Loyola University Chicago Loyola eCommons English: Faculty Publications and Other Works Faculty Publications 2015 White Woods and Blue Jasmine: Woody Allen Rewrites A Streetcar Named Desire Verna Foster Loyola University Chicago,
[email protected] Follow this and additional works at: https://ecommons.luc.edu/english_facpubs Part of the English Language and Literature Commons Recommended Citation Foster, Verna. White Woods and Blue Jasmine: Woody Allen Rewrites A Streetcar Named Desire. Literature/Film Quarterly, 43, 3: 188-201, 2015. Retrieved from Loyola eCommons, English: Faculty Publications and Other Works, This Article is brought to you for free and open access by the Faculty Publications at Loyola eCommons. It has been accepted for inclusion in English: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact
[email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © Literature/Film Quarterly, 2015. White Woods and Blue Jasmine: Woody Allen Rewrites A Streetcar Named Desire Most of Woody Allen's allusions to Tennessee Williams in his films and writings have been to A Streetcar Named Desire. 1 So it is not surprising that Streetcar (1947) is written all over Allen's recent film, Blue Jasmine (2013). Allen goes beyond adopting and adapting plot lines and characters from Williams's play. He has so deeply assimilated the earlier work that motifs and lines of dialogue, often transferred to different characters or situations, become the imaginative counters with which he constructs his own screenplay. The film's reviewers almost invariably commented on the parallels with Streetcar, many noting, too, that Cate Blanchett, who plays the title character, """"-.