CRISIS in SIX SCENES Written and Directed by Woody Allen

Total Page:16

File Type:pdf, Size:1020Kb

CRISIS in SIX SCENES Written and Directed by Woody Allen CRISIS IN SIX SCENES Written and Directed by Woody Allen 1 “CRISIS IN SIX SCENES” SYNOPSIS Set in a wealthy Connecticut suburb in the late 1960s, Sidney J. Munsinger (Woody Allen) and his psychologist wife Kay (Elaine May) find their lives drawn into the social unrest of the era and forever changed when “Lennie” Dale (Miley Cyrus), a self-described enemy of the establishment, shows up. Sid dreams of being an acclaimed novelist, while Kay dispenses marital advice to bickering couples. They have also taken in a houseguest, Alan (John Magaro), the son of close friends, as he completes his college studies before joining his father’s investment firm. Sid and Kay are asked take a stand on political issues they’ve never before confronted. Their choices are made more complicated by the fact that Alan begins to question the life his parents have laid out for him and his fiancé Ellie (Rachel Brosnahan). That all the matronly members of Kay’s book club find the radical books Lennie has recommended extraordinarily exciting doesn’t simplify things, either. As the authorities seem to close in on Lennie, and spurred on by their determination not to get arrested as her accomplices, Sid and Kay embark on a series of risky adventures they never before would have thought possible. # # # 2 ABOUT THE PRODUCTION “It’s meant to be light, a light comedy,” notes acclaimed writer/director Woody Allen. “The idea for it just popped into my head.” “Crisis in Six Scenes” takes place during the turbulent years of the late 1960s. It begins late one night, when a middle class family’s suburban home is turned upside down. “It was a nice release for me, in that sense,” continues Allen. “It’s meant to be entertaining for people.” When he began working, Allen admits he didn’t realize the enormity of the task ahead of him. Talking of the series in his famously deadpan style, Allen called the undertaking "a catastrophic mistake.” Allen explained that, “I never should have gotten into it. I thought it was going to be easy. You do a movie and it's a big long thing; to do six half-hours you'd think would be a cinch. But it's not: it's very, very hard. I have great respect now for the people who do all the wonderful series you see." Difficult as it might have been, Allen stuck with it, and audiences now have the opportunity to share the latest work of this comedic master. In it, Allen uses some of America’s most serious social issues of the late ‘60s – most of which are still with us today – as a springboard to take a comedic view of the country’s struggles in times of profound societal change. Allen teamed with Amazon Studios, the division of Amazon.com that develops television shows, movies and comics, then distributes them through Amazon Video, Amazon’s digital video streaming service, and the project proceeded. When asked about his first foray into creating a multi-episode online series, Allen was enthusiastic, though he freely admitted he didn’t consider himself either a technology wizard or a television addict. “Look,” he said. “Amazon was very supportive of the project, but honestly, I’m tired when I come home from work, so I watch maybe a little baseball, a little basketball, a little news…But what I’ve seen has been quite impressive.” Because most of the action takes place in a suburban home and grounds, Allen was particular that the right house and grounds serve as the set. He found his ideal location in the small village of Briarcliff Manor in upstate New York, some 30 miles north of Manhattan. “We found the ideal house and grounds that we needed,” noted Allen. 3 The fact that the entire cast was assembled together in the same house, day after day, helped create the right atmosphere, recalled John Magaro, who plays Sid and Kay’s houseguest Alan. “I think it helped that we were all on the grounds of one set,” he notes. “It made the work feel very communal. And it was a beautiful early spring when we shot it.” Rachel Brosnahan, who portrays Alan fiancée Ellie, agrees. “It was more like working with a small theater company. I’d only had that kind of experience before on very small independent films. I also like that Woody likes working with friends. It was such a great experience.” Once the scripts were finished, it was time to turn to thoughts of casting. For the role of Kay, his wife, Mr. Allen turned to an old friend, acclaimed screenwriter and comedian