys trade Just the ends star thru Square thru three quarters Courtesy turn Right and left thru Inside arch All eight circulate Two ladies chain Dive thru Wheel and deal Pass thru Square thru three quarters Star thru Circle three Inside arch Two ladies chain Head men break to line of three Left allemande Send 'em back Left allemande Dixie style to an ocean wave Rock it Allemande Four ladies chain Four ladies chain three quarters Heads right Heads right hand star Circle to a line Back by the left Four ladies chain Pass thru Pick up corner star promenade Heads half square thru Wheel and deal Inside out and outside in Do-sa-do Star thru and Outside four roll back one Star thru Lead right Take 'em along in a star promenade Two ladies chain Circle to a line Back out Send 'em back dixie style Pass thru Circle eight Girls circulate twice Wheel and deal Four girls forward and back Boys trade and courtesy turn Star thru and Cross trail thru All eight circulate Lead right Separate go around two Wheel and deal Circle to a line Down the middle pass thru Star thru Pass thru Both turn left Two ladies chain Wheel and deal Stand behind the boys Send 'em back dixie style Star thru and Tap him on the shoulder Girls circulate twice Lead right Left allemande Boys trade and courtesy turn Left allemande All eight circulate Wheel and deal Head ladies chain Right and left thru Heads right Heads circle left Dive thru Circle to a line Half way and a quarter more Pass thru Men step forward make a wave Pass thru Allemande Swing thru Circle left Spin the top Half way and a quarter more Swing thru Right and left thru I also use this one by Bill Turner, Birmingham, Alabama Spin the top Two ladies chain End men trade Chain back Head ladies chain I say Shake right hands Two ladies shake right hands Sides do a half sashay Pull by Pull by Heads go forward and back Left allemande Left allemande Stick out your left and

30 Box the flea Boys run Bend the line Face the sides and Wheel and deal Right and left thru Box the gnat Right and left thru Dixie style to a wave Make a right hand star Dive thru Girls run Heads in the middle star left Pass thru Girls trade Round to the same old two Slide thru Cast off three quarters Slide thru Pass thru and Two ladies chain Go right and left thru Bend the line Send 'em back dixie style to a wave Pass thru Slide thru Boys trade Bend the line Right and left thru Boys run Box the gnat Inside two California twirl Bend the line Make a right hand star Pass thru Slide thru Heads star left in the middle Do-sa-do to a wave Allemande To the same old two Boys trade Right and left thru Girls trade Dive thru Swing thru Star thru Girls trade Ed Gilmore Dixie chain both turn left Boys trade Yucaipa, California Sides pass thru Boys run Allemande left Wheel and deal Allemande If ever there were a "doctorate" of square Promenade don't slow down dance calling awarded, it should indeed go to Heads pass thru Sides put your girl in front Ed Gilmore. Ed's more than twenty years in Go single file—keep going Turn right single file Round two the calling field have influenced the activity, Heads wheel to the center Down the middle Do-sa-do encouraged its leadership, placed an emphasis Dixie style to a wave Swing thru on comfortable dancing in the proper spirit, Girls run Spin the top Girls trade and provided endless hours of dancing enjoy- Pull by ment for thousands of enthusiasts. Allemande left Cast off three quarters Star thru A choreographer par excellence, Ed has at- Heads square thru Pass thru Star thru tempted to pass his theories of calling, dance Swing thru arrangement, and philosophy on to hundreds Girls circulate Pass thru Frontier whirl Boys trade of callers who have attended his callers leader- Swing thru Right and left thru ship courses over the years. Ed, together with Boys circulate Dixie style to a wave Girls run Drusilla, his wife, represent a solid breed— Girls trade would that we had more like them. Swing thru Girls trade Girls circulate Cast off three quarters Boys trade Star thru Heads right and left turn Turn thru Dive thru Slide thru Allemande Allemande left Pass thru Circle to a line Four ladies chain Number one couple turn back to back Heads Frontier whirl Heads lead right Box gnat with the corner Men hook left Circle to a line New heads cross trail thru Turn the line once around Pass thru Round one to a line of four Bend the line Wheel and deal Pass thru Two ladies chain Double pass thru Wheel and deal Slide thru Centers in Centers turn thru Allemande left. Cast off three quarters Left turn thru with the outside two Pass thru Centers turn thru again Heads square thru Ends trade Centers in Do sa do to an ocean wave Ends run Cast off three quarters All eight circulate and balance Cast off three quarters Pass thru Swing thru Pass thru Wheel and deal Men run Wheel and deal Centers turn thru Wheel and deal Double pass thru Do a left turn thru with outside two bo sa do to an ocean wave Centers in Centers turn thru again All eight circulate and balance Cast off three quarters Centers in Swing thru Pass thru Cast off three quarters Men run Ends trade Pass thru Wheel and deal Ends run Ends fold Allemande left. Cast off three quarters Star thru Allemande left Wheel and deal Heads right and left thru Allemande left Roll away Star thru Four ladies chain Two ladies chain Heads swing thru Heads square thru Circle half When you're thru star thru Box the gnat Dive thru Circle four to a line Circle four Star thru Swing thru Once around and a little more Two ladies chain Turn thru Head gents break to a line of four Right and left thru Cast off three quarters Forward and back Roll away Swing thru Box the gnat Star thru Turn thru Change girls Two ladies chain Cast off three quarters Allemande Circle half Allemande left Dive thru Four ladies chain Star thru Heads half square thru Heads lead right Two ladies chain Slide thru Circle four to a line Right and left thru Pass thru Right and left thru Roll away Bend the line Dixie style to wave Slide thru Slide thru Girls run Allemande left. Right and left thru Girls trade Inside two California twirl Cast off three quarters Heads promenade half Pass thru Two ladies chain—send 'em back Right and left thru Do-sa-do to an ocean wave Dixie style to a wave Chain to the right Balance Boys trade Sides right and left thru Boys trade Boys run Heads square thru Girls trade Bend the line Swing thru Swing thru Pass thru and Girls circulate Girls trade U turn back Turn thru Boys trade Square thru three quarter round Allemande left.

31 Four ladies chain Pick up the corner arm around (once around) Heads pair off Head gents with corner Back out at home two lines of three Right and left thru Forward and back Slide thru Dive thru Star thru Allemande left. Pair off Circle four Cloverleaf Gents break to a line Others pass thru Pass thru Heads right and left thru Slide thru Swing thru Cast off three quarters Box the gnat Pass thru Circle eight Right and left thru Split the sides Side gents with corner Dive thru And line up four Forward and back Pair Pass thru off Star thru Cloverleaf Arch in the middle Circle four Others pass thru The ends duck in Side gents break to a line Swing thru Circle four once around Slide thru Box the gnat Pass thru Allemande left Right and left thru Split the sides Dive thru Line up four Number two half sashay Substitute Pass thru Number one swing and sway Pass thru Arch in the middle Three and four right and left thru Allemande Number one promenade halfway (behind Ends duck in Star thru opp. stand) Heads square thru Two ladies chain Just you four cross the floor Star right with the outside two Pass thru and separate Separate go single file (behind the sides stand) Heads center star left once around Around one Center two half square thru With corners right and left thru Come in to the middle Both turn left behind the sides Star thru Swing thru Double pass thru Pass thru Turn thru Men star right girls star left Wheel and deal Allemande left Girls step in behind your date Double pass thru Girls reach back Centers in cast off three quarters Allemande left. Centers right and left thru Same ladies chain Side ladies chain Lee Helsel Same two star thru Heads right and circle to a line Sacramento, California Allemande Pass thru Wheel and deal Number one couple face corner box the gnat Double pass thru Virtually two decades in square dancing, Square your sets like that New one and three cross trail Centers in and the majority of this time in calling, Lee Cast off three quarters Go round two make two lines of four Star thru is one of those rarities whose background in Pass thru Double pass thru the field of recreation has provided him with Wheel and deal Centers in a well-balanced foundation in the square dance Double pass thru First go left next go right Cast off three quarters activity. Slide thru Star thru Centers square thru three quarters A knowledge of the total recreational field, Lead couple (only one) Frontier whirl Allemande left. an established foundation in the square dance Dive thru because of having held highly responsible posi- Square thru three quarters Allemande Head ladies chain and rollaway tions in local and state agencies, has made it Circle eight possible for Lee to inject in his training of callers Heads slide thru Four ladies pass thru Swing thru Both turn left and in his square dance classes a realistic ap- proach to the true values of square dancing. Centers trade First round two Ends fold Second round one Because he has traveled and guest-called in Peel off Line up four virtually every state, in many Canadian prov- Wheel and deal Pass thru inces and in several countries overseas, Lee's Slide thru Wheel and deal calling has been a source of enjoyment for Swing thru Double pass thru Centers trade Centers in thousands of square dancers. Lee and his love- Ends fold Cast off three quarters ly wife, Mary, now reside in Sacramento, Peel off Center two right and left thru where they enjoy a healthy and active home- Wheel and deal Dixie style to an ocean wave square dance program. Cross trail Everybody pass thru Allemande Allemande left.

Heads right circle to a line One and three right and left thru Head ladies chain Pass thru Roll away a half sashay One and three star thru Wheel and deal New couple one go cross the floor Pass thru Turn your back on your partner Split those two and line up four Circle four to a line Wheel and deal Forward to the middle stand pat Pass thru Turn your back on your partner Sides right and left thru Wheel and deal Wheel and deal Bend the line Centers star thru Turn your back on your partner Pass thru Others divide and star thru Bend the line Allemande left. Substitute Cross trail Centers star thru Allemande Others divide and star thru Side ladies chain Substitute Double pass thru Head ladies right and circle three One and three square thru First go left next go right Ladies break to line of three Do sa do to a wave Right and left thru Pass thru Ends run Star thru Ladies fold and make an arch Centers trade Eight chain one Gents duck out All eight circulate Allemande Turn left around two Ends run Four men square thru Centers trade Do sa do to an ocean wave One and three right circle to a line All eight circulate Right and left thru Turn by the right Ends run Allemande left. Swing thru Centers trade Girls run All eight circulate Centers trade Four ladies chain three quarters Ends run Cast off three quarters Sides right and left thru Centers trade Swing thru Head gents left hand star All eight circulate Men run Pick up partner star promenade (once around) Swing thru Centers trade Inside out outside in turn once and a half Centers run Cast off three quarters Star promenade the other way round Wheel and deal Cross trail (once around) Allemande Allemande

32 One and three right and left thru Centers in Turn once and a half to the opposite lady Turn thru Cast off three quarters round Hook a left elbow Side ladies chain across Both right single file Star thru Men round two girls round one four in line Double pass thru Heads forward Circle four three quarter round Turn thru Centers in Centers arch ends turn in Cast off three quarters round Frontier whirl Allemande Star thru Circle four with the outside Double pass thru Head gents break to lines of four Heads right circle to a line Centers in Gents forward hook a right elbow Turn once and a half to the opposite lady Pass thru Cast off three quarters round Wheel and deal Star thru Hook a left elbow Double pass thru Square thru three quarters round Same ladies chain across Cross trail to a line Left allemande Girls in the lead dixie chain Wheel and deal Girls go left men go right Double pass thru Left allemande Cross trail to a line Heads square thru four hands Wheel and deal Right hand star with sides once around Four ladies chain across Double pass thru Heads center a left hand star once around Heads square thru four hands Cross trail to a line Pick up your corner arm around Circle four with the outside Bend the line Inside out a full turn Head gents break to lines of four Cross trail All circle eight as you are Men forward do-sa-do to an ocean wave Allemande Men pass thru Men pass thru Separate behind the ladies stand Left allemande One and three square thru Ladies chain across on the double track Do sa do to a wave Ladies square thru four hands Heads promenade outside three quarters round Cast off three quarters Separate behind the men stand Sides square thru three quarters round Centers trade Gents forward hook a right elbow Do-sa-do the outside Swing thru Turn once and a half Swing thru to an ocean wave Cast off three quarters To the opposite lady a left elbow Box the gnat Centers trade Gents square thru four hands Pull by Swing thru Separate behind the ladies stand Left allemande Right and left thru Ladies square thru three quarters round Turn partner right a wrong way thar Dive thru Left allemande Shoot the star half way round Square thru three quarters Go the wrong way two Allemande Ladies center and back to the bar Left and right a wrong way thar Gents center a left hand star Gents back up Pass partner pick up the next Shoot the star half way round One and three square thru Gents back out once and a half Go the wrong way three Square thru with the outside two Four ladies chain across Left right left allemande Frontier whirl All round the left hand lady Right and left thru Partner left a do-paso Heads square thru four hands Dixie chain Roll promenade don't slow down Right hand star with the sides Girls turn back Heads wheel around Heads to the middle left hand star Allemande Cross trail thru Once around to the same two One and three do sa do to a wave U turn back Right and left thru Balance Star thru Dive thru Drop hands Left allemande Pass thru Stand four in line Right hand star with the sides Sides right and left thru Promenade don't slow down Once around to the same two Same two star thru Heads wheel around Right and left thru With the girl in front do sa do Do-sa-do Dive thru Same two right and left thru Spin the top Pass thru Star thru All eight circulate Left allemande Right and left thru Do-sa-do Dixie chain Spin the top Heads forward spin the top Girls turn back Cross trail thru Boys to the right run around one Allemande Gents right hand star Wheel and deal Girls promenade Pass thru One and three right and left thru Pass partner Do-sa-do the outside two Star thru Allemande left Spin the top Pass thru Boys to the right run around one Star thru Wheel and deal Head men with corners forward Pass thru Pass thru Box the gnat Frontier whirl Boys U turn Right and left thru Half square thru Left allemande Same ladies chain U turn back Circle eight Box the gnat Left allemande Four men pass thru Right and left thru Partner box the gnat Separate behind the ladies stand Whirlaway half sashay Girls left hand star three quarters round Double pass thru Pass thru Swing a new man Girls U turn U turn back Keep arm around star promenade Star thru Allemande Heads wheel around Bend the line Circle four side gents break to a line Pass thru Forward square thru full around Wheel and deal Right to the corner pull by Keep on wheeling a quarter more Jerry Helt Left allemande Cincinnati, Ohio Cast off three quarters round Star thru Pass thru Jerry has been square dancing and calling Left allemande since 1943. His credits include experiences on television and radio, recording on several dif- One and three forward do-sa-do Earl Johnston Swing thru to an ocean wave Vernon, Connecticut ferent square dance labels, and participation Girls fold boys U turn in an endless string of square dance institutes Star thru pass thru and camps. Although always in demand Do-sa-do the outside two Earl is what we consider to be a true crowd- throughout the country, Jerry and Kathie, his Swing thru to an ocean wave pleaser. He's a caller's caller, having the sensi- Girls fold boys U turn tivity for his dancers which is so appreciated wife, are kept busy with their regular clubs Star thru cross trail thru and classes in Cincinnati and surrounding area. Left allemande by the professionals in the field of square dance Two good reasons for staying home are his calling. Earl conducts a busy home schedule. daughters, Greta and Neva. Head gents forward hook a right elbow He takes an active part in local caller activities Turn once and a half to the opposite lady and several times each year "hits the road." Hook a left elbow His calling on Grenn Records and his presence Heads square thru four hands Head ladies chain across Sides Frontier whirl Side gents forward hook a right elbow at many square dance institutes and in his

33 personal-appearance tours throughout Canada Star thru Centers trade and the United States have put Earl in a fav- Double pass thru Turn thru First go left next go right Allemande left. ored spot with thousands of dancers. Earl, his Cross trail CHALLENGE SQUARE wife Marian, and their family of sons are in- Allemande left. One and three star thru deed a very valuable part of the American Frontier whirl square dance community. One and three right and left thru Do sa do to an ocean wave Square thru four hands Boys run Boys trade One and three swing thru without a stop Right and left thru All eight circulate Spin the top without a stop Dive thru square thru Girls run Pass thru Other divide and star thru Girls trade Swing thru Right and left thru All eight circulate Boys run Dive thru Boys run Wheel and deal Square thru Boys trade Square thru Other divide and star thru All eight circulate Cast off three quarter Right and left thru Girls run Pass thru wheel and deal Dive thru Girls trade Double pass thru Pass thru All eight circulate First go left Swing thru Swing thru Next go right Boys Run Boys run Pass thru on to the next Wheel across to the other side of your line Wheel and deal Right and left thru Wheel and deal Allemande left. Whirl away half sashay Dive thru Pass thru ends turn in Star thru Square thru three quarter round Cross trail Allemande left. Allemande left. Jay King Lexington, Massachusetts One and three swing thru One and three square thru Box the gnat Square thru the outside two Right and left thru the other way back Cast off three quarter round The name Jay King is familiar to Sets in Ladies lead to a Dixie style Square thru across from you Order readers as a creator of provocative and Ocean wave balance all U turn back inspiring dance material. A number of years. Walk straight ahead Box the gnat Allemande left. Right and left thru the other way back ago it would have been surprising to find any (I also use this from a promenade and have heads Inside arch New England caller associating himself with wheel around and swing thru) Dive thru Western style patter, let alone to he considered Square thru three quarter round a creator of this type of material. Things have One and three pass thru Allemande left. Around one line up four changed however, and today the spirit of Pass thru wheel and deal Western style American square dancing has Girls turn back Allemande left allemande thar caught the fancy of thousands throughout Mas- Allemande left Right and left and make your star sachusetts and neighboring states. Perhaps one Shoot the star go right and left grand Two and four cross trail thru of the best compliments we can pay Jay King, Around one into the middle Meet new partner promenade Pass thru Keep going don't slow down is with reference to his exceptionally fine text- Split two around one line up four Pull girls in and go red hot book, "How To Teach Modern Square Danc- Pass thru wheel and deal Right hand lady right hand round ing." We wish we had written it. Double pass thru Partner left full turn Girls turn back Corners all right hand round Four ladies chain three quarters around Allemande left Partner left Four ladies chain across the town One and three pass thru All four couples Susy Heads square thru four hands around Around one line up four Opposite lady by the right Swing thru with the outside two Pass thru wheel and deal Partner by the left Turn thru and Girls turn thru Opposite lady by the right U turn back Allemande left. Full turn Left swing thru with the same two Find the corner Left turn thru and Four ladies chain Allemande left. U turn back One and three star thru Pass thru to a Pass thru Left allemande Swing thru Promenade don't slow down Swing thru One and three wheel around Star thru Heads half square thru One half square thru Do sa do Right and left thru the outside two Bend the line Swing thru Pass thru Ocean wave Swing thru Boys run Wheel and deal Girls trade boys trade Couples circulate then Double pass thru Swing thru Wheel and deal First go left next go right Boys trade girls trade Swing thru Star thru Swing thru Boys run Allemande left. Boys run wheel and deal Couples circulate then Pass thru allemande left. Wheel and deal Four ladies chain Dive thru One and three star thru One and three swing star thru Pass thru Frontier whirl Do sa do with the outside two Allemande left is what you do Right and left thru Right and left thru Inside four Frontier whirl Dive thru Head two couple star thru Right and left thru Pass thru Dixie daisy two thirds Whirlaway with a half sashay Swing thru (cross right, turn half by left) Star thru Box the gnat Turn thru in the middle Frontier whirl Square thru three quarter Centers in and Allemande left. Allemande left. Cast off three quarters GIMMICK Star thru One and three swing thru One and three square thru Centers pass thru and Box the gnat Right hand star with the outside two Centers in Right and left thru the other way back Heads in center left hand star Cast off three quarters Square thru Pick up corner with arm around Star thru Right and left thru Star promenade Insides square thru three quarters to a Dive thru Centers back out and circle to the left Left allemande Pass thru Stay as you are Circle four Four men pass thru Heads lead right and circle up four Head men break to a line Around one into the center Break right out in lines of four Pass thru wheel and deal Right and left thru Pass thru Double pass thru Who turns who Wheel and deal Centers in Do sa do to an ocean wave Turn thru in the middle Cast off three quarters Swing thru Left turn thru with outside two

.34 Turn thru in the middle again Star thru Pass thru Centers in and Dive thru Center two square thru three quarter Cast off three quarters Pass thru Centers in Pass thru Star thru Cast off three quarter Wheel and deal Pass thru move to the next pass thru Turn thru in the middle Do-sa-do across from you to an ocean wave Wheel and deal Lift turn thru with outside two Girls run is what you're gonna' do Substitute Turn thru in the middle again Wheel and deal face those two Square thru three quarter Centers in and Pass thru Pass thru Cast off three quarters U turn back Center two square thru three quarter Pass thru Star thru Centers in Wheel and deal Dive thru cast off three quarter Allemande left Pass thru Pass thru Star thru Wheel and deal Four ladies chain across the ring Crosstrail thru to the corner stand Substitute Heads go forward and back I sing Allemande left and a Square thru three quarter Swing star thru across from you Right and left grand Pass thru Swing star thru with the outside two Center two square thru three quarter Bend the line go forward and back Heads star thru Centers in Swing star thru across the track Swing thru Cast off three quarter Inside two do a swing star thru Spin the top Right and left thru Separate 'round one with you Right and left thru Cross trail Face a two do a left allemande Star thru Allemande left. Partners meet and a Double swing thru Heads swing thru Right and left grand Double spin the top Box the gnat Right and left thru Spin the top Star thru Heads lead right and circle to a line Dixie daisy Swing thru three times Swing thru across from you Centers in Spin the top three times Boys trade Cast off three quarter Right and left thru Girls turn back Allemande left. Cast off three quarters Jack Pass thru Left allemande Star thru Heads star thru Pass thru SHORT BREAK Pass thru Bend the line Heads lead right Swing thru Go forward and back Circle to a line Ends circulate Swing thru across from you Swing thru across from you Centers trade Boys trade Spin the top oh yes you do Swing thru Girls turn back Swing thru one more time Ends circulate Cast off three quarters Jack Boys trade you're doin' fine Centers trade Square thru three quarters man Turn thru Swing thru Find the corner do a Left allemande Cast off three quarter Left allemande Here we go right and left grand Ends circulate Centers trade REALLY NO HANDS Swing thru Heads move up to the middle he said Heads pair off Ends circulate Come on back with a partner trade Pair off again ;enters trade Separate 'round one Partners trade Swing thru Make a line Slide thru three times Cast off three quarter Up to the middle and back Left allemande Ends circulate Slide thru Centers trade Double pass thru furn thru Everybody do a partner trade Allemande left. Centers slide thru Pass thru 'round one Arnie Kronenberger DIAL 4-3-2-1 Make lines Glendale, California Side ladies chain Go forward and back there son Head ladies chain three quarter Slide thru One of the nicest tributes a person can pay Ends square thru Double pass thru Circle three to a line Everybody do a partner trade to a caller was aimed at Arnie recently when a Ends square thru three quarter Inside couples do a partner trade dancer said "He wears well over the- years." Circle three Allemande left you got it made This is indeed proven by the fact that in Arnie's Head men break to a line home clubs are still many dancers who learned Ends half square thru Heads swing thru don't be late from him almost 20 years ago when he con- Circle three to a line Turn thru and separate ducted his first classes in Beverly Hills High Ends pass thru Around one into the middle Circle three to a line Right and left thru turn 'em too School. It's also indicated by the great number Allemande left. Pass thru and of repeat invitations Arnie receives each year Swing thru for festivals, camps, and other "big" events Four ladies chain Turn thru and look out man throughout the United States and Canada. Head ladies chain right Allemande left There is virtually no phase of this square New head ladies chain Go right and left grand Heads pass thru dance picture in which Arnie and Jan have not Round one at one time been involved. In the early days Line up four Heads promenade halfway 'round they appeared in a number of television shows Star thru Into the middle and swing thru Centers pass thru Girls trade and were extremely active in exhibition danc- Swing thru Men trade ing. They were among the first to heed the call Girls circulate Star thru for travel and made personal appearances Men run Swing thru with the outside two throughout Canada and the United States. As Wheel and deal Girls trade Dixie spin Men trade a recording artist, Arnie has appeared on Sets Allemande left. Star thru in Order and on the Warner Brothers labels. California twirl Thru these records Arnie has been enjoyed by From Promenade Crosstrail thru to a Left allemande many who have not had the opportunity to Heads wheel around meet him in person. Right and left thru Same four make a right hand star Heads lead right From this you might gather that Arnie is a Heads to the middle Circle up four good friend of ours. That's right! He is. With a left hand star Break on out to lines of four Once around to same two Do-sa-do across from you to an ocean wave Heads right circle to a line Do sa do Girls run is what you're gonna' do "Pass thru Swing thru Wheel and deal face those two Wheel and deal Box the gnat Pass thru Substitute Square thru three quarter U turn back Square thru three quarter Allemande left.

35 Four ladies chain three quarter Promenade With Corner (this gives us the right hand Sides right and left thru Heads wheel around lady, we are out of sequence) Head ladies chain three quarter Star thru Cross trail Side men turn 'em Pass thru Skip one girl Half sashay Center four square thru three quarter Left allemande Forward six and back Centers in Slide thru Cast off three quarter Heads square thru Allemande left. Star thru 5-wing thru Center two slide thru Spin the top Four ladies chain three quarter Cross trail Right and left thru Roll a half sashay Round one Square thru three quarters Heads turn thru Turn thru Left allemande Round one Allemande left In the middle turn thru $ides square thru Left turn thru outside two Heads turn thru Swing thru In the middle turn thru Separate round one Spin the top Cloverleaf In middle make a right hand star Right and left thru Allemande left. Pick up corner Star thru Star promenade 'Dive thru Number one stand back to back Back out and Star thru With your corners box the gnat Circle left Cross trail Heads cross trail Four ladies pass thru 'Round one to line of four Round one Round one Forward eight and back Line up four Ladies pass thru Square thru three quarters Pass thru Round one Left allemande Wheel and deal Ladies cross trail (face man) U turn back Make a right hand star (four two hand stars) Side ladies chain Centers in Around to your corner Heads lead right Cast off three quarter Make a left hand star Circle to a line Pass thru Around to your corner Bend the line Wheel and deal Box the gnat Star thru U turn back All eight make a right hand star Right and left thru Centers in Girls roll out Dive thru Cast off three quarter Pass one man Pass thru Pass thru Allemande left. Circle up four Ends fold Head men break to a line Star thru Bend the line Wheel and deal Star thru Right and left thru Left allemande Dive thru Earl Park Square thru three quarter Y orkton, Sask., Canada Allemande left. Sides pass thru Round one Heads right circle to a line In this, the celebration of Canada's Centen- Into the middle Do sa do to ocean wave Swing thru Grand swing thru (R-L-R-L) nial year, the entire Dominion seems to have exploded with square dancing enthusiasm. A Turn thru Box the gnat Circle four Change girls special train, conventions, Centennial jambo- Side men break to a line Right and left thru rees and even Canadian square dance tours Forward eight and back Half sashay Pass thru Box the gnat abroad have let the world know that Canada is indeed a square dancing nation. Among Wheel and deal Square thru three quarter Center four swing thru Allemande left. Canadians themselves, Earle Park has indeed Make it double been a good strong right hand. A pioneer in Pass thru Heads square thru square dancing going back quite a few years, Do-sa-do the outside two Right hand star with outside two Earle has toured the Provinces taking part in Swing thru Heads middle Turn thru Left hand star jamborees festivals, conventions, and vacation Look for the corner Once around to a institutes. A jeweler by profession, his "hobby" left allemande flight and left thru has almost moved into first place as a time Dive thru consumer for Earle. Smooth dancing resulting Pass thru Square thru Centers in Sides divide and from hard work and study has been Earle's Cast off three quarters Star thru secret of success, and he and his wife, Jean, Star thru Right hand star with the two you meet will continue to be Canadian goodwill square Double pass thru Heads middle dance ambassadors for many years to come. First couple left With a left hand star Next go right Once around to a (In sequence with opposite lady) right and left thru Using the combination of swing thru and spin Right and left thru Dive thru the top followed by right and left thru (the Star thru Square thru equivalent of a star thru), the following exam- Dive thru Sides divide and ples can result: Pass thru Star thru Heads swing thru Right and left thru Right hand star with two you meet Spin the top Square thru three quarters Heads middle Right and left thru Left allemande With a left hand star Square thru three quarters to a Once around to a Left allemande right and left thru Sides swing thru Dive thru Four ladies chain Box the gnat Square thru three quarter Sides half square thru Right and left thru Allemande left. Swing thru Heads spin the top Spin the top Turn thru From Promenade Right and left thru Circle four to a line Two and four wheel around Square thru six hands Star thru One and two right and left thru Give a right to the next Dive thru Three and four spin the top A wrong way thar Star thru in the middle One and two swing thru Back along now Cross trail Three and four spin the top Shoot the star Go round one to line of four One and two swing thru Skip one girl Swing thru without a stop Three and four right and left thru Left allemande ;pin the Top One and two right and left thru Same four right and left thru Three and four left square thru Heads half square thru circle four half way One and two star thru Swing thru Dive thru Pass thru Spin the top Star thru Allemande left Right and left thru Square thru four hands

36 Circle four Sets in Order label, they have been used ,:enter four right and left thru Head men break throughout the world and in many instances Pass thru Pass thru Split the outside, around one to a line Wheel and deal have been instrumental in teaching large Centers arch Double pass thru groups of dancers, many of whom learned to Ends duck out First couple left dance solely through the recorded calling of So around one Next go right Bob's voice. A new Bob Ruff series of teaching 'own the middle Star thru :ross trail Dive thru records on the Sets in Order label is now in Around one Star thru the works. Into middle, opposite box the gnat Then cross trail We think you'll enjoy Bob's selection of 12 Right and left thru Round one to a line of four patter call routines, and if you haven't had 'lass thru Forward eight and back split two Star thru an opportunity to dance to him in person, per- Around one Stick out a hand haps this too will be your pleasure some time Into middle with right hand star Left allemande in the near future. Turn it once around Left allemande Sides turn thru Separate round one One and three pass thru One and three square thru Come into the middle Both turn right Right and left thru Turn thru Around one to a line of four Dive thru Split the heads Pass thru Swing thru Round one line of four Wheel and deal Box the gnat Forward eight and back Centers box the gnat Square thru Turn thru all eight of you Dixie daisy The others divide and star thru Left allemande Cloverleaf RTght and left thru Centers box the gnat Dive thru Heads pass thru Dixie daisy Swing thru Round one Cloverleaf Box the gnat Into middle Centers box the gnat Square thru Swing thru Dixie daisy The others divide and star thru Turn thru Cloverleaf gfight and left thru Circle up four Left allemande Dive thru Head men break to a line Swing thru Pass thru One and three half square thru Box the gnat Wheel and deal Right and left thru with the outside two Square thru Center four right and left thru Inside arch, dive thru the others divide and star thru Swing thru Pass thru Right and left thru Turn thru Right and left thru with the outside two Dive thru Look for the corner Face your partner, box the gnat Swing thru Left allemande Right and left thru the other way back Box the gnat Bend the line Change hands Heads turn thru Pass thru Left square thru Separate round one Face your partner, right and left thru The others divide Come into middle Inside arch, dive thru Star thru Turn thru Square thru three quarters Left allemande Left allemande Allemande left the corner

One and three the ladies chain One and three star thru I also like this one developed by Corky Birt, Two and four right and left thru Pass thru Yorkton, Sask., Canada. One and three square thru Swing thru outside two Heads lead right Swing thru the outside two Boys run Circle to a line Eight circulate, twice Wheel and deal to face those two Right and left thru Box the gnat Right and left thru Roll half sashay Pull by, corner swing, promenade home Inside arch Star thru One and three right Dive thru Centers square thru three quarters Circle to a line Pass thru Centers in Pass thru Swing through the outside two Cast off three quarters Wheel and deal Boys run Line of four star thru Centers star thru, then Wheel and deal to face those two Double pass thru Square thru Right and left thru First left Swing thru the outside two Inside arch Next right Eight circulate twice Dive through Right and left thru Box the gnat Square thru, three quarters Roll a half sashay Pull by, corner swing, promenade home Left allemande Star thru Repeat for side couples Centers right and left thru One and three half sashay One and three square thru three quarters Half square thru with opposite two Separate Square thru with the outside two Around one to a line of four Wheel and deal Bob Ruff Everybody star thru Ladies square thru Whittier, California Double pass thru Men square thru Everybody Frontier whirl Men centers in Centers half square thru Cast off three quarters When it comes to discussing successful "old- Separate Pass thru timers" in the field of square dancing, the name Go around one to a line of four Wheel and deal Bob Ruff must certainly be brought into the Everybody star thru Double pass thru Double pass thru conversation. Bob has been calling and teaching Centers in Everybody Frontier whirl Cast off three quarters round square dances on the local club level and on Centers cross trail Two ladies chain across records, at vacation institutes, and "on the road" U turn back Star thru for almost 20 years. Pass thru Dive thru, Substitute Split two, around one A PT boat skipper with the Navy during Centers pass thru Down the middle Left allemande World War II, Bob picked up his teaching Star thru career after the war and made his home in Pass thru Whittier, California. Married to his favorite Split two One and three lead right Around one Circle to a line dancing partner, Babs, Bob Ruff has a house- Down the middle, cross trail Pass thru hold that includes three wonderful daughters Go around one Wheel and deal and two fine sons. Into the middle opposite box the gnat Dixie daisy Pull by, split the outside Centers in One of Bob's outstanding contributions to Around one to a line of four Cast off three quarters round the field of square dancing has been his spe- Pass thru Pass thru cialized teaching record albums. Produced on Ends turn in Wheel and deal

37 Dixie daisy Men star right In 1962, 1964, and 1965 Bob and his wife, Centers in Girls star left Roberta, traveled overseas as a part of the Cast off three quarters round Everybody reverse Pass thru Men step in behind your date American Square Dance Workshop. He has Wheel and deal Right hands up, star all eight called in more than a dozen countries. In the Dixie daisy Girls step out meantime, with all this activity, he has climbed Centers in Pass one man ;to a top position in the continually expanding Cast off three quarters round Everyone left allemande Left allemande Long Beach Recreation Department. Side ladies chain A family man, Bob and Roberta have two One and three lead right children and just recently have become proud Couple one go down the center Circle to a line grandparents. We salute the Van Antwerps for Split the ring Head couple, Frontier whirl Around one to a line of four Men hook arms, you've got a line their outstanding work with callers' classes and Line of four, forward to the middle Turn it once for the leadership direction they have so ably Bend the line Bend the line prOvided the activity. Opposite box the gnat Star thru Right and left thru Right and left thru Pass thru Inside arch Two and four promenade halfway Split the outside two Dive thru Lead to the right and circle four Around one to a line Pass thru Go full around Lines of four pass thru Circle four with the outside two Don't drop hands Centers arch, ends turn in Heads break to a line Insides rip and snort to a line Centers pass thru Head couples Frontier whirl Pass thru Right and left thru Men hook lefts, you've got a line Arch in the middle Eight chain thru Turn it once Ends duck thru Star thru Bend the line Double pass thru Pass thru Star thru First two go left Wheel and deal Right and left thru Next two go right Double pass thru Inside arch Star thru First couple left, second right Dive thru Square thru three quarters Star thru Square thru, three quarters Left allemande Right and left thru Left allemande Everybody half sashay Two and four right and left thru Opposite box the gnat Four ladies chain Change hands One and three square thru One and three square thru Left allemande Circle four with the outside two Split two Ileads break to a line Both turn right round one Dixie style to an ocean wave Pass thru Four ladies chain three quarters Arch in the middle Wheel and deal One and three half square thru Side ladies chain thru the arch Double pass thru U turn back Same ladies dixie style to an ocean wave First couple left, second couple right Opposite box the gnat Slip the clutch ;Star thru with the first in sight Change hands Left allemande Left square thru, three quarters round Right and left thru Half square thru with the outside two Star thru U turn back Pass thru One and three right and left thru Opposite box the gnat Wheel and deal And a quarter more Change hands Centers star thru It's a two-faced-line Left square thru, three quarters round Pass thru Wheel and deal Bend the line Separate go around two to a line Face that two Pass thru Star thru Star thru Wheel and deal Frontier whirl Right and left thru Centers half square thru Right and left thru Right and left thru Centers star thru Star thru, Pass thru And a quarter more U turn back Wheel and deal It's a two-faced-line Opposite box the gnat Double pass thru Wheel and deal Change hands First go left, second go right Face them Left square thru three quarters round Star thru, stick out your hand Star thru Half square thru with the outside two Lady on the left, left allemande Cross trail U turn back Left allemande Opposite box the gnat Change hands Two and four pass thru Left square thru three quarters round Bob Van Antwerp U turn back Bend the line, Pass thru Long Beach, California Star thru Wheel and deal Right and left thru Centers pass thru Dive thru Right and left thru It's difficult to write a thumbnail sketch Pass thru Square thru three quarters round about a person to whom several fistfulls are Split two Left allemande necessary to even begin to tell his story. Bob, Both turn left, gent in the lead a graduate of Central State College in Okla- Go round one One and three right and left thru homa and a Phys Ed major, moved to Long Down the middle Dixie chain Same two half square thru Beach, California not long after finishing a Eight chain thru Both turn right, gent in the lead When you're done right and left thru tour of combat duty with the Air Force during Down the middle Cross trail, you turn back World War II and started working for the Dixie chain Square thru the outside two Long Beach Recreation Department. Men go left, ladies go right Round one Frontier whirl In 1948 he started calling square dances and Right and left thru Down the middle Dixie chain several years later became a recording caller. Cross trail Girls turn back, box the flea As part of his recreational activities, he con- Left allemande Girls turn back, Dixie chain ducted square dance beginner classes in the Girls turn back, box the flea Long Beach area for many years. These classes Two and four ladies chain Girls turn back, Dixie chain One and three to right and Girls turn back, left allemande were consistently filled with more than 25 Circle to a line squares of new dancers. One and three California Twirl (Frontier Whirl) In recent years Bob has been associated Men hook left One and three ladies chain with MacGregor Records and at the present Turn the line one time around Bend the line One and three right and left thru time records for Windsor Records. He has writ- Couple four, only, face your corner Pass thru Box the gnat ten a great number of successful square dance Face your partner Square the set like that singing calls and round dances. He has served Right and left thru Two and four cross trail on the staff of Sets in Order's Asilomar square Dive thru Around two to a line of four Pass thru Pass thru dance vacations and is one of the most sought- Circle four Cast off three quarters after guest callers in the country today. Heads break to a line

38 Heads frontier whirl Four ladies chain three quarters Wheel and deal and face those two Men hook left One and three half square thru Square thru three quarters Turn the line one time around Swing thru Left allemande Bend the line Girls trade Pass thru Boys trade Face your partner Girls trade One and three star thru Right and left thru Boys run Dixie Daisy Dive thru Wheel and deal and face those two Centers in Square thru three quarters Dive thru, pass thru Cast off three quarters Left Allemande Swing thru Star thru Girls trade Eight whirlaway with a half sashay Boys trade Do a U turn back Girls trade Centers square thru three quarters Two and four ladies chain Boys run Left allemande One and three right and left thru Four ladies grand chain One and three half sashay Then Star thru Eight chain three Face your partner back away Pass thru GEORGE ELLIOTT'S Wheel and deal Right and left thru Pass thru Eight chain three, Left allemande NOTEBOOK

Four ladies chain NE ERRONEOUS ASSUMPTION THAT HAS MANAGED TO PENETRATE One and three right and left thru the square dance Cross trail O activity is "if it's something new — it obviously is good." Nothing could be Round one to a line more misleading. Every good movement at one time, of course, was new, but the Chain the ladies across fact that it was new did not mean that, automatically, it was good. Through the Chain the line Ladies chain across years there have been many fine basics developed. Many have been dropped, Send them back not because they weren't good, but due to the fact that many callers found it Dixie style to an ocean wave more convenient to lay their hands on samples of dances using new movements. All eight circulate At the same time, they discovered that it was virtually impossible to find good Girls circulate Boys circulate usable material involving the earlier — even though sometimes better — move- Left allemande ments, dropped in favor of the new. George Elliott, an old-timer himself, but also a caller well-attuned to the new material and aware of the needs of dancers, has Two and four star thru made a specialty of collecting and composing interesting, challenging material Pass thru using many of the older, proven movements. In "Elliott's Corner" in each issue Swing thru of Sets, we run a collection of drills built around particular themes. On the pages Men circulate that follow, you will discover a wealth of "Elliott" variety to add to your classes, Centers run Wheel and deal workshops, and regular calling programs. Right and left thru Dive thru BRAND NEW YEAR Pass thru and we're off to a good Forward eight and back like that Swing thru A start with another page from George Four ladies chain the inside track Men circulate Elliott's notebook. The call, Split Your Corner, Turn the girl like you always do Centers run takes us back fifteen years or more to some Two and four a right and left thru Wheel and deal One and three go forward and back Left allemande of our dancing in Arizona when the old dance Split your corners, separate bearing that name was exceptionally popular. Go round one The call simply means that those indicated by Everybody work and star thru Four ladies chain Inside four a right and left thru One and three pass thru the calls move forward, face the side, split Outside four California twirl Go round one that couple and go on to follow the next call. Inside four pass thru 'Ends star thru The ten examples you find here will give you Trail thru with the outside two California Twirl (Frontier Whirl) Find old corner a left allemande Others square thru plenty of workshop material for that next club Centers in get-together. Cast off three quarters Forward eight and back with you One and three go forward and back Eramwe'rd-eight Two and four do a right and left thru Go forward again and take his date --Ends star thru Now one and three do a right and left thru Split your corners, separate California Twirl (Frontier Whirl) Turn 'em twice, don't take all night Go round one Others square thru Two head ladies chain to the right Come back to the middle Centers in Turn the girl to the inside track Go round the same one back Cast off three quarters Two and four go forward and back And turn There's old corner a left allemande -Star thru Go forward again and take his date Square thru three quarters Split your corners, separate Left allemande Go round one and line up four One and three go forward and back Forward eight and back once more Go forward again and take his date One and three ladies chain Gals cross over a left allemande Split your corners, separate One and three to the right A full turn round go right and left grand ... Go round one Circle to a line Back to the middle and star thru Pass thru One and three go forward and back A right and left thru Wheel and deal Go forward again and take his date Now turn the girl and pass thru Double pass thru Split your corners and separate To a left allemande Lead couple arch Go round one and turn back Dive thru And allemande left with your left hand One and three go forward and back Turn back Partner right, a right and left grand Forward again and take his date Circle four Split your corners, separate Ladies break to a line Forward eight and back with you Go round one and line up four Pass thru Two and four a right and left thru two by two Forward eight and back once more Wheel and deal And a right and left back Box the gnat across from you Double pass thru Turn the girl and back track Come right back and right and left thru Lead couple arch Face out Two by two Dive thru One and three go forward and back And a right and left back U turn back Go forward again and take his date Turn the girl and line up four Dive thru Split your corners, separate Forward eight and back once more Pass thru And turn back Across the set Left allemande There's old corner a left allemande Go right and left, left allemande

39 One and three go forward and back One and three go forward and back One and three go forward and back Go forward again and take his date Same four a right and left thru Same four square thru in the middle of the floor Split your corners, separate Turn the girl and roll away Go all the way round when you come down Go right and left grand Go up to the middle and back with you Do sa do one time around Box the gnat across from you An ocean wave when you come down One and three go forward and back Change hands, a left square thru Balance forward and back Go forward again and take his date Go all the way around Arch in the middle Split your corners, separate When you come down The ends duck thru and turn back Go round one and stop See saw left go all the way around Do a right and left thru The other four pass thru and split two An ocean wave when you come down Outside four dive thru and square thru Go round one and stop A left hand swing go right and left grand Three-quarters roun dwhen you come down The other four pass thru and split two See saw left go all the way around An ocean wave when you come down Go round one and line up four One and three go forward and back Balance forward and back Forward eight and back once more Same four star thru, California twirl Arch in the middle the ends duck thru Now pass thru Now separate Find old corner, a left allemande And turn back, a right and left thru Go round that two and star thru Outside four dive thru and California twirl Inside four do a right and left thru two by two There's old corner a left allemande Then pass thru One and three go forward and back To a right and left thru Go forward again take his date Face that two and seesaw go all the way around Split your corners and separate An ocean wave when you come down Go round one and line up four Balance forward and back Forward eight and back once more A left hand swing Now pass thru and turn back Find your partner go right and left grand Face your partner (lady on the right) and N THE LADIES CHAIN variety, regular chains box the gnat and three-quarter chains are common occur- A right and left thru the other way back One and three go forward and back I Face that two Same four pass thru and separate rences. This month, George Elliott opens his Inside arch and outside under Go round one and line up four notebook to a rather unusual collection of one- Circle up four in the middle of the floor Forward eight and back once more quarter ladies chains. This should cause some Go once around Now star thru interesting comments at your next workshop Now pass thru and split two Outsides in to a line of four Go round one and line up four Forward eight and back once more session. Forward eight and back once more Now star thru Now pass thru and turn back A half sashay Forward eight and back to town Face your partner (lady on the right) and Inside four square thru three-quarters round Four ladies chain one quarter round box the gnat When you come down Turn the girl but not too far A right and left thru the other way back See saw left go all the way around Same girl an allemande thar Inside arch and outside under An ocean wave when you come down Men back up a right hand star Then star thru Balance forward and back Slip the clutch A right and left thru Now a left hand swing to a right and left grand Pass one, pass another, pass another Same four trail thru Pass another, pass mother Find old corner, a left allemande One and three go forward and back Now a left allemande Same four square thru in the middle of the floor Partner right a right and left grand Go all the way around to the outside two Do sa do one time around Forward eight and back to town E ARE INDEED creatures of habit, and Four ladies chain one quarter round when we are so accustomed to do a do An ocean wave when you come down W Balance forward and back I say Turn 'em twice don't take all night sa do, passing right shoulders to make an ocean Slide the girls half sashay One and three go out to the right and circle four wave, it becomes a remarkably difficult propo- Balance forward and back Head gents break to an eight hand ring sition to reverse our motion, and do a see saw A left hand swing and the heads star right And circle left with the dear little thing Circle left like you always do passing left shoulders to end in an ocean wave. Go cross the square See saw left go all the way around Face your corner and star thru Here are ten George Elliott examples using this An ocean wave when you come down Find old corner and a left allemande rather unique situation. Balance forward and back I say Slide the girls half sashay Forward eight and back to town Four ladies chain one quarter round Allemande left and an allemande thar Balance forward and back Turn the girl and don't get lost Go right and left and form that star A right hand swing the heads star left Now all four ladies chain across Boys back up not too far Go cross the square Four ladies chain Shoot that star with a full turn around Do sa do one time around Chain 'em back same old track A right to your corner and pull her by An ocean wave when you come down Head gents and a brand new girl On to the next Slide the girls a half sashay Go up to the middle and back See saw left go all the way around And balance forward and back Same four a half square thru to the outside two An ocean wave when you come down A left hand swing go right and left grand A right and left thru Now swing thru The outside four dive thru and pass thru A right and a left like a left allemande One and three go forward and back Box the gnat Partner right a right and left grand Same ladies chain Hang on tight, go right and left grand Turn the girl and roll away Forward eight and back with you Then star thru Forward eight and back like that Two and four a right and left thru And circle four with the outside two Four ladies chain the inside track Same ladies chain Head gents back and make that line Turn the girl and don't get sore Same four swing thru two by two Forward eight and back in time Four ladies chain one quarter more To a star thru Now see saw left go all the way around Turn the girl and roll away Now a right and left thru An ocean wave when you come down One and three go forward and back Same ladies chain Balance forward and back Now pass thru and turn back Same four swing thru two by two Now slide the girl a half sashay Then star thru and a double pass thru To a star thru Do a right and left thru The outside four turn back Face your partner Same ladies chain Box the gnat across from you See saw left go all the way around And chain back Come right back a right and left thru An ocean wave when you come down Same ladies lead and Dixie chain Turn the girl and star thru Now a left allemande Girls left and boys right Find old corner a left allemande Partner right a right and left grand Find old corner a left allemande Forward eight and back to town One and three go forward and back Promenade Four ladies chain one quarter round Now pass thru One and three you wheel around Turn the girl like you always do Turn back and star thru And star thru One and four you square thru Circle four with the outside two Then see saw left go all the way around All the way around One full turn An ocean wave when you come down Go four hands when you come down Same four Balance forward and back Find old partner a wrong way grand See saw left go all the way around Now box the flea Wrong way round the ring you go Anocean wave when you come down Change girls and box the gnat Meet your own a right elbow Balance forward and back Change girls and pass thru All the way around A left hand swing to a right and left grand Find old corner a left allemande Find old corner a left allemande

40 Forward eight and back to town Go just half way A double pass thru Four ladies chain one quarter round Side four wheel around and face out First couple right the next go left Turn the girl like you always do Do a right and left thru On to the next a right and left thru One and three a right and left thru Now circle four Turn the girl face that two Then two and four a right and left thru Head gents break and make that line Now pass thru One and three go forward and back Forward eight and back in time Do a half sashay 'Same four square thru go four hands Now pass thru and bend the line Turn back Go all the way when you come down Two ladies chain across Find old corner a left allemande You star thru Turn the girl and roll away Go right and left grand Find old corner a left allemande One and three you bow and swing Go round and round with the pretty little thing One and three go forward and back Then promenade the outside ring Same ladies chain First couple only forward and back Three-quarters way around Turn the girl don't fall down Split that couple right across the floor Side two pass thru Four ladies chain one quarter round Go round one Circle four with the outside two Turn the girl and don't get lost Join that pair and line up four Just one half All four ladies chain across Go forward and back Outside four dive thru Turn the girl like you always do Couple four only promenade three-quarters round Into the middle a right hand star One and three a half square thru to the outside Go round three stand six in line Once around to the same two two Forward six and back in time A left allemande A right and left thru Couple two only Come back to your partner and there you stand Face that two and star thru and pass thru Promenade one-quarter round Side two bow and swing On to the next Go round one stand eight in line And promenade the outside ring A left allemande Bend the big line Three-quarters way around Partner right a right and left grand Bend the little line Bend the itty bitty line Head two pass thru and meet two And circle just a half Forward eight and back to town Go right and left grand Outside four dive thru Four ladies chain one quarter round Into the middle a right hand star Turn the girl and don't get lost One and three you bow and swing Once around to the same two for a left All four ladies chain across Then promenade the outside ring allemande Turn the girl like you always do Three-quarters way around Two and four a right and left thru When you come down One and three go forward and back One and three a right and left thru Behind that pair stand two by two Same ladies chain Turn 'em twice don't take all night Then forward eight and back with you Roll promenade that pretty little thing Two head ladies chain to the right Inside four roll back and line up four Three-quarters way around that ring Turn the girl like you always do Forward eight and back once more Two and four you wheel around One and three swing thru two by two End four box the gnat across from you Circle up four with the couple you found To a star thru Face to the middle a right and left thru One full turn Circle four with the outside two Turn the girl and trail thru Outside four dive thru and pass thru Head gents break and make two lines Separate go round one Face your partner pass thru Forward eight and back in time Come into the middle and pass thru Face your opposite Head couples California twirl And split two Pass thru to a left allemande Gents hook left go four in line Go round one and line up four One full turn Forward eight and back once more Then wheel and deal Inside four square thru go all the way around There's old corner a left allemande Four hands round when you come down HERE'S A TRADITIONAL square dance pattern Separate go round one Tthat gets relatively little attention these days, Forward eight and back to town Into the middle a right and left thru that is called Forward Four — or — the "H." In Four ladies chain one quarter round Same ladies chain it, a line of four dancers would move into the Turn the girl and don't get lost Turn the girl and pass thru All four ladies chain across To a left allemande center of the square, between the sides, and Four ladies chain Partner right a right and left grand couples two and four would do a right and left Chain 'em back same old track thru along the line, separating just enough so Head gents brand new girl that the line of four would be between them Up to the middle and back One and three go forward and back Turn opposite lady right hand round Same ladies chain during the action. For this month's drills George Partner left as she comes down Roll promenade the pretty little thing Elliott follows this theme. Corners all a wrong way grand Three-quarters way around that ring Go right—left—right—left allemande The other four square thru go all the way around Partner right a right and left grand When you come down One and three go forward and back Separate go round one Same four Forward eight and back to town The other four square thru three-quarters round Do-sa-do one time around Four ladies chain one quarter round When you come down An ocean wave when you come down Turn the girl with a half sashay Find old corner a left allemande The other four Go up the middle and back that way Along the line a right and left thru Turn your girl and go right back Head ladies pass thru and star thru One and three go forward and back opposite lady Star thru Side ladies pass thru and star thru Same ladies chain With the The inside four pass thru You all promenade is what you do Turn the girl in the usual way Now a right and left thru two by two One and three you wheel around and pass thru Partners all half sashay Turn your girl and star thru On to the next and pass thru Heads promenade single file Now a right and left thru Face your partner Three-quarters way around Ladies chain — and chain right back That's old corner a left allemande The other four square thru three-quarters way Same ladies lead a dixie chain around The girls turn back When you come down Find old corner a left allemande Find old corner a left allemande HIS MONTH George Elliott comes forth with Partner right a right and left grand some material based on promenading three T One and three you bow and swing quarters around the square. As in his other And promenade the inside ring three-quarters workshop material, you'll find a good variety way around One and three go forward and back here that can be added to your present reper- Face to the middle in front of that two Same four toire. Now a double pass thru Do-sa-do one time around And turn back An ocean wave when you come down Outside four a half sashay The other four Forward eight and back with you Now a double pass thru Along the line a right and left thru Two and four a right and left thru First couple right and next go left Inside four do a right and left thru Same ladies chain On to the next and pass thru Corners all a left allemande Head ladies chain On to the next and trail thru Partner right a right and left grand Roll promenade that pretty little thing Find old corner and left allemande Go three-quarters way around that ring Forward eight and back like that Side ladies chain Forward eight and back with you Four ladies chain the inside track Turn the girl with a full turn around Two and four a right and left thru Turn the girl like you always do Face out One and three you bow and swing Two and four do a right and left thru Do a right and left thru Go round and round with the pretty little thing One and three go forward and back Inside four split that two Promenade the inside three-quarters way around With the opposite lady do-sa-do one time around And piomenade left two by two Face to the middle in front of that two An ocean wave when you come down

4t Balance forward and back then step into a line Same four Gents promenade one-quarter round The other four Do a right and left allemande Same girl Along the line do a right and left thru Partner right a right and left grand Send her back to a three quarter chain Go right back Gents promenade one quarter round With the opposite lady star thru One and three go forward and back Same girl With the ones you face do a right and left thru Same ladies chain to the right Send her back to a three quarter chain The outside four dive thru and star thru Now roll promenade this new little thing Gents promenade one quarter round Now trail thru to a left allemande Promenade eight go round the ring Same girl One and three you wheel right around Send her back to a three quarter chain Forward eight and back with you and grand chain eight A three quarter chain to a left allemande Two and four do a right and left thru Go right and left now an arm around Partner right a right and left grand Head ladies chain Then circle up four when you come down Couple one only Side gents break and make that line Forward eight and back to town Split that couple right across the floor Now forward eight and back in time Four ladies chain three quarters round Go round one — join em — make a line of four Now pass through Turn the girl like you always do Forward four and four fall back Bend the line and do a right and left through Two and four do a right and left thru Come back to the middle and stand pat Face that two and trail through Turn the girl with a half sashay The other four Find old corner a left allemande One and three go forward and back Down the line do a right and left thru Partner right a right and left grand Turn the opposite lady a right hand round Now the line divides and split that two Partner left as she comes down First go left — the next go right Forward eight and back like that With the opposite lady a right and left thru Go round one Four ladies chain the inside track Face that two and square thru three quarters Come into the middle and box the gnat Roll promenade that pretty little thing round Pull her by a turn back Promenade eight go round the ring When you come down The two girls go forward and back One and three you wheel right around Find old corner a left allemande Split the men across the floor Do a right and left through two by two Partners all a right and left grand Go round one — join em — line up four and a right and left back Forward four and four fall back Same four square through go all the way around Come back to the middle and stand pat When you come down Forward eight and back to town The other four Go on to the next make a wrong way thar Four ladies chain three quarters round Down the line do a right and left thru Boys back up a left hand star Turn the girls like you always do The line divide and split that two Shoot that star to your corners all Two and four a right and left thru Both turn left go single file For an allemande left One and three you bow and swing Go round one Grand right and left go round the hall Go round and round with the pretty little thing Come back to the middle Take your girl to the right hand pair Ladies lead a dixie chain Two and four go forward and back Circle up four when you get there Girls left and boys right Same ladies chain Head gents break and make two lines Find old corner and left allemande Roll promenade that pretty little thing Forward eight and back in time Partner right a right and left grand Take a little walk go round the ring Now a right and left thru two by two Just half way and a right and left back Forward eight and back like that Head ladies chain — and chain back Turn the girl and roll away Four ladies chain the inside track Turn 'em twice don't take all night Now trail thru Face to the middle like you always do Two head ladies chain to the right Find your own go right and left grand One and three a right and left thru Same ladies lead a dixie chain Turn the girl and don't be slow Girls left and boys right Forward eight and back to town The opposite lady do-sa-do. Pass one lady right on by Four ladies chain three quarters round One time around Then allemande left and you know why Turn the girl and don't get lost An ocean wave when you come down New head ladies chain across Side two Forward eight and back like that Turn the girl like you always do Along the line a right and left thru Four ladies chain the inside track Same four square thru Turn the girl and star thru Roll promenade and don't slow down Three quarters round when you come down Inside four pass thru Keep right on walking those gals around Separate A right and left thru One and three wheel right around Go round one and line up four Same ladies chain and chain right back Do a right and left thru with the couple you Forward eight and back once more Same ladies lead a dixie chain found Pass thru and wheel and deal Girls left and boys right Face that two and line up four Now substitute Find old corner a left allemande Forward eight and back once more Inside four square thru three quarters round Partner right a right and left grand. Now pass through and turn back When you come down Inside four do a right and left through Find old corner a left allemande and line up four Partners all a right and left grand Forward eight and back once more MONG THE EARLY ‘‘RULES" we learned while Box the gnat across the land in a beginner class was the one to always Lady on the left a left allemande Forward eight and back to town A Four ladies chain three quarters round Partner right a right and left grand end a ladies chain with a courtesy turn. This Face to the middle like you always do was, of course, unless the movement was to be One and three pass thru and turn back followed by a promenade. In this case, the rule Two and four pass thru and turn back called for the men to receive their girls in Now a left allemande Partners all, a right and left grand. promenade position and then roll promenade without any fuss or muss. George Elliott, this EORGE ELLIOTT sends us a note with this forward eight and back to town month, digs into his notebook for some good CI month's collection of material. "For the rec- Four ladies chain three quarters round examples of roll promenade. This is a good ord," he writes, "let's get some good 'Ladies % Face to the middle like you always do month to work on square dance styling and One and three a right and left thru chain' in the books." So, let's. Here's what Turn the girl like you always do these examples will provide a fine workout. George sent. Perhaps you'll be able to add some Do a half square thru to the outside two good drill material on the same subject. At any A right and left thru Two and four go forward and back rate it makes a fine subject for a workshop. The outside four dive thru and pass thru Same ladies chain Then square thru with the outside two Face to the middle with the pretty little doll Go all the way when you get thru Four ladies chain go cross the hall California twirl and trail thru Roll promenade and don't slow down Forward eight and back to town Find old corner a left allemande Keep right on walking those gals around Four ladies chain three quarters round Partners all a right and left grand. One and three you wheel right around Face to the middle in the usual way Do a right and left thru with the couple you Now roll away a half sashay One and three go forward and back found Go on to the next and box the gnat Two HEAD ladies three quarter chain And a right and left back and the ladies star Gents promenade one quarter round Same ladies chain to a left allemande Gents promenade not too far Same girl Partner right a right and left grand Same girl Send her back to a three quarter chain Box the gnat with your right hand Gents promenade one quarter round Forward eight and back to town Walk right into a right and left grand Two and four do a right and left thru Four ladies chain three quarters round One and three do a right and left thru Roll promenade that pretty little thing All four ladies three quarter chain Two SIDE ladies three quarter chain Take a little walk go round the ring Gents promenade one quarter round Gents promenade one quarter round One and three you wheel right around Same girl Same girl Do a right and left thru Send her back to a three quarter chain Send her back to a three quarter chain

42 Gents promenade one quarter round Pick up your own an arm around On to the next make a right hand star HEAD ladies chain across And star promenade go round the town Go once around Now all four ladies chain Spread the star you're not thru yet Head gents and the girl behind you Turn 'em twice don't take all night Girls duck under and face the set Into the middle make a left hand star Two head ladies chain to the right You all take a ride on the pretty rosette Once around to the same two That's old corner a left allemande Now drop back and circle four Square thru three quarters round Partners all a right and left grand Two ladies chain When you come down Turn the girl and circle four Find old corner a left allemande Two and four you drop the gate Partners all a right and left grand Join up hands and circle up eight Now a left allemande One and three go forward and back APPY SHAW, one time for an exhibition took Partner right a right and left grand Turn the opposite lady right hand round the Danish figure "Little Man in a Fix" and Partner left as she comes down P Allemande left and a right to your girl Now split your corners and separate from it developed the dance known as the Har- A wagon wheel and you make it whirl Go round one lem Rosette. This month George Elliott uses the Make a wagon wheel with the pretty little girl Come back to the middle make a right hand star figure, which from a two-faced line of four Spread the wheel you're not thru yet A right hand star in the middle of the hall has the end ladies moving forward under the Girls duck under and face the set Back by the left to your corners all You all take a ride on the pretty rosette For a right and left thru arch made by the men's joined left hands and Don't let go The outside four dive thru to a right hand star turning to join free hands in a four leaf clover Raise your arms — turn inside out Gents reach back and box the flea or rosette figure. Circle left the pretty side out To a left hand star Break with the left pull the right girl under And get the other two for a right and left thru Now swing your original partner The outside four dive thru to a right hand star Forward eight and back to town Then all allemande left A right hand star to your corners all Four ladies chain one quarter round for a left allemande Turn the girl to the inside track First and third bow and swing Partners all a right and left grand Then one and three go forward and back Same four make a right hand star Go round and round with the pretty little thing A right hand star in the middle of the hall Take your gal to the right of the ring One and three go forward and back Come back by the left to your corners all and circle four Same four a right hand Pick up your corner an arm around Head gents break and make two lines A right hand star in the middle of the hall And star promenade go round the town Forward eight and back in time Back by the left to your corners all Spread the star you're not thru yet Head couples California Twirl Do a right and left thru The outside four duck under and face the set Gents hook left go four in line Outside four dive thru and star thru You all take a ride on the big rosette One full turn Then square thru Now drop right back just like you are Spread the line you're not thru yet Go all the way to the outside two Circle up eight but not too far Girls duck under and face the set Make a right hand star Now swing the gal that's nearest you And you all take a ride on the pretty rosette Go once around Then allemande left like you always do Drop back now and circle four Same couples center a left hand star Partners all a right and left grand Two ladies chain where you were before Once around to the same two Same four circle up four Vo a right and left thru One and three go forward and back Two ladies chain where you were before Outside four dive thru and star thru Same ladies chain Same four circle up four And square thru go all the way to the outside two Turn the girl like you always do Head gents break to an eight hand ring For a right hand star One and three star thru then pass thru And circle left with the dear little thing Price around — go once And circle four with the outside two Now a left allemande Girls turn back to a left allemande Allemande left and a right to your girl Partners all a right and left grand Partners all a right and left grand A wagon wheel and you make it whirl Make a wagon wheel with the pretty little girl One and three go forward and back Spread the wheel you're not thru yet Same ladies chain VERY FLEXIBLE, Girls duck under and face the set comfortable, and flowing Turn the girl and just don't stand And take a little ride on the pretty rosette A combination of movements is a two couple Corners all a left allemande Gents drop both hands and two ladies chain left hand star to a right and left through. Go back one and promenade Now turn the girl circle four George Elliott this month opens his little black Don't slow down Head gents break and make that line One and three you wheel around Forward eight and back in time notebook to this intriguing section and comes Make a right hand star Now a right and left thru across from you up with a collection of workshop material that Go once and one half around And two ladies chain across will prove to be an interesting addition to any Head gents and the girl behind you And chain right back caller's repertoire. Into the middle make a left hand star Same ladies lead a dixie chain Once around Girls left and boys right To the same two a right and left thru Find old corner and left allemande Outside four dive thru and square thru Partner right a right and left grand One and three go forward and back Three quarters round Same four When you come down One and three go forward and back Go into the center make a right hand star Find old corner a left allemande Stand back to back with your partner do A right hand star in the middle of the hall Partners all a right and left grand Separate go round two Back by the left to your corners all Now pass your own and go round two more For a right and left thru Forward eight and back like that Then pass your own at home Turn the girl and trail thru Four ladies chain the inside track Keep going and circle four with the two you meet Find old corner a left allemande Turn the girl and just don't stand Allemande left and a right to your girl Partners all a right and left grand. Brand new corner a left allemande A wagon wheel and you make it whirl Come back one and promenade Make a wagon wheel with the pretty little girl Promenade And don't slow down Spread the wheel you're not thru yet One and three you wheel around One and three here's what you do Girls duck under and face the set Make a right hand star Wheel around — do a right and left thru You all take a ride on the pretty rosette Go once and one half around Same four make a right hand star Gents drop both hands and two ladies chain Head men and the girl behind you Go once around Now circle four Into the middle make a left hand star Head gents and the girl behind you Side gents back to an eight hand ring Once around to the same two - Into the middle make a left hand star And circle left with the dear little thing A right and left thru Once around to the same two Now whirl away go right and left grand lame four do a one half square thru Do a right and left thru Do on to the next make a right hand star Same four do a one half square thru One and Three go forward and back Go once around When you get thru Same ladies chain Head gents and the girl behind you Bend the line — do a right and left thru Turn the girl and roll away into the center make a left hand star Same four a right hand star Then star thru across the way Once around to the same two - Go once and one half Circle four with the outside two Do a right and left thru Head gents and the girl behind you Head gents break and make two lines jiame four do a one half square thru Into the middle a left hand star Forward eight and back in time On to the next a right hand star Once around to the same two Four men go forward and back Once around Do a right and left thru With the opposite man do sa do Head gents and the girl behind you Same four do a one half square thru Once around Into the middle make a left hand star When you get thru Four girls center and star by the right Once around to the same two - Bend the line and trail thru Same gents center hook a right elbow Do a right and left thru Find old corner a left allemande and don't let go Same four a one half square thru Partners all a right and left grand

