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Red Hot & Boom Quiz
Red Hot & Boom Quiz 1. What was the name of the Independence Day celebration that preceded Red Hot & Boom in the 1980s? a. Lights On the Lake b. Fourth of July Jam c. Kaboom Town d. Skyblast 2. Who has been the radio partner with the City of Altamonte Springs for Red Hot & Boom? a. iHeart Radio b. XL 106.7 FM c. Clear Channel d. All of the Above 3. Only one Red Hot & Boom artist has the distinction of creating a dance craze. Los Del Rio performed what mega hit in 1996? a. C’mon Ride the Train b. Gangnam Style c. Macarena d. Cupid Shuffle 4. Many artists began their careers as child stars. Which boy band members were part of the cast of Disney’s The All-New Mickey Mouse Club? a. Jordan Knight & Joey McIntyre (New Kids on the Block) b. Justin Timberlake & JC Chasez (*NSYNC) c. Zach Herron & Jack Avery (Why Don’t We) d. Brady Tutton & Drew Ramos (In Real Life) 5. Several artists have appeared on the floating stage more than once. Which artist’s performances were 16 years apart? a. MAX b. Stacie Orrico c. Jessie James d. Shaggy 6. Florida was experiencing a severe drought and subsequent wild fires, so fireworks were not a part of the event in what year? a. 1998 b. 2000 c. 2005 d. 2013 7. A number of Red Hot & Boom artists have competed on national music competition shows. Which of these performers did NOT appear on American Idol? a. Kimberly Locke b. Alex & Sierra c. -
Summer Concerts 5
VISITING BURTON PARK & RIDE IN MARINA DEL REY KATHARINE CHACE PARK LA SANTA CECILIA MCPHEE CONCERT SEATING MARINA DEL REY WATERBUS • Festival seating is first come, first served in the open Park your car and take the WaterBus to and from the public areas, but not guaranteed. concerts to enjoy a unique water’s-eye-view of Marina del Rey. For more information, call (310) 628-3219 or • Please only bring low-back chairs or standard-sized blankets. visit marinawaterbus.com. • Belongings must be attended to at all times. The park is not responsible for lost or stolen items. Fare: $1 per person, one way, available for purchase at each LALAH HATHAWAY X • There is no standing or loitering on walkways as fire dock location. CASH ONLY. Season pass for $30. code regulations require them to be clear at all times. Schedule: June 21 – September 3 GOURMET FOOD TRUCKS Thursdays - Saturdays: 11am - midnight Bring your own picnic to enjoy or grab a bite to eat Sundays: 11am - 9pm from gourmet food trucks at the park, starting at 5 pm on concert nights. Holiday Schedule SYMPHONIC THURSDAYS | 7PM CAT POWER Fourth of July: 11am - midnight Labor Day: 11am - 9pm FREE JAM SESSIONS @ MARINA MOVIE NIGHTS JULY 12 Pick up a few dance moves at an interactive JAM Session OPERA AT THE SHORE Boarding Locations: @ 6 pm, then stay for an outdoor movie screening @ 8 pm! 1. Fisherman’s Village, 13755 Fiji Way JULY 26 • Saturday, July 14 - Tap Dance + LA LA LAND 2. Burton Chace Park, 13650 Mindanao Way LEONARD BERNSTEIN AT 100: • Saturday, July 28 - Tango + DIRTY DANCING 3. -
Brian Burke Television