Elaine May, with whom he worked on “Small Time Crooks.” “Elaine is a comic icon,” noted Allen. “I needed someone to play my wife and I couldn’t have picked a better actress…I’ve worked with her as both a writer and an actress.” The casting of the lead role of Darlene “Lennie” Dale, a young woman who has recently shot her way out of prison and is currently on the run from the law, presented a different kind of challenge. She is a no-nonsense revolutionary who despises the middle-class existence that the Munsingers represent – and doesn’t hesitate to show it, or to take action against it. But who could play such an intense, uncompromising character and still do justice to the inherent comedy in the situation? “I noticed Miley Cyrus on her first television series with my kids,” recalled Allen. “It was a kids show, but I always thought she had a good comic delivery. She looked like the character I’d envisioned and I was lucky to get her. She lived up to my expectations.” For the young engaged couple, Alan and Ellie, Mr. Allen auditioned a number of young actors. John Magaro, who portrayed the Munzingers’ houseguest, a young man slated to graduate college and go straight into his father’s investment management firm, seemed an easy choice. “I had seen John Magaro in ‘The Big Short’ and thought he had the perfect quality for the character.” A Question of Trust Says John, “Alan is a very strait-laced young man who’s following in his father’s footsteps in business, but at the same time he’s eager to sample the new ideas of the Sixties all around him. Though he’s engaged to be married, when he meets Mylie’s character it changes him quite a bit.” Like many others who have worked on Woody Allen films, working with Mr. Allen turned out to be a learning experience for John. 4 “Working with Woody is interesting because you only get the pages of the script that you appear in,” he notes. “I don’t know any other directors who work like that, although I think that many of the next generation of directors may take that approach. That makes trust a big part of the process. When you only have your pages of the script, you need to trust Woody, and you need to trust that it will all make sense when it comes together. “As a cast member, I never saw the entire script, only my scenes,” John recalls. “It’s as if you only get to learn your secret. My scenes all had a particular tone, and it wasn’t until I saw it all pieced together that I realized how very funny it is.” Rachel Brosnahan, who portrays Ellie, also auditioned for Mr. Allen and says that each initial encounter with the director was very brief. “Each time I read, I left feeling very unsure as to whether I’d made any impression at all, but the remarkable thing is that once you’re cast, you learn very quickly that Woody trusts his cast implicitly. What a gift that is for us. “’Annie Hall’ is one of my all-time favorite films, so it’s always been my dream to work with Woody,” Rachel continued. “And it certainly turned out to be a pleasure because he absolutely trusts the people he hires.” In the end, a story of the 1960s came alive through connections with social issues that are still relevant today. So what did Allen like best about the finished series? What pleased the distinctive filmmaker the most? “It has the merciful quality of being short,” he said, then allows, “You won’t be bored long.” # # # 5 ABOUT THE CAST Woody Allen is a well-known writer/actor/director. He has more than 75 writing credits and more than 50 directing credits. In “Crisis in Six Scenes,” Allen portrays Sid Munsinger, an ad copywriter who’d really rather be an acclaimed novelist like J.D. Salinger. A native of Franklin, Tennessee, actress/singer/songwriter Mylie Cyrus is the daughter of country singer Billy Ray Cyrus. She made her acting debut at the age of eight alongside her father in the Canadian series “Doc.” Two years later she played a small role in Tim Burton’s “Big Fish.” Then, in 2005, she was cast in the title role in the Disney series “Hannah Montana,” playing a teenager who led a double life as a pop star. The show was a hit, leading to hit records and sell- out tours, and made the young Mylie a major international superstar. Subsequent starring roles included Ronnie Miller in “The Last Song” and Lola in “LOL.” Miley has also appeared on such television shows as “A Very Murray Christmas,” “Saturday Night Live,” “The Tonight Show Starring Jimmy Fallon” and the “2015 MTV Music Video Awards.” Comedy icon Elaine May is well known as both an actress and a writer.
