Ebook Download Sam Zabel & the Magic Pen Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Ebook Download Sam Zabel & the Magic Pen Ebook SAM ZABEL & THE MAGIC PEN PDF, EPUB, EBOOK Dylan Horrocks | 232 pages | 09 Feb 2015 | KNOCKABOUT COMICS | 9780861662364 | English | London, United Kingdom Sam Zabel & The Magic Pen PDF Book Casterman French. I may change my mind tomorrow and take them down. And this book is a lot of fun once it moves away from the depressed cartoonist plot and into the magical new worlds Sam is transported to. Then one day he finds a mysterious old comic book set on Mars and is suddenly thrown headlong into a wild, fantastic journey through centuries of comics, stories, and imaginary worlds. Other languages: Casterman French. I later went back and redrew her clothes, giving her something closer to the classic manga sailor-suit school uniform. That finally changes with the release of Sam Zabel And The Magic Pen Fantagraphics , a full-color graphic novel detailing the artistic crisis of a cartoonist struggling to make something meaningful as he does freelance work for a superhero comics publisher. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. Earn up to 5x points when you use your eBay Mastercard. Funny, erotic, and thoughtful, Sam Zabel and the Magic Pen explores the pleasures, dangers, and moral consequences of fantasy. Everything is more contained and accessible at Valiant, largely because it has limited its output to no more than nine titles a month, rotating different characters into the spotlight to see which ones resonate strongest with readers. Feel free to white out the rejected dialogue yourself. Contact details. Her presence changed the whole story, and made it even more fun to write and draw. See terms. Funny, erotic, and thoughtful, Sam Zabel and the Magic Pen explores the pleasures, dangers, and moral consequences of fantasy. Please click OK and carry on into the site. Or else raise the price. Please enter 5 or 9 numbers for the ZIP Code. See details. He does so with playful good humour, ingenuity and an infectious sense of wonder, ably served by a lean, loose Tintin-esque line and sparkling, resonant storytelling. Astiberri Spanish. The stories themselves are odd and rickety contraptions, beginning at arbitrary points one sequence begins with Moomintroll sniffing around in the bushes for something with which to start the story , careening from one plot to another until the original conflict and the characters themselves are thoroughly exhausted. Gazeta: Comics from Belgrade to Bangkok. Just in:. Pin it Pin on Pinterest. Your email address will not be published. Additional Info. Learn More - opens in a new window or tab International shipping and import charges paid to Pitney Bowes Inc. This is a graphic novel. Drawing details like this — and slowly, meditatively shading — are among my favourite parts of the process. All of that was added in Photoshop, so the original version remains here. Either way, this is one of my favourite pages in the book, even if it did take days to draw all that bloody garbage! On sale date: January 17, A burned-out superhero comic artist goes on an adventure that spans time and space—with two female companions. Back to home page. You can dive right in now with this PDF Preview. Learn More - opens in a new window or tab. Waiting that long for a new story sets up a lot of perhaps unfair expectation. Business seller information. Dylan Horrocks. View Product. Fill in your email below to request a new password. Ships to:. Shipping and handling. Learn more - opens in a new window or tab. Accompanied by a young webcomic creator named Alice and an enigmatic schoolgirl with rocket boots and a bag full of comics, Sam goes in search of the Magic Pen, encountering sex-crazed aliens, medieval monks, pirates, pixies and—of course—cartoonists. May not ship to Germany - Read item description or contact seller for shipping options. Horrocks really understands the visual language of comics and how much can be done with it. Sam Zabel & The Magic Pen Writer This magic pen both brings sexual fantasies to life and redeems the creator by doing so. The A. Then one day he finds a mysterious old comic book set on Mars and is suddenly thrown headlong into a wild, fantastic journey through centuries of comics, stories, and imaginary worlds. Additional Info. Sam is surprised by a giant Martian Sand Monster. Seeking escape and solace in online Arcadian fantasies, his own creation, Lady Night, invades his reverie to question his talent, self-pity and repressed anxieties. As DC converges and Marvel prepares for a Secret War , Valiant Comics is becoming a more attractive third option for readers who want strong superhero titles