Brian Burke Television: NEW YEARS EVE GALA EXECUTIVE CREATIVE Hunan TV 2016 PRODUCER LA BANDA SEASON 1 CO-EXECUTIVE PRODUCER UNIVISION (INTERNATIONAL EMMY NOMINATION) Marc Anthony & Gente De Creative Director Zona "Traidora" Ricky Martin "Perdoname" Creative Director Wisin "Medley" Creative Director Pitbull "Medley" Creative Director Reik "Medley" Creative Director Luis Coronel "Nada Mas Por Creative Director Eso" Laura Pausini "Lado Derecho Creative Director del Corazon" Alejandro Sanz "Capitan Creative Director Tapon" Calibre 50 "Contigo" Creative Director Jesse Y Joy "Ecos de Amor" Creative Director LITTLE BIG SHOTS SEASON CREATIVE PRODUCER NBC 2 AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 12 AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 11 Stevie Nicks "Landslide" Creative Director II Volo "Nessun Dorma" Creative Director Pitbull & LunchMoney Lewis Creative Director "Greenlight" AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 10 Omi "Cheerleader" Creative Director Rachel Platten "Fight Song" Creative Director Flo Rida & The Rockettes "I Creative Director Don't Like It I Love It" Yolanda Adams & The Harlem Creative Director Gospel Choir "I Want To Know What Love Is" AMERICA'S GOT TALENT CREATIVE PRODUCER NBC SEASON 9 Lenny Kravits Creative Director "Chamber/American Woman" Ed Sheeran "Don't" Creative Director Pitbull & The Rockettes Creative Director "Fireball" Cyndi Lauper "True Colors" Creative Director Jackie Evancho "Think Of Me" Creative Director Train "Drops Of Jupiter/Angel Creative Director In Blue Jeans" AMERICA'S -
DAVID FOSTER: HITMAN TOUR FEATURING SPECIAL GUEST KATHARINE Mcphee ANNOUNCED in the 2019-2020 KAUFFMAN CENTER PRESENTS SERIES
NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Ellen McDonald, Publicist Monday, September 16, 2019 Kauffman Center for the Performing Arts (816) 213-4335 | [email protected] Bess Wallerstein Huff, Director of Marketing Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] DAVID FOSTER: HITMAN TOUR FEATURING SPECIAL GUEST KATHARINE McPHEE ANNOUNCED IN THE 2019-2020 KAUFFMAN CENTER PRESENTS SERIES An Intimate Evening with David Foster: Hitman Tour Featuring Special Guest Katharine McPhee coming to Muriel Kauffman Theatre on May 19 Kansas City, MO – Today, the Kauffman Center for the Performing Arts announced AN additional performance in the 2019- 2020 Kauffman Center Presents series. David Foster and Katharine McPhee will perform in Muriel Kauffman Theatre on Tuesday, May 19 at 7:30 p.m. GRAMMY Award-winning producer David Foster is embarking on an extensive North American tour beginning January of 2020 and ending at the Kauffman Center on May 19. The tour, An Intimate Evening with David Foster: Hitman Tour, is an extension of his highly successful and sold-out 2019 tour. Foster, who is one of the biggest musical forces of our time, created this jaw-dropping musical extravaganza that includes the greatest hits of his career. Thrilling, humorous and refreshingly honest, David Foster performs songs he wrote or produced from his four decades of hits and includes fascinating storytelling about the songs, artists, and moments of his life. Delivered by powerhouse performers, the hits include Celine Dion’s “Because You Loved Me,” Whitney Houston’s “The Bodyguard,” Earth Wind and Fire’s “After The Love Is Gone,” Chicago’s ”You’re The Inspiration,” Josh Groban’s “You Raise Me Up,” Michael Bublé’s “Home,” Natalie Cole’s “Unforgettable,” and many more. -
TIME INCORPORATED 1981 ANNUAL REPORT Copied from an Original at the History Center, Diboll, Texas
