Cine Gear news 2018 PROUD TO BE HOME OF THE CINE GEAR EXPO ATLANTA Welcome to OCTOBER 6-7 2018 Cine Gear expo atlanta 2018

After several years of requests from vendors and crews Cine Gear does all this on behalf of the industry PINEWOOD ATLANTA STUDIOS and with the recent rise of production in Atlanta, and the manufacturers, guilds, organizations and filmmakers. rest of the south, we are finally bringing Cine Gear Expo We thank our Exhibitors, Sponsors, Associations, Guilds, Talk to us: to Atlanta. Judges and Production teams for their year-round work t: +1 678 369 5950 e: [email protected] and support. For further information on our studio, please visit: The Exhibition opens Saturday, October 6 and continues www.pinewoodatlantastudios.com through Sunday, October 7 with a fantastic group of local, No one can deny that Atlanta is becoming the “Southern and international vendors and manufacturers Hollywood.” With so many television and features filming, who will show their up-to-the-minute tools to enhance a huge filmmaking population is building, and we are creative works and make challenging jobs easier. excited about the prospect of Cine Gear Expo Atlanta becoming an annual event. Exhibit space consists of indoor displays on Stage 3 and the outdoor exhibits take place between the registration Enjoy the show. tent and immediately in front of Stage 3. Don’t miss booth #106, the hospitality tent of our host Pinewood Atlanta Sincerely, Studios. Juliane Grosso and Karl Kresser Complimentary seminars and panels organized by companies, associations and unions will take place both days at the Georgia Film Academy Facilities at the Pinewood Atlanta property. Stay around all day to network and learn from the very best in the industry who will share their mastery of skills.

Since its first opening in 1996, Cine Gear Expo has become a truly dynamic educational and interactive company dedicated to the power of filmmaking. 2 www.cinegearexpo.com www.cinegearexpo.com 3

PW Atlanta - CG Expo Ad 8.indd 1 21/09/2018 12:26 Unique Images for your Next Masterpiece. ZEISS Supreme Prime Lenses

LIGHT IRON DELIVERS POST OPTIONS TO THRIVING MARKET By Christine Bunish

Acknowledged by the industry as one mobile lab, known as Outpost, has long venue for private screenings for up to 45 guests. of the country’s top film and television provided projects in town with near-set dailies The new location is headed by Director production hubs, Atlanta has begun color and processing. Now, Light Iron Atlanta of Business Development Clark Cofer, a well- to expand beyond its extensive studio offers facility-based dailies and finishing respected member of Atlanta’s production and infrastructure and array of equipment rental services to support workflows for 8K, 4K, UHD post production industry. He is Co-President houses and support services to build a strong and HDR projects. It also links the community of the Georgia Production Partnership and post production environment. Offering the to Light Iron’s network of talent and services is on the Board of Directors for the DeKalb production community a full roster of post nationwide. County Film and Entertainment Advisory and finishing capabilities will encourage “As the Georgia market became Board. //INSPIRATION productions shooting on location and on more robust, we felt a brick-and-mortar Light Iron Atlanta got off to a fast start MADE BY ZEISS stages in Atlanta to take maximum advantage facility would provide additional benefits providing dailies services to the ABC series // INNOVATION of Georgia’s production tax incentives. to customers, particularly in the area of Kevin (Probably) Saves the World, season three Light Iron, a leading national post HDR,” says Katie Fellion, Head of Workflow of OWN’s Greenleaf, the sports-comedy feature Opening up New Dimensions in Quality Filmmaking. production creative services provider, Development & Business Strategy at Light Uncle Drew, and the next-generation Superfly. The ZEISS Supreme Prime lenses unite cinematic large-format coverage and opened its latest facility in Atlanta earlier Iron; she is also one of the company’s Co- Additional dailies color and processing high speed in a small, lightweight lens. Their look is characterized by a gentle this year. The expansion marks the fourth Founders. “DPs can meet with our dailies clients include the new featureNappily sharpness and a very smooth transition between the in-focus and out-of-fo- new office since Panavision acquired Light colorists to view footage on a calibrated HDR Ever After and the Amy Schumer comedy I Feel cus areas. The Supreme Primes from ZEISS give the creator absolute control Iron in 2015. The Atlanta facility brings Light professional monitor, which can be difficult Pretty. Iron’s US locations to a total of six, including to have on set. Another frequent request we “We recognize that the Atlanta market over the image by revealing subtle and nuanced details in deep shadows and Los Angeles, New York, New Orleans, are now able to provide is real-time virtual has lasting potential for not only visiting bright highlights. Albuquerque, and Chicago. DI sessions, either on an HDR monitor or talent but also for a growing community Light Iron specializes in dailies, digital theatrically projected, with finishing colorists of content creators,” notes Fellion. “There intermediate (DI), archival and data services located in our Los Angeles or New York is great synergy in production incentives, for major studios and independent projects. facilities.” local resources and filmmaking education. Find out, where to buy or rent the lenses on The company is no stranger to serving Light Iron’s multipurpose DI theater is also We look forward to expanding our service Georgia-based productions. Light Iron’s available for camera and lens tests and as a offerings in Atlanta in 2019 and beyond.” www.zeiss.com/cine/supremeprime

Zeiss Supreme Prime Lenses. 4 www.cinegearexpo.com Any Camera. Any Shot. www.cinegearexpo.com 5 Coast to Coast, We’ve Got You Covered

DP Ben Kutchins Shoots Netflix Series Ozark With 35 Cameras In Atlanta

Now in six locations across the country, Light Iron provides post production creative services and technical solutions to hundreds of acclaimed feature

