Writers on Mondays Programme 2018
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CATALOGUE 2018 New Titles New Zealand Books at Their Best
CATALOGUE 2018 New Titles new zealand books at their best Birdstories CONTACT DETAILS Contents Geoff Norman Potton & Burton 98 Vickerman Street, PO Box 5128 A fascinating, in-depth account of New Zealand’s birds, which spans their New Titles Nelson, New Zealand discovery, their place in both Pākehā and Māori worlds, their survival and Birdstories Geoff Norman 3 Tel: 03 548 9009 Fax: 03 548 9456 conservation, and the illustrations and art they have inspired. Down the Bay Philip Simpson 4 Email: [email protected] www.pottonandburton.co.nz In 1872, the first instalments of Walter Buller’s A History of the Birds of New Kākāpō Alison Ballance 4 Zealand appeared. When completed, this became a landmark publishing event that Fight for the Forests Paul Bensemann 5 Customer Services Manager described the place of New Zealand’s birds in the Māori world, the first encounters Mitchell & Mitchell Peter Alsop 6 Cheryl Haltmeier Europeans had with our birds, the arguments over their classification, and provided Tel: 03 548 9009 a snapshot of their status at the time. Through Buller’s books, the rest of the Nurture Peter Alsop & Nathan Wallis 6 Email: [email protected] world got to know about New Zealand’s unusual and distinctive birds, and New We Had One of Those Too! Stephen Barnett 7 Zealanders, too, began to appreciate them. National Sales Manager Awatere Harry Broad 8 Pauline Esposito Geoff Norman’s Birdstories carries Buller’s publishing legacy through to the Raise Your Child to Read and Write Frances Adlam 9 Tel: 03 989 5051 $59.99 present day. -
Tove Jansson's Character Studies for the Moomin
INTRODUCTION by Tom Devlin, Creative Director at Drawn & Quarterly In 2011, I went to Helsinki and was lucky enough to tour Tove Jansson’s studio. She lived in the same large studio for fifty-seven years. It was easy to picture Tove there. I saw the table she used to write at; I saw the wood-burning stove she used to heat her house during the long winters; I saw the shelves and shelves of books—many her own, or her favorites by other authors, and even the hand-lettered scrapbooks her mother, Signe, made where she stored the strips she clipped from the newspaper. I saw the tiny alcove with the even tinier bed she had slept in for years. It was surprising how modest the whole place was. As far as I knew she was Finland’s greatest literary celebrity, and yet she had lived such a simple life. Of course, I should have known this before I stepped over the threshold. It’s in her books. It’s visually manifest in her comics. The Moomins them- selves live modest lives. They have many adventures but home is simple and comforting and there is nothing unnecessary. Rereading these comics just before preparing this book, it struck me just how much of Tove we get in these stories. The Moomin stories (whether in chapter book, picture book, or comic form) all have a similar quality—a quality that is rare in today’s world. There’s a distinctly carefree, individualist vibe mixed with a hint of playful cynicism, a kind of embrace-life-and-live-it-to-its- fullest-but-maybe-don’t-get-too-carried-away ethos. -
Newsletter – 20 April 2012 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 20 April 2012 ISSN: 1178-9441 This is the 180th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. Victoria goes to the Olympics ................................................................................. 1 2. Victoria goes to Leipzig ........................................................................................... 2 3. Write poetry! No, write short stories! No, write for children! ............................ 2 4. Resonance ................................................................................................................. 2 5. We’re probably the last to tell you, but . ........................................................... 3 6. However, we'd like to be the first to tell you about . ............................................ 3 7. The expanding bookshelf......................................................................................... 3 8. Hue & Cry and crowdfunding ................................................................................ 4 9. Congratulations ........................................................................................................ 4 10. Fiction editing mentor programme - call for applications ................................. 4 11. Poems of spirituality: call for submissions ......................................................... -