Copied from an original at The History Center, Diboll, Texas. www.TheHistoryCenterOnline.com 2013:023 TIME INCORPORATED 1981 ANNUAL REPORT Copied from an original at The History Center, Diboll, Texas. www.TheHistoryCenterOnline.com 2013:023 TIME INCORPORATED A diversified company in the publishing, forest products, and video fields PUBLISHING FOREST PRODUCTS VIDEO Magazines Temple-Eastex American Television and Time Inland Container Communications Sports illustrated Lumbermen's Investment Corp. Home Box Office People AFCO Industries WOTV Fortune Temple Associates Time-Life Video Life Eastex Packaging Money Georgia Kraft (50%) Discover Books Time-Life Books Book-of-the-Month Club Little, Brown Other Activities Selling Areas-Marketing, Inc. (SAMI) Pioneer Press © 1982 Time Inc. All rights reserved. Copied from an original at The History Center, Diboll, Texas. www.TheHistoryCenterOnline.com 2013:023 FINANCIAL Total Revenues HIGHLIGHTS $Billions 3.3 1981 1980 (in thousands except fo r per share data) Revenues . .. $3,296,382 $2,800,013 Income from Continuing Operations ......... 184,568 162,073 Net Income ...... .... 148,821 141,203 Capital Expenditures 404,000 261,000 1.2 Per Share: Income from Continuing Operations ....... $ 3.02 $ 2.88 Net Income ......... 2.43 2.51 iliill72 73 74 75 76 77 78 79 80 81 Dividends per common share ............ .95 .8825 Price Range (Common Stock) 26%-413/s 19-3l9/16 Common shares Net Income outstanding (000) 49,765 46,561 The number of common shareholders of record as of $Millions February 1, 1982, was 13,557. TABLE OF CONTENTS Letter to Shareholders . 2 1981: A Journalistic Retrospective .............. 6 Review of Operations . 8 Executive Appointments ..................... -
Trabalho American Idol Versão Final
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXII Congresso de Ciências da Comunicação na Região Sudeste – Volta Redonda - RJ – 22 a 24/06/2017 Da televisão ao ciberespaço: uma análise inicial das fanpages do programa American Idol no Facebook.1 Eduardo MACEDO2 Katarina GADELHA3 Pablo LAIGNIER4 UNESA, Rio de Janeiro, RJ RESUMO O objetivo deste trabalho é iniciar uma análise dos desdobramentos interativos do reality show musical American Idol no ciberespaço, com um enforque específico nas fanpages relacionadas ao programa no Facebook. A primeira seção apresenta a importância do programa American Idol para o formato dos reality shows musicais na atualidade; a segunda seção descreve o esquema geral do programa e algumas características de suas quinze temporadas; a terceira seção discute como os reality shows participam de uma “sociedade do espetáculo”, ao mesmo tempo em que oferecem novas possibilidades de interação e atividade dos espectadores em decorrência da convergência midiática; a quarta seção efetua uma análise empírica das fanpages relacionadas ao programa no Facebook. PALAVRAS-CHAVE: Comunicação; Multimídia; Convergência; Reality Shows; American Idol. Introdução: Sobre o reality show musical American Idol Em 11 de junho de 2002, estreou na televisão americana o programa American Idol, cujo objetivo era determinar qual seria o melhor candidato na competição musical, apresentando ao público a nova voz estadunidense. Sobre o programa em questão, Monteiro (2014, p. 1) afirma: “A escolha é realizada por meio de uma hibridização entre o voto popular e as escolhas dos três juízes, que são experts da indústria musical, cultural, mercadológica e midiática, ou seja, são pessoas dotadas de conhecimentos específicos desse meio”. -