without the baggage of Big Two comics. Her first day on campus involves moving into her dorm, meeting her roommate, and fighting Kraven The Hunter, and each task poses a different challenge for Doreen to overcome in her own quirky way. UPC: Then one day he finds a mysterious old comic book set on Mars and is suddenly thrown headlong into a wild, fantastic journey through centuries of comics, stories, and imaginary worlds. His layouts in this issue are more imaginative than his usual work, particularly a two-page spread that layers two-dimensional panels in a three-dimensional space to show Ivar and Neela moving through different planes of time. Our international team of staff writers covers quality stories from all corners of the comics universe, with a penchant for independent and creator-owned material. I may change my mind tomorrow and take them down. About us Broken Frontier is a comic book and graphic novel news site established in As in Hicksville , the theme here involves fantasy, but with a more mature treatment, one reflective of today's comic reader. And this book is a lot of fun once it moves away from the depressed cartoonist plot and into the magical new worlds Sam is transported to. Email Address:. As a consolation, I indulged myself with the decorated bedspread and curtains in panel 1. For all its angst over the nature and responsibility of art, Sam Zabel and the Magic Pen reveals Dylan Horrocks at the top of his game, taking on contentious subjects with great gusto and flair. Earn money by sharing your favorite books through our Affiliate program. This is a graphic novel. Home About Buying stuff Subscribe Contact. Although the Moomin novels and picture books were never unknown in the United States, they remained in circulation primarily as cult objects. Other languages: Casterman French. Contains adult content? Seller assumes all responsibility for this listing. Doreen brings color to the world around her, and her solo title stands out by emphasizing her attitude as much as possible. Skip to main content. Sam Zabel & The Magic Pen Reviews Taxes may be applicable at checkout. Earn up to 5x points when you use your eBay Mastercard. Tinderella new edition. Pedophiles who do not act on their desires and fantasies are still—probably legitimately—seen as a major concern to the community around them. Or do they do even that? Please enter a number less than or equal to 0. For all its angst over the nature and responsibility of art, Sam Zabel and the Magic Pen reveals Dylan Horrocks at the top of his game, taking on contentious subjects with great gusto and flair. Share This Story. And if I express those pre-teen rape fantasies through comics so that others can enjoy and take part in them, is that moral or responsible? The character is torn all over the place, enjoying and engaging in fantasy flight but then feeling bad and uncomfortable with aspects of it. Drawing details like this — and slowly, meditatively shading — are among my favourite parts of the process. Accompanied by a young webcomic creator named Alice and an enigmatic schoolgirl with rocket boots and a bag full of comics, Sam goes in search of the Magic Pen, encountering sex-crazed aliens, medieval monks, pirates, pixies and — of course — cartoonists. Looking for BF content from before the current version of the site? Because of this we get a greater sense of their often tragic place in human society. I may change my mind tomorrow and take them down. Name required. Item location:. The long-awaited return to print of New Zealand cartoonist Dylan Horrocks is a slightly heavy-handed look at the moral responsibilities of authors and artists. See all. Her presence changed the whole story, and made it even more fun to write and draw. At the time, the whole idea seemed ludicrous. As such, this work manages to cleverly function as both an escapist fantasy and a meta-comics commentary on the nature of this fantasy and the role which comics play. I later went back and redrew her clothes, giving her something closer to the classic manga sailor-suit school uniform. The Biologic Show. Hahne and these are my reviews. Current stock: 0. In the end, though, I stuck with the original line. Seller information loveourprices2 Home About Buying stuff Subscribe Contact. His parents, Moominpappa and Moominmanna are, respectably, distracted and unflappable. Cart 0 items. The seller has not specified a shipping method to Germany. Astiberri Spanish. I apologise for the messed up lettering in panel 1 which was later fixed in Photoshop. When I was in high school, I heard an older man recount a conversation he had while in seminary in his twenties. About the Site Review copy submission may be facilitated via the Contact page.