Ozark, created by and Mark With Netflix’s 4K mandate, the production whether it’s sun, or a practical base like a sin- and episodic clients annually. Williams, is an American drama/crime tested out the latest RED and Sony cameras, but gle lamp in a room,” explains Kutchins. “I’m series that tells the story of a financial plan- according to Kutchins, the VariCam 35 had the using small LEDs to augment, generally soft ner, Marty Byrde (Jason Bateman), who is filmic qualities they were looking for, as light to wraparound and get a little glint in the forced to relocate his family from Chicago well as the ability to capture in low light. eye, or to give that little suggestion of a silhou- Light Iron Atlanta ATL Services Include: to the Missouri Ozarks after a money laun- Kutchins captured 4K DCI (4096x2160) 12-bit ette. It’s the idea of using big, broad strokes dering scheme goes awry. The critically 4:4:4 AVC Intra files in V-Log at 23.98-fps. For and then small touches to accent where I want 6 W Druid Hills Drive NE acclaimed Netflix series, now in its second exhibition, they went with a 2:1 extraction. you to look in the frame. Jason and I don’t Dailies Color & Processing season, is shot by cinematographer Ben For season one, Kutchins and Avila del Pino mind if the actors fall off in the shadows.” Suite 200 Kutchins (The Dangerous Book for Boys, Crown worked with a D.I.T. to develop a viewing LUT, The color grade is performed at Company Near-Set or Facility-Based Heights) with VariCam 35 cameras. which Kutchins developed further through- 3 by colorist Tim Stipan, who graded both sea- Atlanta, GA 30329 Ozark is shot in Atlanta, GA. In developing out the season. “The LUT lifted the blacks a son one and two. “It’s his first TV show and I Workflow Design for 8K/4K/UHD/HDR Projects the look of the series, Kutchins worked with bit, added contrast in the mids, brought down think he brought a really cinematic look to it,” 470-427-2730 director/star Bateman and cinematographer the highlights, created deep cyan in the shad- says Kutchins. “For the grade, I don’t think Pepe Avila del Pino, who shot the first two epi- ows, and a little warmth in the highlights,” we’re changing the look, but I think we’re tak- www.lightiron.com High-Speed Connectivity to other Light Iron Locations sodes of season one. “Traditionally, a DP will reveals Kutchins. “What I was trying to do was ing it 10 steps further in post than we’re able to come in and shoot the and then someone mimic an old Fuji film stock that I used to use on set. Fortunately, Tim is a great collaborator else will come in and replicate that look for the back when I was shooting stills.” and a great artist. Things can be as dark as you Virtual DI Sessions to LA/NYC series,” says Kutchins. “This was a unique situ- In lighting Ozark, Kutchins believes each want them to be as long as there is somewhere ation in that I was invited to be a part of the scene has its own heartbeat. “As a lighting for you to look and the audience feels comfort- Screening Room process of developing the look.” strategy, I tend to use a single soft source, able looking at the frame.” Media ArchivingA

6 www.cinegearexpo.com Pinewood to grow U.S. digital services business

Pinewood Studios Group has re- Atlanta production facility and cently announced that it will grow its Edinburgh, while the team also digital services business and offer- worked on Jurassic World: Fallen DIGITAL VIDEO PRODUCTION ing in North America. After working Kingdom in Hawaii (and later back •Comme rcial / Web stateside on movies including Three in UK at Pinewood Studios). The •Industrial •Music Video Billboards Outside Ebbing, Missouri, team has also worked in Florida, •Feature Film Avengers: Infinity War and Jurassic Tokyo (with Netflix), New Zealand,

World: Fallen Kingdom the team will Amsterdam, Iceland and Norway. be expanding in LA and Atlanta. Thom Berryman, Head of POST-PRODUCTIO N •Creative editing Pinewood Digital provides Pinewood Digital, believes that the •Professional color correction film scanning and digital dailies at potential for North American and •DCP creation Pinewood Group studios, on location international growth is “very big” •ADR/Voice Over Recording and at other studios. The division for Pinewood, “we are expanding specializes in ‘big data’ productions our staff levels in both Atlanta and PRODUCTION AND RENTAL SERVICES and workflows where large format LA and many of our key clients in the •8k RED Epic-W Camera Package cameras or 4k 16BIT ‘Scan Once’ U.S. are now asking for our services •4k / HD Cameras, 4k Drone •Wireless Video monitoring 35mm film productions create tens in international markets.” •Camera crews and support of terrabytes of data per day. Oscar- In the UK Pinewood Digital winner Three Billboards, which shot has recently worked on the likes in North Carolina, was the division’s of Mission: Impossible – Fallout, Solo: first U.S. based production. Avengers: A Star Wars Story and Mamma Mia: WWW. LEFTDIGITALMEDIA. C O M Infinity War partly shot at Pinewood’s Here We Go Again! P 678 519 2616 E INFO@LEFT D IGITAL M EDIA.COM 461 SANDY CREE KROAD , SUITE 413 0 FA YETTEVILLE,GA 30214

LOCATED AT PINEWOOD ATLANTA STUDIOS PRODUCTION CENTRE

8 www.cinegearexpo.com www.cinegearexpo.com 9 Katherine a “jewel in the sea of white men” Cynthia Pusheck, ASC echoes what so many women in this industry must do – find a way to make the jewel that is their talent, shine for all to see. Known for her signature red lipstick and quiet but pow- erful demeanor on the set, she, like her sister cinematographers (as with the three women portrayed in Hidden Figures), never allows her gender to be an issue.