Recommended publications
  • DIRECTORS GUILD of AMERICA: FIFTIETH ANNIERSARY TRIBUTE ELAINE MAY, November 17 LOUIS MALLE, December 8
    The Museum of Modern Art For Immediate Release November 1986 DIRECTORS GUILD OF AMERICA: FIFTIETH ANNIERSARY TRIBUTE ELAINE MAY, November 17 LOUIS MALLE, December 8 Elaine May and Louis Malle will be honored by The Museum of Modern Art as part of the ongoing DIRECTORS GUILD OF AMERICA: FIFTIETH ANNIVERSARY TRIBUTE. Ms. May, film director, playwright, actress, and comedienne, is the subject of a tribute on Monday, November 17, at 6:00 p.m., when her 1976 revisionist buddy-movie Mikey and Nicky will be screened. Mr. Malle, a provocative director of sensual images who has experimented with a variety of film forms, will present his 1980 film Atlantic City, starring Burt Lancaster and Susan Sarandon, on Monday, December 8, at 6:00 p.m. In Mikey and Nicky Ms. May tailors the framing and dialogue to the personalities of the actors John Cassavetes and Peter Falk. Convinced that a contract is out for him, Nicky (Cassavetes), a small-time hood, calls his childhood friend Mikey (Falk), a syndicate man. Their one night encounter is the focus of the film. A seemingly casual approach cleverly disguises a tight, carefully-planned structure. From a screenplay by John Guare, Mr. Malle's Atlantic City uses the transitory character of the boardwalk town as a backdrop for a tale of decay and corruption. Mr. Lancaster plays the aging friend and protector of an ambitious nightclub croupier, played by Ms. Sarandon. As a child Ms. May appeared on stage and radio with her father, Jack Berlin. After collaborating with Mike Nichols on stage, radio, and television through the mid-sixties, she made her film acting debut in Clive - more - 11 West 53 Street, New York, N.Y 10019 Teh 212-708-9400 Cable: MODERNARI Telex: 62370MODART - 2 - Donner's Luv (1967) and Carl Reiner's Enter Laughing (1967).
    [Show full text]
  • Wonder Wheel Metropole Press Kit.Pdf
    Amazon Studios présente En association avec Gravier Productions Une production Perdido Durée : 1h41 AU CINÉMA DÈS LE 15 DÉCEMBRE DISTRIBUTION PRESSE MÉTROPOLE FILMS STAR PR 5360 St-Laurent Bonne Smith Montréal, QC H1T 2S1 Tel: 416-488-4436 Twitter: info@métropolefilms.com Bonne@starpr2 [email protected] Photos, vidéos et dossier de presse téléchargeables sur www.métropolefilms.com SYNOPSIS WONDER WHEEL croise les trajectoires de quatre personnages, dans l’effervescence du parc d’attraction de Coney Island, dans les années 50 : Ginny, ex-actrice lunatique reconvertie serveuse ; Humpty, opérateur de manège marié à Ginny ; Mickey, séduisant maître- nageur aspirant à devenir dramaturge ; et Carolina, fille de Humpty longtemps disparue de la circulation qui se réfugie chez son père pour fuir les gangsters à ses trousses. NOTES DE PRODUCTION Woody Allen a toujours éprouvé une grande tendresse pour Coney Island. des situations, à la fois complexes, profondes, intenses, déroutantes et fortes. Ce n’est d’ailleurs pas un hasard si, dans ANNIE HALL, le petit Alvy Singer Je me suis toujours intéressé aux problèmes des femmes. Au fil des siècles, les grandit à proximité du parc d’attraction. Le cinéaste en garde des souvenirs hommes ont eu tendance à exprimer moins volontiers leurs souffrances : le d’enfance joyeux : « Quand je suis né, l’époque florissante de Coney Island était mot d’ordre masculin consiste à ne pas avouer qu’on souffre. C’est comme dans déjà révolue depuis un bon moment, mais c’était encore un endroit magique le base-ball où, quand un “batteur” est touché par un “lanceur”, il est censé ne pour moi, confie-t-il.