Recommended publications
  • CATALOGUE 2018 New Titles New Zealand Books at Their Best
    CATALOGUE 2018 New Titles new zealand books at their best Birdstories CONTACT DETAILS Contents Geoff Norman Potton & Burton 98 Vickerman Street, PO Box 5128 A fascinating, in-depth account of New Zealand’s birds, which spans their New Titles Nelson, New Zealand discovery, their place in both Pākehā and Māori worlds, their survival and Birdstories Geoff Norman 3 Tel: 03 548 9009 Fax: 03 548 9456 conservation, and the illustrations and art they have inspired. Down the Bay Philip Simpson 4 Email: [email protected] www.pottonandburton.co.nz In 1872, the first instalments of Walter Buller’s A History of the Birds of New Kākāpō Alison Ballance 4 Zealand appeared. When completed, this became a landmark publishing event that Fight for the Forests Paul Bensemann 5 Customer Services Manager described the place of New Zealand’s birds in the Māori world, the first encounters Mitchell & Mitchell Peter Alsop 6 Cheryl Haltmeier Europeans had with our birds, the arguments over their classification, and provided Tel: 03 548 9009 a snapshot of their status at the time. Through Buller’s books, the rest of the Nurture Peter Alsop & Nathan Wallis 6 Email: [email protected] world got to know about New Zealand’s unusual and distinctive birds, and New We Had One of Those Too! Stephen Barnett 7 Zealanders, too, began to appreciate them. National Sales Manager Awatere Harry Broad 8 Pauline Esposito Geoff Norman’s Birdstories carries Buller’s publishing legacy through to the Raise Your Child to Read and Write Frances Adlam 9 Tel: 03 989 5051 $59.99 present day.
    [Show full text]
  • Tove Jansson's Character Studies for the Moomin
    INTRODUCTION by Tom Devlin, Creative Director at Drawn & Quarterly In 2011, I went to Helsinki and was lucky enough to tour Tove Jansson’s studio. She lived in the same large studio for fifty-seven years. It was easy to picture Tove there. I saw the table she used to write at; I saw the wood-burning stove she used to heat her house during the long winters; I saw the shelves and shelves of books—many her own, or her favorites by other authors, and even the hand-lettered scrapbooks her mother, Signe, made where she stored the strips she clipped from the newspaper. I saw the tiny alcove with the even tinier bed she had slept in for years. It was surprising how modest the whole place was. As far as I knew she was Finland’s greatest literary celebrity, and yet she had lived such a simple life. Of course, I should have known this before I stepped over the threshold. It’s in her books. It’s visually manifest in her comics. The Moomins them- selves live modest lives. They have many adventures but home is simple and comforting and there is nothing unnecessary. Rereading these comics just before preparing this book, it struck me just how much of Tove we get in these stories. The Moomin stories (whether in chapter book, picture book, or comic form) all have a similar quality—a quality that is rare in today’s world. There’s a distinctly carefree, individualist vibe mixed with a hint of playful cynicism, a kind of embrace-life-and-live-it-to-its- fullest-but-maybe-don’t-get-too-carried-away ethos.
    [Show full text]
  • The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy
    Nova Southeastern University NSUWorks CAHSS Faculty Articles Faculty Scholarship Spring 1-2015 The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy Molly J. Scanlon Nova Southeastern University, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/shss_facarticles Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons NSUWorks Citation Scanlon, M. J. (2015). The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy. Composition Studies, 43 (1), 105-130. Retrieved from https://nsuworks.nova.edu/shss_facarticles/517 This Article is brought to you for free and open access by the Faculty Scholarship at NSUWorks. It has been accepted for inclusion in CAHSS Faculty Articles by an authorized administrator of NSUWorks. For more information, please contact [email protected]. Volume 43, Number 1 Volume Spring 2015 composition STUDIES composition studies volume 43 number 1 Composition Studies C/O Parlor Press 3015 Brackenberry Drive Anderson, SC 29621 Rhetoric & Composition PhD Program PROGRAM Pioneering program honoring the rhetorical tradition through scholarly innovation, excellent job placement record, well-endowed library, state-of-the-art New Media Writing Studio, and graduate certificates in new media and women’s studies. TEACHING 1-1 teaching loads, small classes, extensive pedagogy and technology training, and administrative fellowships in writing program administration and new media. FACULTY Nationally recognized teacher-scholars in history of rhetoric, modern rhetoric, women’s rhetoric, digital rhetoric, composition studies, and writing program administration. FUNDING Generous four-year graduate instructorships, competitive stipends, travel support, and several prestigious fellowship opportunities.