Ellen Kuras, ASC Ellen Kuras is known for her work on Eternal Sunshine of the Spotless Mind (2004), Ellen Kuras, ASC P.O.V. (1988) and Best Documentary Academy Award nominee, The Betrayal - Nerakhoon (2008) that she also wrote and directed. She is also a three-time winner of the Award for Excellence in Dramatic Cinematography at the Sundance Film Festival.

She’s not shy when it comes to the topic of gen- der in our business, “Thankfully, the time has come when a handful of courageous women who have spoken up, have been heard and believed - not only in the realm of sexual ha- “With this award, we acknowledged their rassment but also importantly in the realm of gender equality in pay and opportunity. It’s contributions, and also gave encouragement to the time that change for women and all minori- ties in these spheres happens more rapidly many other women who work behind the lens.” and readily.” CEO and Partner of Cine Gear Expo Juliane Grosso Nancy Schreiber, ASC Mandy Walker, ASC, ACS The world of cinematography, she explains “Has been often perceived as a technical field and therefore out of the reach of women. There have been a few of us, however, who’ve managed to gain the opportunity to prove oth- erwise - to show that women have keen eyes for the creative and that they can be able and This year, Cine Gear Expo Los Angeles and not the ‘best man for the job’. With this Spirit Award recipient for Chain of Desire, strong leaders of the crew. We’ve shown that presented the Pioneering Women in award,” says Grosso, “we acknowledged their Schreiber was recognized by Variety magazine our sensitivity to the emotional helps us to Cine Gear Expo LA 2018 Honored Cinematography Award, recognizing six fe- contributions and also gave encouragement to as one of the ten top DPs to watch. November render imagery that is artistic, powerful, pro- male cinematographers who have proven that the many other women who work behind the 2018 Schreiber was honored with the Susan B. found and emotional - essential ingredients of it is talent – not gender that matters. “We work lens.” Anthony: Failure is Impossible Award. cinema. Pioneering Women in in such a great progressive business that it is a shame we’ve been behind the curve when it comes to gender equality behind the camera,” Nancy Schreiber, ASC Cynthia Pusheck, ASC Cinematography says Juliane Grosso, CEO and Partner of Cine Nancy Schreiber, is used to firsts. A Detroit na- Mandy Walker ASC, ACS Her vision for several short projects brought Gear Expo. “Many significant female cinema- tive, she relocated to NY and moved through While Mandy Walker started her career as a Cynthia Pusheck, ASC to the attention tographers prove time and time again that they the ranks becoming the first female gaffer runner on various projects, her work on Baz of the industry with two ICG “Emerging can do the job equal to their male counterparts in NABET Local 15. She honed her lighting Luhrmann’s Australia caught the filmmaking Cinematographer Showcase” projects. yet seem to be forgotten when it comes to get- skills gaffing inspiring projects including the community’s attention. It won her a Satellite Selected as one of the 50 people to watch by ting the coveted jobs.” Academy Award-nominated documentary, Award, the Hollywood Cinematographer Variety, Pusheck has also been honored with The Other Half of the Sky: A China Memoir, for co- of the Year Award, and the Women in Film the Kodak Vision Award. Cynthia has brought Still, they persevere. Trailblazers such as Nancy directors Shirley MacLaine and Claudia Weill. Kodak Vision Award. While she’s shot dozens her own particular take on visual stories Schreiber ASC, Ellen Kuras ASC, of other projects, it is probably Hidden Figures, to major television shows beginning with ASC, Mandy Walker ASC, Cynthia Pusheck ASC “In the early years, it was difficult being directed by Ted Melfi that so clearly depicts the Brothers and Sisters, Revenge, Good Girls Revolt, and Amy Vincent ASC, were recognized for considered for work on an equal foot- challenges she and other women have faced The Bold Type, and recently Sacred Lies. their talent behind the lens. And because of ing with men,” recalls Schreiber, who is throughout the years. their success, they have opened up the path for the first woman to receive the prestigious Pusheck admits that it is a “hard industry” for a new generation of women cinematographers President’s Award from the American Society Based on the book by Margot Lee Shetterly, everyone but has been more challenging for like this year’s first female Academy Award of Cinematographers. Winner of Sundance it tells the story of three African-American under represented groups. But that’s chang- nominee for Best Cinematography, Rachel Best Dramatic Cinematography Awards for female mathematicians who were the un- ing, and that’s why she’s proud of the work Morrison, ASC. Change doesn’t happen over- the films November, and My America Or Honk heard-unseen backbone of the start of the she’s been doing as co-chair of the ASC Vision night. But change is coming. And soon the time if You Love Buddha, nominated for an Emmy space race in the . Walker’s ap- Committee, which works to encourage prog- will come when it’s the ‘best talent for the job’ for HBO’s Celluloid Closet, and an Independent proach to this film, to make the character of ress in hiring practices.

10 www.cinegearexpo.com www.cinegearexpo.com 11 “Passion and persistence are key to fulfilling your dreams.” reed morano, asc