43 HIS MONTH George Elliott gets a bit tricky Same girl a do sa do Now the same two gents hook a right elbow by taking some common every-day termi- Once around Once around let go T Back straight out and square the set Forward all to a left allemande nology and slipping it into some rather unusual First couple only bow and swing Partners all a right and left grand Workshop material. You'll have no trouble in Go round and round with the pretty little thing figuring out what he means by "Back you glide," Split that couple right across the floor Go round one — join 'em — line up four One and three go forward and back and this is the name he gives this series from Forward four and four fall back Same ladies chain the pages of his workbook. Try out the move- Arch in the middle the ends duck thru Now the two gents swing with a right elbow ment with these five examples, and then see if Courtesy turn behind that two Opposite lady with a left elbow you can "invent" a few of your own. Forward four and back you glide Now two gents with a right elbow Come back to the middle Back to your own left elbow swing Leave your partner and face the side Once and a one half and the girls go in Do a right and left thru Two girls swing a right elbow One and three a half sashay Inside arch outside under Opposite make a left elbow Go up to the middle and back that way Into the center box the gnat Then two girls a right elbow Third couple only bow and swing To a right hand star Back to your own a do paso Go round and round with the pretty little thing Go one full turn — just one you do Partner left and corner right Promenade one half way round the square Face the middle and trail thru Back to your own an arm around Stand behind the opposite pair Find old corner a left allemande And circle up four when you come down Forward four and back you glide Partners all a right and left grand One and three you drop the gate Come back to the middle All join hands and circle up eight Leave your partner and face the side A right and left thru ACK NOT TOO MANY YEARS AGO the command Inside arch and outside under Forward eight and back with you Circle up four in the middle of the floor B "Elbow Swing" actually called for two Two and four do a right and left thru Go once around dancers hooking elbows and turning around One and three a right and left thru Turn 'em twice don't take all night Now pass thru to a left allemande each other. Since that time, different styles in Partners all a right and left grand Two head ladies chain to the right various areas have changed the Elbow Swing Turn the girl like you always do until today it's virtually unused in its ofignTal Two and four you square thru One and three a half sashay form. The call for elbow swing continues, how- Go all the way around When you come down Go up to the middle and back that way ever, and the majority of square dance areas Couple one you bow and swing Circle four with the outside two Go round and round with the pretty little thing will use a forearm grip in accomplishing the One full turn Promenade one half way round the square movement. Here are six Workshop dances Inside couples rip and snort And stand behind the opposite pair from George Elliott on the theme "Elbow Pull 'em thru and line up four Forward four and back you glide Forward eight and back once more Come back to the middle Swing." You might give them a try and see Girls go forward and back Leave your partner and face the side how the dancers react. With the opposite lady do sa do Split that two and cross trail Same two gals hook a right elbow Separate and home you go To the opposite Joe For a left allemande Pass your own Two head gents go forward and back Find old corner a left allemande Same two gents hook a right elbow Partners all a right and left grand Partners right a right and left grand The opposite lady a left elbow Go once and a one half First couple only bow and swing Two ladies center hook a right elbow EORGE ELLIOTT, whose notebook plays a Go round and round with the pretty little thing Opposite gent a left elbow 13 great part in each monthly issue of the Promenade half way round the square Go once and a one half And stand behind the opposite pair Same ladies lead a dixie chain Workshop, is a strong believer in the need of Same couple a half sashay Girls left boys right solid basics. The definition of a movement Now forward four and back you glide Find old corner a left allemande should apply to make each call work, not in Come back to the middle Partners all a right and left grand Leave your partner and face the side just one or two instances, but in almost every Split that two way. This is the test of a successful basic. Separate go round one Allemande left with your left hand George proves his point this month with a call Box the gnat when you meet your doe Partners all a right and left grand (not a new experimental movement) Bend the Back straight out and line up four Hand over hand around you go Forward eight and back once more Partners all a right elbow Ends. If you apply the description of Bend the Now pass thru One turn Line the ends would simply move forward to Girls turn left and boys turn right On to the next a left elbow form a 90 degree angle with the person pre- Pass her once in the middle of the night One turn viously standing beside him. Try these out Find your own a left hand swing On to the next a right elbow - Gents star right in the middle of the ring One turn we think you will enjoy them. Once around to your corners all On to the next a left elbow Find old corner a left allemande One turn Forward eight and back with you Partners all a right and left grand On to the next and promenade Two and four a right and left thru One and three go forward and back One and three go forward and back Same four square thru go all the way Same ladies chain Two and four go forward and back Same ladies chain Go four hands when you get thru And chain right back Circle four with the outside two Turn 'em twice don't take all night Face to the middle and don't you fall Four ladies chain go cross the hall One full turn Same two ladies chain to the right Inside couples rip and snort Turn the girl in the usual way Roll promenade and don't slow down Keep on walking those gals around Pull 'em thru and line up four One and three a one half sashay Forward eight and back once more Couple one you bow and swing One and three you wheel right around Do a right and left thru Bend the ends Go round and round with the pretty little thing The other four a half square thru Promenade one half way round the square And a right and left back Girls go forward and back To the outside two and circle four Stand behind the opposite pair Go one full turn Forward four and back you glide With the opposite lady do sa do One time around Inside couples rip and snort Come back to the middle Pull 'em thru and line up four Leave your partners and face the side Same two girls hook a right elbow To the opposite man for a left allemande Forward eight and back once more Do a right and left thru Find old partners go right and left grand Same four circle up four Partners all a right and left grand Side gents break and make that line Join your hands and make a ring Forward eight and back in time One and three go forward and back And circle left with the dear little thing Now pass thru and turn back Now chain 'em left Then whirl away with a half sashay Box the gnat across from you Head gents brand new girl And circle up eight in the same old way Come right back Go up to the middle and back Side couples right and left thru A right and left allemande Pass thru have a little fun Four ladies chain the inside track Partners right a right and left grand Separate go round one Now turn 'em right around and chain 'em back And line up four Same old track First couple only stay that way Forward eight and back once more Head gents and a brand new girl The other three a half sashay Pass thru and turn back Go up to the middle and back Side couples go forward and back Forward eight and back you go Go out to the right and circle four Box the gnat across you go Men go forward and do sa do Head gents break and make that line

44 Forward eight and back in time To an elbow swing just one time around Those who can a left allemande Pass thru and join your hands And allemande left when you come down The rest whirl away go right and left grand Bend the ends Find your own go right and left grand Centers turn back Ladies to the center and back to the bar Everybody walk forward and star thru Circle to the left and around you go Gents to the center a right hand star Find old corner a left allemande Partners all a do sa do A right hand star in the middle of the hall Partners all a right and left grand. Her by the left and corner right Back by the left to your partners all Back to her with a left allemande Take 'em right along an arm around One and three go forward and back To a wrong way daisy chain Star promenade go round the town Go down the middle and pass thru Go right and left and turn back one Spread the star have a little fun Split the ring go round two Right hand lady a right hand swing Heads back track and dive thru one Hook on the ends and make that line Go backward two Meet a two and circle one-half way round Forward eight and back in time A left and right and turn back one Head ladies break and make that line Bend the ends and they star thru New right hand lady a left hand swing Forward eight and back in time A right and left thru Go backward two Four men pass thru and split two Now pass thru to a left allemande. A right and left and turn back one Go round one And catch all eight Turn back and swing your own One and three go forward and back A right hand half Promenade eight go right back home Go down the middle and pass thru Back by the left like a left allemande Separate go round two Partners right go right and left grand. Ladies to the center and back to the bar Join that pair and line up four Gents to the center a right hand star Forward eight and back once more Allemande left like a daisy chain Once around and pass your partner Now pass thru and join your hands Go forward two Walk all around your left hand lady Bend the ends A right and left turn back again See saw your pretty little taw They walk forward and star thru New corner lady right elbow swing Back to your corner a left allemande Everybody frontier whirl Go forward two a left and right Partners all a right and left grand Inside four pass thru and split two Turn back again Go round one and line up four Allemande left and a right to your clears Forward eight and back once more A wagon wheel but strip the gears Gents to the center and back to the bar Pass thru and join your hands Catch her by the left for a ladies thar Ladies to the center a right hand star Bend the ends Gals back up a right hand star Pick up your partner an arm around They walk forward and star thru Shoot that star with a full turn around Star promenade go round the town Frontier whirl all eight of you To the right hand lady and catch all eight Gents roll back left one go by Inside four pass thru to a left allemande A right hand half Star promenade the next sweetie pie Partners right go right and left grand Back by the left like a left allemande Roll the gals a half sashay Partners right go right and left grand Gentlemen star the same old way Gents roll back let one go by One and three go forward and back Repeat dance to get original . Same four square thru three quarters round Star promenade the next old guy Spread the star way out wide When you come down you separate Allemande left like a daisy chain Gals duck under the gents right side Go round one and line up four Go forward two a right and left and box the flea Forward eight and back once more On to the next a left allemande Pull her by Partners all a right and left grand. Arch in the middle and the ends duck thru On to next Round one and back to the middle Box the gnat and pull her by Square thru three quarters round Go left and right to a box the gnat Ladies to the center and back to the bar When you come down separate Pull her by Gents to the center with a right hand star Go round one and line up four On to the next and box the flea A right hand star in the middle of the hall Forward eight and back once more Pull her by Back by the left to your partners all Now pass thru and turn back Go right and left and box the flea Take 'em right along an arm around Bend the ends Pull her by Star promenade go round the town Same four trail thru and separate On to the next and box the gnat Heads back track and dive thru one Go round one Pull her by Star by the right with the next old two thru and split two Pass Go left and right to a box the gnat Star twice around Go round one and line up four Pull her by Gals star left in the middle of the town Forward eight and back once more On to the next and box the flea Gents promenade go the other way round Inside four trail thru Pull her by Go twice around The other four pass thru Go right and left to a box the flea Pass her once and say hello To a left allemande Pull her by Next time around hook a right elbow Partners right go right and left grand. On to the next and box the gnat All the way around to your corners all And pull her by For a left allemande Go left and right and promenade. Partners right a right and left grand ti NE OF OUR MOST versatile movements is the NJ Daisy Chain and this month George digs Allemande left and away you go into his collection for a variety of examples Go right and left to a do pa do Gents to the center and back to the bar Her by the left and new corner right Ladies to the center a right hand star using this call. Some of these will bring to Back to her like an allemande thar Once around to your partner mind "old-timers" others will offer something Boys back up a right hand star Star thru and promenade. new and different. A left hand swing like a daisy chain Go right and left turn back again Ladies to the center and back to the bar New corner lady right elbow swing Gents to the center with a right hand star Allemande left like a daisy chain Go forward two A right hand star in the middle of the hall Go forward two A left and right and promenade Back by the left to your partners all A right and left turn back again Pick up your partner an arm around New corner lady right elbow swing Star promenade go round the town Go forward two HEN YOU SPEAK OF "Vanishing Americans" Bend the line A left and right now turn back two V in square dancing you'll have to include Go left allemande Go left and right and turn back one V "Ladies center and back to the bar." The caller Partners all a right and left grand That old lady a right hand swing Go back two who uses this on an unsuspecting group is tak- A right and left to a left allemande ing his life in his hands. What he hopes for, of Ladies to the center and back to the bar Partners right go right and left grand. course, is to have the ladies take two or three Gents to the center with a right hand star A right hand star in the middle of the hall Allemande left like a daisy chain steps into the center, stop, and then back out. Back by the left to your partners all Go forward two What he gets is all too frequently something Pick up your partner an arm around A right and left turn back again like ladies center-back-to-back, or something And star promenade go round the town New corner lady right elbow swing similar. Here from the Elliott Notebook are Outside in and inside out Four ladies star left go cross the ring Turn that big old star about To an elbow swing like a daisy chain many variations to bring the old movement Put the ladies in and star again Go forward two back into play. One and three you wheel around A left and right turn back again And square thru with the couple you found New corner lady left elbow swing Head couples center and back to the bar Go all the way around The gents star right go cross the ring Side couples center a right hand star The inside four make a right hand star To an elbow swing like a daisy chain Go all the way around The other four turn alone Go forward two Pick up your corner an arm around Back by the left in the center of town A right and left turn back again Star promenade go round the town Pick up your own an arm around New corner lady right elbow swing Hub back out a full turn around Star promenade go round the town The girls star left go cross the ring Circle up eight when you come down Inside ladies roll away a half sashay

45 Gentlemen star in the same old way Now dixie chain when you get thru And let 'em go One and three you wheel around Face across the set you do New couple one a half sashay Now make a ring an eight hand ring Do a left square thru Pass thru and join your hands Go left-right-left-right Arch in the middle the ends turn in You circle left Then go single file Left allemande Substitute Partners all a right and left grand Outside four pass thru two One by one indian style Left allemande Girls turn back now dixie grand Partners right a right and left grand. Go right-left-right-left allemande Partners all a right and left grand HIS MONTH George has selected a situation Twhich arises every once in a while and for One and three go forward and back One and three you bow and swing which dancers usually need a little coaching. Same four square thru One time around Go round and round with the pretty little thing Go four hands when you get thru He calls it "two couples only pass thru two." Take your girl to the side of the town Circle four with the outside two Circle up four and don't fall down This occurs from a double- pass thru position, Go one full turn Leave the gals in a line of three Inside couples rip and snort but instead of all four couples moving and pass- And get back home where you should be Pull 'em thru and line up four Forward six and back you go ing thru two, only the two couples indicated Forward eight and back once more pass thru two. Right hand high left hand low Bend the ends Cross 'em over and let 'em go The other four a half square thru to the outside Brand new lines two One and three a half sashay Forward six and back you go Frontier whirl Go up to the middle and back that way Forward six and do sa do one time around Inside four pass thru two Now star thru An ocean wave when you come down Everybody Frontier whirl Do a right and left thru Balance forward and back Now a right and left thru The outside four pass thru two Now pass thru There's old corner a left allemande New outside two wheel around Turn to the right—go single file Partners all a right and left grand. There's old corner a left allemande Lonesome gents follow that three Partners all a right and left grand. Go single file Gals roll back let two go by Forward eight and back with you CEAN wAvE? No problem — when done in There's old corner a left allemande Two and four do a right and left thru Partners all a right and left grand One and three go forward and back 0 fours. Now make it an. an wave in sixes, Same ladies chain and it's just the proper topic for one of George Same four promenade the inside ring Elliott's notebook workshop series. You'll have One and three you bow and swing Twirl the girl to the right of the ring Three-quarters way around fun with these. Face to the middle in front of that two To lines of three Same four, pass thru two Forward six and back you go Everybody turn back Forward eight and back with you Forward six and do sa do one time around Find old corner a left allemande Two and four a right and left thru An ocean wave when you come down Partners all a right and left grand. Same ladies chain Balance forward and back One and three go forward and back Pass thru Forward eight and back with you Same two ladies one quarter chain Girls turn out leave that he Two and four do a right and left thru Side men turn 'em an arm around Round one and line up three One and three go forward and back And roll away when you come down Forward six and back you go Same four square thru go all the way Forward six and back you go Forward six and do sa do one time around Go four hands when you get thru Go forward again and do sa do one time around An ocean wave when you come down Circle four with the outside two An ocean wave when you come down Balance forward and back One full turn Balance forward and back Pass thru Inside couples rip and snort Swing by the right Girls turn out and leave that he Pull 'em thru and line up four Find old corner a left allemande Round one and line up three Forward eight and back once more Partners all a right and left grand Forward six and back with you Bend the ends Four ladies trail thru The other four a half square thru to the outside Forward eight and back with you Men turn back two One and three a right and left thru Find old corner a left allemande And circle four Same ladies chain Partners all a right and left grand Go one full turn Side two ladies three quarters chain Inside couples Frontier whirl Head gents turn 'em an arm around Do a right and left thru And roll away when you come down Now pass thru two Forward six and back you go HIS MONTH GEORGE selects the theme, Forward six and do sa do one time around Everybody Frontier whirl "Wagon Wheel Spin" from his notebook of Do a right and left thru An ocean wave when you come down T Find old corner and left allemande Balance forward and back the 6-211171nal and aTh-sses it up in today's fan- Partners all a right and left grand Now swing by the right ciest square dance costume. You'll enjoy these Find old corner a left allemande workshop samples which we guarantee will re- Partners all a right and left grand One and three go forward and back activate your nostalgia glands. Same four star thru First couple only go forward and back Do a right and left thru Now split that couple across from you Allemande left and a right to your dears Same four pass thru two Separate go round two A wagon wheel spin but strip the gears Then everybody face your partner Join that pair and line up three Catch her by the left for an allemande thar Do a right and left thru Forward six and back for me Boys back up but not too far And everybody pass thru Go back to the middle and do sa do one time Shoot that star to the next little dear Face your partner around A wagon wheel spin but strip the gears That's old corner do a left allemande An ocean wave when you come down Catch her by the left for a do pa so Partners all a right and left grand Balance forward and back Her by the left and the corner right Same six a right hand star Back to her a left hand swing One and three go forward and back A right hand star Gents star right go across the ring Same ladies chain Now back by the left Turn the opposite lady a left allemande Two and four you bow and swing Those who can pick up their corner an arm around Partners all a right and left grand Go round and round with the pretty little thing And star promenade From the outside ring Back straight out and make a ring Allemande left and a right to your dears Three-quarters way around And circle left with the dear little thing A wagon wheel spin but strip the gears Behind that two stand two by two Those who can whirl away with a one half sashay Gents star left go cross the town Forward eight and back with you Now a left allemande Turn the opposite lady a right hand round Inside couples pass thru two Partners all a right and left grand Go to the corner and swat the flea Then all eight turn Box the gnat with the same old she There's old corner a left allemande First couple only go forward and back And pull her by Partners all a right and left grand. Split that couple across from you On to the next and swat the flea Separte go round two Box the gnat with the same old she Forward eight and back like that Join that pair go three in line Pull her by Four ladies chain the inside track Forward six and back in time There's old corner a left allemande Face to the middle like you always do Now do sa do one time around Partners all a right and left grand. One and three a right and left thru An ocean wave when you come down Side couples face your own Now pass thru and turn back Forward eight and back to town Head two trail thru And pass back and turn back and line you go Four ladies chain three quarters round Behind the sides line up four Right hand high and left hand low You turn the girl don't take all night

46 Girls go left boys go right while the side couples open up in two facing (Gent makes arch with original partner To the next little dear lines of three with (in this case) a man in the and ducks other gal thru arch back to her partner) A wagon wheel spin but strip the gears center and a lady on each side. Go to your corner and do pa so Forward eight and back with you Her by the left go all the way around Holding the near hand of each lady, the One and three a right and left thru New corner right as you come down man will raise his right hand and allow the Turn the girl and don't you fall Back to her and allemande thar girl on his right side to walk across counter- Four ladies chain go cross the hall Face to the middle and don't get lost Boys back up a right hand star clockwise to the left. Simultaneously, the girl Shoot that star and find your own Two head ladies chain across Promenade eight go all theway home on the left side will duck under the arch made Head gents by the man's right hand, the man will duck Take your corner and your partner Allemande left and a right to your dears under his own arm, and the line will have Now forward six and back you trot A wagon wheel spin but strip the gears Pass thru for a single bow knot Gents star left go cross the town changed its facing direction to face the out- Right hand over left hand under Turn the opposite lady a right hand round side of the square. This, basically, is a single To a left allemande Once and a half to the right hand doe how knot. Partners all a right and left grand For a left elbow For a double bow knot, the movement is One full turn to the right hand dear Forward eight and back to town For a wagon wheel spin but strip the gears repeated, this time with the lady on the left Head ladies chain three quarters round Catch her by the right go right and left grand of the man making an arch with him, as the Side men turn 'em an arm around lady on the right moves counter-clockwise and Now roll away when you come down Allemande left and a right to your dears under the arch. The man clucks under, and the Now forward six and back you trot A wagon wheel spin but strip the gears Pass thru for a single bow knot Step right in behind your maid line once again faces the center of the set. But don't let go In single file you promenade The two movements together total a double Now make a ring and circle left Gals roll back and weave the ring bow knot. In the figures that follow, variations Forward eight and back like that All the way round till you meet again of these two movements are used. Four ladies chain the inside track A right hand swing go all the way around Turn the girl and chain 'em back And allemande left when you come down Head gents and a brand new girl Go right and left grand. One and three you bow and swing Up to the middle and back Go round and round with the pretty little thing Same four star thru Allemande left and a right to your dears Take your girl to the side of the town Then a right and left thru A wagon wheel spin but strip the gears Circle up four and don't fall down Turn the girl and pass thru Catch her by the left for a do pa so Leave the girls in a line of three Star thru and same ladies chain Her by the left and corner by the right And get back home where you should be Same ladies lead a dixie chain Her by the left for an allemande thar Forward six and back you trot Girls left and boys right Boys back up a right hand star Find old corner a left allemande Now pass thru—a single bow knot Pass nose to nose in a half sashay Right hand over left hand under Partner right a right and left grand A wrong way grand go round that way Lone gents pass thru and turn back Hand over hand go round the ring Now a left allemande Meet your own right elbow swing Partners all a right and left grand All the way round HE FRONTIER WHIRL, or California Twirl And allemande left when you come down One and three bow and swing T (take your choice—they're the same) has Partners all go right and left grand. Go round and round with the pretty little thing been extremely prominent in calls these past Take your girl to the side of the town two years. This month George selects a sec- One and three go forward and back And circle four tion from his little black notebook which he Same four square thru go all the way around Leave that girl in a line of three Go four hands and when you come down And get back home where you should be feels will make the dancers think a little. Find your corner a wrong way thar Forward six and back you trot Boys back up a left hand star Now a single bow knot Spread that star but not too much Right hand over left hand under Forward eight and back with you Box the gnat and throw in the clutch Then turn to the left go single file Two and four a right and left thru Go twice around on a heel and toe Go round one One and three a half sashay Same old gal hook a right elbow Pass thru single file Go up to the middle and back that way All the way around Turn left go round one Same four circle four—go once around Gents star left go cross the town Make a line behind him do Once around then California twirl With the opposite lady Forward eight and back with you Go to the left for a left allemande A wagon wheel spin but strip the gears Just the men dixie chain Partners right a right and left grand. Catch her by the left for a do pa so First go left next go right Her by the left and the corner right Go round one and line up four Promenade eight Her by the left for an allemande thar Forward eight and back once more One and three you wheel around Boys back up a right hand star Girls pass thru and separate Do a right and left thru Shoot that star go all the way around Go round one Then a half square thru A right to your corner pull her thru Come into the middle a left square thru California twirl Then allemande left like you always do Go all the way Now a right and left thru Partner right a right and left grand. When you come down Then a half square thru Find old corner a left allemande California twirl Allemande left and a right to your clears Partners all a right and left grand Now trail thru A wagon wheel spin but strip the gears Find old corner a left allemande Gents star left go cross the town One and three go forward and back Partners all a right and left grand. Turn the oposite lady a right hand around Same girls go out to the right and circle three Allemande left and the gentlemen star Ladies break and make two lines One and three go forward and back Ladies stay right where you are Forward six and back you trot Then California twirl and separate Same girl Tie those girls in a double bow knot Go round one into the middle Allemande left and a right to own Right hand over left hand under—(don't let go) California twirl A full turn around with the gal from home Left hand over right hand under—(don't let go) Now split the sides and separate Gents star left go cross the town Right hand over left hand under (let go) Go round one Turn the oposite lady a right hand round On to the next Into the middle and trail thru Allemande left and the gentlemen star Circle again (ladies break to a line) Find old corner a left allemande Ladies stay right where you are Forward six and back you trot Partners right a right and left grand. Allemande left and a right to your dears Tie those gals in a double bow knot A wagon wheel spin but strip the gears Right hand over left hand under One and three go forward and back Catch her by the right go right and left grand Left hand over right hand under Now pass thru have a little fun Right hand over left hand under Separate go round one. On to the next Into the middle and California twirl There's old corner a left allemande HIS SEEMS LIKE A GOOD TIME for nostalgia Circle three Ladies break and make a line Partners right a right and left grand. Tand this month George goes way back to Forward six and back you trot develop a series on single and double bow Tie those gals in a double bow knot One and three go forward and back knot. In order to refresh your memory, the Right hand over left hand under Same four square thru go all the way movement works in this manner. For a simple Left hand over right hand under Go four hands when you get thru Right hand over left hand under Right and left thru the outside two set-up, the two head couples go out to the Now its tied so circle three Outside four dive thru and California twirl couple on their right, circle four. Then the Make an arch and shoot that pretty Now a left allemande head men leave their girls and go home alone, girl back to me Partners right a right and left grand.

47 Promenade eight Same ladies chain Then box the gnat across from you One and three you wheel right around And chain right back Face her, pass thru and join hands Do a right and left thru and face that two Same ladies lead a dixie chain Arch in the middle the ends duck thru Do a half square thru Girls left and boys right Box the gnat inside the square Now California twirl Find old corner and left allemande Then pass thru and circle four with the Then square thru three quarters round when you outside pair come down First couple only bow you do Ladies break and make that line Find old corner a left allemande Go out to the right and right and left thru Forward eight and back in time Partners all a right and left grand. Turn the girl like you always do Right hand high left hand low New one and three a right and left thru And let them go One and three go forward and back The same ladies chain Now swing your own to beat the band Same four pass thru and face your partner New one and two you bow and swing Then allemande left with your left hand California twirl Go round and round with the pretty little thing Now a left allemande Now promenade half way round the square Partners right a right and left grand. One and three you swing your Sue Pass right by the couple that's there Two and four do a right and left thru Join that pair and line up four Circle eight Heads go right and circle up four Forward eight and back once more Head men break to a line once more With the lady on the left a half sashay Line in number three position go into the middle Now California twirl Forward eight and back you go Bend both the lines Right end high and left end low With the lady on the left a half sashay Old couples one and four do a left square thru Now California twirl Cross them now and let them go Go four hands Inside four pass on thru With the lady on the left a left allemande The other four pass thru Partners right a right and left grand. Split two and go round one Wait for old corner for a left allemande Join them there and line up four Partners all a right and left grand One and three go forward and back Forward eight and back once more Same four pass thru and separate One and three you bow and swing Right end high and left end low Cross them now and let them go Go round one into the middle Go round and round with the pretty little thing California twirl Then promenade the outside ring Inside four pass on thru Face your partner Go round one pair Split two and go round one California twirl Join that pair and line up four Join them there and line up four Separate and go round one Forward eight and back once more Forward eight and back once more Into the middle and California twirl Arch in the middle the ends turn in Now pass thru Now split that two and separate Go round one and face to the middle You all turn right go single file Go round one Trail thru have a little fun One by one Indian style Into the middle and trail thru Split the ring go round one Gals roll back let one go by Find old corner a left allemande And line up four There's old corner for a left allemande Partners right a right and left grand. Forward eight and back once more Partners all a right and left grand Arch in the middle the ends in One and three a half sashay One and three you bow and swing Go round one and face to the middle Go up to the middle and back that way Go round and round with the pretty little thing Trail thru have a little fun Go out to the right just like you Take your gal to the side of the town Split the ring go round one are Circle up four and don't fall down And line up four Circle up four but not too far Ladies break and make that line Head gents break and make that line Forward eight and back once more Forward eight and back in time Forward eight and back in time Now pass thru and turn back Right end high left end low Bend the line—California twirl Box the gnat across from you Cross em over and let em go Bend the line—a right and left thru Do sa do one time around All four gents go forward Bend the line—California twirl An ocean wave when you come down and back Now pass thru have a little fun Bend the line Balance forward and back Trail thru and find old corner a left allemande Now trail thru and find old corner Separate go around one and line up four Partners right a right and left grand. Left allemande Forward eight and back once more Right end high and left end low Cross em over and let em go Forward eight and back with you All four men forward and back One and three a right and left thru HE IDEA SELECTED BY OUR FRIEND Pass thru have a little fun George Turn the girl and don't get lost Separate and go round one Tthis month has to do with couples prome- Now all four ladies chain across Back to the center a right hand star nading as directed around one other couple, Head gents roll promenade this lady fair Go the usual way around one pair One time around where your corners are and coming into place to form lines or to fit To a left allemande Join that pair and line up four into a circle. It's interesting how much varia- Forward eight and back once more tion he manages from this simple situation. Box the gnat across from you All four couples forward and back Face her and pass on thru Four ladies chain the inside track Join four hands bend the line Turn the girl like you always do One and three you bow and swing Forward eight and back One and three do a right and left thru Go round and round with the pretty little thing Inside four pass thru and split two Turn them twice don't take all night Then promenade the outside ring Separate and go round one Same two couples go out to the right Go round two and don't be late Into the middle and pass thru and separate And circle four You all join hands and circle up eight Behind that couple stand Head gents break and make that line Any opposite two trail on thru Forward eight and back like that Forward eight and back in time Find old corner a left allemande Face the one beside you Right end high and left end low Partners all a right and left grand Box the gnat Cross them over and let them go Pass thru and Frontier Whirl Side two go forward and back Forward eight and back to town Face that two and trail thru Go out to the right just like you are Four ladies chain three quarters round Find old corner and left allemande Circle up four but not too far Turn the girl like you always do Two gents break and make that line Two and four do a right and left thru Forward eight and back in time Forward eight and back like that Right end high left end low Four ladies chain the inside track F ALL THE OLD TRADITIONAL DANCES enjoyed Cross them over and let them go Now turn the girl and chain them back Four ladies go forward and back One and three roll promenade the outside ring O some 30 to 40 years ago, few were consid- Then pass thru and split two Go round one pair ered to be more challenging or more difficult Turn left Join that pair and line up four than the old Forward Six—Right Hand Over Gents turn out and there she is Forward eight and back once more Left Hand Under. This month George Elliott Swing your own, don't swing his Pass thru and face your partner Now a left allemande Pass thru face next partner reaches into his notebook for some contempo- rary patterns built around this old favorite. Pass thru face next partner Forward eight and back with you Then allemande left with your left hand You should find them quite stimulating. One and three do a right and left thru Partners all a right and left grand Four ladies chain One and three go forward and back Turn them twice don't take all night One and three go forward and back Same four a right and left thru Side two ladies chain to the right Same four pass thru Turn them twice don't take all night Turn the girl like you always do Take your partner and promenade left Same two couples out to the right Then one and three trail thru and separate Go round one pair And circle four Behind that couple stand Join that pair and line up four Head gents break and make that line Now a double pass thru Forward eight and back once more Forward eight and back in time Lead couples arch the rest duck thru Do a right and left thru A right and left thru now two by two Turn back and circle four

48 Once around and keep in time Four ladies chain the longer track Circle to the left and go like thunder Head gents back and make that line Four ladies chain the set and back Break with the right Forward eight back you go 'Elliott Patter Pull the left girl under Right end high left end low Make two rings like you always do To a left allemande Cross them over and let them go And circle left Partners all a right and left grand Side two pass thru and separate Head gents back to an eight hand ring Behind that couple stand And circle left One and three go forward and back Now a double pass thru Now a left allemande Now pass thru and turn back Lead couple arch the rest dive thru Partners all a right and left grand Box the gnat across from you Turn right back for a left allemande Face the sides and split two Go round one and line up four Partners all a right and left grand One and three go forward and back Forward eight and back once more Same ladies chain All four gals to the right sashay Turn the girl and roll away And eight pass thru across the way NCE AGAIN, GEORGE ELLIOTT reaches into the Go up to the middle and back that way And join hands back with the left Same four star thru O past for some entertaining "new" square Pull the right girl under dance figures. His theme this time is "ladies Then a right and left thru Face in Same ladies chain and chain back Pass thru across the land chain on a longer track." George cautions that Four ladies chain the longer track this series of movements, like the expanding With the lady on your right Four ladies chain the set and back A left allemande and exploding squares, requires that the caller 'Elliott Patter Partners all a right and left grand should first line up the squares evenly across Then a right and left thru Same circle up four the width and down the length of the hall, as Head gents break and make that line EORGE'S SELECTION this month is "Swat The the dancers will be progressing from one Forward eight and back in time G Flea," a left-hand counterpart of "Box the square to the next. During the course of some A right and left thru Gnat." It's used to reverse direction and ex- Turn the girl and trail thru of the continuing chaining movements George change places. Partners join left hands and the has added some of his filler patter. The begin- Find old corner a left allemande Partners all a right and left grand lady makes a right face turn under the man's ning of the patter is marked * and the ending raised left arm as the man walks forward and is marked ** does a half-left-face turn. It can be done smoothly and comfortably with practice. Two and four you bow and swing OU'LL GET A KICK out of these. Some are a Go round and round with the pretty little thing Chain right I little different than the ordinary run of Allemande left and a right to your own Chain your girl to the right of the ring George Elliott's drill material, but they will A full turn around Turn 'em twice don't take all night work and you'll find them stimulating to try With the gal from home One and three go out to the right out. We know you're going to have some ques- Gents star left go cross the town And circle four The opposite lady a right hand round Head gents break and line up four tions (we had them too), so if you fall apart New corner swat the flea Forward eight and back during the workshop, write to George. We'll Box the gnat with the same old she Now pass thru and face your partner see that the letters reach him. Pull her by Two ladies chain and chain back Corners all swat the flea Four ladies chain the longer track Box the gnat with the same old she Four ladies chain the set and back Allemande left and a right to your girl Pull her by to a left allemande 'Elliott Patter A wagon wheel and you make it whirl Partners all a right and left grand Now drop right out and circle eight Make a wagon wheel with the pretty little girl Now a left allemande Spread the wheel you're not thru yet One and three go forward and back Partners all a right and left grand Gals duck under and face the set Same ladies chain And you all take a ride on the pretty rosette Turn 'em twice don't take all night Raise your hands and turn inside out One and three you bow and swing Same two ladies chain to the right Circle left the pretty side out Take your girl to the right of the ring Now one and three go forward and back Back with the left And circle four go full around Pass thru and face your partner Pull the right girl under Two ladies chain and chain back Square thru three quarters round Swing your own and Three ladies chain the longer track When you come down Swing like thunder *Three ladies chain the set and back With the one you face swat the flea Chain 'em right and chain 'em strong Change hands go right and left grand Keep on moving those gals along One and three the ladies chain Chain 'em here and chain 'em there Turn the girl a half sashay Go right and left grand Chain those pretty girls everywhere Go up to the middle and back that way Go hand over hand to where she's at Chain 'em up and chain 'em down Then star thru You meet your own and box the gnat Chain those' pretty girls cross the town And circle four with the outside two Change hands and swat the flea Til You get straight** Head gents break and make two lines Pull her by and on to the next Now take your girl to couple three Forward eight and back in time Box the gnat change hands swat the flea And circle once and around you go Now a right and left thru Pull her by and on to the next Then you do a do-si-do With the opposite two Box the gnat change hands swat the flea Do-si high and do-si low Turn the girl and pass thru Pull her by and on to the next One more turn and on you go And don't turn back Box the gnat and change hands To couple number four Join your hands in an eight hand ring Allemande left with your left hand And circle once around And circle right with the dear little thing Partners all a right and left grand Two ladies chain and chain back Break with the left `Elliott Patter Pull the right girl under One and three go forward and back When you get straight Now a left allemande Face your partner and box the gnat Take 'em home and swing all eight Partners all a right and left grand Face the middle and swat the flea Face the sides and box the gnat Allemande left like you always do Inside four face behind you One and three go forward and back Back to your partner and star thru and swat the flea Same four star thru Then circle eight Face the middle and box the gnat Then Frontier whirl Circle to the left and go like thunder Face the sides a left allemande Now a right and left thru Break with the left Partners all a right and left grand Same ladies chain and chain back Pull the right girl under Four ladies chain the longer track Now a left allemande One and three go forward and back Four ladies chain the set and back Partners all a right and left grand Now with the opposite lady 'Elliott Patter Do-sa-do one time around Now a right and left thru One and three do a half sashay Just make a line when you come down Opposite lady a left allemande Circle up eight in the usual way The other four Partners all a right and left grand Circle to the left and go like thunder Box the gnat across from you The two men break pull the lady under Face the line and swat the flea One and three go forward and back Two gents meet a left elbow Same girl seesaw left And same ladies chain Go all the way around to the Go all the way around Turn that girl like you always do Other man's doe with a right elbow And ocean wave when you come down Same four pass thru Then two gents a left elbow Rock and forward and back Separate go around one Go all the way around to your own little doe Now a left hand swing Into the middle a right and left thru With a right elbow Gals star right in the middle of the ring A full turn around to the outside two Find old corner a left allemande And star across to a left allemande Two ladies chain and chain right back Partners all a right and left grand Partners all a right and left grand

49 Head two gents and your corner girl Then allemande left with your left hand Box the gnat, right and left thru Go up to the middle and back Partners all a right and left grand The other way back Box the gnat across from you Four ladies chain across the track Pull her by split the ring Allemande left Separate go round one One and three go forward and back Into the middle and swat the flea Box the gnat across for me CLOVER AND SPIN THE TOP Pull 'em by a right to your own Change girls and swat the flea One and three go up and back A wrong way thar Change girls and box the gnat Spin the top but don't stop Boys back up a left hand star Change girls and swat the flea Box the gnat, right and left thru Slip the clutch don't be late Turn back now a left allemande Pass thru, right and left thru Gents step in behind your date Partners all a right and left grand Pass thru, clover and spin the top Girls roll back and pass one man Don't stop, box the gnat Right and left thru, pass thru Dive thru, star thru, cross trail Left allemande

CLOVER AND SQUARE THRU EXPERIMENTAL LAB (AND STAR THRU) One and three half sashay Star thru — pass thru HE URGE TO "CREATE SOMETHING NEW" in square dancing has been satisfied in Clover and square thru different ways by literally thousands in the activity. Some create a new sing- Count four hands, pass thru T Clover and star thru ing call; others compose a round dance; still others blend combinations of move- Inside two pass thru ments and come out with patterns that are both challenging and unique. For Left allemande many years enthusiasts have felt that to create a new "basic" was to achieve success. However, in recent years, the growing problem of too many new move- CLOVER AND SPIN THE TOP (AND BOX THE GNAT) ments has caused considerable concern among those sincerely interested in One and three forward and back square dancing's future. So many times the "new movement" consisted of no more Cross trail thru than the combining of several existing movements and giving this "creation" a Go round one into the middle new name. On the surface the effect seemed harmless enough. However, when Square thru three quarters round Pass thru, clover and spin the top it boiled down to the fact that there were literally hundreds of individuals, each Without a stop swing thru contributing one or more "experimental movements" which added to the total Pass thru — pass thru language of square dancing thereby putting up additional barriers for the new Clover and box the gnat dancer to overcome, the problem became acate. As an alternative, leaders, both Right and left thru Cross trail, left allemande among the dancers and the callers, began to encourage a change in tactics. "Let's replace quantity with quality." Workshops for developing comfortable (lancing in the proper spirit sprung up in many areas. Sets in Order, hoping to contribute DIXIE SPIN to this spirit, has in recent months devoted its Experimental Lab to explore en- By Chuck Raley, Lakewood, California larged possibilities for existing basics, and has met with considerable success. Those indicated by the call take right hands and pull by; give a left hand to the next and momentarily turn into a Dixie Style ocean wave. CHAIN STAR THROUGH Go all the way around and star thru — cross trail Without stopping, the centers turn three-quarters By Wayne Redden, Fort Smith, Arkansas — to corner by the right (clockwise), the ends move forward Starting with two facing couples, the ladies (counter clockwise) ninety degrees or one-quarter. take right hands and pull by. Giving their left Four ladies chain three-quarters round you do hand to the right hand of their opposite man, Heads face right — chain star thru they do a star through to end in a two faced line Wheel and deal go two by two at right angles to their original starting position. Left allemande in front of you Head ladies lead in a dixie spin In a grand chain star through, the four ladies Slide through, pass through would star by the right to the opposite man. CLOVER AND Left Allemande ... Giving their left hand to the right hand of this By Jack Larry, Miami, Florida Head men lead in a dixie spin person, they would do a star through to end in Those couples facing out at the time of the Slide through, left allemande ... the normal promenade position and direction in call separate and move on and around to meet the square. Heads to the right, circle up four an opposite. Each person then turns and faces Head gents break to a line of four into the set. Simultaneously, the others do any- Ladies lead in a dixie spin Four ladies chain across you do thing the caller might add (i.e., square thru, spin Now come on back with a chain star thru Slide through, right & left through the top, etc.). And promenade, don't slow down Square through three-quarter One and three you wheel around Left allemande ... CLOVER AND SQUARE THRU Pass thru — chain star thru the next you do Heads to the right, circle up four You wheel and deal go two by two By Walt Wentworth, St. Petersburg, Florida Head gents break to a line of four Now dive thru and pass thru Head two couples square thru Ladies lead in a dixie spin Star thru the outside two Count four hands and when you do Pass through, bend the line Pass thru — chain star thru the next you do Pass thru, clover and square thru Now wheel and deal go two by two Count four hands Gents lead in a dixie spin Dive thru and pass thru Right and left thru the outside two Slide through, left allemande ... Star thru the outside two Dive thru, square thru three quarters round Heads star right in the middle Go right and left thru Left allemande Come back by the left, pick up corner.... Cross trail thru, left allemande These drills created by Back out a full turn, circle to the left Ken Collins, SIO Staff Four girls go up to the middle & back Head two ladies chain across Pass through, both turn right Now lead to the right and circle four CLOVER AND SWING THRU Down the middle with a dixie spin Head gets break to a line of four Heads go forward and back with you Pass through, star through, wheel & deal Up to the middle and back you do Susie Q, opposite right, partner left Pass through, left allemande ... Chain star thru the opposite two Opposite right, partner left Now wheel and deal go two by two Face your corner, pass thru Head gents and a corner girl go up & back Then dive thru and pass thru Clover and swing thru Head gent lead in a dixie spin Circle four, side gent break make a line of four Box the gnat, right and left thru Pass through, split two, round two Do a right and left thru The other way back Make a line, go up and back Chain star thru the opposite two Swing star thru, pass thru Slide through, eight chain three Now wheel and deal to a left allemande Clover and swing star thru Left allemande ... Dive thru, two ladies chain Four ladies chain three-quarter round Heads to the right — chain star thru Pass thru, left allemande Turn and chain them across the town Now wheel and deal go two by two Send them back in a dixie spin Then dive thru and square thru three-quarters CLOVER AND SWING THRU Same girl, left allemande ... round Head two couples lead to the right Do sa do the outside two Circle up four don't take all night Head ladies chain across Go full around and star thru Heads break to a line of four Heads lead right, circle up four Pass thru — chain star thru the next you do Forward up and back you reel Head gents break to a line Now wheel and deal go two by two Pass thru wheel and deal Two ladies chain across Dive thru and square thru three-quarters round Inside four square thru three quarters round Send them back in a dixie spin Do sa do the outside two Pass thru, clover and swing thru Slide through, left allemande ...

50 DIXIE TURN THRU Heads square thru Head two couples bow and swing By Dan Dedo, North Tonawanda, New York Pass to the center, star thru Promenade just half the ring Half square thru Down the middle a right and left thru Those indicated start a Dixie Chain by giving Pass to the center Do sa do in the middle you two a right to the first, pulling by, then giving a left Square thru three quarters round Make an ocean wave, don't misbehave to the next and pulling by to end facing out and Left allemande Number one man ripple the wave ready for the next call. Those following would Number three lady ripple the wave start as in a Dixie Chain. They give a left to the Head two ladies chain Swing thru ... and the girls trade first and pull by. The next person they meet they Same couples swing star thru turn with a right forearm half way around then Star thru ... pass thru Frontier whirl, pass thru Do sa do the outside two pull by to fall into position behind the person Right and left thru Make an ocean wave ... rock it son they first pulled by. Outsides half sashay Side men ripple the wave Pass to the center Head ladies ripple the wave Dixie daisy, cloverleaf Swing thru and the girls trade Heads swing thru Centers turn back Swing thru now the boys run Box the gnat Left allemande Wheel and deal ... face those two Right and left thru bive thru ... star thru Crosstrail . One and three promenade half way Dixie turn thru Left allemande Lady left, gent right Square thru, right and left thru Left allemande Star thru, pass thru to the next Heads to the right and circle four Star thru, square thru Break right out in a line of four Promenade On to the next, star thru, square thru Pass thru and wheel and deal Heads wheel around Frontier whirl, star thru Center two pass thru Right and left thru Pass to the center, pass thru Do sa do the outside two Dixie turn thru Left allemande Make an ocean wave On to the next Head men ripple the wave Two ladies chain Side ladies ripple the wave Pass thru on to the next Here are some additional figures using Pass Men trade and star thru Right and left thru To The Center by Willard Orlich, of Cuyahoga Bend the line ... Cross trail ... Dixie turn thru Falls, Ohio. Left allemande. On to the next One and three slide thru and a quarter more Two ladies chain BREAK Star thru ... do sa do the outside two Crosstrail thru Heads spin the top Make an ocean wave don't rant and rave Left allemande And when you do turn thru Head men ripple the wave (equals lead to the right) Side ladies ripple the wave Four ladies chain, turn the girl Pass to the center and slide thru Spin the top and the girls trade Four couples Dixie turn thru Same ones spin the top Do a right and left thru ... turn 'em too (Patter) Girls star across And when you do turn thru to a Spin the top and when you do Men star full around Left allemande Lady go left, men go right Head ladies ripple the wave Head men ripple the wave Left allemande SWING STEP AND PASS Now spin the top and the men trade Heads slide thru, make a wave and balance Spin the top once more you do Swing thru, step thru Right and left thru and turn 'em too Pass to the center Dive thru square thru three quarters round Swing thru, step thru There's the corner left allemande. PASS TO THE CENTER Pass to the center By Jack Murtha, Yuba City, California Swing thru, step thru One and three square thru, do sa do the Pass to the center From an eight chain thru, or from two similar outside two Swing thru, step thru ocean waves (standing across from each other) Head men ripple the wave, don't hesitate Pass to the center the four dancers on the outside facing in pass All eight circulate, balance forward, back with you thru the other dancers and move into the center Square turn three quarter around Left allemande Watch it close — just slide thru of the square while the others move to the out- If you can ... star thru side. Those then facing out trade (exchange The others turn back and star thru PASS THE MUSTARD places and facing directions) to face in, Substitute and Pass thru, there's the corner ... Number one couple bow and swing left allemande Go down the center split number three Around one and line up four Heads square thru Go forward and back Four ladies chain and grand chain four Double swing thru to a wave Into the middle and bend the line Heads to the right and circle four Pass to the center On a double track Head men break and make a line Square thru three quarters Dixie style to an ocean wave and balance Star thru, do sa do make an ocean wave Left allemande Pass to the center Head men ripple the wave, eight circulate Double pass thru and cloverleaf And swing thru, men trade Side ladies chain On a double track You're facing out, so wheel and deal Heads lead to the right Dixie style to an ocean wave and balance Face your partner, star thru Circle four Pass to the center and box the gnat Substitute and double pass thru Make a line, pass thru, wheel and deal Outsides pass to the center First go left, next go right Pass to the center And pass thru to a left allemande Right and left thru say she's all right Double swing thru to a wave Crosstrail thru and stick out a hand Step thru, pass to the center There's the corner ... left allemande. Square thru three quarters Four ladies chain three quarters Left allemande Two and four right and left thru Allemande left and promenade Head two ladies chain you do Head couples slide apart First and third square thru Head two couples swing star thru Sides move up and centers in Right and left thru the outside two Circle half dive thru, pass thru Cast off three quarters Pass to the center, pass thru Do sa do the outside two make an ocean wave Pass to the center Right and left thru Head men ripple the wave, side ladies ripple Pass thru, star thru, promenade Pass to the center, star thru the wave Head couples slide apart Right and left thru Spin the top and the girls trade Sides move up and centers in Rollaway and star thru Right and left thru, do sa do same old two Cast off three quarters Pass to the center Make an ocean wave, don't goof it pop Pass to the center, pass thru Square thru three quarters Spin the top head ladies ripple the wave Pass to the center Pass to the center Head men ripple the wave Square thru three quarters Square thru three quarters Spin the top and men trade Left allemande Left allemande Now spin the top go right and left thru Dive thru ...square thru three quarters Heads square thru To the corner girl left allemande. Right and left thru the outside two RIPPLE THE WAVE Pass to the center, pass thru By Royce Waugh, Cuyahoga Falls, Ohio Pass to the center, pass thru From an ocean wave formation the person or Head two couples do sa do, make an ocean wave Pass to the center, pass thru persons indicated by the call will turn with the Rock it up and back Pass to the center, pass thru right hand half way around, then turn the next Number one man ripple the wave Pass to the center, square thru with the left hand half and finally turn the next Number three lady ripple the wave Three quarters round with the right hand half to end the movement at Swing thru and the girls trade Left allemande the opposite end of the ocean wave. Right and left thru — zero

nl Head two ladies chain across RIP THE LINE Pass thru—wheel and deal Turn them around don't get lost By Don Pfister, San Diego, California Rotate go round the world Heads to the right and circle four In any line of four, facing in any direction, the Pass thru—swing and whirl Head men break to a line of four end dancers will cross fold, while the two in the Allemande left Pass thru and wheel and deal center will do a U-turn back. Head couples forward back with you Center two pass thru Right and left thru turn your Sue Do sa do the outside two FROM OCEAN WAVE Swing thru then box the gnat Make an ocean wave Head ladies chain, turn the girl Side couples lead to the right Side men ripple the wave One and three do the right and left thru Circle four you're doing fine Head ladies ripple the wave Same four do sa do make an ocean wave Side gents break to four in line Swing thru and the girls trade Rock it rip the line Pass Thru—wheel and deal Right and left thru ... dive thru Quarter out, left allemande Rotate you're doing fine—right and left thru Square thru three quarters ... Dive thru—rotate one more time Head couples do sa do make an ocean Left allemande. wave Allemande left Balance there, rip the line Quarter out, circle four Side ladies chain across the land One and three right and left thru Head men break line up four Turn 'em boys don't just stand Two ladies chain across you do (Equivalent to one and three lead right One and three do a half sashay Slide thru ... swap around Line up four OR one and three swing star thru Star thru while you're that way Crosstrail thru and you turn back Circle four to a line, etc.) Split two make a line of four Dive thru ... square thru Forward up and back once more Five hands in the middle you do FROM SINGLE LINES Pass thru—wheel and deal Do sa do make an ocean wave All four ladies chain, three quarters round Rotate boys and get the feel Double eight circulate One and three lead to the right, circle four Pass thru—centers in Swing thru and the girls trade Heads break to a line of four Bend the line you're gone again Swing thru and the boys trade Now pass thru and rip the line Star thru—rotate is what you do Head men ripple the wave Star thru, right and left thru Give this gal a right—pull by Side ladies ripple the wave Turn the girl (zero movement) Left allemande. Swing thru and the girls trade Heads lead right circle to a line ladies chain Right and left thru Pass thru, rip the line Two and four the Dive thru ... substitute Star thru, cross trail thru Turn 'em boys you're gone again Square thru three quarters Left allemande, come back one and promenade Head two couples lead to the right To the corner ... left allemande. Head couples wheel around Circle four, you're doing fine Pass thru and rip the line Head gents break to a four in line Heads to the right and circle four, head men Square thru, three quarters man Pass on thru you're doing fine break and line up four Here she comes, left allemande Wheel and Deal, keep in time Girls,make a "U" turn back an ocean wave, Like an allemande thar Rotate go round the land you're doin' great Back up boys Dive thru—pass thru—left allemande Just the ends circulate, head men ripple the wave Shoot it and promenade Four ladies chain across the ring Swing right, swing left, swing right you do Turn 'em boys you're gone again Right and left thru, turn her too FROM TWO FACED LINES One and three star thru—pass thru Square thru, here's the deal Head couples square thru Circle four with the outside two You're facing out, so wheel and deal Four hands around Head gents break to a line of four Double pass thru, don't take all nite Do sa do make an ocean wave Pass thru—wheel and deal First go left, next one right Ends cross over, centers turn back Rotate boys to get the feel Dixie chain with those in sight Now rip the line Eight chain five don't be afraid Girls turn back ... left allemande. Star thru Swing the sixth that's your maid Square thru, three quarters round Allemande left Left allemande

And here are three more by Dan Schmelzer, of Heads couple up and rock it Torrance, California. Ends cross over, centers turn back Rip the line ROUND OFF RIPPLE THE LINE INTERMEDIATE Star thru, square thru three quarters man By Manny Amor, Lakewood, New Jersey Heads half square thru Look for the corner Do sa do to an ocean wave Left allemande From two parallel facing-out lines of four, Head men ripple the line GIMMICKS each dancer turns to face the nearest end of the Side girls ripple the line Couple one face your corner and box the gnat line and, in single file, those now in front lead Swing thru, Right and left thru Square your sets just like that the others in a 180° turn back into the set to end Star thru — pass thru Now one and three cross trail thru in double pass thru position. Wheel and deal — Substitute Around two and line up four Square thru three quarter - Pass thru, rip the line Allemande left. Pass thru, split two and line up four Center four square thru three quarters round First and third lead to the right Left allemande Circle four to a line RIPPLE THE LINE & PEEL OFF Pass thru, round off Heads square thru four hands Head ladies chain across Double pass thru Do sa do to an ocean wave Now one and three see saw round Centers in cast off three quarter (= 0) Head men ripple the line Make an ocean wave Right and left thru Side girls ripple the line Men in the middle rip the line Crosstrail thru Head ladies ripple the line Quarter out Left allemande etc. Side men ripple the line Left allemande Right and left thru Heads square thru four hands Star thru — pass thru Half square thru with the outside two Wheel and deal Round off, center two pass thru Half square thru with the outside two Double pass thru ROTATE Peel off to a line of four Round off, center two pass thru By Chuck McDonald, San Francisco, California Star thru Left allemande etc. Peel off to line of four From a starting double pass thru position with Pass thru — Wheel and Deal Heads lead right to a line all the ladies on the men's right side (or all the Pass thru, round off Men pass thru, guess who, ladies on the men's left side) those in the center Allemande. Dixie daisy (patter) do a star twirl (a star thru followed by a frontier Centers in, cast off three quarter whirl) while the outside couples divide (separate) Pass thru, round off and star thru. Dixie daisy (patter) RIPPLE THE LINE FROM PROMENADE Centers in, cast off three quarter (= 0) Promenade — don't slow down These drills created by Right and left thru Heads wheel around — star thru Ken Collins, SIO Staff Crosstrail thru Do sa do to an ocean wave Left allemande etc. Head men ripple the line Head women ripple the line Head couples forward and back with you Heads square thru four hands Side women ripple the line Star Thru—rotate you're doing fine Centers in cast off three quarter Side men ripple the line Dive Thru—rotate one more time Ends run, Frontier whirl Right and left thru Circle four Round off, Dixie daisy (patter) Pass thru Side gents break to a line of four Centers in centers fold Left allemande Forward and back you reel Left allemande etc.

52 Heads square thru four hands around SLIDE THRU EXAMPLE SQUARE TURN THRU Spin the top with the outside two One and three up to the middle and back with By Manny Amor, Lakewood, New Jersey Balance then step thru you This movement starts out as a square thru. Round off Same old two slide thru, do a right and left thru When the dancers reach the last hand, instead of Center two spin the top Slide thru to a left allemande, etc. simply pulling by, they turn half way around Balance then step thru with that hand, then pull by. Other two pass thru RIGHT SLIDE Everybody - One and three those ladies chain Left allemande etc. Turn that sue First and third box the gnat Head men and corner girl box the gnat Square turn thru the other way back Here are two using the Round off movement by Square your set just like that Right and left thru with the outside two Gordon Blaum of Miami, Florida. Just the girls go up and back Dive thru, pass thru, left allemande Slide thru to a left hand star First and third do a half sashay Heads to the right and circle to a line One turn around, partners all a do-sa-do Square turn thru four hands around Forward eight and back you toss Corners all allemande the old left hand, etc. Pass thru then round off Then square turn thru with the outside two Peel off, round off, peel off SLIDE THRU Bend the line Square turn thru just three hands Bend the line, cross trail thru One and three slide thru, pass thru Pull by, left allemande Allemande left Slide thru the outside two Pass thru, Calif twirl First and third half square turn thru Heads star thru then Slide thru, pass thru Do sa do with outside two to an ocean wave Do a half sashay Calif twirl, she's on your right Dive thru, pass thru Swing thru, men trade, men run left Pass thru split two around one Left allemande Four in line forward eight and back Slide thru, pass thru Pass thru round off, peel off, wheel and deal Calif twirl Slide thru, pass thru, Calif twirl Wheel around from promenade Men square thru five hands Square turn thru four hands around Girls divide and pass one girl She's on your right Dive thru, Calif twirl, allemande left, etc. Those that can square turn thru Allemande left Everybody Jl turn back and circle left SLIDE THRU #2 Those that can do a right and left thru The four below using Round off are by Willard Heads half sashay, circle eight The others square turn thru four hands around Orlich of Cuyahoga Falls, Ohio Four men square thru four hands Star thru, right and left thru With the girls slide thru Crosstrail, left allemande Head gents and corner girl Substitute, back over two Go forward and back Bend the line First and third lead to the right and circle to a line Square thru count four hands Slide thru, pass thru, allemande left, etc. Center four half square turn thru Split those two around one Ends slide thru then star thru Bend the line SLIDE THRU SAME SEX ;'-'1 Crosstrail thru, left allemande Square thru three quarter round One and three half sashay Facing out round off to a Heads to the right, circle four Heads lead right and circle to a line Left allemande Ladies break to a line of four Two ladies chain Forward and back Then spin the top Heads lead right and circle four Slide thru Square turn thru just three hands Head gents break and line up four Those who can star thru Left allemande Forward eight and back Others do a "U" turn back Pass thru and round off Star thru, Calif twirl Double pass thru and peel off Line of four, forward and back Cross trail, allemande left, etc. TURN AND SLIDE Opposite box the gnat By Sam Grundman, Berkeley, Calif. Crosstrail thru to a The movement starts with two facing dancers. Left allemande SLIDE THRU SAME SEX #2 All four couples half sashay, heads slide thru Each takes the other by the right arm (unless the With the outside two, slide thru, those who can, preceding movement has just used a right arm— Head ladies chain in which case a left arm would be used). Dancers slide thru Heads square thru count four hands move half way around each other, then pull by. Swing thru the outside two Same two star thru, across the set Pass thru, centers in, cast off three quarters Men make a quarter right turn as the ladies make Round off a quarter left turn. Dixie chain on a double track Pass thru, fold the girl, allemande left, etc. Ladies go left gents go right Left allemande One and three forward up and back you glide SLIP, SLIDE, SWING Forward again turn and slide Head couples right and left thru By Lee Kopman, Long Island, New York Left allemande Same two spin the top Starting from a four-dancer Ocean Wave for- One and three lead to the right And when you do step thru mation, on the call "Slip," the two dancers in Circle four Spin the top with the outside two the center trade (exchange places and facing Head men break to a line of four Step thru, round off directions with each other). On the call "Slide," Forward eight back to the land Dixie chain on the double track each person on the outside of the formation does Turn and slide Lady go left gent go right a Nose-to-Nose Sashay with the person beside Left allemande Left allemande him. On the call "Swing," those on the outside do a forearm turn with the person beside them Side two couples right and left thru to end in the same wave with dancers in dif- ferent positions. Head two couples turn and slide Split the sides around one Line of four forward eight back you do SLIDE THRU Heads to the right and circle four Ends only turn and slide crosstrail Credited to Harlan Moody, Elmwood, Illinois Head gents break and line up four Left allemande Star thru make a wave and balance Slip Slide and Swing — balance Two facing couples will pass thru. The man Head two couples crosstrail Slip Slide and Swing — balance back will then make a quarter right face turn and the Go round two to a line of four Square thru three quarter round lady a quarter left face turn. Forward eight back you do Left allemande Turn and slide across from you These drills created by Peel off pass thru Heads to the right and circle four Bend the line turn and slide Garry Vrieling Head gents break and line up four Square thru three quarters round Star thru make a wave and balance Left allemande Slip Slide and Swing — balance SLIDE KELLY SLIDE Slide Swing and Slip — balance back One and three turn and slide One and three a right and left thru Square thru three quarter round Pass thru clover and Turn the sue Left allemande Turn and slide Same two ladies chain you do Left allemande. Turn your sue And here is one using the Slip, Slide and Swing Head two gents face your corner, box the gnat by Willard Orlich of Cuyahoga Falls, Ohio. NOTE: The line "Pass thru clover and turn and Square your sets just like that (two boys, two slide" can be repeated indefinitely, ending each girls) Head couples do sa do to an ocean wave and time in sequence facing corners for left allemande. Men to the middle and back with you balance Same four slide thru to a right hand star Slip Slide and Swing balance again One and three half sashay Three quarters 'round, find the corner and Slide Slip and Swing balance back Square thru allemande left, etc. Crosstrail thru to a left allemande While you're that way

53 Count four hands Four ladies chain across the way "Grand right and left six Turn and slide (same sex) Head two couples half sashay Right and left thru over To a line of four One and three lead to the right Right and left thru back Centers trade bend the line Circle four 'To start grand right and left, actives give R hand Square thru three quarters round Two ladies break to line of four to ones they swung, third couples give right Left allemande. Forward eight back to the land hand to partner. Turn and slide (same sex) Head two couples half sashay Dixie grand right left right Turn and slide Left allemande DUD'S REEL You're on your way 1, 3, 5 active and cross over before dance starts Dixie daisy go across and back One and three square thru Swing the one below Outside two U turn back Count four hands All forward and back Turn and slide (same sex) Do-sa-do the outside two Ladies chain To a line of four An ocean wave All forward and back again Center four turn and slide Balance forward balance back Circle four with opposite two Pass thru look for the corner Eight circulate and turn and slide The other way back to place Wheel and deal the center four Same two ladies chain Head ladies chain across you go Spin the top don't stop One and three do-sa-do Turn and slide An ocean wave here we go Pass thru DURANG'S HORNPIPE Slip slide swing turn and slide Do-sa-do the outside two Suggested music: FD MH-1 71 or MH-165 Square thru three quarters round An ocean wave 1, 3, 5, etc. active but do NOT cross over Left allemande Balance forward balance back Active girls balance and swing the gent below Ends trade centers trade (8 meas) One and three turn and slide Turn and slide wheel and deal Active gents balance and swing the girl below Right and left thru Center four swing thru (8 meas) Dive thru turn and slide Don't stop turn and slide Active couples down the center, go down the Partners trade (Frontier whirl) Half square thru line (4 meas) Right and left thru Do-sa-do the outside two The same way back and keep in time (4 meas) Whirlaway half sashay An ocean wave Cast off, and a right and left (4 meas) Turn and slide patrners trade Balance forward balance back Right and left back to your place in the set Right and left thru Eight circulate and turn and slide (4 meas) Dive thru turn and slide Wheel and deal the center four Partners trade Spin the top don't stop Right and left thru Turn and slide pass thru GREEN MOUNTAIN VOLUNTEERS Whirlaway half sashay Square thru three quarters man Suggested music: FD MH-1027 Rory O'More Turn and slide partners trade Find the corner 1, 3, 5, etc. active and cross over before dance Left allemande. Left allemande. starts Gents (line) sashay, ladies (line) swing Ladies (line) sashay, gents (line) swing Down the center and back with partner, cast off Right and left four

HARD TIMES CONTRA DANCES 1, 4, 7, etc. active. Do NOT cross Forward six and back OOKING FOR VARIETY? Many have found both variety and challenge in a dif- Circle six, half way round L ferent phase of the activity known as contra dancing. These are the line Forward six, back to place Circle six back to place dances. Dancers are stretched from the head to the foot of the hall. The men One and three right hand star face the ladies and the whole line becomes involved in movements that prove Two slip up from where you are not only appealing to the eye of the spectator, but entirely delightful to the par- Left hand star ticipant. A person well grounded in the basic movements of square dancing will One and two right and left thru find that to do a contra is one step above absolute pleasure. To contra dance Right and left thru back correctly, one must take sufficient time to do each movement. In other words, he must move comfortably and to the beat of the music. It has been said many times HAYMAKERS JIG that contra dancing improves the square dancer and it is to the person who likes 1, 3, 5, 7 cross over, they are active Actives balance the one below to become "completely involved" that the Contra Corner is dedicated. There is Actives swing the one below a knack to calling contras correctly but once learned, the caller will find that he Actives balance in the middle of the set has a new thrill in store for him and he will ask himself, "Why didn't I discover Actives swing, you're not through yet this a long time ago?" Go down the center in lines of four Turn around, come back to place Chain the ladies across the lines Chain them back you're doing fine (Give each line four counts)

BOLD HIGHLANDER Now balance and swing your own MEGUNTICOOK REEL 1, 3, 5, etc. active. Do NOT cross over (8 meas) Cross right hands half way round 1, 4, 7, etc. active, do NOT cross Down the outside and back Actives cross, go below two couples Left hand star half way round to place CANADIAN BREAKDOWN Into the middle, turn partner right Down the center and back with your partner, Suggested music: FD 1067 Turn the third by the left hand around, back cast off 1, 3, 5, etc. active and cross over before dance to your partner with the right hand around Right and left four starts Up to the next with the left hand round, then Balance your partner right to your partner just half way round Do sa do with your partner Down the center like you always do Allemande left with the one below Turn alone, come back to place Balance four in line CAMPTOWN HORNPIPE Cast off, right and left four Swing your partner in the center Suggested music: FD MH-173 Right and left, come back to place Down the center with your partner 1, 3, 5, etc. active but do NOT cross over Turn by yourself and come back home Down the outside down you go Cast off and star by the right (4 meas) VERONA'S FAVORITE Left hand star back to place Turn around and come right back Suggested music: FD 505-B (4 meas) 1, 3, 5, etc. active and crossed over Down the center with your own COCHECO HORNPIPE All gents cross and balance partner (4 meas) Suggested music: Cap 45047, President Garfield's Swing your lady around right there Wheel around and the OTHER way home Hornpipe Down the set four in a line (4 meas) 1, 4, 7, etc. active and crossed over Turn alone, come back to place Cast off, and the ladies chain Balance and swing the one below Ends close in, circle four (4 meas) Actives down the center Circle right the other way back Chain the ladies back again Up the outside, go back to place (place they left Ladies chain over (4 meas) after the swing) All right and left thru

54

APRIL IN PORTUGAL By Bob Page, Hayward, Calif., and Dave Taylor, Grosse Pte Farms, Mich. Record: Scope 502, Flip Instrumental with Bob Page OPENER, MIDDLE BREAK, and ENDING SINGING Join hands circle left go walking round the ring Allemande left your corner Turn your partner right hand swing Gents star left once around you go Turn your partner right CALLS Left allemande weave around the ring I found my April dreams in Portugal with you We discover romance promenade by two's T ONE TIME, ACTUALLY NOT TOO MANY NEARS AGO, in the New England and My head was in the clouds My heart went crazy too A Eastern states virtually all square dance calling was in the form of singing And madly I said "I Love You" calls. Any new dance that was written was composed to a particular piece of FIGURE music and it was worked over until it fit the melody to perfection. Those calls Heads square thru four hands around you do that became true favorites were those where the participants could sing right Out to the corner do-sa-do a full turn Swing thru without a stop along with the caller. Most were composed to all-time-favorites, or to particular Then you spin the top hits of the day. And so it has been over the years. Although patter calling has You rock it up and back-cross trail become the basic ingredient of a square dance diet, the singing call has become Left allemande that date the "frosting on the cake." Where once "Old Pine Tree," "Oh Johnny," and Come home with a catch all eight By the right hand half "Marching thru Georgia" were the big hits, today the nod goes to dances com- Back by the left roll promenade your date posed to the new leaders on the Hit Parade. Each month four different singing My head was in the clouds calls, the choice selections from all the different recording companies, are printed My heart went crazy too in Sets in Order. Here, from the past two years, are 96 of the "favorites." Many And madly I said "I Love You" of them have already been forgotten but among the collection are some which SEQUENCE: Opener, Figure twice for heads, are destined to become perpetual favorites in the square dance community. Middle break, Figure twice for sides, Ending

APRIL SHOWERS Without a stop a right and left thru and turn the Do sa do with the lady take her by the hand and By Cal Lambert, Houston, Texas girl you see promenade Record: Bogan 1198, called by Cal Lambert Square thru three-quarters to the corner lady Promenade that lady you can shout it to the OPENER, MIDDLE BREAK, ENDING swing nation Swing that girl around and promenade that ring Those other guys have gotta go I'm back in Walk all around the corner girl Around the world I've searched for you circulation Turn partner left And found my world in you FIGURE Men star right now, go around that set SEQUENCE: Opener, figure twice heads, break, Head (Side) couples promenade and go about Star promenade your lady half way Go walking around the land figure twice sides, closer You lead to the right circle up four and you make The men back out a line that way The girls star left, one time around and then BABY FACE Pass thru and you wheel and deal double pass Turn partner by the right By Al Brundage, Stamford, Connecticut on thru Left allemande Record: Windsor #4877, Flip Instrumental First couple to the left the next go right and cross Do sa do your own, then promenade with Al Brundage trail you do Go walking with your lady OPENER, MIDDLE BREAK, ENDING Swing the corner lady swing the corner Jane Take her home and swing and sway Four ladies chain across Allemande left new corner then you promenade Whenever April showers come your way Four ladies promenade inside the ring that ring FIGURE: Go once around and then you box the gnat Promenade a little lady you can shout it to the Four ladies chain across then rollaway Men promenade inside nation Join up hands, circle left Once around and meet that date Those other guys have gotta go I'm back in Go around that way Catch all eight half way round circulation Left allemande the corner girl Back by the left turn full around SEQUENCE: Opener, Figure 'twice heads, Break, And then go allemande thar Figure, twice sides, Ending. Go right and left Four ladies chain across and The men back in and make a right hand star Promenade round for me Just the girls circulate left allemande I didn't need a shove Because I fell in love BIG SOMBRERO Do sa do your own, that corner swing By Beryl Main, Denver, Colorado And then you promenade this lady With your pretty little baby face FIGURE Record: Wagon Wheel 304 — Flip Instrumental Go home and swing I say with Beryl Main Whenever April showers come your way Head couples promenade Half way round and then you OPENER, MIDDLE BREAK AND ENDING SEQUENCE: Opener, Figure twice, Break, Figure Swing star thru Oh the four little ladies chain twice, Ending You do-sa-do round the outside two you turn 'em with an arm around Swing thru and then One and three square thru Box the gnat as you come down four hands around that town Square thru three quarter round Go all the way around and do-sa-do with the AROUND THE WORLD Left allemande, pass one by outside two By Billy Lewis, Dallas, Texas Take the next promenade for me Record: Kalox 1052 To an ocean wave and balance, circulate you do You've got my poor heart thumpin' OPENER, BREAK and CLOSER Swing with the corner lady, and you go left You sure started somethin' allemande Now the four little ladies chain, turn the girl and With your pretty baby face Walk by one and promenade, go walking round then SEQUENCE: Opener, Figure twice for heads, the land Join hands and circle to the left go walking Middle break, Figure twice for sides, Ending It takes more than a Big Sombrero round and then it takes more than a fancy hat BACK IN CIRCULATION You roll away half sashay, circle to the left that To change a city slicker, boys * into a country cat By Louis Calhoun, Fontana Dam, North Carolina way FIGURE Longhorn 152, Flip Instrumental with Then roll away half sashay, circle left I say Record: Now one and three you promenade Allemande left old corner and weave that ring Louis Calhoun go half-way round the square I traveled on when hope was gone to promenade OPENER, BREAK, ENDING And two and four do a right and left thru that way Join hands make a big ring circle to the left you and turn that lady there No more will I go all around the world roam Then square thru and go four hands around the I've found my world in you Allemande left with the corner now do sa do ring you see FIGURE your own Split those two, make a line of four, rock up and Now one and three (two and four) promenade Hey man star by the left hand go once around back for me half way round that ring that land **Box the gnat, pull her by, and go left Go down the middle right and left thru and turn Turn your partner lady by the right the corner allemande the girl and then allemande Do-sa-do with the partner, swing the corner and You swing thru without a stop spin the top Grand right and left around until you meet your promenade for me maid It takes more than a Big Sombrero,

