TOBY SCHMITZ | Actor
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A H Ist Or Y of Fa Llin G T H In
7 JULY – 20 AUGUST 2016 A HISTORY OF FALLING THINGS by James Graham A HISTORY OF FALLING THINGS by James Graham PLAYWRIGHT DIRECTOR JAMES GRAHAM NICOLE BUFFONI CAST CREW ROBIN JACQUI DESIGNER ASSISTANT ERIC BEECROFT SOPHIE HENSSER ANNA GARDINER STAGE MANAGER SLADE BLANCH LIGHTING LESLEY REECE DESIGNER WARDROBE MERRIDY BRIAN MEEGAN CHRISTOPHER PAGE COORDINATOR EASTMAN RENATA BESLIK AV DESIGNER JIMMY TIM HOPE DIALECT SAM O’SULLIVAN COACH SOUND DESIGNER NICK CURNOW ALISTAIR WALLACE JOHN REHEARSAL (VOICEOVER) STAGE OBSERVER MARK KILMURRY MANAGER ELSIE EDGERTON-TILL LARA QUALTROUGH PROUDLY SUPPORTED BY RUNNING TIME: APPROXIMATELY 90 MINUTES (NO INTERVAL) JAMES GRAHAM – PLAYWRIGHT James is a playwright and film Barlow. It opened in Boston in Summer 2014 and and television writer who won transferred to Broadway in Spring 2015. His play the Pearson Playwriting Bursary THE VOTE at the Donmar Warehouse aired in real in 2006 and went on to win the time on TV in the final 90 minutes of the 2015 Catherine Johnson Award for the Best Play in polling day and has been nominated for a BAFTA. 2007 for his play EDEN’S EMPIRE. James’ play His first film for television, CAUGHT IN A TRAP, was THIS HOUSE premièred at the Cottesloe Theatre broadcast on ITV1 on Boxing Day 2008. James was in September 2012, directed by Jeremy Herrin, and picked as one of Broadcast Magazine’s Hotshots transferred to the Olivier in 2013 where it enjoyed in the same year. He is developing original series a sell out run and garnered critical acclaim and and adaptations with Tiger Aspect, Leftbank, a huge amount of interest and admiration from Kudos and the BBC. -
PROGRAM Prize Fighter
LA BOITE THEATRE COMPANY & BRISBANE FESTIVAL PRESENTS PRIZE FIGHTER BY FUTURE D. FIDEL PROGRAM Presented by La Boite Theatre Company & Brisbane Festival 5 - 26 September 2015 at the Roundhouse Theatre CAST Luke, Ensemble Margi Brown-Ash Rita, Nyota, Sofia, Ensemble Sophia Emberson-Bain Kadogo, Tim, Ensemble Thuso Lekwape Moses, Matete, Jeff Wilkie, Ensemble Gideon Mzembe Isa Pacharo Mzembe Aunty, Alaki, Old Man, Wayne Durain, Ensemble Kenneth Ransom PRODUCTION TEAM Writer Future D Fidel Director Todd MacDonald Dramaturg Chris Kohn Designer Bill Haycock Lighting Designer David Walters Composer/Sound Designer Felix Cross Video Designer optikal bloc Movement & Fight Director Nigel Poulton Design Intern Hahnie Goldfinch Lighting Design Secondment Christine Felmingham Stage Manager Heather O’Keeffe Assistant Stage Manager Ariana O’Brien Rehearsal Photography Dylan Evans Special thanks to Emmanuel Otti, Brisbane Boxing, Coleman Tyre Company Wacol and Corporate Box Gym. 1 WRITER’S NOTES Future D. Fidel In the world that depends on technology, it is hard to miss breaking news on an 8.9 Magnitude Earthquake that kills 19 people or the news about a massacre of five people in the middle of Europe. Surprisingly enough, if I asked you about one of the greatest mass killings in the world after WWII, I wouldn’t be surprised if you said the war in Iraq, Afghanistan or Pakistan. The death toll in these three countries combined is recorded to be approximately 371,000 people since 2001according to Watson Institute – Cost of War. This is not close to half the great genocide of Rwanda that claimed almost a million lives. The Democratic Republic of Congo is well known for its richness in natural resources and minerals such as gold, diamond, coltan, petroleum to name a few. -
50 Years of the Stables Griffin Theatre Podcast Series