Amy Vincent, ASC reed morano, ASC

Amy Vincent, ASC is wonderful to recognize and acknowledge the Emmy and DGA for Dramatic Series in the Amy Vincent has a full slate. In addition to that there are many women working in the same year. working behind the lens shooting feature field. Many of us have been doing so success- films and television, she generously gives fully for decades and we will be continuing to Morano doesn’t count her gender as a chal- back to her profession – serving on the board do so for years to come.” lenge but rather as an edge and what makes at the ASC and committees at the Academy. her view unique to many others. She believes And she is also a passionate teacher, helping that what makes her work a success (besides to guide young filmmakers on their creative her visual talent) is that she is able to look at a journeys. Reed Morano, ASC and DGA story and find emotional ways “that it hasn’t It is confidence plus a talented eye that been told before.” Vincent began her career as an assistant edi- drives cinematographer, now director, Reed tor, moving into the camera department and Morano. She came to the attention of the Advice to those who want to do what they do? working her way up the ranks, (something industry with award-winning projects like Professionally, Schreiber says, “The art of she highly recommends). A recipient of the Frozen River, The Skeleton Twins and Kill cinematography is one part of the job. A per- Women in Film Kodak Vision Award, Vincent Your Darlings. Her first feature as a director son needs to be ready for the unexpected. For has won the Sundance Film Festival Award was Meadowland. She also served as her on last minute travel. For going without a lot of for cinematography for Hustle & Flow and was cinematographer on that film. She was her sleep. For thinking on your feet. And for deal- nominated for a Golden Satellite Award for own DP on the second feature she directed, ing with stress, personalities and rejection, Best Cinematography for Eve’s Bayou. I Think We’re Alone Now. Later for directing (which is where my psychology degree comes the pilot of The Handmaid’s Tale she won both in handy). Passion and persistence are key to When contacted about the Cine Gear the DGA Award for Outstanding Directorial fulfilling your dreams.” Pioneering Women in Cinematography Achievement in a Dramatic Series and the Award she echoed the sentiments of the oth- Emmy for Outstanding Directing for a Drama Most of all, Vincent will add, “Live a full life. ers. “I am honored to be amongst my friends Series—the first woman in 22 years to win the Take time to enjoy nature and put family and colleagues for the award,” she told us. “It Emmy and the first woman ever to win both first!”

12 www.cinegearexpo.com www.cinegearexpo.com 13 stax ge 3 e hibitors

CINE GEAR EXPO 2018 Booth # Company Name S101 Fiilex S102 LaCie S103 FilmGear USA Group EXHIBITOR LIST S104 Koto Electric North America Inc. S105 Moss LED inc. Cine Gear Expo HOURS S106 DigitalGlue Saturday, October 6, 10am – 6pm S107 MyCaseBuilder S108 Airstar America Inc Sunday, October 7, 10am – 5pm S109 BB&S LIGHTING S110 Imagine Products Inc. S111 Modern Studio Equipment S112 The Mandy Network S113 OWC S114 Blackmagic Design S115 Camadeus Film Technologies, Inc S116 A. C. Lighting S117 Lensrentals S118 Lindsey Optics, LLC S119 Seaco Industries, LLC S120 K 5600, Inc. S121 Mole-Richardson Co. S122 Carl Zeiss SBE, LLC S123 City Theatrical S123A Flanders Scientific, Inc. S124 Lex Products S125 Aputure S126 AAdynTech S127 American Grip S127A ICG Magazine/ICG Local 600 S128 RST Visions In Color S129 Sigma S130 Colt LED S130 WAMCO, INC. S131 J.L. Fisher, Inc. S132 Cineo Lighting S133 Canon USA S134 The Rag Place Atlanta S135 Creative Solutions S135 Teradek S135 Wooden Camera S136 Avenger S136A Leitz outdoor exhibitors S136B TMB S136C GenErgy Power, LLC Booth # Company Name 123 Codex S136D Database Works, Inc. 102 WebCheckout 124 Coolshirt Systems S137 Chimera Lighting 103 Sennheiser Elec. Corp. 125 Matthews Studio Equipment S138 Astera LED Technology 103A Scenex Lighting 126 Helinet Aviation S139 Fujifilm 104 Oz Publishing, Inc. 127 Chapman/Leonard Studio Equipment, Inc. S140 Panasonic 104A Creative Handbook 128 Core SWX S141 ACT Lighting 105 MBS Equipment Co 129 ProductionHUB S141 Dadco 105 Georgia Film Academy 130 SmallHD S141 Digital Sputnik 105A Outsight Creamsource 131 Behind The Scenes Worldwide Logistics S141 DMG/Rosco 106 Pinewood Atlanta Studios 132 On Set Headsets S141 Hive Lighting 107 Cinemoves Inc. 133 Zacuto LLC S141 Kino Flo Lighting Systems 108 Sourcemaker 134 G-Technology S141 Litegear 109 Production Consultants and Equipment (PC&E) 135 INOVATIV, Inc. S141 Quasar Science 112 BLUESHAPE Energy Inside 135 Flowcine S141 RATPAC Dimmers/Innovative Dimmers 113 IATSE Local 479 136 Flowcine S141 Skylight 114 Vitec Production Solutions, Inc. 136 Ascend Aerials S141 Swisson 115 FLUOTEC 137 FTG Equipment Solutions, Inc. S141 Wavelength Lighting LLC 116 SGPS/ShowRig 117 NEBTEK.com 118 NFP 119 Cinema Devices 122 Power Gems LTD.

14 www.cinegearexpo.com www.cinegearexpo.com 15 Premier Seminars S aturday, October 6, 2018 Saturday, October 6, 2018 Premier Seminars Show hours: 10:00 Am - 6:00 pm Show hours: 10:00 Am - 6:00 pm Badge registration: 9:00 Am - 10:00 Am Badge registration: 9:00 Am - 10:00 Am

10:30am - 12:00pm Int’l Cinematographers Guild Local 600 2:45pm - 4:15pm American Society of Cinematographers Georgia Film Academy Catching the New Waves in Image Acquisition Georgia Film Academy Dialogue with ASC Cinematographers Panel Room Larger sensors, more lenses, HDR, cloud workflows and 5G wireless are dramatically changing creative and Panel Room Moderator technical choices. Meanwhile, next generation displays are altering what audiences see on the big and small screen. Steven Poster, ASC Join ICG members and camera technology specialists in a discussion about the latest developments and how they Panelists (subject to change): impact shooting, on-set monitoring, data management, DI finishing and the relationship between preproduction, James Neihouse, ASC production and post. Don Burgess, ASC

Panel: Tom Cherry, first assistant camera Stuart Huggins digital imaging technician Hilda Mercado, director of photography Panasonic Collaborates With CMII at G.S.U. Steven Poster, ASC, National President, ICG Local 600 3:00pm - 4:00pm Georgia Film Academy Panasonic has played a key role in the launch of Georgia State University’s $22.5 million, world-class media center, Moderator: Michael Chambliss, production technology specialist Theater the Creative Media Industries Institute. With VariCam LT and EVA1 cinema cameras, the CMII will train over 4,000 undergraduate majors for careers in the production community. The panel will discuss shooting with VariCam and EVA1 cameras, as well as screen footage from both professional and student projects.