The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy
Nova Southeastern University NSUWorks CAHSS Faculty Articles Faculty Scholarship Spring 1-2015 The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy Molly J. Scanlon Nova Southeastern University, [email protected] Follow this and additional works at: https://nsuworks.nova.edu/shss_facarticles Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons NSUWorks Citation Scanlon, M. J. (2015). The Work of Comics Collaborations: Considerations of Multimodal Composition for Writing Scholarship and Pedagogy. Composition Studies, 43 (1), 105-130. Retrieved from https://nsuworks.nova.edu/shss_facarticles/517 This Article is brought to you for free and open access by the Faculty Scholarship at NSUWorks. It has been accepted for inclusion in CAHSS Faculty Articles by an authorized administrator of NSUWorks. For more information, please contact [email protected]. Volume 43, Number 1 Volume Spring 2015 composition STUDIES composition studies volume 43 number 1 Composition Studies C/O Parlor Press 3015 Brackenberry Drive Anderson, SC 29621 Rhetoric & Composition PhD Program PROGRAM Pioneering program honoring the rhetorical tradition through scholarly innovation, excellent job placement record, well-endowed library, state-of-the-art New Media Writing Studio, and graduate certificates in new media and women’s studies. TEACHING 1-1 teaching loads, small classes, extensive pedagogy and technology training, and administrative fellowships in writing program administration and new media. FACULTY Nationally recognized teacher-scholars in history of rhetoric, modern rhetoric, women’s rhetoric, digital rhetoric, composition studies, and writing program administration. FUNDING Generous four-year graduate instructorships, competitive stipends, travel support, and several prestigious fellowship opportunities. -
Donations to the Library 2000S
DONATIONS TO THE LIDRARY 277 DONATIONS TO THE LIBRARY Michael Andrews (BA 1960) The birth of Europe, 1991; The flight of the condor, 1982; The life that lives on Man, 1977 13 May 1999 - 12 May 2000 Anthony Avis (BA 1949) The Librarian is always delighted to hear from any member of the Gaywood past: some historical notes, 1999; The journey: reflective essays, College considering a gift of books, manuscripts, maps or photographs 1999 to the College Library. Brigadier David Baines Abdus Salam International Centre Documents relating to the army career of Alan Menzies Hiller A. M. Hamende (ed.), Tribute to Abdus Salam (Abdus Salam Memorial (matric. 1913), who was killed in action near Arras in May 1915 meeting, 19-22 Nov. 1997), 1999 D.M. P. Barrere (BA 1966) David Ainscough Georges Bernanos, 'Notes pour ses conferences' (MS), n. d. Chambers' guide to the legal profession 1999-2000, 1999 P. J. Toulet, La jeune fille verte, 1918 Robert Ganzo, Histoire avant Sumer, 1963; L'oeuvre poetique, 1956 Dr Alexander G. A.) Romain Rolland, De Jean Christophe a Colas Breugnon: pages de journal, Automobile Association, Ordnance Survey illustrated atlas of Victorian 1946; La Montespan: drame en trois actes, 1904 and Edwardian Britain, 1991 Ann MacSween and Mick Sharp, Prehistoric Scotland, 1989 Martyn Barrett (BA 1973) Antonio Pardo, The world of ancient Spain, 1976 Martyn Barrett (ed.), The development of language, 1999 Edith Mary Wightrnan, Galla Belgica, 1985 Gerard Nicolini, The ancient Spaniards, 1974 Octavian Basca Herman Ramm, The Parisi, 1978 Ion Purcaru and Octavian Basca, Oameni, idei, fapte din istoria J. -
Comics Were Also Constant Companions for Dylan
StartingStarting outout ReadingR di was big bi in i Dylan’s D l ’ childhood, hildh d especially i ll fantasy f t novels. l AlAlong with ith TheTh Lord L d of f the Rings, he gobbled up stories by Alan Garner and Susan Cooper. These British writers specialised in Dylan’s favourite kind of story: where the fantastic – the magical – enters the real world and changes it, sometimes in alarming ways. As a teenager, “when life was more complicated,” Dylan escaped by reading the kinds of books we usually associate with younger readers, things like Paddington Bear and Winnie the Pooh (Dylan identified with Piglet). Comics were also constant companions for Dylan. In fact, the entire Horrocks family loved them, which was unusual in the 1960s and 70s. This was a time when many parents (and teachers and librarians) frowned on comics because they weren’t “proper” books. But Dylan’s dad, Roger, had once thought about being a comic book artist himself. He brought home a steady supply of them, in all their different forms. There were British war comics, the Asterix and Tintin series, American underground comix*, and the French comic magazine Pilote. Dylan has been drawing cartoons and comics ever since he could hold a pencil. He always knew that he would be a comic book artist. He had natural talent as well as great determination and filled endless notebooks with his work – war stories, mostly. He also manoeuvred cartoons into every possible school project. “I was drawing all When I visited Dylan, he was about to go to Europe to promote his latest the time,” Dylan remembers. -