    [Show full text]
  • Dossier De Presse Wonder Wheel
    Amazon Studios présente En association avec Gravier Productions Une production Perdido Durée : 1h41 "6$*/²."%µ4 -& %²$&.#3& DISTRIBUTION PRESSE .²53010-&'*-.4 45"313 4U-BVSFOU #POOF4NJUI .POUSÏBM 2$)54 5FM5XJUUFS JOGP@NÏUSPQPMFGJMNTDPN #POOF!TUBSQS TUBSQS!TZNQBUJDPDB 1IPUPT WJEÏPTFUEPTTJFSEFQSFTTFUÏMÏDIBSHFBCMFTTVSXXXNÏUSPQPMFGJMNTDPN SYNOPSIS WONDER WHEEL croise les trajectoires de quatre personnages, dans l’effervescence du parc d’attraction de Coney Island, dans les années 50 : Ginny, ex-actrice lunatique reconvertie serveuse ; Humpty, opérateur de manège marié à Ginny ; Mickey, séduisant maître- nageur aspirant à devenir dramaturge ; et Carolina, fille de Humpty longtemps disparue de la circulation qui se réfugie chez son père pour fuir les gangsters à ses trousses. NOTES DE PRODUCTION Woody Allen a toujours éprouvé une grande tendresse pour Coney Island. des situations, à la fois complexes, profondes, intenses, déroutantes et fortes. Ce n’est d’ailleurs pas un hasard si, dans ANNIE HALL, le petit Alvy Singer Je me suis toujours intéressé aux problèmes des femmes. Au fil des siècles, les grandit à proximité du parc d’attraction. Le cinéaste en garde des souvenirs hommes ont eu tendance à exprimer moins volontiers leurs souffrances : le d’enfance joyeux : « Quand je suis né, l’époque florissante de Coney Island était mot d’ordre masculin consiste à ne pas avouer qu’on souffre. C’est comme dans déjà révolue depuis un bon moment, mais c’était encore un endroit magique le base-ball où, quand un “batteur” est touché par un “lanceur”, il est censé ne pour moi, confie-t-il. Ce lieu m’a toujours impressionné. Il y avait là une faune pas montrer qu’il a mal.
    [Show full text]
  • Stand-Up Comedy in Theory, Or, Abjection in America John Limon 6030 Limon / STAND up COMEDY / Sheet 1 of 160
    Stand-up Comedy in Theory, or, Abjection in America John Limon Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 1 of 160 Stand-up Comedy in Theory, or, Abjection in America 6030 Limon / STAND UP COMEDY / sheet 2 of 160 New Americanists A series edited by Donald E. Pease Tseng 2000.4.3 18:27 Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 3 of 160 John Limon Duke University Press Stand-up Comedy in Theory, or, Abjection in America Durham and London 2000 6030 Limon / STAND UP COMEDY / sheet 4 of 160 The chapter ‘‘Analytic of the Ridiculous’’ is based on an essay that first appeared in Raritan: A Quarterly Review 14, no. 3 (winter 1997). The chapter ‘‘Journey to the End of the Night’’ is based on an essay that first appeared in Jx: A Journal in Culture and Criticism 1, no. 1 (autumn 1996). The chapter ‘‘Nectarines’’ is based on an essay that first appeared in the Yale Journal of Criticism 10, no. 1 (spring 1997). © 2000 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Typeset in Melior by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 5 of 160 Contents Introduction. Approximations, Apologies, Acknowledgments 1 1. Inrage: A Lenny Bruce Joke and the Topography of Stand-Up 11 2. Nectarines: Carl Reiner and Mel Brooks 28 3.
    [Show full text]
  • DIGITAL ORIGINAL SERIES Global Demand Report
    DIGITAL ORIGINAL SERIES Global Demand Report Trends in 2016 Copyright © 2017 Parrot Analytics. All rights reserved. Digital Original Series — Global Demand Report | Trends in 2016 Executive Summary } This year saw the release of several new, popular digital } The release of popular titles such as The Grand Tour originals. Three first-season titles — Stranger Things, and The Man in the High Castle caused demand Marvel’s Luke Cage, and Gilmore Girls: A Year in the for Amazon Video to grow by over six times in some Life — had the highest peak demand in 2016 in seven markets, such as the UK, Sweden, and Japan, in Q4 of out of the ten markets. All three ranked within the 2016, illustrating the importance of hit titles for SVOD top ten titles by peak demand in nine out of the ten platforms. markets. } Drama series had the most total demand over the } As a percentage of all demand for digital original series year in these markets, indicating both the number and this year, Netflix had the highest share in Brazil and popularity of titles in this genre. third-highest share in Mexico, suggesting that the other platforms have yet to appeal to Latin American } However, some markets had preferences for other markets. genres. Science fiction was especially popular in Brazil, while France, Mexico, and Sweden had strong } Non-Netflix platforms had the highest share in Japan, demand for comedy-dramas. where Hulu and Amazon Video (as well as Netflix) have been available since 2015. Digital Original Series with Highest Peak Demand in 2016 Orange Is Marvels Stranger Things Gilmore Girls Club De Cuervos The New Black Luke Cage United Kingdom France United States Germany Mexico Brazil Sweden Russia Australia Japan 2 Copyright © 2017 Parrot Analytics.