Moderator 12:15pm - 1:15pm Kodak Film Lab and Panavision Presents Neil Matsumoto Georgia Film Academy Walking With Celluloid Panelists Panel Room The Walking Dead debuts season #9 on Oct 7th on AMC. One of its strengths is the amazing moving images created DP John Smith (The Originals, Freakish) by the director of cinematography. Join us as two of the show’s DPs Stephen Campbell and Duane Manwiller Herb Kossover, Professor of Practice CMII discuss their creative process, and representatives from Panavision Atlanta and Kodak Film Lab Atlanta explain Chris Watkins, GSU Film Student the tools supporting this artistic vision.

Panel: Stephen Campbell – DP Duane Manwiller – DP 4:30pm - 5:30pm ZEISS Cine Lenses Ruben Varela – Panavision Atlanta Georgia Film Academy Presenting Full Frame Cinema Michael Brown – Kodak Film Lab Atlanta Panel Room This workshop is about the new full frame digital cinema cameras and how they open new dimensions in Ron Heidt – Editor/Tech Director/ Post-Prod Supervisor - Moderator cinematography. Readily-available full frame camera & lenses are tools that add to the film language. We will discuss the origin and usage of larger formats, with clear examples and demonstrations. A reel of footage filmed with full frame ZEISS Supreme Primes and a variety of cameras will be screened as a part of the presentation.

1:30pm - 2:30pm Lacie Presents Georgia Film Academy Workflow and RAID storage - What you need to know. 4:30pm - 5:30pm Canon Presentation theater Presenter: Jon Bauder, Technical Sales Support Representative at LaCie Georgia Film Academy

In this presentation, Jon will cover everything from mobile infield backup solutions to optimizing multi-bay editing Theater workstations.

ALL PANELISTS SUBJECT TO AVAILABILITY ALL PANELISTS SUBJECT TO AVAILABILITY 16 www.cinegearexpo.com www.cinegearexpo.com 17 Premier Seminars Sunday, October 7, 2018 cine gear expo 2018 Technical Award Winners Show hours: 10:00 Am - 5:00 pm Camera Technology Lighting Technology: Lights Support Technology Badge registration: 9:00 Am - 10:00 Am Winner: Panasonic Winner: DMG Lumiere by Rosco Winner: Tie Among for the AU-EVA1 Digital Camera for the MIX Lumiere Allgolden Inventor/Designer Inventors/Designers for the TYR Car Camera Crane Panasonic AU-EVA1 Design Team Nils de Montgrand & Nico Goerg Inventor/Designer 12:00pm - 1:00pm Safety on Set Runner Up: Tie Among Timo Plogstedt An open discussion with both union representatives and crew members on how safety on set has changed and how Georgia Film Academy Camera Technology: Optics Digital Sputnik Cinemoves Inc. Panel Room to continue to improve safety on set. for the Voyager for the Matrix 4 Axis Camera Gimbal Inventors/Designers Winner: Carl Zeiss SBE, LLC Kaspar Kallas and Kaur Kallas Inventors/Designers Panel: for the Supreme Prime Lenses Graham Basket, Gunnar Ristoph, Satyam Satyarthi Anna-Marie Aloia - Digital Utility Inventor/Designer LiteGear Inc. Kevin Amick - Director of Education, Local 479 Christophe Casanaeve for the LiteMat Spectrum Runner Up: XM2 Aerial Michael Chambliss - Production Technology Specialist/Business Representative, Local 600 Inventors/Designers for the XM2 Sierra Ultra Heavy Lift UAV Al DeMayo, Alex Vazquez, Lee Parker Maura Kelly - 1st Assistant Director Runner Up: Infinity Inventors/Designers Photo-Optical Company Luke Annells, Aidan Kelly, Stephen Oh, James Mare, Jin Lee, Susan Moss - Regional Set Representative, SAG-AFTRA for the InfiniProbe TS-160 ROBUSTO Lens Astera LED Technology Daniel Thomas, Aaron Corera, Rob Stagg, Brian Eun, Loic for the Pixeltube Pro Maheas, Chris Haarhoff Inventor/Designer H Jay Margolis Inventor/Designer Simon Canins 1:15pm - 2:15pm ZEISS Cine Lenses Camera Technology: Accessories sound Technology Judge’s Honorary Mention Georgia Film Academy Presenting Full Frame Cinema Winner: Tie Among Winner: Rode Microphones P ost PrODUCTION Technology This workshop is about the new full frame digital cinema cameras and how they open new dimensions in Panel Room for the NT-SF1 360 Ambisonic Microphone Array Flanders Scientific, Inc. cinematography. Readily-available full frame camera & lenses are tools that add to the film language. We will Cmotion Gmbh for the XM310K 31” High Dynamic Range LCD Monitor for the cPRO Lens Control System Inventors/Designers discuss the origin and usage of larger formats, with clear examples and demonstrations. A reel of footage filmed Peter Freedman and Pieter Schillebeeckx Inventor/Designer with full frame ZEISS Supreme Primes and a variety of cameras will be screened as a part of the presentation. Inventor/Designer Flanders Scientific, Inc. Christian Tschida Lighting Technology Ignite Digi Fiilex for the Fiilex Matrix II RGBW LED Lamp for the Gimbal Mate Inventor/Designer Inventor/Designer Fiilex Chris Fox 2:30pm – 3:30pm Grown in Georgia Camera Technology Runner Up: DJI Digital Triptic Georgia Film Academy A discussion with local studio runners, rental houses, government representatives, and others who have been for the Master Wheels Cineramic Camera System Panel Room influential in the growth of the industry in Georgia. Inventor/Designer Inventor/Designer DJI R&D Team Design Team Max Penner