Simon Cowell's Compliments on Spectacular Performances On
LEARN Journal: Language Education and Acquisition Research Network (ISSN: 2630-0672 (Print) | ISSN: 2672-9431 (Online) Volume: 14, No: 2, July – December 2021 Language Institute, Thammasat University https://so04.tci-thaijo.org/index.php/LEARN/index “I’m Going to Remember this Audition for a Long, Long Time!”: Simon Cowell’s Compliments on Spectacular Performances on America’s Got Talent and Britain’s Got Talent Pattrawut Charoenroop [email protected], School of Language and Communication, National Institute of Development Administration, Thailand APA Citation: Charoenroop, P. (2021). “I’m going to remember this audition for a long, long time!”: Simon Cowell’s compliments on spectacular performances on America’s Got Talent and Britain’s Got Talent. LEARN Journal: Language Education and Acquisition Research Network, 14(2), 88-114. Received Abstract 24/11/2020 Received in Most studies on talent competition shows (e.g., Culpeper & revised form Holmes, 2013; Garces-Conejos Blitvich et al., 2013; Tang, 12/01/2021 2016) do not delve into the role of judges giving positive Accepted comments to contestants. This paper investigates Simon 08/02/2021 Cowell’s compliments given to Golden Buzzer winners on America’s Got Talent (henceforth AGT) and Britain’s Got Keywords Talent (henceforth BGT) between 2016 and 2020. Apart compliment; compliment from the studies on compliments being scarce, the existing strategies; talent coding schemes are not fine-grained. This paper improves competition the coding schemes. Moreover, previous studies on shows; pragmatic compliments (e.g., Chen & Rau, 2015; Lin, 2020) compared variation judges’ pragmatic variations cross-culturally, but none of them compared the pragmatic variations of an individual judge. -
Influential Women
Spring Break! the forest March 27 - April 3 B����� Issue 5 Forest Lake Area Senior High School March 17, 2006 Influential women Jump, Jive March is National Womens’ History Month and Wail! The NHS held a swing dance on by Tash Thompson March 3, complete with lessons for Womens’ History Month began in 1978 serve as nurses on the Civil War battlefront. the students wishing to break away as “Womens’ History Week” in response to Ella Fitzgerald from more modern dancing styles. the Womens’ Movement. In 1987, Congress One may hear Ella Fitzgerald referred Several students showed up in their expanded the celebration and declared March to as the First Lady of Jazz. She became Sunday best to jump, jive and wail to as Womens’ History Month. When many people revered by fans and fellow artists by singing the tunes of the FLHS Jazz Band. think about Womens’ History Month, they think her fine art. Through her career, she won 13 The NHS raised money for the local about Rosa Parks, Amelia Earhart, Helen Keller, Grammy awards and innumerable honors. LifeLinks Care Center. Harriet Tubman, and Susan B. Anthony. Some Billie Holiday photos by Katie Walker of the lesser-known , but equally important Billie Holiday women who are often pushed to the sidelines. was another fine Joan of Arc jazz singer. From Joan of Arc was one of the first women to 1933 to 1943 Billie die for religious recorded over 200 nationalism. She led sides and never a 12 thousand strong made a penny in army across enemy royalties. -
