Uta Barth’S Photographic Practice Is Fuelled by Untitled 2015.AA, UTA BARTH the Question of How We Perceive, Versus What 2015 Inkjet Print on Heavy- We See
Uta Barth’s photographic practice is fuelled by Untitled 2015.AA, UTA BARTH the question of how we perceive, versus what 2015 Inkjet print on heavy- we see. For the past thirty years, Uta Barth has Born weight matte paper taken photography as a means to conceptually 22 x 28 inches Berlin, Germany, 1958 and formally explore the phenomenology of perception, vision and conventions of picture- Edition of 1, 2 APs. Education Commissioned for making. Barth typically empties images of what BA, University of California, solo exhibition at Art would often be considered a traditional subject Institute of Chicago. Davis, 1982 matter or narrative to challenge the purported MFA, University of California, equivalence between content and subject Los Angeles, 1985 in photography. Engaging with the ambient, ephemeral and subliminal of everyday life, she Proceeds from this sale directly instead uses photography to create images that support SFAI’s new Graduate Center trace light, duration and time. at Fort Mason Center for Arts & Culture, opening Fall 2017. Visit sfai.edu/art_sale Ruth Bernhard began her career as a commercial Receding Tide, 1970 RUTH photographer in the late 1920s in Manhattan. Gelation silver Print 7 3/4 x 9 3/4 inches BERNHARD She was deeply inspired by Edward Weston, eventually becoming a part of the Modernist Signed on front and West Coast Photographic Movement. In the verso with date and title Born 1940s, Bernhard joined Weston, Ansel Adams, Berlin, Germany, 1905 Minor White, Imogen Cunningham, Wynn Bullock, and Dorothea Lange in Group f.64. Died San Francisco, CA, 2006 Bernhard primarily photographed in her studio and in black and white, making compositions Education of still lifes and dramatically lit nude figures.
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