    [Show full text]
  • Comics Were Also Constant Companions for Dylan
    StartingStarting outout ReadingR di was big bi in i Dylan’s D l ’ childhood, hildh d especially i ll fantasy f t novels. l AlAlong with ith TheTh Lord L d of f the Rings, he gobbled up stories by Alan Garner and Susan Cooper. These British writers specialised in Dylan’s favourite kind of story: where the fantastic – the magical – enters the real world and changes it, sometimes in alarming ways. As a teenager, “when life was more complicated,” Dylan escaped by reading the kinds of books we usually associate with younger readers, things like Paddington Bear and Winnie the Pooh (Dylan identified with Piglet). Comics were also constant companions for Dylan. In fact, the entire Horrocks family loved them, which was unusual in the 1960s and 70s. This was a time when many parents (and teachers and librarians) frowned on comics because they weren’t “proper” books. But Dylan’s dad, Roger, had once thought about being a comic book artist himself. He brought home a steady supply of them, in all their different forms. There were British war comics, the Asterix and Tintin series, American underground comix*, and the French comic magazine Pilote. Dylan has been drawing cartoons and comics ever since he could hold a pencil. He always knew that he would be a comic book artist. He had natural talent as well as great determination and filled endless notebooks with his work – war stories, mostly. He also manoeuvred cartoons into every possible school project. “I was drawing all When I visited Dylan, he was about to go to Europe to promote his latest the time,” Dylan remembers.
    [Show full text]
  • Writing About Comics
    NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose.
    [Show full text]
  • Mason 2015 02Thesis.Pdf (1.969Mb)
    ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created.
    [Show full text]
  • July-October Funding Round 2005
    Creative New Zealand Grants JULY - OCTOBER FUNDING ROUND 2005/2006 This is a complete list of project grants offered in the first funding round of the 2005/2006 financial year. Applications to this round closed on 29 July 2005 and grants were announced in late October. Grants are listed within artforms under Creative New Zealand funding programmes. In this round, 264 project grants totalling more than $3.8 million were offered to artists and arts organisations. Approximately $13.8 million was requested from 784 applications. Arts Board: Creative and FINE ARTS Peppercorn Press: towards publishing five issues of “New Zealand Books” Professional Aotearoa Digital Arts and Caroline McCaw: $27,000 towards the third annual symposium Development $10,000 Takahe Collective Trust: towards publishing CRAF T/OBJECT ART three issues of “Takahe” Dunedin Public Art Gallery: towards David Bennewith: towards study in the $12,000 international exhibition research Netherlands $11,420 $8000 The New Zealand Poetry Society Inc: towards its annual programme of activities The Imaginary Partnership: towards two issues of Audrey Boyle: to participate in the Craft $15,000 “Illusions” magazine Victoria “Common Goods” residency $10,000 programme The New Zealand Poetry Society Inc: towards $3360 two Poets in Workplaces residencies Hye Rim Lee: towards a residency in Korea $6500 $7500 Jason Hall: to participate in and attend the opening of “Pasifika Styles”, Cambridge University of Iowa: towards a New Zealand MIT School of Visual Arts: towards its 2006 University writer
    [Show full text]
  • Tina Makereti, the Novel Sleeps Standing About the Battle of Orakau and Native Son, the Second Volume of His Memoir
    2017 AUTHOR Showcase AcademyAcademy ofof NewNew Zealand Zealand Literature Literature ANZLANZLTe WhareTe Whare Mātātuhi Mātātuhi o Aotearoa o Aotearoa Please visit the Academy of New Zealand Literature web site for in-depth features, interviews and conversations. www.anzliterature.com Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Kia ora festival directors, This is the first Author Showcase produced by the Academy of New Zealand Literature (ANZL). We are writers from Aotearoa New Zealand, mid-career and senior practitioners who write fiction, poetry and creative nonfiction. Our list of Fellows and Members includes New Zealand’s most acclaimed contemporary writers, including Maurice Gee, Keri Hulme, Lloyd Jones, Eleanor Catton, Witi Ihimaera, C.K. Stead and Albert Wendt. This showcase presents 15 writers who are available to appear at literary festivals around the world in 2017. In this e-book you’ll find pages for each writer with a bio, a short blurb about their latest books, information on their interests and availability, and links to online interviews and performances. Each writer’s page lists an email address so you can contact them directly, but please feel free to contact me directly if you have questions. These writers are well-known to New Zealand’s festival directors, including Anne O’Brien of the Auckland Writers Festival and Rachael King of Word Christchurch. Please note that New Zealand writers can apply for local funding for travel to festivals and other related events. We plan to publish an updated Author Showcase later this year.