Download Complete Issue
Vol. 15 | No. 3 | Spring 2007 Lessons from the Other Side— What I Learned About Teaching Legal Writing by Teaching Professional Responsibility By Allison Martin Allison Martin is Clinical Associate Professor of Law at Indiana University School of Law in Indianapolis. It’s great to be a student again—the preparation for class, the butterflies if you get asked a question, the intellectual exchange of ideas—but, wait, I am the teacher! And I am not teaching one of my comfortable legal writing courses; I am teaching professional responsibility. Although being a student again and teaching a “casebook” course are two perspectives of legal education different from mine as a legal writing professor, I learned much about teaching legal writing from both. To teach professional responsibility for the first provide quality care to patients, law professors time, I had to become a student again—relearning should become students occasionally to remind old rules and studying new ones. Indeed, it had us of how to provide quality education to students. been 15 years since I had taken professional My first lesson was a reminder to be patient with responsibility in law school and passed the students. After immersing myself in professional Multistate Professional Responsibility Examination responsibility materials and taking wise advice (MPRE). The challenge made me a bit nervous. I from colleagues, I gained more confidence. I was wondered, what if I cannot master the material no expert in the field, however, often mastering well enough to be a good teacher? What if I cannot the material one class ahead of my students. -
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See below °.E complete legend information. AIRPLAY SALES DATA MONITORED BY COMPILED BY nielsen nielse-i 3 3 BDS SoundS:an fn ij2 x TITLE TITLE ARTIST .a 3ó ís-.3 3ó ARTIST !IMPRINT/ PROMOTION LABELI r3 _ 3á AHTI ST ' ',IIMOTIUN _, UMBRELLA WHINE UP 1 ®U UR HAND OUTTA MY SYSTEM cip55. 4 RIHANNA FEAT. JAY -2 (SRP /DEF JAM/IDJMG) KAT DELUNA FEAT. ELEPHANT MAN (EPIC) BOW WOW COLUMBIA MAKES ME WONDER REHAB GIVE IT TO ME 1, BECAUSE 1 9 10 OF YOU 2 54 ? 8 20 1 MAROON 5 (A &M /OCTONE /UNIVERSAL) AMY WFNEHOUSE (UNIVERSAL REPUBLIC) TIMBALAND (MOSLEY /BLACKGROUND / INTERSCOPE) NE -YO (DEF JAM /IDJMG) O 1 PARTY LIKE A ROCKSTAR ROCK YO HIPS SUMMER LOVE NEVER AGAIN 53 46 13 23 7 SHOP BOYZ (ONDECK/UNIVERSAL REPUBLIC) CRIME MOB FEAT. LIL SCRAPPY (CRUNK/BME /REPRISE) JUSTIN TIMBERLAKE (JIVE/ZOMBA) hJ KELLY CLARKSON RCA/RMG 4 14 BUY U A DRANK (SHAWTY SNAPPIN') I DON'T WANNA STOP GIRLFRIEND BEAUTIFUL GIRLS CD80 3 12 35 2 T -PAIN FEAT. YUNG JOC BOY OZZY OSBOURNE 1*I O`% (KONVICT/NAPPY /JIVE/ZOMBA) (EPIC) AVRIL LAVIGNE (RCA/RMG) SEAN KINGSTON BELUGA HEIGHTS /EPIC SUMMER LOVE LOST IN THIS MOMENT HOME WHINE UP 6 8« 55 48 10 ) 10 30 4 O JUSTIN TIMBERLAKE (JIVE /ZOMBA) BIG & RICH (WARNER BROS. (NASHVILLE)/WRN) DAUGHTRY (RCA/RMG) NAT DELUNA FEAT. ELEPHANT MAN EPIC GIRLFRIEND _ WIPE ME DOWN BUY U A DRANK (SHAWTY SNAPPIN) THE WAY I LIVE 6 2 13 11 31 27 14 AVRIL LAVIGNE (RCA/RMG) LIL BOOSIE FEAT. -
Full-Year EBITA Exceeds €1 Billion, for the Third Consecutive Year Record Result from Mediengruppe RTL Deutschland Five New TV Channels Launched