Ka Mate Ka Ora: a New Zealand Journal of Poetry and Poetics
ka mate ka ora: a new zealand journal of poetry and poetics Issue 4 September 2007 Poetry at Auckland University Press Elizabeth Caffin Weathers on this shore want sorts of words. (Kendrick Smithyman, ‘Site’) Auckland University Press might never have been a publisher of poetry were it not for Kendrick Smithyman. It was his decision. As Dennis McEldowney recalls, a letter from Smithyman on 31 March 1967 offering the manuscript of Flying to Palmerston, pointed out that ‘it is to the university presses the responsibility is falling for publishing poetry. Pigheaded and inclined to the parish pump, I would rather have it appear in New Zealand if it appears anywhere’.1 Dennis, who became Editor of University Publications in 1966 and in the next two decades created a small but perfectly formed university press, claimed he lacked confidence in judging poetry. But Kendrick and C. K. Stead, poets and academics both, became his advisors and he very quickly established an impressive list. At its core were the great New Zealand modernist poets. Dennis published five books by Smithyman, three by Stead and three by Curnow starting with the marvellous An Incorrigible Music in 1979.2 Curnow and Smithyman were not young and had published extensively elsewhere but most would agree that their greatest work was written in their later years; and AUP published it. Soon a further group of established poets was added: three books by Elizabeth Smither, one by Albert Wendt, one by Kevin Ireland. And then a new generation, the exuberant poets of the 1960s and 1970s such as Ian Wedde (four books), Bill Manhire, Bob Orr, Keri Hulme, Graham Lindsay, Michael Harlow. -
Writing About Comics
NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose. -
Mason 2015 02Thesis.Pdf (1.969Mb)
‘Page 1, Panel 1…” Creating an Australian Comic Book Series Author Mason, Paul James Published 2015 Thesis Type Thesis (Professional Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3741 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/367413 Griffith Research Online https://research-repository.griffith.edu.au ‘Page 1, Panel 1…” Creating an Australian Comic Book Series Paul James Mason s2585694 Bachelor of Arts/Fine Art Major Bachelor of Animation with First Class Honours Queensland College of Art Arts, Education and Law Group Griffith University Submitted in fulfillment for the requirements of the degree of Doctor of Visual Arts (DVA) June 2014 Abstract: What methods do writers and illustrators use to visually approach the comic book page in an American Superhero form that can be adapted to create a professional and engaging Australian hero comic? The purpose of this research is to adapt the approaches used by prominent and influential writers and artists in the American superhero/action comic-book field to create an engaging Australian hero comic book. Further, the aim of this thesis is to bridge the gap between the lack of academic writing on the professional practice of the Australian comic industry. In order to achieve this, I explored and learned the methods these prominent and professional US writers and artists use. Compared to the American industry, the creating of comic books in Australia has rarely been documented, particularly in a formal capacity or from a contemporary perspective. The process I used was to navigate through the research and studio practice from the perspective of a solo artist with an interest to learn, and to develop into an artist with a firmer understanding of not only the medium being engaged, but the context in which the medium is being created. -
July-October Funding Round 2005