55 it takes more than a fancy hat See saw round the next one give a left hand Those are the words I'm 'a To change a city slicker, * it takes much more pull by Gonna have to eat than that Do sa do the next one and to your corner fly SEQUENCE: Opener, Figure twice for heads, "Alternate Allemande left this corner maid, come back one Middle break, Figure twice for sides, Ending * *Alternate line for figure and promenade Turn thru, look for the corner, and go left Down by the beautiful sea. allemande FIGURE SEQUENCE: Opener — Figure twice for heads - One and three square thru CONEY ISLAND BABY Break — Figure twice for sides — Ending Two and four (do a frontier whirl) By Lee McCormack, San Diego, California Centers in and cast off three quarter round the Record: Hi-Hat 351, Flip Instrumental with world Lee McCormack Pass thru and wheel and deal OPENER, MIDDLE BREAK, and ENDING BIRD OF PARADISE Double pass thru Join hands and circle with your baby Girls go left, the men go right, By Red Bates, Hampden, Massachusetts Left allemande then do-sa-do at home Record: Hi-Hat 331 Star thru and the center two square thru Four men star left OPENER, MIDDLE BREAK AND CLOSER three quarter Go one time around Join eight hands, circle left go round that track Swing that corner maid Star promenade Left allemande, partner right, box the gnat Allemande left new corner, come back and You can slip an arm around your babe Four ladies walk the inside ring, once around promenade Turn and chain the ladies now hear me sing Promenade this brand new honey, take her to Straight across the ring Box the gnat, check in, weave the ring the place that's sunny Then you chain 'em back if you can It's the bird of Paradise who really knows Down by, by the beautiful sea Promenade so long goodbye forever Do sa do, take her hand and promeno SEQUENCE: Opener, Figure twice heads, Break, *Goodbye my Coney Island babe Does the lady like romancin', is she with you just Figure twice sides, Ending. for dancin'? *When Break is used as the Closer substitute It's the bird of Paradise who really knows the following for the last line above (Alternate lines) So long my Coney Isle farewell my Coney Isle Goodbye my Coney Island babe Promenade, don't you linger, Will the lady let you CABARET FIGURE: swing 'er? Dance by Bob Brundage, Danbury, Conn. The head two ladies chain turn that baby Promenade, are you wise? Will she flirt with Record: MacGregor #2006, Flip Instrumental with Two and four will do a other guys? Bob Brundage Right and left thru FIGURE (Twice with heads active, twice with sides) DANCE: The heads square thru One and three lead to the right, circle four Four little ladies chain You make a line, dance up and back once more You turn 'em and then Count four hands you know Meet the sides do-sa-do Star thru in front of you, dive thru, pass thru Side (head) two ladies chain back again Right and left thru, turn the girl, eight chain three Heads go forward up and back Full around that girl you go Swing thru two hands turn thru and then It's right, left, right, left allemande._ Star thru in time Weave by one, swing the next there, when you Pass thru and circle to a line Corner swing and now left allemande can Promenade, so long, goodbye forever Without a stop do a do-sa-do Promenade, go round the ring, will the lady let And make an ocean wave Goodbye my Coney Island babe you swing? Balance and a swing star thru SEQUENCE: Opener, Figure twice for heads, It's the bird of Paradise who really knows Center two Middle break, Figure twice for sides, Ending (Alternate lines) Square thru three hands around Take a walk, go round the square, will she let you Centers in swing her there? And cast off three quarters round Promenade, go two by two, will she let you swing CONEY ISLAND WASHBOARD GAL her too? Then you can star thru By Earl Johnston, Vernon, Connecticut Promenade, go round the square, does the lady And do a double pass thru Record: Grenn 12089, Flip Instrumental with really care? The first two left The next two right Earl Johnston Right and left thru the two in sight OPENER, MIDDLE BREAK, and ENDING Cross trail thru to the All four ladies chain across the ring BUMMING AROUND Corner girl left allemande You turn and chain them right back home again By C. 0. Guest, Dallas, Texas Walk right by your own Walk all around the corner, see saw your own RECORD: Kalox 1054. Flip instrumental with And then swing (promenade) Men star by the right C. 0. Guest All the way around to the cabaret my friend And travel once around tonight FIGURE Come to the cabaret Turn your partner left and then And now four ladies chain, you join hands circle SEQUENCE: Dance four times thru Your corner do-sa-do left you know You run home swing and promenade You do an allemande left and allemande thar, She washed a hole right thru the knees gents back up you got a star Of a brand new pair of B V Ds Shoot that star do sa do, your corner swing and CHOCOLATE COATED WORDS My coney island washboard gal then promenade for me By Chuck Raley, Lakewood, California FIGURE Cause I'm as free as the breeze I'll do as I please Record: Windsor 4879, Flip Instrumental with Heads right and left thru When you're home sides (heads) face, grand Chuck Raley Sides do the same square* OPENER, MIDDLE BREAK, and ENDING The heads square thru four hands Whenever trouble starts to bothering me, Hey join hands and make a ring Inside the ring Oh! yeah (reverse) You're gonna circle round that land Get to the corner do-sa-do I grab my coat, my old slouch hat, and hit the Do-sa-do that corner All the way around you go trail again, you see Turn your partner left hand Make a wave and balance up and back Four ladies gonna chain, you chain 'em back and Men star by the right go one time around All eight circulate do a roll promenade for me Allemande that corner girl Star thru and right and left thru Cause I'm as free as the breeze, I'll do as I You're gonna weave around that town Turn a girl you know, slide thru please, just bumming around. I don't love you anymore Swing a little girl around and promenade SEQUENCE: Four times thru (sides face twice on I'm glad that we are thru You promenade her high and wide grand square and heads face twice) Do-sa-do that lady Won't she make a lovely bride *Callers note: If you will tell the dancers ahead Then you promenade her too That coney island washboard girl of time to dance to the beat of the music and Coat them words with chocolate SEQUENCE: Opener, Figure twice for heads, take their full 32 steps on the grand square and Middle Break, Figure twice for sides, Ending not rush, that this is a smooth dance and the only Make 'em sugar sweet Those are the words I'm 'a swing is when they swing corner with no swing Gonna have to eat after the promenade, you'll find this a big help. FIGURE Well the first and third lead to the right DENVER And circle to a line By Ron Schneider, Olmsted Falls, Ohio BY THE SEA Without a stop go right and left thru Record: Grenn 12082, Flip Instrumental with By Herb Keys, Swarthmore, Pennsylvania And turn the girl so fine Ron Schneider Record: Top 25124, Flip Instrumental with Square thru three quarters OPENER, BREAK, ENDING Herb Keys Courtesy turn your Sue Head two gents take your corner up and back now OPENER, BREAK, ENDING Ladies lead dixie style Square through four hands around that track Allemande left your corner, we'll do the grand Make an ocean wave you do Split two around one make a line sashay Men trade and balance Bend the line go up and back Do sa do, go full around, right hand pull her by Girls circulate and swing Star thru, square thru three hands See saw round the next one, give a left and Do an allemande left with the corner girl Left allemands the corner, oh do a do-sa-do, pull by And promenade the ring Promenade that lady round you know Do sa do with the next girl, give a right and I don't love you anymore *The prettiest girls come from Denver pull by Altho you're sugar sweet That's where I'm headin' for now

56 FIGURE Four hands around the town DOWN BY THE OHIO One and three promenade go just half way A right hand star will do By Dick Leger, Warren, Rhode Island Roll away all join hands, circle eight Now the heads to the middle Record: TOP 25131, Flip Instrumental with All four girls up and back Star left go full around Dick Leger Pass through turn to the left (single file) Then do a right and left thru OPENER and MIDDLE BREAK Boys pass through, and swing the girl you found Dive thru, square thru Join your hands circle left Left allemande that corner grand old right and left Three hands around and then You're gonna move it all the way 'round the ring When you meet do sa do promenade Swing the corner lady And when you're home I've got me a girl out in Denver Promenade her again Four ladies chain across, and don't you That's where I'm settlin' down. We'll stroll along together dare get lost But I ask you my friend Chain 'em right on back again "Alternate tag lines: Don't fence me in Well, goodness turn the boss Young men stay out of Denver SEQUENCE: Opener, Figure twice with heads, Your corner do sa do Or else you'll wind up with a wife Middle break, Figure twice with sides, Closer Your partner left a do pas so I've been to St. Louis and Frisco NOTE: Key changes occur at the start of the Partner left and corner right But Denver is where my heart stays. Middle Break and the Closer Your partner left and find the corner, do sa do Come back and swing your honey DEVIL WOMAN DON'T SWEETHEART ME Then you promenade her so By Bill Green, Hacienda Heights, California By Joe Lewis, Dallas, Texas Down by the 0 hi o Record: Hi-Hat 326 Record: Scope 504, Flip Instrumental with You're gona swing her back in Ohio Four ladies chain, go three-quarters Joe Lewis FIGURE Join hands and all circle left OPENER, MIDDLE BREAK, and ENDING Heads go forward up and back (Left) allemande, Do si your partner Four ladies chain three quarters A left hand star turn it Go full around, the men star left Turn 'em left and heads right and left thru Round that old track your corner right hey Star promenade with your darlin' And turn her twice go to the right Turn 'em around your partner left The men back out a full turn Circle up four there Turn her around Chain 'em across the square, turn a new lady fair Make a line of four and back so nice Four little ladies want to chain Allemande left, weave the ring, Oh Pass thru left allemande Go straight across that town Devil woman, devil woman you do sa do Grand right and left then Your corner do sa do your partner left **Promenade, go ALL THE WAY 'ROUND You'll want to dance with her exclusively Let's make an allemande thar Don't leave me alone, I want to go home Don't tell me sweet words The men you'd better star ""NOTE: It is important that the caller emphasize If you don't mean them Slip the clutch turn the corner left this line for there is ample time allowed to do Unless you do don't sweetheart me Go all the way around a full promenade. Bill changes this line the FIGURE Walk right by a brand new corner first time thru as follows: "Promenade, it's A Heads to the right and circle four there Promenade the next one down the LONG PROMENADE." Make a line move up and back—star thru O hi o you're gonna swing her back in SEQUENCE. Dance four times thru Right and left thru and when you turn 'em Ohio Double swing thru and if you do ENDING: You'll find a balance Join your hands circle left DON'T FENCE ME IN Square thru three quarters You're gonna move it all the way 'round the ring By Bob Wickers, Ballwin, Missouri Your corner promenade so happily And when you're home Record: Hi-Hat 336, Flip Instrumental with Don't tear my heart like it was paper Four ladies chain across and don't you dare Bob Wickers And if you do don't sweetheart me get lost OPENER, MIDDLE BREAK, ENDING (More complicated filler) Chain 'em right on back again And now we'll all circle left Four ladies chain and you turn 'em Well, goodness turn the boss Under starry skies above Head ladies chain back home and then Your corner do sa do Don't fence me in You dixie chain 'em you each turn left and Your partner left let's make an allemande thar You can walk around your corner Sides pass thru left allemande The men, you'd better star See saw the one you love Grand right and left Slip the clutch left allemande Left allemande and then weave the ring 'Til you meet with a do-sa-do Go right and left grand Full around in the evening breeze Then it's side by side home you go Hand over hand until you meet her Do sa do underneath the cottonwood trees Don't give me that sweet talk promenade again Promenade forever, but I ask you please If you don't mean it Down by the 0 hi o ... you're gonna bow Don't fence me in Unless you do don't sweetheart me back in 0 hi o FIGURE SEQUENCE: Opener, Figure twice for heads, SEQUENCE: Opener, Figure twice with heads, And now the heads square thru Middle break, Figure twice for sides, Ending Middle break, Figure twice with sides, Ending

It would be interesting to know just how many readers start at the back of Sets in Order and work forward. "Somehow, start- ing each month with a Grundeen cartoon sets things off just right for us" is the feel- ing evidently shared by quite a number of SIO readers. Actually our cartoonist, Frank Grundeen, was one of the reasons that we started Sets in Order 19 years ago. He's been with us ever since, with his own par- ticular brand of square dancing humor gracing the back of each issue. Frank is a regular square dance enthusiast, and has been for more than 20 years. He and his wife, Ethel, are charter members of the Beverly Hillbillies club and many of you will regularly enjoy Frank's other contribu- tions, as Walt Disney artist for the daily Donald Duck comic strips.

You think this is cozy — wait till he calls his "seven to the center, circle one."

57

EASY WAY The old home town of mine Swing with Felina from ol' El Paso By Chuck Raley, Lakewood, California Eight more miles to Louisville SEQUENCE: Opener — Figure heads, Figure sides Record: MacGregor 1086, Flip Instrumental with It's comin' into view — Middle Break — Figure sides, Figure heads Chuck Raley Eight more miles down the road "*Note to Callers: The line marked (*) in both the OPENER, MIDDLE BREAK, ENDING I'll never more be blue break and the figure is optional. You will note Four ladies chain, turn 'em left around FIGURE when listening to the vocal side of the record that Chain them ladies back, turn the girl you found Heads promenade half way around Ernie uses it on some choruses but on the others Join hands and circle, go walking 'round the ring And side ladies chain he omits it and holds the previous note. Left allemande and weave around the ring Heads to the middle The easy way is the system I use Do-sa-do go all the way around Do sa do and promenade and throw away the You spin the top in the middle you do EL PASO blues And when you're set to go Dance by Ralph Silvius, Modesto, Calif. Forget about tomorrow, start a brand new day * *Well turn thru Record: Longhorn LH-158, Flip Instrumental with Love 'em and leave 'em, that's the easy way Star by the left Ralph Silvius FIGURE With the sides around you go INTRO, MIDDLE BREAK, ENDING Side ladies chain, turn 'em left around Go all the way around Join hands and circle round that old ring Head two lead to the right and circle 'round the Men turn around and you go left allemande Left allemande do-sa-do around your own town Pass by one swing and whirl (do-sa-do) Four men star left one time around Head gent break and make a line, go walking up Then promenade the land Star promenade and walk along with your own and back I knew some day that I'd come back Back out a full turn and four ladies chain Slide thru and do sa do, go full around the track I knew it from the start Chain 'em right back and promenade - Swing thru go two by two, and then a catch all Eight more miles to Louisville When we get back down to Rosa's cantina eight The hometown of my heart Swing with Valenia from old El Paso First by the right, back by the left, roll * *Box the gnat pull 'er by FIGURE: promenade Start left around you go Heads (sides) promenade half Forget about tomorrow, start a brand new day SEQUENCE: Opener, Figure twice for heads, Way round on the outside Love 'em and leave 'em that's the easy way Middle Break, Figure twice for sides, Ending Right and left thru SEQUENCE: Opener, Figure twice heads, Middle Turn 'em twice keep in time break, twice for sides; Ending Here's where you square thru Love 'em and leave 'em, that's the easy way TAG: EL PASO Four hands around If slide thru is not used in your area, use star thru By Ernie Kinney, Cantua Creek, California Split two go around one Record: Hi-Hat 314 — Flip Instrumental with Get four in line 8 MORE MILES Ernie Kinney Forward back and star twirl you do By Bill Ball, Torrance, California OPENER, MIDDLE BREAK Swing that old corner Record: Windsor 4872, Flip Instrumental All four ladies chain, go straight across the ring You know her promenade her with Bill Ball Take your time, chain 'em back, turn a girl and When we get back down to Rosa's cantina OPENER, MIDDLE BREAK, and ENDING then Valenia will swing All four ladies star by the right Ladies center, back-to-back, men go round the And Valenia will whirl Full around that square track SEQUENCE: Figure heads twice, Middle break, Turn a partner by the left It's back home you go and do a Do-Paso Figure twice sides, Ending Do-sa-do with the corner there Partner left, corner by the right, partner left and Alternate Patter: Come back home then Dark as the night were the eyes of Valenia Box the gnat pull 'er by I say Roll promenade her back home * A girl from I fell in love with that beautiful girl Left allemande go forward two Mexico Dark as the night were the eyes of Valenia Go right and left that way Promenade along — Swing twice with Felina I want to swing with this beautiful maid Turn back one pull 'er by and At Rose's Cantina in ol' El Paso You go left allemande FIGURE Do-sa-do with your partner Heads promenade, go half way around EVERYBODY LOVES SOMEBODY SOMETIME Then promenade the land Star thru, a right and left thru, turn the girls By Ron Schneider, Olmsted Falls, Ohio "She's the kind that you can't find around Record: Grenn 12090, Flip Instrumental with A ramblin' thru the land Square thru three hands, three hands around in Ron Schneider I'm on my way this very day time Join your hands and circle round that ring now To win her heart and hand Split two, go round one and stand four in line Everybody loves somebody someh6w ALTERNATE Star thru, Frontier whirl, swing that corner maid Walk around your corner *From Portland east to Portland west Left allemande new corner, promenade, *A girl Come home a do-paso Back along the line from Mexico Corner right your partner left you know I'm goin' back to the place that's best Promenade along to Rose's Cantina (go allemande thar) dy. From in The Floor

AN YOU IMAGINE AT ONE TIME, when we were starting to publish Sets in Order, C we felt we'd be lucky if we had enough material to keep us going the first year? Today our big problem is to find room in the 80 pages of the average size to include all the many happenings in the world of square dancing. The headings ROUND THE here are just a few you have become accustomed to as a Sets reader. Letters to the editor (From the Floor) and Vox Saltadore are favorites, for here square dancers have an opportunity to express opinions on their pet subjects. Round the World of Square Dancing puts a spot light on square dance happenings every- W1ALD where. The Walkthru devotes four pages each issue to dancer needs, club help, of SQUARE DANCING and association inspiration. All of the features in Sets in Order deserve a part in ----> this special twentieth-year yearbook. Those with items of special interest should send them to NEWS EDITOR, Sets in Order, 462 North Robertson Boulevard, Los Angeles, Calif. 90048. Letters will be read and appreciated although time may not allow the per- INTERVIEW sonal acknowledgement of each one.

58 Men back in you got a right hand star now GIVE MY REGARDS TO BROADWAY Promenade, ain't she sweet, will she ride in a Shoot that star By Frank Lane, Estes Park, Colorado rumble seat Next girl you box the gnat Record: Scope #505, Flip Instrumental with When you're home, swing for me, like the good (pull her by) Frank Lane old days Allemande left your corner FIGURE OPENER, MIDDLE BREAK AND CLOSER Come back a do-sa-do One and three go to the right, Promenade keep walking round you go Opener, middle break, ending There you circle four One and three you wheel around Left allemande your corner Make a line, rock and then, Star thru do-sa-do Promenade to Heralds Square Pass thru across the floor Make an ocean wave you know Now the girls roll back one man Wheel and deal, Swing thru And promenade right there Center two, do-sa-do across from you Rock it up and back all eight circulate Then the heads you wheel around Make an ocean wave, balance, Star thru Frontier whirl And do the right and left thru And then swing thru A line of four go forward and back And now the girls snap-a-roo (star thru) Box the gnat, pull by, go left allemande Pass thru wheel and deal And the inside arch and dive thru Pass one, swing the next, promenade the land Centers square thru Pass thru left allemande ,When you say, "Oh You Kid," you're talkin' like Three quarters round the corner lady swing Come home with a do-sa-do your grand-dad did ""Promenade her home Do-sa-do and promenade Promenade down lovers lane, like the good old Around the ring you do Give my regards to old Broadway days ... *I've searched for a girl like you And tell 'em I'll soon be there Tag Ending: Talk ..."Oh You Kid" ALTERNATE FIGURE SEQUENCE: Opener — Figure twice for heads - **Promenade her home You walk around your corner Break, Figure twice for sides — Ending. Around the ring somehow Turn your partner left tonight Everybody loves somebody now The two side ladies chain to the right "I could love a girl like you And turn hold her tight I've wanted a girl just like you While the head two do a half square thru HAPPY SQUARE DANCE WAY SEQUENCE: Figure four times thru And face the sides you know By Ron Thornton, Le Grand, California Then do-sa-do go full around Record: Top 25121, Flip Instrumental with Make an ocean wave you know Ron Thornton Boys circulate girls trade OPENER, MIDDLE BREAK, ENDING Then go right and left thru FINDERS KEEPERS Allemande left your corner, let's do a grand By Bruce Johnson, Santa Barbara, California Pass thru swing the next Sashay Then promenade her too Do sa do your partner, right hand pull by that way Record: Windsor 4850 Give my regards to old Broadway See saw the next little girl, left hand pull by INTRO, BREAK, CLOSER And tell 'em I'll soon be there Do sa do the next one, keep goin' I'll tell you why SEQUENCE: Opener, Figure twice for heads, (Heads) (Sides) Cross-trail thru but U-turn back Gonna' have a happy, cotton pickin' square dance Middle break, Figure twice for sides, Ending I say (star thru) When you meet your own, home you go Pass thru and circle just half way promenade Dive thru, square thru three quarters round GOOD MAN IS HARD TO FIND * When the banjo starts to play, you'll want to Left allemande and weave around the town By Bob Brundage, Danbury, Connecticut swing and sway Finders keepers, losers weepers Record: MacGregor 1092, Flip Instrumental with In a happy cotton pickin' way. Do sa do and promenade the one you find Bob Brundage FIGURE Losers weepers, finders keepers FIGURE Head couples lead to the right and circle to a line You lost her, I found her now she's mine Four ladies chain three quarters do Without a stop, right and left thru, just keep in FIGURE Four ladies chain once again three quarters too time Left allemande and turn your partner right And now the head (side) two couples Do sa do to an ocean wave and then rock up and Men move in, a left-hand star tonight Move up to the middle and back back (Turn) Partner right and then left allemande Square thru about four hands Swing thru and when you do, you box the gnat, Pass your own, box the gnat, ladies walk inside Around the inside track HANG ON the track Then a right and left thru A right and left thru and turn your gal, Finders keepers, losers weepers And turn 'em too Hey! then you crosstrail Swing the same lady, promenade in time Then dive thru pass thru To the corner go, left allemande come back one (swing the lady with whom you did the And do a left swing thru Promenade go round that ring, when you get back "box the gnat") You balance you do home you swing Losers weepers, finders keepers Another left swing thru In a Happy Cotton Pickin' Way. You lost her, I found her now she's mine And do the allemande left your corner ENDING Do sa do your own *When the boys all start to play, you'll want to Swing your corner man around swing and sway And promenade home The cotton pickin', foot stompin', finger lickin', Because a good man nowadays Happy Square Dance Way FOUR LEAF CLOVER Note: The grand sashay is cued the first three times By Bob Brundage, Danbury, Connecticut Is hard to find MIDDLE BREAK only, the dancers are left on their own to finish it. RECORD: MacGregor 1096, Flip Instrumental with Left allemande do a do sa do SEQUENCE: Bob Brundage Men star left one time you know Opener, Figure twice heads, Middle break, Figure OPENER, MIDDLE BREAK, ENDING Home you go and do sa do twice sides, Opener, with ending from * And to your corner go Well now you allemande left your corner Allemande left your corner Do sa do your partner Grand right and left you go And with your corner girl you star thru Hand over hand till you meet your pet HAPPY TRACKS Join eight hands and circle to the left You box the gnat go the wrong way By Chuck Raley, Lakewood, California Go round the ring Grand right and left Record: Windsor #4873, Flip Instrumental Four ladies roll away and When you meet the same guy with Chuck Raley Weave around that ring You pull right on by OPENER, MIDDLE BREAK, ENDING Out and in till you greet her and when you And do the allemande left your comer Four ladies chain straight across you go meet her Do sa do your own Send them back, turn her by the left You swing that pretty little girl and promenade Swing your partner round and round Do a do paso, her by the left, Cause I'm looking over a four leaf clover And promenade home Corner by the right, partner allemande thar That I overlooked before Because a good man nowadays is hard to find Boys back down the line now FIGURE SEQUENCE: Figure twice with heads, Middle You've got a right hand star Head two couples square thru four hands around break, Figure twice with sides Slip the clutch, left allemande And with the sides you make a right hand star Do a right and left grand Heads back to the middle with a left hand star Hand over hand around and promenade the land It's once around you go GOOD OLD DAYS Leave a lot of happy tracks Back to the same two right and left thru And keep this in mind Then you dive thru square thru three hands By Ernie Kinney, Cantua Creek, California Hi-Hat 337, Flip Instrumental with Others got to follow around Record: Ernie Kinney In the path you leave behind Swing that corner girl and promenade* FIGURE Cause I'm Looking over a four leaf clover OPENER, MIDDLE BREAK AND ENDING Head two couples circle That I overlooked before All four ladies chain across, turn 'em while I sing Three quarters round you go Tag ending Join hands, circle left, move around the ring Pass thru, do sa do, full around you know But I won't overlook her anymore Allemande left that corner, allemande right your Swing thru go two by two "If dancers are behind the figure substitute own Balance up and back With the corner box the flea and promenade Go back three, left, right, then left allemande Girls trade, boys trade, then box the gnat SEQUENCE: Opener, Figure twice with heads, A grand ol' right and left, like the good old days Pull her by left allemande Middle break, Figure twice with sides, Ending Meet your girl, do-sa-do, full around, I say Do sa do your own at home

59 Swing and whirl with the corner girl Circle round the ring, roll away I FEEL BETTER And promenade her home Then join your hands and circle again By John Hendron, Framingham, Massachusetts Leave a lot of happy tracks You roll away and weave the ring Record: Longhorn 157 — Flip Instrumental with And keep this in mind Why ... don't ... you ... John Hendron Others got to follow Steal a little bit of honey OPENER, BREAK AND ENDING In the path you leave behind But watch her stinger sonny Four little ladies promenade TAG: Do sa do and do a left allemande once around inside the ring Others got to follow Come back and promenade that honey bee Well get along home, swing and whirl your man In the path you leave behind Buzz buzz around with me Allemande the corners all turn a right hand round SEQUENCE: Opener, Figure twice for heads, Why the honey that drips from her sweet lips your own Middle break, Figure twice for sides, Ending Is worth a sting to me The men star by the left, go once around the ring FIGURE Turn your partner by the right, that corner Honey bees you promenade allemande Go inside the ring Come on back and promenade with me HEARTACHES Come back and swing ... and the men I feel better all over more than anywhere else By Joe Prystupa, Feeding Hills, Mass. Star left go once around And that's exactly how I feel Record: Top 25119 Pass by pick up the next FIGURE Allemande left in the alamo style Star promenade that honey bee First and third square thru Right to your own and balance awhile Why ... don't ... you ... four hands round the ring will do Swing thru, turn right and left you balance Wheel full around and girls All the way around and right and left thru right there Star right across the world the outside couple there Swing thru, turn right and left you balance You turn 'em left and corner, box the gnat Do-sa-do make an ocean wave, balance once again Come back and (pull by and) forward-back I say You box the gnat, you pull her by Promenade that honey bee All eight circulate and do a right and left thru Left allemande, grand right and left Buzz buzz around with me (You're gonna) dive thru, pass thru, swing your Sing heartaches heartaches Why the honey that drips from her sweet lips corner maid You do-ca-do then promenade that gal so true Is worth a sting to me Left allemande, come back and promenade You promenade home with that gal so blue TAG: Hi-diddle-de-de, Hi-diddle-de-de, I'm as happy Cause my heart aches for you. Don't get your stinger out as can be FIGURE Just swing me honey bee That's exactly how I feel Head couples half square thru SEQUENCE: Opener, Figure twice, Middle SEQUENCE: Opener, Figure twice heads, Break, Circle up four the outside two break, Figure twice, Ending Figure twice sides, Ending. You break and make a line dance up to the middle and back Pass thru now wheel and deal double pass thru Cloverleaf a brand new Sue HOUSTON I NEVER KNEW And center four square thru By Al Brundage, Stamford, Connecticut Three hands around you swing that corner girl By Beryl Main, Aurora, Colorado Record: Wagon Wheel 302 Record: Windsor 4851, Flip Instrumental with Left allemande come back and promenade that OPENER, BREAK Al Brundage town Circle left and around you go, left allemande, INTRO, BREAK & ENDING You promenade home with someone new cause Four ladies promenade go 'round the inside ring my heart aches for you come home and do sa do The men star right, go walking round that land now Left allegande and you weave that old ring Come on home swing the one you know I've got holes in both of my shoes, do sa do and Join hands circle left and ya go left allemande then you swing her too Get home again and do a do sa do HENRY THE EIGHTH You swing her round and do an allemande Men star left, home and box the gnat By Earl Johnston, Vernon, Connecticut Come back and promenade that old land Pull 'er by, left allemande and promenade your Record: Grenn 12077 Promenade to Houston, Houston, Houston pet, oh OPENER, BREAK, CLOSER FIGURE I never knew I could love anybody Four ladies chain you do, turn the girl and you're Four ladies chain, across you know, star right Baby like I'm lovin' you not thru back and do a do paso FIGURE Do sa do the corners all, see saw your pretty Your corner right and turn your partner left Head couples lead to the right, circle to a line little taw The men star right, go walking round that old set Forward eight and back again you go, (pass thru) Four men star by the right, three-quarters round Left allemande and do a right and left grand Move on to the next, do sa do, once around and the land Go in and out and around that land then Allemande left your corner, and do a right and Do sa do and then your corner swing Slide-thru, star thru, right and left thru and then left grand And then you promenade that old ring Cross trail thru, your corner girl you swing Oh! I'm Henry the Eighth I am, Henry the Eighth Going back to Houston, Houston, Houston Left allemande, come on back to promenade the I am, I am ALTERNATE VERSE ring Do sa do your pretty little maid, same girl you I got a girl waiting for me, do sa do and then I never knew I could love anybody promenade you swing her you see Baby like I'm lovin' you Her eighth old man is a Henry, she never had a SEQUENCE: Opener, figure twice, break, figure SEQUENCE: Intro, Figure twice for heads, Middle Willie or a Sam twice break, Figure twice for sides, Closer I'm her eighth old man named Henry, Henry the eighth I am FIGURE Side ladies chain you do, head two couples star I THANK MY LUCKY STARS IDEAS thru By Andy Andrus, Port Arthur, Texas By Chip Hendrickson, Ridgefield, Connecticut Same two California twirl, circle four on the side Record: Blue Star 1773 of the world Record: Top 25137 — Flip Instrumental with OPENER, BREAK and CLOSER Head men break to a line of four, go up to the Chip Hendrickson Do an allemande left like a Daisy chain, go middle and back OPENER, BREAK, ENDING forward two and then Cross trail a left allemande, and weave around Allemande left the corner and you weave the ring Right and left and turn back one, right hand the track "I Get Ideas, I Get Ideas" around again Oh! I'm Henry the eighth I am, Henry the eighth Meet your partner box the gnat I am, I am and then you weave on back Go forward two with a left and right, turn back Do sa do with the widow next door, get your The wrong way around until you meet again one and then corner promenade You box the gnat now, and then you do-sa-do Like an allemande Thar the gents back up and Her eighth old man was Henry, she never had a All the way around, left allemande and then make a right hand star Willie or a Sam Come back and promenade her, I know Then slip the clutch, skip one girl, and you go I'm her eighth old man named Henry, it's Henry Long way back home, you take that lady along left allemande the eighth I am with you Come on back and swing and whirl, then CAUTION CALLERS: The break looks and sounds FIGURE promenade the land easy but it can be quite a challenge for the The head two couples square thru three quarters If I seem a little bit too much in love it's true men to star right three-quarters Then promenade three quarters more I thank my lucky stars that I found a girl like you Side two couples star thru and square thru FIGURE Four hands around until you meet the head two Four ladies chain, then you turn that pretty thing Circle four hands round now, exactly once around Roll away and circle left, go walking round HONEY BEE And then left allemande, and walk on by just one the ring By Red Warrick, Kilgore, Texas Oh promenade the next one, you know Head gents and a brand new girl, go forward Record: Longhorn #162, Flip Instrumental Long way back home, you take that lady along up and back with Red Warrick with you Star thru, pass thru and star thru again OPENER, MIDDLE BREAK, ENDING SEQUENCE: Opener — Figure heads, Figure sides Then cross trail thru left allemande, then walk Chain the ladies, — Break — Figure sides, Figure heads — Ending on by your maid Four ladies chain across the ring — Tag Swing the right hand lady, and then you Turn 'em left and join up hands TAG: And say thank you to your own promenade

60 We'll get back home and swing a while, then LET ME CALL YOU SWEETHEART LITTLE PEDRO you'll know it's true By Joe Lewis, Dallas, Texas By Ernie Kinney, Cantua Creek, California I thank my lucky stars I found a girl like you Record: J Bar L 5009, Flip Instrumental with Record: Hi-Hat #352, Flip Instrumental SEQUENCE: Opener, figure twice for heads, Joe Lewis with Ernie Kinney break, figure twice for sides, closer OPENER, MIDDLE BREAK AND CLOSER OPENER, MIDDLE BREAK, ENDING Ladies chain three quarters Join hands circle south of Texas Turn them left and roll away Go all the way around until you're home A new girl swing and promenade her Do-sa-do your corner IT'S LIKE HAVING YOU AROUND To the music sway Then see-saw your own Dance by Johnny Creel, Metairie, Louisiana Gents turn back allemande right and left grand Four men star right Record: LORE 1090, Flip Instrumental with Promenade two by two It's once around you roam Johnny Creel Let me hear you tell her Left allemande you weave the ring now OPENER, MIDDLE BREAK, CLOSER I love to dance with you If you see Rosita where you go Join hands and circle to the left FIGURE Promenade the Senorita and tell her Go round that ring Gents promenade when you see your maid Little Pedro's dancin' down in Mexico Left allemande Do sa do swing that corner girl •FIGURE Come home a do sa do Heads to the right and circle One and three promenade go half way Men star by the right To a line unfurl Turn to the center with a You turn it once around that town Move it on up and back square thru now Right and left thru Left allemande that corner Three hands and promenade by twos Now square thru I say Then weave the ring you know Let me hear you tell her Four hands around that way It's like having you around I love to dance with you Go right and left thru and There is no in between *Alternate Tag Lines: All the ladies roll away Do sa do and promenade that town Let me hear you whisper Pass thru turn back then you swing her I'm trying to forget you I'm in love with you Left allemande new corner promenade Since you turned me down SEQUENCE: Opener, Figure twice for heads, Mid- Senor-Senoritas—please tell her I'm so miserable without you dle Break, Figure twice for sides, and Closer. Little Pedro's dancin' down in Mexico It's like having you around SEQUENCE: Opener, Figure twice with heads, FIGURE: Middle break, Figure twice with sides, Ending Head two ladies chain to the right Turn that girl around New head ladies chain LET THE REST OF THE WORLD GO BY Across that town By Andy Andrus, Port Arthur, Texas One and three go up and back Record: Blue Star 1784, Flip Instrumental with LOVE IN THE COUNTRY Half square thru Andy Andrus By Beryl Main, Denver, Colorado Across that track OPENER, BREAK, ENDING Record: Wagon Wheel 303, Flip Instrumental with Swing thru the outside two Join hands make a ring and circle left go round Beryl Main Then you spin the top Allemande left your corner, come back and OPENER, MIDDLE BREAK Right and left thru and turn that girl do sa do Walk all around your corner, come back, do a Crosstrail that town The gents star left, it's once around you go do-pas-so Swing that corner girl and promenade Turn your partner by the right, allemande that Turn your partner left, corner by the right partner I'm trying to forget you corner girl, left you go Since you turned me down Then you'll weave around that ring, it's in and You make an allemande thar, the men back in and I'm so miserable without you out you go, back right down the line It's like having you around. When you meet that lady, promenade, Why, slip the clutch, left allemande and weave on SEQUENCE: Opener, Figure heads twice, Middle With someone like you, a pal good and true, down the line break Figure sides twice, Closer I'll let the rest of the world go by. Makin' love in the country, do sa do, then FIGURE promenade The head two ladies chain, and turn that girl Why, man, you'll be dreaming of of mine All the birds and bees, and flowers and trees 'Til you're up to your knees in love! IT'S TRUE One and three lead to the right and circle to a line FIGURE By Tommy Stoye, San Diego, Calif. Without a stop pass thru and then you wheel and Then all four ladies chain, go straight across the Record: MacGregor #1098 — Flip Instrumental deal ring with Tommy Stoye A double pass thru, do a clover leaf you do Heads (sides) promenade, go now, halfway round OPENER, MIDDLE BREAK AND ENDING Center four square thru, three quarters round the ring Join your hands and you circle left now you do Go to the right, gonna circle up four, make a line Walk all around your corner turn partner by Swing that corner lady, promenade for me the left In our sweet little nest, somewhere in the west Go up to the middle and come on back, and star Four men star by the right go one time you go We'll let the rest of the world go by. thru you see Allemande left that corner then weave the ring (PROMENADE PATTER FOR FIGURE) We'll find perfect peace, where joys never cease Do an eight chain three, you swing your corner you go You swing her there, then promenade Move in and out until you meet your darling And let the rest of the world go by. Why, man, you'll be dreaming of do-sa-do All the birds and bees, and flowers and trees And then you promenade now be sure it's true 'Til you're up to your knees in love! when ENDING You say that I love you it's a sin to tell a lie Head couples square thru, four hands around FIGURE LITTLE BIT OF SUGAR you go Two and four up and back By Lee McCormack, San Diego, California When you meet your corner, eight chain seven, Then do right and left thru Record: Hi Hat 328, Flip instrumental with here we go First and third lead to the right and circle up four Lee McCormack There's a covered bridge at Cripple Creek, where Break out and make a line OPENER, MIDDLE BREAK, CLOSER the horses always stop All four ladies promenade, go full around for fun And move it up and back When you meet your partner, swing, 'cause that's You pass thru with a wheel and deal then You box the gnat, the men star left one time where Mom met Pop Right hand turn your partner, then left allemande substitute Left allemande, then do sa do now, and Do a do-sa-do you're going to swing thru Come back one, do sa do, then weave around promenade, go round the ring Box the gnat pull by and the corner promenade the land Why, man, you'll be dreaming of So be sure it's true when you say that I love you Oh, a little bit of sugar makes the medicine All the birds and bees, and flowers and trees It's a sin to tell a lie go down 'Til you're up to your knees in love! Tag Ending: Smile as you go round, then do sa do around SEQUENCE: Opener, Figure twice for heads, Now, walk around that corner come home Now promenade your honey, take a walk around Middle break, Figure twice for sides, Ending. and swing your own it's a sin to tell a lie the town SEQUENCE: Opener — Figure twice for heads - It's a most delightful day Break — Figure twice for sides — Ending FIGURE (Twice with heads, twice with sides) Note: On the swing through—do not have dancers (Now) One and three right and left thru, the rock on the end of the swing thru — continue into side two ladies chain MICKEY'S TUNE the box the gnat — with a pull by to the corner One and three do sa do for me By Wally Schultz, Janesville, Wisconsin promenade — this works out to be much better Ocean wave and rock it, (Do a) swing star thru Record: Top 25128, Flip Instrumental with timing. Then eight chain thru along the line, I'll sing Wally Schultz along with you OPENER — BREAK — ENDING Oh, a little bit of sugar makes the medicine Join your hands and make a ring go down Circle to the left and hear me sing Find the corner lady and you swing her once Allemande left and promenade around One and three just wheel around Then promenade this curie, take a walk around Two ladies chain with the two you've found the town Send 'em back Dixie style It's a most delightful day And make an ocean wave,

61 Go up and back, and pass thru "Nobody knows ya when you're down and out" Pass by one promenade the next Allemande left that corner Sue SEQUENCE: Intro; figure twice for heads; break; Go round the land Promenade, go all the way around figure twice for sides; * 4 bar tag ending. So you've got a new girl Take her home and settle down. Well I've got three *Seems just like a night in June Oh! happy lucky me Walking on a honeymoon FIGURE Swing that gal around to NO MORE NO LESS Head two go right and left thru Mackey's Tune. By Dick Houlton, Torrance, California Turn your lady fair Alternate" Record: Hi-Hat 344, Flip Instrumental with Sides promenade go half way round the square Promenade beneath the moon Dick Houlton In the middle you square thru Take her home and while you croon OPENER, MIDDLE BREAK, and ENDING Four hands around you know Swing that gal around to All four men star by the right Get full around Mickey's Tune. Once around the ring tonight And right and left thru you go FIGURE Find your corner, allemande left Roll a half sashay Head ladies (side ladies) chain across that way Come home, swing your pet Turn thru across that way Then roll away with a half sashay Promenade, go single file Allemande left new corner Star thru (slide thru) and circle four Ladies lead, watch 'em smile And promenade I say Make a line, without a stop Men step out (do a) backtrack She's got dimples and Go right and left thru and turn 'em pop Meet partner, box the gnat Blue eyes she's lovely to see Forward up and back you sail Grand or right and left, I guess Ohl happy lucky me Then cross trail thru Meet your girl do-sa-do, she's your best SEQUENCE: Opener, Figure twice for heads, Now the men star right and girls promenade Promenade her home I must confess Middle break, Figure twice for sides, Ending Twice around and pass your maid You ain't a gonna dance no more ... no less Turn the next with a left hand swing FIGURE Roll promenade that ring One and three go up and back OH LONESOME ME About three steps you're back at home Square thru round the track Dance by Bob Tripp, San Jose, Calif. Swing and whirl she's like your own Four hands is what you do Record: Windsor 4863, Flip Instrumental with Swing that gal around to Do-sa-do in front of you Bruce Johnson, Santa Barbara, Calif. Mickey's tune. An ocean wave, rock in time INTRO and MIDDLE BREAK SEQUENCE: Opener — Figure twice for heads - Swing thru along the line Left allemande the corner Break (using 2 and 4) — Figure twice for sides The boys run, here's the deal Go right and left I say — Ending. Everybody wheel and deal Turn back one and box the gnat Your corner swing ... I guess Do sa do that way Left allemande (then you) Four ladies promenade inside Promenade your best Once around and then A long walk home I must confess NEW MOON Turn partner by the right You ain't gonna dance no more ... no less By Wayne West, Anaheim, California All the way to the corner friend Record: Windsor #4880, Flip Instrumental TAG ENDING Left allemande the corner with Wayne West I said ... no more .. no less And you weave the ring ya know OPENER, MIDDLE BREAK, ENDING SEQUENCE: Opener, Figure twice for heads, Weave in and out Middle Break, Figure twice for sides, Ending Join your hands circle left When you meet do a little do sa do Go round the ring now Back to back and then Left allemande go forward two and then Left allemande that corner she Turn back one and box the gnat Promenade oh lonesome me Change hands make an allemande thar FIGURE: The men back up you know NO TEARS MILADY By Ernie Kinney, Cantua Creek, California When you get home the heads swing Slip the clutch left allemande Sides go right and left thru Grand right and left you go RECORD: Hi-Hat 349, Flip Instrumental with The heads promenade about half-way When you meet your lady do-sa-do Ernie Kinney OPENER, MIDDLE BREAK, and ENDING One and three lead to the right And promenade And circle to a line 'Cause there's a new moon over my shoulder All four ladies chain across That line of four And an old love deep in my heart And turn her there Forward up and back bend the line FIGURE Join hands, circle left Go right and left thru One and three cross trail you turn back Go round the square Tutn on back and do a little dixie chain Half square thru make an ocean wave Roll away, circle left Ladies turn left and walk Spin the top and when you do Is what you're gonna do Gents turn right Another wave when you're through Roll away, weave the ring I promise you Allemande left that gal *(All eight fold) That there'll be no tears milady (Ladies be sure to move after turning And do a right and left thru Docey your baby left. The man with whom you do the Pass thru wheel and deal Left allemande, then promenade somehow left allemande is not the man who is Center four pass thru No tears milady no tears milady following you in the dixie chain.) Allemande left pass your own We're back together now Promenade somebody new We'll swing and whirl somehow Pass your own 'Cause there's a new moon over my shoulder FIGURE Promenade the next you see And an old love deep in my heart One and three go in and back and whirlaway Oh lonesome me "(Box the gnat) Turn thru, separate round one that way OPTIONAL CLOSER: SEQUENCE: Opener, Figure twice for heads, In the center, circle four Swing your partner 'round and 'round Middle break, Figure twice for sides, Ending Go welkin' round you know Men make a left hand star Roll away, right hand star Go once around 'til ya meet that lady To that corner go Turn her by the right where you are Allemande your corner docey your partner Left allemande the corner Go back and swing the corner Turn partner right you see NOBODY KNOWS YA Promenade somehow Girls move in to a left hand star Called by: Bruce Johnson No tears milady no tears milady Once around for me Dance by: Ed Gilmore We're back together now When ya meet that man do sa do Record: Windsor 4852 We'll swing and whirl somehow Go all the way and then INTRO & MIDDLE BREAK SEQUENCE: Opener, Figure twice for heads, Left allemande and ya come back one Join hands and circle left around that ole ring Middle break, Figure twice for sides, Ending Promenade my friend — Turn the corner under, bow and you swing You've got your own but me I'm fancy free The men star left, once around this land Oh lonesome me Box the gnat, change hands, left allemande SEQUENCE: Opener, Figure heads twice, Middle Grand right and left 'round the ring you will go Break, Figure sides twice, Closer Meet your lovin' baby, back-to-back, do-sa-do OH! HAPPY LUCKY ME Promenade her home to the message I shout By Bailey Campbell, Allen, Texas "Nobody knows ya when you're down and out" Record: Longhorn #163, Flip Instrumental FIGURE with Bailey Campbell Heads (sides) Promenade, but only go half-way OPENER, MIDDLE BREAK, ENDING OLD BLACK MAGIC — Square thru, four hands and don't delay (you) Four ladies chain three quarter round By Bill Peterson, Livonia, Michigan Face the nearest side (head) and do the right and Join your hands circle left Record: Hi-Hat 339, Flip Instrumental with left thru Go welkin' round Bill Peterson Dive thru and circle four — one time'll do (and Allemande left the corner OPENER, MIDDLE BREAK AND ENDING when you're) Turn partner by the right Now all circle left there's magic tonight Straight, pass thru, swing-thru the couple there Four men star left You allemande left turn your partner by the right Boys trade and then, promenade 'round the Go once around tonight Four ladies promenade inside that old land square (ya know it's) Same girl turn by the right Box the gnat and go right and left grand Mighty strange but without any doubt Your corner allemande Those icy fingers up and down that line

62 Do-sa-do go full around in time ONE OF THOSE SONGS Turn the girl head two ladies chain Promenade the set you will sure to get By Wayne West, Villa Park, California Well heads pass thru round just one you're That old black magic called love Record: MacGregor 1088, Flip Instrumental with gonna do FIGURE Wayne West Into the middle swing thru and then *turn thru The heads (sides) promenade half way round OPENER, BREAK, CLOSER Allemande that corner do-sa-do with the next one the floor Allemande your corner turn a right hand round Same lady promenade The sides (heads) star thru pass thru circle four your own Poor little robin walkin' walkin' walkin' to Make a line go forward and then you back away All four girls star by the left go once around Missouri A right and left thru turn and pass thru I say you know He's got a teardrop in his eye Now wheel and deal Home you go do sa do, turn to the corner man SEQUENCE: Opener — Figure twice for heads - Centers square thru three hands Star thru and circle to the left go walkin' round Break, Figure twice for sides — Closer. Swing the corner lady and then left allemande the land 'TURN THRU: Designated people turn the person Promenade along help me sing this song Why don't you whirl away, in front (or opposite) a right forearm grip one That old black magic called love Grand right and left around the ring you go half way around then pass thru. It equals a SEQUENCE: Opener — Figure twice for heads - When you meet your own promenade "U" turn back. In this dance just the active line Break, Figure twice for sides — Ending Yes, you promenade home with that girl you doing the swing thru will turn thru. The in- adore active couples are not involved in the turn thru. Singing one of the wonderful songs._ FIGURE Four ladies chain to your opposite man OLD PINE TREE Head (side) couples pass thru go round one and RACE IS ON By Ralph Sweet, Hazardville, Connecticut then, RECORD: Top 25146, Flip Instrumental with By Jerry Haag, Cheyenne, Wyoming In the middle pass thru — star thru with the Ralph Sweet Record: Wagon Wheel 204, Flip Instrumental outside pair OPENER, MIDDLE BREAK, and ENDING with Jerry Haag Dixie style to an ocean wave, rock it right there Allemande left your corner Men trade left allemande you walk by your own OPENER, MIDDLE BREAK, and ENDING Come home and box the gnat Swing the right hand lady — promenade Pull by corner lady box the flea All four ladies promenade, once around you go Yes you promenade home with that girl you adore Turn your partner right, a full turn Four ladies make a right hand star Singing one of those wonderful songs Turn it all the way around Make a wrong way thar you know TAG ENDING Left hand in, men back up Same man left allemande Singing one of those wonderful songs Come home and do-sa-do On down the line, get ready now SEQUENCE: Opener, Figure twice for heads, Throw in the clutch, three times around Allemande left again, weave around the ring Break, Figure twice for sides, Closer Meet your honey promenade and sing Now the race is on They made a coffin of pine We're going down the back stretch For that sweetheart of mine My gal is running on the outside When they cut down the old pine tree When you meet, do-sa-do FIGURE OPEN UP YOUR HEART Promenade her home, I've got my gal Heads go forward and back By Tommy Stoye, San Diego, California We're in the running, got to be moving on Cross trail thru Record: Mac Gregor 2011, Flip Instrumental with Take a little walk around the ring Go round two make a line you do Tommy Stoye Now the race is on Forward eight and back, pass thru OPENER, MIDDLE BREAK, ENDING FIGURE Join hands arch in the middle Join hands and circle to the left around you go Four ladies chain three quarters round Ends turn in, double pass thru Do allemande left your own a do-sa-do Turn the girl you know Cloverleaf go round The men star by the left One and three half-square thru Centers turn thru* And turn it round the land Face the sides (heads) you go Swing the one you meet and promenade Do-sa-do your girl and weave the ring Right and left thru, turn your girl They made a coffin of pine Open up your heart and let my love come in Star thru and then For that sweetheart of mine Do-sa-do that girl and promenade the land Rock up and back, square thru When they cut down the old pine tree Your long and lonely nights Four hands and now— *If turn thru is not done in your area I will bring to an end when you— The race is on, look for the corner, swing substitute—centers box the gnat Open up your heart and let my love come in Swing her and then, allemande left Pull by swing that girl and promenade FIGURE Come on back and promenade again SEQUENCE: Opener, Figure twice for heads, Head couples promenade half way round you go I've got my gal, we're in the running Middle Break, Figure twice for sides, Ending Move into the middle and a Got to be moving on Right and left thru and turn the girl *Take a little walk around the ring Star thru and square thru three quarters Now the race is on Go split two go round one ALTERNATE And make a line of four *When you get back home ONE DOZEN ROSES Star thru and partners trade Swing her, now the race is on Dance by Dan Schmelzer, Torrance, California And with that corner swing SEQUENCE: Opener, Figure twice for heads, Record: Sets in Order 165, Flip Instrumental by Do allemande left then promenade the ring Middle Break, Figure twice for sides, Ending Earle Park, Yorkton, Sask., Canada Your long and lonely nights OPENER, MIDDLE BREAK, CLOSER I will bring to an end Join up hands make a ring When you open up your heart and let my love Circle up eight like everything come in Allemande left then go right and left grand TAG: RAGGIN' A CALL Gonna meet your partner box the gnat When you open up your heart By Bob Van Antwerp, Long Beach, California Wrong way grand go the other way back And let my love come in Record: Windsor 4856, Flip Instrumental with Hand over hand until you meet again SEQUENCE: Opener, Figure twice for heads, Box the gnat, do sa do the corner allemande Middle break, Figure twice for sides, Ending Bob Van Antwerp Come back one promenade go walking hand OPENER, BREAK, ENDING in hand Four ladies promenade inside of the ring *Send her one dozen roses put your heart in Let's box the gnat and give your man a swing beside them All join hands and circle left you know Then swing the one you're thinking of POOR LITTLE ROBIN An allemande left and weave around you go *Oh she'll be glad to receive them and you know (Weave) in and out around the ring until you meet She'll believe thJm By Bill Ball, Torrance, California Record: Windsor #4861, Flip Instrumental with your maid Swing the one you're thinking of (You) Docey once around then you all promenade FIGURE Bill Ball OPENER, MIDDLE BREAK AND ENDING You gotta take her dancing in a square dance hall Head (side) two ladies chain the square Don't you know she loves a ragtime call Turn this girl and the same pair Allemande left go forward two right and left turn back you do FIGURE Promenade and you go half way Heads (sides) square thru, but not too far Star thru pass thru Turn your partner right and make a wrong way thar And with the sides (heads) a right hand star Circle up four to a line you do head Heads (sides) star left the center once around (side) man break Men back up go 'round the land shoot the star left allemande you go Go eight to the middle and you come right back Your corner Do-sa-do and it's once around you Cross trail left allemande Come back a do-sa-do then get to the corner go Left allemande that corner grand ole right and know Do sa do your own left now Swing thru and then, men swing left again Swing the corner lady and you promenade her Gonna meet your girl and promenade (or men trade) home Poor little robin walkin' walkin' walkin' to Swing that corner lady and you promenade Send her one dozen roses put your heart in Missouri the ring beside them He's got a teardrop in his eye You gotta dance your lady to a square dance call Swing the one you're thinking of. FIGURE Or you might as well not dance'er at all. SEQUENCE: Intro, Figure twice heads, Middle All four ladies chain three quarter round the big SEQUENCE: Figure twice for heads — Break - break, Figure twice sides, Ending ole ring Figure twice for sides — Ending

63 RIDE RIDE RIDE Same man you swing and promenade home Swing the corner promenade the ring By Johnny Davis, Erlanger, Kentucky And what did Robinson Crusoe do *If there ever was a gal who likes to dance Record: Grenn #12093, Flip Instrumental with With Friday on a Saturday night? Sadie was the lady by chance Johnny Davis SEQUENCE: Opener, Figure twice for heads, *Alternate patter for break and figures: BREAK Middle break, Figure twice for sides, Ending If there ever was a lady who could make a Four little ladies chain now man blink Go straight across the ring ,Sadie was the lady I think You chain 'em right on back ' * If there was a love sick babe who nu€ded a cure And turn your own again ROB'T E. LEE Sadie was the ladie for shure Walk all around the corner By Joe Lewis, Dallas, Texas *If there ever was a lady with plenty of fight See saw your own Record: J-Bar-L 5007 Sadie was the lady allright Men star by the right and turn it once around BODY "If they ask about that knifing on that tragical Allemande left your corner Heads go right and left thru, sides a do sa do night Come home and do-sa-do for you Just say Sadie was the lady all right Left allemande the corner Right hand star like a paddle wheel, kicking up SEQUENCE: Opener, Figure twice with heads, spray Then promenade your own Middle break, Figure twice with sides, Ending If you don't want me honey Be sure to turn it once around, reverse the other way If you're not satisfied Full around come out, right and left thru If you don't care get on your horse Dive thru, pass thru, swing a girl that's new And ride ride ride Keep this little maiden, do some promenading FIGURE Waiting for the Rob't E. Lee SAVING YOUR KISSES First and third you promenade MIXER OR FILL-IN By Ed Keen, San Jose, California Go half way round the ring Head couples star thru, then right and left thru Record: Hi-Hat 332, Flip Instrumental with Down the middle swing the opposite lady Turn them and then you pass thru and split two Jack Livingston Face to the middle pass thru Make a line move it up and back again OPENER AND MIDDLE BREAK Split the outside go round one Box the gnat across the land Join hands and circle with baby Make a right hand star Right and left allemande, grand right and left and You flirt with every man that you see In the middle of the ring You'll meet your pet and "Do a little" do sa doing Four ladies chain across and you turn 'em It's once around you run "Then it's" home you're going Maybe she'll chain back to me Allemande left the corner Great fun my honey-bun a-waiting for the Walk all around your corner, see-saw your sweet Go home and do-sa-do Rob't E. Lee Left allemande and then, weave on down the Back to the corner swing and whirl SEQUENCE: street And promenade you know Body (Heads) — Mixer (Heads) — Body (Heads) - Oh, why are you saving your kisses If you don't want me honey Mixer (Sides) — Body (Sides) — Mixer (either) Do sa do, you can tell her for me If you're not satisfied — Body (Sides). Promenade but don't save your kisses (baby) If you don't care get on your horse Unless you're saving them for me And ride ride ride FIGURE FIGURE #2 Heads lead right and you circle ROLL OUT THE BARREL First and third you lead to the right Make a line, dance forward, back away By Tommy and Donna Cavanagh And circle round the track Pass thru, wheel and deal, double pass thru RECORD: Sets In Order 163, Flip Instrumental Head men break and make a line First go left, next go right, then square thru with Tommy Cavanagh Go up to the middle and back Four hands and then, swing the corner you meet BREAK Pass thru wheel and deal Left allemande new corner, weave on down the Double pass thru Face your corner star thru street First couple go left Circle left around you do Oh, why are you saving your kisses Next couple go right Break it up with a do pa so Do sa do, you can tell her for me And do a right and left thru Partner left to the corner go Promenade but don't save your kisses (baby) Star thru, pass thru, corner lady swing Come on back with an allemande thar Unless you're saving them for me Swing that gal go up and down Gents to the middle with a right hand star TAG ENDING And promenade and sing Back right up around the ring Unless you're saving them for me If you don't want me honey Until I tell you when If you're not satisfied Shoot that star and you do a do sa do If you don't care get on your horse Box the gnat pull by to the corner go And ride ride ride Left allemande, promenade the ring NOTE: Two other figures and breaks are Take that lady home and then ... SECOND HAND ROSE offered with this dance FIGURE Dance by Dick Houlton, Stockton, Calif. Head two ladies chain and you turn 'em Record: Hi-Hat 333, Flip called by Dick Houlton Same couples promenade the outside ring Note to the caller Three quarters round sides pass thru This record goes thru the tune FIVE times. Break ROBINSON CRUSOE is used once. FIGURE: (Twice with heads active By Beryl Main, Denver, Colorado Go right and left thru with the outside two And then square thru and twice with sides active.) Record: Wagon Wheel #305, Flip Instrumental Four ladies chain, then One and three (Two with Beryl Main Three hands around pass your partner You swing that corner girl of good cheer and four) OPENER, MIDDLE BREAK, ENDING Go right and left thru, now turn her for me Well allemande left in the alamo style Allemande left Now's the time to promenade her (Once more) Balance in and out Four ladies chain again, then couples Two and Swing thru go forward two swing thru again Cos the gangs all here Tag ending four (One and three) When you get there turn thru Promenade, half way, leave her once more Allemande left your corners then bow to your Allemande your corner and weave the ring (For me) partners On this island of wild men (And now) men star left. Once around the set That's all There must be wild women Put an arm around your girl and promenade SEQUENCE: Figure heads, Break, Figure heads, Do-sa-do and promenade home Back right out, circle left, we've done this before And what did Robinson Crusoe do Break, Figure sides, Break, Figure sides Swing the corner lady, promenade round the With Friday on a Saturday night? floor FIGURE (She's wearin') second hand clothes. My second Well now the heads go forward hand rose SADIE WAS A LADY And come back to the ring From Second Avenue ... By C. 0. Guest, Dallas, Texas Square thru four hands you go MIDDLE BREAK (Use only once .. . see note RECORD: Kalox 1063, Flip Instrumental with You're gonna split those two above.) C. 0. Guest Make a line go forward and back Allemande that corner. (Let's) do a grand sashay OPENER, MIDDLE BREAK, ENDING Box the gnat across and then a Do-sa-do, look her in the eye, right hand pull by Allemande left your corner Right and left thru on back See-saw the next one, left hand and then Come back and do sa do Four girls star right Pull by, do-sa-do, tell you when Go once around the land Promenade single file you know Right hand pull by, see-saw the next one then The men backtrack two times around Left hand, pull by, and swing the next one round The second time you box the gnat Do an allemande left the corner and you weave You go right and left grand around you go round the ring When you meet promenade my friend Weave in and out around and then you *If there was a gal who likes to swing promenade again Sadie the lady I mean (She's wearin') second hand clothes, my second FIGURE hand Rose Heads promenade half way you do From Second Avenue ... Down the middle do a half square thru Credit where credit is due ... the figure for this Do sa do you make a wave and rock dance is based on one developed by Ed Gil- Swing thru the men will run more ten years ago for the dance "Whisper- Wheel and deal, a corner swing ing."