Panel: Tyler Edgarton - Mailing Avenue Studios TBD - Georgia Dept. of Economic Development Mark Wofford - GM, PC&E Kris Bagwell - V.P. EUE Scree Gems Studios Atlanta cine gear expo 2018 film series Winners Clyde Bryan - 1stA/C Local 600 Brennen Dicker - Executive Director, Creative Media Industries Institute College of the Arts / College of Arts & S tudent Short Film A ward for Visual Excellence Sciences Georgia State University Pitter Patter Goes My Heart Excuse Me, I’m Looking for the School: Columbia University / Filmakedemie Wien Ping-Pong Room and My Girlfriend Director: Christoph Rainer Director: Bernhard Wenger Producer: Elsa Kremser, Mark Szilagyi, Nikolai Gemel School: Vienna Film Academy DP: Georg Geutebrueck Producers: Florian Bayer, Clara Koenig, Bernhard Wenger DP: Albin Wildner

Independent Short Film Commercial and Music Video Neutral Man in Tie Dye Director: Nathan Barnatt Director: Dakota Adney Producer: Nathan Barnatt Producer: Dakota Adey DP: Aaron Meister DP: Dakota Adney ALL PANELISTS SUBJECT TO AVAILABILITY 18 www.cinegearexpo.com www.cinegearexpo.com 19 exhibitor directory exhibitor directory

A.C. Lighting Inc. – Booth S116 Avenger – Booth S136 Chapman/Leonard Studio Equipment, Inc. – Booth 127 Coolshirt Systems – Booth 124 88 Horner Ave. 10 Mountainview Road 500 Sandy Creek Rd. 170 Andrew Drive Toronto, ON M8Z5Y3 Suite 320 South Building 2004, Suite 101 Stockbridge, GA 30281 Canada Upper Saddle River, NJ 07458 Fayetteville, GA 30214 United States 416-255-9494 United States United States 800-345-3176 www.aclighting.com 201-574-6728 888-758-4826 www.coolshirt.com www.manfrotto.us www.chapman-leonard.com

AadynTech– Booth S126 Chimera Lighting – Booth S137 Core SWX – Booth 128 1822 Carolina Beach Road BB&S Lighting – Booth S109 1067 Telleen Ave 91 Commercial St. Wilmington, North Carolina, 28401 3435 Ocean Park Blvd. Erie, CO 80516 Plainview, NY 11803 United States Suite 105 United States United States 800-721-3282 Santa Monica, CA 90405 303-444-8000 516-595-7488 www.aadyntech.com United States www.chimeralighting.com www.coreswx.com 310-491-6259 www.bbslighting.com ACT Lighting, Inc. – Booth S141 Cinema Devices – Booth 119 Creative Handbook – Booth 104A 2313 N. Valley St. 3435 Ocean Park 10152 Riverside Dr. Burbank, CA 91505 Behind the Scenes Worldwide Logistics – Booth 131 Santa Monica, CA 90405 Toluca Lake, CA 91602 United States 4531 Sepulveda Blvd. United States United States 818-707-0884 Sherman Oaks, CA 91403 310-415-3331 818-752-3200 www.actlighting.com United States www.cinemadevices.com www.creativehandbook.com 818-222-4007 www.btsfreight.com Airstar America Inc – Booth S108 Cinemoves Inc. – Booth 107 Creative Solutions – Booth S135 9603 Satellite Blvd 514 Lyons Bay Road 8 Mason Suite 150 Blackmagic Design – Booth S114 Nokomis, FL 34275 Irvine, CA 92620 Orlando, FL 32837 2875 Bayview Dr. Ste. 250 United States United States United States Fremont, CA 94538 888-272-6352 888-941-2111 407-851-7830 United States www.cinemoves.com creativesolutions.io http://www.airstar-light.us 408-954-0500 www.blackmagicdesign.com Cineo Lighting – Booth S132 Dadco – Booth S141 American Grip Inc – Booth S127 169 Stanford Ave #1 11078 Fleetwood Street 8468 Kewen Ave BLUESHAPE Energy Inside – Booth 112 Half Moon Bay, CA 94018 Sun Valley, CA 91352 Sun Valley, CA 91352 Via Liguria 4-6 United States United States United States Reggio Emilia 42124 512-413-6873 www.sunray-lighting.com 818-768-8922 Italy www.cineolighting.com AmericanGrip.com +390522518556 www.blueshape.net Database Works, Inc. – Booth S136D City Theatrical – Booth S123 500 S. Kraemer Blvd. Suite 110 Aputure – Booth S125 475 Barell Ave Brea, CA 92821 634 W. Broadway St. Camadeus Film Technologies, Inc. – Booth S115 Carlstadt, NJ 07072 United States Glendale, CA 91204 314 N Victory Blvd United States 714-203-8818 United States Burbank, CA 91502 201-549-1160 www.dbworks.com 301-910-1388 United States www.citytheatrical.com www.aputure.com 818-764-1234 www.camadeus.com Digital Sputnik – Booth S141 Codex – Booth 123 14700 Ventura Blvd Ascend Aerials – Booth 136 3450 Cahuenga Boulevard W Sherman Oaks, CA 91403 1630 W Peachtree St NE Canon USA – Booth S133 Unit 103 United States Atlanta, GA 30309 One Canon Park Los Angeles, CA 90068 818-262-9284 United States Melville, NY 11747 United States www.digitalsputnik.com 706-202-1820 United States 323-283-8939 www.AscendAerials.com 631-330-5635 www.codex.online usa.canon.com DigitalGlue – Booth S106 41601 Date Street Astera LED Technology – Booth S138 Colt LED – Booth S130 Murrieta, CA 92562 Stahlgruberring 36 Carl Zeiss SBE, LLC – Booth S122 28416 Constellation Road United States Munich, Bavaria 81829 1 Zeiss Drive Santa Clarita, CA 91355 888-519-2021 Germany Thornwood, NY 10594 United States creative.space +4989215522530 United States 213-321-3273 www.astera-led.com 914-681-7747 www.coltled.com www.zeiss.com/cine Fiilex Lighting – Booth S101 1689 Regatta Blvd Richmond, CA 94804 United States 510-620-5155 www.fiilex.com