    [Show full text]
  • Nominees Announced for 2017 Will Eisner Comic Industry Awards Sonny Liew’S the Art of Charlie Chan Hock Chye Tops List with Six Nominations
    FOR IMMEDIATE RELEASE Contact: Jackie Estrada [email protected] Nominees Announced for 2017 Will Eisner Comic Industry Awards Sonny Liew’s The Art of Charlie Chan Hock Chye Tops List with Six Nominations SAN DIEGO – Comic-Con International (Comic-Con) is proud to announce the nominations for the Will Eisner Comic Industry Awards 2017. The nominees were chosen by a blue-ribbon panel of judges. Once again, this year’s nominees reflect the wide range of material being published in comics and graphic novel form today, with over 120 titles from some 50 publishers and by creators from all over the world. Topping the nominations is Sonny Liew’s The Art of Charlie Chan Hock Chye (Pantheon), originally published in Singapore. It is a history of Singapore from the 1950s to the present as told by a fictional cartoonist in a wide variety of styles reflecting the various time periods. It is nominated in 6 categories: Best Graphic Album–New, Best U.S. Edition of International Material–Asia, Best Writer/Artist, Best Coloring, Best Lettering, and Best Publication Design. Boasting 4 nominations are Image’s Saga and Kill or Be Killed. Saga is up for Best Continuing Series, Best Writer (Brian K. Vaughan), and Best Cover Artist and Best Coloring (Fiona Staples). Kill or Be Killed by Ed Brubaker and Sean Phillips is nominated for Best Continuing Series, Best Writer, Best Cover Artist, and Best Coloring (Elizabeth Breitweiser). Two titles have 3 nominations: Image’s Monstress by Marjorie Liu and Sana Takeda (Best Publication for Teens, Best Painter, Best Cover Artist) and Tom Gauld’s Mooncop (Best Graphic Album–New, Best Writer/Artist, Best Lettering), published by Drawn & Quarterly.
    [Show full text]
  • 19 July – 5 August 2018
    AUCKLAND 19 JULY – 5 AUGUST 2018 PLUS ANIMATION NOW! 10 – 12 AUGUST BOOK AT NZIFF.CO.NZ BOOK AT NZIFF.CO.NZ FOOD / SOCIETY / ARTS / POLITICS / SATIRE / BOOKS / URBAN DESIGN Top DINNERS Restaurant Best Schools favourites that won’t break in Auckland the bank CHOOSE THE RIGHT SCHOOL Unique rankings plus expert advice — TE REO LESSONS Desperately seeking teachers — WELCOME TO HIS DRUG NIGHTMARE When Bob Harvey took ayahuasca — DON’T MISS... Our picks of the fi lm festival NEW ISSUE ON SALE NOW MT2018_NZIFF ad.indd 1 12/06/2018 5:13:12 p.m. 50th Auckland International Film Festival Presented by New Zealand Film Festival Trust under the distinguished patronage of Her Excellency The Right Honourable Dame Patsy Reddy, Governor-General of New Zealand 19 JULY – 5 AUGUST 2018 CIVIC THEATRE ANIMATION NOW! ASB WATERFRONT THEATRE ACADEMY CINEMA 10 – 12 AUGUST 2018 RIALTO CINEMAS NEWMARKET EVENT CINEMAS QUEEN ST EVENT CINEMAS WESTGATE HOLLYWOOD AVONDALE PROUDLY SUPPORTED BY Director: Bill Gosden General Manager: Sharon Byrne Communications Manager: Rebecca McMillan Assistant to the General Manager: Lisa Bomash Auckland Festival Manager: Megan Andrews Auckland Admin/Ticketing Manager: Karen Cartwright Publicist: Sally Woodfield Auckland Communications Assistant: Camila Araos Elevancini Programmer: Sandra Reid Programme Manager: Michael McDonnell Animation NOW! Programmer: Malcolm Turner All Ages Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Programme Consultant: Chris Matthews Online Content Manager: Kailey Carruthers Content
    [Show full text]
  • “It's Hard to Keep Track”