50 Years of the Stables Griffin Theatre Podcast Series Episode Ten: Writing from the Heart With David Berthold and Tommy Murphy Director David Berthold and playwright Tommy Murphy discuss the pressures of adapting Timothy Conigrave’s beautiful memoir Holding the Man for the Stables stage, the deep emotional currency that the piece holds, and their interactions with Timothy’s family in the process. Host: AC - Angela Catterns Guests: DB - David Berthold TM - Tommy Murphy Angela Catterns: 2020 marks the 50th birthday of Griffin Theatres Company home: the Stables Theatre. I’m Angela Catterns. Join us as we celebrate the anniversary in this special series of podcasts, where we’ll hear about the theatre’s history and talk to some of the country’s most celebrated artists. Angela Catterns (AC): In more than 30 years of Griffin Theatre Company at the Stables Theatre, no production has been more successful than Holding the Man. The original production, adapted for the stage by Tommy Murphy, and directed by David Berthold, premiered in 2006 in a critically- acclaimed, sold out season. Tommy Murphy and David Berthold, both on tight travel schedules, joined us separately, but within hours of each other for this podcast; part of the series celebrating 50 Years of the Stables. AC: Welcome David, thank you for finding time to join our podcast series. David Berthold (DB): Great to be here Angela. AC: Thank you. So, you grew up in the theatre I read, is that right? DB: Um, well only to the extent that quite early on in my life I became involved in amateur drama in um, in Newcastle. -
Strange Interlude
Media Release April 2012 Belvoir presents Strange Interlude Written by SIMON STONE after EUGENE O’NEILL Director SIMON STONE Set Designer ROBERT COUSINS Costume Designer MEL PAGE Lighting Designer DAMIEN COOPER Composer & Sound Designer STEFAN GREGORY With AKOS ARMONT NICHOLAS BAKOPOULIS-COOKE EMILY BARCLAY MITCHELL BUTEL CALLUM McMANIS KRIS McQUADE ELOISE MIGNON ANTHONY PHELAN TOBY SCHMITZ TOBY TRUSLOVE BELVOIR ST THEATRE | UPSTAIRS 5 MAY – 17 JUNE An experimental play from the 1920s may not be the most obvious choice for inclusion in Belvoir’s strikingly contemporary season, but in the hands of Simon Stone theatre-goers will know to expect a radical interpretation of Eugene O’Neill’s Pulitzer Prize-winning play. In the vein of Stone’s The Wild Duck, a sell-out at both Belvoir and Melbourne’s Malthouse Theatre, Strange Interlude will be completely rewritten. Strange Interlude is one of the few modern plays to use soliloquy interwoven with the dialogue, revealing the characters’ inner thoughts; this technique will be maintained in the rewrite. Twenty-year-old Nina Leeds (Emily Barclay) has lost the love of her life in the war. Overcome with grief, she quits university, falls out with her father and moves away from home. What follows is an epic and compelling narrative that spans 25 years in Nina’s life, but the story is compressed into a series of heightened, life altering moments. The significance of each of these moments is revealed as the page-turning story unravels. The cast assembled for this production is truly stellar, with the luminous Emily Barclay as Nina and Mitchell Butel, Toby Schmitz and Toby Truslove as three men in her life, each vying for her attention and affection in his own way. -
2013 NIDA Annual Report
NATIONAL INSTITUTE OF DRAMATIC ART THEATRE FILM TELEVISION 215 ANZAC PARADE KENSINGTON NSW 2033 POST NIDA UNSW SYDNEY NSW 2052 PHONE 02 9697 7600 2013 NIDA Annual Report FAX 02 9662 7415 EMAIL [email protected] ABN 99 000 257 741 NATIONAL INSTITUTE OF DRAMATIC ART Theatre, Film, Television WWW.NIDA.EDU.AU ABOUT NIDA The National Institute of Dramatic Art (NIDA) is a public, not-for-profit company and is accorded its national status as an elite training institution by the Australian Government. CONTENTS We continue our historical association with the University of New South Wales and maintain FROM THE CHAIRMAN 4 strong links with national and international arts training organisations, particularly through membership of the Australian Roundtable for Arts Training Excellence (ARTATE) and through FROM THE DIRECTOR / CEO 5 industry partners, which include theatre, dance and opera companies, cultural