Creative New Zealand Grants JULY - OCTOBER FUNDING ROUND 2005/2006 This is a complete list of project grants offered in the first funding round of the 2005/2006 financial year. Applications to this round closed on 29 July 2005 and grants were announced in late October. Grants are listed within artforms under Creative New Zealand funding programmes. In this round, 264 project grants totalling more than $3.8 million were offered to artists and arts organisations. Approximately $13.8 million was requested from 784 applications. Arts Board: Creative and FINE ARTS Peppercorn Press: towards publishing five issues of “New Zealand Books” Professional Aotearoa Digital Arts and Caroline McCaw: $27,000 towards the third annual symposium Development $10,000 Takahe Collective Trust: towards publishing CRAF T/OBJECT ART three issues of “Takahe” Dunedin Public Art Gallery: towards David Bennewith: towards study in the $12,000 international exhibition research Netherlands $11,420 $8000 The New Zealand Poetry Society Inc: towards its annual programme of activities The Imaginary Partnership: towards two issues of Audrey Boyle: to participate in the Craft $15,000 “Illusions” magazine Victoria “Common Goods” residency $10,000 programme The New Zealand Poetry Society Inc: towards $3360 two Poets in Workplaces residencies Hye Rim Lee: towards a residency in Korea $6500 $7500 Jason Hall: to participate in and attend the opening of “Pasifika Styles”, Cambridge University of Iowa: towards a New Zealand MIT School of Visual Arts: towards its 2006 University writer -
Tina Makereti, the Novel Sleeps Standing About the Battle of Orakau and Native Son, the Second Volume of His Memoir
2017 AUTHOR Showcase AcademyAcademy ofof NewNew Zealand Zealand Literature Literature ANZLANZLTe WhareTe Whare Mātātuhi Mātātuhi o Aotearoa o Aotearoa Please visit the Academy of New Zealand Literature web site for in-depth features, interviews and conversations. www.anzliterature.com Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Academy of New Zealand Literature ANZL Te Whare Mātātuhi o Aotearoa Kia ora festival directors, This is the first Author Showcase produced by the Academy of New Zealand Literature (ANZL). We are writers from Aotearoa New Zealand, mid-career and senior practitioners who write fiction, poetry and creative nonfiction. Our list of Fellows and Members includes New Zealand’s most acclaimed contemporary writers, including Maurice Gee, Keri Hulme, Lloyd Jones, Eleanor Catton, Witi Ihimaera, C.K. Stead and Albert Wendt. This showcase presents 15 writers who are available to appear at literary festivals around the world in 2017. In this e-book you’ll find pages for each writer with a bio, a short blurb about their latest books, information on their interests and availability, and links to online interviews and performances. Each writer’s page lists an email address so you can contact them directly, but please feel free to contact me directly if you have questions. These writers are well-known to New Zealand’s festival directors, including Anne O’Brien of the Auckland Writers Festival and Rachael King of Word Christchurch. Please note that New Zealand writers can apply for local funding for travel to festivals and other related events. We plan to publish an updated Author Showcase later this year. -
Nominees Announced for 2017 Will Eisner Comic Industry Awards Sonny Liew’S the Art of Charlie Chan Hock Chye Tops List with Six Nominations
FOR IMMEDIATE RELEASE Contact: Jackie Estrada [email protected] Nominees Announced for 2017 Will Eisner Comic Industry Awards Sonny Liew’s The Art of Charlie Chan Hock Chye Tops List with Six Nominations SAN DIEGO – Comic-Con International (Comic-Con) is proud to announce the nominations for the Will Eisner Comic Industry Awards 2017. The nominees were chosen by a blue-ribbon panel of judges. Once again, this year’s nominees reflect the wide range of material being published in comics and graphic novel form today, with over 120 titles from some 50 publishers and by creators from all over the world. Topping the nominations is Sonny Liew’s The Art of Charlie Chan Hock Chye (Pantheon), originally published in Singapore. It is a history of Singapore from the 1950s to the present as told by a fictional cartoonist in a wide variety of styles reflecting the various time periods. It is nominated in 6 categories: Best Graphic Album–New, Best U.S. Edition of International Material–Asia, Best Writer/Artist, Best Coloring, Best Lettering, and Best Publication Design. Boasting 4 nominations are Image’s Saga and Kill or Be Killed. Saga is up for Best Continuing Series, Best Writer (Brian K. Vaughan), and Best Cover Artist and Best Coloring (Fiona Staples). Kill or Be Killed by Ed Brubaker and Sean Phillips is nominated for Best Continuing Series, Best Writer, Best Cover Artist, and Best Coloring (Elizabeth Breitweiser). Two titles have 3 nominations: Image’s Monstress by Marjorie Liu and Sana Takeda (Best Publication for Teens, Best Painter, Best Cover Artist) and Tom Gauld’s Mooncop (Best Graphic Album–New, Best Writer/Artist, Best Lettering), published by Drawn & Quarterly.