20 www.cinegearexpo.com www.cinegearexpo.com 21 exhibitor directory exhibitor directory

FilmGear USA Group – Booth S103 Georgia Film Academy – Booth 105 K5600 Inc. – Booth S120 LiteGear Inc. – S141 9528 Rush Street 461 Sandy Creek Road 10434 Burbank Blvd 4406 Vanowen St. Suite A Ste 4.115 North Hollywood, CA 91601 Burbank, CA 91505 Los Angeles, CA 91733 Fayetteville, GA 30214 United States United States United States United States 407-854-3914 818-358-8542 323-780-8880 www.georgiafilmacademy.org www.k5600.com www.litegear.com www.filmgearusa.com Matthews Studio Equipment – Booth 125 Helinet Aviation – Booth 126 Kino Flo Lighting Systems – Booth S141 4520 West Valerio Street Flanders Scientific, Inc. – Booth S123A 16303 Waterman Drive 2840 N. Hollywood Way Burbank, CA 91505 6215 Shiloh Crossing Van Nuys, CA 91406 Burbank, CA 91505 United States Suite G United States United States 818-843-6715 Alpharetta, GA 30005 818-902-0229 818-767-6528 www.msegrip.com United States www.helinet.com www.kinoflo.com 1-678-835-4934 www.FlandersScientific.com MBS Equipment Co. – Booth 105 Hive Lighting – Booth S141 KOTO Electric North America, Inc. – Booth S104 1600 Rosecrans Ave 525 S. Hewitt Street 7401 Laurel Canyon Boulevard, Unit #29 Bldg. 4B, 3rd Floor Flowcine – Booth 135, 136 Los Angeles, CA 90013 North Hollywood, CA 91605 Manhattan Beach, CA 90266 Katarina bangata 71 United States United States United States Stockholm 11642 310-773-4362 908-943-6579 310-727-2754 Sweden www.hivelighting.com www.koto-jp.com www.mbseco.com +46 76-135 44 55 www.flowcine.com IATSE Local 479 – Booth 113 LaCie – Booth S102 Modern Studio Equipment – Booth S111 4220 International Pkwy 10200 S. De Anza Blvd 7414 Bellaire Avenue FLUOTEC – Booth 115 Suite 100 Cupertino, CA 95014 North Hollywood, CA 91605 14213 Distribution Avenue Atlanta, GA 30354 United States United States Laredo, TX 78045 United States 408-658-1254 818-764-8574 United States 404-361-5676 www.lacie.com modernstudio.com 213-296-4202‬ www.iatse479.org www.fluotec.net Leitz – Booth S136A Mole-Richardson Co. – Booth S121 ICG Magazine/ICG Local 600 – Booth S127A Am Leitz-Park 2 12154 Montague Street FTG Equipment Solutions – Booth 137 7755 Sunset Blvd Wetzlar 35578 Pacoima, CA 91331 100 Paper Place Hollywood, CA 90046 Germany United States New Castle, DE 19720 United States +49 (0) 6441 203 11900 323-851-0111 United States 323-969-2714 www.leitz-cine.com http://mole.com/ 855-303-7900 www.icgmagazine.com www.ftgequipment.com Lensrentals – Booth S117 Moss LED Inc – Booth S105 Imagine Products Inc. – Booth S110 7730 Trinity Rd. 313 Evans Ave Fujifilm – Booth S139 2935 E 96th St Cordova, TN 38018 Toronto, ON M8Z 1K2 717 Forest Suite 102 United States Canada Lake Forest, IL 60045 Indianapolis, IN 46240 901-754-9100 416-463-6677 United States United States www.lensrentals.com www.mossled.com 847-457-2641 317-843-0706 www.fujifilmusa.com www.imagineproducts.com Lex Products – Booth S124 MyCaseBuilder – Booth S107 15 Progress Drive 510 East 31st St G-Technology – Booth 134 INOVATIV, Inc. – Booth 135 Shelton, CT 06484 Paterson, NJ 07504 5601 Great Oaks Parkway 5600 Ayala Ave United States United States San Jose, CA 95119 Irwindale, CA 91706 800-643-4460 973-925-7215 United States United States www.lexproducts.com www.mycasebuilder.com 408-717-6000 626-969-5300 www.g-technology.com www.inovativcarts.com Lindsey Optics, LLC – Booth S118 NEBTEK.com – Booth 117 104 East Avenue K4 3007 South West Temple GenErgy Power, LLC – Booth S136C J.L. Fisher, Inc. – Booth S131 Suite K Suite K P.O. Box 10731 1000 W. Isabel St Lancaster, CA 93535 , UT 84115 Lancaster, PA 17603 Burbank, CA 91506 United States United States United States United States 661-522-7101 801-467-1920 800-308-1330 818-846-8366 www.lindseyoptics.com www.nebtek.com www.genergycable.com www.jlfisher.com