    ―It‘s Hard to Keep Track‖: Mapping a Shifting Nation in Dylan Horrocks‘s Hicksville Hamish Clayton A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts in English Literature School of English, Film, Theatre & Media Studies Victoria University of Wellington 2009 Contents Acknowledgements 3 Note 4 Abstract 5 Introduction: Local and Special 6 Chapter One: Local Heroes 14 Chapter Two: Going Global 36 Chapter Three: Local Knowledge 58 Chapter Four: Art as Comics as Taonga 84 Chapter Five: Mapping Hicksville 105 Conclusion: Standing Upright Here 123 Works Cited 128 2 Acknowledgements I would like to offer special thanks to my primary supervisor, Mark Williams, whose enthusiasm for this project has been boundless. Without his friendship and guidance I would not have been able to write the thesis I wanted to write. Thanks also to Tina Barton, my Art History supervisor, for her support throughout. I would like to thank the staff of both English and Art History programmes at Victoria University for their extended support and friendship over the last five years, as well as that of my former colleagues at Victoria University‘s Student Learning Support Service. I gratefully acknowledge the financial support of the University, and the provision of a Scholarship for Masters study 2008-09. I am indebted to Dylan Horrocks, who very generously sent me copies of his comics no longer available for purchase in shops or online. Thanks also to the many friends and family who have supported me immeasurably. In particular, Stephen McDowall, whose professionalism and achievements have been an inspiration; Kirsten Reid, whose unconditional support and enthusiasm have been truly invaluable; and Rosie Howell, for her unwavering faith in me.
    [Show full text]
  • A HISTORY of NEW ZEALAND SCIENCE FICTION and FANTASY by Simon Litten and Sean Mcmullen
    FANTASTICAL WORLDS AND FUTURES AT THE WORLD'S EDGE: A HISTORY OF NEW ZEALAND SCIENCE FICTION AND FANTASY by Simon Litten and Sean McMullen CHAPTER 7: ARTISTS, COMICS, CRASH COURSES AND THE FUTURE There is a lot more to science fiction, fantasy and horror than novels, stories, films and television series. Comics, artists, musicians, podcasts, audio works, live plays, radio plays, games, re-enactment societies and non-fiction books all contribute to the overall picture, and all of the foregoing are produced in New Zealand. Each of these topics could fill a separate chapter, but deadlines have forced us to provide just a few examples of artists, comics and non-fiction books here. NEW ZEALAND ARTISTS Readers really do, more often than not, judge books by their covers, and New Zealand's artists have produced some very fine work, contributing to the success of many books. This artwork has been honoured in the Sir Julius Vogel Awards in the category of Best Professional Artwork. A selection of winners and their covers follow: Emma Weakley has won the Sir Julius Vogel Award award three times, for Newton’s Sleep (Random Static, 2008) in 2009, Regeneration: Best New Zealand Speculative Fiction (Random Static, 2013) in 2014, and At the Edge (Paper Road Press, 2016) in 2017. Frank Victoria’s cover for Mary Victoria’s Tymon's Flight (Harper Collins, 2010) won the award in 2011, and the following year won again with his cover for Mary Victoria’s Oracle's Fire (Harper Collins, 2011). Les Petersen did the cover for an Australian anthology by New Zealander Simon Petrie, Light Touch Paper, Stand Clear (Peggy Bright Books, 2012), winning him a Vogel in 2013.
    [Show full text]