64 SEE THE U.S.A. Promenade with me darling You know she's the only girl for you Dance by Ed Gilmore, Yucaipa, California Go walking down the line Why don't you swing your Maria, I adore you Record: SETS IN ORDER 164, Flip Instrumental Slowly you're driving you out of my mind Alternate Tag: with Tex Hencerling, Amarillo, Texas FIGURE (You're gonna) swing and whirl the pretty little MIDDLE BREAK and ENDING Head ladies chain to the right girl, Maria Circle left not too far And turn that girl SEQUENCE OF DANCE: Figure once for heads - Make a right hand star New head ladies chain across the world Figure once for sides, Middle Break — Figure When you get home Those heads go up and back once for heads — Figure once for sides — Tag. The girls step out And do a right and left thru ALTERNATE FOR MIDDLE BREAK Men keep goin' along Turn that girl and square thru (GRAND SQUARE); Men star right alone Four hands around you do All get ready for the tea-cup chain (during drum Walk right by your own Four hands around and then break) Arm around your corner promenade Star thru the outside two Head ladies star right 3/4 round, side ladies to the Spread that star way out wide Cross trail thru to the corner and right, my friend Allemande her Swing that lady too Head ladies star left a turn and a quarter, side Promenade with your maid Promenade with that lady go walking round ladies to the right again Right back home in time Head ladies star left a turn and a quarter, side See the U.S.A. in your Chevrolet Slowly you're driving you out of my mind ladies to the right you go And listen to the square dance call PROMENADE PATTER Head ladies star right 3/4 round, side ladies to the FIGURE: If she's the one you want right you know. Four ladies chain I say You're not very smart You turn and roll away Slowly she's driving you out of her heart Now circle to your left SEQUENCE: Opener, Figure twice for head ladies, Go 'round the hall Middle break, Figure twice for side ladies, Ending Your corner allemande SUMMER SOUNDS Grand right and left my friend By Cal Lambert, Houston, Texas Go right and left Record: Bogan 1189, Flip Instrumental with Until you meet your girl Cal Lambert Do sa do then your corner INTRO, BREAK and CLOSER Allemande her STARRY EYES By Bruce Johnson and George Foot, Join hands and circle left around you go Come back one Walk around the corner, turn the partner And you promenade home Santa Barbara, California Record: Windsor 4849, Flip Instrumental with do paso We'll make a date today Turn the corner by the right, the partner left To see the U.S.A. Bruce Johnson hand swing And see it in your Chevrolet. OPENER, MIDDLE BREAK, CLOSER Four ladies star right, three quarters round that TAG ENDING: Left allemande your corner, swing your partner, I'd advise ring, then Bow to your partner corners all Left allemande and do sa do your own Thank her boys that's it that's all. To promenade this lovely lady with the starry Left allemande, come back, promenade SEQUENCE: eyes Summer sounds are all around Figure twice, Break, Figure twice, Ending. All four ladies backtrack, two times around you go The summer sounds I love The second time you meet your partner do the FIGURE do sa do Four ladies chain across and then the heads SHEBOYGAN Left allemande your corner and a grand ole right promenade By Red Bates, Hampden, Massachusetts and left Halfway around while the sides square thru Record: Hi-Hat #350, Flip Instrumental When you meet her once again, promenade Four hands around, then do a do sa do with Red Bates the set Make that ocean wave, all eight circulate, then OPENER, MIDDLE BREAK, ENDING You promenade her home and if you swing, Go right and left thru and that corner swing Four ladies chain to Sheboygan you'll realize Then promenade around that old ring Star 'em back and do a do paso What fun it is to be around a gal with starry eyes Summer sounds are all around Turn your corner right hand round FIGURE The summer sounds I love Partner left allemande thar Head (side) ladies to the right chain, and when SEQUENCE: Opener, figure twice for heads, The men wheel in hang on tight ya get the time break, figure twice for sides, closer You got a back up star Heads (sides) lead to the right and circle four Slip the clutch left allemande to make a line Come back a do-sa-do left allemande Forward eight, come on back and then you Come back and promenade pass thru Promenade just the same Cast-off three quarters, and and then *slide-thru SUNDAY You can mention my name Right and left thru, you turn 'em, the inside By Earle Park, Yorkton, Sask., Canada couple arch Please don't tell her where I am Record: Sets in Order 161, Flip instrumental with FIGURE Dive thru, square thru three quarters round Earle Park Turn the corner left, hang on and promenade One and three you promenade half way OPENER, MIDDLE BREAK AND CLOSER A short trip, stop at home, you've got a brand Lead to the right and circle to a line Four ladies chain across on Monday new maid Forward eight and back you reel Turn her boys, we'll have her one day SEQUENCE: Opener, Figure heads, then sides, Pass thru — wheel and deal Chain 'em back three quarters round you do Middle break, Closer Double pass thru Circle as you sigh on Tuesday *Explanation: Slide-thru can be described as a First couple left the next go right Half way around 'til Wednesday "star thru without hands." All pass thru and Corner swing, how I long for you Now star thru pass thru immediately make a quarter turn (Men right, Swing your lady there Women left), in this case to end up in an "eight Do an allemande left your corner girl Left allemande chain thru formation." Grand right and left you go Come back and promenade When you meet your lady, let's promeno Promenade just the same Promenade, make this your fun day You can whisper my name You'll shine every Sunday But please don't tell her where I am Swing the one day I'm with you SEQUENCE: Opener, Figure twice for heads, STRUTTIN' WITH MARIA FIGURE Middle break, Figure twice for sides, Ending By Wayne West, Anaheim, California Heads promenade your lady Record: Windsor 4859, Flip Instrumental with Half way around, then maybe Wayne West Pass thru, separate, around one FIGURE: Come into the middle there SLOWLY YOU'RE DRIVING YOU Everybody gonna join your hands, circle to the Let's box the gnat OUT OF MY MIND left, Maria' Make a right hand star By Andy Andrus, Port Arthur, Texas Whirl away, grand right and left you go Go once like that Record: Blue Star #1814, Flip Instrumental When you meet this brand new lady there, Turn corner left, turn partner right with Andy Andrus do sa do and then Men star left, go once around OPENER, MIDDLE BREAK, ENDING Promenade this lady, don't slow down, my friend Gonna walk right by your maid Allemande left that corner One and three wheel around, square thru four Swing and whirl the right hand girl And swing your Jane hands around you go Let's promenade Allemande left just once again Pull the next one by, swing the corner - After pay day, that's my fun day And weave that ring Hello, Joe I shine all day Sunday In and out you go when you meet do-sa-do Promenade with the lady fair, Maria Swing the one day I'm with you Back to back around that girl Get back home, swing her once for me TAG Left allemande you go MIDDLE BREAK: Bow to your partner, corner too A grand right and left until you meet that one Sides face, grand square (during drum break) That's it, that's all If that's the one you want Good-bye 'til the next time you see her SEQUENCE: Figure twice for heads, Break, Figure Go ahead and have your fun You smile each time when you greet her (reverse) twice for sides, Ending

65 SWEET GEORGIA BROWN Four men star by the left FIGURE By Bruce Johnson, Santa Barbara, California In the middle around you go Heads square thru you know Record: Windsor #4881, Flip Instrumental You turn thru with your partner Four hands will make it right with Bruce Johnson Your corner allemande And then you make a right hand star OPENER, MIDDLE BREAK, ENDING Come back do a do-sa-do and And turn it once tonight Ladies center back to back Promenade that land promenade that ring Change hands come back by the left Men promenade outside One full turn to home A left hand star on back All the way around the set She's your ragtime gal Now the men turn around left allemande Same lady turn by the left FIGURE And do-sa-do at home One time and a little bit more Head two promenade, halfway you go Go out to the corner lady Men get back to back (girls) Move into the middle You swing her high and low Promenade outside around the ring Right and left thru and turn the girl Left allemande a new corner One time and hear me sing Now square thru four hands you go Come home and promenade You turn your partner left When you meet that corner lady To the square dance here tonight The corner do-sa-do You do a do-sa-do To the square dance here tonight Come back one and promenade back home Same girl, left allemande You're going to dance with friendly folk *The man that she can't get Then do a do-sa-do At the square dance here tonight Is a cat she hasn't met Swing that corner lady there TAG: Promenade her serenade her Sweet Georgia Then promenade her home We're very glad that you all came Brown Yes promenade that ring To the square dance here tonight FIGURE Walk all the way I sing SEQUENCE: Opener, Figure twice for heads, One and three ya square thru Swing your ragtime gal Middle break, Figure twice for sides, Ending Four hands and then Yes, she's your ragtime gal With the outside pair SEQUENCE: Opener, Figure twice for heads, You make a right hand star my friend Middle break, Figure twice for sides, Ending Then go to the middle THOSE BELLS Left hand star and don't delay By Bob Van Antwerp, Long Beach, California Turn it once pick up your corner RECORD: Windsor 4875, Flip Instrumental with Star promenade I say Bob Van Antwerp Back out a full turn THAT'S MY GIRL OPENER, MIDDLE BREAK, and ENDING Circle in a mixed up ring By Ed Keen, San Jose, Calif., and All the ladies chain across You swing the nearest lady Ernie Kinney, Catua Creek, Calif. And you turn that pretty jane Give that a gal swing Record: Hi Hat 325 You chain 'em right on home again Promenade go two by two OPENER and MIDDLE BREAK (Use twice only) And turn the girls again Strollin' down the avenue Chai nthe ladies over as easy as can be Join your hands and form a ring **They all sigh and wanna die for Take your time, chain 'em back, turn the girls And circle left I sing Sweet Georgia Brown for me Left allemande the corner girl *Two by two you truck on down Join your hands and circle, circle left I sing And weave that ol' ring With the coolest one around Left allemande the corner girl, weave around It's in and out around you go No gal made has got a shade on the ring Until you meet your maid Sweet Georgia Brown I've searched the wide world over to find a Do-sa-do your lady there and then you promenade **Georgia claimed her pretty maid Promenade your lady go dancing round in time Georgia named her The simple kind to do sa do and then to Those ringing bells are telling us Two left feet but oh so neat promenade It's just the square dance time Gals despair they don't compare with One and three, wheel around, right and left FIGURE I like dancin' and romancin' thru and then One and three go forward SEQUENCE: Opener, Figure twice for heads, Cross trail back, left allemande, promenade Come back and spin the top Middle break, Figure twice for sides, Ending my friend (sing) When you're thru *That's my girl, she's my own Box the gnat and looker in the eye She's plain, she's simple, I know she's mine alone Right and left thru a full turn FIGURE (Use twice with Heads active, twice Face the outside two SWEET THANG with Sides) Do-sa-do go once around and then By Jewel O'Brien, Birmingham, Alabama All four ladies chain, three-quarters round you go You slide thru Record: Jewel 141, Flip Instrumental with Turn this girl, heads lead right, circle four Spin the top one more time Jewel O'Brien you know Again you box the gnat Join hands circle left 'til sundown Make a line, dance forward, come on back Look her in the eye pull her by Left allemande and weave the square with you Swing the corner sue You can bet your bottom dollar Pass thru, wheel and deal, double pass on thru Promenade this lady You box the gnat First two left, next two right do a right and Go walking down the line Girls star left out there left thru Those ringing bells are telling us Star promenade ole sweet thang around Turn the girls, Dixie chain, straight across will do It's just the square dance time Ladies roll a half sashay Girls turn back, now swing her, twice around SEQUENCE: Opener, Figure twice for heads, Heads wheel around do a right and left thru you see Middle break, Figure twice for sides, Ending Star thru do-sa-do make a wave (new) Corners allemande, promenade and sing **Balance eight chain five with me Has anybody here seen ole sweet thang *That's my girl, She's my own Swing corner round and then She's plain, she's simple, I know she's mine alone 'TIL MY GET UP HAS GOT UP AND GONE Allemande new corner TAG ENDING: I know she's mine alone. Dance by Jack Livingston, Speedway, Ind. Do-sa-do your own *NOTE TO CALLERS: This dance is far more suc- Record: Square Tunes #104, Flip Instrumental with Gents star left out there cessful when the caller can get the dancers to Jack Livingston Right hand turn ole sweet thang "sing along" on the last two lines of each pattern INTRO, MIDDLE BREAK, ENDING Left allemande Four ladies chain Promenade the square Go straight across the ring You better take my advice Join hands and circle left And swing 'er real nice THERE'S A SQUARE DANCE HERE TONIGHT Go walking 'round and then Or she won't swing you tonight By Jim Mayo, So. Acton, Massachusetts Allemande left the corner ""Circle left Record: Scope 501, Flip Instrumental with Make an allemande thar Tag: Jim Mayo Go right and left You'd better take my advice OPENER, MIDDLE BREAK, ENDING The men back in and star If you blink more than twice Join hands and circle left Shoot that star and You'd better have something in your eye At the square dance here tonight Do-sa-do your own SEQUENCE: Figure twice with heads, You circle all the way you know Left allemande come back Figure twice with sides Until you get back home Do-sa-do and promenade Turn your partner left a do paso I'm gonna let my hair down Then corner by the right For it won't be too long Your partner by the left and then Till my get up has got up and gone. SWINGING RAGTIME GAL All four ladies chain FIGURE: By Tommy Stoye, San Diego, California You chain the girls across Four ladies promenade RECORD: MacGregor 2015, Flip Instrumental with And then you chain them back Inside you go Tommy Stoye You chain them right back home again Box the gnat do a do-sa-do OPENER, MIDDLE BREAK, and ENDING And promenade the track Men star left go one around Walk around your corner, seesaw your own To the square dance here tonight Turn partner by the right Join hands circle to the left To the square dance here tonight Your corner allemande Around the ring you go You swing this pretty little girl Docey round your partner Left allemande come back a do-sa-do At the square dance here tonight Corner swing

66 Swing that corner girl Allemande left alamo style Dive thru, make a right hand star, and ride the And then promenade the ring Balance there and then merry go round I'm gonna let my hair down Swing thru go right and left When you meet that corner lady left allemande For it won't be too long And balance once again and maybe 'Till my get up has got up and gone Swing thru go right and left grand Promenade your own gal go walking round the I'm gonna have some fun Welkin' round the ring ring and now From this day and on Hand over hand Those head two you wheel around right and left Till my get up has got up and gone Do sa do your own corner allemande thru with the two you found TAG: Come back one promenade Star thru, then pass thru and swing 'Till my get up has got up and gone. Go walking round the land Swing that little old girl around and do a left SEQUENCE: Intro. Figure twice, Middle break, Singing toot toot footsie allemande Figure twice, Ending Don't cry Do sa do go round your own then weave around Toot toot tootsie bye bye that land FIGURE: Singing truly truly fair, truly truly fair Four little ladies When you meet you do sa do and promenade the TODAY'S TEARDROPS Chain across the ring square By Marshall Flippo, Abilene, Texas Side (head) two ladies I've got songs ro sing her, trinkets to bring her Record: Blue Star #1815, Flip Instrumental Chain back home again Flowers for her golden hair. with Marshall Flippo Heads (sides) OPENER, MIDDLE BREAK, ENDING Promenade half way round you do Walk around your corner Star thru pass thru Then you see-saw the partner Go right and left thru TWEEDLE DEE Then join hands circle left Dive thru swing thru By Dick Leger, Warren, Rhode Island Go walking round the ring Three hands and then Record: Top 25132, Flip Instrumental with Those girls star right Corner girl left allemande Dick Leger You go round to the corner man Do sa do your own corner you swing FIGURE Left allemande go weavin' round again Swing that gal around Join your hands and circle left Allemande left let's do that grand old right and Had a rough time getting started And promenade the ring Maybe you're just a little down hearted Singing toot toot tootsie left Jimminy cricket jimminy jack Do-sa-do that gal and then Don't cry When you meet your partner box the gnat Promenade her home again Toot toot tootsie bye bye Grand right and left go the other way back Today's teardrops are tomorrow's rainbows SEQUENCE: Intro, Figure twice heads Next time you meet your honey swing And tomorrow we'll see a sky of blue Break, Figure twice sides. FIGURE Just the men star left around that ring Four little ladies chain and then You take her along with the arm around You turn with that lady It's a star promenade you're going down, down Those head two you do a right and left thru down down TRADING SHEIKS Now star thru then pass thru Ladies back track go twice around By Paul Hartman, Wheaton, Maryland And circle four you know Second time you meet him Record: Top #25151, Flip Instrumental You'll make a line move up and back Turn by the right hand half way around with Paul Hartman Now pass thru wheel and deal Now back by the left go all the way around OPENER, MIDDLE BREAK, ENDING Center two pass thru Take your corner and promenade down Now all join hands and circle left Swing that corner girl and then Tweedle dee deedle de dum Beneath the desert moon* Promenade her home again ENDING: You circle to the left and walk around Today's teardrops are tomorrow's rainbows Join your hands and circle left The old sand dune And tomorrow we'll see a sky of blue Allemande left Walk all around your corner SEQUENCE: Opener, Figure twice for heads, Let's do that grand old right and left See-saw the girl you know Middle break, Figure twice for ladies, Ending Jimminy cricket jimminy jack Then allemande left with your left hand When you meet your partner box the gnat And a right and left grand you're gonna go Grand right and left go the other way back And when the stars will shine above Next time you meet your honey swing You're gonna do-sa-do and promenade your love Just the girls star left around that ring TOMATOES ARE CHEAPER Won't you swing at home with me?** You take him along with the arm around By Paul Hartman, Wheaton, Maryland 'Cause I'm the Shiek of Araby It's a star promenade you're going down down Record: Top 25126, Called by Paul Hartman FIGURE down down, INTRO — BREAK — ENDING: All four ladies chain across Men back track go twice around Walk around your corner, seesaw your partner And couples one and three (two and four) Second time you meet her turn her by the right The men star by the right Square thru inside the ring Go all the way around Once around from where you are Go four hands 'round for me Find the corner left allemande Turn your partner by the left And with the outside two you'll do-sa-do Come back one and promenade man And the corner by the right (ready with a right) Tweedle dee dee deedle dee dum The men wheel in and make a wrong way thar Swing thru and then the Deedle dee dum deedle dee dum Yes, you back right up, then slip the clutch Shieks will trade around tonight SEQUENCE: Figure four times — Ending. Grand right and left you go Then turn thru and allemande left Hand over hand until you meet New corners one and all Then promenade her home You do-sa-do new partners and you Tomatoes are cheaper, potatoes are cheaper Promenade the hall WALKIN' IN THE SUNSHINE Now's the time to fall in love Your love belongs to me*** By Don Franklin, Arvada, Colorado FIGURE: 'Cause I'm the Shiek of Araby Record: Wagon Wheel #112, Flip Instrumental Now one and three (two and four) ALTERNATE with Don Franklin Go right and left thru *Now all join hands and circle left OPENER, MIDDLE BREAK, ENDING Turn your girl and square thru Go walking 'round the world Allemande your corner Four hands around that ring you do You circle to the left around Come back and promenade your own And then you do sa do the outside two With all those harem girls You go red-hot (ready with a right hand) *Now all join hands and circle left Turn the right hand lady right Swing thru, then spin the top without a stop Around those desert places Your partner left Go right and left thru and turn the girl You circle to the left until And all the way around Cross trail across the ring You're home at your oasis Corner by the right, partner left Allemande left, come back **Won't you guard my harem for me? Allemande thar you know Now promenade and sing 'Cause I'm the Sheik of Araby Slip the clutch, allemande Tomatoes are cheaper *"You'll rule this square with me Come back, a long promenade Potatoes are cheaper 'Cause I'm the Shiek of Squaraby Walkin' in the sunshine Now's the time to fall in love "*"Into your tent I'll creep you'll see Sing a little sunshine song SEQUENCE: Opener, Figure twice with heads, Won't you be my desert flea? FIGURE Break, Figure twice with sides, Ending SEQUENCE: Opener, Figure twice for heads, One and three you square thru Middle break, Figure twice for sides, Ending Four hands around you go You do the right and left thru Star thru, pass thru TOOT TOOT TOOTSIE Bend the line, forward up and back By Lee Helsel, Sacramento, Calif. TRULY FAIR Go right and left thru Record: KALOX 1065, Flip Instrumental with By Marshall Flippo, Abilene, Texas Star thru, corner swing and whirl Lee Helsel Record: Blue Star 1774, Flip Instrumental with Left allemande, come back and promenade INTRO and BREAK: Marshall Flippo Pretending can make it real Join hands circle that ring FIGURE A snowy pasture, a green and grassy field Go walking all the way One and three lead out to the right and circle SEQUENCE: Opener, Figure twice for heads, Back home again half way around Middle break, Figure twice for sides, Ending

67 WALKIN' WITH SUGAR Allemande left that corner lady WISH YOU WERE HERE By Bill Green, Hacienda Heights, California Weave around the town By Singin' Sam Mitchell, Lansing, Mich. Record: Hi-Hat 347, Flip Instrumental with Hey, where's the circus, here comes a clown Record: Kalox 1068, Flip Instrumental with Bill Green Do-ca-do when you meet your maid Singin' Sam Mitchell OPENER, MIDDLE BREAK, and ENDING The men star left one time OPENER, MIDDLE BREAK, and ENDING All four ladies chain When you meet your lady boys Join hands and circle to the left with all your And then you rollaway Promenade the line might All circle left You'll lead the brass band down the street Allemande the corner turn your partner by the Around the ring that way And shout it to the town right You'll rollaway and weave around the town Here where's the circus, I've found a clown Now the men star left Meet your little sugar do-sa-do around FIGURE In the middle of the ring go once around the land Men star left until you find your miss Head two couple promenade Come on back and box the gnat Box the gnat and swing Three quarters round that square And do a wrong way grand And I'll sure say this* Side two couple square thru three quarters Hand over hand when you meet your maid Promenade sugar right down the street Round from there Everybody swing then promenade While all the birdies say Do-sa-do that corner girl When you're dancing with those other guys Tweet tweet tweet Make an ocean wave and then I miss you so my dear ALTERNATE Swing thru, turn thru, left allemande Wish you were here wish you were here *And you can steal a kiss Come back one do a do-sa-do FIGURE FIGURE Then corner lady swing Head two couples promenade Heads up and back Swing that pretty little lady boy Halfway round the floor Do a full square thru Promenade the ring Sides star thru pass thru circle four Count four hands (and do a) *I'm walking on a tight rope Side men break and make a line Right and left thru Move up to the middle and back Dive to the middle do-sa-do around And I'm sure to tumble down You pass thru wheel and deal Swing thru and then Where is the circus, here comes a clown And substitute like that Balance up and down ALTERNATE And then you square thru Boys trade box the gnat *I know my heart will break Three quarters to the corner lady swing Go right and left thru The day you ring the curtain down Swing that lady round and round Pass thru "No wonder people laugh at me And then you promenade Swing the corner waitin' for you And say when I come around When you're dancing with those other guys Promenade sugar right down the street SEQUENCE: Opener, Figure twice for heads, I miss you so my dear While all the birdies sing Middle Break, Figure twice for sides, Ending Wish you were here wish you were here Tweet tweet tweet SEQUENCE: Opener, Figure twice for heads, SEQUENCE: Opener, Figure twice for heads, Middle break, Figure twice for sides, Ending Middle Break, Figure twice for sides, Ending WHILE I'M GONE By George Peterson, Ionia, Michigan Record: Swinging Square 2330 OPENER, BREAK and CLOSER YOU CALL EVERYBODY DARLING WHAT A GAL By Marshall Flippo, Abilene, Texas Four ladies chain, turn the girls and then By Dick Weaver, Kailua, Hawaii Blue Star 1779 Chain those ladies home, turn the girls again Record: Record: Hi-Hat 345, Flip Instrumental with INTRO, BREAK, ENDING Allemande the corner, promenade your Sue Dick Weaver Now four little ladies chain across, turn 'em with The heads (sides) wheel around, go right and OPENER, MIDDLE BREAK, and ENDING a left around Four little ladies promenade left thru Then roll away and swing somebody new Go once around the inside ring Now do a Dixie chain, she'll turn back and swing Join hands and make a ring, circle to the left like Box the gnat and give that man a swing Swing that lady round, promenade the ring everything Join hands and circle left It makes no difference, how we carry on I don't mean a word I'm saying, it's just a party Go walkin' round the big old set You can swing your gal, around at home game we're playing Allemande left and weave around the ring FIGURE Roll away then swing the next little darling It's in and out around you go Heads (sides) square thru, four hands around out Left allemande, then promenade, that floor Until you meet your own there And as the years roll by, you'll sit and wonder Do-sa-do around your own With the sides (heads) you make a right hand why And promenade her home star Nobody calls you darling any more. Well you're a little cutie a square dancin' beauty Heads (sides) star left in the center, one time FIGURE Gee oh gosh oh golly what a gal around you go Now one and three lead to the right and circle FIGURE #1 Do sa do and make a wave you know You'll make a line and do a right and left thru One and three lead right in time Swing thru and then, men swing left again Star thru, then do sa do, it's once around you go Circle four and make a line Swing that corner lady, promenade I sing Make an ocean wave and don't be late, you swing Without a stop you do a do-sa-do Although our friendship ceases from now on thru, girls circulate Spin the top and watch 'em flow You can swing my gal while I'm gone The boys will trade and swing a brand new Boys trade here we go SEQUENCE: Opener, figure twice for heads, darling Turn thru left allemande you know break, figure twice for sides, closer. Left allemande, then promenade that floor Do-sa-do around your own You've got a brand new different maid, take her And then that corner swing home in a promenade Swing that corner gal around WHY HAVEN'T I TOLD YOU Or she won't call you darling any more. And promenade the ring By Bob Augustin, New Orleans, Louisiana Well you're a little honey Record: Lore 1084 A smile bright and sunny OPENER, BREAK and CLOSER YOU WERE ONLY FOOLING Gee oh gosh oh golly what a gal Join hands make a ring, circle eight and hear By Singin' Sam Mitchell, Lansing, Michigan FIGURE #2 me sing Record: Kalox 1057, Flip Instrumental with One and three square thru Why couldn't I tell you, allemande left and Singin' Sam Mitchell Four hands round is all you do allemande Thar OPENER, BREAK, ENDING Meet the sides and then slide thru Forward two and form a star, men make a Now four little ladies chain three quarters round Do-sa-do go full around right hand star the ring Square thru three hands round Shoot that star go full around, pull the corner by Chain the ladies straight across you know Face out and then you wheel and deal Left allemande you know, come back and Put those ladies back to back men promenade Double pass thru first go left next go right promeno you know Star thru corner swing and promenade tonight I count every little star, just to say how sweet Once around and same lady do a do-pas-so Well you're a humdinger you are You were only fooling - A square dancin' swinger Why haven't I told you Go back now swing the corners all (promenade) Gee oh gosh oh golly what a gal FIGURE Why you were only fooling me SEQUENCE: Opener, Figure #1 with heads, All four couples half sashay, heads square thru While I was falling in love - Figure #2 with heads, Middle Break, Figure #1 while you're that way FIGURE with sides, Figure #2 with sides, Ending. Four hands around you go, do sa do the Head (side) ladies chain to the right turn the girl outside two you know An ocean wave here's what you do, rock up and One and three (two and four) forward up and WHERE IS THE CIRCUS back swing thru back (star thru) By Wayne West, Anaheim, California End two run you wheel and deal, then you California twirl you know do sa do that corner go Record: Windsor 4870, Flip Instrumental with dive on thru Swing thru the same two and rock it to and fro Wayne West Pass thru that corner swing, promenade that ring Girls trade, boys trade, swing the girl for me OPENER, MIDDLE BREAK, and ENDING I count every little star, makes no difference Promenade that lady round the ring Walk around that left hand lady where you are Why you were only fooling me See saw round your taw Why haven't I told you While I've been falling in love. Join your hands and circle to the left SEQUENCE: Opener, figure twice for heads, SEQUENCE: Opener, Figure twice heads, Break, Go walkin' round that hall break, figure twice for sides, closer Twice Sides, Ending.

68

The

AFFECTIONATELY By Ben and Julie Bennett, Temple City, Calif. ROUND DANCES Record: Windsor #4724 Position: Intro—Open Facing. Dance—Semi Closed facing LOD. URING THE TWO YEARS THAT THESE DANCES appeared in Sets in Order, a change Footwork: Opposite throughout, directions for M D occurred in the method of writing round dances. You will notice on the pages unless indicated. that follow, two different methods of converting the round dance to written Meas INTRODUCTION instruction. The differences are slight, and a person familiar with the abbrevi- Wait; Wait; Apart, —, Point, —; Together (to SCP), Tch, —• ations and symbols used formerly will find the new system just as easy to com- 1-2 In OPEN FACING pos M's back to COH prehend. Among the authors of the round dances you will find on these pages wait 2 meas: are many who have created successful routines in the past. Others will have 3 Step back apart from ptr on L, —, point appeared in print for the first time during 1966 and 1967. The continuing growth R twd ptr, —; 4 Step fwd twd ptr on R to SEMI CLOSED of the specialized round dance field is a cause for many of the longer and more pos facing LOD, —, tch L to R, —; complicated rounds receiving general acceptance. At the same time, on these DANCE pages, you will discover several short and simple rounds and mixers. There is Fwd Two-Step; Fwd Two-Step (to CP); (Limp) actually something here for everyone. As a part of Sets in Order's celebration of Side, Behind, Side, Behind; Fwd (to OP), Tch, its twentieth year, round dances that have achieved permanent status in the field Side (to Bfly), Tch; 1-2 In SEMI CLOSED pos do 2 fwd two-steps are being printed in the magazine. Two appeared late in 1967 and show up in prog LOD blending to face ptr in LOOSE this collection. It will be interesting to check your own "favorites" and see how CLOSED pos M's back to COH: they compare with those of our editors. 3 Step swd LOD on L, step RXIB of L (both XIB) affect slight "Limp," step swd LOD on L, step RXIB of L (both XIB) affect ALLEZ VOUS EN ing LOD; waltz fwd LOD in wrap pos L,R,L; slight "Limp"; By Phil and Norma Roberts, New Albany, Indiana M step thru LOD on R turning approx 1/8 4 From LOOSE CLOSED pos step fwd LOD Record: Grenn 14083 RF to diag face LOD and Wall, step diag on L to OPEN pos, tch R to L, step swd Position: Intro — OP M's bk to CON. Dance - swd twd LOD and COH on L, close R to twd RLOD on R making 1/4 RF turn (W Modified bfly M's bk to COH L (as W steps thru LOD on L turning LF, 1/4 LF) to face ptr in BUTTERFLY pos M's Footwork: Opposite thruout, directions for M ex- swd diag twd LOD and COH on R, close back to COH, tch L to R; cept as noted L to R) blending to Scar Pos M facing diag Side, Close, Apart, Brush; Change Sides, 2, 3 (to Meas INTRODUCTION twd LOD and Wall. Bfly), —; Side, Close, Apart, Brush; Change Sides, 1-4 Wait; Wait; Apart, Pt, —; Side, Draw, (to 21-24 Check, Recover, Close; Waltz Around, 2, 2, 3 (to SCP), —; bfly); 3 (W Rev twirl to Bjo); BJO Around, 2, 5 In BUTTERFLY pos step swd LOD on L, In OP facing ptr and wall wait 2 meas. step 3 (to SCP); Face, Brush Side/Close; close R to L, step apart from ptr on L to bwd twd COH on L, point R twd ptr, hold In Scar Pos diag facing LOD and Wall M arm's length hands still joined, brush R 1 ct; step swd twd RLOD and twd ptr on step fwd on L releasing Scar Pos retain- twd ptr; R, draw L to R ending in modified bfly ing hold with M's L and W's R hands, pos diag facing LOD and wall, hold 1 ct. 6 M moving twd WALL makes 1/2 RF turn recover bk on R, close L to R (as W does in 3 steps R, L, R, as W crosses under DANCE a bwd waltz diag twd LOD and wall 1-4 Waltz Away; Waltz Tog (W IF to CP); (LF) joined M's R and W's L hands making 1/2 R,L,R) to end facing ptr with M's L and W's LF turn in 3 steps (L, R, L, —) to end in Pivot, 2, 3 (to SCP); Thru, Pickup (to R hands joined; M waltz fwd and around BUTTERFLY pos M's back to WALL; CP), 3; ptr turning 1/2 RE R,L,R (as W does a rev Starting M's L ft releasing M's L and W's 7-8 Starting M's L moving twd RLOD repeat twirl turning 1/2 LF under joined hands R hands waltz down LOD and slightly action of Meas 5-6 except to end in L,R,L) ending in Bjo Pos M facing diag twd away from ptr L,R,L; walti diag fwd twd SEMI-CLOSED pos facing LOD: RLOD and COH; in Bjo Pos waltz fwd LOD and wall R,L,R leading W IF to end Fwd Two-Step; Fwd Two-Step (to CP); (Limp) and around twd COH L,R,L turning approx in CP M facing LOD; in CP do a LF col 3/8 and blending to SCP facing LOD; in Side, Behind, Side, Behind; Fwd (to OP), Tch, pivot, L,R,L blending to SCP facing LOD; in Side (to Bfly), Tch; SCP step thru LOD on R turning 1/4 RF SCP M step thru LOD on R (W L), fwd to face ptr and wall releasing SCP retain- 9-12 Repeat action of Meas 1-4: LOD L, close R to L (using a strong lead M ing hold with M's L and W's R hands Side, Close, Apart, Brush; Change Sides, 2, 3 (to brings W IF R,L) ending in CP M facing held slightly above shoulder height, tap Bfly), —; Side, Close, Apart, Brush; Change Sides, LOD; L toe to floor with a slight brush (WR), 2, 3 (to Bfly), —; s-e (Whisk) Fwd, Side, Hook; Thru, Step, Step step quickly swd LOD on L/close R to L 13-16 Repeat action of Meas 5-8 except to end (W to .L OP); Twinkle, 2, 3 (to SCP); Thru, (W step swd quick R/close L to R); NOTE: in BUTTERFLY pos M's back to COI: Face, Close (to BFLY); the quick side/close step is done to 1 (Slow) Side, —, Behind, —; (Vine) Side, Behind, In CP facing LOD step fwd L, swd twd wall beat of music and blends with meas 25. Side, Front; (Slow) Side, —, Behind, —; (Vine) on R, hook L IB of R (W IB of L) to face 25-28 Side, Behind, Side; Thru to SCP, Flare Side, Behind, Side, Front; COH in SCP; step thru twd COH on R Out, —; Bk, Side, Thru to LOD; Side/ 17 In BUTTERFLY pos step swd LOD on L, with a reaching step, step L,R in place Close, Side, Tch (to CP); —, step RXIB of L (Both XIB), —; (W step thru twd COH on L with a reach- With just the lead hands joined facing ptr 18 Step swd LOD on L, step RXIB of L (Both ing step, step twd wall and slightly IF and wall step swd LOD on L, XIB of L XIB), step swd LOD on L, step R XIF of L of ptr on R turning sharply LF with a on R (W also XIB), step swd LOD on L; (Both XIF); whip action to face LOD, step in place on L) step thru LOD on R (W L) blending to 19-20 Repeat action of Meas 17-18: ending in LOP facing LOD Mon outside of SCP facing LOD, flare L ft fwd and around Circle Away, 2, 3, Fan; Together, 2, 3, (to SCP), circle; in L OP twinkle LOD L,R,L turning twd COH (W flare R fwd and around twd (8 ct Hitch) Fwd, Close, Back, Close; Back, to face RLOD M LF (W RF) ending in SCP; wall), hold 1 ct; in SCP step bwd twd Close, Fwd, Close; step thru RLOD on R, swd RLOD on L, RLOD on L, releasing SCP but retaining 21 Starting M's L circle away from ptr (M Close R to L blending to bfly pos M on hold with M's L and W's R hands M turns outside of circle; LF and W RF) L, R, L, flex L knee slightly 1/4 RF to face ptr and wall as he steps and with R leg extended and R toe touch- 9-12 Waltz Away; Waltz Tog (W IF to CP); (LF) swd RLOD on R, step thru twd RLOD on L ing floor make approximately 1/2 LF Arc Pivot, 2, 3 (to SCP); Thru, Pickup (to CP), ending in L OP M on inside of cirle facing (W 1/2 RF) with R toe moving fwd and 3; RLOD; quickly turn 1/4 LF to face ptr and around to face ptr; Repeat action of meas 1-4 progressing wall as M steps quickly swd RLOD on 22 Move fwd twd ptr R, L, R to end in SEMI RLOD. R/close L to R (W swd quick L/close R CLOSED pos facing LOD, —; 13-16 (Whisk) Fwd, Side, Hook; Thru, Step, Step to L), still with just the lead hands joined 23 In SEMI-CLOSED pos step fwd LOD on L, (W to L OP); Twinkle, 2, 3 (to SCP); Thru, step swd RLOD on R, tch L to R assuming close R to L, step bwd RLOD on L, close Face, Close (to Bfly); CP M facing wall. R to L; Repeat action of meas 5-8 ending in bfly 29-32 Dip, —, —; Manuv, 2, 3; (RF) Waltz Turn; 24 Step bwd RLOD on L, close to R to L, pos M facing wall. Fwd Waltz (W twirl RF to OP); step fwd LOD on L, close R to L; 17-20 Waltz Away; Fwd Wrap; Fwd Waltz; Thru, In CP dip bk twd COH on L, hold 2 cts; DANCE GOES THRU TWICE PLUS 1ST 8 MEAS. Side, Close (to Scar); step fwd twd wall on R turning 1/4 RF Ending: Last time thru on Meas 8 ptrs, change Starting M's L repeat action of meas 1; to face RLOD, step slightly swd twd wall sides in 2 steps R, L to end facing ptr, M waltz fwd LOD R,L,R (as W makes a on L, close R to L ending in CP facing RLOD; point R twd ptr to acknowledge. full LF turn L,R,L) ending in wrap pos fec- starting bwd on M's L twd LOD do a 1/2

69 RF turning waltz to end in CP facing LOD; keep toe low and pointed twd floor; M (to Bk to Bk); On Around, 2, Close (to M waltz fwd LOD R,L,R (as W steps bwd back up twd RLOD with R,L,R turning 1/4 Bfly); LOD on I. starting a 1/2 RF twirl under RF to face partner and WALL in BUT- Repeat action of mess 1-4 moving twd M's L and W's R hands) ending in OP fac- TERFLY pos, tch L to R (W roll LF twd RLOD; ing LOD. RLOD turning 11/4 with L,R,L, tch R); 13-16 Step Apart (to OP), Swing, -; Roll Across, DANCE GOES THRU THREE TIMES: On meas 32 2, 3; Twinkle (RLOD) 2, 3; Thru, Side (to last time thru as music retards do a slow 3-4 Bal L/2, 3, Bal R/2, 3; Rock Apart, Rec, Face), Close (to CP); twirl to bow. Change Sides, 2; Repeat action of meas 5-8 moving twd In BUTTERFLY pos balance twd LOD with RLOD except to end in closed pos M's L/R,L, balance twd RLOD with R/L,R; back to COH; rock back twd COH on L (W rock twd 17-20 Bal Back, Tch, -; Manuv, 2, 3 (to CP); BABY LOOK AT YOU NOW (Mixer) WALL on R), recover on R, step fwd twd WALL on L, step on R turning 1/4 RF to (R) Waltz Turn; (R) Waltz Turn (to CP); By Roy and Agnes Mackey, Houston, Texas In CLOSED pos bal bwd twd COH on L, Record: Blue Star 1776 face RLOD in OPEN pos (W cross under joined M's R and W's L hands stepping touch R to L, hold 1 ct; step fwd on R Position: Open, facing LOD turning 1/4 RF, step swd on L, close R to Footwork: Opposite throughout, steps described fwd twd COH on R, step on L turning 1/4 LF); L to end in closed pos M facing RLOD; for M starting bwd in LOD on M's L do 2 RF 5-6 Walk, 2, 3, Kick; Back Up, 2, 3 (Face), Tch; Meas INTRODUCTION turning waltzes prog LOD to end in 1-4 Wait; Wait; Apart, -, Tch, -; Tog, -, Repeat meas 1-2 starting twd RLOD; end in BUTTERFLY pos with M facing CON: CLOSED pos M's back to COH; Tch, -; 21-24 Twirl/Vine, 2, 3; Twinkle (LOD), 2, 3; 7-8 BaI L/2, 2, Bal R/2, 3; Rock Apart, Rec, DANCE Twinkle (RLOD), 2, 3; Pickup, 2, 3 (to CP); Change Sides, 2; 1-4 Walk Forward, 2, 3, Face; Back Apart, 2, Step L swd twd LOD, step RXIB of L, step Repeat meas 3-4; In BUTTERFLY pos bal 3, 4; Do Sa Do, 2, 3, 4; 5, 6, 7, 8; L swd twd LOD as W does 1 RF twirl in twd RLOD with L/R,L, bal twd LOD with In open pos with inside hands joined, 3 steps under joined M's L and W's R R/L,R; rock back twd WALL on L (W walk fwd in LOD 4 steps (LRLR) turning hands; Note: M's L and W's R hands re- rock twd COH on R), recover on R, step to face partner and backing away in 4 main joined throughout meas 21-24 start- fwd twd CON on L, step on R turning 1/4 steps (LRLR) do sa do with partner (pass- ing M's R one twinkle step thru twd LOD RF to face LOD in OPEN pos (W cross ing R shoulders and moving bk-to-bk in (Both XIF), side L, close R to 1..; starting under joined M's R and W's L hands 8 steps); M's I. one twinkle step thru twd RLOD stepping fwd twd WALL on R, step L 5-8 Star Right, 2, 3, 4; Star Left, 2, 3, 4; Star (Both XIF), side R, close L to R; starting turning 1/4 LF); NOTE: On 3rd time thru Right (New Corner), 2, 3, 4; Star Left, 2, M's R one waltz fwd in LOD in 3 short sequence end meas 8 in BUTTERFLY pos 3, 4; steps as he leads the W to closed pos M with M's back to COH for ending. Make a R hand star with partner (LRLR) facing LOD (W steps fwd and around on DANCE GOES THRU THREE TIMES change hands to a I. hand star with part- L, side R, close L to R); Ending: Bal L/2, 2, Bal R/2, 3; Twirl, 2, 3, Ask; ner (LRLR) M stars right with his corner 25.28 Bal Fwd, Tch, -; Bal Bwd, Step, Step; Fwd In BUTTERFLY pos bal L twd LOD, bal R (LRLR) change hands star left in 2 steps /4 L Turn), Side Close; Back (1/4 L turn), twd RLOD; W twirl under M's L and W's (1 and (LR) next 2 steps (LR) adjust to start- Side, Close; ing pos. R hands in 3 cts, change hands and In CLOSED pos bal fwd twd LOD on L, ENDING: Dance goes thru 10 times then back acknowledge. touch R to L, hold 1 ct; bal bwd twd away from partner 4 steps and Curtsy. RLOD on R, close L to R, step R in place; step fwd on L making 1/4 LF turn to face COH, step swd R, close L to R; step bwd BAUBLES, BANGLES AND BEADS on R making 1/4 IF turn to face RLOD, By Bruce and Shirley Johnson, Santa Barbara, step swd L, close R to L to end M facing BALLIN' THE JACK California RLOD still in closed pos; By Dorothy and Bill Britton, St. Paul, Minn. Record: Windsor 4714 29-32 Bal Bwd, Tch, -; Bal Fwd, Step, Step; Grenn #14093 Record: Position: Intro - Open-Facing, Dance - Butterfly (R) Waltz Turn; (R) Waltz Turn (to Bfly); Position: Intro - Open Facing, M facing Wall. (M back to COH) Step bwd twd LOD on L, touch R to L, Dance - Closed pos facing LOD inside hands Footwork: Opposite throughout, Directions for M hold 1 ct; step fwd twd RLOD on R, joined unless indicated close L to R, step R in place; starting Opposite throughout-directions for M Footwork: Meas INTRODUCTION bwd in LOD on M's L do 2 RF turning Meas INTRODUCTION 1-4 Wait; Wait; BaI Apart, Point, -; Bal Tog waltzes prog LOD to end in BUTTERFLY 1-4 Wait Two Meas: Apart, -, Point, -; Tog, (to Bfly), Tch, -; pos M's back to COH; -, Touch, -; In OPEN-FACING pos M's R and W's L PERFORM ENTIRE ROUTINE FOR TOTAL OF 2 In OPEN FACING pos with M back to hands joined wait 2 meas; Step bwd twd TIMES COH wait 2 meas; step back twd COH COH on L, point R twd ptr, hold 1 ct; ENDING: on L, hold 1 ct, point R twd partner, hold Step fwd twd ptr and slightly RLOD on R 1-4 Fwd (to OP), Swing, -; Fwd, Side (to 1 ct; step fwd on R twd partner to BUT- to BUTTERFLY pos M's back to COH, tch Face), Close (to Bfly); Twirl/Vine, 2, TERFLY pos, hold 1 ct, tch L to R, hold L to R, hold 1 ct; Apart: ACK. 1 ct; DANCE Repeat action of meas 1-2; M steps swd 5-6 Roll, 2, 3, Tch; Roll Back, 2, 3, Tch; 1-4 Fwd (To Op), Swing, -; Fwd, Side (to twd LOD on L, step RXIB of L, apart from Progressing LOD roll LF 1 full turn with Face), Close (to Bfly); Solo Turn, 2, Close ptr on L as W in 2 steps twirls RF under L,R,L, tch R (W roll RF); progressing RLOD (to Bk to Bk); On Around, 2, Close (to joined M's L and W's R hands stepping roll RF 3/4 (W roll LF) with R,L,R, tch L to Bfly); apart from ptr on 3rd ct changing hands; end in OPEN FACING LOD; From BUTTERFLY pos step fwd on L to acknowledge. PART A face LOD in OPEN pos, swing R fwd, hold 1-2 Fwd, Tch, Back/Close, Back; Rock Back, 1 ct; step fwd LOD on R, swd twd LOD Rec, Fwd, 2 (to face); on L to face ptr in BUTTERFLY pos, close In OPEN pos inside hands joined step R to L; Releasing M's L and W's R hands fwd L, tch R, step back RLOD on R/close step fwd to face LOD in OPEN pos on L, BERNADINE L, back on R; rock back twd RLOD on L, bring joined hands thru between ptrs By Bill and Marie Brown, Hobbs, New Mexico recover on R, step fwd on LOD on L, step swd and around on R (M LF & W RF) Record: Hi-Hat 829 fwd on R turning 1/4 RF (W turn LF) to to face CON in a bk to bk pos, close L Position: Diag Open-Facing for Intro, Closed pos end in BUTTERFLY pos M's back to COH; to R; Releasing joined hands and con- (M facing LOD) for Dance. 3-4 Side, Behind, Side/Close, Fwd; Roll, 2, tinuing solo turn step bwd twd LOD on Footwork: Opposite, Directions for M except as Fwd/Close, Fwd; R joining M's L and W's R hands, step noted. Step side twd LOD on L, step R behind swd and around on L to face wall and Meas INTRODUCTION L (W XIB), step side L/close R, step fwd ptr blending to BUTTERFLY pos, close R 1-4 Wait; Wait; Apart, -, Point, -; Together in LOD on L turning 1/4 LF to OP (W turn to L; (to CP), -, Touch, -; 1/4 RF); bringing joined hands thru twd 5-8 Step Apart (to Op), Swing, -; Roll Across, In diag OPEN-FACING pos (M's R, W's L LOD and progressing down LOD roll LF 2, 3; Twinkle (LOD), 2, 3; Thru, Side (to hands joined) do a standard acknowl- with R,L making 1 complete turn to end Face) Close (to Bfly); edgment then assume CLOSED Pos with in OPEN FACING LOD with inside hands Step fwd and apart from ptr on L to M facing LOD for Dance; joined, step fwd in LOD with R/close L, OPEN pos facing LOD, swing R diag 14 (CP) Fwd Two-Step; Fwd Two-Step; Step fwd on R; across in front of L, hold 1 ct; releasing Fwd, -, Point Fwd, -; Step Back, -, 5.6 Fwd, Tch, Back/Close, Back; Rock Back, joined hands ptrs change sides in 3 steps Point Back, - Rec, Fwd, 2 (to face); M rolling 3/4 RF behind W as W rolls 3/4 LF In CLOSED pos and starting with M's L Repeat meas 1-2; in front of M to momentary OPEN-FACING do 2 fwd two-steps LOD: Step fwd on L, 7-8 Side, Behind, Side/Close, Fwd; Roll, 2, pos M's L and W's R hands joined; start- hold 1 ct, point R fwd, hold 1 ct; Step Fwd/Close, Fwd; ing M's L one twinkle step thru twd LOD bwd on R, hold 1 ct, point L bwd, hold Repeat meas 3-4 to end in OPEN FACING (Both XIF), side on R, close L to R; start- 1 ct; pos LOD with inside hands joined; ing M's R step thru twd RLOD, side on L 5-8 (CP) Fwd Two-Step; Fwd Two-Step; Step PART B blending to BUTTERFLY pos M's back to Fwd, -, Point Fwd, -; Step Back, -, 1-2 Walk, 2, 3, Kick; Back Up, 2, 3 (Face), wall, close R to L; Point Back, -; Tch; 9-12 Fwd (to OP), Swing, -; Fwd, Side (to Repeat Action of Meas 1 thru 4: walk fwd LOD with L,R,L, kick R fwd Face), Close (to Bfly); Solo Turn, 2, Close 9-12 (Box) (W under) Side, Close, Fwd, -; (W

70

on around) Side, Close, Back, -; (CP) Dip and do 2 fwd two-steps LOD: W twirls Repeat action of meas 1-4 Part A: Back, Rec (turn), -; Side, -; Behind (slow) R face while M walks 2 slow steps Balance Fwd; Balance Bwd; Twirl, 2, 3; Ack; (to I.-Open), -; LOD L,-,R,-; Quickly step apart and ac- Repeat action of meas 1-2 of Intro: M does a box by stepping swd L, close R knowledge as music ends ... Change hands to M's L and (W's R) walk to L, fwd on L as W circles R face under fwd in 3 steps L, R, L as (W twirls R face joined hands (M's L, W's R) two-stepping in 3 steps R, L, R) change hands to M's a half turn (hands held high); as M con- R and (W's L) and Ack. tinues to box two-step by stepping swd BLUE PACIFIC R, close L to R, bwd on R the W con- By Buzz Glass, Oakland, California tinues her circle with another two-step to Record: Windsor 4638 end in CLOSED pos' M facing LOD; in Position: Intro and Dance - Open inside hands CLOSED pos dip bwd twd RLOD on L, joined facing LOD. hold 1 ct, recover fwd on R while turning Footwork: Opposite - directions for M except as BON BON 1/2 R face (M's back to COH), -, hold 1 noted. By Oscar and Fran Schwartz, St. Petersburg, Fla. ct; Step swd L, hold 1 ct, cross R in back Meas INTRODUCTION Record: Belco #223 of L (to L-OPEN pos facing RLOD), hold; Balance Fwd; Balance Bwd; Balance Fwd; Balance Position: Intro - Open Facing - Dance,- Semi 13-16 Roll (LOD), -, 2, - (to SCP); Fwd Two- Bwd; Closed pos. Step; Fwd Two-Step; Pivot, -, 2 (to CP), 1 Step fwd on L, touch R toe beside L, hold Footwork: Opposite - directions for M 1 ct; Meas INTRODUCTION Starting M's L (W's R) both solo roll LOD 2 Step bwd on R, touch L toe beside R, hold Wait; Wait; Apart, Point,; Together (to Scp)„ (M L face, W R face) in 2 slow steps 1 ct; Tch,; turning a turn and a half to end in SEMI- 3-4 Repeat action of meas 1-2 swinging 1-2 In OPEN FACING pos wait two meas: CLOSED pos facing LOD; Starting M's L joined hands fwd and bwd in direction 3 Step apart L, hold 1 ct, point R twd ptr, do 2 fwd two-steps LOD blending to of steps: hold 1 ct; CLOSED pos (M's back to COH): In PART A 4 Step twd ptr on R (to SEMI-CLOSED pos), CLOSED pos do a couple pivot (3/4 turn) Step, Swing, -; (Canter) Roll, Close; Step, hold 1 ct, touch L to R, hold 1 ct; in 2 steps L,-,R, - ending in CLOSED Swing, -; Roll, Close; PART A pos with M facing LOD to repeat Part A; 1 Swinging joined hands fwd step diag fwd Fwd Two-Step; Fwd Two-Step; Change Sides, 2, Note: Repeat all of Part A (ending in Butterfly on L, swing R across L, hold 1 ct; 3, -; Turn (in), 2, 3, -; pos) before doing Part B. 2 Releasing hand hold and in canter rhythm 1-2 In SEMI-CLOSED pos do two fwd two- PART B change places with ptr M turning R face steps: 17-20 (Bfly) Face to Face; Back to Back (stay and rolling in back of W making almost 3 Under raised leading hands and crossing there); (Vine RLOD) Side, Behind, Side, a complete turn on R in 2 cts, close L diag twd LOD and WALL (W LOD and -; Around (to face), 2, 3, - (to CP); to R as turn is completed to end facing COH) do 1 two step ending in momen- At the completion of Part A the second LOD inside hands joined M's L and (W's tary L OPEN pos facing LOD; time thru blend to BUTTERFLY pos with R) (W rolls in front of M stepping L, R); 4 Do 1/2 LF (W RF) turn two-step ending in M's back to COH and do a swd two-step 3-4 Starting M's R repeat action of meas 1-2 SEMI-CLOSED pos facing RLOD; LOD releasing lead hands and starting ending in OPEN pos facing LOD: Fwd Two Step; Fwd Two Step; Change Sides, blend to back-to-back pos on last step; Step, Swing, -; Manuv, Touch, -; (R) Waltz Turn; 2, 3, -; Turn (Face), 2, 3, -; Blending to back-to-back pos with M's (R) Waltz Turn; 5-6 In RLOD repeat action of meas 1 and 2: R and W's L hands joined and starting 5 Repeat action of meas 1; 7 Repeat action of meas 3; M's R do a swd two-step LOD (remain 6 Stepping on R turn to face ptr and WALL 8 Do 1/4 LF (W RF) turn two step ending in back-to-back pos); Moving RLOD do a taking CLOSED pos, touch L to R turning in BUTTERFLY pos M's back to CON; grapevine stepping swd L, cross R in to face almost RLOD, hold 1 ct; Twisty Vine, 2,; 3, 4,; 5, 6,; Fwd, Fwd,; back (W XIB), then release hands while 7-8 Starting with M's L ft do two R face 9 Progressing LOD do slow twisty (opp) stepping swd L and quickly join the other turning waltzes unfolding on 3rd ct of vine stepping side L, XRIB (W XLIF) to hands (M's L and W's R), hold 1 ct; Keep- meas 8 to end facing LOD and OPEN pos: SCAR, -; ing hands joined circle L face (W R face) Step, Swing, -; (Canter) Roll, Close; Step, 10 Side L, XRIF (W XLIB) to BANJO, - in 3 quick steps R,L,R, - to end facing Swing, -; Roll, Close; 11 Repeat action of meas 9 ending in OPEN partner to take CLOSED pos with M's 9-12 Repeat action of meas 1-4; pos facing LOD; back to COH; Step, Swing, -; Manuv, Touch, -; (R) Waltz 12 Taking ESCORT pos step fwd slow L, 21-24 (Box) Side, Close, Fwd, -; (Box) Side, Turn; (R) Waltz Turn; R, -; Close, Back, -; Twirl, -, 2, - (to SCP); 13-16 Repeat action of meas 5-8 to end in SEMI- Fwd Two-Step; Fwd Two-Step; (CCW) Wheel„ Walk, -, 2, -; CLOSED pos facing LOD; 2,; 3, 4 (to Butterfly),; In CLOSED pos M's back to COH do a full PART B 13-14 In ESCORT pos do two fwd two-steps box in 2 two steps (swd on L, close R, Step, Swing,-; Twinkle, 2, 3; Twinkle, 2, 3; LOD: fwd on L, hold; Swd on R, close L, bwd Fwd, Face/Touch, -; 15-16 Wheeling as a couple with M backing on R, hold): W twirls R face under joined 17 In SEMI-CLOSED pos facing LOD step fwd (W fwd) make 3/4 slow wheel in 2 meas lead hands as M walks LOD 2 slow steps on L in LOD and swing R fwd, hold 1 ct; stepping L, R, L, R ending in L,-,R,-; Resuming SEMI-CLOSED pos both 18 Step fwd on R turning R face to face ptr, BUTTERFLY pos M's back to COH, walk fwd (LOD) 2 slow steps; step L beside R, step R in place turning PART B 25-28 (Circle) Away Two-Step; Away Two-Step; to face RLOD without releasing hands; (Pas de Basque) Side Behind, Place, -; Side, Tog. Two-Step; Two-Step (to CP); 19 Step fwd/thru L turning L face to face Behind, Place, -; Roll, 2,; 3, Tch,; Moving apart and circling a full turn L ptr, step R beside L, step L in place turn- 17 In BUTTERFLY pos step side L, XRIB (W face (W R face) in 4 two-steps returning ing to face LOD; XLIB), in place on L, hold 1 ct; to partner to take CLOSED pos with M's 20 Step fwd L, turn to face ptr and touch 18 Side R, XLIB (W XRIB), in place on R, back to COH: R to L, hold 1 ct coming into momentary hold 1 ct; 29-32 Turn Two-Step; Turn Two-Step (to SCP); LOOSE-CLOSED pos; 19-20 Solo roll IF (W RF) stepping slow L, Twirl, -, 2, -; Walk, -, (Pickup to CP) Step, Swing,-; Twinkle, 2, 3; Twinkle, 2, 3; R, L, Tch R, - (end BUTTERFLY pos 2, -; Fwd, Face/Touch, -; M's back to CON): Do two turning two-steps LOD ending in 21-24 Repeat action of meas 17-20: Side, Behind, Place, -; Side, Behind, Place, -; SEMI-CLOSED pos facing LOD: W twirls Step, Swing, -; Twinkle, 2, 3; Twinkle, 2, 3; Roll„ 2,; 3„ (BJO) Tch,; R face as M walks LOD 2 slow steps Fwd, Face/Touch, - 21-24 In BUTTERFLY pos starting on R twd RLOD L,-,R,-; Walk 2 more slow steps LOD 25-28 Again repeat action of meas 17-20: repeat action of meas 17 thru 20 ending bringing the W around in front of M to Step, Swing, -; Hook, Turn, -; (L) Waltz Turn; in BANJO pos M's back to COH: CLOSED pos on the second step (Pickup) (L) Waltz Turn; Banjo Around Two-Step; On Around Two-Step; to start the dance over; (Note: On second 29 Scar Around Two-Step; On Around Two-Step; time thru dance remain in SEMI-CLOSED Still in LOOSE-CLOSED pos facing diag LOD and WALL step swd in LOD on L, 25-26 In BANJO pos do two two-steps making pos to do Ending.) DANCE GOES THRU 1/2 turn to end M facing COH: TWICE (Sequence: A-A-B, A-A-B) swing R across in front of L twd LOD, ENDING hold 1 ct; 27-28 Manuv to SCAR do two two-steps around 30 1-4 (SCP) Two-Step; Two-Step; Twirl, -, 2, -; CROSS RIF close to L in a hook, turn blending to SEMI-CLOSED pos facing ACKNOWLEDGE L face on balls of both feet until feet are LOD: After completing the entire routine the parallel taking weight on R ending in Fwd Two-Step; Fwd Two-Step; Twirl, 2,; 3„ second time remain in SEMI-CLOSED pos CLOSED pos facing LOD on 3rd ct (W 4,; waltzes across IF of M in 3 steps coming 29-30 In SEMI-CLOSED pos do two fwd two- into CLOSED pos); steps: ROUNDS OF LASTING INTEREST 31-32 In CLOSED pos M facing LOD starting 31-32 Under M's L - W's R hands twirl W slow As mentioned earlier, Sets in Order is fea- with L ft do two L face turning waltzes RF while walking fwd slow L, R, progressing in LOD unfolding on ct 3 L, R, ending in SEMI-CLOSED pos: ac- turing rounds which have achieved lasting of meas 32 to end in OPEN pos facing knowledge status through general acceptance. One is LOD: Sequence: ABABA Ending Blue Pacific Waltz. Another ( page 76 ), is DANCE GOES THRU THREE TIMES PLUS ENDING Ending: Apart, Step, Step; Together, Step, Step; Hot Lips. Sets in Order believes that all Ending: Step apart on L in place step R, L, step to- Step, Swing, -; (Canter) Roll, Close; Step, gether on R, step in place L, R, Acknowl- dancers will enjoy these favorites. Swing, -; Roll, Close; edge

71

CALL IT LOVE LOOSE-CLOSED pos and do a 4 ct grape- LOD 1, R, as W does 1 RF twirl in two By Hi and Cookie Gibson, Hawthorne, California vine (Side L, XRIB, side L, XRIF); Do a slow steps (RL) under joined M's L and Record: Hi-Hat 825 full turn couple pivot in 2 slow steps L, W's R hands; start M's L both walk two Position: Diag Open-Facing for Intro, Closed (M - R, -; Twirl, Bow and Curtsy as the slow steps prog LOD to end in Semi CP facing LOD) for Dance. music ends (this need not be a fast twirl). facing LOD. Footwork: Opposite throughout, Directions for M PERFORM ENTIRE DANCE FOR TOTAL except as noted. OF 2 TIMES Mess INTRODUCTION 'ENDING: On meas 32 the second time thru dance 1-4 Wait; Wait; Apart, -, Point, -; Together Walk, 2 (Open-facing), ; Apart/Pt. (to CP), -, Touch, -; CASTLES IN SPAIN In diag Open-Facing pos (M's back to By Wayne and Norma Wylie, St. Louis, Missouri COH and RLOD) wait 2 meas; Step apart Record: Windsor 4713 on L, hold 1 ct, point R, hold 1 ct; Step Position: Intro - Open facing. Dance - Semi CP together on R blending to CLOSED pos facing LOD CENTENNIAL ROSES (M facing LOD), hold 1 ct, touch L to R, Footwork: Opposite throughout, directions for M By Earle and Jean Park and Lorne and Betty Hay, hold 1 ct. unless noted Canada DANCE Meas. INTRODUCTION Record: Scope 2 1-4 (CP) Fwd Two-Step; Fwd Two-Step; (Hitch) 1-4 Wait; Wait; Apart, -, Point, -; TOG (Semi Position: Intro - Diag Open Facing. Dance - Var- Fwd, Close, Back, -; Back, Close, Fwd, -; CP), -, TCH, -; souvianna In Closed pos and starting M's L do 2 fwd Open-facing pos (M's back to COH) M's R Footwork: Opposite throughout-directions for M two-steps LOD; Do a "hitch step" by step- and W's L hands joined wait two meas; except as noted. ping fwd L, close R to L, step bwd L, hold step apart on L, hold 1 ct, point R toe Meas INTRODUCTION 1 ct; Do a bwd "hitch" by stepping bwd twd ptr, hold 1 ct; step tog to Semi CP Wait; Wait; Apart, -, Point, -; Together, -, (to R, close L to R, step fwd R, hold 1 ct; on R, hold 1 ct, tch L to R, hold 1 ct. VARSV), Touch, -; 5-8 (Scissors) Side, Close, Cross/Dip, -; Re- DANCE 1-2 In OPEN FACING pos M diag twd LOD cover, -, Back, Close; Fwd, Fwd, -; 1.4 Fwd Two-Step; Fwd Two-Step; (Hitch) and WALL wait 2 meas: Twirl, -, 2 (to Cp), -; Fwd, Close, Back, -; Step Back, -, Side 3 Step bwd away from ptr on L, hold, Swd on L, close R to L, cross L over R (W (bk to bk), -; point R toe twd ptr, hold; XIB) dipping slightly to check fwd move- In Semi CP do two fwd two-steps prog 4 Step fwd (turning to face LOD and into ment, hold 1 ct; Recover back on R, hold LOD: step fwd LOD on L, close R to L, VARSV pos) on R, hold, touch L to R, 1 ct, quickly step bwd on L, and close R step bk twd RLOD on L, hold 1 ct; step bk hold; (Note: These 2 steps plus the first step twd RLOD on R, hold 1 ct, releasing Semi DANCE of the next mess gives a "hitch" action) CP turn LF twd COH (WRF) by stepping L Fwd Two-Step; Fwd Two-Step; (R) 1/2 Wheel, -, Step fwd on L, -, Step fwd on R, - (Still to side and twd RLOD assuming bk to bk 2, -; 3, -, 4, -• in Closed pos); W does a slow R face pos, hold 1 ct. 1-2 In VARSV pos starting with L ft do 2 fwd twirl under joined hands as M moves 5-8 Step Fwd (L-open Pos), (Hitch) Fwd, two-steps in LOD: LOD L, R, - ending again in CLOSED Close; Back, -, Back (Turn), -; Turn Two- 3-4 Wheel 1/2 R face LRLR (M fwd W bking pos M facing LOD; Step; Turn Two-Step; up) to end facing RLOD with M on out- 9-12 (CP) Fwd Two-Step; Fwd Two-Step; (Hitch) Continue turn by stepping fwd twd RLOD side: Fwd, Close, Back, -; Back, Close, Fwd, -; on R and assume Left OP, hold 1 ct, step Fwd Two-Step; Fwd Two-Step; (L) 1/2 Wheel, -, Repeat action of Meas 1 thru 4; fwd RLOD on L, close R to L; step bk twd 2, -; 3, -, 4, -; 13-16 (Scissors) Side, Close, Cross/Dip,-; Re- LOD on L, hold 1 ct, step bk diag twd 5-6 Repeat action of meas 1 and 2 except cover, -, Back, Close; Fwd, Fwd, -; LOD and COH on R (W twd LOD and travel in RLOD: Twirl, -, 2 (to CP), -; wall) turning LF (WRF) twd ptr to CP, hOld 7-8 Wheel 1/2 L face LRLR (M bking up W Repeat action of Meas 5 thru 8; 1 ct; Starting M's L do two RF turning fwd) to end facing LOD with M on inside: 17-20 (Lady under) Two-Step; Fwd Two-Step (to two-steps progressing LOD to end in Semi Fwd Two-Step; Fwd Two-Step; Bal Apart, 2, 3, Bfly); (Lady Under) Two-Step; Fwd Two- CP facing LOD. -; Roll Across, -, 2, -; Step (to Bfly); 9-12 Fwd Two-Step; Fwd Two-Step; (Hitch) 8-10 Still in VARSV pos repeat action of meas As M starts with L and does a two-step Fwd, Close, Back, -; Step Back, -, Side diag twd wall and LOD (but almost in 1 and 2: (bk to bk), -; 11 Releasing VARSV pos and joining inside place) the W turns R face under his L arm Repeat action of mess 1-4. hands (M's R and W's L) bal apart L, R, (her R) moving twd COH and LOD to end 13-16 Step Fwd (L-open Pos), (Hitch) Fwd, in L-OPEN pos facing LOD; Two-step LOD Close; Back, -, Back (Turn), -; Turn Two- 12 Roll across (M XIB) R face in 2 steps RL while blending to BUTTERFLY pos with Step; Turn Two-Step; M's back to wall; Starting M's L in 1 two- making one complete turn (changing to Repeat action of meas 5-8 except to end M's L and W's R hands joined) (W rolls step again change sides with W moving in Half open Pos. under M's R hand joined with W's L to L face) end facing LOD in L OPEN pos; 17-20 Fwd, Step, Step (W Roll across); Fwd, Bal Apart, 2, 3, Roll Across, -, 2, -; Bal end in OPEN pos facing LOD; Two-step - , Step, Step (W Roll back); Pivot„ 2, ; LOD while blending to BUTTERFLY pos Apart, 2, 3, -; Bal' (to face), 2, 3, -; Twirl, 2, ; 13 Bal apart R, L, R, -; with M's back to COH; In Half' OP step fwd LOD on L, hold 1 ct, 14 Roll across (M XIB) L face in 2 steps LR 21-24 (Slow Vine) Side, -, Behind, -; Side, step R, L almost in place as W rolls LF (changing to M's R and W's L hands - Thru (to CP), -; (Fast) Vine, 2, 3, 4; across in front of man (LR) to end on L joined) (W rolls R face); Pivot, -, 2, - (to SCP); side of M in Half OP; step fwd LOD on R, 15 Repeat action of mess 11; In Butterfly pos step swd L (slow) -, hold 1 ct, step L, R almost in place as W 16 Bal together stepping on R and turning cross R in back of L (W XIB), -; Again rolls RF across in front of M (RL) to end 1/4 R face to end facing ptr and WALL step swd L (slow), -, cross R thru twd on R side of M in Half OP; quickly take and BUTTERFLY pos, step in place L, R, LOD (both XIF) to CLOSED pos, -; In CP and do a RF couple pivot in two slow - (W turning 1/4 L face); LOOSE-CLOSED pos do a 4 ct grapevine steps L, R, to end in Semi CP facing Bal L 2, 3, -; Bal R, 2, 3, -; Roll, -, 2, -; 3, -, LOD (Side L, XRIB, side L, XRIF); Do a LOD; M walks fwd LOD two slow steps, Touch, -; full turn couple pivot in 2 steps L, R, L, R, as W does RF twirl in two slow - to end in SEMI-CLOSED pos facing LOD. steps (RL) under joined M's L and W's R 17 In BUTTERFLY pos M facing WALL bal to 25-28 (SCP) Fwd Two-Step; Fwd Two-Step; (Face) hands to end in Half OP. side LOD stepping on L, in place R, L, -; Side, Close, Side, Close; (SCP) Walk Fwd, 21-24 Fwd, -, Step, Step (W Roll across); Fwd, 18 Bal to side RLOD stepping on R, in place - , 2, -; -, Step, Step (W Rolls back); Pivot, 2, ; L, R, -; In Semi-Closed pos and starting M's L do Twirl, 2, ; 19-20 Roll L face down LOD in 3 slow steps L, 2 fwd two-steps LOD; Quickly blend to Repeat action of meas 17-20 except to R, L, touch R to L (W roll R face) ending LOOSE-CLOSED pos and step swd L (LOD), end in Open-Pos. in BUTTERFLY pos: close R to L, again step swd L, and again 25-28 Fwd Two-Step; Rock Fwd, -, Recover Bal R, 2, 3, -; Bal L, 2, 3, -; Roll, -, 2, -; 3, -, close R to L; Blending to SEMI-CLOSED (Face), -; Side, Close, Turn (Left OP), -; Touch, - (to SCP); pos walk fwd LOD 2 slow steps L, Rock Fwd, -, Recover (face), -; 21 In BUTTERFLY pos bal to side RLOD step- R, -; In Open-Pos starting M's L do one two- ping on R, in place L, R, -; 29-32 (SCP) Fwd Two-Step; Fwd Two-Step; (Face) step fwd in LOD; rock fwd in LOD on R, 22 Bal to side LOD stepping on L, in place Side, Close, Side, Close; Twirl, -, 2, -; hold 1 ct, recover on L turning in twd R, L, - Repeat the action of Meas 25 thru 28 ptr (M RF W LF) to assume Bfly Pos, 23-24 Roll R ;face down RLOD in 3 slow steps EXCEPT W does a R face twirl under hold 1 ct; Step to side twd RLOD on R, L, R, touch L to R (W roll L face) ending joined lead hands in Meas 32 to end in R, close L to R, continue turn by step- in SEMI-CLOSED pos facing LOD; CLOSED pos M facing LOD to repeat the ping fwd RLOD on R to Left OP, hold Fwd Two-Step; Fwd Two-Step; (Vine) Side, -, dance. 1 ct; rock fwd RLOD on L, hold 1 ct, Behind, -; Side, -, Thru, -; (NOTE: On second time thru dance blend recover on R turning in twd ptr (M LF 25-26 In SEMI-CLOSED pos starting with L ft do to Semi-Closed pos.) W RF) to CP M's back COH, hold 1 ct. 2 fwd two-steps in LOD: DANCE GOES THRU TWICE 29-32 Side, Close, Side, Close; Pivot, 2, ; 27-28 Quickly blending into CLOSED pos turn- Ending: (SCP) Fwd Two-Step; Fwd Two-Step; (CP) Twirl, 2, ; Walk, 2, ; ing to face ptr and WALL vine slowly Vine, 2, 3, 4; Pivot, -, 2, -; Twirl, Bow In CP step swd LOD on L, close R to L, down LOD side on L, -, behind on R, and Curtsy. step swd LOD on L, close R to L; starting (both XIB) side on L, thru on R, - Blend to Semi-Closed pos and starting M's M's L do one RF couple pivot L, R, to (manuv to face RLOD) (W thru on L turn- L do 2 two-steps LOD; Quickly blend to end in Semi CP facing LOD; M walks fwd ing to face LOD):