    [Show full text]
  • Lahr Nichols 2/21.L
    TNY—2/21 & 28/00—PAGE 196—LIVE OPI—AVEDON SPREAD-#1—140 SC.—#2 PAGE PROFILES MAKING IT REAL How Mike Nichols re-created comedy and himself. BY JOHN LAHR we do now, Mr. Success?” she said. Nichols, who has a sharp American wit but courtly European manners, bit his tongue. “All those ‘Mr. Success’ years would have been hard to explain to anybody if I tried,” Nichols, now sixty- eight, says. “What I really wanted to say to that envious woman was ‘Don’t worry.There’s still nothing happening in- side me. I’m not experiencing success or anything much.’ ” But feelings aren’t facts. From the moment Nichols made his name, in the late fifties, as the lanky deadpan half of the comedy team Nichols and May, he took up residence in success. As early as 1961, a letter addressed to “Famous Actor, Mike Nichols, U.S.A.” reached him. And, by the seventies, Nichols repre- sented the high-water mark in not just one but three areas of American enter- tainment. As a comedian, he improvised routines with Elaine May which are among the treasures of American humor; as a stage director, beginning in the early nce, in the early seventies, Mike sixties, he had a string of commercial hits ONichols was sitting in a commer- that made him the most successful Broad- cial jet as it took off from J.F.K. Mo- way director since George Abbott; as a ments after it was airborne, the plane film director, he made the bold, intelli- went into what Nichols recalls as “an gent “Who’s Afraid of Virginia Woolf?” unnervingly steep bank.
    [Show full text]
  • WOODY ALLEN Produttori LETTY ARONSON, P.G.A
    CON JIM BELUSHI JUNO TEMPLE JUSTIN TIMBERLAKE KATE WINSLET durata 101 minuti USCITA 28 DICEMBRE 2017 Foto e altro materiale stampa: ep.frenetic.ch/fr/1100 UFFICIO STAMPA DISTRIBUZIONE Sarah Hubmann FRENETIC FILMS AG Tel. 044 488 44 03 Lagerstrasse 102 • 8004 Zürich [email protected] Tél. 044 488 44 00 • Fax 044 488 44 11 www.frenetic.ch 2 CAST ARTISTICO Humpty JIM BELUSHI Carolina JUNO TEMPLE Mickey JUSTIN TIMBERLAKE Ginny KATE WINSLET Con (in ordine alfabetico) Ryan MAX CASELLA Richie JACK GORE Jake DAVID KRUMHOLTZ E con (in ordine di apparizione) Venditore ambulante ROBERT C. KIRK Amico di Humpty TOMMY NOHILLY Angelo TONY SIRICO Nick STEVEN R. SCHIRRIPA Barista da Ruby’s JOHN DOUMANIAN Uomo che flirta da Ruby’s THOMAS GUIRY Compagni di pesca GREGORY DANN, BOBBY SLAYTON, MICHAEL ZEGARSKI Amica di Ginny GENEVA CARR Cliente da Ruby’s ED JEWETT Ospiti della festa di compleanno DEBI MAZAR, DANIELLE FERLAND Psichiatra MADDIE CORMAN Rappresentante di orologi JACOB BERGER Tiny JENNA STERN Marinaio al telefono MICHAEL STRIANO John JOHN MAINIERI 3 CAST TECNICO Sceneggiatura/Regia WOODY ALLEN Produttori LETTY ARONSON, p.g.a. ERIKA ARONSON, p.g.a. EDWARD WALSON Co-Produttore HELEN ROBIN Produttori esecutivi ADAM B. STERN MARK ATTANASIO Produttore esecutivo RONALD L. CHEZ Cinematografia VITTORIO STORARO AIC, ASC Scene SANTO LOQUASTO Montaggio ALISA LEPSELTER ACE Costumi SUZY BENZINGER Casting PATRICIA DiCERTO Effetti speciali visivi BRAINSTORM DIGITAL Supervisione effetti visivi ERAN DINUR Supervisore/Produttore effetti speciali sul set RICHARD FRIEDLANDER Produttore effetti speciali GLENN ALLEN 4 SINOSSI Tra fragili speranze e nuovi sogni, le vite di quattro personaggi si intrecciano nel frenetico mondo del parco divertimenti.