festivals and UNDERGRADUATE STUDIES 8 film and television producers. NIDA delivers education and training that is characterised by quality, diversity, innovation GRADUATE STUDIES 10 and equity of access. Our focus on practice-based teaching and learning is designed to HIGHER EDUCATION STATISTICS 11 provide the strongest foundations for graduate employment across a broad range of career opportunities and contexts. NIDA OPEN 12 Entry to NIDA’s higher education courses is highly competitive, with around 2,000 NIDA OPEN STATISTICS 13 applicants from across the country competing for an annual offering of approximately 75 places across undergraduate and graduate disciplines. The student body for these PRODUCTIONS AND EVENTS AT courses totalled 166 in 2013. NIDA PARADE THEATRES 14 NIDA is funded by the Australian Government through the Ministry for the Arts, DEVELOPMENT 15 Attorney-General’s Department, and is specifically charged with the delivery of performing arts education and training at an elite level. -
CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
-Season Three- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor and upcoming work includes the feature film 13 Hours: The Secret Soldiers of Benghazi directed by Michael Bay, and And Then There Were None for the BBC. He will also star opposite Timothy Spall and John Hurt in Nick Hamm’s The Journey. Previous television roles include: “Vexed” (BBC), “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). Recent film credits include: Believe with Natasha McElhone and Brian Cox, All Things to All Men alongside Gabriel Byrne and Rufus Sewell, and the lead role in The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor, both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House,” ‘Jerry’ in -
Belvoir Annual Report 2010
Belvoir Annual Report 2010 Belvoir Annual Report 2010 25 Belvoir St, Surry Hills NSW 2010 admin +61 (0)2 9698 3344 fax +61 (0)2 9319 3165 box office +61 (0)2 9699 3444 [email protected] belvoir.com.au Toby Schmitz & Robin McLeavy in Measure for Measure. Photo: Heidrun Löhr. Contents The Belvoir Story 02 Core Values, Principles and Mission 03 Chair’s Report 04 Artistic Director’s Report 06 General Manager’s Report 08 New Artistic Director’s Note 11 2010 Season and Tours 12 B Sharp 26 Creative and Artistic Development 28 Awards 29 Education 30 Board and Staff 33 Donors 34 Partners and Government Supporters 36 Financial Statements 37 Key Performance Indicators 38 Directors’ Report 40 Statement of Comprehensive Income 44 Statement of Financial Position 45 Statements of Cash Flows and Changes in Equity 46 Notes to the Financial Statements 47 Auditor’s Independence Declaration and Report 56 01 The Belvoir Story Core Values and Principles One building. • Belief in the primacy of the Six hundred people. artistic process Thousands of stories. • Clarity and playfulness in One dream. storytelling • A sense of community within the theatrical environment When the Nimrod Theatre building in Belvoir Belvoir’s position as one of Australia’s most • Responsiveness to current Street, Surry Hills, was threatened with innovative and acclaimed theatre companies demolition in 1984, more than 600 people has been determined by such landmark social and political issues – ardent theatre lovers together with arts, productions as The Diary of a Madman, The • Equality, ethical standards and entertainment and media professionals – Blind Giant is Dancing, Cloudstreet, Measure shared ownership of artistic formed a syndicate to buy the building and for Measure, Keating!, Parramatta Girls, Exit and company achievements save this unique performance space in the King, The Alchemist, Hamlet, Waiting inner-city Sydney. -
Annual Report 2011 Annual Report 2011