72 Pivot, -, 2, -; Walk, -, 2, -; Twirl, -, 2, -; Dip Bwd, -; Manuv, 2, 3; (R) Waltz Turn; (R) of M turning L face on her R, L, then Walk, -, 2, -; Waltz Turn (to SCP); crosses R thru in front of L to end in 29 In CLOSED pos pivot in 2 slow steps LR 29-32 Repeat action of Meas 5-8 end in SEMI- LEFT OPEN pos) both facing diag LOD to end facing LOD in SEMI-CLOSED POS; CLOSED pos facing LOD: and WALL; 30 In SEMI-CLOSED pos walk fwd in 2 slow DANCE GOES THRU TWICE except on 23 In LEFT OPEN pos run LOD and slightly steps LR; Meas 32 second time thru omit the turn- diag twd WALL R, L, R, -; 31 Retain M's L and W's R hand hold walk ing waltz and W twirl (stepping bk on 24 M takes 2 slow and short fwd steps L, 2 slow steps L R as (W twirls R face R L L) R face under M's L and W's R hand - R, - (W turns R face on R, L, -) to adjusting to VARSV pos); and acknowledge. end in CLOSED pos M facing LOD; (Styl- 32 In VARSV pos walk fwd in LOD 2 slow ing note: Flare slightly on "pickup.") steps L R to start dance again; DANCE PART A MODIFIED (8 meas) GOES THRU TWICE (Box) Swd, CI, Fwd, -; Swd, CI, Bk, - Ending: Fwd Two-Step; Fwd Two-Step; W Roll Vine in 2, 2, Tch: Roll Out, 2, 3, Tch (to "C'EST SI BON" CP); (Hitch) Fwd, CI, Bk, -; Bk, CI, Fwd, Out, -, 2, -; Apart, -, Point, - By Charlie and Marge Carter, Columbus, Ohio In VARSV pos do 2 fwd two-steps in - ; Turn Two-Step; Turn Two-Step; Record: Hi-Hat #835 25-30 Repeat the first six meas of PART A LOD: Position: Intro - Open-Facing on a diag. Dance M walk fwd LR (as W rolls out stepping (meas 1 thru 6 above); - Closed with M facing LOD. 31-32 Do 2 turning two-steps LOD ending in RL); (change hand holds to M's R and Footwork: Opposite except as noted. Directions CLOSED pos M facing LOD; W's L) step apart on L, -, point R twd for M except as noted. ptr, - (W apart on R point L twd ptr). Meas INTRODUCTION PART B (8 meas) Wait; Wait; Apart, -, Point, -; Together (Scis) Swd, CI, Cross, -; (Scis thru) Swd, (to CP), -, Touch, -; CI, Thru, - (to SCP); Run, 2, 3, -; Step, 1-2 In OPEN FACING pos M facing diag twd Flare In, Thru, - (to LOD); (Scis thru) LOD and WALL, wait 2 meat; Swd, CI, Thru, - (to SCP); Lady Across CENTENNIAL WALTZ 3-4 Step apart on L, -, point R twd ptr, - (to L-OP), 2, 3, -; Run, 2, 3, -; Pick Up, By Ev and Amy Kuhn, Nelson, B.C., Canada Together fwd on R to CLOSED pos M face - , 2, -; Record: Scope #3 LOD; 33-40 __Repeat all of the action of Part B (meas Position: Intro-Diag Open Facing. Dance-Semi- PART A (16 meas) 17 thru 24 above); Closed facing LOD. (Box) Swd, Cl, Fwd, -; Swd, CI, Bk, -; PART A (2nd Modification) (8 meas) Footwork: Opposite-Directions for M except as Vine In, 2, 3, Tch; Roll Out, 2, 3, Tch (Box) Swd, CI, Fwd, -; Swd, CI, Bk, -; noted. (to CP); Vine In 2, 3, Tch; Roll Out, 2 3, Tch (to Meas INTRODUCTION 1 In CLOSED pos M facing LOD step swd L, CP); Hitch) Fwd, Cl, Bk, -; BF, CI, Fwd, Wait; Wait; Apart, Point, -; Together (to SCP), close R, fwd L, -; -; Walk, -, 2, -; (Quick) Twirl, 2, Apart, Touch, -; 2 (Continue box) Swd R, close L, bwd R, -; - ; Point; 1-2 In diag OPEN-FACING pos M diag twd 3 In LOOSE-CLOSED pos vine twd COH swd 41-46 Again repeat meas 1 thru 6 of PART A LOD and WALL wait 2 meas: L, XRIB (both XIB), swd L, touch R to L (above); 3 Step bwd away from ptr on L, point R toe while loosening holds; 47-48 In CLOSED pos walk 2 slow steps LOD twd ptr, hold; 4 Staying close together do a quick solo (L, R, -); M steps quickly in place 4 Step fwd on R turning to SEMI-CLOSED roll twd WALL (M. R fac, W L fac) R,L,R, L, R, then bwd L (COH), holds (W twirls pos, touch L to R, hold; touch L quickly into CLOSED pos M fac- quickly R face twd WALL R, L, bwd apart ing LOD; on R, hold); The "Point" of the acknowl- PART A (Hitch) Fwd, CI, Bk, -; Bk, CI, Fwd, -; Step, Lift, -; Run, 2, 3; Step, Lift, -; Bwd, Bwd edgement is done on the extra note after Walk, -, 2, -; Run, 2, 3, -; (to Face), Close (to CP); meas 48. 5 In CLOSED pos facing LOD hitch fwd L, Complete dance is 48 meas long 1 In SEMI-CLOSED pos step fwd on L, lift R Sequence Note: close R, bwd L, -; and sequence is just as indicated above. slightly keeping toe pointed down, hold; 6 Hitch bwd on R, close L, fwd R, -; 2 Run fwd with small steps R, L, R; 7 Walk fwd LOD in 2 slow steps L, R, 3 Repeat action of meas 1; 4 Step bwd R, bwd L turning to face ptr, 8 -In CLOSED pos run fwd in LOD L, R, L, -; close R to L facing WALL in CLOSED pos; (Bk Box) Swd, CI, Bk, -; Swd, CL, Fwd, CONNECTICUT WALTZ Dip Bwd, -; Manuv, 2, 3; (R) Waltz Turn; (R) - ; Vine Out, 2, 3, Tch; Roll In, 2, 3, Tch By Luv 'n' Johnny Anderson, Fairfield, Conn. 'Waltz Turn (to SCP); (to CP); Record: Grenn 14087 5 Dip bwd twd COH on L, hold 2 cts; 9 Do a back-box swd R, close L, bwd R, -; Position: Open-facing for Intro, Bfly for dance. 6 Manuv in 3 steps R, L, R ending M facing 10 Box swd L, close R, fwd L, -; Footwork: Opposite throughout, directions for M. RLOD; 11 In LOOSE-CLOSED pos vine twd WALL Meas INTRODUCTION 7-8 Start M's L ft do 2 R face turning waltzes swd R, XLIB (both XIB), swd R, touch L 1-4 Wait; Wait; Apart, Point, -; Together, to end in SEMI-CLOSED pos facing LOD: to R while loosening holds; Touch (to Bfly), -; Step, Lift, -; Run, 2, 3; Step, Lift, -; Bwd, Bwd 12 Staying close together do a quick solo Wait 2 meas in OPEN-FACING pos: Step (to Face), CLOSE (to CP); roll twd COH (M L fac, W R fac) L,R,L, and bwd twd COH on L, point R twd partner, 9-12 Repeat action of meas 1-4: touch R while assuming CLOSED pos M hold 1 ct; Swinging joined hands twd Dip Bwd, -; Manuv, 2, 3: (R) Waltz Turn; (R) facing LOD; RLOD step diag fwd twd wall & RLOD Waltz Turn (end M facing Wall); (Hitch) Fwd, CI, Bk, -; Bk, CI, Fwd, -; on R, tch L to R to BUTTERFLY pos, hold 13-16 Repeat action of Meas 5-8 except to end Walk, -, 2, -; Run, 2, 3, - 1 ct; M facing WALL (W facing COH): 13-16 Repeat action of meas 5 thru 8 (above) DANCE PART B starting M's R (W's L); 7-4 Fwd, Swing, Lift; Fwd, Fwd/Face, Close Apart, Point, -; Together (to Tamara pos), Touch, PART B (8 meas) (to CP); Bal, In, -; Manuv, 2, Close; -; Wheel (CW), 2, 3; Unwrap (Face); (Scis) Swd, CI, Cross, -; (Scis thru) Swd, In OPEN pos starting M's L step fwd 17 Keeping M's L and W's R hands joined CI, Thru, - (to SCP); Run, 2, 3, -; Step, LOD, swing R ft thru, rise slightly on step apart on L, point R diag twd RLOD Flare In, Thru, - (to LOD); ball of L ft while R ft is lifted slightly and ptr, hold 1 ct; 17 Do a Scissors thru swd twd COH on L, off floor; Step fwd LOD on R, fwd LOD IS (W places her L hand behind her back at close R, XLIF (W XRIB) to momentary on L turning to face partner & WALL, close waist with palm out) M steps fwd on R SCAR pos, -; R to L end in CP M facing WALL; Bal in twd ptr (taking W's L hand with his R), 18 M does a Scissors thru starting diag RLOD twd COH on L ft, draw R ft to L taking touch L to R (while joining M's L and W's on R, close L, cross thru on R (W steps no wgt, hold 1 ct; step fwd on R ft R hands and hold high forming a win- swd L, closes R, turns and steps on L) manuv 1/4 RF twd OD, step swd twd wall dow), hold; ending in SEMI-CLOSED pos (facing LOD), on L, close R to L end M facing RLOD; 19 Maintain TAMARA pos wheel CW approx 5-8 (R( Waltz Turn; Waltz Turn; Waltz Turn; 1/2 turn stepping L, R, L; 19 -In SEMI-CLOSED pos run diag LOD and Fwd Waltz (W Twirl to Open); 20 Retain hand hold until unwrapped step- COH L, R, L, -; Starting bwd in LOD do 3 RF turning ping R, L, R then release M's R and W's 20 In SEMI-CLOSED pos step slowly fwd waltzes; W twirls RF under joined hands L hand to end facing WALL (W face LOD on R, flare L close to floor twd part- L,R,L as M does fwd waltz R,L,R end COH); ner turning R face (W flares R twd part- momentary BUTTERFLY blehding to OPEN Apart, Point, -; Together (to Tamara pos), Touch, ner and turns L face), step on L into LEFT Pos; -; Wheel (CW), 2, 3; Unwrap (to SCP); OPEN pos facing RLOD and diag twd 9-16 Repeat action of Meas 1-8 ending in 21-24 Repeat action of Meas 17-20 except end WALL, -; OPEN Pos; in SEMI-CLOSED pos facing LOD: (Scis thru) Swd, CI, Thru, - (to SCP); 17-20 Waltz Away; on to Butterfly; Waltz Bal Fwd Waltz; Fwd, Point, -; Solo Roll, 2, 3; To- Lady Across (to L-OP), 2, 3, -; Run, 2, 3, Left; Waltz Bal Right (to Open); gether, Touch (to CP M facing Wall), - - ; Pickup, -, 2, - In OPEN Pos starting M's L waltz down 25 In SEMI-CLOSED pos waltz fwd L, R, L; 21 From momentary LEFT OPEN pos facing LOD slightly away from partner; Waltz 26 Step fwd on R, point L fwd, hold 1 ct; RLOD and diag twd WALL do a scissors fwd twd partner and LOD by stepping 27 Do a 3/4 spot solo roll L face (W turn R thru to SEMI-CLOSED pos swd R, close L, fwd on M's R, to side twd LOD on L turn- face) stepping L, R, L to end M facing ptr cross thru on R (W also XIF) facing LOD, ing to face partner, close R ft to L to and WALL; BUTTERFLY; Step swd twd LOD on L, be- 28 Step fwd twd ptr on R (W fwd on L), 2 M steps L, R, L almost in place to end in hind on R, in place on L; Step swd twd touch L to R to end in CLOSED pos, hold; LEFT OPEN pos (W runs across in front RLOD on R, behind on L, in place on R

73 blending to OPEN Pos; PART B 21-24 Repeat Action of Meas 17-20 end in Bfly 21-24 Repeat action of Meas 17-20 but remain- Fwd Two-Step; (Break) Side, Behind (to Pos. ing in Butterfly Pos on Meas 24; SCP), Fwd, —; (Bjo) Fwd, Lock, Fwd, Lock; 25-28 Face To Face, —; Bk To Bk, —; Lunge, —, 25-28 (Vine) Side, Behind, Side; Thru, Side, Walk, —, Face Out, —; Rec (Turn), —; Chg Sides Two Step; Close; Fwd, Swing, Lift; Manuv, 2, Close 17 In CLOSED pos do one fwd two-step twd In BUTTERFLY pos M's bk to COH step (to CP); LOD L, R, L, —; swd twd LOD on L, close R to L, swd L Do 3 step vine LOD stepping side L, be- 18 (Breakaway) Step swd R twd WALL drop lead hands pivot 1/2 LF turn to bk hind R (WXIB also), side L; Step fwd LOD quickly, quick L step behind R to mo- to bk pos, —; with M's R & W's L hands on R, fwd LOD on L turning to face part- mentarily SEMI-CLOSED pos (W steps R joined M steps swd on R twd LOD, close ner and WALL, close R ft to L end momen- in back of L), recover quickly fwd on R L to R, swd on R swinging joined hands tary BUTTERFLY; Swinging M's R and W's blending from SEMI-CLOSED pos to M's R & Ws L bk thru in RLOD as M L hand thru and progressing LOD step CLOSED pos diag twd COH and LOD, - turns 1/2 RF (W LF to modified BUTTER- fwd on L, swing R ft thru, rise slightly (this figure resembles other breakaway FLY pos); lunge fwd on M's L (W's R), on ball of L ft while lifting R ft slightly figures in that it is a rocking mvt but hold 1 ct, recover on R M turning to face off floor; Step fwd on R manuv 1/2 RF hand holds are maintained here); WALL and slightly RLOD, hold 1 ct; start twd LOD, step swd twd wall on L, close 19 Blending into modified BANJO pos to M's L do a fwd two step diag twd wall R to L end CP M facing RLOD; lead with M's L shoulder diag twd LOD & RLOD (W XIB of M passing R shoul- 29-32 (R) Waltz Turn; Waltz Turn; Pivot, 2, 3; step fwd LOD on L, lock R in back of L, ders) blending to bk to bk pos M's R Thru, Side, Close (momentary Butterfly); fwd L, lock R in back (W locks or cuts hand & W's L hand joined M on outside Stepping back in LOD do 2 RF turning IF each time); facing WALL; waltzes end M facing WALL; Do standard 20 Step fwd with slow L, fwd slow R, - 29-32 Bk To Bk, —; Face To Face, —; Lunge, —, full RF pivot L,R,L; step thru twd LOD on turning 1/4 RF into CLOSED pos M fac- Rec, —; Turn, 2, 3 (to CP), —; R crossing in front of L (W XIF also), step ing WALL; Twd RLOD do a bk to bk two-step; a fwd LOD on L turning to face partner and Pivot, —, 2, (to Bjo); Rock Fwd, Recov, face to face two-step; lunge fwd in RLOD WALL, close R to L end in momentary BUT- Bk, Pt Fwd (W flare to SCP); Fwd Two- dipping fwd on M's R (W's L), hold 1 ct, TERFLY with M facing wall; Step; Pickup, —, 2, —; rec L, hold 1 ct; M turn 1/2 RF as he DANCE GOES THRU TWICE 21 Do 1 RF cpl pivot for 3/4 turn with slow leads W into full LF solo spin to end in L, R„ — blending to BANJO pos M CP M facing LOD; facing LOD; Ending: Apart, Point, —; DANCE GOES THRU TWICE. Second time thru 22 In BANJO pos M facing LOD rock fwd L, After completing Meas 32 step apart for Meas 32 W solo spins & M maneuvers recover bwd on R, rock bwd on L, point standard ack with M's back to COH. to SCP facing LOD for ending. R fwd lightly to floor twd LOD taking no Ending: Fwd Two-Step; Fwd Two-Step; Twirl, —, wt (W steps RLOD on R turning RF for 2, —; Apart, —, Point, - short flare thru with L into SEMI-CLOSED In SCP facing LOD start M's L do 2 fwd pos on last 2 cts of this meas) end fac- two-steps; M walk fwd L, R, (W TWIRL FANTASY ing LOD in SEMI-CLOSED pos; R, L), step apart & point. By Edna and Gene Arnfield, Skokie, Illinois 23 In SEMI-CLOSED pos starting M's R do RECORD: Scope #1 one fwd two-step R, L, R, —; POSITION: Intro — Diag Open Facing. Dance - 24 Step fwd slow L, R, — in blended pick- Closed pos M facing LOD. up into CLOSED pos (W turn 1/2 LF into FOOTWORK: Opposite — Directions for M except CLOSED pos on R, L, —) to end in "FOUR WALLS" as noted. CLOSED pos M facing LOD to start from By Merl & Delia Olds, Los Angeles, Calif. Meas INTRODUCTION top; Record: Hi-Hat 822 Wait; Wait; Apart, —, Point, —; Tog (to Sequence: A, A ,B — A, A, B — (8 meas) Position: Open-Facing for both Intro and Dance. CP), —, Touch, —; Ending: As Part A is completed the last time Footwork: Opposite, directions for M except as 1-2 In OPEN FACING pos M diag twd LOD thru with the swd two-step twd WALL noted. and WALL wait 2 meas; ptrs step bwd away from each other 3 Step bwd away from ptr on L, point R diag twd COH on L changing hand-hold Intro: Wait; Wait; Apart, Touch, —; Together, toe twd ptr, hold; to M's R and W's L, — point R toe twd Touch, —; 4 Step fwd on R twd ptr into CLOSED pos ptr and acknowledge. In Open-Facing pos with M facing diag M facing LOD, touch L to R, hold. LOD and wall wait 2 meas; Step bwd PART A away from partner on L, touch R, hold 1 ct; Step twd partner on R, touch L, Walk, — 2, —; (Scis) Side, Close, Cross FIVE MINUTES MORE (to SCar), (Diag out) Walk, —, 2, —; By Lee & Katie Billow, Severna Park, Maryland hold 1 ct. (Scis) Side, Close, Thru, —; Meas DANCE Record: Grenn 14090 1 1-4 Waltz Away; Waltz Tog (to Btfly); Waltz In CLOSED pos M facing LOD step fwd Position: Intro — Diag. Open Facing, Dance - slow L, R, —; Closed M facing LOD Bal L, 2, 3; (Rev twirl) Side, Cross Thru, 2 (Scis) Step swd L, close R, XLIF of R (W Footwork: Opposite throughout, steps described Fwd (to L-Open); XRIB) to SCAR pos facing diag twd WALL for M. From Open-Facing pos turn to Open pos and LOD, —; Mess INTRODUCTION as you waltz fwd (LOD) and diag away 3 In SCAR pos step fwd slow R, L, - 1-4 Wait; Wait; Apart, —, Point, —; Tog (To L,R, close L; Starting M's R waltz fwd twd WALL and LOD; CP), —, Tch, —; and diag together blending to Butterfly 4 (Scis thru) Step swd R, close L, step thru DANCE jobs with M's back to COH; Waltz balance IF on R to SEMI-CLOSED pos facing diag. 1-4 Walk, —, Walk, —; Fwd, —, Side, Close; twd LOD by stepping short step swd on COH and LOD (W step bwd L, close R, Bk, —, Side, Close; Fwd, Fwd, —; L, step R in back of L, step in place on L; thru on L into SEMI-CLOSED pos), - In CP M facing LOD start M's L walk fwd W does a L face twirl twd RLOD as M Vine In, 2, 3, 4; Side, Close, Turn, Point; two slow steps in LOD L, R, —; step steps swd RLOD on R, crosses L thru in (Rev) Twirl, —, 2, —; Side, Close, Side, fwd LOD L, hold, swd twd wall on R, front of R, fwd RLOD on R blending to Touch; close L to R; step bwd in RLOD on R, L-Open pos facing RLOD. 5 Quickly blending to CLOSED pos M fac- hold, swd twd COH on L, close R to L; 14 Open Twinkle, 2, 3; Twinkle Manuv, 2, ing LOD and using small steps vine into walk fwd LOD two slow steps L, R, —; 3; Waltz Turn R; Waltz Turn (to Open); COH swd L, behind on R (both XIB), swd 5-8 Side, Close, Bk, —; Side, Close, Fwd In L-Open pos facing RLOD do an Open- L, IF on R (both XIF); (Turn), —; Turn Twostep, —; Turn Two Twinkle by stepping fwd on L, turn to 6 Still in CLOSED pos moving swd twd COH Step, —; face partner and step swd RLOD on R, take small steps swd L, close R, swd L Still in CP M facing LOD step swd twd close L to R while turning to Open pos turning to reverse SEMI-CLOSED pos fac- COH on L, close R to L, take slow step facing LOD; Starting M's R do a twinkle ing WALL, point R twd WALL; bwd RLOD on L; step twd wall on R, maneuver with M moving clockwise 7 M steps fwd twd WALL with slow R, close L to R, take slow step fwd on R around W in 3 steps (W does 3 steps L, — blending to CLOSED pos facing LOD turning as cpl 1/4 RF; do 2 RF turning almost in place) to end in Closed pos as he leads W into slow reverse (LF) twirl two-steps prog down LOD making a 3/4 with M's back to LOD; Starting back on under M's L and W's R hands (W steps turn to end CP M facing LOD; M's L do 2 R face turning waltzes blend- L, R, —); 9-16 Repeat Actions of Meas 1-8 end in SCP ing to Open-Facing pos erady to repeat a In CLOSED pos M facing LOD step swd Facing LOD; from start of dance. R twd WALL, close L, swd R, touch L; PART B 9-16 REPEAT action of Meas 1 thru 8 ecxept Walk, —, 2, —; (Scis) Side, Close, Cross 17-20 Fwd, Tch, Bk, —; Bk, Close, Fwd, —; Fwd end in Semi-Closed pos facing LOD. (to SCar), —; (Diag Out) WALK, —, 2, (Turn), —, Side, Behind; Walk, —, 2, —; 17-20 (Scp) Waltz Fwd; Step, Point (W flare to —; (Scis) Side, Close, Thru, —; In SCP starting M's L step fwd LOD, tch Bjo), —; (RLOD) Turn to S/Car, 2, 3; 9-12 Repeat action of meas 1-4 ending in R to L, step back in RLOD on R, hold; Step, Touch, - SEMI-CLOSED pos facing diag COH and step back in RLOD on L, close R to L, Starting M's L waltz fwd LOD in Semi- LOD; step fwd on L, hold 1 ct; step fwd on R Closed pos; Step fwd on R, M points L Vine In, 2, 3, 4; Side, Close, Turn, Point; turning to face ptr in LCP, hold 1 ct, step twd LOD as W flares R fwd and around (Rev) Twirl, —, 2, —; Side, Close, Side, L swd LOD, XIB with R (W XIB) blend- while turning L face to Banjo pos, hold Touch; ing to SCP facing LOD; starting on M's 1 ct; Moving RLOD turn to Sidecar pos 13-16 Repeat action of meas 5-8 ending in L take two slow walking steps L, R, - with M stepping bwd on L while turn- CLOSED pos M facing LOD; down LOD; ing to face partner, swd RLOD on R,

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cross L in front of R (W XRIB); In Side- (R) Pivot, (R) Pivot,; (Hitch) Fwd, Close, Back, over R to LOOSE-OPEN pos; hold 1 ct; car pos step fwd RLOD on R, touch, L, Close; 18 Turning to face ptr, step to side on R, hold 1 ct. 13-16 Repeat action of meas 5-8. close L to R, cross R over L to CLOSED pos 21-24 (Scar) Waltz Fwd: Step, Touch, -; (LOD) PART B M facing WALL; Twirl, 2, 3; Thru, Touch, -; Fwd, Turn 1/a R, -; Side, Close (Scar), Back,; 19 Step to side on L close R to L step fwd In Sidecar pos waltz RLOD L,R,L; Step Back (Face), Side, Close; Fwd, Face,; on L, hold 1 ct; RLOD on R, touch L, hold 1 ct; Moving 17 Still in CLOSED pos step fwd LOD on L, 20 Step to side on R, close L to R, step back LOD the W twirls R face in 3 steps under step fwd LOD on R turning 1/4 R face to on R, hold 1 ct; M's L and her R hands as M steps bwd face WALL; (Scis) Side, Close, Cross, -; (Scis) Side, Close, LOD on L, bwd R while turning to face 18 Step side LOD on L, close R to L blending Cross, -; Step, Turn, Step, Turn; Rock Fwd, partner, swd LOD on L; Step thru on R to SCAR pos M facing RLOD, step back Recover, -; to take momentary Butterfly pos (M's LOD on L; 21-22 Repeat action of Meas 17-18 to end in beck to COH), touch L to R, hold 1 ct. 19 Step bwd LOD on R blend to face WALL OPEN pos facing LOD: 25-28 (Open) Waltz Away; Turn In, 2, 3 (to and ptr, step side LOD on L, close R to L 23 Step fwd on L, (keeping R in place) turn- L-Open); Bwd Waltz; Turn In, 2, 3 (to blend to BANJO pos M facing LOD; ing on L (M RF-W LF) to face RLOD, step Closed pos); 20 Step fwd LOD on L, fwd on R turning 1/4 in place on R, step fwd in RLOD on L Swing joined hands thru while waltzing R face to face WALL and ptr in CLOSED (keeping R in place) turning on L (M RF- fwd and slightly away from partner; Still pos; W LF) to face LOD, step in place on R; moving LOD waltz fwd (R,L,R) while turn- (Box) Side, Close, Fwd, -; Side, Close, Back, -; 24 In OPEN pos, rock fwd on L, hold 1 ct, ing in toward partner 1/2 turn (M R face, Vine, 2, 3, 4; Pivot„ 2,; recover by stepping back on R; W L face) while swinging joined hands 21 In CLOSED pos M facing WALL step swd (Two-Step) Bk to Bk; (Two-Step) Face to Face; bwd and releasing to join the other on L, close R to L, fwd twd WALL on L; Side, Close, Side, Close; Dip Bk, -, Recover, -; hands to end in L-Open pos facing RLOD; 22 Step swd RLOD on R, close L to R, step 25 Turning back to back with ptr do a two Waltz bwd twd LOD L,R,L; Starting bwd bwd COH on R; step moving RLOD; on R waltz LOD while turning 1/4 L face 23 Vine down LOD in 4 quick steps side on 26 Turning to face ptr (M LF-W RF) do a (W R face) to end in Closed pos M's back L, behind on R (W XIB also), swd on L, two-step face to face still moving RLOD; to COH. XIF on R (W XIF also); 27 Taking CLOSED pos step to side on L, 29-32 Dip In, -; Manuv, 2, 3; Waltz Turn R; 24 Do a 3/4 R face couple pivot in 2 slow close R to L step to side on L close R to Waltz (to Open Facing); steps L, R to end in CLOSED pos M facing 1; In closed pos dip bwd twd COH, hold LOD; 28 Dip back toward COH on L, hold 1 ct, 2 cts; Starting R ft M maneuvers 1/4 R Fwd Two-Step; Fwd Two-Step; (Scar) Two-Step; recover by stepping fwd on R, hold 1 ct; face in 3 steps (W does 3 steps in place (No) Two-Step; Turn Two-Step; Turn Two-Step; Twirl, 2,; 3„ while turning with M) to end in Closed 25-26 In CLOSED pos starting with L ft do 2 fwd 4,; pos M's back to LOD; Starting bwd on M's two-steps in LOD blending to SCAR pos; 29-30 Do 2 RF turning two-steps: L do 2 R face waltzes (3/4 turn) and blend 27 In SCAR pos starting with L ft do one fwd 31-32 M walks fwd 4 slow steps as W twirls to Open-Facing pos with M's back to two-step blending to BANJO pos; RF in 4 slow steps to end in SEMI-CLOSED COH; (On 2nd time thru blend to Semi- 28 In BANJO pos starting with R ft do one pos: Closed) fwd two-step ending in CLOSED pos M DANCE GOES THRU TWICE DANCE GOES THRU 2 TIMES (Plus Ending) facing WALL; Ending: Last time thru measures 29-32 as music Ending: (SCP) Waltz fwd: Waltz/Twirl, 2, 3; Ack Turn Two-Step; Turn Two-Step; Twirl, 2 (SCP),; retards, Pivot, 2,; Twirl, 2,; Apart, -, At End of 2nd time thru dance blend to Fwd, Pickup,; Point, - Semi-Closed pos and Waltz Fwd L, R, L; 29-30 In CLOSED pos starting with L ft do 2 R Do a slow couple Pivot in 2 steps L, R; As M waltzes fwd R, L, R W twirls R face face turning two-steps: M walks fwd 2 slow steps as W twirls under joined hands to end facing part- 31 M walks fwd LOD L, R as (W twirls R RF in 2 slow steps; Step apt, acknowl- ner; Change hands and step apart and face in 2 slow steps R L) ending in SEMI- edge. acknowledge as music ends. CLOSED pos facing LOD; 32 Step fwd L, R while bringing W into CLOSED pos (W steps R L coming into CLOSED pos facing RLOD); DANCE GOES THRU TWICE except on meas 32 GRAND SASHAY MIXER second time step apart and ack. By Ruth and Frank Lanning FOXIE Record: Blue Star 1 782 By Frank and Ruth Lanning, Topeka, Kansas Note - The rhythm of the first 20 meas is SS&&, except mess 8 and 16. Position: Intro - Open Facing M's back to COH, Record: Grenn 14097 Dance - Open - both facing LOD Position: Intro - Diag Open Facing. Dance - Footwork: Opposite - directions for M unless Closed M facing LOD. indicated. Footwork: Opposite directions for M except as GLORY OF LOVE Meas INTRODUCTION noted. By Louis and Ann Calhoun, Shelby, No. Carolina 1-4 Wait; Wait; Apart, Point, ; Together„ Meas INTRODUCTION Record: Jewel # 150 Touch, ; Wait; Wait; Apart, Point,; Together, Touch,; Position: Intro-Diag Open Facing. Dance-Semi- Wait two meas; in OPEN facing pos step 1-2 In OPEN FACING pos M diag twd LOD Closed apart from partner on L, point twd part- and WALL wait 2 meas: Footwork: OppoSite throughout, directions for M. ner with R; step twd partner on R turning 3 Step bwd away from ptr on L point R toe Meas INTRODUCTION 1/4 L face (W turns R face) to face LOD twd ptr; Wait; Wait; Apart, Point, -; Together (to SCP), in OPEN pos, tch L to R 4 Step fwd on R blending into CLOSED pos , Touch, -; DANCE facing LOD touch L to R; 1-2 In diag OPEN-FACING pos M diag twd 1-4 Walk„ 2, ; 3„ 4, ; Change Sides, 2, ; PART A LOD and WALL wait 2 meas: 3„4, ; Fwd, Fwd,; Side, Close, (L) Pivot,; (L) Pivot„ 3 Step bwd away from ptr on L, point R Walk fwd LOD L„ R, ; L„R, ; turning Side, Close; Lunge Fwd, Recov,; toe twd ptr, hold; slightly twd partner join M's L and W's R 1 In CLOSED pos facing LOD walk fwd 2 4 Step fwd on R turning to SEMI-CLOSED hand lead W diag across in front of M slow steps L R; pos, touch L to R, hold; under W's R and M's L arm L„ R, ; L„ 2 In 2 quick steps step side COH L close R R, ; end both facing LOD M on outside to L, step fwd and pivot L face on L to DANCE Fwd Two-Step; Fwd Two-Step; Side, Behind, Side, in L OPEN pos. face COH and RLOD; 5-8 Walk, 2, ; Change Sides, 2, ; 3, 4, ; 3 Step bwd in LOD on R continuing pivot In Front; Walk, 2,; 1-2 Do 2 fwd two-steps: Walk fwd LOD L„ R, ; L„ R, ; turning to face WALL, step side LOD on L close slightly twd partner join M's R and W's L R to L; 3 Vine LOD 4 steps L, R, L, R; 4 Walk fwd 2 slow steps 1_, R; hand lead W diag across in front of M 4 Continue turning L 1/4 lunge fwd LOD on under W's L and M's R arms 1„ R, ; L, , L, step bwd RLOD on R; Turn Two-Step; Turn Two-Step; (Hitch) Fwd, Close, Bk, Close; Walk, 2,; R, ; end both facing LOD M on inside in Side, Close, Fwd, -; Turn 1/4 R, Side, Close; OPEN pos 5-6 Do 2 RF turning two-steps: (R) Pivot, (R) Pivot,; (Hitch) Fwd, Close, Back, 9-12 Walk, 2, ; 3, Face, ; Back Away, ,2, ; Close; 7 Step fwd on L, close R to L, step bk on L, close R to L; 3„ 4, 5 In 2 quick steps twd COH step side L Walk fwd LOD L, R, ; L, R, turning on 8 Walk fwd 2 slow steps L, R; close R to L, step fwd LOD on L; R to face partner (M /4 R face W /4 L) Fwd Two-Step; Fwd Two-Step; Side, Behind, Side, 1 1 6 Step fwd LOD on R turning 1/4 R face to M's back to COH; M steps bwd twd COH In Front; Walk„ 2,; face WALL, step side LOD on L, close R to L, R, ; L, R, ; (W steps bwd twd wall) L; 9-12 ,Repeat action of Meas 1-4: 13-16 Walk To Corner, 2, ; 3, 4, ; Left Alle- 7 Make a 3/4 R face pivot in 2 slow steps Turn Two-Step; Turn Two-Step; (Hitch) Fwd, Close, mande„ 2, ; 3„ 4, ; L, R end facing LOD in CLOSED pos; Bk, Close; Walk, 2,; Both turn slightly to R walking fwd to 8 In 4 quick steps do a 4 step hitch fwd 13-16 Repeat action of Meas 5-8 ending M bk corner L, R, ; L, R, ; join L hands like on L, close R to L, bwd on L, close R to L; to COH: a left allemande walking fwd L„ R, ; Fwd, Fwd,; Side, Close, (L) Pivot,; (L) Pivot„ (Scis) Side, Close, Cross, -; (Scis) Side, Close, L, R, ; to face original partner M face Side, Close; Lunge Fwd, Recov,; Cross, -; (Box) Side, Close, Fwd, -; (Box) Side, LOD (W face RLOD). 9-12 Repeat action of meas 1-4. Close, Bk, -; 17-20 Do-Se-Do Partner, 2, ; 3, 4, ; 5, 6, ; Side, Close, Fwd, -; Turn 1/4 R, Side, Close; 17 Step to side on L, close R to L, cross L Join right hands pull by, 8, ;

75 Passing R shoulders and moving back to Facing LOD in OPEN pos step fwd L, point (Slow) Vine, 2; 3, 4; back dance around this partner in six fwd R; step bwd R, point bwd L. (By Retaining hand hold do a two step bal apt steps to end facing partner in LOD L„ pivoting on ball of each foot as it touches L, R/L; a Two step bal together R, L/R R, ; 1„ R, ; L„ R, ; join R hands pull by floor a "Charleston" effect can be ob- to BUTTERFLY pos; do a slow vine down partner and face new partner 1„ R, ; tained if desired.) LOD stepping L, R (M & W XIB); side L, R 21-24 See-Saw New Partner„ 2, ; 3„ 4, ; 5„ 19-20 Step Fwd, -, Point Fwd, -; Step Back, -, (M & W XIF) to SEMI-CLOSED pos facing 6, ; Join left hands pull by, 8, ; Point Back, - LOD. Passing L shoulders and moving back to Repeat action of Meas 17-18. Tag: Fwd Two-Step; Fwd Two-Step; Walk, 2; back dance around this new partner in 21-22 Fwd, Lock, Fwd, -; Fwd, Lock, Fwd, -; Twirl, 2; six steps to end facing partner in LOD L„ Moving fwd in LOD step L, step R behind 2 Fwd Two-steps LOD: Both walk, 2; (W R, ; L„ R, ; L„ R, ; Join L hands pull by and to left of left foot (bending L knee twirl RF in 2 steps) as M Walk 2 steps partner and face new partner L, R, ; and rocking body bwd), step L; Step R, LOD FACE/CLOSE, APART; 25-28 Do-Sa-Do new partner, 2, ; 3, 4, ; 5„ step L behind and to right of right foot Sequence: A-B-A-B-B-Tag 6, ; Join right hands pull by, 8, ; (bending R knee and rocking body bwd), Action same as meas. 17-20. step R. 29-32 See Saw New Partner, 2, ; 3, 4, ; 5„ 23-24 Step, -, Kick, - (Turn); Step, -, Kick, -; 6, ; Walk to Open„ 8, ; FACING diag apart (M twd COH and LOD, HOT LIPS Repeat action of meas. 21-23 on meas. W twd wall and LOD) step L, bend both By The Highburgers, Dallas, Texas 32 join M's R and W's L hand M walks knees, then straighten as kick R in front Record: Decca 9 - 29558 (Grady Martin) fwd L, R, (W makes 1/2 R face turn of L, bend both knees and turn to face Position: Intro and Dance - Semi-Closed Pos facing R, L, ;) To end in OPEN pos both facing diag together, straighten knees, step R, LOD. LOD bend both knees then straighten as kick Footwork: Opposite throughout - directions for M DANCE GOES THRU FOUR TIMES L in front of R. except as noted. Ending: Walk, 2, ; 3, 4, ; Change hands Twirl„ 25-32 Repeat action of Meas 17-24. Meas INTRODUCTION 2, ; Face and Acknowledge Dance goes thru three times, OMITTING MEAS Step Fwd, Touch; Bwd, Touch; Twirl, 2; 3, 4; Walk fwd LOD L„ R, ; L„ R, ; change 9-16 THE THIRD TIME, then Ending. 1 In SEMI-CLOSED pos facing LOD step fwd hands to M's L and W's R walk fwd three Ending: Side, Behind, Side, Swing Thru-Brush on L, touch R to L; steps and face partner, acknowledge L,R,L (Turn); Side, Behind, Side -; Walk, 2, Turn, 2 Step bwd on R, touch L to R; (W makes a R face twirl in 3 steps R.L.R) Point; 3-4 Retain M's L and (W's R) hand hold as (W Repeat action of Meas 1-2 Part A except twirls R face in four steps R, L, R, L,) M end back to back; walk apart, M twd walks fwd in four steps L, R, L, R to end COH two steps L,R, then turn on L M 1/2 in SEMI-CLOSED pos: RF (W 1/2 LF) and point R twd partner. DANCE HAPPY TIME RAG Fwd Two-Step; Fwd Two-Step; Side, Behind; Side, By Bancroft and Doris Hall, Mobile, Alabama Thru; Record: Belco 216 1-2 In SEMI-CLOSED pos facing LOD starting Position: Open for Intro, Facing M's back to COH with L ft do two fwd two-steps: "HEY, GOOD LOOKING" 3 M drops R hand from W's waist, leaving for Dance By Dean and Petie Fabbry, Long Beach, Calif. Footwork: Opposite throughout, directions given his L and (W's R) hands joined turn to face Record: Belco B-218-A for M while stepping to side on L twd LOD, turn- Position: Open-Facing for Intro; Semi-Closed, M ing to almost face RLOD step behind on R; Meas INTRODUCTION facing LOD for Dance 1-2 Wait; Wait; 4 Turn to face ptr while stepping side on L Footwork: Opposite, directions for M 3-4 Apart, 2, 3, Point; Toogether, 2, 3, Touch; twd LOD, step thru on R facing LOD and Meas. INTRODUCTION In OPEN pos facing partner M's back to taking SEMI-CLOSED; 1-4 Wait; Wait; Apart, Point; Together, Touch COH back away 3 steps L.R.L, and point Fwd Two-Step; Fwd Two-Step; Side, Behind; Side, R; walk fwd twd partner 3 steps R,L,R, (to SCP); Face (to LCP); Wait 2 meas in OPEN-FACING pos. M's and touch L M turning to face diag wall 5-8 Repeat action of meas 1-4 except to end back to COH M's R and W's L hands and LOD (W turning to face diag COH tacing and take LOOSE-CLOSED pos on last joined: step back on L twd COH, point R and LOD inside hands joined). step of meas twd partner; Step fwd R, touch L to R DANCE PART A Side, Step/Step; Away, Step/Step; Face, Step/Step; and take SEMI-CLOSED pos. 1-2 Side, Behind, Side, Swing Thru-Brush Away, Step/Step; DANCE PART A (Turn); Side, Behind, Side, Swing Thru- 9 In LOOSE-CLOSED pos M facing WALL step 1.4 Fwd Two-Step; Fwd Two-Step; Pivot, 2; Brush; to side on L, step R beside L, step L in Moving diag apart M twd COH and LOD 3, Dip; 2 fwd Two-Steps LOD; M maneuvers (Bk place; step to side on L, step behind on R, step 10 Retain M's L and (W's R) hands joined to side on L, M turning to face diag COH Diag twd LOD) for couple pivot, 1, R; L end M's bk COH Dip back on R. while turning to face RLOD and stepping and LOD (W facing diag wall and LOD), slightly away from ptr on R; step L beside brushing R while swinging thru between; 5-8 Turn Two-Step; Turn Two-Step; Twirl, 2; Walk, 2; R, step R in place; moving diag together M twd wall and 11 Turn to face ptr stepping on L, step side LOD step to side on R, step behind on Starting on M's L do 2 RF turning two- steps to end SEMI-CLOSED pos facing on R, step L in place (as you step in to face L, step to side on R, turning to FACE ptr touch the palms of free hands giving LOD and brush L. (This is a modified face LOD: Starting M's L, M walks 2 steps LOD while W does a RF twirl; both walk 2 a little push away); to face, back to back movement inside 12 Repeat action of meas 10 (rhythm for all hands, M's R and W's L, are held through- steps LOD to end in Semi-Closed pos. 9-16 Repeat action of mess 1-8, end in BUT- of meas 9-12 is slow, quick, quick); out.) Walk, 2; 3, Turn (to face LOD); Side, Step/Step; 3-4 (Hitch) Fwd, Close, Bk, -; Bk, Close, Fwd, TERFLY pos, M's back to COH. PART B Face, Step/Step; 17-20 Face to Face; Back to Back; Circle, 2;3, 4; 13-14 Facing RLOD and inside hands joined walk Step fwd on 1, close R, step back on L; fwd L, R, 1, turning on 4th step stepping step back on R, close L, step fwd on R. In BUTTERFLY pos progressing LOD do a face-to-face two-step starting swd L/ on R to end facing LOD M turns L face (W 5-6 Side, Behind, Side, Swing; Side, Behind, R face) M's L and (W's R) hands joined; Side, Brush (Face); close R to L, step swd 1/ -; continuing 15 With inside hands joined and facing LOD Vine apart M twd COH, W twd wall, along LOD pivot on L swinging trailing step to side away from ptr on L, step on stepping to side on L, step behind on R, hands thru (M's R W's L) do a back-to- R beside L, step L in place; step to side on L, swing R in front of L; back two-step starting swd twd LOD on 16 Turn to face ptr and WALL stepping on R, vine together, stepping to side on R, step R/ close L to R, side on R/ -; Releasing step on L beside R, step R in place taking behind on L, step to side on R, turning to M's R and W's L hand joining M's L and FACE partner, brush L. W's R both walk around in a circle twd CLOSED pos; 7-8 Change Sides, 2, 3, Brush; On Around, RLOD (M L face, W R face) with 4 strut- Two-Step Fwd; Two-Step Apart; (Tamara) Two Step 2, 3, Brush; ting steps, L, R; L, R; to end SEMI-CLOSED Fwd; (Turn R) Two-Step; FACING partner M's back to COH with pos facing LOD. 17 In CLOSED pos M facing WALL starting M's R and W's L hands joined and raised 21-24 Dip Fwd; Recover; Dip Bwd, Recover; with L ft do one two-step fwd twd WALL; move twd each other W going under Side, Draw; Side, Draw; 18 Release M's R and (W's L hand pos) re- raised hands and making- a CCW turn M Dip fwd on L, recover on R; Dip bwd on taining M's L and (W's R) hand hold, both going around behind W and making a L, recover on R; turning to face ptr in do a two-step bking away from each other; CW turn stepping L,R,L, brush R at this LOOSE-CLOSED pos do 2 sidedraws along 19 (W places L hand behind her back with point FACING RLOD; continuing W CCW LOD. palm out and near R hip starting with R and M CW W again going under raised 25-28 (Box) Side/Close, Fwd; Side/Close, Bwd; ft do a fwd two-step), as M two-steps fwd hands step R,L,R, brush L to end FACING Dip, Recover (to SCP); Twirl, 2; starting with L ft he places his R hand in DIAG LOD to repeat Part A. (This move- In CLOSED pos facing wall step side L/ the L hand of ptr and joins his L with (W's ment is similar to a square dance Star close R to L, step fwd• L; step side R/ R) and holds them high over head (Tamara Thru-Frontier Whirl.) close L to R, step back R; dip back L (W Pos); 9-16 Repeat action of Meas 1-8 to end FACING fwd R), recover R to SEMI-CLOSED pos 20 Releasing the high hand hold M's L and LOD in OPEN pos. facing LOD; M walks slow L, R (W does (W's R) retaining the M's R and (W's L) DANCE PART B a slow RF twirl down LOD) to end in joined low starting with R ft do a two-step 17-18 Step Fwd, -, Point Fwd, -; Step Back, OPEN pos facing LOD. turning to M's R (W turns L face) to end -, Point Back, -; 29-32 Apart, Step/Step; Tog, Step/Step (to Bfly); facing ptr and COH;

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Two-Step Fwd; (Turn L) Two-Step; Walk, 2; 3, Turn 9-12 Heel, Toe; Step/Close, Turn/—; Heel, Toe; XIB), swd L, brush R (Fwd) twd wall, —; (to Varsouv); Step/Close, Turn/—; NOTE: Retain hand holds fading slightly 21 M facing COH place his L hand behind his In SEMI-CLOSED pos do heel, toe as be- apart on vine and together to Bfly-Bjo back with palm out and near R hip starting fore, starting L; one two-step in LOD turn- on the "brush" step. Banjo around R, L, with L ft do a fwd two-step as (W starting ing on last step to face RLOD in reverse R, hold 1 ct (Both step fwd on Banjo with R ft two-steps fwd places her R hand SEMI-CLOSED pos; Repeat action of meas around making a 1/2 R-face turn to end in the L hand of ptr and joins her L with 9-10 starting R ft and moving RLOD, M on outside of circle facing COH in M's R held high); ending facing LOD after turn. BUTTERFLY pos); (Vine RLOD) Step swd 22 Releasing the high hand hold M's R, (W's 13-16 Turnaway Two-Step; Two-Step; Walk, 2; L, behind on R (both XIB), swd L, brush R L) starting with R ft do a two-step turning 3, 4; fwd twd COH (Retain hand holds fading to M's L and (W's R) to end facing RLOD Drop hand hold and partners make a full slightly apart on vine and together to and inside hands joined M's L and (W's R); turnaway in two two-steps (M to L and BUTTERFLY-Bjo on brush); Starting from 23-24 Facing RLOD and inside hands joined start- W to R): Rejoin inside hands and walk BUTTERFLY pos release M's L and W's R ing with L ft walk fwd three steps turning 4 steps fwd in LOD —L R L R in OPEN hands and change sides with a R, L, R, on 4th step in twd ptr to end facing LOD pos. hold 1 ct (W goes under M's R and W's stepping on R and taking VARSOUVIANA Ending: Routine is danced thru five times. On L hands in front of M) to end in SEMI- pos: last meas. of 5th sequence face and bow. CLOSED pos facing LOD). Fwd Two-Step; Fwd Two-Step; (W Twirl) Walk, 2; Mixer: A fine simple, fun mixer with change 9-12 Two-Step Fwd; Two-Step Fwd (to face 3, 4; coming on "turnaway" of meas 13 as M wall in CP); (1/2 box) Side, Close, Fwd, 25-26 In VARSV pos facing LOD starting with L goes back to W behind and W moves fwd —; (Scissors thru) Side, Close, Thru (to ft do two fwd two-steps: to . M ahead. Resuming OPEN pos with Bfly), —; 27-28 Releasing both hands starting with L ft this new partner, they walk 4 steps. Last Repeat the action of Meas 1 thru 4. walk fwd 4 steps as (W starting with R ft time do the same, walk 4 steps and bow. 13-16 (Vine) Side, Behind, Side, Brush Fwd (to does a free R face turn in 4 steps in LOD) Note: Many will prefer the double time heel, toe Bfly-Bjo); (1/2 RF) Banjo Around, 2, 3, —; ending in VARSV pos facing LOD: to add to the fun of this delightful round. (Vine) Side, Behind, Side, Brush; Change Fwd Two-Step; Fwd Two-Step; (W Twirl) Walk, 2; Sides (Lady under), 2, 3, (to SCP), —; 3, 4; Repeat the action of Meas 5 thru 8. 29-32 Repeat action of meas 25-28 except to end in SEMI-CLOSED pos facing LOD. PART B DANCE GOES THRU THREE TIMES PLUS MEAS 1-16 "I AIN'T GOT NOBODY" 17-20 (SCP) Fwd, Close, Fwd, Kick: Back, Close, then TWIRL AND ACK. By Edna & Gene Arnfield, Skokie, Illinois Face, Touch; (CP) Side, Close, Side, Touch; Record: Hi-Hat 834 (Scissors Thru).Side, Close, Thru (to SCP), Position: Open-Facing for Intro, Semi-Closed fac- ing LOD for Dance. St- ep fwd L, close R, fwd L, kick R fwd Footwork: Opposite, Directions for M except as with a SHORT LOW kick: Step bwd R, HUMORESQUE noted. close L, step slightly bwd on R while By Bill and Marie Clarke, Westchester, Illinois Meas INTRODUCTION turning to face partner, touch L and take Record: Blue Star 1791 1-4 Wait; Wait; Apart, —, Point, —; Together CLOSED pos with M's back to COH; Swd Position: Open, Facing LOD (to SCP), —, Touch, —; L, close R, swd L, touch R; (Scissors Thru) Footwork: Opposite. Directions for M unless indi- Wait 2 meas in OPEN-FACING pos M's Swd R (RLOD), close L, thru on R (both cated. R and W's L hands joined: Step apart on XIF), hold 1 ct (to SEMI-CLOSED pos). Meas INTRODUCTION M's L, hold 1 ct, point R twd partner, 21-24 (SCP) Fwd, Close, Fwd, Kick: Back, Close, 1-4 Wait; Wait; Apart, Point; Together, Touch; hold 1 ct; Step twd partner on R turning Face, Touch; (CP) Side, Close, Side, Touch; M steps to side twd COH on L, point R to SEMI-CLOSED pos facing LOD, hold 1 (Scissors Thru) Side, Close, Thru (to SCP), twd ptr; step together on R, touch L to ct, touch L to R, hold 1 ct. R facing LOD. PART A Repeat the action _of Meas 17 thru 20 DANCE 1-4 Two-Step Fwd (to face wall in CP); (1/2 ending in SEMI-CLOSED pos facing LOD. 1-4 Heel, Toe; Fwd Two-Step; Heel, Toe; Bwd box) Side, Close, Fwd, —; (Scissors thru) 25-28 (SCP) Two-Step Fwd; Two-Step Fwd; Rock Two-Step; Side, Close, Thru (to Bfly), —; Fwd, In Place, —; Rock Back, —, In In OPEN pos facing LOD touch L heel In SEMI-CLOSED pos starting M's L do Place, —; fwd-swd then L toe at R instep or in front 2 fwd two steps LOD ending facing In SEMI-CLOSED pos starting M's L do of R toe; one fwd two-step in LOD, L R L wall in CLOSE pos; (1/2 box) Step swd L, 2 fwd two-steps LOD; Rock fwd on L, —; Repeat heel, toe with R foot; One close R, fwd twd wall on L, hold 1 ct; hold 1 ct, in place on R, hold 1 ct; Rock two-step bwd in RLOD. (Scissors Thru) Step swd (RLOD) on R, bwd on L, hold 1 ct, in place on R, hold 5- Away/Close, Back/; Together/Close, Fwd close L, thru on R (both XIF) to BUTTER- 1 ct. /—; Walk, 2; 3, Face; FLY pos with M facing wall, hold 1 ct. 29-32 (Scissors Thru) Side, Close, Thru, —; Side, Still in OPEN pos, step away from ptr on 5-8 (Vine) Side Behind, Side, Brush Fwd (to Close, Thru (to CP), —; Turn Two-Step; L, close R to L and step bwd on L (fast Bfly-Bjo); (1/2 RF) Banjo Around, 2, 3, Turn Two-Step; steps); step twd ptr on R, close L to R, —; (Vine) Side, Behind, Side, Brush; Retaining lead hands (M's L & W's R) step and step fwd on R in LOD; Walk fwd in Change Sides (Lady under), 2, 3, (to swd L, close R, thru twd RLOD on L (both LOD four slow steps (L R L R) facing part- SCP). —; XIF), hold 1 ct; retaining same hand ner in SEMI-CLOSED pos on 4th step. (Vine LOD) Step swd L, behind on R (both holds, step swd R, close L, thru twd LOD

STYLE SERIES:

"It's not how much you know, but how ROUNDANCERS well you can dance those things you already More than 30 square dance labels keep know — that counts." With the aid of pho- Sets believes that there are many, many the square and round dance activity sup- tographs shot from a high angle, callers.and unsung heroes in the activity. If it were plied with new material. Each month there dancers alike are able to evaluate and study possible, every caller and round dance are anywhere from 10 to 40 new releases various movements effectively. Through the teacher would, at one time or another, be and with the help of a special group of re- Style Series, many of the older basics and spotlighted. Unfortunately there are far too viewers, Sets in Order endeavors to report gimmicks have had a rebirth of acceptance. many callers and teachers to individually the instrumentation,, type of dance, and Other movements which have proved un- pinpoint each one. But as a regular feature, unique features which appear on each new satisfactory have been explained through Sets in Order points with pride to a dif- release. The star system of rating the vari- picture studies and their "uncomfortable" ferent round dance couple and a caller ous records allows readers to benefit from portions uncovered. This is Sets in Order's whose contributions in their own local areas the 'reviewers personal evaluation of each. monthly editorial devoted to the dance. have been noteworthy.

77 on R (both XIF), hold 1 ct while blending 7 In CLOSED pos do a R face full turn cou- In LOOSE CLOSED pos M steps side twd to CLOSED pos M's back to COH; Start- ple pivot stepping L, R, -; LOD on L, close R to L, side on L, close ing M's L do 2 turning two-steps pro- 8 M walks fwd 2 slow steps L, R in LOD as R to L; side on L, close R to L, as a couple gressing LOD to end in SEMI-CLOSED pos. (W twirls R face stepping R, L) to end in turn R 1/2 M stepping on L and pivoting DANCE GOES THRU TWO TIMES (add SEMI-CLOSED pos facing LOD; to end M's back to WALL; Repeat action Ending). (Hitch) Fwd, Close, Back, -; (Hitch) Back, Close, of mess I and 2 M starting on R ft End: Fwd Two-Step; Fwd Two-Step; Twirl, -, Fwd, -; Walk, -, Face (to CP), -; Side, Close, traveling LOD maneuvering on the pivot 2, -; Step Apart & Ack; Dip, -; to end both facing LOD in SEMI-CLOSED In SEMI-CLOSED pos do 2 fwd two-steps 9-12 Repeat action of meas 1-4 of Part B. pos; LOD; As M walks fwd 2 slow steps L, Recov, -, Touch, -; Vine, 2, 3, 4; (CP) Pivot, -, • Fwd, 2, 3, Brush; Fwd, 2, 3, Brush; Turn R, - the W does a slow R-face twirl 2, -; Twirl, -, 2 (to SCP), -; Two-Step; Turn Two-Step; in 2 steps R, L, - under joined lead 13-16 Repeat action of meas 5-8 of Part B. In SCP run fwd 3 steps L,R,L, brush R hands; Changing hands to M's R and W's Sequence: A-Interlude-B-Interlude-A-Interlude- fwd; Run fwd R,L,R, brush L fwd and L step apart on M's L, -, point R twd B-Ending turn to face partner and wall in CLOSED partner, acknowledge. (Circle) Away, -, 2, -; Together, -, 2, -; (Bfly) pos; Do two slow turning two-steps end Side, -, Touch, -; Side, Close, Side, Point; M facing WALL in LOOSE CLOSED pos; 1-2 Repeat action of mess 1-2 of Interlude 9-16 Repeat Action of Meas 1-8 to end in 3 In BUTTERFLY pos M facing WALL step BUTTERFLY pos M facing WALL. PART B I DON'T WANTA swd LOD on L, hold 1 ct, touch R to L, 17-20 Vine, 2, 3, Lift; Star Thru (to Face), 2, 3, By Dick and Darlene Houlton, Stockton, California hold 1 ct; Tch; Vine, 2, 3, Lift; Star Thru (to Face), Record: Hi-Hat 841 4 Step swd RLOD on R, close L to R, swd 2, 3, Tch; Intro - Open Facing. Dance - Semi on R, point L twd LOD; Position: In BUTTERFLY pos starting M's L vine swd Closed facing LOD. LOD (both XIB) L,R,L, lift R; Passing R Opposite directions for M except as Footwork: shoulders (W under joined M's R and W's noted. L hands raised in an arch) change sides Meas INTRODUCTION IN PARIS R,L,R, tch L to end facing partner and Wait; Wait; Apart, -, Point, -; Together, (to SCP), By Art and Evelyn Johnson, Long Beach; Calif. COH; M starting with L ft twd RLOD re- -, Touch, -; Record: Norseman #RD-100 peat action of mess 17-18 ending CLOSED 1-2 In OPEN FACING pos M's back to COH Position: Open pos M facing WALL; wait 2 meas: Footwork: Opposite throughout, cues for M 21-24 Turn Two-Step; Turn Two-Step; Twirl„ 2,; 3 Step bwd away from ptr on L, point R Meas INTRODUCTION Walk„ 2,; toe twd ptr, hold 1 ct; 1-4 Wait; Wait; Bal Apart, Point, -; Together, Do two turning two-steps end both fac- 4 Step fwd on R turning to SEMI-CLOSED Touch, -; (to Bfly); ing LOD: M walks fwd L„R, as W twirls pos, touch L to R, hold 1 ct; In open pos wait 2 mess; then bal back in 2 steps R,L under joined M's L and PART A on L, point R; fwd on R, tch L to R; take W's R hands; Both walk fwd in 2 steps Fwd Two-Step; Fwd Two-Step; (Face) Side, Close, momentary butterfly pos. to end in BUTTERFLY pos M facing WALL. Turn (to L-Open), -; Rock Bwd, Recov, -; DANCE - PART A 25-32 Repeat action of meas 17-24 to end in 1.4 Waltz Fwd, 2, 3; Spin/Manuv, 2 ,3; Dip 1-2 In SEMI-CLOSED pos starting with L ft do LOOSE CLOSED pos M facing WALL. 2 fwd two-steps travelling LOD: Back; Recover; Sequence: A B A B plus first 8 Meas of A,and In open pos waltz fwd (LOD) L,R,L; W 3 Face ptr in LOOSE CLOSED pos and step Ending. swd on L, close R to L, swd on L while does a LF spin as M maneuvers in 3 steps Ending: Twirl„ 2,; Walk„ Face,; Side, Close, Side, face RLOD; dip back (closed pos) turning to face RLOD in LEFT-OPEN pos, R,L,R to Close; Apart„ Point,; L, hold 2 cts; recover on R, hold 2 cts. hold 1 ct; Repeat action of meas 23-24 except to 5-8 Waltz Bal L; Waltz.Bal R; Waltz R, 2, 3; 4 Rock bwd twd LOD on R (leaving L in end facing in BUTTERFLY pos M facing place), hold 1 ct, recover fwd (RLOD) on Waltz R, 2, 3; WALL: Step side twd LOD on L, close R Step swd L twd COH, step R behind L, L, hold 1 ct; to L, side L, -close R to L; release M's L step L in place; step swd R twd wall, step and W's R hands step apart on L„ quick (Face) Side, Close, Turn (to Open), -; Rock Bwd, L behind R, step R in place; start bwd on - Recov (to face), -; Turn Two-Step; Turn Two- point R fwd. Step; M's L ft do 2 RF turning waltzes down NOTE: Double punctuation („) denotes slow ac- 5 Face ptr take BUTTERFLY pos step swd LOD L,R,L; R,L,R; to end in OPEN pos tion taking two beats. RLOD on R, close L to R, swd on R turn- facing LOD. ing to OPEN pos facing LOD, hold 1 ct; 9-16 Repeat Action of Meas 1-8 End In LOOSE 6 Rock bwd twd RLOD on L, hold 1 ct, CLOSED Pos Facing LOD. recover fwd on R while turning to face PART B ptr, hold 1 ct blending to CLOSED pos 17-20 Twinkle Out, 2, 3; Twinkle In, 2, 3; Banjo Around, 2, 3; 4, 5, 6; By Ed and Claire Greer, Palm Springs, California M facing WALL; R In loose closed pos turn to Scar, cross In CLOSED pos do 2 turning two-steps L Record: Sets in Order 3156 7-8 over R, then R and L in place; turning to end in SEMI-CLOSED pos facing LOD: Position: Intro - Open Facing, Ms Bk to COH, banjo pos repeat twinkle in LOD and Fwd Two-Step; Fwd Two-Step; (Face) Side, Close, Dan-_e -- Semi-Closed COH; in banjo pos moving fwd (clock- Opposite, directions for M except as Recov, -; Footwork: Turn (to L-Open), -; Rock Bwd, wise) around in 6 steps L,R,L; R,L,R; to 9-12 Repeat action of mess 1-4. noted end in CLOSED pos facing LOD. INTRODUCTION (Face) Side, Close, Turn (to Open), -; Rock Bwd, Meas 21-24 Dip Back, 2, 3; Waltz R, 2, 3; Waltz R, 2, 1-4 Wait; Wait; Apart, -, Point, -; Together, - Recov (to face), -; Turn Two-Step; Turn Two- 3; Twirl, 2, 3; -, Touch, - (to SCP); Step; (Facing LOD) in closed pos dip back on In OPEN-FACING pos (M's back to COH) 13-16 Repeat action of mess 5-8. L, hold 2 cts; as you recover start a RF wait 2 mess: M steps back on L, -, point INTERLUDE turning waltz on R ft R,L,R;•do another R twd ptr, -; Step fwd - together on R (Circle) Away, -, 2, -; Together, -, 2, -; Apart, RF waltz L,R,L; (W twirls under M's L into SEMI-CLOSED pos, -, touch L to R, -; -, Point, -; Together (to SCP), -, Touch, -; arm) as M waltzes R,L,R almost in place; PART A 1-2 Circle away from ptr M L face (W R face) end in LOOSE CLOSED pos facing LOD. 1-4 Fwd Two-Step; Fwd Two-Step; Cut, 2, in 4 slow strutting steps ending in OPEN 25-32 Repeat action of Meas 17-24 Fwd, -; Cut, 2, Fwd, - FACING pos M facing WALL: End in momentary BUTTERFLY pos. In SCP facing LOD starting with M's L do 3-4 Repeat action of mess 3-4 of Intro: DANCE GOES THROUGH THREE TIMES two fwd two-steps; Do quick 2 ct rocking- PART B TAG: Slow twirl and acknowledge. cut step L fwd in front of R, recover back (Hitch) Fwd, Close, Back, -; (Hitch) Back, Close, In 3 cts W twirls under M's L arm and on R, step fwd L, -; Repeat action of Fwd, -; Walk, -, Face (to CP), -; Side, Close, bows. mess 3 except with R fwd in front of L, Dip, -; recover back on L, step fwd R, -; (some 1 In SEMI-CLOSED pos do a 3 step hitch progression on mess 3 and 4). fwd L, close R to L, bwd L, hold 1 ct; 5-8 Rock Fwd, Rec, -; Wheel 1/2 (CCW), 2 Step bwd on R, close L to R, fwd on R, IPANEMA 2, 3, -; Rock Fwd, Rec, -; Wheel 1/2 hold 1 ct; Record: Sets in Order 3157 (CW), 2, 3, - (to SCP); 3 Starting with L ft walk fwd 2 slow steps Position: Intro - Diag Open Facing, Dance - In SCP do slow fwd rock on L, -, re- facing ptr and taking CLOSED pos on 2nd Loose Closed facing wall. cover back on R, -; Maintaining SCP do step; Footwork: Opposite, directions for M except as quick L face wheel 1/2 turn, M steps bwd 4 In CLOSED pos M facing WALL step swd noted. on L to start his L face turn in place, INTRODUCTION LOD on L, quickly close R to L, dip bwd Meas then takes quick R, L in place to finish 1-4 Wait; Wait; Apart„ Point,; Together„ twd COH on L, hold 1 ct; turn, (while W runs fwd twd COH and Touch,; Recov, -, Touch, -; Vine, 2, 3, 4; (CP) Pivot, -, around in 3 steps R,L,R) to, end in SCP Wait two measures: M steps back on L„ facing RLOD; Do slow fwd rock on R twd 2, -; Twirl, -, 2 (to SCP), -; point R twd ptr.; step fwd on R to LOOSE 5 Recover fwd on R, hold 1 ct, touch L, RLOD, -, recover back on L, -; In SCP CLOSED pos„ touch L to R,; do quick R face wheel (CW) reversing hold 1 ct; PART A In LOOSE CLOSED pos do a 4 step vine direction of meas 6 M steps bwd on R to 6 1-4 Side, Close, Side, Close; Side, Close, swd L, cross R in back (both XIB), side L, start his R face spot turn, then L,R in cross thru on R (both XIF) and blend to (Half) Pivot,; Side, Close, Side, Close; place (W runs bwd L,R,L) ending SCP CLOSED pos M. facing WALL; Side, Close, (Half) Pivot,; facing LOD.