    [Show full text]
  • SNEAKY PETE : La Série Amazon Original Sera Disponible Exclusivement Sur Prime Video Le 27 Janvier 2017
    SNEAKY PETE : la série Amazon Original sera disponible exclusivement sur Prime Video le 27 janvier 2017 La série Amazon Original Sneaky Pete, produite par Graham Yost et Bryan Cranston tous deux nominés aux Golden Globes et aux Emmy Awards, arrive en exclusivité sur Amazon Prime Video en France et en Belgique le 27 janvier. Récemment reconduite pour une seconde saison, la série a été la deuxième série la plus regardée en streaming le jour de son lancement aux Etats-Unis et au Royaume- Uni, derrière The Man in the High Castle. Les visuels de la série Sneaky Pete sont disponibles ici. Seattle, le 25 janvier - Avec la participation de Giovanni Ribisi (Avatar), Marin Ireland (Effets secondaires), Margo Martindale, actrice trois fois récompensée aux Emmy Awards (The Americans), Peter Gerety (Suspect numéro 1), Libe Barer (Parenthood), Shane McRae (Still Alice) and Michael Drayer (Mr. Robot), Sneaky Pete raconte l’histoire d'un escroc, Marius (Ribisi), qui, à sa sortie de prison, est traqué par le gangster vicieux qu'il a autrefois volé. Co-produite avec Sony Pictures Television, la série rassemble un grand nombre de producteurs exécutifs reconnus : Graham Yost (The Americans), Bryan Cranston (Breaking Bad), Michael Dinner et Fred Golan (Justified), James Degus (All The Way) et Seth Gordon (Comment tuer son Boss?). Dans Sneaky Pete, Marius est un escroc qui n’a personne vers qui se tourner. Pour échapper à son passé, il usurpe l’identité de Pete - son camarade de cellule - et prend sa place au sein de son étrange famille, qui n’a aucune raison de se douter qu’il n’est pas le proche qu’ils ont perdu de vue.
    [Show full text]
  • Jews and Hollywood
    From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A.