Annual Report 2011 Annual Report 2011 6 Mission Statement and Board of Management 7 Chairman’s report 10 Artistic Director’s report The Plays 12 Don Parties On by David Williamson MTC is a deparTMenT of 14 A Behanding in Spokane by Martin McDonagh The UniversiTy of MelboUrne 16 Apologia by Alexi Kaye Campbell 18 In the Next Room or the vibrator play by Sarah Ruhl 20 Next to Normal by Tom Kitt and Brian Yorkey 22 The Gift by Joanna Murray-Smith MTC Headquarters 24 The Joy of Text by Robert Reid 252 Sturt St 26 Hamlet by William Shakespeare Southbank VIC 3006 28 Rising Water by Tim Winton 03 8688 0900 30 Clybourne Park by Bruce Norris 32 Return to Earth by Lally Katz The MTC Theatre 34 The Importance of Being Earnest by Oscar Wilde 5 140 Southbank Blvd 36 Lawler Studio: The Dream Life of Butterflies by Raimondo Cortese Southbank VIC 3006 38 Lawler Studio: The Water Carriers by Ian Wilding Box Office 03 8688 0800 40 Lawler Studio: Circle Mirror Transformation by Annie Baker mtc.com.au 42 MTC presents: Not Quite Out of the Woods by Jonathan Biggins, Drew Forsythe and Phillip Scott Venues 44 MTC on Tour Throughout 2011 MTC performed its 45 Awards and nominations Melbourne season of plays at the MTC 46 Literary Manager’s report Theatre, Sumner and Lawler Studio, and 47 Play Readings the Fairfax Studio and Playhouse at Arts Centre Melbourne. MTC Education 48 Education Manager’s report 50 Workshops and participatory events 52 Random by debbie tucker green 54 Australia! The Show! by Aidan Fennessy, Jon Halpin, Jean-Marc Russ and Hayden Spencer -
Nowhere Boys: the Book of Shadows, Mini-Series Seven Types of Ambiguity, and Barracuda
Introduction The wait is over…Australia’s award-winning drama series Glitch returns to ABC, Thursday 14 September at 8.30pm with all episodes stacked and available to binge watch on ABC iview. When it first premiered in 2015, Glitch broke the mold and garnered fans around the country, who became immersed in the story of the Risen - the seven people who returned from the dead in perfect health. With no memory of their identities, disbelief soon gave way to a determination to discover who they are and what happened to them. Featuring a stellar cast including: Patrick Brammall, Emma Booth, Emily Barclay, Rodger Corser, Genevieve O’Reilly, Sean Keenan, Rob Collins and Hannah Monson, Glitch is an epic paranormal saga about love, loss and what it means to be human, and the dark secrets that lie beneath our country’s history. Season two picks up with James (Patrick Brammall), dealing with his recovering wife, Sarah (Emily Barclay) and a new-born baby daughter. He continues to be committed to helping the remaining Risen unravel the mystery of how and why they have returned and shares with them his discovery that Doctor Elishia Mackeller (Genevieve O’Reilly), now missing, died and came back to life four years ago and has been withholding many secrets from the beginning. Meanwhile on the run and desperate, John Doe (Rodger Corser) crosses paths with the mysterious Nicola Heysen (Pernilla August) head of Noregard Pharmaceuticals. Sharing explosive information with him, she convinces him that that the only way to discover answers to his questions is to offer himself up for testing inside their facility. -
AUSTRALIA NOTES for READING GROUPS Brendan Cowell HOW IT
AUSTRALIA NOTES FOR READING GROUPS Brendan Cowell HOW IT FEELS Notes by Robyn Sheahan-Bright CONTENTS: Thematic & Plot Summary Writing Style The Author Questions for Discussion 2 THEMATIC AND PLOT SUMMARY ‘I had no idea how free we were. That’s how free I was.’ (p 33) ‘He was right, my dad; not everything goes away.’ (p 230) This novel is a paean to the lost places of our youths, to the painful and joyful memories of that time, and a lament for the hard facts of life which life itself inevitably presents to us. Neil Cronk is a young man with theatrical ambitions and dreams, a childhood love which he never quite gets right, and two best mates whose lives are intertwined with his life, and with that of his girl. He’s a man whose father has failed him and who therefore suspects that he will fail others in his turn. His journey involves the yearning attached to the dichotomous recognition that nothing ever stays the same, and that nothing we’ve done in life ever entirely leaves us. It’s about the pain human beings wreak on each other and the need to accept that pain with dignity and grace, rather than anger and despair. An actor, writer and director by profession, Brendan Cowell the novelist presents life as a drama which unfolds in three acts, with many circuitous deviations. He leaves ‘our hero’ on the brink of another epiphany, about to embark on a new unknown chapter in his life. This ‘portrait of an artist as a young man’ is painfully honest, brutally frank, darkly humorous and infused with a passionate belief in the human spirit’s ability to overcome despair and to embrace the light. -
Season Embargoed to 8Pm Friday 14 September 2012 We Are Excited to Announce Belvoir’S 2013 Season
2013 season Embargoed to 8pm Friday 14 September 2012 We are excited to announce Belvoir’s 2013 Season. It’s about growing up, or not. About taking chances and attempting to right wrongs. It’s about finding your place in a messy, chaotic world. Ralph Myers kicks off the year with Peter Pan, a work for adults and children alike with a team of fabulous clowns and headed by the funny/dangerous Meyne Wyatt as the boy who wouldn’t grow up. Next up is Cat on a Hot Tin Roof, the Tenessee Williams classic directed by Simon Stone and heralding the long overdue return of Jacqueline McKenzie, who long-term Belvoir audiences will remember for her ethereal Ophelia back in 1994. Speaking of Hamlet, we thought it was time to tackle that great play again, this time Simon Stone directs Toby Schmitz in the title role. Audiences loved Anthea William’s moving production of Old Man in the Downstairs Theatre this year; in 2013 she’s moving Upstairs directing Forget Me Not by Tom Holloway. This will be followed by both parts of Angels in America. It’s a piece of such breadth and ambition that it commands two nights in the theatre and we’re thrilled to have Eamon Flack to direct. Adena Jacobs is a young director of great talent from Melbourne. Her company staged a stunning adaptation of Ingmar Bergman’s film Persona last year and we loved it so much we had to bring it to Sydney to show you. Leticia Caceres and Brendan Cowell are a formidable director/actor team (The Dark Room, 2011). -
Embargoed to 7Pm 3 Sept
MEDIA RELEASE August 2016 EMBARGOED TO 7PM 3 SEPT. Belvoir’s Artistic Director Eamon Flack has unveiled an optimistic and wildly entertaining season of plays for the company’s 2017 Season. There are inventive new plays from Australia and around the world, there are return seasons and tours of popular plays and two of our favourite stage actors in two great classics. Toby Schmitz returns to the Belvoir stage, after a three year absence, in The Rover by Aphra Behn. Schmitz takes the swashbuckling titular role in this raucous and outrageous battle of the sexes from the woman widely considered the first professional female playwright. Flack has reunited his award-winning team from his 2014 sell out hit The Glass Menagerie to find the same freshness and beauty in Henrik Ibsen’s Ghosts. Pamela Rabe stars as the fierce mother Helene Alving. ‘Our 2016 Season has been very much about reflecting on our past, both for Belvoir and in a wider cultural sense,’ says Flack. ‘With the 2017 Season we are taking an imaginative leap into the future. In this season, characters dream big in the midst of disaster and confusion. They fight passionately for a brighter future. This is a season of plays that unleashes the possibility that maybe the 21st century won’t be an unmitigated disaster.’ Two of the most inventive and exciting plays out of New York’s Playwrights Horizons in recent years are Hir by Taylor Mac and Anne Washburn’s Mr Burns, a Post-Electric Play, and they are both in our 2017 Season.