78

9-12 Fwd Two-Step; Fwd Two-Step; Cut, 2, vine down LOD side on L, behind on R DANCE Fwd, -; Cut, 2, Fwd, -; (W XIB) also), side L, XIF on R (W XIF 1-4 Waltz Away; Man Manuv (to CP); (R) Repeat action of meas 1-4 also), side L, behind on R (W XIB also): Waltz Turn; (R) Waltz Turn (to OP); 13.16 Rock Fwd, Rec, -; Wheel 1/2 (CCW), 3-4 Blending to BJO pos both moving fwd Start M's L & swinging joined hand fwd 2, 3, -; Rock Fwd, Rec, -; Wheel 1/2 and CW step L, R, L, R, L, R ending in waltz 1 meas fwd & slightly away from (CW), 2, 3, - (to Bfly); SEMI-CLOSED pos facing LOD: ptr; as W shortens her steps M manuv Repeat action of meas 5-8 except final Fwd Waltz; Manuv, 2, 3; R Waltz Turn; R Waltz around in front of W R,L,R to end in wheel ends in BUTTERFLY pos M's bk to Turn (to LCP); CLOSED pos M face RLOD; do 2 RF turn- COH. 5 In SEMI-CLOSED pos waltz fwd LOD L, ing waltzes to end in OPEN pos facing R, L; LOD; PART B 6 M manuv stepping R, L, R to end in 17-20 Side, Close, Side, Touch; Side, Close, Side, 5-8 Waltz Away; Pickup (to CP); (L) Waltz Touch; (Hitch) Apart, Close, Fwd, -; CLOSED pos facing RLOD as (W steps in Turn; (L) Waltz Turn (to OP); place LRL); Wheel 1/2 (CW), 2, 3, -; Repeat action of Meas 1; W manuv in In BUTTERFLY pos do swd two-step side L 7-8 M facing RLOD starting with L ft do 2 R front of M to CP; Do 2 LF waltz turns to twd LOD, close R, side L, touch R; Repeat face turning waltzes to end in LOOSE- end in OPEN pos. twd RLOD starting with R ft; Keeping both CLOSED pos facing WALL: 9-12 Step, Swing, -; Roll Across; Twinkle hands joined do quick "APART HITCH" M (Vine) Side, Behind, Side; Front, Side, Behind; (LOD); Twinkle (RLOD) ; steps back twd COH on L, close R to L, Bjo Arnd, 2, 3; 4, 5, 6 (to SCP); In OPEN pos M step fwd L, swing R fwd with short L step, - (W back twd 9-12 Repeat action of meas 1-4. XIF of L, -; chg sides M roll 3/4 RF R,L,R wall on R, close L to R, fwd with R, -); Fwd Waltz; Manuv, 2, 3; R Waltz Turn; R Waltz (W XIF of M L,R,L turning LF) join M's L Quick 3 step 1/2 R face wheel in BUTTER- Turn (to SCP); & W's R hands; twinkle twd LOD turning FLY pos but with arms fully extended 13-16 Repeat action of meas 5-8 except to end to face RLOD on last step & joining M's pulling away from ptr - M runs fwd R,L,R, in SEMI-CLOSED pos facing LOD. R & W's L hands; twinkle twd RLOD end- twd wall and around ptr ending in BUT- PART B ing in OPEN pos M on outside of circle TERFLY pos M's back to wall. Fwd Waltz; (Diag Wall) Fwd Waltz (W roll LF to facing RLOD. 21-24 Side, Close, Side, Touch; Side, Close, Side, L-Open); Fwd, Face, Close; Cross, Face, Close 13-16 Step, Swing, -; Roll Across; Twinkle Touch; (Hitch) Apart, Close, Fwd, -; (blend to SCP); (RLOD); Twinkle (LOD to CP); Wheel 1/2 (CW), 2, 3, -; 17 In SEMI-CLOSED pos starting with L ft do Repeat action of Meas 9-12 in RLOD end- Repeat action of meas 17-20 in BUTTER- one fwd waltz; ing in CLOSED pos M's bk to COH. FLY pos starting the swd two-step twd 18 Starting with R Ft M waltz diag LOD and 17-20 (Vine) Side, Behind, Side; Front, Flare RLOD with M's back to wall, ending in WALL as (W rolls L face (XIF) of M to end Around, -; Behind, Side, Front; Side, BUTTERFLY pos M's back to COH. on inside and L-OPEN pos) both facing Tch, - 25-28 Rock Fwd, Bk, Fwd/Turn, -; (Bk to Bk) LOD; In LCP M step side LOD on L, XRIB of L Fwd, Bk, Fwd/Face, -; Fwd, Bk, Fwd/ 19 In L-OPEN pos M on outside step fwd on (W XIB), step side L; step R XIF of L (W Turn, -; Fwd, Bk, Fwd/Face, - (to SCP); L, face ptr stepping on R, close L to R; XIF), bring L fwd twd LOD & flare out & Starting from BUTTERFLY pos M's back to 20 Change hand hold to M's R and W's L around twd RLOD, hold 1 ct; step L XIB COH quick rock fwd on L twd LOD, as cross thru RLOD stepping on R, face ptr of R (W XIB), step swd in RLOD on R, you recover back on R, release lead stepping side on L, close R to L blend to step L XIF of R (W XIF); step swd RLOD hands into OPEN pos, step fwd on L turn- SEMI-CLOSED pos; on R, tch L to R, hold 1 ct. ing partially back-to-back same hands Fwd Waltz; (Diag COH) Fwd Waltz (W roll LF to 21-24 Bal In, -; Manuv, 2, 3; (R) Waltz Turn; joined, -; In BACK to BACK pos rock fwd L-Open); Fwd, Face, Close; Cross, Fwd, Close (R) Waltz Turn (to LCP); LOD on R, recover back on L, step fwd (Pickup to CP M facing LOD); In CLOSED pos M's bk to COH bal in twd LOD on R turning R face to face part- 21 M still on outside and facing RLOD in COH L, hold 2 cts; start fwd R turning ner, -; Repeat action of meas 25-26 end- SEMI-CLOSED pos starting with L ft waltz 1/4 RF to face RLOD; start bk on M's L do ing in SEMI-CLOSED pos facing LOD: fwd; 2 RF turning waltzes making a 3/4 RF (Meas 25-28 has some progression on 22 Starting with R ft M waltz diag RLOD and turn to end in LOOSE CLOSED pos M's fwd/turning step of each meas). COH as (W rolls L face (XIF) of M to end back to COH. 29-32 Fwd Two-Step; Fwd Two-Step; (SCIS) on outside and L-OPEN pos) both facing 25-28 (Vine) Side, Behind, Side; Front, Flare Side, Close, Thru, -; Side, Close, Thru, - RLOD M's L and W's R hands joined; Around, -; Behind, Side, Front; Side, (to SCP); 23 In L-OPEN pos facing RLOD step fwd on Tch, - In SEMI-CLOSED pos do two fwd two- L, face ptr stepping on R, close L to R; Repeat action of Meas 17-20 end in CP steps (face ptr on last ct of second two- 24 Change hand hold to M's R and W's L M's bk to COH; step): Releasing M's R and W's L hand cross thru LOD stepping on R, turning to 29-32 Bal In, -; Manuv, 2, 3; (R) Waltz Turn; hold do a SCISSORS THRU - step swd face LOD, short step fwd on L, close R to (R) Waltz Turn (to OP); twd LOD on L, close R, step thru (or L as (W manuv in 3 steps LRL to end in Repeat action of Meas 21-24 except to across) in front on L - (W XIF also) into CLOSED pos facing RLOD); end in OPEN-FACING pos to start dance L OPEN pos diag twd ptr and RLOD; Do Fwd Waltz; 1/2 R Waltz Turn; Bwd Waltz; Bwd, L over. another SCISSORS THRU - swd twd RLOD Turn, Close (to end in Bfly facing Wall); DANCE GOES THRU THREE TIMES. on R, close L, step thru on R (W XIF also) 25 In CLOSED pos facing LOD waltz fwd L, Ending: The 3rd time thru W TWIRLS RF on Meas into SEMI-CLOSED pos facing LOD. R, L; 32 & ACK. DANCE GOES THRU TWICE - Second time 26 Starting R ft do a 1/2 R face turning waltz finish meas 32 in BUTTERFLY pos M's back to end facing RLOD; to COH. 27 Waltz bwd L, R, L; LET'S GO SLOW POKE Ending: Side, Close, Side, Close; Apart, -, Point, 28 Step bwd in LOD on R, turn 1/4 L face stepping on L and end facing WALL, close By Bunny and Nello Bondi, Brockton, Mass. Record: Blue Star 1804 In BUTTERFLY pos step quickly swd twd R to L ending in BUTTERFLY pos; Position: Intro-Butterfly M facing Wall. Dance- LOD on L, close R, swd L, close R; Slowly Waltz Bal; Waltz Bal; Solo Waltz Turn; On Arnd, Closed M facing Wall step apart M twd COH on L, -, point R 2, 3 (to end in LCP M facing Wall); Footwork: Opposite-Directions for M except as twd ptr, - changing hand hold to M's 29 In BUTTERFLY pos M facing WALL step noted. R and W's L. side on L, behind on R, in place on L (W Meas INTRODUCTION XIB also); Wait; Wait; Bk Away, 2, 3, Point; Together, 2, 3, 30 Side on R, behind on L, in place on R; Touch; 31-32 Starting with L ft do a solo L face turn, 1-2 In BUTTERFLY pos wait 2 meas: R, L, R, L, R (W starting with R ft turns 3 M bking into COH step L, R, L, point R JESSY WALTZ R face L, R, L, R, L) to end in LOOSE twd ptr; By Bill and Elsye Johnson, Memphis, Tennessee CLOSED pos M facing WALL: 4 Step fwd twd WALL and ptr R, L, R, touch Record: Scope 5 DANCE GOES THRU TWICE then Twirl the W and L to R and assume CLOSED pos; Position: Intro - Diag Open Facing. Dance - ack. DANCE Loose M facing WALL. Twisty Vine, 2, 3, 4; 5, 6, 7, 8; Side, Draw, -, Footwork: Opposite directions for M except as Close; (Hitch) Fwd, Close, Bk, Close; noted. 1 In CLOSED pos M facing WALL starting Meas INTRODUCTION KENTUCKY WALTZ with L ft step to side on L, cross R (IB) Wait; Wait; Apart, Point, -; Together (to LCP), By Ev and Amy Kuhn, Nelson, B.C., Canada (W XIF), side on L, cross R (IF) (W XIB);\ Touch, -; Record: Grenn 14092 2 Repeat action of meas 1; Still in CLOSED pos M facing WALL step 1-2 In OPEN FACING pos M diag twd LOD Position: Open-facing M's bk to COH M's R & W's 3 and WALL wait 2 meas: side twd LOD on L, draw R to L slowly L hands joined. taking 2 cts (leaning slightly over crew- 3 Step bwd away from ptr on L, point R Footwork: Opposite. toe twd ptr, hold 1 ct; ing ft with lead hands held high), close R Meas INTRODUCTION to L taking full wgt on R; 4 Step fwd on R into LOOSE-CLOSED pos 1-4 Wait; Wait; Bal Apt, Pt, -; Tog (to Bfly, M facing WALL, touch L to R, hold 1 ct; 4 Stepping fwd on L twd WALL (do a 4 ct Tch, -; Hitch), close R to L, bwd on L, close R to L; PART A In diag OPEN-FACING pos wait 2 meas; Twisty Vine, 2, 3, 4; 5, 6, 7, 8; Side, Draw, -, (Vine) Side, Behind, Side; Front, Side, Behind; M step apart bk on L, point R twd ptr, Close; (Hitch) Fwd, Close, Bk, Close; Bjo Arnd, 2, 3; 4, 5, 6 (to SCP); hold 1 ct; step fwd twd ptr R briefly to 5-8 Repeat action of meas 1-4 maintaining 1-2 In LOOSE CLOSED pos M facing WALL BUTTERFLY pos, tch L to R, hold 1 ct. CLOSED pos M facing WALL;

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(Scis) Side, Close, Cross, -; (Scis) Side, Close, step turning with left ft; raise leading Bk away from ptr M twd COH, L,R,L (W Cross, -; Twirl/Vine, 2, 3, Touch; (Rev) Twirl/ hands when two-step turning with R ft. twd wall) point R twd ptr; both move Vine, 2, 3, Touch; 54 (W) Turn Under Two-Step; Two-Step (To diag to R to new ptr M R,L,R, tch L to R 9 Still in CLOSED pos M facing WALL step Tamara pos); Around Two-Step; Two-Step end in CP M facing wall; side on L, close R to L, cross L (IF) of R (to Btfly); 5-6 Side, Close, Side, Tch; Side, Close, Side, (W XIB), hold 1 ct; NOTE: Use short, bouncy continuous two- Tch (to Bjo); 10 Step side on R, close L to R, cross R (IF) of steps for meas 5-14. M does a short fwd Start L do a swd two step in LOD; start L (W XIB), hold 1 ct; two-step in LOD as W turns 1/2 R with a R do a swd two step in RLOD blending 11 As M vines down LOD in 3 steps L, R, L short two-step under M's raised L and her to Bjo pos; (W twirls R face in 3 steps R, L, R,) touch R arm; As M continues with another fwd 7-8 Bjo Arnd, 2, 3, 4 (to OP); Away, Step/ R to L (W touch L to R); two-step W two-step turns with another Step, Tog, Step/Step; 12 Starting with R ft reverse the action of 1/2 R turn to face RLOD bringing her L In Bjo Pos turn CW in 4 steps ending in meas 12 (W rev twirl starting with L ft); hand behind her waist to grasp M's R for OPEN Pos facing LOD; in 3 quick steps Turn Two-Step; Turn Two-Step; Stamp, Brush, a TAMARA-hold pos; Retaining TAMARA do an away L,R/L, tog R,L/R end in Step, Brush; Cut, Bk, Cut, Bk; pos M two-steps fwd and around 1/4 R OPEN Pos to repeat the dance; 13-14 Starting with L ft do 2 turning two-steps to face wall (W COH); WITHOUT RE- DANCE GOES THRU 6 TIMES down LOD to end in SEMI-CLOSED pos; LEASING HAND HOLDS M two-step turns Ending: Apart, -, Point, -; 15 In SEMI-CLOSED pos facing LOD in place V2 R (W L) to face partner and COH in After completing meas 8 the last time stamp L ft, brush R ft fwd and twd COH BUTTERFLY pos. thru do an apt L, pt R twd ptr, -; (W twd WALL) pointing toe downward, 0.12 (RLOD) Two-Step Away; Two-Step (To step fwd LOD on R, brush L fwd; Bfly); Turn Under Two-Step; Two-Step (To 16 Moving bwd RLOD cross L over R, step on Bfly); R, cross L over R, step bk on R (leaning Releasing M's L (W's R) hands but retain- slightly fwd with lead hands lowered M's ing M's R (W's L) M does a short fwd L and W's R); two-step L,R,L,- progressing along RLOD Twisty Vine, 2, 3, 4; 5, 6, 7, 8; Side, Draw, -, swinging trailing (M's R, W's L) hands Close; (Hitch) Fwd, Close, Bk, Close; through; M does another progressive fwd 17-20 Repeat action of meas 1-4 (RLOD) two-step R,L,R,- swinging trail- Twisty Vine, 2, 3, 4; 5, 6, 7, 8; Side, Draw, -, ing hands back to BUTTERFLY pos: Re- MARNIE Close; (Hitch) Fwd/Turn (1/4 ), Close, Bk, Close; leasing M's R (W's L) hands but retaining 21-23 Repeat action of meas 1-3 By Jack and Na Stapleton, Grosse Pointe, Mich. M's L (W's R) M crosses diag behind W Record: Grenn 14100 24 Step on L fwd turning 1/4 L face to face with a two-step L,R,L,- twd COH and LOD and assume CLOSED pos (W step bk Position: Intro and Dance-Open Facing M facing RLOD as W two-step turns R under M's Wall. on R turning 1/4 R face to end facing M), raised L and her R arm both ending in close R to L, bk on L, close R to L; Footwork: Opposite directions for M except as LEFT-OPEN pos facing RLOD; M finishes noted. Fwd, Fwd/Manuv, -; Side, Bal Bk, Recover, with another two-step in place R,L,R,- Step/Turn (to SCP); Fwd, -, 2, -; Pivot, -, 2, -; turning 1/4 L to face wall and partner in Meas INTRODUCTION 25 In CLOSED pos M facing LOD step fwd on BUTTERFLY pos. Wait; Wait; Apart, Point, -; Together, Touch, -; L slowly, hold 1 ct, step fwd on R (manuv 13-16 (LOD) Two-Step Away; Two-Step Tog (To 1-2 In OPEN FACING pos M's R and W's L to face WALL), hold 1 ct; Bfly); Twirl, -, 2, -; Twirl, -, 2, -; hands joined wait 2 meas: 26 Step side on L (breaking to L OPEN pos) Turning to face LOD repeat Meas 9 and 3 Step apart on L, point R toe twd ptr, hold (W side on R), bal bk on R, recover on L, 10 along LOD; M walks fwd 4 steps L, 1 ct; turning L face step on R (assuming SEMI- R, -; L, R, - as W twirls RF twice 4 Step together on R, touch L to R, hold 1 CLOSED pos facing LOD); under M's raised L and her R arm adjust- ct; 27 In SEMI-CLOSED pos step fwd LOD on L, ing to SKATERS pos both facing LOD. hold 1 ct, fwd on R (toeing twd WALL), 17-20 Fwk, 2, 3, Swing; Wheel (CW), 2, Step/ DANCE hold 1 ct (assuming CLOSED pos); Step, Step/-; Vine Apart, 2, 3, Swing Waltz Away; Waltz Together (to Bfly); Waltz Bal 28 Starting with L ft do a slow couple pivot (Clap); Vine Together, 2, Step/Step, (L); Waltz Bal (R); stepping L R to end M facing LOD and Step/-; 1 Starting with M's L ft swing joined hands assuming CLOSED pos; In skaters pos M walks fwd L,R,L in LOD fwd and waltz down LOD slightly away (Scis) Side, Close, Cross, -; Side, Close Fwd, - swinging R ft (W's L); Retaining SKATERS from ptr; (W out to SCP); Stamp, Brush, Step, Brush; Cut, pos M wheels 1/2 R to face RLOD stepping 2 Swing joined hands bkwd waltz fwd turn- Bk, Cut, Bk; R,L then quick R/L,R/-; Vine away from ing twd ptr and into BUTTERFLY pos; 29 In CLOSED pos M facing LOD step side on partner (M twd wall, W twd COH) side L, 2 In BUTTERFLY pos step to side on L, step L, close R to L, cross L (IF) of R (W XIB), bk R, side L, swing R across L (clap R behind L (W XIB also), step in place on hold 1 ct; hands); Vine twd partner side R, bk L, L; BO Step side on R, close L to R, step fwd on assume SKATERS pos with quick R/L, 4 Step to side RLOD on R, step L behind R R into SEMI-CLOSED pos as (W steps bk R,-; (W XIB also) step in place on R holding turning to face LOD on L close R to L fwd 21-24 Fkd, 2, 3, Swing; Wheel, 2, Step/Step, BUTTERFLY pos momentarily; on L to SEMI-CLOSED pos); Step/-; Vine Apart, 2, 3, Swing (Clap); Waltz Away; Waltz Together (to Bfly); Waltz Bal 31-32 Repeat action of meas 15-16 Vine Together, 2, Step/Step, Step/-; (L); Waltz Bal (R) (to SCP); DANCE GOES THRU TWICE Repeat action of meas 17 thru 20 except 5-8 Repeat action of meas 1-4 except to end Ending on last meas as M does his quick step/ in SEMI-CLOSED pos facing LOD. Twisty Vine, 2, 3, 4; Twirl, 2, Stamp step, step/hold he maneuvers to face Waltz Fwd; Fwd, Point/Turn (to Scar), -; Twinkle Repeat action of meas 1 partner and RLOD in CLOSED pos. (RLOD); Twinkle (Manuv); Step in place on L, R, stamp L point R toe REPEAT ENTIRE DANCE TWO MORE TIMES 9 In SEMI-CLOSED pos starting with L ft twd RLOD releasing hand hold using a waltz fwd LOD; snapping action palms facing down with rag: (Bfly) Balance L, Step/Step, Bal R, Step/Step; 10 Step fwd on R, point L fwd at same time arms extended outward to the side (W Roll, 2, 3, Point; turning V2 R face to SCAR (W step fwd twirls R face R L stamp R point L toe twd Facing wall in Bfly pos M steps side L, on L point R fwd hold 1 ct); RLOD). quick R/L in place, step side R, quick 11 In SCAR twinkle RLOD stepping thru on L/R in place; Both roll along LOD M L(W bwd R), side on R turning to BANJO, stepping L,R,L, Point R in conventional close L to R; bow and curtsy. 12 In BANJO pos twinkle LOD stepping thru on R (W bwd on L), step on L turning to LET'S POLKA face RLOD, close R to L ending in CLOSED By Louis and Lela Leon, Bakersfield, California pos M facing RLOD; Record: Sets in Order 3153 LOOK ME OVER R Waltz Turn; R Waltz Turn (to BFly); Vine/Twirl, Position: Open-Facing for Intro; Closed, M's back By Jack and Ginny Carver, Timonium, Maryland 2, 3; Thru, Fwd, Close (to Varsouv); to LOD for Dance Record: Grenn 14080 13-14 In CLOSED pos M facing RLOD starting Footwork: Opposite throughout, directions for M Position: Open facing inside hands joined with L ft do 2 R face turning waltzes 3/4 Meas INTRODUCTION Footwork: Opposite thruout directions for M turn to end in BUTTERFLY pos M facing 1-4 Wait; Wait; Apart, -, Point, -; Maneuver, Meas INTRODUCTION WALL: -, Touch, -; 1-2 Wait; Apt, Tch, Tog, Tch (to OP); 15 Step side twd LOD on L, cross R IB of L, M steps back on L ft, hold, point R toe In Diag Open facing pos do a quick apart side on L as (W twirls R face under M's twd partner and wall, hold; Maneuver L, tch R, step tog R, tch L to R ending in L and W's R arms R L R); 1/4 R turn on R ft to face partner in OPEN pos facing LOD; 16 Releasing hands (W continues turning 1/4 CLOSED pos facing RLOD, tch L by R. DANCE R to face LOD) as M steps thru on R fwd DANCE 1-2 Fwd Walk, 2, 3, Swing; Bk Up, 2, Face, on L, close R to L to end in VARSOUVI- 1-4 Turn Two-Step; Turn Two-Step; Turn Two- Tch; ANA pos facing LOD; Step; Turn Two-Step; In OP start L walk fwd LOD L,R,L, swing Waltz Fwd; Waltz (to R Hand star); Star Around; Stepping back on L ft do 4 quick R face R fwd; start R bk up twd RLOD R,L, turn Spot Turn (to Scar); couple turning two-steps progressing to face ptr R, tch L to R end M's bICto 17 In VARSOUVIANA pos starting with L ft down LOD to end facing LOD in LOOSE- COH; waltz fwd down LOD; CLOSED pos. NOTE: For styling lower 3-4 Bk Away, 2, 3, Pt; New Ptr, 2, 3, Tch (to 18 Releasing M's L and Ws L hands M leads leading (M's L, W's R) hands when two- CP); (W out into a R hand star) as M turns 1/4

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CW to face WALL (W making a 3/4 CW step on R behind L (W also XIB), step in M's L and W's R hands to end in SEMI- turn to face COH); place on L; step to side RLOD on R, step CLOSED pos facing LOD; Starting M's R 19 Continue CW turn to end facing RLOD on L behind R, step in place on R; as M one waltz fwd in LOD in 3 short steps as (W facing LOD); vines down LOD stepping L, behind L on he leads the W to a modified CLOSED 20 Release hand hold and both do a 1/2 CW R, side L W twirls RF under M's L hand pos preparatory to blend to SIDECAR pos solo spot turn to end in LOOSE SCAR pos progressing down LOD; step thru twd for action of next meas (W steps fwd and M facing diag LOD and WALL (W diag LOD on R, step to side LOD on L, close R around on L, swd on R, close L to R); RLOD and COH); to L to end in BUTTERFLY pos M's bk twd 17-20 Twinkle Out, 2, 3 (to Bjo); Twinkle In, 2, Twinkle Out; Twinkle In; Twinkle Out; Twinkle COH; 3 (to Scar); Rock Fwd, Recover, Side (to (to OP Facing); 21-24 Waltz Balance (L); Waltz Balance (R); Rio); Around, 2, 3 (to mod CP); 21-24 In SCAR pos starting with M's L ft do Vine/Twirl; Thru, Side, Close (to Bfly); One 3 ct twinkle moving diag twd wall four meas of twinkle steps down LOD Repeat action of Meas 17-20. and prog LOD starting M's L XIF (W XIB), alternating from SCAR to BANJO and on 25-28 Fwd Waltz; Fwd, Point, —; Spot Turn, 2, step swd on R, close L to R turning to 4th twinkle turn to face ptr to end in 3; Tog, Tch, — (to CP); BANJO pos; one 3 ct twinkle moving OPEN-FACING pos M facing WALL. Quickly turning to SCP waltz fwd twd diag twd COH and prog LOD starting Waltz Away; Waltz Together (to BFIy); Float M's RXIF (W XIB), step side on L, close R Apart; Spin Manuv; LOD; step fwd on R, pt L fwd and hold 1 ct; do a 3/4 spot solo turn in 3 steps to L turning to SIDECAR pos; starting M's 25 Starting with M's L ft and swinging L rock fwd diag twd wall and LOD, re- joined hands fwd waltz down LOD slight- with M turning LF (W RF) to end facing ptr; step fwd twd ptr on R (W fwd L), tch cover in place on R, short step side on L ly away from ptr; to SNUG BANJO pos M facing diag wall L beside R to end in CP M's bk twd COH; 26 Swing joined hands bkwd waltz fwd and LOD (W rock bwd diag to wall and 29-32 Bal Bk, —; Waltz Manuv; (R) Turning turning twd ptr and into BUTTERFLY pos LOD on R, side on L, fwd on R to SNUG Waltz; (R) Turning Waltz (to OP-Face); M facing WALL; BANJO pos facing diag to COH and 27 Keeping both hands joined waltz apart In CLOSED pos bal bk twd COH on L and RLOD); In 3 steps (RLR) move CW around to arms length taking 3 steps (L R L) as hold 2 cts; waltz manuv turning 1/4 RF to ptr to end in a modified CLOSED pos in a "float-out"; end with M's bk twd LOD; starting bwd preparatory to blend to SIDECAR pos for 28 As M does a waltz manuv stepping R, L, M's L do 2 RF turning waltzes to end in action of next meas; R he leads (W into a solo L face spin OPEN-FACING pos M's bk twd COH; 21-24 Twinkle Out, 2, 3 (to Bjo); Twinkle In, 2, stepping L, R, L) to end CLOSED pos M DANCE GOES THRU TWO TIMES 3 (to Scar); Rock Fwd, Recover, Side (to facing RLOD; Ending: On Meas 32 last time thru end in CLOSED Bjo); Around, 2, 3 (to CP); R Waltz Turn; R Waltz Turn; R Waltz Turn; R pos M's bk twd CON then add — Bal bk Repeat action of meas 17-20 except to Waltz Turn (to OP Facing); twd COH on L, hold 2 cts; Twirl W RF; end in CLOSED pos M's back to COH. 29-32 change hands to M's R & W's L, step apart In CLOSED pos M facing RLOD starting 25-28 Step (to OP), Swing/Turn, —; Side (Bk to and ACK. with L ft do 4 R face turning waltzes to Bk), Tch, —; (Circle Around) Waltz, 2, 3 end in OPEN-FACT NP pos M facing WALL. (to L-OP); (Circle Tog) Waltz, 2, 3 (to CP); DANCE GOES THRU TWICE ending meas 32 the Step fwd LOD on L to OPEN pos, swing second time thru in CLOSED pos M facing WALL R fwd while rising slightly on the ball of twirl and ack. MONTEREY L, hold 1 ct; step swd twd LOD on R By Pete and Ann Peterman, Fort Worth, Texas turning 1/4 LF (W 1/4 RF) to a BACK TO Record: Windsor 471 6 BACK pos M facing COH (W facing wall), Position: Intro — Closed Pos M's back to COH, touch L to R, hold 1 ct; change joined hands to M's L and W's R and starting MEXICALI ROSE Dance — Closed Pos M facing RLOD. M's L one waltz circling fwd and around By Jack and Na Stapleton, Grosse Pointe, Michigan Footwork: Opposite throughout, Directions for M unless indicated. to face RLOD in L OPEN Pos; starting Record: Grenn 14088 M's R one waltz continuing turn circle tog Position: Intro and Dance: Open-facing M facing Meas INTRODUCTION 1-4 Wait; Wait; (Whisk) Fwd, Side (to SCP), to ptr to end in CLOSED pos M's back to wall. COH; Footwork: Opposite. Directions for M unless indi- Hook; Manuv, 2, 3 (to CP); In CLOSED pos M's back to COH wait 2 29-32 Step (to SCP), Swing/Turn, —; Thru, Side cated. (to Face), CLOSE (to CP); (Whisk) Fwd, Meas INTRODUCTION meas: Step fwd twd wall on L, step swd 1-4 Wait; Wait; Apart, Point, —; Together, RLOD on R assuming SEMI-CLOSED pos, Side (to SCP); Hook; Manuv, 2, 3 (to CP); Touch, — (to Open-Facing); hook L close in back of R rising momen- In CLOSED pos step fwd in LOD on L to Wait 2 meas in OPEN-FACING pos M's tarily on toes of feet transfer weight to SEMI-CLOSED pos, swing R fwd while ris- R hand W's L hand joined: step apart on M's L and W's R; maneuv to CLOSED pos ing slightly on ball of L, hold 1 ct; step L, pt R twd ptr, hold 1 ct; step diag twd M facing RLOD by stepping through and thru twd LOD on R, step swd LOD on L to face ptr in CLOSED pos M's back to ptr and RLOD on R, tch L to R, hold 1 ct around on R, swd on L, close R to L; COH, close R to L; Repeat action of Intro ending in OPEN-FACING pos M facing DANCE 1-4 meas 3-4. wall; (R) Waltz Turn; (R) Waltz Turn (to CP); PERFORM ENTIRE ROUTINE FOR TOTAL DANCE (1/2 Box) Fwd, Side, Close (to SCP); Manuv, 2, 3 (to CP); OF 2 TIMES. 1-4 Fwd Waltz; Wrap, 2, 3; Fwd Waltz; Fwd Ending: (Face), Side, Close; In CLOSED pos starting bwd in LOD on M's L do 2 RF turning waltzes prog LOD 1-2 (R) Waltz Turn; Twirl, 2, 3; Acknowledge. Starting M's L and swinging joined hands to end in CLOSED pos M's back to COH: Repeat action dance meas 1; M walks fwd fwd waltz 1 meas fwd in LOD; swinging Step fwd twd wall on L, swd twd RLOD LOD (RLR) as W twirls RF in 3 steps under joined hands bwd M does another fwd on R, close L to R assuming SEMI-CLOSED joined M's L and W's R hands; change waltz as he leads W into a full L face turn pos facing LOD; maneuver to CLOSED hands step apart from ptr on L, point R in 3 steps to WRAPPED pos facing LOD pos M facing RLOD by stepping through to ack. joining M's L and W's 12 hands in front; in and around on R, swd on L, close R to L; WRAPPED pos waltz 1 meas fwd in LOD; 5-8 (R) Waltz Turn; (R) Waltz Turn (to CP); releasing M's R and W's L hands keeping (1/2 Box) Fwd, Side, Close (to SCP); Thru, others joined step fwd LOD on R (W fwd Side (to Face), CLOSE (to CP); on L) turning 1/4 R (W 1/4 L) to face ptr, MOOD INDIGO Repeat action of meas 1-3: step thru in By Chet and Barbara Smith, Boylston, step side on L, close R to L ending M's bk LOD on R, step swd LOD on L to face twd COH M's L & W's R hands joined and Massachusetts ptr in CLOSED pos M's back to COH, Record: Hi-Hat 827 extended twd LOD; close R to L; Position: Diag Facing (M's R hand W's L joined) 5-8 Twinkle (RLOD); Twinkle Manuv; (R) Turn- 9-12 (Vine) Side, Behind, Side; Thru (to SCP), ing Waltz; (R) Turning Waltz (to OP-face); for Intro, Sidecar (closed) for Dance Flare, —; Back, Side, Thru (to Rev. SCP); Footwork: Opposite, directions for M except as Swinging joined M's L and W's R hands Side (to Face), Draw, Teh; twd RLOD twinkle down RLOD stepping L noted. Tempo: 4 walking beats meas. Step swd twd LOD on L, step RXIB of L Meas INTRODUCTION XIF R (W R XIF L), side on R turning to (W XIB), step swd twd LOD on L; step R face lair, close L to R; stepping R XIF L Wait (4 beats); Apart, Point, Together (To thru twd LOD to SEMI-CLOSED pos, flare Scar), Touch; (W L XIF R) twinkle down LOD turning L fwd in LOD then out and around twd In diag FACING pos wait 1 meas (4 1/4 RF to end in CP M's bk twd LOD; RLOD for 2 cts; step L bwd twd RLOD, counts); Step away from partner on L, stepping bwd twds LOD on L do 2 waltzes step R swd twd RLOD turning in to face point R, step together to SIDECAR pos down LOD making a 3/4 RF turn to end in ptr, step L thru twd RLOD to a momen- facing diag LOD and wall, touch L; OPEN-FACING pos M's bk twd COH: tary REVERSED SEMI-CLOSED pos; step R DANCE 9-12 Fwd Waltz; Wrap, 2, 3; Fwd Waltz; Fwd swd twd RLOD turning to face ptr in 1-4 (Scar) Walk, 2, Step/Close, Step (To Bjo); (Face), Side, Close; CLOSED pos M's back to COH, draw L to Walk, 2, Step/Close, Step (To Scar); Walk, Repeat action of Meas 1-4. R, hold drawing ft in tch pos for 1 ct; 2, Step/Close, Step; (To SCP); Walk, 2, 13-16 Twinkle (RLOD); Twinkle Manuv; (R) Turn- 13-16 Dip In, —; Pivot, 2, 3; Twirl, 2, 3 (to Step/Close, Step; ing Waltz; (R) Turning Waltz (to Bfly); SCP); Pickup, 2, 3 (to mod. CP); In SIDECAR pos (closed) walk diag fwd Repeat action of Meas 5-8 except end in In CLOSED pos dip bwd twd CON on L, twd wall and LOD 2 steps L,R, then do a BUTTERFLY pos M's bk to COH. hold for 2 cts; starting M's R one 3/4 RF two-step while blending to BANJO pos 17-20 Waltz Balance (L); Waltz Balance (R); couple pivot in 3 steps to end M facing facing diag COH and LOD; In BANJO pos Vine/Twirl; Thru, Side, Close (to Bfly); LOD; starting M's L one waltz fwd in LOD (closed) walk diag fwd twd COH and LOD In BUTTERFLY pos step to side LOD on L, as W twirls RF in 3 steps under joined 2 steps R,L, then do a two-step while

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blending back to SIDECAR pos facing wall MOONGLOW MY BABY JUST CARES FOR ME and LOD; Walk diag out 2 steps L,R, then By Kenn and Ginny Trimble, Des Moines, Wash. By Joe and Es Turner, Bethesda, Maryland do a two-step blending to SEMI-CLOSED Record: Windsor 4723 Record: Windsor 4718 pos facing LOD; Position: CP M facing LOD for Intro and Dance. Position: Open-Facing for both Introduction and In Semi-Closed pos walk LOD 2 steps R,L, Footwork: Opposite, Directions for M unless indi- Dance; partners facing with M's back twd then do a fwd two-step; cated. COH, M's R and W's L hands joined. 5-8 Twirl, 2, Side, Behind; Side, In Front, Meas INTRODUCTION footwork: Opposite Directions for M unless indi- Pivot (1/2), Side; In Front, Side, Behind, Wait; Wait; Dip Back, —, Recover, —; Twirl, —, 2, - cated. Turn (1/4); (CP) Rock Fwd, Rec, Rock Bwd, (to CP); Meas INTRODUCTION Rec• 1-2 In CLOSED pos M facing LOD wait 2 meas: 1-4 Wait; Wait; Bal Apart, Point; Bal Together As W twirls R face M walks LOD 2 steps 3 Dip bwd RLOD on L, —, recover on R, —; (two RLOD), Touch; L,R blending to LOOSE-CLOSED pos with 4 M walk fwd LOD L, R, — as W twirls R Wait 2 meas: step bwd away from part- M's back to COH, start on Opposite Vine face in 2 steps under joined M's L and W's ner and twd COH on L ft, point R toe fwd swd L, cross R in back (W XIF); Continu- R hand to end in CP M facing LOD; to floor twd partner; step diag fwd twd ing the vine (opp) step swd L, cross R in partner and RLOD on R ft swinging joined front (W XIB), do a R face couple pivot DANCE hands swd twd RLOD at shoulder hgt, on L (W step between M's feet with her Fwd, Turn, Pivot, 2 (to CP); (Hitch) Fwd, Close, touch L toe beside R ft; R) turning a 1/2 turn, continue opp vine Back, —; Turn, Pivot, 2 (to CP); (Hitch) Back, Close, DANCE LOD stepping swd R; Continue vine cross- Fwd, —• 1-4 Roll Fwd, 2; 3, 4 (Dip); Roll Back, 2; 3, 4 ing L in front (W XIB), swd R, cross L in 1 In CLOSED pos M facing LOD step fwd LOD (Touch); back (W XIF), do a 1/4 R face turn (as a on L, step fwd on R making 1/4 RF turn to Swinging joined hands fwd then releasing couple) on R ending in CLOSED pos M face ptr and WALL (W step bwd making 1/4 partners solo roll away from each other facing LOD; In CLOSED pos rock fwd LOD RF turn), one quick RF couple pivot in 2 down LOD making almost 17/2 turns with on L, recover on R, rock bwd L, rec fwd steps to end in CLOSED pos M facing LOD; 4 steps, M starting L ft and rolling L face, on R; 2 Step fwd on L, close R to L, step bwd RLOD (W starting R ft and rolling R face) to end 9-12 Two-Step Bal L, Two Step Bal R; Twirl- on L, —; almost back-to-back and rejoining M's R Vine (COH), 2, 3 (to Bfly), Touch; Two 3 Step bwd RLOD on R, step bwd on L mak- and W's L hands extended twd LOD at Step Bal R, Two Step Bal L; Twirl-Vine ing 1/4 RF turn to face ptr and WALL (W shoulder hgt, dipping fwd on R ft twd (wall) 2, 3, (to Scar) Touch; step fwd making 1/4 RF turn), one quick RF LOD with R knee flexed on 4th step with Do a two-step balance swd twd COH couple pivot in 2 steps to end in CLOSED L ft about 12 inches behind R ft: swing- then another swd twd wall; Moving twd pos M facing LOD (M steps R fwd and be- ing joined hands bwd then releasing, COH the W twirls R face as M does a tween ptr's feet on 1st step of pivot); partners solo reverse roll away from each grapevine L, XRIB, L, touch R while 4 Step bwd RLOD on R, close L to R, step fwd other down RLOD making almost 11/2 blending to BUTTERFLY pos M facing LOD on R, —; turns with 4 steps, M starting bwd on L LOD; In BUTTERFLY pos do a two-step Side, Close, Fwd, —; Side, Close, Back, —; Dip Back, ft and rolling R face, (W starting bwd on balance swd twd wall then another swd —, Recover, —; Twirl, —, 2, —(to CP); R ft and rolling L face) to end in CLOSED twd COH; Moving twd wall the W twirls 5 Step swd twd COH on L, close R to L, step pos, M's back twd COH, and touching L face as M does a grapevine R, XLIB, R fwd LOD on L, —; free toe (M's L and W's R) beside touch L while blending to Sidecar pos 6 Step swd twd WALL on R, close L to R, step weighted ft briefly on 4th step: (closed) with M facing diag twd wall and bwd RLOD on R, —; 5-8 Turn Two Step; Turn Two Step; Turn Two LOD; 7-8 Repeat action of Intro Meas 3-4; Step; Turn Two Step (to Open-Facing); Fwd, Turn, Pivot, 2 (to CP); (Hitch) Fwd, Close, 13-16 Repeat Action of Meas 1 thru 4; Start L ft and do four turning two steps, Back, —; Back, Turn, Pivot, 2 (to CP); (Hitch) Back, progressing down LOD and making two 17-20 (SCP) Walk, 2, 3, 4; Fwd/Close, Turn Close, Fwd, —; complete R face turns to end in OPEN- (back-to-back), Side, Tap; (Circle Away) Repeat action of Meas 1-4: 9-12 FACING pos, M's back twd CON. Step/Close, Step, (Together) Step/Close, Side, Close, Fwd, —; Side, Close, Back, —; Dip 9-12 Side, Behind; Side, Thru; Turn Away Two Step; (SCP) Step, Brush, Step, Tap; Back, —, Recover, —; Twirl, 2, — (to CP); Step; Around Two Step (to Open Facing); In SEMI-CLOSED pos walk fwd LOD 4 Repeat action of Meas 5-8; 13-16 Grapevine down LOD, M stepping to L steps L,R,L,R; Dropping SEMI-CLOSED pos Side, Close, Cross, — (to SCAR); Rock Fwd, —, Re- side on L ft, stepping on R ft XIB of L and starting M's L do a two-step fwd cover, —; Side, Close, Back, —; Rock Back, —, Re- (W also XIB); step again to L side on L ft LOD turning to back-to-back pos on last cover, — (to CP); turning slightly L face to almost face LOD, step, step swd LOD on R, then touch/tap 17 Step swd twd COH on L, close R to L, step L in back of R; Starting M's L (W's R) L XIF (W XIB) to SCAR pos M facing diag step thru twd LOD on R ft; swinging both do solo circles in 2 two-steps (M to WALL and LOD, —; joined hands fwd then releasing hand hold partners make a non-progressive turns L face, W R face) returning to part- 18 Rock fwd on R, diag to WALL and LOD, —, ner to take SEMI-CLOSED pos facing LOD; recover on L, - solo turn-away from each other in a small In SEMI-CLOSED pos step fwd LOD on L, 19 Still in SCAR pos step swd on R diag to arc with 2 two steps, M starting L ft and brush R fwd, fwd R, then touch/tap L in WALL and RLOD, close L to R, step R bwd turning L face (W starting R ft and turning back of R; diag to COH and RLOD, —; R face), to end in OPEN-FACING pos with M's back twd COH: 21-24 Repeat Action of Meas 17 thru 20 except 20 Rock bwd on L diag to COH, —, recover on end in Closed pos M's back COH; R to CLOSED pos M facing ptr & WALL, —; 13-16 Repeat Action of Meas 9-12 Except to Vine/Twirl, 2, 3, Touch; Vine/Twirl, 2, 3, Touch End in Open Pos, both facing LOD with 25-2B Two-Step Bal L, Two-Step Bal R; Rock inside hands joined: Fwd, Rec, Rock Bwd, Rec; Two-Step Bal (to SCP); Fwd Two-Step; Fwd Two-Step (to CP); 21 Step swd LOD on L, step R XIB, step swd 17-20 Fwd, 2; 3, Point; Bwd (Wrap), 2; 3, Touch; L, Two-Step Bal R; Rock Fwd, Rec, Rock Start L ft and take 3 steps fwd twd LOD Bwd, Rec; on L, tch R to L as (W twirls R face under joined M's L and W's R hands); and diag away from partner to end with In CLOSED pos do a two-step balance swd partners at arms' length apart, point R toe L (LOD) then another two-step balance R 22 Starting M's R moving twd RLOD repeat to floor fwd; as M retraces his path by (RLOD); Rock fwd on L (twd wall), recover action of Meas 21 to end in SEMI-CLOSED starting R ft and taking 3 steps bwd diag on R, rock bwd on L (COH), recover on R; pos facing LOD; twd RLOD and partner and touches L toe Repeat the above (Meas 25 and 26); (Start 23-24 In SEMI-CLOSED pos do 2 fwd two-steps in blend to SEMI-CLOSED pos); LOD to end in CLOSED pos M facing ptr beside R ft, W starts bwd on L ft and and WALL: takes 3 steps to make a full L face turn 29-32 (SCP) Walk, 2, 3, 4; Fwd/Close, Turn Rock Side, Recover, Thru, — (to L-OP); Recover, down RLOD with M's R and W's L hands (back-to-back), Side, Tap; (Circle away) Side, Thru, — (to SCP); Turn Two-Step; Turn Two- still joined, and touches R toe beside L ft Step/Close, Step, (Together) Step/Close, Step (to CP); as partner ends in WRAPPED pos, both Step; (SCP) Step, Brush, (to Scar) Step, Tap; facing LOD, M's R and W's L hand joined Repeat the action of Meas 17 thru 20 25 Release M's R and W's L hand rock swd in LOD on L, recover on R, step thru twd at W's R hip, M's L and W's R hands except that on the last 2 steps (Step, Tap) joined in front at shoulder hgt; the W steps L across in front of partner RLOD on L to L OPEN pos facing RLOD, —; and touch/tap R as M turns slightly R 26 Recover on R, step swd on L, step thru twd 21-24 Fwd Two Step; Fwd Two Step (release to face to end in Sidecar pos (closed) facing LOD on R to SEMI-CLOSED pos facing LOD, Closed); Turn Two Step; Turn Two Step diag LOD-wall to repeat dance; (Note: On (to Banjo); 2nd time thru do not do the pick-up but 27-28 Blending to CLOSED pos do 2 RF turning In WRAPPED pos and starting M's L ft, do face partner and wall in LOOSE CLOSED two-steps prog LOD to end in CLOSED pos 1 two step fwd in LOD; dropping M's R pos ready to do ending.) M facing ptr and WALL; from W's L hand to release WRAPPED Rock Side, Recover, Thru, — (to L-OP); Recover, pos, M starts R ft and does 1 more two Side, Thru, — (to SCP); Turn Two-Step; Turn Two- step in LOD turning 1/4 R to face wall, DANCE GOES THRU TWICE Step; while W starts L ft and does 1 two step Ending: (CP) Vine, 2, 3, 4; Twirl, 2, Acknowl- 29-32 Repeat action of Meas 25-28 except to end twd LOD turning 1/4 L to face COH, end- edge, —; in CLOSED pos M facing LOD; ing in CLOSED pos; start L ft and do 2 turning two steps down LOD, making a In LOOSE CLOSED pos do a normal 34 R face turn to end in CLOSED-BANJO 4 step grapevine LOD; Then as W twirls DANCE GOES THRU TWICE pos M facing LOD; R face M walks fwd LOD 2 steps L,R, then Ending: At end of Meas 32 second time thru ptrs step apart to face partner and do stand- slide apart M step bwd twd COH on L 25-28 Fwd Two Step; Fwd Two Step; Dip Fwd, ard acknowledgment as music ends; point R to acknowledge. Recover; Dip Bwd, Recover;

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In BANJO pos, start L ft and do 2 two bal stepping swd L, XIB on R, in place 1.4 6 Starting M's R moving diag twd WALL steps fwd in LOD; still in BANJO pos, dip Quickly changing to SEMI-CLOSED pos and LOD ptrs change sides in one two- fwd in LOD on L ft flexing L knee (W step bwd twd RLOD on R, bwd L, close step W crosses diag twd COH and LOD dips bwd on R ft), recover by stepping R as motion is checked: In Semi-Closed under joined M's L and W's R hands to bwd in RLOD on R ft (W fwd on 1); dip pos waltz fwd L,R, close L; As /Vt does end in BUTTERFLY pos M's back to WALL; bwd in RLOD on L ft flexing L knee (W another fwd waltz in short steps W turns 7 Step L XIB of R (both XIB), step swd LOD fwd on R), recover by stepping fwd in L IF of M to CLOSED pos M facing LOD. on R, step L thru twd LOD (both X19, —; LOD on R ft (W bwd on L); 21-24 (L) Turn Waltz V2; Bwd Waltz; 3/4 Pivot, 8 Starting M's R moving diag twd COH and 29-32 Fwd Two Step; Fwd Two Step; Dip Fwd, 2, Check; Bwd, Swd, Close; LOD ptrs change sides in one two-step as Recover; Dip Bwd, Step Bwd (To Open- In CP do 1/2 L turning waltz down LOD W crosses diag to WALL and LOD under Facing); to end M facing RLOD; Continue down joined M's R and W's L hands to end in Repeat action of Meas. 25 through 27; on LOD with a bwd waltz: Do a quick 3/4 SEMI-CLOSED pos facing LOD; Meas. 32, M dips bwd twd RLOD on L spot pivot M stepping bwd diag twd Fwd Two-Step; Thru (to CP), Side, Behind, —; ft, then steps bwd again in RLOD on R ft, LOD on L (turning R), between W's feet (Scis) Side, Close, Thru, —(to Rev SCP); Side, turning 1/4 R to face wall and touching on R, close L to R facing wall with check- Close, Thru, —(to Bfly); L toe briefly beside R ft, while W dips ing action rising slightly on ball of M's L 9-12 Repeat action of meas 1-4, fwd in RLOD on R ft, steps fwd again in and W's R ending M facing wall in (Vine) Side, Behind, Side, —; Change Sides Two- RLOD on L ft, turning 1/4 R to face COH and CLOSED pos; In Closed pos M steps bwd Step (W under to Bfly); Behind, Side, Thru, —; touching R toe briefly beside L ft, ending R twd COH on R, swd LOD on L, closes Change Sides Two-Step (W under to BJ0); R to L to end M facing wall. with partners in OPEN-FACING pos, M's 13-16 Repeat action of meas 5-8 except to end 25-28 Vine, Behind, Swd (to SCP); Thru/Check, back twd COH, M's R and W's L hands in BANJO pos M facing LOD; Recover, Face; Dip In; Maneuver, 2, 3; joined and extended out at shoulder hgt Fwd Two-Step; Turn to Scar; Turn to Bjo; Fwd Standard grapevine twd LOD both SIB on Two-Step (W turn to SCP); twd RLOD; 2nd ct and blending into SEMI-CLOSED REPEAT ENTIRE ROUTINE ONE MORE TIME 17 In BANJO pos starting M's L do 1 fwd pos facing LOD on 3rd ct; In Semi-Closed two-step prog LOD; REPEAT MEAS. 1-16 BUT END IN SEMI-CLOSED pos both step thru two LOD on M's R & 18 Without releasing hand holds do 1/2 RF POS FACING LOD W's L in checking action with toe pointed turn in 1 two-step (W 1/2 RF) to end in Tag Ending: out, quickly recover weight back twd SIDECAR pos M facing RLOD; Fwd Two Step; Twirl, 2; 3, 4; Point and RLOD on L, step swd twd RLOD on R 1/2 LF Acknowledge near L turning to CLOSED pos M's back 19 Without releasing hand holds do /2 LF) to end in In SEMI-CLOSED pos, start L ft and do 1 to COH: Dip bwd twd COH on L and turn in 1 two-step (W 1 two step fwd in LOD; as M starts R ft and hold 2 cts; Recover fwd on R, maneuver BANJO pos M facing LOD; Starting M's R do 1 fwd two-step prog walks 4 steps fwd in LOD turning 1/4 R 1/4 R turn L, R ending in CLOSED pos M's 20 on 4th step to face wall and partner, W back to LOD. LOD as W turns 1/2 RF in 1 two-step to starts L ft and does a 3/4 R face twirl 29-32 (R) Turn Waltz; Fwd Waltz; (L) Turn Waltz; end in SEMI-CLOSED pos both facing down LOD under her R and M's L arm in Bwd, Swd, Close; LOD; 4 steps to end facing COH and partner; Standard R turning waltz starting bwd (Double Hitch) Fwd, Close, Back, —; Back, Close, change hands to join M's R with W's 1, M's L and progressing LOD; Do one fwd Fwd,Fwd, Lock, Fwd, Lock; Twirl, —, 2, — point free toe fwd (M's R and W's L) as waltz LOD: Do fwd L turning waltz (1/2 (to BJ01; partners acknowledge. turn) still progressing LOD; Continue L 21 Step fwd LOD on L, close R to L, step turn 1/2 more as M steps bwd L twd LOD, fwd RLOD on L, —; swd R to face wall close L. 22 Step bwd RLOD on R, close L to R, step DANCE GOES THRU TWICE PLUS fwd LOD on R, —; Step fwd LOD on L, lock R behind L MY BEST TO YOU PART B (Meas 17-32) 23 By Lou and Pat Barbee, Columbus, Ohio Sequence: A-B-A-B-B (both lock behind), step fwd LOD on L, Record: Hi-Hat 824 Ending: Last time thru mess 31-32 do the L lock R behind L (both lock behind); Position: Intro — Open Facing (M's R, W's L hands turning waltz 1/2; then as M steps bwd R, 24 Step fwd LOD L, R, as W does 1/2 RF joined, M's back to COH). Dance — Closed, swd L twd LOD, and closes R as he turns twirl in 2 steps under joined M's L and M's back to COH to face the wall the W does a slow twirl W's R hand to end in BANJO pos M INTRO: Wait; Wait; Apart, Point, —; Together (to to face M and COH; Ptrs step apart in facing LOD; CP), Touch, —; usual ending changing hand holds to M's Fwd Two-Step; Turn to Scar; Turn to Bjo; Fwd In Open Facing pos wait 2 meas: Then R and W's L as he steps bwd twd COH Two-Step (W turn to SCP); standard intro stepping apart M's L and on his L, pointing R twd partner. (Music 25-28 Repeat action of meas 17-20; W's R, point M's R and W's L twd part- retards on meas 31-32.) (Dble Hitch) Fwd, Close, Back, —; Back, Close, ner; Step tog into CLOSED pos M's back Fwd, —; Fwd, Lock, Fwd, Lock; Twirl, —, 2, - COH. (to SCP); Mess PART A 29-32 Repeat action of meas 21-24 except to 1-4 (Box) Fwd, Swd, Close; Rev Twirl (to SCar); end in SEMI-CLOSED pos both facing Twinkle (RLOD); Twinkle (LOD to Bfly); MY IDEAL LOD; In Closed pos M facing wall do 1/2 box By Hi and Cookie Gibson, Hawthorne, Calif. PERFORM ENTIRE ROUTINE FOR TOTAL OF 2 starting fwd L, swd R, close L; As W does Record: Windsor 4725 TIMES EXCEPT LAST TIME THRU ON MEAS 32 rev (L) twirl into SIDECAR pos M steps Position: Intro — Open Facing. Dance — Semi Clo Ending: Step swd LOD on L, step RXIB of L, step bwd R, close L, steps R in place turning pos facing LOD back apart from ptr on L, point R twd 1/4 R to end facing RLOD in SIDECAR Footwork: Opposite throughout — directions for ptr to ack (W does 1 RF twirl in 2 steps pos; Twinkle twd RLOD from Sidecar M except as noted under joined M's L and W's R hand R, L, pos with M stepping LXIF (W XIB) end- Mess INTRODUCTION step back apart from ptr on R changing ing in BANJO pos M facing LOD; Twinkle Wait; Apart, Point, Tog (to SCP), Tch; hand holds to M's R and W's L, point L twd LOD blending last 2 steps into mo- 1 In OPEN-FACING pos M's back to COH twd ptr to ack). mentary BUTTERFLY pos M's back to COH; M's R and W's L hands joined wait 1 NOTE: Twinkles are up and down LOD. meas; 5-B Waltz Away; Wrap; Twirl To Face; Thru 2 Step bk apart from ptr on L, point R twd (to CP), Swd, Close; ptr, step fwd twd ptr on R to SEMI- From momentary BUTTERFLY pos waltz CLOSED pos facing LOD, tch L to R; fwd and slightly away from ptr into OPEN pos; M waltzes fwd again as W DANCE OH YOU KID wraps L face into M's R arm joining her Fwd Two-Step: Thru (to CP), Side, Behind, —; By Dot 'n' Date Foster, Decatur, Illinois R hand with his L to end in WRAP pos (Scis) Side, Close, Thru, —(to Rev SCP); Side, Record: Hi-Hat 831 facing LOD; As M waltzes fwd with short Close, Thru, —(to Bfly); Position: Open (facing LOD), Inside hands joined steps W does 3/4 twirl under his L and 1 In SEMI-CLOSED pos starting M's L do 1 Footwork: Opposite throughout, directions for M her R hand to end facing with M's back fwd two-step prog LOD; except as noted. to COH (a "different" unwrap); Retain- 2 Step R thru twd LOD to LOOSE-CLOSED Mess INTRODUCTION ing M's L and W's R hand hold ptrs step pos M's back to COH, step swd LOD on 1-4 Wait; Wait; Apart, —, Touch, —; Together, thru twd LOD on M's R and W's L starting L, step RXIB of L (both XIB), —; —, Touch (to Open pos), —; blend into CLOSED pos, swd L, close R 3 In LOOSE-CLOSED pos step swd LOD on In OPEN pos both facing LOD and inside to end in CLOSED pos M's back CON. L, close R to L, cross L thru twd RLOD hands joined wait 2 mess then step apart 9-12 (Box) Fwd, Swd, Close; Rev Twirl (to (both XIF) to Rev SEMI-CLOSED pos, —; on L, hold 1 ct, touch R to L, hold 1 ct; SCar); Twinkle (RLOD); Twinkle (LOD to 4 Step swd RLOD on R to LOOSE-CLOSED Step together on R, hold 1 ct, touch L to Bfly); pos, close L to R, cross R thru twd LOD R, hold 1 ct in OPEN pos ready to start Repeat action of mess 1 thru 4. (both XIF) to BUTTERFLY pos M's back to dance. 13-16 Waltz Away; Wrap; Twirl To Face: Thru COH, —; Meas PART A (to CP), Swd, Close; (Vine) Side, Behind, Side,Change Sides Two- 1-4 (Shortcake Step) Heel, Place, Heel, Place; Repeat action of mess 5 thru 8. Step (W under to Bfly); Behind, Side, Thru, —; Heels Out, In, Out, In; Strut Fwd, —, 2, PART B Change Sides Two-Step (W under to SCP); —; 3, —, 4, —; 17-20 (L) Bal, 2, 3; (SCP) Back, Back, Check; Fwd 5 In BUTTERFLY pos step swd LOD on L, Touch L heel to floor diag fwd, then back Waltz; Pickup, 2, 3 (to CP); step RXIB of L (both XIB), step swd LOD to place, touch R heel diag fwd, then back In Closed pos M's back to COH do swd on L, —; to place; with heels together and toes

83 slightly out and keeping wgt on balls of In Open Facing pos M's back to COH Behind, Side, In Front; (Slow) Pivot, —, 2, feet move heels out, then heels back to- M's R & W's L hands joined wait 2 mess: — (to Bfly); gether, out again, and back together; step apart on L ,hold 1 ct, point R twd Starting M's L do 2 fwd two-steps in (Note: Bend knees slightly when heeling ptr, hold 1 ct; step together and slightly LOD; adjusting to LOOSE CLOSED pos out and straighten on heels together). RLOD on R to BUTTERFLY pos M's back to step swd twd LOD on L, step RXIB of L Walk fwd LOD 4 slow strutting steps CON, hold 1 ct, touch L to R, hold 1 ct; (W XIB), step swd twd LOD on L, step starting M's L ("toe-heel" for styling): DANCE RXIF of L (W XIF); starting M's L one RF 5.8 (Shortcake Step) Heel, Place, Heel, Place; 1-4 (Diag Away) Side, Behind, Fwd, Brush; couple pivot in 2 slow steps to end in Heels Out, In, Out, In; Strut Fwd, —, 2, (Diag Tog) Side (Bk to Bk), Behind, Fwd, momentary BUTTERFLY pos M's back to —; 3, —, 4, —; — (to Op); (4 ct Hitch) Fwd, Close, Back, COH: Repeat action of Meas 1 thru 2: Repeat Close; (Slow) Walk, —, 2, — (to Bfly); PERFORM ENTIRE ROUTINE FOR TOTAL action of Meas 3 thru 4: From BUTTERFLY pos retain M's R & W's OF 2 TIMES 9-12 (Charleston) Step Fwd, —, Point Fwd, —; L hands joined M moving diag twd LOD Ending: Step Bwd. —, Point Bwd, —; Step Fwd, and COH (W diag twd LOD and wall) 1-2 (Slow) Twirl, — 2, — (to Face); Step Apart, Point Fwd, —; Step Bwd, —, Point Bwd, —; step swd on L, step RXIB of L (W XIB), — Point, —; Step fwd on outside foot (M's L, W's R), step fwd in LOD on L, brush R fwd; M In SEMI-CLOSED pos M walks fwd in LOD —, point inside foot fwd, —; step bwd on moving diag twd LOD and wall (W diag 2 slow steps (LR) as W does I RF twirl inside foot (M's R, W's L), —, point out- twd LOD and CON) step swd on R bring under joined M's L & W's R hands to end side foot bwd, —; repeat action of Meas 9 joined hands through turning slightly facing partner; change hands and step and 10: back to back, step LXIB of R (W XIB), step apart from partner on L, hold 1 ct, point 13-16 (Circle Away) Two-Step; (Away) Two-Step; fwd in LOD on R to OPEN pos, hold 1 ct; R twd partner, hold 1 ct. (Circle In) Two-Step; (Together) Two-Step step fwd LOD on L, close R to L, step bwd (to Bfly pos); RLOD on L, close R to L; starting M's L 2 Starting a circle move away from partner slow walking steps in LOD to end in in 2 two-steps (M L face, W R face): con- BUTTERFLY pos M's back to CON; PEG LEG tinuing to circle move twd partner in 2 5-8 (Limp) Side, Behind, Side, Behind; (Slow) By Phil and Barbara Sterker, Basalt, Colorado more two-steps (End in BUTTERFLY pos Twirl, —, 2, — (to CP); Turn Two-Step; Record: Hi-Hat #838 with M's back to COH): Turn Two-Step (to CP); Position: Intro — Open-Facing — Semi-Closed fac- PART B Step swd twd LOD on L, step RXIB of L ing LOD for DANCE 17-20 (Shortcake Step) (Bfly) Heel, Place, Heel, (W XIB) affecting a slight "limp," step Footwork: Opposite, Directions for M except as Place; Heels Out, In, Out, In; (Change swd LOD on L, step RXIB of L (W XIB) noted Sides) W Under, —, 2, —; 3, —, 4, — (to affecting slight "limp"; blending to SEMI- Meas INTRODUCTION Bfly); CLOSED Pos M walks fwd in LOD 2 slow Wait, Wait; Apart, —, Point, —; Together (to SCP), Same footwork as Meas 1-2 Part A ex- steps L,R as W does 1 RF twirl under —, Touch, —; cept facing partner in BUTTERFLY pos: joined M's L and W's R hands to end in 1-4 Wait 2 meas facing partner M's R hand releasing trailing hands and keeping lead CLOSED pos M's back to COH; starting and W's L joined (M's back to COH); Step hands joined (M's L, W's R) change sides M's L do 2 RF turning two-steps prog LOD apart on L, hold 1 ct, point R twd part- with W crossing twd COH in front of M to end in CLOSED Pos M's back to COH; ner, hold 1 ct; Step together on R, hold with 4 slow strut steps to end facing part- 9-12 (Diag away) Side, Behind, Fwd, Brush; 1 ct while blending to SEMI-CLOSED pos, ner in BUTTERFLY pos with M's back twd (Diag Tog) Side (Bk to Bk), Behind, Fwd, touch L, hold 1 ct; wall: — (to Op); (4 ct Hitch) Fwd, Close, Back, DANCE 21.24 (Shortcake Step) Heel, Place, Heel, Place; Close; (Slow) Walk, —, 2, — (to Bfly); (SCP) Walk, 2,; (CP) Vine, 2, 3, 4; (SCP) Walk„ Heels Out, In, Out, In; (Change Sides) W Repeat action of Meas 1-4. 2,; (Hitch) Fwd, Close, Back, Close; Under, —, 2, —; 3, —, 4, — (to Bfly); 13-16 (Limp) Side, Behind, Side, Behind; (Slow) 1 In SEMI-CLOSED pos walk fwd LOD 2 Repeat action of Meas 17-18 with M on Twirl, —, 2, (to CP); Turn Two-Step; Turn slow steps L, R, —; outside of circle: repeat action of Meas Two-Step (to CP); 2 Blending to CLOSED pos M's back to 19-20 except W goes under NEW LEAD Repeat action of Meas 5-8. COH do a 4 step vine LOD swd L, cross HANDS (M's R and W's L) and again end 17-20 (Bwd 4 ct Hitch) Push Apart, Close, Fwd, R in back (W XIS), swd L, cross R in in BUTTERFLY pos with M's back to COH: Close (to mod Bjo); Change Sides, — 2, front (W XIF); 25-28 (Charleston) Step Fwd (Scar), —, Swing —; (Circle) Around Two-Step; (Circle) Tog 3 Return to SEMI-CLOSED pos and walk 2 Fwd, —; Step Bwd (to face), —, Touch, —; Two-Step (to Bfly); more slow steps LOD L, R, —; Step Fwd (to Bjo), —, Swing Fwd, —; Step From closed pos blend to BUTTERFLY pos Bwd (to face), —, Touch, —; 4 (Hitch) Step fwd L, close R to L, step bwd except M's R and W's L hands are L, close R to L; Both step fwd (M's L, W's R) into BUT- grasped rather than touching using lead (SCP) Walk, 2,; (CP) Vine, 2, 3, 4; (SCP) Walk„ TERFLY-SIDECAR pos, hold 1 ct, swing R hands push apart from partner stepping fwd, hold 1 ct; Both step back (away 2,; (Hitch) Fwd, Close, Back, Close; bwd twd COH on L (W bwd twd wall), 5-8 Repeat the action of Meas 1 thru 4; from partner on M's R, W's L) to again close R to L, dropping M's L & W's R face partner in BUTTERFLY pos, hold 1 ct, (SCP) Walk, Face,; (CP) Side, Close, Side, Close; hands step fwd twd partner on L, close (SCP) Walk, Face,; Roll, 2, (CP); touch free foot, hold 1 ct; both step fwd R to L adjusting to a MODIFIED BANJO (M's L, W's R) to BUTTERFLY-BANJO pos, 9 In SEMI-CLOSED pos step slow fwd LOD pos M's R & W's L hands still joined; on L, fwd LOD on R while turning to hold 1 ct, swing R fwd, hold 1 ct; both starting M's L partners change sides in face partner and blend to CLOSED pos; step back (M's R, W's L) to again face 2 slow steps (W crossing under joined partner in BUTTERFLY pos, hold 1 ct, 10 In CLOSED pos M's back to COH step swd hands on RLOD side of M )to end M fac- L, close R, swd L, close R; touch free foot, hold 1 ct; (Start blend to ing wall (W facing CON); retaining joined SCP) 11 Blend back to SEMI-CLOSED pos and take hands starting M's L one two step circling 2 slow steps LOD L, R, — turning on 29-32 (SCP) Fwd Two-Step: Fwd Two-Step; Twirl, fwd and around (MRF-WLF) to end facing —, 2, —; WALK (to OPen), —, 2, —; second step to face partner and take RLOD in OPEN Pos; starting M's R one momentary BUTTERFLY pos; Quickly blending to SEMI-CLOSED pos do two step circling together to partner to 2 fwd two-steps LOD: In 2 slow steps the 12 Both solo roll LOD a full turn (M R face, end in BUTTERFLY pos as described in W L face) in 2 slow steps L, R, — and W twirls R face under joined lead hands Meas 17 M's back to wall; as M walks fwd L, R, —; Both walk fwd blend to CLOSED pos M's back to COH; 21-24 (Bwd 4 ct Hitch) Push Apart, Close, Fwd, (Note: On roll retain hold of M's L hand 2 more slow steps to OPEN pos to start Close (to mod Bjo); Change Sides, — 2, dance again; and W's R as long as possible to keep —; (Circle) Around Two-Step; (Circle) Tog close contact with partner.) DANCE GOES THRU THREE TIMES Two-Step (to Bfly); Ending: Heel, Place, Heel, Place; Face and Chug (CP) Turn Two-Step; Turn Two-Step; Twirl, 2,; Repeat action of Meas 17-20 starting M's (SCP) Walk, 2, (to CP); Apart; L stepping bwd twd wall and end in Repeat Meas 1 of Part A; Immediately BUTTERFLY pos M's back to COH; 13-14 In CLOSED pos and starting M's L do 2 face part, both feet tog and chug away; 25-28 Apart (to Op), Swing, Roll Across, 2 (to R face turning two-steps LOD; (Note: Meas 17 thru 30 of Part B have L-Op); Apart, Touch, Tog (to Bfly), Touch; 15 As M walks fwd LOD 2 slow steps the the same basic footwork as that found in Apart, Swing, Roll Across, 2 (to Op); W twirls R face (End in SEMI-CLOSED pos); Meas 1 thru 12 of Part A. Only the posi- Apart, Touch, Tog (to Scp), Touch; 16 In SEMI-CLOSED pos walk LOD 2 slow tion and line of travel is different.) Step fwd and apart from ptr on L to steps L, R, — blending to CLOSED pos; OPEN Pos facing LOD, swing R diag (1/2 Box) Side, Close, Fwd, —; Rock Fwd, across in front of L, releasing joined Rec, —; (1/2 Box) Side, Close, Back, —; Rock hands partners change sides in 2 steps M Back, —, Rec, —; OLD MEMORIES rolling RF behind as W rolls LF in front 17 In CLOSED pos M's back to COH do a By Gordie and Billie Gust, San Jose, California of M to end in left OPEN Pos facing LOD; 1/2 box swd on L, close R, fwd L, hold Record: Windsor 4715 step swd twd wall on R (W swd twd 1 ct; Position: Intro — Open — Facing, Dance — Bfly COH), touch L to R, step together to face 18 Rock fwd twd WALL on R, hold 1 ct, M's back to COH. partner in BUTTERFLY pos on L, touch recover back on L, hold 1 ct; R to L; Footwork: Opposite throughout, directions for M repeat action Meas 25-26 starting 19 Complete the box by stepping swd R, unless indicated. M's R stepping fwd and apart from part- close L, bwd twd COH on R, hold 1 ct; ned to L Meas INTRODUCTION OPEN Pos and ending in SEMI- 20 Rock bwd twd COH on L, hold 1 ct, 1-4 Wait; Wait; Apart, — Point, —; Tog (to CLOSED Pos facing LOD; recover fwd on R, hold 1 ct; Bfly) Tch, —; 29-32 Fwd Two-Step; Fwd Two-Step; (Vine) Side, Side, Close, Cross, —; Side, Close, Cross, —; Turn

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Two-Step; Turn Two-Step; ing twd COH M steps short step swd on 5-8 Roll Across; Twinkle; Twinkle; Thru, Face, 21-22 In LOOSE-CLOSED pos do 2 scissors step- R while making 1/4 RF turn to face RLOD, Close; ping swd L, close R, cross thru on L, (both step L beside R, quick R/L, step R in Releasing hand hold M rolls L face (XIB) XIF), hold 1 ct; Swd RLOD on R, close L, place (starting W's L and moving bwd of W L,R,L to end facing LOD M's R and cross R thru twd LOD (both XIF), hold twd COH W unwraps by releasing joined W's L hands joined (W roll R face EXIF] 1 ct; M's L and W's R hands while making of M); swinging joined hands fwd (M's R 23-24 Blend to CLOSED pos and do 2 R face 11/4 turn in 3 steps to end in OPEN pos and W's L) twinkle down LOD stepping R turning two-steps LOD (end M's back to facing RLOD W takes 2 more steps in (XIF) of L, side on L turning to face ptr, COH); place). close R to L; twinkle down RLOD step- (1/2 Box) Side, Close, Fwd, —; Rock Fwd, 13-16 (To RLOD) Fwd, 2, 3, Swing; Wrap, 2, ping L (XIF) of R, side on R, turning to Roc, —; (1/2 Box) Side, Close, Back, —; Rock Step/Step, Step (Face COH); (To COH) face ptr, close L to R; step thru twd LOD Back, — Rec, —; Fwd, 2, 3, Swing; Unwrap, 2, Step/Step, on R, turn 1/4 R to face ptr and WALL 25-28 Repeat action of Meas 17 thru 20 Step (to OP); on L, close R to L ending in BUTTERFLY Side, Close, Cross, —; Side, Close, Cross, —; (CP) In OPEN pos moving twd RLOD repeat pos; Vine, 2, 3, 4; Pivot, 2, (to SCP); action Meas 9-10 to end in WRAP pos 9-12 Waltz Away; Roll Across; Fwd Waltz; 29-30 Repeat the action of Meas 21-22 both facing COH: In WRAP pos moving Waltz Away; 31 In LOOSE-CLOSED pos and starting M's twd COH repeat action Meas 11-12 to Repeat action of meas 1-4; L do a 4 step grapevine LOD (Swd L, end in OPEN pos both facing LOD. 13-16 Roll Across; Twinkle; Twinkle; Thru, Face, cross in back on R, swd L, cross thru on 17-20 Step/Close, Step, Step/Close, Step; Step/ Close; R (both XIF); Close, Step, Step/Close, Step; Heel (Fwd), Repeat action of meas 5-8 except to end 32 Blend to CLOSED pos and do a R face In Place, Toe (Bwd), Tch; Kick, In Place, in CLOSED pos M's back to COH. couple pivot in 2 slow steps (full turn) Heel, Hoe (Snap Back); PART B L, R, — end in SEMI-CLOSED pos fac- Starting M's L do 4 quick fwd two-steps 17-20 Bal Back, —, —; Manuv, 2, 3; Waltz Turn ing LOD ready to start dance over; prog LOD and moving slightly away from (R); Waltz Turn (R); Dance Goes Thru Twice (Plus Ending) and tog to ptr; tch L heel fwd LOD while Balance back to COH on M's L, hold 2 Ending (SCP) Fwd Two-Step; Fwd Two-Step; (Slow leaning slightly bwd, step L in place cts; M maneuvers in 3 waltz steps R,L,R Twirl-Vine) Side, Behind,; Side, Point (Ac- beside R, point R toe bwd RLOD while to face RLOD; do 2 R face turning waltzes knowledge),; leaning slightly fwd, tch R toe beside L; (making a 3/4 turn) to end M facing WALL; 1-4 In SEMI-CLOSED pos starting M's L do 2 Kick R fwd LOD, step R in place beside 21-24 (Vine) Side, Behind, Side; Thru, Turn (L), fwd two-steps LOD; face partner and W L, bend R knee slightly and tch L heel Close (W in front to Closed pos); Waltz does a slow 3 step R face twirl LOD as diag fwd and to L side, bring L ft well Turn (L); Waltz Turn (L); M does a slow vine swd L, —, cross R in across in front of R and tch L toe to In LOOSE CLOSED pos step side on L, back, —; Swd L, — (step slightly away on floor beside R toe (snap back); behind on R, side L; step thru twd LOD last step of vine), point R twd partner 21-24 Step/Close, Step, Step/Close, Step; Step/ on R, turn 1/4 L face stepping on L, close and acknowledge as music ends; Close, Step, Step/Close, Step; Heel (Fwd), R to L (as W comes in front of M turning In Place, Toe (Bwd), Tch; Kick, In Place, 1/4 L face in 3 steps L,R,L to end facing Heel, Toe (Snap Back); RLOD and CLOSED pos); starting with L Repeat action Meas 17-20. ft do 2 L face turning waltzes (making a 25-28 Step/Close, Step, Step/close, Step; Step/ 3/4 turn) to end M facing WALL. PENNSYLVANIA POLKA Close, Step, Step/Close, Step; Heel (Fwd), 25-28 Bal Back, —, —; Manuv, 2, 3; Waltz Turn By Ken & Dolly Walker, Los Angeles, Calif. In Place, Toe (Bwd), Tch; Kick, In Place, (R); Waltz Turn (R); Record: Windsor 4719 Heel, Toe (Snap Back); Repeat action of meas 17-20; Position: Intro — Diag Open — Facing, Dance Repeat action Meas 17-20. 29-32 (Vine) Side, Behind, Side; Thru, Turn (L), Closed Pos M facing LOD. 29-32 Roll Apart, 2, 3, Tch (Clap); Roll Tog, 2, Close (W in front to Closed pos); Waltz Footwork: Opposite throughout — Directions for 3, Tch (to Cp); Turn Two-Step , Turn Turn (L) Waltz Turn (L); M unless indicated. Two-Step , ; Turn Two-Step , Turn Two- Repeat action of meas 21-24 end M fac- Step (to CP); Mess INTRODUCTION ing WALL and BUTTERFLY; 1-4 Wait; Wait; Apart, —, Point, —; Tog (to M rolls twd COH (LF-WRF) away from ptr Sequence: A B A B First 8 Meas of A and Ending; Cp), Tch, - in 3 steps L,R,L to end facing LOD, tch R Ending: Twirl/Vine, 2, 3; (Slightly) Apart, Apart, In Diag OPEN-FACING pos M's R and to L; M rolls RF (WLF) back to ptr in 3 Point; W's L hands joined wait 2 mew: step steps R,L,R to end in CLOSED pos M's Releasing M's R and W's L hand hold (re- back to COH, tch L to R; starting M's L apart on L, hold 1 ct, point R twd ptr, tain M's L and W's R) as M vines down hold 1 ct; step fwd on R to CLOSED pos do 4 quick turning two-steps prog LOD LOD L,R,L (W twirls R face R,L,R to end M facing LOD, hold 1 ct, tch L to R, hold to end in CLOSED pos M facing LOD. facing ptr); (change hand hold to M's 1 ct. PERFORM ENTIRE ROUTINE FOR TOTAL R W's L) step apart on R, apart on I., DANCE OF 2 TIMES point R twd ptr. 1-4 Heel, Toe, Side/Close, Side; Heel, Toe, Ending: Twirl R, 2, 3, Tch; Twirl L, 2, Close, Chug; Note; Both take small steps on the two "apart" Side/Close, Side; Bal Fwd, Step/Step, Step swd LOD on L, step RXIB of L, step steps. Bal Bwd, Step/Step; Walk, 2, 3, 4; swd on L as W twirls RF under joined M's In CLOSED pos M facing LOD bend R L and W's R hands in 3 steps, tch R to L; knee slightly and touch L heel diag fwd Step swd RLOD on R, step LXIB of R, as and to L side, bring L ft slightly across W twirls L face under joined M's L and REMEMBER in front of R and touch L toe to floor W's R hands in 2 steps, close R to L (W By Dave & Bea Davenport, Seattle, Washington beside R toe, step L swd twd COH/ close L to R) chug. Record: Hi-Hat 832 close R to L, step swd L; starting M's R Position: Open-Facing for Intro, Glide to Open and moving twd WALL repeat action pos in 1st meas of Dance. Meas 1; step fwd LOD on L, close R to Footwork: Opposite, Directions for M except L/ step L in place, step bwd RLOD on R, RED CARNATIONS where noted. close L to R/ step R in place; starting By Lorne and Betty Hay, Barrie, Ontario, Canada Meas INTRODUCTION M's L walk fwd LOD 4 steps. Record: Sets in Order 3160 A 1-4 Wait; Wait; Apart, Point, —; Together, 5-8 Heel, Toe, Side/Close, Side; Heel, Toe, Position; Open Facing for intro; Butterfly, M's Touch (Smile), —; Side/Close; Side; Bal Fwd, Step/Step, back to COH for dance. In OPEN-FACING pos. (M's back to COH) Bal Bwd, Step/Step; Walk, 2, Twirl, 2 Footwork: Opposite throughout, directions for M M's R and W's L hands joined wait 2 (to OP); except as noted. meas; Step apart on L, point R toe twd Repeat action meas 1-4 except on Meas 8 Mess INTRODUCTION partner, hold 1 ct; Step twd partner on W walks fwd LOD 2 steps and on ct 3 1-4 Wait; Wait; Apart, Point, —; Together, R, touch L near R, hold 1 ct. while ex- & 4 twirls RF under joined M's L and W's Touch, - tending joined hands twd RLOD. R hands to end in OPEN pos facing LOD. In OPEN-FACING pos wait 2 meas; M Meas DANCE 9-12 (To LOD) Fwd, 2, 3; Swing; Wrap, 2, steps back on L, point R twd ptr, hold 1-4 (Glide to Open) Waltz Fwd; Pickup (W in Step/Step, Step (Face Wall); (To Wall) 1 ct; step twd ptr on R to BUTTERFLY front), 2, 3; (Turn 1/2 L in the next 2 meas) Fwd, 2, 3, Swing; Unwrap, 2, Step/Step, pos M facing WALL, touch L to R, hold Waltz L; Waltz L; Step (Face RLOD): 1 ct. Gliding smoothly to OPEN pos and start- In OPEN pos walk fwd LOD 3 steps L,R,L, PART A ing M's L do 1 waltz fwd LOD; M steps swing R fwd in LOD; Moving twd RLOD 1-4 Waltz Away; Roll Across; Fwd Waltz; fwd & diag twd WALL on R as W steps M steps short step swd on R while mak- Waltz Away; fwd and diag twd COH on L turning 1/2 ing 1/4 RF turn to face WALL, step L be- Releasing lead hands (retain M's R and L-face in front of M to CLOSED pos, then side R, quick R/L, step R in place (start- W's L) traveling slightly away from each complete fwd waltz with step, close; In ing W's L moving twd RLOD W makes 3/4 other and bringing joined hands fwd do 2 waltzes turn L face a 7/2 turn flowing LF turn in 3 steps to end in WRAP pos one fwd waltz in LOD L,R,L; release hand smoothly LOD (Although the 1/2 turn is on M's R side with M's R and W's L hold M rolls R face (XIB) of W R,L,R to done in 2 meas the greater portion of hands joined at W's waist and with M's end facing LOD and LEFT OPEN pos (W the turn is done on the 1st waltz and L and W's R hands joined in front both roll L face LXIFl of M) one fwd waltz only a partial turn is done on the 2nd) to facing WALL W takes 2 more steps in LOD L,R,L; traveling slightly away from end in CLOSED pos M's back to LOD. place); in WRAP pos moving twd WALL each other do one fwd waltz in LOD 5-8 Bwd Twinkle In; Twinkle Out; Twirl Fwd repeat action meas 9; In WRAP pos mov- R,L,R. (LOD), 2, 3; Waltz Fwd (blend to Open);