    [Show full text]
  • Tjff 2015 Programme.Pdf
    DRAMAS OVERDRIVE AD COMEDIES DOCUMENTARIES BIOGRAPHIES ARCHIVAL FILMS ARCHIVAL SHORT FILMS SHORT 2 Al Waxman Series Rod Serling Series Free Ticketed Programmes CONTENTS DRAMAS 18 COMEDIES 24 DOCUMENTARIES 27 BIOGRAPHIES 32 ARCHIVAL Films 36 SHORT Films 40 4 Schedule 14 Rod Serling: the Boy, the Man, 46 Patron Circle 6 Tickets the Writer, the Father 47 Friends and Fans 7 Artistic Director’s Welcome 15 Al Waxman: A Jewish Everyman 48 Special Thanks 8 Co-Chairs’ Message 15 We Remember: Artists and Icons 48 Nosh Donors 9 Programme Director’s Note We Have Loved and Recently Lost 48 Volunteers 10 Programmers’ Notes 15 Free Ticketed Events 50 Sponsors 12 David A. Stein Memorial Award 16 Family Friendly Screenings 52 Co-Presenters 12 The Micki Moore Award 17 Opening / Closing Night Films 53 Advertisers 13 FilmMatters 18 Dramas 73 TJFF Board Members, Advisory 13 Hillel/TJFF Toronto Jewish 24 Comedies Council and Staff Film Festival Fellowship 27 Documentaries 74 Films By Language 13 ASL Translators @ TJFF 32 Biographies 75 Films By Theme / Topic 14 Rod Serling: The Mensch of The 36 Archival Films 78 Film Index Twilight Zone 40 Short Films APRIL 30 – MAY 10 2015 TJFF.COM 23RD ANNUAL TORONTO JEWISH FILM FESTIVAL 3 • Indicates film has an additional screening. SCHEDULE Please Note: Running times do not include guest speakers where applicable. Thursday April 30 Monday May 4 8:00 PM VC 105 miN Dancing Arabs 1:00 PM ITH 110 miN Nichols and May: Take Two w/ Bess Friday May 1 Myerson: Portrait of an Activist, w/ It Takes a Shtetl: Leonard Nimoy's Boston
    [Show full text]
  • The Making of the Graduate
    2/12/2018 The Making of "The Graduate" | Vanity Fair F R O M T H E M A G A Z I N E Here’s to You, Mr. Nichols: The Making of The Graduate Almost from the start, Mike Nichols knew that Anne Bancroft should play the seductive Mrs. Robinson. But the young film director surprised himself, as well as everyone else, with his choice for The Graduate’s misfit hero, Benjamin Braddock: not Robert Redford, who’d wanted the role, but a little-known Jewish stage actor, Dustin Hoffman. From producer Lawrence Turman’s $1,000 option of a minor novel in 1964 to the movie’s out-of-left- field triumph three years later, Sam Kashner recalls a breakout film that literally changed the face of Hollywood. by S A M K A S H N E R M A R C H 2 0 0 8 https://www.vanityfair.com/news/2008/03/graduate200803 1/23 2/12/2018 The Making of "The Graduate" | Vanity Fair Dustin Hoffman and Anne Bancroft in a publicity still for The Graduate. Photographs by Bob Willoughby. Any good movie is filled with secrets. —Mike Nichols magine a movie called The Graduate. It stars Robert Redford as Benjamin Braddock, the blond and bronzed, newly minted college graduate adrift in his parents’ opulent home in Beverly Hills. And Candice Bergen as his girlfriend, the overprotected Elaine Robinson. Ava Gardner plays the predatory Mrs. Robinson, the desperate housewife and mother who ensnares Benjamin. Gene Hackman is her cuckolded husband. It Inearly happened that way.
    [Show full text]
  • AMAZON PRIME VIDEO OFFICIALLY COMING to CANADA Author: BILL HARRIS and MARK DANIELL Source: Toronto Sun Date: 14/12/2016
    IN THE NEWS AMAZON PRIME VIDEO OFFICIALLY COMING TO CANADA Author: BILL HARRIS AND MARK DANIELL Source: Toronto Sun Date: 14/12/2016 TORONTO - The Amazon has overflowed, all the way up into Canada. Canadians now have a new option when it comes to streaming, thanks to Amazon Prime Video. Amazon announced Wednesday that it is bringing its video streaming service north of the border as part of a rollout in more than 200 countries and territories. Amazon Prime Video is the home of such shows as the Emmy-winning Transparent, Mozart in the Jungle, The Man in the High Castle, The Grand Tour, Woody Allen’s Crisis in Six Scenes and David E. Kelley’s Goliath featuring Billy Bob Thornton, among others. And the Seattle-based company is promising even more original programming in 2017. If you already are a member of Amazon Prime in Canada, you will be able to access the streaming service at no additional cost. If you’re new, membership will set you back $79 per year after a 30-day free trial. The service also includes free same-day shipping for some orders (you know, books, Blu-rays, doodads) in Toronto and Vancouver. The announcement comes after Shomi, the short-lived streaming service initiated by Rogers and Shaw, shuttered at the end of November. Shomi, which launched in 2014, was the Canadian outlet for Amazon’s Transparent and Mozart in the Jungle. But many of the shows on the Amazon docket — including some that are filmed in Canada — have not been available here previously.
    [Show full text]