22 www.cinegearexpo.com www.cinegearexpo.com 23 exhibitor directory exhibitor directory

NFP – Booth 118 Production Consultants and Equipment (PC&E) – Booth 109 SGPS/ShowRig – Booth 116 The Rag Place Atlanta – Booth S134 2450 Tapo Street 2235 Defoor Hills Rd 5405 Buford Hwy 500 Sandy Creek Rd Simi Valley, CA 93063 Atlanta, Georgia 30318 Suite 420 Bldg 2001, Suite 101 United States United States Norcross, GA 30071 Fayetteville, GA 30214 805-579-1900 404-609-9001 United States United States www.nfp.com www.pce-atlanta.com 678-916-8350 678-902-8200 www.theragplace.com

On Set Headsets – Booth 132 ProductionHUB – Booth 129 Sigma – Booth S129 2235 DeFoor Hills Road 1806 Hammerlin Ave. 15 Fleetwood Court TMB – Booth S136B Atlanta, GA 30318 Winter Park, FL 32789 Ronkonkoma, NY 11779 527 Park Avenue United States United States United States San Fernando, CA 91340 888-44-ONSET 407-629-4122 631-227-2017 United States www.onsetheadsets.com www.productionhub.com www.sigmaphoto.com 818-899-8818 www.tmb.com

Outsight Creamsource – Booth 105A Quasar Science – Booth S141 Skylight– Booth S141 Bourke St, 6/888 687 S Anderson St 9848 Glenoaks Blvd Vitec Production Solutions, Inc. – Booth 114 Zetland, New South Wales 2017 Los Angeles, CA 90023 Sun Valley, CA 91352 20600 Plummer St. Australia United States United States Chatsworth, CA 91311 280051288 800-876-0665 866.76.LIGHT United States www.outsight.com.au www.quasarscience.com www.skylightballoon.com www.vitecgroup.com

OWC – Booth S113 RATPAC Dimmers/Innovative Dimmers – Booth S141 SmallHD – Booth 130 Wamco, Inc – Booth S130 8 Galaxy Way 7508 Tyrone Ave. 118 MacKenan Drive 17752 Fitch Woodstock, IL 60098 Van Nuys, CA 91405 Suite 400 Irvine, CA 92614 United States United States Cary, NC 27511 United States 815-502-5611 818-786-0536 United States 714-545-5560 www.owcdigital.com www.RatpacDimmers.com 919-439-2166 www.wamcoinc.com www.smallhd.com

Oz Publishing, Inc. – Booth 104 Rosco Laboratories – Booth S141 Wavelength Lighting LLC – Booth S141 2566 Shallowford Rd. 52 Harbor View Ave SourceMaker – Booth 108 2410 Park Central Blvd Ste. 104-302 Stamford, CT 06902 612 Corporate Way Decatur, GA 30035 Atlanta, GA 30345 United States Suite 1 United States United States 203-708-8900 Valley Cottage, NY 10989 678-827-1223 404-633-1779 www.rosco.com United States www.wavelengthllc.com www.ozmagazine.com 845-359-3944 www.sourcemakerled.com RST Visions In Color – Booth S128 WebCheckout – Booth 102 Panasonic – Booth S140 12023 Victory Blvd. 3701 N. Ravenswood 3330 Cahuenga Blvd W, Ste 101 North Hollywood, CA 91606 Swisson – Booth S141 Suite 250 Los Angeles, CA 90068 United States 2419 East Harbor Blvd #34 Chicago, IL 60613 United States 818-566-1114 Ventura, CA 93001 United States 323-217-5618 www.rstvisions.com United States 773-343-7333 us.panasonic.com/VariCam 805-443-7834 www.webcheckout.net www.swisson.com Scenex Lighting – Booth 103A Pinewood Atlanta Studios – Booth 106 1145 Arroyo St, Unit A Wooden Camera – Booth S135 461 Sandy Creek Road San Fernando, CA 91340 Teradek – Booth S135 1826 W Commerce St Fayetteville, GA 30234 United States 8 Mason Dallas, TX 75208 United States 818-767-8899 Irvine, CA 92618 United States 678-369-5950 www.scenexlighting.com United States 855-966-3226 www.pinewoodatlantastudios.com 888-941-2111 www.woodencamera.com www.teradek.com Seaco Industries, LLC – Booth S119 Power Gems Ltd. – Booth 122 547 West 49th Street Zacuto LLC – Booth 133 26320 Diamond Place New York, NY 10019 The Mandy Network – Booth S112 401 West Ontario Street Santa Clarita, CA 91350 United States Angel House, Angel Mews Suite 250 United States 914-664-5400 Islington, London N1 9HH Chicago, IL 60654 818-376-1800 www.seacorope.com United Kingdom United States www.powergems.com 646-854-5789 312-863-3456 Sennheiser Elec. Corp. – Booth 103 www.mandy.com www.zacuto.com 1 Enterprise Dr Old Lyme, CT 06371 United States www.sennheiser.com

24 www.cinegearexpo.com www.cinegearexpo.com 25 CREATING MOMENTS THROUGH MOVEMENT sponsors SINCE 1945

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