85

With M backing up do a twinkle crossing —, Touch, —; blend to SEMI-CLOSED pos and do 2 fwd L in back (W XIF) turning to BANJO pos 1-4 In OPEN-FACING pos M's R and W's L two-steps LOD: facing ptr (M's L hand and and moving diag twd LOD and COH, swd hands joined (M facing WALL) do a stand- W's R joined) do a slow vine in 3 steps swd R, close L to R while blending back to ard four meas Intro as follows: Wait 2 L, —, cross R (IB) (W XIB), —; side L, CLOSED pos; Do another twinkle moving meas: step bwd twd COH on L (W bwd change hands and point R twd ptr and diag LOD and twd WALL by crossing R twd WALL), hold 1 ct, point R twd ptr, ack as music ends, —. in back (W XIF) while turning to SIDECAR hold 1 ct; step fwd on R twd ptr assuming BUTTERFLY pos (M's back to COH), hold 1 pos, swd on L, close R and blend to ROSALIE CLOSED pos; W does a R-face twirl LOD ct, touch L to R, hold 1 ct. By Ralph and Jeanette Kinnane, Birmingham, Ala. in 3 steps (R,L,R) turning a full turn while PART A Record: Sets in Order 3158 B M steps diag bwd twd COH and LOD Side, —, Behind, —; Step, Close, Turn (back to Position: Intro-Diag Open Facing, Dance-Closed M (turning to face partner), step thru twd back), —; Side, —, Behind, —; Step, Close, Turn LOD (XIF) on R, facing LOD he closed L facing LOD to R; Continuing to move LOD waltz fwd (to SCP), —; Footwork: Opposite, directions for M except as In BUTTERFLY pos (M facing WALL) step while blending back to OPEN pos fac- 1 noted. ing LOD. swd LOD on L (slow), —, cross R (IB) of L, Meas INTRODUCTION W (XIB) (slow), —; 9-12 Waltz Fwd; Pickup (W in front), 2, 3; (1/2 1-4 Wait; Wait; Apart, — Point, —; Together, 2 In two-step rhythm step swd LOD on L, turn in 2 meas) Waltz 1; Waltz L; —, Touch, — (to CP); Repeat action of Meas 1 thru 4. close R to L, releasing lead hands and In diag OPEN-FACING pos wait 2 meas: 13-16 Bwd Twinkle In; Twinkle Out; Twirl Fwd bringing M's R and W's L joined hands M steps back on L, —, point R twd ptr, (LOD, 2, 3); Waltz Fwd (blend to Open); thru step L turning 1/2 L face (W R face) to —; step fwd on R to CLOSED pos, Repeat action of Meas 5 thru 8. a modified back to back pos, hold 1 ct; touch L to R, —; 17-20 Step, Swing, —; Change Sides (W under), 3 Step swd LOD on R (slow), —, cross L (IB) PART A 2, 3 (to face); Thru (LOD), Side, Behind; of R (W XIB) (slow), —; T-4 Fwd Two-Step; Rock Fwd, —, Recover, Side, Draw, - 4 In two-step rhythm step swd LOD on R, —; Bwd Two-Step; Rock Back, —, Re- In OPEN pos step fwd and slightly away close L to R, step R slightly fwd LOD and cover, - from partner on L, slowly swing R ft fwd blend to SEMI-CLOSED pos facing LOD, In CLOSED pos M facing LOD starting and across in front of L in 2 cts (keep hold 1 ct; on M's L do one fwd two-step L,R,L,; foot close to floor), —; Change sides with (SCP) Fwd Two-Step; Fwd Two-Step; W Twirl, —, 2 rock fwd on R, recover on L, —; back W moving under joined hands (Calif. (to SCP), —; Walk, —, 2 (to Bfly), —; up twd RLOD one two-step R,L,R,; rock twirl) in 3 steps (M R,L,R & W L,R,L) end- 5-6 In SEMI-CLOSED pos moving LOD do 2 fwd back on L, —, recover on R, ing facing partner with M's back to WALL two-step (L, R, L, —; R, L, R, —); 5-8 Step, Close, Turn, —; Pivot L , 2 , ; THRU, and the same hands (M's R, W's L) still 7 M walks fwd 2 slow steps L, R, —(as W (Face), SIDE, CLOSE; SIDE —, THRU, (Pick joined (Momentary Butterfly if needed for does 1 R face twirl LOD under joined lead up to CLOSED POS M facing LOD); balance); Both crossing in front step thru hands) to end in SEMI-CLOSED pos facing Step fwd on L, close R to L, turn L face twd LOD on L, swd LOD on R, cross L in LOD; 1/4 on L (M facing CON); starting bwd back of R; Step swd LOD on R, slowly 8 In SEMI-CLOSED pos walk fwd 2 slow couple pivot L face 1/4 on R (M now fac- draw L twd R in 2 cts but do not take wt steps L, R blending to BUTTERFLY pos ing RLOD), continue the L face pivot step- on L (End in Open pos facing RLOD). with M facing WALL, —; ping L turning 1/4 to end M facing wall; 21-24 Step, Swing, —; Change Sides (W under), Side, —, Behind, —; Step, Close, Turn (back to step thru in LOD on R to SEMI-CLOSED 2, 3 (to face); Thru (RLOD), Side, Behind; back), —; Side, —, Behind, —; Step, Close, Turn (to pos momentarily, turn to face ptr and do Side, Draw, - SCP), —; a swd two-step L,R,L, in LOD step thru Moving twd RLOD repeat the action of 9-12 Repeat action of Meas 1 thru 4: on R turning to face LOD (W step side on Meas 17 thru 20 (End facing LOD). (SCP) Fwd Two-Step; Fwd Two-Step; W Twirl, —, 2 R thru on L turning to face ptr) and com- NOTE: All the action of the next 8 meas is a (to SCP), —; Walk, —, 2 (to Bfly), —; ing into CLOSED pos. smooth flow twd LOD (No Stop Action). 13-16 Repeat action of Meas 5 thru 8: 9-16 Repeat Action of Meas 1-8 to end in CLOSED pos M facing WALL. 25-28 Waltz Away; Spin/Manuv; (1/4 R) Waltz PART B PART B Turn; (1/4 R) Waltz Turn (to Scar); Back Away, —, 2, —; Back, —, Cross (XIF), —; Roll, 17-20 (Box) Side, Close, Fwd, —; Side, Draw „ In OPEN pos start M's L and waltz fwd —, 2 (to face), —; Together, —, 2, —; Close; (Box) Side, Close, Back —; Side, moving slightly away from partner; Keep- 17 From BUTTERFLY pos M steps bwd 2 slow Draw , Close; ing the action flowing smoothly LOD the steps twd COH L, R (W steps bwd twd In CLOSED pos M facing WALL step swd M gives the W a strong lead into a L-face on L, close R to L, step fwd on L; step to solo spin (she moves slightly LOD) while WALL), —; 18 Again step L bwd, —, still facing ptr cross side on R, draw L ft to R, step on 1; step he maneuvers with a long reaching R, swd on R, close L to R, step back on R; steps LOD in front of W while turning R in front of L (W XIF) twd LOD, —; 19 In 2 slow steps roll slightly down LOD (M swd on L, draw R to L , step on R. R-face on L, closes R to end in CLOSED 21-24 (Face to Face) Two-Step; (Back to Back) pos with M's back to LOD; Starting bwd L face, W R face) L, — R and ending facing ptr, —; Two-Step; Pivot , 2 , ; Twirl , 2 (to on M's L do 2 R-face turning waltzes (1/4 SEMI-CLOSED) , ; turn on each waltz) moving LOD and 20 Walk twd ptr 2 slow steps L, R to end with M's L and W's R hands joined with L hips Do one face to face two-step; (release ending in SIDECAR pos with M facing M's L and W's R hands, retaining M's R LOD. adjacent, —; and W's L) turn slightly back to back do 29-32 Waltz Fwd; Waltz Fwd; M Manuv (to CP); Change Sides Two-Step; To Face Two-Step; Back- away, —, 2, —; Back, —, Cross (IF), —; one two-step turning (R face) back to Waltz to Open; face ptr and CLOSED pos on last step of In SIDECAR pos and starting M's L do 21-22 Change sides in 2 two-steps (L, R, L, —; R, L, R,—) with M turning L face (W turn R the two-step; pivot 3/4 R face in two 2 fwd waltzes LOD; step fwd L in LOOSE steps L,R, to end facing LOD; with M's SIDECAR pos but both turn to face part- face under his joined L hand and her R) & end in BUTTERFLY pos M's back to WALL; L and W's R hands joined M walks fwd ner, M turns back to LOD (L-face) as he LOD L,R, (as W twirls R face R,L) to end moves across in front of W and steps 23 Step bwd 2 slow steps twd WALL L, R (W bwd twd CON), —; in SEMI-CLOSED pos. bwd twd LOD on R (the W steps fwd 25-28 Fwd Two-Step; Rock Fwd, —, Recover , ; very slightly but turns to face M at all 24 Again step bwd on L, —, cross R in front of L (RLOD) (W XIF) still facing ptr, —; Bwd Two-Step; Rock Bwd, —, Recover, (to times), close L to end in LOOSE-CLOSED Face); pos M's back to LOD; M steps bwd and Roll (RLOD to face), —, 2, —; Together, —, 2, —; Change Sides Two-Step; To Face Two-Step; In SEMI-CLOSED pos do one fwd two- diag twd COH on R as W steps directly step; rock fwd on R, —, recover L; back fwd, releasing hands the M turns L-face 25 In 2 slow steps roll slightly RLOD (M L face, W R face) L, R & end facing ptr, —; up two-step; rock back on L, —, recover and steps fwd LOD on L as W moves diag on R (turning to face ptr and WALL in twd WALL and LOD, close on R as you 26 Walk twd ptr 2 slow steps L, R to end with M's L hand and W's R joined and L CLOSED pos). blend to OPEN pos facing LOD. 29-32 Turn Two-Step; Turn Two-Step; Twirl „ DANCE GOES THRU 21/2 TIMES hips adjacent, —; 27-28 Change sides in 2 two-steps (L, R, L, 2 , ; WALK „ 2 , ; Ending: On third time thru end Meas 16 in Open- Do two turning two-steps end both fac- Facing pos (M's back to COH) then step —; R, L, R, —) with M turning L face ( W R face under joined hands M's L and W's R) ing LOD: M walks fwd L,R, (as W twirls apart and acknowledge as music ends in 2 steps R,L under joined M's L and W's (S-M-I-L-E ...) to end in BUTTERFLY pos M's back to COH; Slow Vine, — 2, —; 3, —, 4, —; (CP) Turn Two- R hands; both walk fwd in 2 steps to end in SEMI-CLOSED pos M facing WALL. Step; Turn Two-Step (to Bfly); INTERLUDE: 29-30 In BUTTERFLY pos do a slow grapevine 1-4 Rock Fwd, —, Recover, —; Rock Bwd, LOD swd L, —, cross R in back (W XIB), Recover, —; Twirl , 2 , ; 3 , Pick Pu , ; ROAD RUNNER TWO-STEP —; swd on L, —, cross R in front (W XIF), By Clark and Maxine Smith, Palo Alto, Calif. In SEMI-CLOSED pos rock fwd on L, recover on R, —; rock back on L, —, re- Record: Hi-Hat 836 31-32 Assuming CLOSED pos do 2 R face turning cover on R, —; M walks fwd L,R,L,R (as Position: Open-Facing M's back to COH for Intro, two-steps and end in BUTTERFLY pos with Butterfly for Dance. W twirls R face R,L,R, L coming into M's back to COH: CLOSED pos on 4th step). Footwork: Opposite, Directions for M except as DANCE GOES THRU THREE TIMES PLUS ENDING noted. SEQUENCE: AB INTERLUDE — AB INTERLUDE Ending: (SCP) Fwd Two-Step; Two-Step; (Vine) — AB Meas INTRODUCTION Side, —, Behind, —; Side, —, Point, —; Note: On last time thru meas 32 (following twirl) Wait; Wait; Apart, —, Point, —; Together (to Bfly), 4 Meas At the end of Meas 32 third time thru step apart and acknowledge.

86 SALLY Face, Vine; Bk, Side, Thru; Close; Step, Strut, Step, Strut; Fwd, Close, By Manning and Nita Smith, College Station, Tex. 21-24 Repeat action of meas 17-20 to end in Bk, Close; Record: Grenn #14096 BANJO pos with M facing COH; Step LOD on M's L, retaining weight on Position: Intro — Open pos facing LOD — Dance - Float Apart, 2, 3; Twirl L face, 2, 3; Banjo Wheel, L bend L knee while lifting R leg so that Butterfly M facing Wall 2, 3; Manuv, 2, 3; shin is almost parallel to the floor and Footwork: Opposite — directions for M 25 In BANJO pos M facing COH M steps the toe is pointed down and back (strut Meas INTRODUCTION almost in place L, R, L as W steps bkwd step), Repeat strut step on R; Step fwd L, Wait; Wait; Apart, Point, —; Together (to Butter- twd COH on R and couple "drifts" apart close R to L, step back on L, close R to L; Repeat action 21-22 ending in OPEN pos fly), Touch, —; with M's L and W's R hands joined; 1-4 In OPEN-FACING pos M's R and W's L 26 W steps straight twd WALL to start L face facing LOD. 25-28 Two-Step; Two-Step; Walk (W twirl), —, hands joined (M facing WALL) do a stand- twirl under M's L and her R hands as M steps R, L, R in place to end in BANJO 2, —; 3, —, 4, —; ard four meas Intro as follows: Wait 2 In Open pos facing LOD do 2 fwd two- pos M facing diag LOD and WALL; meas: step bwd twd COH on L (W bwd step; M walks 4 slow steps LOD (W twirl twd WALL), point R twd ptr, hold 1 ct; 27 In BANJO pos both stepping fwd wheel once in 4 slow steps) to end in OPEN pos as a couple L, R, 1; step fwd on R twd ptr assuming BUTTER- facing LOD. 28 FLY pos (M's back to COH), touch L to R, Continue wheel R, L, R and on last step 29-32 Two-Step; Two-Step; Walk (W twirl), —, hold 1 ct; M manuv to CLOSED pos with back to 2, —; 3, —, 4, —; PART A LOD; Repeat action measures 25-28 ending in Waltz Fwd Bk to Bk; Face to Face; Bk to Bk; Face R Waltz Turn; R Waltz Turn; R Waltz Turn; Twirl, OPEN pos facing LOD. to Face; 2, 3; Do Entire Routine 21/2 times through to 1 In BUTTERFLY pos with M facing WALL 29.31 In CLOSED pos with M's back to LOD and measure 16 waltz fwd in LOD on L as swing trailing stepping bk on L in LOD do three meas TAG hands thru twd LOD and turn back to of R face turning waltzes travelling LOD; 1-4 Two-Step; Two-Step; Walk (W twirl), —, 2, back, step side in LOD on R, close L to R; 32 Twirl W R face under M's L and W's R —; 3, —, Bow, - 2 Swinging joined M's R and W's L hands hands to end in OPEN pos; Repeat action 29-32 bowing on meas- back step R in LOD and turn to face Sequence: A B A B Ending ure 32. partner, step side L, close R to L; Ending: Instead of a twirl on last meas of Part B 3 Repeat action of meas 1; the second time thru dance do another R 4 Repeat action of meas 2 except to end in waltz to end in CLOSED pos with M's LEFT-OPEN pos facing RLOD; back to LOD — Then do a fast 1 and 1/4 SHEIK Back L, Back R, Face; Thru, Step, Close; W Under, couple pivot in four steps and float apart By Wayne and Norma Wylie, St. Louis, Missouri 2, 3; Side, Point, Hold; and acknowledge as music retards and Record: Scope 4 Position: Intro — Diag Open-Facing. Dance - 5 In LOOSE-OPEN pos step back in LOD on ends. L, back on R, face partner as step side L; Open facing LOD Footwork: Opposite — Directions for M except as 6 In BUTTERFLY pos step thru to LOD on R, noted. with both hands joined M leads W to a SAN FRANCISCO BAY position in front of him as he steps L and By Ted and Jean Jordan, Cold Lake, Alberta, Meas INTRODUCTION faces LOD, close R to L; Canada Wait; Wait; Apart, —, Point, —; Together, —, 7 Hands joined M releases with R hand as Record: Grenn 14081 Touch, —; W turns R face under M's L and W's R Position: Open Facing LOD 1-2 In OPEN facing pos M diag twd LOD and hands twd COH in 3 steps to end facing Footwork: Opposite throughout, directions for M. WALL wait 2 meas: WALL while M steps fwd in LOD on L, Meas INTRODUCTION 3 Step bwd away from ptr on L, hold, turns 1/4 L to face C01-1 as step side R, 1-4 Wait; Wait; Side, Touch, Side, Touch; Side, point R toe twd ptr, hold; close L to R; Touch, Side, Touch; 4 Step fwd (turning to face LOD and OPEN In BUTTERFLY pos M facing COH step side In OP facing partner step L to COH, touch pos) on R, hold, touch L, hold; R, point L toe diag twd COH & RLOD, R in front of L, step R to wall, touch L in DANCE draw L toe along floor as turn to LOOSE front of R; Repeat action measures 3 to Fwd Two-Step; Fwd Two-Step; RK Fwd, Rec BUTTERFLY SCAR pos facing diag COH end in OPEN pos facing LOD. (Turn), —; RK Fwd (RLOD), Rec (Turn), —; and LOD; DANCE 1-2 In OPEN pos starting with M's L do 2 Twinkle; Twinkle/Manuv; R Turn Waltz; R Turn 1-4 Fwd Two-Step; Fwd Two-Step; Side, —, fwd two-steps in LOD: Waltz; Behind, —; Fwd Two-Step; 3 Rock fwd in LOD on L (W on R), hold 1 In BUTTERFLY SCAR pos traveling twd 9 In OP facing LOD do two fwd two-steps ct as you release hand hold and turn in COH cross L slightly over R stepping twd starting M's L; step L side to LOD, step R twd ptr M R face (W L face), recover on COH and just slightly diag LOD, side R, behind L.; on M's L do one fwd two-step R (W on L) to face RLOD, hold 1 ct; close L and turn to LOOSE BUTTERFLY traveling slightly away from partner to 4 Rock fwd twd RLOD on L (W on R), hold BANJO; COH. 1 ct as you continue turn away from ptr ICI In BUTTERFLY BANJO pos travelling twd S-1:1 Two-Step Away; Two-Step Away; To- M R face (W L face), recover on R (W on COH and slightly diag RLOD cross R over gether, —, 2, —; 3, —, Touch, —; L) to end facing LOD in OPEN pos, hold L blend to CLOSED pos M facing CON In two two-steps starting M's R travel 1 ct (the turn in meas 3 and 4 is some- and step side RLOD on L, close R to L; away from partner twd COH and RLOD: times called a basketball turn and looks 11-12 In CLOSED pos stepping bk twd WALL on move twd ptr and wall in 3 slow steps nice with hands held firmly at sides); L and moving twd WALL do two meas of R, L, —; R, —, Touch, —; ending in Apart, —, Touch, —; Side (Wrap), —, Close, - R turning waltz to end in CLOSED pos CLOSED pos. Side (Unwrap), —, Close, —; Side, —, Touch, —; with M's back LOD; 9-12 Side, —, Draw, —; Side, —, Draw, —; Turn 5 In OPEN pos facing LOD step side twd Pivot, 2, 3; Thru, Pickup, Close; L Turn Waltz; L Two-Step; Turn Two-Step; COH on L (W twd WALL on R), hold 1 ct, Turn Waltz; In Closed pos step side L, hold 1 ct, draw touch R to L, hold 1 ct; 13 In CLOSED pos M facing RLOD step bk R to L with a snap close; Repeat action 6 Step side twd WALL on R, hold 1 ct (as in LOD on L and pivot 1/2 R face with measures 9 ending in CLOSED pos for W rolls L face across LOD twd COH with partner, step fwd R in LOD, fwd L as W two turning two-steps; end in SEMI- 2 slow steps L R to end in front of M in turns to face LOD in SEMI-CLOSED pos; CLOSED pos facing LOD. Wrap pos) both facing LOD, close L to R, 14 In SEMI-CLOSED pos step thru in LOD on 13-16 Fwd Two-Step; Fwd Two-Step; Side, Be- hold 1 ct as you change hand hold by R, pickup W on fwd L, step in place R; hind, Side, In Front; Side, Behind, Side, In joining M's L and (W's R) releasing (M's 15 In CLOSED pos M facing LOD do 1/2 L Front; face waltz turn in three steps L, R, L; In Semi-Closed pos starting M's L do two R and W's L); 16 Continue L face waltz turn stepping R, two-steps LOD ending in loose CLOSED 7 Step side twd WALL on R, hold 1 ct, close L, R to do another 1/2 waltz turn plus an pos; Step L side, R behind L, side L, R in L to R as (W continues L face roll twd individual L face turn on last step to front of L; Repeat for 8 count grapevine COH unwrapping in 2 slow steps L R) BANJO pos facing diag LOD and COH; ending in OPEN pos facing LOD. ending L OPEN pos facing LOD, hold 1 ct; PART B 17-20 Step, Point, Step, Point; Side, Behind, 8 Step side twd WALL on R (W twd COH Bal Fwd, Step, Step; Bal Bkwd, Step, Step; Fwd, Side, Touch; Step, Point, Step, Point; Side, on L), hold 1 ct; touch L to R, hold 1 ct; Face, Vine; Bk, Side, Thru; Behind, Side, Touch; Side (Wrap), —, Close, —; Side (Unwrap), —, 17 In BANJO pos M facing diag COH and In Open pos facing LOD M step fwd L, Close, —; Side, —, Touch, —; Face, —, Touch, — LOD step fwd L, step R beside L, L beside swing R foot to side and fwd to point (to Bfly); R; fwd to LOD, step back R with a swing, 9 Step side twd COH on L, hold 1 ct (as W 18 Step bkwd on R to face LOD, step L swing L foot to side and back to point rolls R face across LOD twd WALL with 2 beside R, step R beside L; back RLOD; step side L to COH, R behind slow steps R L to end in front of M in 19 In BANJO pos step fwd on L in LOD, step L, side L, touch R, ending OPEN pos WRAP pos) both facing LOD, close R to L, fwd on R in LOD and turn to face partner facing LOD; In OPEN pos facing LOD M hold 1 ct as you change hand hold by and WALL in LOOSE-CLOSED pos, step step fwd R, swing L foot to side and fwd joining M's R and (W's L) releasing (M's side in LOD on L; to point LOD, step back on L with a L and W's R); 20 In CLOSED pos vine in LOD stepping be- swing, swing R foot to side and back to 10 Step side twd COH on L, hold 1 ct, close hind on R to SCAR (W XIF on L), step point back RLOD; step side R to wall, R to L as (W continues R face roll twd side L in CLOSED pos, step thru R to L behind R, side R, touch L ending in WALL unwrapping in 2 slow steps R L) BANJO pos M facing diag COH and LOD; OPEN pos facing LOD. ending in OPEN pos facing LOD, hold 1 Bal Fwd, Step, Step; Bal Bkwd, Step, Step; Fwd, 21-24 Step, Strut, Step, Strut; Fwd, Close, Bk, ct;

87

11 Step side twd COH on L (W side twd ing facing partner and re-join lead hands swd on L, cross R over L); end in L-OPEN WALL on R), hold 1 ct, touch R to L, hold while holding 1 ct. pos M's L & W's R hands joined; 1 ct; 5-B (Scis) Side, Close, Thru, -; Side, Close, 5-8 Side, Recover, ; Cros, Side, Face, - 12 Step side turning to face ptr and WALL Thru (to CP), -; Turn Two-Step; Turn Two- (CP) Turn Two-Step; Turn Two-Step (to on R (Into BUTTERFLY pos), hold 1 ct, Step (to SCP); SCP fac LOD); touch L to R, hold 1 ct; Step swd twd LOD on L, close R to L, M steps swd twd wall on R, rec on L, ; (Twisty) Vine, -, 2, -; 3, -, 4, -; Turn Two- cross L thru twd RLOD (both XIF), hold going behind W & still facing LOD drop- Step; Turn Two-Step (to Open pos facing LOD); 1 ct in L-OPEN pos facing RLOD; Turn to ping hands cross R over L twd COH, swd 13-14 In BUTTERFLY pos do a twisty or strolling face partner and step swd RLOD on R, on L, turning 1/4 R face on R (W turns vine down LOD step side on L, cross R close L to R, cross R thru twd LOD (both 1/4 L face on L) end in CLOSED pos M's (IB) of L, side on L, cross R (IF) of L as XIF), hold 1 ct while blending to CLOSED bk twd COH; In CLOSED pos do 2 R face (W steps side on R, cross L (IF) of R, pos; In CLOSED pos do 2 R face turning turning two-steps LOD end SCP facing side on R, cross L (IB of R) (note the vine two-steps LOD to end in SEMI-CLOSED LOD: is slow) end in CLOSED pos; pos. 9-12 (SCP) Fwd Two-Step; Fwd Two-Step (to 15-16 In CLOSED pos starting with L ft do 2 9-12 Fwd Two-Step; Fwd Two-Step (to face); OP face LOD); Side, Recover, ; Cross, turning two-steps to end in OPEN pos (Vine) Side, Behind, Side, Brush (thru); Side, Cross, -; facing LOD: Spot Turn, 2, 3 - (to face); Repeat action of measures 1 thru 4. Fwd Two-Step; Fwd Two-Step; Roll, -, 2, -; 3, Repeat the action of meas 1 thru 4. 13-16 Side, Recover, ; Cross, Side, Face, -; 13-16 (Scis) Side, Close, Thru,Side, Close, (CP) Turn Two-Step; Turn Two-Step (to -, 4, - open facing LOD); 17-18 In OPEN pos starting with L ft do 2 fwd Thru (to CP), -; Turn Two Step; Turn Two- two-steps in LOD: Step (to SCP); Repeat actions of meas 5 thru 8 except to end in OPEN facing LOD inside hands 19-20 Starting with L ft roll L face (W R face) Repeat the action of meas 5 thru 8. with maximum progression down LOD in PART B joined. PART B four slow steps R, L, R (W stepping R, L, 1-4 (SCP) Fwd Two-Step; Fwd Two-Step; 17-20 Step Fwd, -, Point Fwd, -; Step Bkwd, R, L): (Hitch) Fwd, Close, Back, -; (Turn) Side, - , Point Bkwd, -; Run, 2, 3, -; Run, 2, Circle Away Two-Step; Walk, -, 2, -; Circle Tog - , Cross Thru (to L-Open), -; In SEMI-CLOSED pos do 2 fwd two-steps 3, -; Two-Step; Walk, -, 2, - (to SCP); Open pos facing LOD inside hands joined 21 Starting on L ft, do 1 two-step away from LOD; Do a hitch step by stepping fwd LOD on L, close R to L, bwd on L, hold M steps fwd on L, & points R toe fwd in ptr circling L face twd COH R, L, (W R front of L; M steps bkwd on R, & points L face twd WALL R L R); 1 ct; Moving RLOD turn to face partner and step swd on R (slow), -, cross L toe in bk of R; starting on M's L with 22 Walk 2 slow steps R, L continuing the arc over R (both XIF) to end in L-OPEN pos very short steps run, 2, 3; hold; run, 2, away on the first step and starting to facing RLOD, hold 1 ct. 3, hold; turn in twd ptr on the second; 5-8 (Hitch) Fwd, Close, Back, -; (Turn) Side, 21-24 Step Fwd, -, Point Fwd, -; Step Bkwd, 23 Starting with R ft do one two-step con- -, Cross Thru, -; (CP) Vine, 2, 3, 4; -, Point Bkwd, -; Run, 2, 3, -; Run, 2, tinuing the circle twd ptr; Pivot, -, 2, - (to SCP); 3, - (to CP); 24 Walk 2 slow steps L, R twd ptr to com- In L-OPEN pos step R fwd twd RLOD, Repeat meas 17 thru 20 except to blend plete the circle and take SEMI-CLOSED to CLOSED pos M's bk to COH M turning pos facing LOD; close L to R, bwd on R, hold 1 ct; Mov- ing LOD turn to face partner and step 1/4 R face on R (W turning 1/4 L face on L); Fwd Two-Step; Fwd Two-Step; Vine, -, 2, -; 3, swd on L (slow), -, cross R over L (both 25-28 (1/2 Box) Side, Close, Fwd, -; Side, Cross, Side, -; Side, Close, Fwd, -; Cross, Side, -, 4,- XIF) to end in momentary SEMI-CLOSED 25-26 In SEMI-CLOSED pos starting with L ft do pos facing LOD, hold 1 ct; Blending to Cross, -; In CLOSED pos M steps swd LOD on L, 2 fwd two-steps in LOD assuming CLOSED LOOSE CLOSED pos and starting M's L pos; do a fast 4 step vine LOD; In CLOSED close R, fwd L, hold 1 ct; M steps swd 27-28 In CLOSED pos M facing WALL vine down pos do a full R face couple pivot in 2 RLOD on R, crosses L in front of R (W crosses R in front of L), side on R & check; LOD side on L, cross R (IB) of L (W XIB slow steps (L, R, -) to end in SEMI- M steps LOD on L, close R, fwd L hold also), side L, cross R (IF) of L (W XIF also) CLOSED pos facing LOD. 1 ct; In MODIFIED CLOSED pos M crosses (the vine is slow): 9-T2 (SCP) Fwd Two-Step; Fwd Two-Step; R in front of L twds LOD (W crosses L in Turn Two-Step; Turn Two-Step; Pivot, -, 2, -; (Hitch) Fwd, Close, Back, -; (Turn) Side, front of R), swd L, crosses R in front of L Twirl, -, 2, - (to OP pos); - , Cross Thru (to I.-Open), -; blending to CLOSED pos facing wall; 29-30 Starting with L ft do 2 turning two-steps: Repeat the action of meas 1 thru 4 of 29-32 (CP) Turn Two-Step; Turn Two-Step; Pivot, 31 Part B. In CLOSED pos do one complete pivot in 2, ; Twirl, 2, (Scp); two slow steps L R; 13-16 (Hitch) Fwd, Close, Back, -; (Turn) Side, In CLOSED pos do 2 RF turning two-steps: 32 - , Cross Thru, -; (CP) Vine, 2, 3, 4; Pivot, Walk fwd LOD in 2 slow steps LR as (W Do a RF couple pivot in two slow steps -, 2, - (to SCP); twirls R face under M's L and W's R hand L, R, end SCP facing LOD; M walks fwd Repeat the action of meas 5 thru 8 of in 2 slow steps R L) to end in OPEN pos LOD 2 slow steps L, R, ; (W twirls R Part B. facing LOD; face LOD R, L, under joined hands M's DANCE GOES THRU 21/2 TIMES DANCE GOES THRU TWICE PLUS ENDING L & W's R) to end in SCP facing LOD. (Sequence A-B-A-B-A) Ending: Fwd Two-Step; Fwd Two-Step; Roll, -, DANCE GOES THRU THREE TIMES PLUS ENDING 2, -; 3, -, Point, - Ending: After completing Part A the last time Repeat action of meas 17-20 except to move LOD in 2 slow steps as W twirls Ending: (SCP) Fwd Two-Step; Fwd Two-Step; join M's R and W's L hands as M pts R R face under joined lead hands; Step Twirl, 2, ; Apart, -, Point, -; ft twd ptr (W pts L) ack. apart and point R twd partner (acknowl- In SEMI-CLOSED pos do two fwd two- edge) as music ends ... SMILE. steps LOD: M walks fwd 2 slow steps LOD L, , R, (W twirls RF under joined hands M's L & W's R two slow steps R, SILVER DOLLAR - L, - down LOD); ACK: Change hands By Pete arid Ann Peterman, Fort Worth, Texas SMILING TWO-STEP M's R & W's L M steps bkwd twd COH Record: Hi-Hat 833 By Joe & Chad Tridico, Metairie, La. on 1, -, point R, - twds ptr & both hold Position: Open for Intro, Semi-Closed facing LOD Record: Belco B 220-B for final note: for Dance. Position:: Open-Facing for Intro, M's Bk to COH; STYLING NOTE: On meas 3 & 5 while retaining Footwork: Opposite, Directions for M except as Dance, Semi-Clo facing LOD. hand hold, partners glance at each other & smile. noted. Footwork: Opposite; Directions for M except as Meas INTRODUCTION noted. 1-4 Wait; Wait; Apart (face), -, Point, -; To- Meas INTRODUCTION SOMEDAY gether (to SCP), -, Touch, -; 1-4 Wait; Wait; Apart, -; Point, -; Together, By Russ and Mabel Ayrton, St. Petersburg, Florida In OPEN pos facing LOD wait 2 meas: - , Touch (to SCP), -; Record: Hi-Hat 840 Step apart on L while turning to face In OPEN pos facing wait 2 meas: Step Position: Intro - Open Facing. Dance - Semi-Closed partner, hold 1 ct, point R twd partner, apart on L, hold 1 ct, point R twd ptr, facing LOD. hold 1 ct; Step together on R and blend hold 1 ct; Step tog on R, hold 1 ct, blend Footwork: Opposite - directions for M except as to SEMI-CLOSED pos, hold 1 ct, touch L to SCP while touching L to R face LOD, noted. to R, hold 1 ct. hold 1 ct; Meas. INTRODUCTION PART A DANCE - PART A Wait; Wait; Apart, -, Point, -; Together, -; Touch 1-4 Fwd Two-Step; Fwd Two-Step (to face); 1-4 (SCP) Fwd Two-Step; Fwd Two-Step (To (to SCP), -; (Vine) Side, Behind, Side, Brush (thru); Open fac LOD); Side, Recover, -; Cross, 1-2 In OPEN-FACING pos wait 2 meas: Spot Turn, 2, 3, - (to face); Side, Cross, - 3 Step bwd away from ptr on L, hold 1 ct, In SEMI-CLOSED pos do 2 fwd two-steps In SCP & starting on M's L do 2 fwd point toe twd ptr, hold 1 ct; LOD (blend to face partner); Facing part- 2 steps LOD ending in OPEN pos facing 4 Step twd ptr on R, hold 1 ct, touch L ner with lead hands joined (M's L, W's LOD inside hands ioined: M steps side while blending to SEMI-CLOSED pos, hold R) vine LOD stepping swd on L, cross R twd COH on L, recover on R (pull W 1 ct; in back of L (both XIB), swd on L, swing in front of him & drop hands), ; M going DANCE R thru twd LOD with a slight brush of behind W but still facing LOD cross L Fwd, -, Face (to CP), -; (Vine) Side, Back, Side, the toe as you release hand hold; Start- over R, swd on R twd wall, cross L over Thru; (CP) Pivot, -, -(to SCP); (Hitch) Fwd, Close, ing M's R (W's L) both do a quick spot R; (W step side twd wall on R, rec on L; Back, Close; turn (M L face, W R face) in 3 steps end- starting in front of M cross R over L, 1 In SEMI-CLOSED pos facing LOD walk fwd

88

in 2 slow steps L R facing ptr on 2nd step DANCE 13 In CLOSED pos M facing WALL step to side and taking LOOSE-CLOSED pos M facing 1-4 Fwd Waltz; Fwd Waltz (W LF Spin); (L) on L, step on R behind L (W also XIB) step ptr and WALL; Waltz Turn; (L) Waltz Turn; in place on 1; 2 Do a 4 step vine down LOD side on L, In OPEN pos waltz fwd LOD; M fwd 14 Step to side on R, step on L behind R, step cross R in back (W XIB also), side L, cross waltz as he leads (W into LF solo spin) in place on R turning to face LOD and as- thru on R; to end in CP M facing LOD; do 2 LF sume SEMI-CLOSED pos; 3 Blending into CLOSED pos do a full R turning waltzes to end M facing LOD. 15 Retain M's L hand and W's R as M waltzes face couple pivot in 2 slow steps L, R, 5-8 Dip Bk RLOD, -; Pivot RF (SCP); M fwd L, R, Las (W twirls R face R L R) to end ending in SEMI-CLOSED pos facing LOD; Fwd Waltz (W RF Twirl SCP); Thru, Run/ in SEMI-CLOSED pos facing LOD; 4 In SEMI-CLOSED pos do a 4 step hitch 2, 3; 16 Step fwd on R turning to face ptr and step fwd on L, close R to L, bwd on L, Dip bk twd RLOD & COH hold 2 cts; M WALL, side on L, close R to L to end in BUT- close R to L; recovers fwd on his R ft & starts a spot TERFLY pos M's back to COH; Fwd, -, Face (to CP), -; Turn Two-Step; Turn Two- RF pivot in 3 steps to SEMI-CLOSED pos PART B Step; Twirl, -, 2, -; face LOD; M waltzes fwd LOD as (W Waltz Away, 2, 3; Spin Manuv, 2, 3 (to Bjo facing 5 Repeat action of meas 1 ending in twirls RF down LOD) to end in SEMI- RLOD); Banjo Around, 2, 3; 4, 5, 6 (to SCAR fac- CLOSED pos M facing WALL; CLOSED pos; both step thru in LOD then ing LOD); 6-7 Starting M's L ft do 2 turning two-steps quickly fwd, 2, 3. 17 From BUTTERFLY pos turn to OPEN and in LOD and end in SEMI-CLOSED pos facing 9-12 Fwd Waltz (W Roll); Fwd Waltz (W Roll); LOD waltz fwd and slightly away L, R, L; LOD; M Roll (W Fwd Waltz); Fwd Waltz (W 18 Manuv R, L, R to end facing RLOD and 3 Retaining M's L and (W's R) hands M Roll); BANJO pos as (W spins L face LRL to end walks fwd in 2 slow steps L, R as (W In SEMI-CLOSED pos starting R ft M fwd facing LOD and BANJO pos); twirls R face stepping R, L) assuming waltz with small steps as roll XIF to 19 In BANJO pos step L, R, L moving clock- SEMI-CLOSED pos; Half OPEN pos to M's L side; repeat fwd wise around ptr ending facing LOD (W fac- Fwd, -, Face (to CP), -; (Vine) Side, Back, Side, waltz W roll XIF to Half OPEN pos to M's ing RLOD); Thru; (CP) Pivot, -, 2, -(to SCP); (Hitch) Fwd, R side; W waltz fwd with small steps as 20 On around R, L, R adjusting to SCAR pos Close, Back, Close; M rolls XIF of W to W's R side in Half and facing LOD (W facing RLOD); 9-12 Repeat action of meas 1-4; OPEN pos; M fwd waltz W roll XIF to Twinkle (LOD), 2, 3; Twinkle (RLOD), 2, 3; Twirl, Fwd, -, Face (to CP), -; Turn Two-Step; Turn end in BUTTERFLY pos M facing wall. 2, 3; Thru, Side, Close; Two-Step; Twirl, -, 2, -; 13-16 (Vine) Front, Side, Behind; Roll, 2, 3; 21 In SCAR pos facing LOD step fwd on L 13-16 Repeat action of meas 5-8 to end in SEMI- Twinkle (LOD); Thru RLOD, Side, Tch; turning to face ptr, side on R, close L to R CLOSED pos facing LOD: Both vine LOD front, side, behind; both turning to face RLOD and BANJO pos (W Fwd, -, Face (to CP), -; (Brkaway) Side, Back, roll LOD M LF (W RF) end in OPEN pos; back on R turning to face ptr side on L step thru LOD to twinkle end facing Recov, -; Side, Back, Recov (to CP), -; Pivot, -, close R to L turning to face LOD and BAN- RLOD in L OPEN pos; step thru RLOD, 2 (to SCP), -; JO) pos; side to face, draw to a touch end in 17 Repeat meas 1 blending to CLOSED pos 22 Fwd on R turning to face ptr, side on L, OPEN pos. M facing ptr and WALL; close R to L turning to face RLOD and DANCE GOES THRU 3 TIMES 18 From momentary CLOSED pos step swd LOOSE CLOSED pos (W back on L turning Ending: W twirl RF apart & acknowledge. LOD on L while turning to L-OPEN pos to face ptr, side on R, turn 1/4 L face to facing RLOD M turning 1/4 R face (W 1/4 adjust to LOOSE CLOSED pos and end fac- L face) dip bwd LOD on R, recover fwd ing LOD by stepping on L); on L turning to face ptr in momentary SO SOFTLY SOFTLY 23 Retain M's L hand and W's R step back in BUTTERFLY pos, hold 1 ct; By Tom and Jean Cahoe, Sunnymead, Calif. LOD on L, back on R turning 1/4 L face, 19. Step swd RLOD on R while turning to Record: Sets in Order 3161 step to side on L, to end in SEMI-CLOSED OPEN pos facing LOD, di bwd RLOD on Position: Open-Facing M's back to COH for Intro, pos (W twirls R face R, L, R); L, recover fwd on R turning to face ptr Butterfly for Dance. 24 Step thru on R turning to face ptr and in CLOSED pos, hold 1 ct; Footwork: Opposite, Directions for M except as WALL (W thru on L), step side on L, close 20 In CLOSED pos do a couple pivot in 2 noted. R to L ending in BUTTERFLY pos; slow steps 1_, R, and end in SEMI-CLOSED Meas INTRODUCTION Waltz Away, 2, 3; Spin Manuv, 2, 3 (to Bjo facing pos facing LOD; Wait; Wait; Apart, Point, -; Together, Touch, -; RLOD); Banjo Around, 2, 3; 4, 5, 6 (to SCAR); Fwd, -, Face (to CP), -; (Brkaway) Side, Back, 1-2 In DIAG OPEN-FACING pos wait 2 meas: 25-28 Repeat action of Meas 17-20 Recov, -; Side, Back, Recov (to CP), -; Pivot, -, 3 M steps back on L, point R twd ptr, hold Twinkle (LOD), 2, 3; Twinkle (RLOD), 2, 3; Twirl, 2, 1 ct. 2 (to SCP), -; 3; Thru, Side, Close; 21-24 Repeat action of meas 17-20 again ending 4 Step fwd twd ptr on R to BUTTERFLY pos 29-32 Repeat action of Meas 21-24 in SEMI-CLOSED pos: M facing WALL, touch L to R, hold 1 ct; Sequence: ABABA Ending Fwd, 2, 3, -; Fwd, -, (Pickup) 2, -; (CP) Fwd, PART A Ending: Waltz Bal (L), 2, 3; Waltz Bel (R), 2, 3; 2, 3, -; Fwd, -, Turn (1/4 R), -; Fwd Waltz, 2, 3; Twinkle (LOD), 2, 3; Twinkle Apart, Ack; (RLOD), 2, 3; Twinkle Manuv, 2, 3; 25 In SEMI-CLOSED pos take 3 quick steps In BUTTERFLY pos do 2 waltz balances fwd in LOD L, R, L, hold 1 ct; 1 From BUTTERFLY pos turn to OPEN pos step apart ack. and in LOD waltz fwd L, R, L; 26 Step fwd 2 slow steps R, L as (W steps fwd L, fwd R turning 1/2 L face in front 2 Step fwd on R turning to face ptr, side in of M) taking CLOSED pos M facing LOD; LOD on L, turning to face RLOD close R to L; 3 Step fwd on L turning to face ptr, side in STRUTTIN 27 In CLOSED pos travel LOD in 3 quick steps R, L, R, hold 1 ct; RLOD on R, turning to face LOD and SEMI- By Norm and Louise Pewsey, Altadena, Calif. CLOSED pos close L to R; 28 Step fwd LOD slow L, fwd slow R while Record: Windsor 4722 turning 1/4 R face, end M facing WALL; 4 Twinkle manuv to CLOSED pos R, L, R end facing RLOD (W in place L, R, L as M man- Position: Intro - Open Pos facing LOD, Dance - Pivot, -, 2, -; 3, -, Dip Back, -; Recov, -, Side, Bfly M's back to COH Close; Thru, Fwd, Close; euvers); Pivot, 2, 3 (to SCP facing LOD); Thru, Side/Close, Footwork: Opposite throughout, directions for M 29-30 In CLOSED pos M facing WALL do a cou- unless indicated. ple pivot in 3 slow steps L, R, L, ending Side; Pickup, 2, 3; (L face) Pivot, 2, 3; 5 Do a 3/4 R face couple pivot starting M's L Meas INTRODUCTION with M facing WALL, dip bwd twd COH 1-4 Wait; Wait; Apart, -, Point, -; Tog (to on R: to end in SEMI-CLOSED pos facing LOD; 6 Step thru on R, turning to face ptr and Bfly), Tch, -; 31 Recover twd Wall on 1, hold 1 ct, step In OPEN pos facing LOD wait 2 meas; swd RLOD on R, close L to R; WALL (W thru on L) quick side on L close R to L, side on L turning to SEMI-CLOSED step diag bwd twd COH on L, hold 1 ct, 32 Blend to SEMI-CLOSED pos and step thru pos facing LOD; point R twd ptr, hold 1 ct; step fwd twd twd LOD on R (both crossing thru), hold ptr and slightly RLOD on R to BUTTER- 1 ct, step fwd LOD on L, quickly close R Starting M's R one waltz fwd in LOD taking short steps while leading W in front to FLY pos M's back to COH, hold 1 ct, tch to L; CLOSED pos (W stepping L R L to CLOSED L to R, hold 1 ct. DANCE GOES THRU TWICE pos facing RLOD); DANCE 8 Pivot L face L, R, L to end M facing diag 1-4 Face To Face; Back To Back; Side, Draw, Ending: When completing the routine the 2nd time thru the music retards and then add LOD and WALL in Modified BANJO pos; -, Close; Side, Draw, -, Close; a slow twirl and ack as the music ends. Fwd, Fwd/Lock, Fwd; Manuv, 2, 3 (M's back to In BUTTERFLY pos M's back to COH do a LOD); Pivot 3/4, 2, 3; Back, Side, Close; sideways two-step prog LOD turning 1/2 9 In Modified BANJO pos step fwd on R, LF (W 1/2 RF) swinging trailing hands quick fwd on L, lock R behind L (W lock thru to a back to back pos; in back to L in front on R), fwd on L; back pos do a sideways two-step prog SONG OF LOVE 10 Manuv R, L, R (W manuv L R L) to end in LOD turning 1/2 RF (W 1/2 LF) swinging By Opal & Joe Cohen, Granada Hills, California CLOSED pos M's back to LOD; joined hands thru to end in BUTTERFLY Record: Grenn 14091 11 Do a 3/4 R face couple pivot starting M's L, pos M's back to COH; step swd LOD on Position: Open Facing M facing wall. R, L to end in CLOSED pos M's back to COH; L, draw R to L for 2 cts, step on R beside Footwork. Opposite throughout. Directions for M 12 Step bwd twd COH on R (W fwd on L) side L; Repeat action meas 3. unless indicated. twd LOD on L, close R to L; 5-8 Roll, -, 2, -; 3, -, Step, Step (Clap Meas INTRODUCTION Waltz Bal (L), 2, 3; Waltz Bal (R), 2, 3 (to SCP facing Hands); Roll Back, -, 2, -; 3, -, Step, 1-4 Wait; Wait; Bal Apart, Point, -; Bal Tog LOD); Fwd, 2, 3 (W RF Twirl); Thru, Side, Close (to Step (Clap Hands); (to Open), Tch, -; Bfly); Starting M's L Solo Roll prog LOD (M

89 LF — W RF) 3 steps (L,—,R,—; L,—,) to end (L, R, —) as W does a R face twirl in Walk fwd 3 steps (L,R,L), brush R fwd; facing ptr (no hands joined) do 2 quick 2 steps to end in SEMI-CLOSED pos fac- walk fwd 3 steps (R,L,R), touch L by R steps in place R,L clapping hands at same ing LOD; turn to face with M's back to COH in time; starting M's R moving twd RLOD 9-12 (SCP) Fwd Two-Step; Fwd Two-Step; BUTTERFLY pos; repeat action meas 5-6. (Hitch) Fwd, Close, Back, —; Back, Close, 3-4 Side, Close, Side, Tch; Side, Close, Side, 9.12 Face To Face; Back To Back; Side, Draw, Fwd, —; Tch; —, Close; Side, Draw, —, Close. Repeat action of Meas 1 thru 4. Step to side in LOD on L, close R to L, Repeat action mess 1-4. 13-16 Fwd, —, Face, —; (CP) Turn Two-Step; step to side on L, tch R by L; step to side 3-16 Roll, —, 2, —; 3, —, Step, Step (Clap Turn Two-Step; Twirl, —, 2, — (Bfly); in RLOD on R, close L to R, step to side hands); Roll Back, —, 2, —; 3, —, Step, Repeat action of Meas 5 thru 8 except on R, tch L by R. Step (Clap hands); end in BUTTERFLY pos M's back to COH. 5-6 Turn Away 2, 3, Brush; On Around 2, Repeat action meas 5-8. 17-20 Swd Two-Step (to Open); Fwd Two-Step 3, Brush (to face); 17-20 Fwd, —, 2, —; 3, —, Swing, —; Step Back, (to Bfly); (Scissors) Side, Close, Cross Starting on L turn away from ptr on M's —, Cut, —; Solo Turn Two-Step (to L-OP); (Thru), —; Side, Close, Cross (Thru to L (W's R) in 3 steps (L,R,L), brush R fwd; In SEMI-CLOSED pos starting M's L walk CP), —; on around in 3 steps (R,L,R), to face ptr fwd slightly diag to COH & LOD 3 steps In BUTTERFLY pos do a swd two-step with M's back to COH, brush I. fwd. (L,—,R,—; L,—) swing R ft fwd, hold 1 ct; LOD turning to face LOD in OPEN pos on 7-8 Star Thru, 2, 3 —; Calif Twirl, 2, 3 - step bwd on R, hold 1 ct, step L XIF of last count; Do 1 fwd two-step LOD turn- (to open); R, hold 1 ct; retain M's L & W's R hands ing to momentary BUTTERFLY pos on last In 3 steps and a 1 ct hold do a S/D star joined do a 1/2 RF solo turn (W 1/2 LF) in count; Step swd LOD on L, close R to L, thru to end facing RLOD; in 3 more steps one two-step to end in OPEN pos facing cross thru on L twd RLOD (both XIF) to and a 1 ct hold do a S/D Calif twirl to diag to wall & RLOD. take LEFT-OPEN position facing RLOD, end in open pos facing LOD. 21-24 Fwd, —, 2, —; 3, —, Swing, —; Step Back, hold 1 ct; Retaining M's L and W's R hand- Dance goes thru 8 times, then bow to ptr. —, Cut, —; Solo Turn Two-Step (To SCP); hold face partner and step swd R (RLOD), NOTE: When the above routine is mastered, the In L OPEN pos starting M's L and moving close L to R, cross thru on R twd LOD following routines can be substituted for (both XIF) to CLOSED pos M's back COH, diag twd Wall & RLOD repeat action meas various parts of the dance in order to hold 1 ct; 17-20 except to end in SEMI-CLOSED pos teach additional basics. 21-24 (Box) Side, Close, Fwd, —; (Scissors) Side, facing LOD; Note: on meas 24 M turns 1/2 SUBSTITUTES for Close, Cross (Thru), —; (Circle) Away Two- RF — W 1/2 LF. 1-2 Step; (Circle) Together Two-Step (to Bfly- (two-step) Fwd, Close, Fwd, —; Fwd, 25-28 Fwd Two-Step; Fwd Two-Step; (Exag Vine) Close, Fwd, Turn/Face (to btfly); Bjo); Side, —, Behind, — (To — OP); Side, —, Do 2 fwd two-steps then turn to face ptr Front, — (to SCP); In CLOSED pos step swd L, close R to 1, step fwd L, hold 1 ct; Step swd (RLOD) with M's back to COH in btfly pos. In SEMI-CLOSED pos starting M's L do 2 1-2 on R, close L to R, cross thru on R (both (hitch) Fwd, Close, Bwd, —; Bwd, Close, fwd two-steps prog LOD; step swd LOD Fwd, Turn/Face (to btfly); on L, hold 1 ct, step RXIB of L (W XIB) XIF) twd LOD to take momentary SEMI- CLOSED pos facing LOD, hold 1 ct; Do a Step fwd on L, close R to L, step bwd on opening to L OPEN pos facing RLOD, hold L, hold 1 ct; step bwd on R, close L to R, 1 ct; step swd LOD on L, hold 1 ct, step solo circle away from partner (M L face, W R face) in 1 two-step; Continuing the step fwd on R, turn to face ptr M's back R XIF of L (W XIF) to end in SEMI-CLOSED to COH in btfly pos. pos facing LOD, hold 1 ct. circle return to partner in another two- step and blend to BANJO BUTTERFLY SUBSTITUTES for 29-32 Turn Two-Step; Turn Two-Step; Walk, —, 3-4 (vine) Side, Behind, Side, Tch; Side, Be- 2, —; Twirl, —, 2, — (to Bfly); position facing diag LOD and wall; hind, Side, Tch; Blend to CLOSED pos and starting M's L 25-28 BM Fwd, —, Apart, —; Apart, Close, To- Step to side in LOD on L, step R behind do 2 RF turning two-steps prog LOD to gether (to Bfly-Scar); Change Sides, —, 2, L, step to side on L, tch R by L; step to end in SEMI-CLOSED pos facing LOD; in (to L-Open) —; Fwd Two-Step (to Bfly- side in RLOD on R, step L behind R, step SEMI-CLOSED pos starting M's L walk fwd Scar); to side on R, tch L by R. LOD 2 steps; M repeat action meas 31 as In BUTTERFLY-BANJO pos step fwd L 3-4 (scissors) W does 1 RF twirl in 2 steps under joined (both step fwd), hold 1 ct, step slightly Side, Close, Cross, —; Side, Close, Cross, - M's L and W's R hands to end in BUTTER- apart on R (both step bwd), hold 1 ct FLY pos M's back to COH. (keep both hands joined); Take another Step to side in LOD on L, close R to L, PERFORM ENTIRE ROUTINE FOR TOTAL short step apart on L (to near arm's cross L in front of R (both XIF), hold 1 OF 3 TIMES. length), close R to L, step twd partner on ct; step to side in RLOD on R, close L to Ending: Fwd Two-Step; Fwd Two-Step; Twirl, —, L while turning to BUTTERFLY-SIDECAR R, cross R in front of L, hold 1 ct. 2, —; Step Apart, —, Point, —; pos facing diag RLOD, and wall, hold SUBSTITUTES for In SEMI-CLOSED pos starting M's L do 1 ct; Change sides under M's L and W's 5-6 (two-step turn away) Two-Step Turn 2 fwd two-steps prog LOD; in SEMI- R hands in 2 slow steps (R, L, —) turn- Away; Two-Step On Around (to face); CLOSED pos starting M's L walk .fwd 2 ing to face LOD in LEFT-OPEN pos; In Turn away from ptr using a two-step steps as W does 1 RF twirl in 2 steps LEFT-OPEN pos starting M's R do 1 fwd starting with M's L (W's R); turn on under joined M's L and W's R hands to two-step LOD blending to BUTTERFLY- around using another two-step to face end facing ptr; change hands to M's R SIDECAR pos facing diag LOD and COH; ptr with M's back to COH. & W's L step apart from ptr on L, hold 29-32 Bal Fwd, —, Apart, —; Apart, Close, To- SUBSTITUTES for 1 ct, point R twd ptr, hold 1 ct. gether (to Bfly-Bjo), —; Change Sides, —, 7-8 (two-step Turn) Two-Step Turn; Two-Step 2 (to Open) —; Fwd Two-Step; Turn; In BUTTERFLY-SIDECAR pos step fwd L Do 2 turning two-steps to end in open (both step fwd), hold 1 ct, step slightly pos facing LOD. apart on R with both hands joined, hold 1 ct; Again step apart on L, close R to L, 'S WONDERFUL step twd partner on L while turning to TEARDROPS By Ann 'n' Andy Handy, Cleveland, Ohio BUTTERFLY-BANJO pos facing RLOD and By Walt and June Berlin, Northridge, California Record: Hi-Hat 828 COH (more twd COH), hold 1 ct; Change Record: Sets in Order 3154 Position: Open-Facing for Intro, Semi-Closed fac- sides under M's R and W's L hands in 2 Position: Open-Facing for Intro, Butterfly to start ing LOD for Dance. slow steps (R, L, —) turning to face dance Footwork: Opposite, Directions for M except LOD in OPEN pos; In OPEN pos starting Footwork: Opposite, directions for M except as when noted. M's R do 1 fwd two-step LOD blending noted Intro: Wait; Wait; Apart, —, Point, —; Together, to SEMI-CLOSED pos; —, Touch (to SCP), —; DANCE GOES THRU THREE TIMES Meas INTRODUCTION In OPEN-FACING pos wait 2 meas; Step Ending: Roll LOD, 2, 3, (to Open) Point Fwd; 1-4 Wait; Wait; Apart, Point, —; Tog (to But- apart on L, hold 1 ct, point R twd part- In 3 steps roll LOD (M L face, W R face) terfly, Point, —; ner, hold 1 ct; Step together on R, hold 1 full turn to again face LOD in OPEN Partners facing, M's back to COH, M's R 1 ct, touch L while blending to SEMI- pos then point R toe twd LOD (W point and W's L hands joined step apart M's CLOSED pos facing LOD, hold 1 ct; L) as music ends . . SMILE! L ft, point R twd partner, hold 1 ct; Step Meas DANCE together M's R slightly to side in RLOD, 1-4 (SCP) Fwd Two-Step; Fwd Two-Step; point L in LOD in momentary BUTTERFLY (Hitch) Fwd, Close, Back, —; Back, Close, pos, hold 1 ct. Fwd, —; DANCE In SEMI-CLOSED pos do 2 fwd two-steps TEACH IN' (two-step) 1-4 Waltz Away; Step, Flare, —; Bwd Waltz; LOD: Step fwd L, close R to L, step bwd Record: Grenn 14076 Fwd (face), Side, Close (Bfly); on L, hold 1 ct; Step bwd on R, close L Dance: Jack and Helen Todd, Lexington, Ky. Starting M's L release M's L and W's R to R, step fwd on R, hold 1 ct; Footwork: Opposite thruout, directions are for M. hands and waltz fwd and slightly away 5-8 Fwd, Face, —; (CP) Turn Two-Step; Meas INTRODUCTION in LOD in OPEN pos; Step fwd M's R (W's Turn Two-Step; Twirl, —, 2, —; 1-2 Wait; Bal Apart, Point, Tog, Tch; L), flare L ft fwd and around keeping Still in SEMI-CLOSED pos do 2 slow steps Wait 1 mess; step apart on L, point R toe close to floor, hold 1 ct; Waltz bwd LOD (L, R, —) turning to face partner twd ptr, step twd ptr on R, touch L by R in RLOD L,R,L closing on ct 3 to check to blend to CLOSED pos M's back to and turn to face LOD inside hands joined; bwd movement; Step fwd R turning to COH; Do 2 turning two-steps progressing DANCE face partner M's back to COH in BUT- LOD and end in SEMI-CLOSED pos fac- 1-2 Walk, 2, 3, Brush; Walk 2, 3, Turn/Face TERFLY pos, step to side L, close R to L. ing LOD: M walks fwd LOD 2 slow steps (to btfly); 5-8 Waltz Bal I.; Waltz Bal R; Roll, 2, 3; (to