week 9 / 26 February 2013 STRONG FINANCIALS IN 2012 Full-year EBITA exceeds €1 billion, for the third consecutive year Record result from Mediengruppe RTL Deutschland Five new TV channels launched United States United Kingdom Luxembourg Mel B to judge on FremantleMedia RTL Lëtzebuerg and America’s Got Talent Kids & Family to publish Maison Moderne host Aquabats DVD Luxembourg Media Awards week 9 / 26 February 2013 STRONG FINANCIALS IN 2012 Full-year EBITA exceeds €1 billion, for the third consecutive year Record result from Mediengruppe RTL Deutschland Five new TV channels launched United States United Kingdom Luxembourg Mel B to judge on FremantleMedia RTL Lëtzebuerg and America’s Got Talent Kids & Family to publish Maison Moderne host Aquabats DVD Luxembourg Media Awards Cover Anke Schäferkordt and Guillaume de Posch, Co-CEOs of RTL Group Publisher RTL Group 45, Bd Pierre Frieden L-1543 Luxembourg Editor, Design, Production RTL Group Corporate Communications & Marketing k before y hin ou T p r in t backstage.rtlgroup.com backstage.rtlgroup.fr backstage.rtlgroup.de QUICK VIEW Mel B brings girl power to America’s Got Talent FremantleMedia North America p. 10 Destroying boredom and seeking justice for all FremantleMedia p. 11 “A clear focus on maintaining our leadership positions and delivering fi nancially” The best of RTL Group Luxembourgish p. 4–9 advertising RTL Lëtzebuerg p. 12 Big Picture p.13 SHORT NEWS p. 14 “A CLEAR FOCUS ON MAINTAINING OUR LEADERSHIP On 25 February 2012, POSITIONS AND RTL Group published its full-year results for the fiscal year 2012. Backstage DELIVERING asked Anke Schäferkordt and Guillaume de Posch, FINANCIALLY” Co-CEOs of RTL Group, about the company’s performance. -
An Analysis of Simon Cowell's Impolite
i AN ANALYSIS OF SIMON COWELL’S IMPOLITE COMMENTARIES ON BRITAIN’S GOT TALENT 2019: PRAGMATICS APPROACH THESIS By: Andy 161210024 ENGLISH DEPARTMENT FACULTY OF SOCIAL SCIENCES AND HUMANITIES PUTERA BATAM UNIVERSITY 2020 AN ANALYSIS OF SIMON COWELL’S IMPOLITE COMMENTARIES ON BRITAIN’S GOT TALENT 2019: PRAGMATICS APPROACH THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra By: Andy 161210024 ENGLISH DEPARTMENT FACULTY OF SOCIAL SCIENCES AND HUMANITIES PUTERA BATAM UNIVERSITY 2020 ii I4 1 m#e$ Fep rlw$ry*d qFE cd*E},eea:raq** {88rep prq r,tes rm wpsmd r*ppresff 'lqalreq ftrert ue8uupun -Emryu# *ex*e*ed #wF rE€ffi s#*@ s&H B*qfsw*F lg*# edes ffu*,t ryrc+pr4e *ep$ wp mry#r+ff'rp Iq Fdli{S qcsss *rpc$rsq a{ss ?S1gf*V:a r*sm r*$BrL pdnp*f ssry3:fftqrp tredsp Ifii FdF{S qe{rxu ErsT,€F rp s}e"{cra+ Efqedv 'e4e6nd .:e$ep rry mdhffiq -*HtrEixae rrrelry rssq+*q*iF ry il4 €*qysi! rl*l€pp @*ixryp slg*r$s1 Etr# Srre{;;ecwry "ss,a$ €rs-r* q+1* fis'S}l*,*Sp rEs}s sltrr}rp qer;# Sr*"{ p@e*d ne1s qsrurf e,{-mq pdep:atr {Epp }rrl pd1"rryg qssm mslcpry'edus uunqr}a8rmdeg ':ee6 8ms* *€x4 u*p ;ryq@._- s€Tq EtrF :s@# *,{-rsE ;ie€q q*fq}b. HIYOHd{Y SSIJ,IIWSY&d i$ts{ J_F{aT\fl. J.t}$ s*NryLrNE.ilt$ $.SI1{VJ"NU}qIfiIO} :eJ,ET&{I4trtr S*'ITtrT&O3 NOTIil$ "d* SISA?YNV NY :ppnf mBn*B isrq a,{Ec Eee{ *pdpqssr E*arq*E tery*ie,tx*pE sp$Bui ursus : lPmg tm:8c:6 ersrirsssgql{ IIeF FF*g rrflqI : *eeslt.ry$ ?r*fr{rIgn: HIdN dprng: ffir€h1 :e,tqs r{$ qrerrq rp nrffw1 rprrcp+q Euerl SY.LITYfi{I*IX{} I{YYJ,YAid}fi{d TYSI}S }SCLAfiATISN ST TIIE T}IESIS {}RIGINALIT}' tr, Ady, HFLS N* ISlliffi}4 Hereby decl*rc that the tffim paper e:rtitled: AN ANALYf,I$ *F $TMSI!{ C*WSLL'S TK.TP*LIT$ C*fi{*TXNT&&ISS S}q I*ET"ATF{'S GSY TALEI{T ?SI9: * PRAGMA?ICS APPRSA#H -.