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Bfly) Front, Side, Behind; 6 Rock fwd on R, hold 1 ct, recover on L, (Momentary Btfly, M face Wall) Wait 2 Step side on L, R behind L, in place on 1; hold 1 ct; meas: M step back twd COH on L, pt R Step side on R, L behind R, in place on 7 Step side RLOD on R, close L to R, step twd partner; step twd ptr on R, pt L twd R; Both roll down LOD (M LF, W RF) L,R,L bwd on R, hold 1 ct; ptr (resuming momentary BUTTERFLY pos). ending in BUTTERFLY pos M's back to 8 Rock bwd on L, hold 1 ct, recover on R PART ONE COH; Step thru on R XIF of L, step side while adjusting to SCAR pos M facing 1-4 Waltz Fwd; Waltz in Place (W in front to on L, XRIB of L ending in momentary diag to WALL and LOD, hold 1 ct; CP); (L) Turn Waltz; (L) Turn Waltz; BUTTERFLY pos. Step, Close, Step, Sweep (to Bjo); Step, Close, Starting M's L ft, waltz fwd LOD; starting 9-12 Repeat Action of Meas 1-4 except end in Step, Sweep; Step, Close, Step, Brush; Step, M's R ft, waltz fwd again (sweeping W in CLOSED pos M's back to COH. Close, Turn, Touch; front to CP, M face LOD); do 2 left- 13-16 Bal Back, —, —; Manuv, 2, 3; Waltz R; 9-12 Repeat action of meas 1-4: turning waltzes, M starting fwd with L, Waltz R (to Closed facing LOD); (1/2 Box) Side, Close, Fwd, —; Rock Fwd, Re- toeing in to COH, side R, Close L to R Balance back to COH M's L, hold 2 cts; cover, —; (1/2 Box) Side, Close, Back, —; Rock for 1st waltz; start back on R, side L, M maneuvers in 3 waltz steps R,L,R to Back, —, Recover, — (to Bfly); close R to L for 2nd waltz, ending M fac- face RLOD in CLOSED pos; Do 2 R face 13-16 Repeat action of meas 5-8 except to re- ing Wall in CLOSED pos. turning waltzes making a 1/4 turn on cover to BUTTERFLY pos M facing WALL 5.8 Dip Center, —, —; Maneuver, —, —; (R) each to end in CLOSED pos facing LOD. Side, Close, Turn (Bk to Bk), —; Side, Close, Fwd Turn Waltz, Twirl (to Btfly); 17-20 Fwd Waltz; Waltz R 1/2; Bwd Waltz; (to Op), —; Rock Fwd, —, Recover, —; (Bk Hitch) (CP M face Wall) Dip back twd COH on Waltz L 1/4 (to Butterfly); Back, Close, Fwd, —; L, hold 2 cts; recover on R, maneuvering In Closed pos do one fwd waltz in LO'D; 17 In BUTTERFLY pos M facing WALL do a to face RLOD, hold 2 cts; starting BACK Starting M's R do one R face turning face to face two-step prog LOD stepping on L, heeling twd Wall, do one right-turn waltz to face RLOD; Starting M's L waltz side on L, close R to L, step side on L waltz (back on L, side R, close L to R); bwd one measure in LOD; Starting M's R turning 1/2 L face (W 1/2 R) swing trailing Twirl W RF as M steps R,L,R ending BUT- do one L face turning waltz making 1/4 hands thru between ptrs to a Bk to Bk TERFLY, M facing Wall. turn to end facing wall and sliding out pos, hold 1 ct; 9-16 REPEAT action of Meas 1-8 ending OPEN to BUTTERFLY pos. 18 In Bk to Bk pos step side on R, close L pos, facing LOD. 21-24 Solo Waltz Turn, 2, Close; On Around, 2, to R, step fwd LOD on R turning 1/4 R PART TWO Close; Roll, 2, 3; Fwd Waltz (to Semi- face (W 1/4 L) to OPEN pos facing LOD, 17-20 Fwd Waltz; W Wrap (LF); Fwd Waltz; W Closed pos facing LOD); hold 1 ct; Unwrap, (LF) Across (to COH); Partners do a solo waltz turn (M LF, W 19 In OPEN pos rock fwd on L, hold 1 ct, In Open pos face LOD, inside hands RF) stepping fwd L, side R, close L to R recover on R, hold 1 ct; joined starting M's L do fwd waltz L,R,L; making 1/2 turn to face RLOD; Complete 20 Step bwd RLOD on L, close R to L, step starting M's R do another fwd waltz the solo turn stepping back on R, side L, fwd on L, hold 1 ct; R,L,R (W wraps LF to M's R side joining close R to L making 1/4 turn to end part- Turn (Bk to Bk), Close, Turn (to Bfly) —; Side, both hands); starting M's L do fwd waltz ners facing M's back to COH; Both roll Close, Fwd (to Op), —; Rock Fwd, —, Recover, L,R,L; starting M's R do another fwd waltz down LOD in 3 steps to face LOD; Waltz —; (Bk Hitch) Back, Close, Fwd, —; R,L,R (W unwraps LF again across to COH fwd in LOD assuming SEMI-CLOSED pos 21 Bring joined hands thru between ptrs by releasing M's R, W's L hand hold) end- on first step. step side LOD on R turning 1/4 L face ing M on outside facing ptr & COH, M's L, 25-28 Fwd Waltz; Step, Swing, —; Fwd Waltz; (W 1/4 R) to a Bk to Bk pos, close L to R, W's R hand still joined, (NOTE: To keep Fwd (face), Side, Close (to Closed); step fwd LOD on R turning 1/2 R face dance "flowing" down LOD, W takes 1st In Semi-Closed pos waltz fwd in LOD; (W L) to face ptr in BUTTERFLY pos M step of unwrap down LOD and uses the Step fwd M's R, swing L fwd with slight facing WALL, hold 1 ct; 2nd and 3rd step to get across to COH, lift, hold 1 ct; Starting M's L waltz fwd 22 Step side on L, close R to L, step fwd turning to face partner. in LOD; Step fwd R turning to face part- LOD on L turning 1/4 L face (W 1/4 R) to 21-24 Twinkle (LOD), 2, 3; Twinkle (RLOD), 2, 3; ner and wall in CLOSED pos, step side OPEN pos facing LOD, hold 1 ct; Bal Apart, 2, 3; Bal Together, 2, 3; on L, close R to L. 23 In OPEN pos rock fwd on R, hold 1 ct, Starting M's L ft (both crossing in front) 29-32 Repeat Action of meas 13-16 substituting recover on L, hold 1 ct; do a 3-step "twinkle" twd LOD, (Change a RF twirl in meas 16 instead of the turn- 24 Step bwd on R, close L to R, step fwd hands) starting M's R ft (both XIF again) ing waltz to.end in momentary BUTTER- on R, hold 1 ct; do a 3-step "twinkle" twd RLOD (assum- FLY pos to repeat dance. Vine Apart, 2, 3, Swing; Vine Together, 2, 3, ing momentary BUTTERFLY pos); Balance DANCE ROUTINE THRU THREE TIMES Touch (to Cp); (Box) Side, Close, Fwd, —; Side, apart (M side on L twd Wall, R behind L TAG: Last time thru omit twirl in meas 32 and Close, Back, —; ft, L ft in place, W opp. twd COH) re- continue with turning waltz to face wall; 25 From OPEN pos facing LOD vine apart leasing M's L, W's R hand hold balance then twirl and bow. from ptr side on L, step R XIB of L, (W tofether (M, RLR, W opposite), resuming XIB also), side on L, swing R across 1; momentary BUTTERFLY pos. 26 Step side on R, step L XIB (W XIB also), 25-32 REPEAT action Meas 17-24 in RLOD, end- side on R turning 1/4 to CLOSED pos fac- ing BUTTERFLY pos; ing WALL, touch L to R, hold 1 ct; Sequence: PART 1, 2, 1, 2, omitting meas 31 & THAT DO MAKE IT NICE 27 In CLOSED pos facing WALL step side on 32 last time thru, instead do ENDING. By Gil and Betty Wunning, Anaheim, California L, close R to L, step fwd on L, hold 1 ct; Ending: Twirl, 2, 3; Step Thru, Apart, Point; Record: Windsor 4728 28 Side on R, close L to R, bwd on R, hold (Coming to a momentary BUTTERFLY pos) Position: Intro and Dance — Sidecar M facing diag 1 ct; As M steps L,R,L down LOD W twirls RF Wall and LOD. Vine/Twirl, 2, 3, Touch; Vine/Rev Twirl, 2, 3, R,L,R; both step THRU (with M's R, W's L), Footwork: Opposite — directions for M except as Touch (to CP); Turn Two-Step; Turn Two-Step; step back on L, point R twd ptr, Ack, as noted. 29 Step side on L, step R XIB of L, side on smile, and wink at her. Meas INTRODUCTION L, touch R to L as (W does one R face Wait; Fwd, Touch, Back, Touch; twirl in 3 steps) under joined hands M's 1 In SCAR pos M facing diag WALL and L (W's R and touching on 4th ct); LOD wait one meas; 30 Starting M's R moving in RLOD repeat 'TIL SOMEBODY LOVES YOU 2 Step fwd on L, touch R to L, step bwd on action of meas 29 except (W's twirl is L By Lu and Toni Delson, Pensacola, Florida R, touch L to R; face) end in CLOSED pos M facing WALL; Record: Belco 224 DANCE 31-32 Starting with M's L do two R face turning Position: Intro — Open Facing. Dance — Semi- Step, Close, Step, Sweep (to Bjo); Step, Close, two-steps prog in LOD to end in SCAR Closed Pos. Step, Sweep; Step, Close, Step, Brush; Step, Close, pos M facing diag WALL and LOD: Footwork: Opposite throughout — directions for Turn, Touch (to CP); DANCE GOES THRU TWICE PLUS ENDING; end M 1 In SCAR pos facing diag to WALL and meas 32 second time thru with M facing WALL Meas INTRODUCTION LOD do one fwd two-step L, R, L sweep Ending: TWIRL, 2, STEP APART, POINT; Wait; Wait; Apt„; Pt,; Tog, Tch,; R around and fwd in front of L (W sweep Step side LOD on L, step R XIB as (W 1-2 In OPEN-FACING pos wait 2 meas: around and bwd) to BANJO pos facing does one R face twirl in 2 steps under her 3 Step bwd away from ptr on L, point R diag to COH and LOD; R) and M's L hands to end facing ptr, toe twd ptr; 2 In BANJO pos do one fwd two-step diag change hand hold to M's R (W's L) step- 4 Step fwd on R touch L to R and assume twd COH and LOD R, L, R, slight sweep ping apart on L, point R twd ptr and ack. SEMI-CLOSED pos; of L around and fwd (W around and bwd) to end in BANJO pos; TILL WE MEET AGAIN PART A 3 In BANJO pos do one fwd two-step prog By Pete & Carmel Murbach, Montebello, Calif. Fwd Two-Step Brush; Fwd Two-Step; Circle Away LOD L, R, L brush R fwd; Record: Windsor 4711 Two-Step; Together Two-Step; 4 Again prog LOD do one fwd two-step R, Position: INTRO & DANCE — Momentary Butter- 1-2 In SEMI-CLOSED pos facing LOD 2 fwd L, R turning 1/4 R face while blending to fly, M facing Wall two steps L, R, L brush R; R, L, R, tch L; CLOSED pos M's back to COH, touch L to Footwork: OPPOSITE throughout, Directions for M 3-4 M make LF small circle (W RF) away L, R; unless otherwise stated R, L, —; together R, L, R, tch L; to CLOSED (1/2 Box) Side, Close, Fwd, —; Rock Fwd, —, Re- NOTE: For beauty and enjoyment, entire dance pos M back to COH; cover, —; (1/2 Box) Side, Close, Back, —; Rock should be done in a "flowing" progressive (Twisty) Vine, 2, 3, 4; Pivot, 2,; Vine, 2, 3, 4; Back, —, Recover, — (to Scar); manner. Pivot, 2,; 5 In CLOSED pos M facing WALL step side Meas INTRODUCTION 5 In CLOSED pos do a twisty vine down on L, close R to L, step fwd on L, hold 1.4 Wait; Wait; Apart, Point, —; Together, LOD step side on L cross R (IB) of L, side 1 ct; Point, —; on L, cross R (IF) of L as (W steps side on

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R, cross L (IF) of R, side on R, cross L 1 ct; Starting M's R do a fwd two-step In SEMI-CLOSED pos starting with L ft (IB) of R; LOD blending to CLOSED pos M's back waltz fwd in RLOD two meas: step fwd 6 Do a R face couple pivot step L, R to end to COH; In Closed pos do 2 RF turning on L, swing R fwd, hold 1 ct; step fwd CLOSED pos M back to COH; couple pivots LOD (L, R, -; L, R, on R, face ptr turning 1/4 R face (W 1/4 L 7 Repeat action of meas 5; -) to end in SEMI-CLOSED pos facing face) step on L, close R to L (to CLOSED 8 Repeat action of meas 6 to end SEMI- LOD. pos M facing COH; CLOSED pos facing LOD; 13-16 Fwd Two-Step; Fwd Two-Step; Side, 9-12 Bal Bwd; (1/2 R) Waltz Turn; Bal Bwd; Fwd Two-Step Brush; Fwd Two-Step; Circle Away Touch, Side, Hold; (Bwd Hitch) Back, Fwd, Turn, Close; (to Semi-CI) Two-Step; Together Two-Step; Close, Fwd, Close; In CLOSED pos M facing COH repeat 9-10 Repeat action of Meas 1-2; In Semi-Closed pos do 2 fwd two-steps action of meas 1-4 end facing LOD in 11-12 Repeat action of Meas 3-4; LOD (End in CLOSED pos M's back COH): SEMI-CLOSED pos (Twisty) Vine, 2, 3, 4; Pivot, 2,; Vine, 2, 3, 4; Step swd L, touch R, swd R blending to 13-16 Waltz Fwd, 2, 3; Waltz Fwd, 2, 3; Fwd, Pivot, 2,; SEMI-CLOSED pos, hold 1 ct; Do a 4 ct Swing, -; Fwd, Face, Close; 13-16 Repeat action of Meas 5-8 to end OPEN- hitch by stepping bwd on L, close R to In SEMI-CLOSED pos repeat action of FACING pos LOD inside hands joined; L, fwd on L, close R to L. meas 5-8 (on last ct of meas 16 end in PART B 17-18 Fwd, Fwd, -; Fwd, Fwd, -; BUTTERFLY) (Exception being meas 13 Apart, Tch, Roll Across, 2; Apt, Tch, Step, Step Step fwd L, hold 1 ct, step fwd R, hold & 14 waltz fwd LOD) 1 ct; Again step fwd L, hold 1 ct, step (W roll back); Pivot, , 2,,; Fwd, Fwd, ('W Twirl); fwd R, hold 1 ct. PART B 17 In OPEN-FACING pos facing LOD M's R (NOTE: CHECK SEQUENCE BEFORE PROCEEDING) 17-20 Waltz Fwd, 2, 3; Waltz Fwd, 2, 3; Step, and W's L hands joined step apart L, tch PART B Swing, -; Bal Bwd/Face, Touch, -; R to L, roll behind W (W roll in front 19-22 (W under) Two-Step (samba); Two-Step (to From BUTTERFLY pos stepping on M's L full RF turn R, L) join inside hands; diag Elio); (Bic) around) Two-Step; Two- and assuming OPEN pos do 2 fwd 18 Apart R, tch L to R, in place step L, step Step (to Bjo diag RLOD & COH); waltzes (slightly bk to bk and face to R (W rolls back across R, L) blending to M does 2 two-steps in place (samba style) face): facing LOD step fwd on L, swing R CLOSED pos face diag LOD and WALL; turning slightly LF as W turns RF under fwd, hold 1 ct; step bwd on R turning 19 R face couple pivot L, R, -, to end M's L & W's R hands (R,L,R,-; L,R,L,-) to 1/4 R to face ptr and WALL (W turn 1/4 L facing LOD M L and W R hand joined; end in CLOSED/BANJO' pos M facing face) end in BUTTERFLY pos, touch L, to R, 20 M fwd two slow steps L, R, - (as W diag LOD and wall; In Banjo pos rotate hold 1 ct; twirls under joined hands); fwd (start M's L) 2 two-steps turning a 1/2 21-24 Solo Waltz Turn, 2, 3; On Around, 2, 3; Apart, Tch, Roll Across, 2; Apart, Tch, Step, Step, turn to end in BANJO pos facing diag Waltz Balance, 2, 3; Waltz Balance, 2, 3; (W roll back); Pivot, 2,; Fwd, Fwd, (W Twirl); RLOD and COH. Starting with L ft M turns L face (W R 21-24 Repeat action of Meas 17-20 ending in 23-26 (M under) Two-Step (samba); Two-Step face) do a solo waltz turn in 2 meas end CLOSED pos M back to COH; (to diag Scar); (Scar around) Two-Step; facing and BUTTERFLY pos: step side on (Box) Side, Close, Fwd, -; Side, Close, Bwd, -; Two-Step (to CP); L, step on R behind L (W also XIB), step Apt, Step/Step, Together, Step/Step; Bal L, Step/ Starting with L ft M does 2 two-steps in place on L; step side on R, step on L Step, Bal R, Step/Step; while turning LF under his L and W's R behind on R, step in place on R. 25-26 Side L, close R to L, fwd L, -; Side R, hands (samba style) as W does 2 two- 25-28 Waltz Fwd, 2, 3; Waltz Fwd, 2, 3; Step, close L to R, back R, -; steps turning RF to end in CLOSED/ Swing, -; Balance Bwd/Face, Touch, -; 27 Quickly join M's R and W's L hand swing SIDECAR pos M facing diag LOD and Repeat action of meas 17-20 apart face LOD stepping side L, do two Wall: In SIDECAR pos (start M's L) do 2 29-32 Solo Waltz Turn, 2, 3; On Around, 2, 3; quick steps in place R/L, together side R, two-steps while rotating fwd almost a Waltz Bal, 2, 3; Waltz Bal, 2, 3; two quick steps in place L/R; turning to full turn blending to CLOSED pos with Repeat action of meas 21-24 to end in BUTTERFLY pos M's back to COH; M's back to COH. CLOSED pos 28 Retaining BUTTERFLY pos balance down 27-30 (Box) Side, Close, Fwd, -; Side, Close, SEQUENCE:A BABA and ending LOD side L, step R/step L in place, bal- Back, -; (Samba) Bwd Two-Step; Bwd Ending: Twirl, 2, 3; Side, Apart, Point; ance right side R, step L/step R, blending Two-Step; M walks fwd L,R,L (as W twirls R face to CLOSED pos M's back to COH; In CLOSED pos do a full box in 2 two- R,L,R, under M's L and W's R hands); (Twisty) Vine, 2, 3, 4; Pivot, 2,; Vine, 2, 3, 4; steps: Starting M's L and moving bwd step side RLOD on R, apart on L, point R. Pivot, 2,; twd COH do 2 two-steps (samba style). 29-32 Repeat action of meas 5-8, Part A. 31-34 Dip Back, Rec, -; Dip Fwd, Rec, Sequence: ABA B Ending -; Apart, - Point, -; (In place) Step, WALTZ ESPANA Ending: Fwd, Fwd,; (W Twirl) Step, Point, Step, Step, Step, Hop; By Penny & Paul Dow Point; Step, Point, Step, Point; Apt„ Dip bwd twd COH on L, hold 1 ct, re- Record: Windsor No. 4721 Point,; cover fwd on R, hold 1 ct; Dip fwd twd Position: Intro - Open Facing, Dance - BUTTER- Two slow steps down LOD L, R, -; (W wall on L, hold 1 c-t. recover bwd on R, FLY M's back COH. twirls RF under joined hands to OPEN hold 1 ct; Rejeat the action of the last 2 Footwork: Opposite throughout, directions for M pos facing LOD) step fwd L, point R across meas of the Intro; (prepare to repeat unless indicated. Part A). and IF of L, step R, point L across and IF Meas INTRODUCTION of R; Step L, point R across and IF of L, Sequence: Part A, Part A, Part B, Part A, Part A, 1-4 Wait; Wait; Apart, Point, -; Tog (to Bfly), step R, point L across and IF of R; step Part B, Ending. Tch, -; apart L, -, point R, -; to face partner. End: Fwd, Fwd (to face partner), -; Side, In OPEN-FACING pos M's back to COH Close, Apart (Acknowledge), -; wait 2 meas: step bwd twd COH on L (W After completing dance 2nd time thru twd WALL), point R twd ptr, hold 1 ct; walk fwd 2 steps (L, R, -) turning to step fwd twd ptr & slightly RLOD on R TOP BRASS face partner; Step swd LOD on L, quickly to BFLY pos M's back to COH, tch L to R, By David Box, Arlington, Texas close R to L, quickly step apart on L (hold) hold 1 ct; Record: Hi-Hat 821 and acknowledge as music ends. DANCE Position: Open for Intro, Semi-Closed for Dance. 1-4 Waltz Away, 2, 3; Waltz Together, 2, 3 Footwork: Opposite, Directions for M except as (to Bfly); Roll, 2, 3; Thru, Side (to CP), noted. Close; Introduction: Wait; Wait; Apart, -, Point, -; (In VAYA CON DIOS From BUTTERFLY pos starting M's L do 2 Place) Step, Step, Step, Hop; By George and Claire Hale, Chicago, Illinois waltzes fwd LOD moving slightly away In Open pos facing LOD wait 2 meas; Record: Sets in Order 3159 A from ptr on first meas and tog to face Step apart on L turning to face diag twd Position: Open-Facing for Intro; Closed, M's back ptr in momentary BUTTERFLY on second partner and LOD, hold 1 ct, Point R twd to COH for dance meas; starting M's L do one full solo roll partner, hold 1 ct; Quickly step 3 steps Footwork: Opposite throughout, directions for M prog LOD in 3 steps (M roll LF - W roll in place (R,L,R), hop fwd LOD and slightly except as noted RF); step fwd LOD on R, step swd LOD twd partner on R; Meas INTRODUCTION on L to face ptr in CLOSED pos M's back Meas PART A 1-4 Wait; Wait; Apart, Point, -; Together, to CON, close R to L; 1-4 Fwd Two-Step; Fwd Two-Step; Cut, 2, 3, Touch, -; 5-8 Bal Back, -, -; Manuv, 2, 3 (to CP); (R) 4; 5, -, Back, Close; In Diag OPEN-FACING pos wait 2 meas: Waltz Turn; (R) Waltz Turn (to CP); In Semi-Closed pos do 2 fwd two-steps M steps back on L, point R twd ptr, hold In CLOSED pos bal bwd twd COH on L, LOD: Cut L over R (facing LOD and travel- 1 ct; step fwd twd ptr on R to CLOSED hold 2 cts; starting M's R waltz manuv ing RLOD), bwd R, cut L over R, bwd R; pos M facing WALL, Touch L to R, -; in 3 steps- turning 1/4 RF to end in Cut L over R, hold 1 ct, step bwd on R, PART A CLOSED pos M's back to LOD; starting close L to R. 1-4 Bal Bwd; (1/2 R) Waltz Turn; Bal Bwd; M's L bwd LOD do 2 RF turning waltzes 5-8 Fwd, Fwd, -; Fwd Two-Step; Cut, 2, Fwd, Turn, Close; (to Semi-CI) prog LOD to end in CLOSED pos M's 3, 4; 5, -, Back, Close; In CLOSED pos M bal bwd on L, hold 2 back to COH; Still in Semi-Closed pos step fwd R, hold cts,; with R ft lead waltz 1/4 R face R,L,R 9-12 (1/2 Box) Fwd, Side, Close; Waltz Bwd, 2, 1 ct, step fwd L, hold 1 ct; Starting M's to end M facing COH; bal bwd on L, hold 3; Apart, Point, -; Wrap/Change Sides, R do a fwd twostep LOD: Repeat action 2 cts.; step fwd on R, turning to SEMI- 2, 3 (to CP); of meas 3 and 4 above. CLOSED pos facing RLOD step on L, close Step L fwd twd WALL, swd RLOD on R, 9-12 Fwd, Fwd, -; Fwd Two-Step; (CP) R to L; close L to R; starting M's R one waltz Pivot, -, 2, -; 3, -, 4, - (to SCP); 5-8 Waltz Fwd, 2, 3; Waltz Fwd, 2, 3; Fwd, bwd twd COH (W "check" on ct 3); from Step fwd R, hold 1 ct, step fwd L, hold Swing, -; Fwd, Face, Close; (to CP) CLOSED pos ptrs join both hands step

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bwd twd COH on L (W twd WALL), pt R around M CCW direction L, R, L, - turn- WHISPER WALTZ twd ptr, hold 1 ct; retaining joined hands ing M to SEMI-CLOSED pos facing LOD By Bob and Helen Smithwick M changes sides by stepping R fwd twd (this "unwraps" M from hook pos). San Diego, California WALL, turning RF L, R to end facing COH 9-12 Run, 2, 3, Brush; Run, 2, 3, Brush; (Scis- Record: Grenn 14101 as W wraps turning 1/2 LF by ptrs bring- sors) Apart, Close, Cross (to Bjo), -; Position: Intro - Open Facing - Dance - Butterfly. ing M's L and W's R hands thru between Wheel, 2, 3 (to Scar), -; Footwork: Opposite - directions for M except as ptrs then around and over W's head at Repeat meas 1-4 above. ;noted. same time lowering M's R & W's L to W's 13-16 Diag Out, 2, 3, Flare (to Bjo); In, 2, 3, waist and releasing same blend to -; Step, Brush, Brush, Hook (W twirl, 2, CLOSED pos M's back to WALL; 3, -); Run Around, 2, 3, -; Meas INTRODUCTION 13-16 (1/2 Box) Fwd, Side, Close; Waltz Bwd, Repeat meas 5-8 above. Wait; Wait; Apart, Point, -; Together (to Bfly), 2, 3; Apart, Point, -; Wrap/Change Sides, 17-20 Apart, Swing, Roll, 2; Apart, Swing, Face, Touch, -; 2, 3( to CP); Touch (to Bfly); Fwd, Brush, Turn, Touch; 1-2 In OPEN-FACING pos wait 2 meas: Starting M's L moving twd COH repeat (Solo) Turn Away, 2, 3 (to Bjo), -; 3 Step bwd away from ptr on L, point R toe actions meas 9-12 except to end in BUT- Step apart L (blending to OPEN pos), twd ptr, hold 1 ct; TERFLY pos with M's back to COH; swing R across, change sides (M rolling 4 Step twd ptr on R, into BUTTERFLY pos, 17-20 Waltz bal L; Waltz bal R; (Twisty Vine) RF W LF) R, L to end in LEFT-OPEN pos touch L to R, hold 1 ct; Side, Behind (to SCAR), Side; Front (To facing LOD (M rolls across in back of W); Step apart R, swing L across, step back L Bjo), Side, Behind (To SCAR); PART A In BUTTERFLY pos step L swd LOD, step (to face ptr and COH), tch R to L to end in momentary BUTTERFLY pos: Turning Fwd Waltz, 2, 3; Twinkle, 2, 3; Twinkle, 2, 3; RXIB of L (W XIB), step R in place; start- Twinkle (Manuv), 2, 3; ing M's R stepping swd RLOD repeat ac- back to LEFT-OPEN pos step fwd LOD R, brush L, step fwd L turn partially bk to 1 Blending from BUTTERFLY to OPEN pos tion meas 17; do a 6 ct "twisty" vine waltz fwd L, R, L; stepping L swd LOD, step RXIB of L (W bk, tch R instep to L heel (to assist this bk to bk figure bring joined M's L W's 2 Cross R IF of L (W XIF also), step side XIF) to SCAR, step L swd LOD; step RXIF LOD on L, turning to L-OPEN pos facing of L (W XIB) to BANJO, step L swd LOD, R thru twd LOD); Releasing hands do a solo turnaway M RF (W LF) R, L, R, - RLOD close R to L; step RXIB of L (W XIF) to SCAR; 3 Cross L IF of R (W XIF also), step side 21-24 Waltz Bal L; Waltz Bal R; (Twisty Vine) (M turns 1/2 turn on turn away while W turns (or spins) one full turn to end in RLOD on R, turning to OPEN pos facing Side, Behind (To SCAR), Side; Front (To LOD close L to R; Bjo), Side, Behind (To Scar); BANJO pos M facing RLOD). Starting M's L repeat action meas 17-20; 21-24 Walk, Face, Twisty Vine, 2; 3, 4, Pivot, 4 Cross R IF of L (W XIF also), step side 25-28 Step, Swing/Lift, -; Step, Swing/Lift, -; Half (to Half-Open); Fwd, 2, Turn in (Left twd Wall on L turning 1/2 R face in front (Canter) Side, Draw, Close (W RF Canter Half-Open); Fwd, 2, Turn In (Left Half- of W, close R to L to end in CLOSED pos Twirl, -, 2); Step, Tch, -; Open), Back; Roll, 2, 3, 4; and facing RLOD (W taking short steps as Blending to face ptr join touching hands W Bjo pos walk fwd L, turn 1/4 RF (to M manuvers); step L swd LOD, swing R across in front CLOSED pos facing COH) R, start twisty (R) Waltz Turn; Fwd Waltz; (L) Waltz Turn; (L) of L at same time rise slightly on ball of vine Swd L, R XIB (W XIF) to modified Waltz Turn (to OP); L ft, hold 1 ct; starting M's R stepping SIDECAR; Continue twisty vine M step L 5 In CLOSED pos M facing RLOD starting swd RLOD repeat action meas 25; in can- to CLOSED pos facing COH, R XIF (W with L ft do one R face turning waltz to ter rhythm step L swd LOD, draw R to L, XIB) to BANJO facing diag COH/RLOD, end facing LOD; close R to L on ct 3 (W does 1 RF canter do Cpl 1/2 pivot L, R to end in HALF- 6 Waltz fwd in LOD R, L, R; twirl R, L under joined M's L and W's OPEN pos facing LOD; In Half-Open walk 7-8 Starting with L ft do 2 L face turning R hands); step L swd LOD, tch R to L, fwd L, R, commence turning to L Half- waltzes to end in OPEN pos facing LOD: hold 1 ct; Open L (to face), back R to end facing Fwd Waltz, 2, 3; Twinkle, 2, 3; Twinkle, 2, 3; 29-32 Step, Swing/Lift, - ;Step, Swing/Lift, -; RLOD M on inside of circle with his L Twinkle (Manuv), 2, 3; (Canter) Side, Draw, Close (W LF Canter hand at W's waist (MEN your turn in here 9-12 Repeat action of meas 1-4; Twirl, - 2); Step, Tch, is RF); Turning quickly LF back to face (R) Waltz Turn; Fwd Waltz; (L) Waltz Turn; (L) Starting ,M's R moving twd RLOD repeat LOD do a 4 count LF (W RF) solo roll Waltz Turn (to OP); action meas 25-28 except on meas 31 W down LOD to end in OPEN pos facing 13-16 Repeat action of meas 5-8: does 1 LF canter twirl twd RLOD and on LOD. Step, Swing, -; Bk to Bk, Touch, -; Waltz meas 32 blend to BUTTERFLY pos M's 25-28 Turn Away, 2, 3, Brush; Together, 2, 3, Around, 2, 3; Tamara, Touch, -; back to COH; Touch (to Bfly pos); (Scissors) Side,'Close, 17 In OPEN pos facing LOD step fwd L, Perform entire routine for total of 2 times except Thru, -; (Swd) Point, Tch, Point, Tch; swing R fwd with toe pointed to floor last time thru on meas 32 step R swd twd Stepping L, R, L, brush; M circles in twd and raised slightly, hold 1 ct; RLOD to SEMI-CLOSED pos, draw L par- COH in LF circle (W twd wall RF circle) 18 Step fwd LOD on R turning to a bk to tially to R instep, with L pointing twd and back to ptr R, L, R, tch to end in bk pos, touch L to R at same time change LOD hold 1 ct. BUTTERFLY pos M's bk to COH; Retain- hands to M's L (W's R), hold 1 ct; ing hand holds M steps side LOD L, close 19 M waltz around L face (W R face) in R to L, cross L in front (W XIF also), - small circle L, R, L; Still in Btfly pos facing ptr and wall point 20 Step fwd on R to a Tamara pos M's L WHEEL OF FORTUNE R to side RLOD, tch R to L instep, point R and (W's R) joined hands making a win- By Charlie and Bettye Proctor, Dallas, Texas to RLOD again, tch R to L instep again. dow (W's L hand palm out at her waist Record: Belco 215B 29-32 (Scissors) Side, Close, Thru, -; (Swd) behind her back), touch L to R at same Position: Open-facing M bk to COH; Dance Semi- Point, Touch, Point, Touch; Vine/Twirl, time join M's R and (W's L hands), hold Closed 2, 3 (to Tamara), -; Rev Twirl, 2, 3, - 1 ct; (to Bfly); Footwork: Opposite, Directions described for M Waltz Around, 2, 3; Tamara, Touch, -; Waltz Meas INTRODUCTION Maintaining hand holds step side R, close L to R, cross R in front (W XIF also), -; Around, 2, 3; Together Bfly, Touch, -; 1-4 Wait; Wait; Apart, -, Point, -; Together, 21 Release M's L and (W's R) hand hold retain Point L to side (LOD), tch L to R instep, -, Touch, -; other hands M waltz fwd and around turn- Wait 2 meas: Step apart L, pt R twd ptr; point L to side (LOD) tch L to R instep: Without releasing hands twirl W up LOD ing R face (W fwd and around turning step tog R, tch L to R to end in SEMI- L face) L, R, L at same time raise joined CLOSED pos, M facing LOD. while M does side L, behind R, side L, tch (By taking L hand high, R hand to hands high; waist level and not releasing hands you 22 Step together on R to a Tamara pos M's PART A R and (W's L) joined hands making a 1-4 Run, 2, 3, Brush; Run, 2, 3, Brush; (Scis- will come into a modified TAMARA pos. window M's L hand palm out at waist sors) Apart, Close, Cross (to Bjo), -; The hands should be normal for Tamara behind his back, touch L to R at same Wheel, 2, 3 (to Scar), -; pos but the W should be directly in front In SCP traveling LOD do two 1, 2, 3, of M - M facing wall; "Unwrap" or re- time join M's L (W's R) hands, hold 1 ct; brushes: Without releasing hand holds M verse twirl by M stepping R side, L be- 23 Release M's R and (W's L) hand hold steps two COH L (W twd wall), close R hind, R side as W simply unwraps L, R, L, retain other hands M waltz fwd and to L, cross L to end in BANJO M facing tch to end in BUTTERFLY pos. Note: From around turning L face (W fwd and around wall, - (M and W both XIF); In 3 steps meas 27 thru to end of dance you will turning R face) L, R, L; R, L, R, -; wheel RF to SIDECAR pos M retain both hand holds. 24 Step together on R to BUTTERFLY pos M facing diag LOD/wall. ENDING: (In SEMI-CLOSED pos facing LOD Walk, facing WALL, touch L to R, hold 1 ct; 5-8 Diag Out, 2, 3, Flare (to Bjo); In, 2, 3, -; -, 2, -; (Fast) TWirl, 2, 3, Point; Walk Step, Swing, -; Bk to Bk, Touch, -; Waltz Step, Brush, Brush, Hook (W twirl, 2, 3, LOD slow L, R, -; Do a snap vine- Around, 2, 3; Together (to CP), Touch, -; -); Run Around, 2, 3, -; twirl and acknowledge. 25-27 Repeat action of meas 17-19: In Scar pos (progressing diag LOD/wall) DANCE THRU TWO TIMES 28 Step together on R taking CLOSED pos travel out L, R, L, flare.to BANJO (to end SEQUENCE: Intro, Dance thru Twice, Ending. M facing WALL, touch L to R, hold 1 ct; M facing COH); Travel in to COH R, L, R, Dip Back, -, -; Waltz (Manuv), 2, 3; (R) Waltz -: Releasing R hand M takes small step Turn; Twirl, 2, 3 (to OP); fwd L, brush R fwd slightly, brush R 29 In CLOSED pos M facing WALL dip back lightly back across in front of L, hook on L, hold 2 cts; R by taking wt on it after this brush 30 Starting with R ft do a 1/4 R face waltz across (W twirls RF R, L, R to SIDECAR manuver turn in 3 steps to end in CLOSED pos M facing COH, -); W continues on pos M facing RLOD;

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31 Do one turning waltz stepping L, R, L to wall beginning R face turn, continue turn DANCE end facing LOD releasing M's R and (W's while stepping fwd R ending in SEMI- 1-4 Fwd Twd-Step, —; Fwd Two-Step, —; L) hands retaining M's L and (W's R) hand CLOSED pos); In SEMI-CLOSED pos step Rock Fwd, Recover, —; Rock Back, —, hold; LOD on R, hold 1 ct, fwd L, fwd R; Recover, —; 32 Waltz fwd LOD R, L, R as (W does one 13-16 Fwd Two-Step: Fwd Two-Step: Fwd, 2, Starting M's L do 2 fwd two-steps: keep- R face twirl stepping L, R, L) to end in (W to CP) Check, In Place; Dip Back, —, ing M's R & W's L ft in place rock fwd L OPEN pos facing LOD; Rec (To SCP). —; (W bk R), hold, recover on R, hold; rock In SEMI-CLOSED pos do 2 fwd two-steps DANCE GOES THRU TWO TIMES bk on L (W fwd R), hold, recover on R, LOD: Step fwd L, fwd R, fwd L but At end of twirl meas 32 the second time hold; checking fwd motion (as W steps around thru - step apart on L, change hands to 5-8 (Scissors) Side, Close, Cross, —; Side, in front of M on R to take CLOSED pos), Close, Cross, —; Side, Close, Cross, —; M's R and (W's L) point R twd ptr and step in place on R; In CLOSED pos dip Ack. Turn, Close, Turn (to CP), —; back on L (W fwd on R) twd RLOD, hold Step side twd CH on L, close R to L, 1 ct, recover fwd on R (W recovers wgt cross L over R to SIDECAR pos M facing on L while blending back to SEMI- diag LOD & wall (W XIB), hold; step side CLOSED pos), hold 1 ct; twd wall R, close L to R, cross R over L to BANJO pos M facing diag LOD & COH, WOULDN'T YOU KNOW PART B hold; Repeat meas 5; Adjusting to CP 17-20 Fwd, Fwd (Blend to CP), —; Pivot, 2, By Jules & Dottie Billard, Washington, D.C. turn LF stepping side twd LOD R, close L Record: Hi-Hat 826 Fwd (to SCP), —; Fwd (Blend to CP), —; to R, step side R twd COH completing Position: Closed, M facing LOD for both Intro and Pivot, 2; Fwd (to SCP), Fwd, —; 1/2 LF turn to end CP M facing RLOD (W start of Dance In SEMI-CLOSED pos step fwd L, hold 1 step L,R,L, almost in place as she turns Footwork: Opposite, Directions for M except as ct, fwd R blending to CLOSED pos with LF with M), hold; noted. (4 quick counts per meas) M's back to COH, hold 1 ct; Do a full turn 9-12 Back Two-Step, —; Back Two-Step, —; Rock INTRODUCTION R face couple pivot in 2 quick steps L, R, Back, —, Recover, —; Rock Fwd, —, Re- Wait; Dip Bwd, Rec, - step L twd LOD while blending to SEMI- cover, - Wait ONE meas; In CLOSED pos dip back CLOSED pos, hold 1 ct; Step Fwd R while Progressing backward twd LOD do 2 two- blending back to CLOSED pos, hold 1 ct, on L, hold 1 ct, recover fwd on R, hold steps: leaving R in place rock bk on L (W do another R face couple pivot in 2 quick 1 ct; fwd R), hold, recover on R, hold; rock fwd steps L,R; Step fwd (LOD) L while blend- PART A L, hold, recover on R, hold; Meas ing back to SEMI-CLOSED pos, hold 1 ct, Fwd, Fwd; 13-16 (Scissors) Side, Close, Cross, —; Side, Close, 1-4 Fwd, Fwd, Fwd; Fwd, step fwd R, hold 1 ct; Fwd, —, Face Out, —; (Vine) Side, —, Be- Cross, —; Side, Close, Cross, —; Turn, Close, 21-24 Fwd, 2, 3, —; Fwd, 2, 3, —; (Hitch) Fwd Turn (to SCP), —; hind, —; (W to Bjo), Close, Back, —; (Hitch) Back In CLOSED pos moving LOD step fwd L, Step side twd wall on L, close R to L, cross (W to SCP), Close, Fwd, —; hold I ct, do 2 fast steps fwd R, L; Step L behind R to BANJO pos M facing diag In SEMI-CLOSED pos move LOD L,R,L, RLOD & wall (W XIF), hold; side twd COH fwd R, hold 1 ct, do 2 fast steps fwd L, R; hold 1 ct; Again move LOD R,L,R, hold hold 1 ct, fwd R turning R to R, close L to R, cross R behind L to SIDE- Step fwd L, 1 ct; As M does a "hitch" by stepping face wall, hold 1 ct; Step swd L while CAR pos M facing diag RLOD & COH, hold; fwd L, close R, back on L the W steps blending to a diag SIDECAR pos, hold Repeat meas 13; turn RF almost in place fwd R and turns L face to take BANJO 1 ct, Cross R in back of L (W XIF) blend- stepping R,L,R (W start RF turn stepping pos, close L, steps RLOD R, then both ing into full SIDECAR pos M facing RLOD, side twd LOD and continuing on around) hold 1 ct; M does another "hitch" step- to end in SCP facing LOD, hold; hold 1 ct; ping bwd R, close L, fwd R as the W steps (CP) Turn L Two-Step: (Vine) Side, Behind, 17-20 Fwd Two-Step, —; Fwd Two-Step, —; (Hitch) 5-8 RLOD on L turning R face to blend back Side, In Front; (Slow) Side, —, Behind, —; Fwd, Close, Back, Close; Fwd, —, 2, —; to SEMI-CLOSED pos, close R, fwd LOD on In SCP twd LOD do 2 fwd two-steps: step (CP) Turn R Two-Step: L, then both hold 1 ct; (Note: The W turns Quickly blending to CLOSED pos starting fwd L, close R to L, step back L, close R to with a smooth blend and may take 2 cts.) L face turning two-step to end L; step fwd L, hold, step fwd R, hold; M's L do 1 25-28 REPEAT action of Meas 17 thru 20; M facing COH; Moving LOD do a fast 21-24 Fwd Two-Step, —; Fwd Two-Step, —; (Hitch) 29-32 REPEAT action of Meas 13 thru 16 except opposite-vine stepping side R, cross L in Fwd, Close, Back, Close; Fwd, —, Face, —; RECOVER TO Closed Position; back (W XIF), side R, cross L in front Repeat action of meas 17-20 except to end DANCE GOES THRU TWICE (W XIB); Do a slow opposite-vine step- facing ptr & wall with lead hands joined. END: Complete dance 2nd time when W does a ping side R, hold 1 ct, cross L in back 25-28 (W RF twirl) Vine, 2, 3, Tch; (W LF twirl) snap R face twirl in 2 cts as M steps L,R, (W XIF) blending to BANJO pos, hold Vine, 2, 3, Tch (to Bfly); Apart, Close, Fwd then step apt on L (W R) and point R 1 ct; Starting M's R and quickly blending (to Bfly —; Around, 2, 3 (to CP), —; (acknowledge) as music ends. to CLOSED pos do one turning two-step Step side twd LOD L,R behind L, side L, (R face) a t/2 turn to end with M facing tch R to L (W twirl RF under M's L & W's R wall; hands); step side twd RLOD R, L behind R, 9-12 Fwd, —, Side, In Place; (Change Sides) side R, tch L to R (W reverse twirl) ending Thru, Fwd, Fwd (to Rev SCP); (Change in BUTTERFLY pos M facing wall; step back Back) Thru, Fwd, Fwd (to SCP); Thru, L twd COH (W back twd wall, close R to Fwd, Fwd: L, fwd L twd ptr (W fwd R) ending in In CLOSED pos M steps fwd twd wall L, YOU AND ME BUTTERFLY BANJO pos M facing wall, hold 1 ct, swd R (leaving L in place), By Elva & Walt Blythe, Absecon, New Jersey hold; both moving fwd & clockwise step shift wgt to I turning to face LOD in Record: Grenn 14089 R,L,R adjusting to CP M facing wall, hold; SEMI-CLOSED pos; Moving diag fwd and Position: Diag Open-facing for Intro: Dance: 29-32 Turn Two-Step, —; Turn Two-Step, —; Pivot, twd wall in short steps to allow W to Closed M facing LOD —, 2, —; (W twirl RF) Fwd, —, 2 (to CP), —; cross in front the M steps fwd R, hold Footwork: Opposite directions for M except as Starting L do 2 RF turnin gtwo-steps down 1 ct, fwd L, fwd R (W steps fwd L, hold noted. LOD ending in CP M facing wall: pro- 1 ct, long step fwd R moving twd COH Meas INTRODUCTION gressing down LOD pivot RF L, hold R beginning a L face turn, continuing turn 1-4 Wait; Wait; Apart, —, Point, —; Together hold, ending SCP facing LOD; step fwd L, step L to end on M's L side and blend- (to CP), —, Touch, —; hold, fwd R (W twirl RF to CP facing RLOD); ing to reverse SEMI-CLOSED pos both In OPEN-FACING pos M's R & W's L hands DANCE THREE TIMES THRU facing LOD); Again change sides with M joined M facing wall & LOD wait 2 meas: THIRD TIME THRU meas 32 Twirl W to Open- moving diag fwd and twd COH in short Step apart on L, hold, point R twd ptr facing M facing wall; change hands step steps fwd L, hold 1 ct, fwd R, fwd L (W hold; step together on R adjusting to CP apart. steps fwd R, hold 1 ct, long L fwd twd M facing LOD, hold, tch L to R, hold; NOTE: Progress continuously LOD meas 1-24. 7:-.fE1 == Square Dance A.... remember is that our regular deadlines oc- be sent to The Editor, Sets in Order, 462 cur virtually two months prior to the date N. Robertson Blvd., Los Angeles, Califor- Date Book of publication. Something intended for the nia 90048. June issue of Sets in Order should be in the We are not always able to answer every It's been a pleasure to bring this year- editor's hands by the end of the first week letter we receive, but we try! book into your homes as a service of Sets in April. in Order. We would also remind you that Our motto is "at your service" and wheth- Sets in Order is "your voice." We are inter- er it is a listing in the magazine, answers to ested in what you are doing in your clubs personal square dance questions, or assist- and classes. ance in any form, Sets in Order's staff will We'd like to publicize your coming events endeavor to help you. in our datebook. All that is necessary to All editorial and dance material should

94 INDEX OF DANCES

Affectionately 69 Centennial Waltz 73 Dixie Daisy #1 & #2 6 Alamo Circulate 3 Centers In Circulation 4 Dixie Daisy Turn Thru 26 Alamo Style Trade 3 Centers Trade 4 Dixie Grand 6, 7 All Eight Spin the Top 3 C'Est Si Bon 73 Dixielate #1 & #2 7 All Eight Swap Around 27 Chain and Star Thru 4 Dixie Slide 7 Allen's Dance 3 Chain Right Now 4 Dilde Spin 7 Allez Vous En 69 Chain Star Thru 4 Dixie Spin #1 Thru #6 7 All Kinds 3 Chocolate Coated Words 56 Dixie Spinette 7 And Now 3 Chuckaluk 5 Dixie Style Circulate 7 And Then Roundoff 3 Circulate 5 Dixie Style Practice 7 An Outing 3 Circulate and Rock It 5 Dixie Style Trade 7 Another Interwoven Fantasy 3 Circulate Twice 5 Dixie Top 7 A-Peeling 3 Circulate You Do 5 Dixie Turn Thru 7 April in Portugal 55 Circulating Trades 28 Do It 7 April Showers 55 Circulation 5, 26 Don't Fence Me In 57 Around the World 55 Circulitis 27 Don't Know Who Wrote It 7 Clover and Figures 25 Don't Rush It 7 Baby Face 55 Clover and Square Thru 5 Don't Sweetheart Me 57 Baby Look At You Now 70 Cloverleaf Chain 5 Do's Doom 8 Back In Circulation 55 Cloverleaf Different 5 Double Dixie 8 Backtrack Slide Thru 3 Clover Leaf Luck 5 Double Star 8 Back You Glide 44 Cloverleaf to a Left Allemande 5 Down By the Ohio 57 Balancing Flea 27 Clover To A 5 Dud's Reel 54 Ballin' the Jack 70 Clyde's Cutie 5 Durang's Hornpipe 54 Basic Fun 3 Cocheco Hornpipe 54 Basics to a Dixie Grand 3 Combination 5 Easy One 8 Baubles, Bangles and Beads 70 Coney Island Baby 56 Easy Trade 8 Be Careful 3 Coney Island Washboard Gal 56 Easy Way 58 Bendit Line of Two 4 Connecticut Waltz 73 Eight Chain 8, 27 Bend the Line 44 Corner Fun 5 Eight Chain One — Left Allemande 8 Bernadine 70 Count Down 5 Eight Chain Susie Q 8 Big Eight 4 Country Cousin Double Star 5 8 More Miles 58 Big Sombrero 55 Couples Circulate 6 Elbow Swing 44 Bill's Fold 4 Couples Promenade 48 El Paso 58 Bird of Paradise 56 Couples Promenade Three-Quarters 6 End Boys Out 8 Birmingham Slider 4 Couples Star to Right and Left Thru 43 End Boys Run 8 Black's Break 4 Crossed Back #2 26 End Girls Out 8 Blue Pacific 71 Cross Fold Break 27 Erick's Dream 8 4 The Blythe-er Cross Folds 1 6 Evenflo 8 Bob's Own 4 Cross Trail Hash 27 Everybody Circulate 8 Bold Highlander 54 Cross Wheel 6 Everybody Loves Somebody Sometime 58 Bon Bon 71 Curly Top 6 Everything Folds 8 Boys Slide Thru 4 Explosion 8 Boys What? 4 Daisies in the Clover 6 4 Break From Promenade Daisy Chain 45 Fantasy 74 23 Breaks Daisy Doosie 6 Fast Break 8 Broken Cast #1 & #2 4 Daisy Traders 6 Finders Keepers 59 Brundage Examples 29 Dawson Examples 30 Five Minutes More 74 4 Bucket Stir Deed 6 Flippo Examples 30 Bumming Around 56 Denver 56 Fold a Boy — Girl 8 By the Sea 56 Devil Woman 57 Foldemande 9 Cabaret 56 Did I? 6 Follow It Up 9 Call It Love 72 Different 6 Forward Four or The H 41 Camptown Hornpipe 54 Dive Thru Swing Thru 6 Four Leaf Clover 59 Canadian Breakdown 54 Dixie 6 Four Planets 9 Castles In Spain 72 Dixie Cross 27 14 Day Non-Stop Face to Face 9 Casting Subs 4 Dixie Daisies 6 Four Times 9 Catchy 4 Dixie Daisy 25 Four Walls 74 Centennial Roses 72 Dixie Daisy Double Track 6 Foxie 75

95 Fred What 9 It's A.O.K. 11 No Wheel — No Deal 13 Fred Who 9 It's Fun 11 Now Then 13 From a Promenade 9, 26 It's Like Having You Around 61 Now You're Ready 13 From Promenade 9 It's Thru And 11 Number Four 13 Frontier Whirl 47 It's True 61 Number One and A Half 13 Fun Casting 9 Niimber 1271 13 Fun With Fold #4 9 Jere 78 Number Seven 13 Gene's Wheel and Deal 9 Jessy Waltz 79 Number Three 13 Gents Slide 26 Jillsquiet 11 Get Set 9 J. M. Break 11 Ocean Run 13 Get the Point 9 Joe's Goof 11 Ocean Wave Six in Line 46 Giant Clover 9 Johnston Examples 33 Oh Happy Lucky Me 62 Gilmore Examples 31 Just Hash 11 Oh Lonesome Me 62 Gimmicks 24 Just Rambling Around 11 Oh You Kid 83 Girl Crossing 9 Juxtaposition Swing Thru 28 Old Black Magic 62 Girls Dixie Slide 9 Old Memories 84 Girls Slide 26 Keep Going 11 Old Pine Tree 63 Girls Slide Thru 9 Keels Laid 12 On A Bender 13 Girls Trade 10 Keep It Neat 12 One and One Ain't Two 13 Girls What? 10 Kentucky Waltz 79 One Dozen Roses 63 Give It a Try 10 King Examples 34 One More Doodle 13 Give My Regards to Broadway 59 Kronenbergef Examples 35 One Of Those Songs 63 Glory of Love 75 One-Quarter Ladies Chain 40 Goodie For Beaver 10 Ladies Center and Back to the Bar 45 Open Up Your Heart 83 Good Man Is Hard To Find 59 Ladies Chain on a Longer Track 49 Orbit 13 Good Old Days 59 Ladies Go Left and Men Go Right 12 Orion 13 Good Trade 10 Ladies Three-Quarter Chain 12 Outsides Divide 13 Grand Allemande Break 10 Lefty Turn 12 Grand Ripple the Wave 10 Lefty's Lead 12 Park Examples 36 Grand Sashay Mixer 75 Let Me Call You Sweetheart 61 Passin' Clover 14 Grand Spinning Clover 10 Let's Go Red Hot 12 Pass Thru to the Center 14 Green Mountain Volunteers 54 Let's Go Slow Poke 79 Pass to the Center 14 Let's Polka 80 Pattern 14 Happy Square Dance Way 59 Let's Trade 12 Pattern By Barry 14 Happy Time Rag 76 Let the Rest of the World Go By 61 Peel Off 14 Happy Tracks 59 Line Marker 12 Peg Leg 84 Hard Times 54 Little Bit of Sugar 61 Pennsylvania Polka 85 Harlem Rosette 43 Little Jim #4 12 Pitter Patter 14 Hash 26 Little Pedro 61 Pointchurears 14 Have Faith 10 Lonesome Men 12 Poor Little Robin 63 Haymakers Jig 54 Look Me Over 80 Pow 14 Heartaches 60 Love in the Country 61 Progressive Squares 24 Heart's Delight 10 Promenade 14 Helsel Examples 32 MacFolder 12 Promenade Break With Turn Thru 14 Helt Examples 33 MacNomer 12 Promenade Three-Quarters 41 Henny Penny 10 Man's Right 12 Pull the Right Girl Under 49 Henry the Eighth 60 Mamie 80 Here's One 10 Megunticook 54 Question Marks 14 Hey, Good Looking 76 Men Dixie Slide 12 Hiawatha Hall 10 Men Keep Alert 12 Race Is On 63 Honey Bee 60 Mexicali Rose 81 Raggin' A Call 63 Hot Lips 76 Mickey's Tune 61 Ray's Special 14 Hot or Cold 10 Miscellaneous 12 Red Carnations 85 Houston 60 Mixed Daisies 12 Reel — Pass Thru — Wheel and Deal 14 How's That 11 Monterey 81 Remember 85 Humoresque 77 Mood Indigo 81 Reverse Slide 14 Moonglow 82 Ride Ride Ride 64 I Ain't Got Nobody 77 More Grand Square 12 Right Hand Over, Left Hand Under 48 Ideas 60 Mumbo 12 Ripple, Swing or Trade 14 I Don't Wanta 78 Mutts Mutterings 12 Ripple the Ends 15 I Feel Better 60 My Baby Just Cares For Me 82 Ripple the Wave 28 If You Can 11 My Best to You 83 Ripple the Wave #1 & #2, #3 & #4 15 If You Can #1 11 My Favorite 13 Road Runner Two-Step 86 If You Want To 24 My Ideal 83 Robinson Crusoe 64 In & Out 11 Rob't E. Lee 64 Indian Dance 11 New Moon 62 Rock It Jack 15 I Never Knew 60 Nobody Knows Ya 62 Roll Out the Barrel 64 In Paris 78 Noisy Break 13 Roll Promenade 42 Interwoven Fantasies 11 No More No Less 62 Ron's Dance 15 Ipanema 78 Nonsense 13 Rosalie 86 I Thank My Lucky Stars 60 No Stop 13 Round Off 15, 25 It's a Corker 11 No Tears Milady 62 Ruff Examples 37

96 Run and Couples Circulate 15 Stars and Scars 18 Trust Me 20 Run Cast 15 Stars Galore 18 T's Double Trouble 20 Run the Wheel 15 Stars Galore and More Stars 18 Tula 27 Star Whirl Cast Offs 28 Turn Back Who? 20 Sadie Was A Lady 64 Stinker #2 18 Turn That Jane 20 Sally 87 Stir the Bucket 18 'rum Through Smoothies 20 87 San Francisco Bay Struttin' 89 Turn Thru 21 Sashay Sue 15 Struttin' With Maria 65 Turn Thru and Frontier Whirl 21 64 Saving Your Kisses Subline 18 Turn Thru and Star Thru 21 Scoot and Scat 15 Summer Sounds 85 Turn Thru Figure 21 Second Hand Rose 64 Sunday 65 Seesaw to An Ocean Wave 40 Turn Thru Figures 24 Sure and Simple 18 Turn Thru Four 21 See the U.S.A. 65 Sure You Can 18 Seven In One 15 Turn Thru With Sue 21 Swappin's Grand 18 Turn to Dixie 21 Sheboygan 65 Swap Pop 18 Sheik 87 Tweedle Dee 67 Swap To It 18 Twirling Cast 21 Short Cloverleaf to a Left Allemande . 15 Swat the Flea 49 Short Cloverleaf Variation 15 Two Couples Only Pass Thru 46 Sweet Georgia Brown 66 Two Dixie Spin Figures 21 Short Dixie Daisy 15 Sweet Thang 66 Short Fiver 16 Two Faced Line 21 Sweet A Go Go 19 Two of a Kind 21 Shortie 16 Swing Chain Fours 19 16 Short One Swing Cross Over 19 Silver Dollar 88 Unusual Allemandes 21 Swinging Circulate, Trade and Fun 27 Utah Mixup 21 Simple Roundoff 16 Swinging Ragtime Gal 66 16 U Wheel 21 Simple Six Swinging Trades 28 Single and Double Bow Knot 47 Swing Spin Thru 19 Van Antwerp Examples 38 Sir Arky Late 16 26 Swing Thru Break Vaya Con Dios 92 Six Examples of Trade 28 Swing Thru Ends Trade 19 Skippy Lou 16 Verona's Favorite 54 Swingtopulate 19 Slide and Cast 16 Very Quickie 21 Swing Turn Thru #1 19 , 16 Vi's Variations 25 Slide and Turn 'S Wonderful 90 Slide Thru 16L 26 Slide Thru Same As Star Thru? Teachin' 90 Wagon Roll 22 Don't You Believe It 16 Teardrops 90 Wagon Wheel Spin 46 Slide Thru Who? 16 That Do Make It Nice 91 Walisch 27 Sliding Riding 16 That's My Girl 66 Walkin' In the Sunshine 67 Slip and Slide 16 There's a Square Dance Here Tonite 66 Walkin' With Sugar 68 Slippery 16 There She Is 27 Waltz Espana 92 Slowly You're Driving You Out of Thinker #1 & #2 19 Wave and Chain 22 My Mind 65 This and That 19 Wedid 22 Smiling Two-Step 88 Those Bells 66 Well Then 22 Snorter 16 Three Breaks 19 What A Gal 68 Some Clover 17 Three Examples of Trade 24 What Kind of Deal Is This 22 Someday 88 Three in Line #5 19 Wheel and Deal Review 22 Something Different Number One 3 In Line Slide Thru 19 Wheel and Dixie 22 & Number Two 17 Three Of a Kind 19 Wheel and Spread #1 & #2 22 Song of Love 89 Thru and Thru and Thru 19 Wheel Around Equivalent 22 S000 17 Till We Meet Again 91 Wheel of Fortune 93 So Softly Softly 89 'Til My Get Up Has Got Up and Gone 66 Wheel the Corner 22 Sparky's Mixture 17 'Til Somebody Loves You 91 Where Is the Circus 68 Spin and Circle #2 17 Timpanogos Topper 19 While I'm Gone 88 17 Spinchain Grand 'Tis Easy 19 Whirling Susie 22 Spinchainrunfold or Vertigo 17 Today's Teardrops 67 Whirly Star Thru 22 Spinning and Swinging 17 Tomatoes Are Cheaper 67 Whisper Waltz 93 Spinning the Tops 17 Toot Toot Tootsie 67 Who Can Slide Thru 22 Spinnin' Tops 17 92 Spin the Traveler 17 Top Brass Who Trades? 22 Split Your Corner 39 Trade 26 Who Wrote It? 22 Spread It 17 Trade Drill 20 Why Haven't I Told You 68 Spread Three's 17 Trade Easy 20 Wild In Dixie 22 Squares in the Clover 17 Trade 'Em 20 Wild Trade 23 Square Thru Four Hands Equivalents 27 Trades 20 Wish You Were Here 68 Square Thru Three Quarters More 17 Trade Thru 20 Wouldn't You Know 94 Square Thru Three Quarters or Tradin' 20 Left Allemande 18 Trading Gnats 20 Yes Some Clover 23 Square Trade 18 Trading Post 20 You And Me 94 Square Turn Thru 25 Trading Sam 20 You Call Everybody Darling 68 Square Twirl 18 Trading Sheiks 67 You Got 'Em Man 26 Square Wheel and Slide 18 Trading Stamps 20 You Were Only Fooling 68 Star Away 18 Triple Spin Top 28 Starin' Square 18 Trouble 20 Zero Break 23 Starry Eyes 65 Truly Fair 67 Zero #2 23

97 a brand new name which must be memorized before it can be enjoyed. Somebody once said that square dancing is a paradox because it's the only activity where folks try hard to sell new people on coming in and then invent hurdles to get them to drop out. No phase of square dancing does more to discour- age a dancer than the needless addition of new terms. And, bear this in mind, we're not just talk- Reprinted From S.I.O., May 1967 known as basics, there is unlimited variety in the ing about poor movements—we're referring to all new non-descriptive language which adds number of combinations that can be composed. Without adding another new term, there is suf- one more hurdle for the dancer. E HAD AN OCCASION not long ago to be at ficient ammunition for any inventive composer * * * a meeting of representatives of some to work with indefinitely. This, of course, is the First, for purposes of establishing a starting W 70 different square dance clubs and we challenge. point, we would like to suggest that the square couldn't help but be agreeably surprised at their Not everyone can choreograph material so dance activity be theoretically divided into these serious concern over the "... apparent damage that it is a pleasure to dance. Not everyone has major areas: (1) The One-Night-Stand or the caused by the unrestricted use of new, non- the ability to tie suitable music and flowing pat- purely recreational square dance which utilizes descriptive basics ..." We say that we were terns together. Achieving this ability should be plain English which anyone can follow and agreeably surprised because this was a gathering a goal to be aimed for by every dedicated caller. which can be taught in just a few minutes; (2) of dancer-leaders and these folks seemed dedi- Those with vision see a time when there will A Limited Basics Square Dance Program for cated to do something about the situation—now! be just so many basics for a person to learn—a the square dancer who wishes to dance regu- The reaction, of course, was indicative of the time when the language of square dancing will larly but only 3 or 4 times each month and for feelings of dancers and dancer-leaders, not just not be added to. Once this language is absorbed whom a list of twenty basics would be ade- in one area but in parts of the midwest, in during a learner's course, it will be set in the quate; (3) A Full Program Utilizing Existing Canada, the New England states, and in many mind of the dancer. This will be the time when Basics for the enthusiastic dancer who may be other places we've visited or where folks have a person can learn all of these phrases once and able to dance two or more times each week written us about the gravity of the situation. for all time and then be allowed to enjoy him- and who will attend a full learner's course and The story is not a new one. We've been dis- self, dancing. absorb all of the accepted basic movements. cussing it here on these pages for several years. New language is a crutch. It does not in itself Finally (4), Exploratory Dancing for the per- What it boils down to is simply this: there is too constitute challenge. Anyone can take two or son who has an unlimited amount of time and much emphasis on new non-descriptive material, more existing basics, put them together, and give energy to devote to workshops where the ex- with the result that dancers who cannot get out them a new name. perimental movements are tried out. to dance with great enough frequency fall be- Not everyone can take the time necessary to Of the four categories, number one will reach hind, are embarrassed, and ultimately drop out learn every new term that comes out. If you the greatest number of people. It is possible that of the activity. have fifty people, and each one creates a new it will, at one time or another, touch a good fifty Let's take this one step further and actually movement and gives it a new name, they are per cent of the population. The second, or lim- pin down what they may mean by new material. simply throwing impediments in the eh of the ited basics group will appeal to many people We feel that they refer to new language. Every- person who came to dance and doesn t have the who do not have a place in the program as it is one enjoys variety. Not everyone wants to dance time or doesn't want to take the time to stop today. The full basics group represented in the the same old dances all the time—and so the need and learn each one. And yet, if he dances fre- third category, will draw those with the time to for variety is not the culprit. It's how this need quently, he's bound to find that with fifty to devote to several active clubs. The fourth or is interpreted. choose from, the callers he visits will not all be exploratory group may be of primary interest to Every month there are new singing calls being introducing the same movement. callers. written and released on records. If the caller uses There seems to be no way to control this In addition, groups should be set aside for one of these and if you find it a nice figure to a though callers associations in some areas have Teaching Square Dancing in the Schools and toe-tapping tune, great! You have your variety. tried by introducing one new "approved" term for Research and Tradition. Suppose that by using just the names of basics each month. Other new terms "leak" in, and a Second, we'd like to propose this as a solution you already know, your caller blends three dancer could be faced with the prospect of one to the language problem: Let's consider adopt- movements into one satisfying composite. If you new term to memorize each time he goes out to ing a list of basics—and not add to it. Let's go are able to follow all three, you are flattered. dance. with this list for a certain period of time and The caller has complimented you by leading "Let them dance" is a slogan that could well then, if there are changes—old movements to you through an extremely difficult combination become the motto of every caller. And we're not drop, or new ones to add—let's take the action of maneuvers. You have proved that because you talking about "Bird in the Cage." We're refer- at the end of that time. And then, let's hold off know where each of these movements starts and ring to dancing which can get just as difficult on any new language. stops so you are properly set for each subse- and just as challenging as anyone would want — In lieu of the constant new language, let's quent new call, that you are a competent but not with the artificial challenge that comes teach callers how to get variety from the exist- dancer. from inventing new terms. ing basics. Let's encourage callers' groups, This is challenge—both for the caller and for The callers to be congratulated are those who schools and colleges, to sponsor institutes where the dancer. It requires a great deal of ability for can use simple English together with a vocabu- leaders among the callers may teach others how a caller to plan ahead those movements that will larly of already existing basics and come out to be resourceful and how to develop calls with- work in this way. It takes real ability on the part with almost any combination you could hope for. out having to stoop to the invention of new of the dancer not only to listen to each call but This knack of calling takes practice. It doesn't names. Let's develop tools to help the callers— to retain it and to execute it properly in time come easily and not everyone can master it. It is, books with course outlines—collections of calls with the music and in the proper sequence in however, the mark of a professional who can that fit each category—and incentives to help which it is given. control the movements of a group of dancers encourage all callers to participate. And let us Now, let's suppose that the caller takes these without having to invent a new movement with find a way to instill the need for all of this in same three standard basic movements and gives them a name. Let's say he calls it "Slipinthe- TAKING THE FIRST STEP grease." What has he accomplished? For one After reading all of this someone is bound to come up and say that Sets in Order thing he's given himself one call rather than wants to eliminate all new material. This most emphatically is not the case. It's the three. More significant, however, is the fact non-descriptive terminology that we would hope to abolish. The creative ability of the that while you could quite ably do each of the callers to use existing basic terminology is what we hope to see developed. We realize, three standard basics if called by their famil- of course, that new terminology is not the only problem that must be solved. Rough- iar titles, now you must commit an entire rou- ness, lack of correct styling, excessive speed, rat-race, and lack of friendliness are all tine, plus a new term, to memory. our targets. But this is our starting point. With those movements that are already

98 the minds of our dancer organizations. port another caller who is openly using every It is our intention that a set of guidelines will * * * new invention "hot off the teletype," then you result from all of this that will lead the way to To those who are going to scream, "Lack of may be out of luck. a healthy future. There will be aims and goals progress—you're going to stifle the activity with- If you expect your caller to cooperate in a for callers and dancer groups, lesson plans and out the new ... ," let us make this one thing project that he knows will be a benefit to the collections of materials for the caller-teachers. clear. We do need fresh good new material. New club and to square dancing in general—then you A multi-point program, of which this is point singing calls, new patter calls, new rounds will must support him. This holds true with traveling one, will also be presented. probably always be with us. A great number of callers coming into the area just as it does with If you feel, as do hundreds of thousands of the most popular singing call records have been the local boys. You must work it out — caller and others like you, that now is the time for square created to the already existing basics. Many dancer —together! dancing to come of age, then help us by taking would surprise you with their simplicity, and What Now? a positive stand where these projects are con- yet their popularity results from the intelligent We have asked a number of outstanding lead- cerned. combining of compatible movements already in ers in specialized fields of square dancing to help ,There is no attempt now, nor will there be existence. We can have all the new, danceable develop the several section plan we mentioned in the future, to glorify any individuals, groups material anyone will need, without resorting to earlier. Next month we will list their names and or any organization. This will be a "labor of love" new terms. develop this idea a step further. on the part of all involved. How is all of this going to work? You may say: "Callers would never agree to leave the Those Not Involved experimental stuff alone or relegate it just to the It may well be that you feel that all of this is not necessary, and you may be right! small workshops." If in your area there are no drop-outs; if a person can leave the activity for eight or Don't be too sure! A caller wants to please. nine months and then come back and pick up where he left off, and if there is a place If he feels that what you desire is a program for everyone to dance whether he wants to be active only twice each month or seven dedicated to keeping the greatest majority of times each week—then you're in good shape. If 10% of the people in your area do some dancers in the activity, he'll be for you 100%. square dancing, and if there is a good program in the schools, and if there is no dis- However, if he gets the feeling that the only way sension within square dance ranks, then doubtless you and your area would be wise to to please you is to call the latest and the most consider no change. non-descriptive material, then that's something However, if you feel that your area could do better; if you would like to see a greater else again. percentage of the local population active in one phase of square dancing or another, If dancers want a program that will be built then perhaps some of the results of this program will prove helpful. around a standard list of basics, and this is dis- We predict no miracles. We do see the need of a positive approach, and as some of cussed with the caller, there's a good chance that the findings of the various committees are published, we hope that you will look upon he'll go along with you. However, if you don't the idea that they might just possibly be what your area has been looking for.—Editor stand behind him on this or if you instead sup-

99 the minds of our dancer organizations. port another caller who is openly using every It is our intention that a set of guidelines will * * * new invention "hot off the teletype," then you result from all of this that will lead the way to To those who are going to scream, "Lack of may be out of luck. a healthy future. There will be aims and goals progress—you're going to stifle the activity with- If you expect your caller to cooperate in a for callers and dancer groups, lesson plans and out the new ... ," let us make this one thing project that he knows will be a benefit to the collections of materials for the caller-teachers. clear. We do need fresh good new material. New club and to square dancing in general—then you A multi-point program, of which this is point singing calls, new patter calls, new rounds will must support him. This holds true with traveling one, will also be presented. probably always be with us. A great number of callers coming into the area just as it does with If you feel, as do hundreds of thousands of the most popular singing call records have been the local boys. You must work it out—caller and others like you, that now is the time for square created to the already existing basics. Many dancer — together! dancing to come of age, then help us by taking would surprise you with their simplicity, and What Now? a positive stand where these projects are con- yet their popularity results from the intelligent We have asked a number of outstanding lead- cerned. combining of compatible movements already in ers in specialized fields of square dancing to help There is no attempt now, nor will there be existence. We can have all the new, danceable develop the several section plan we mentioned in the future, to glorify any individuals, groups material anyone will need, without resorting to earlier. Next month we will list their names and or any organization. This will be a "labor of love" new terms. develop this idea a step further. on the part of all involved. How is all of this going to work? You may 1MV say: "Callers would never agree to leave the Those Not Involved experimental stuff alone or relegate it just to the It may well be that you feel that all of this is not necessary, and you may be right! small workshops." If in your area there are no drop-outs; if a person can leave the activity for eight or Don't be too sure! A caller wants to please. nine months and then come back and pick up where he left off, and if there is a place If he feels that what you desire is a program for everyone to dance whether he wants to be active only twice each month or seven dedicated to keeping the greatest majority of times each week—then you're in good shape. If 10% of the people in your area do some dancers in the activity, he'll be for you 100%. square dancing, and if there is a good program in the schools, and if there is no dis- However, if he gets the feeling that the only way sension within square dance ranks, then doubtless you and your area would be wise to to please you is to call the latest and the,most consider no change. non-descriptive material, then that's something However, if you feel that your area could do better; if you would like to see a greater else again. percentage of the local population active in one phase of square dancing or another, If dancers want a program that will be built then perhaps some of the results of this program will prove helpful. around a standard list of basics, and this is dis- We predict no miracles. We do see the need of a positive approach, and as some of cussed with the caller, there's a good chance that the findings of the various committees are published, we hope that you will look upon he'll go along with you. However, if you don't the idea that they might just possibly be what your area has been looking for.—Editor stand behind him on this or if you instead sup-

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