MICHAEL JACKSON, 10 YEARS AFTER a Documentary Directed by Gilles Ganzmann, Produced by JARAPROD

Total Page:16

File Type:pdf, Size:1020Kb

MICHAEL JACKSON, 10 YEARS AFTER a Documentary Directed by Gilles Ganzmann, Produced by JARAPROD MICHAEL JACKSON, 10 YEARS AFTER A documentary directed by Gilles Ganzmann, produced by JARAPROD PROVISIONAL DELIVERY: AUTUMN 2018 PITCH On 25 June 2009, the sudden death of Michael Jackson triggered an outpouring of emotion around the world, On that day, the King of Pop brutally disappeared, leaving many secrets behind… and his three children, Prince, Paris, and Blanket, lost their father. A father so unlike any other. A decade on, people have opened up and another side to Michael Jackson has emerged. Thanks to exclusive interviews exclusive interviews of his father, Joe Jackson, his brothers Tito and Jermaine, his friends, his managers, his employees, dancers and choreographers in his clips, his greatest fans and those closest to him, we will reveal the secrets that were unveiled after his death and what has become of his empire and businesses. Who manages Michael’s huge fortune and his inheritance? 10 years later, has the mystery of his death been elucidated? Who found his body? Did the pressure of the “This is it” concerts push Michael to overdose? Why did it take 3 months to bury his body? What has become of Neverland? We will meet employees who speak for the first time. 10 years later, what have become of his children, Paris, Prince and Blanket? A road trip investigation, filled with music, to discover everything we ever wanted to know about the disappearance of the greatest idol of all time. Discover a Michael Jackson you had not imagined… 1 July 2009: Paris acson, aged 0 at his father’s burial, saying, “He has been the best father you can ever imagine, and I love him so much.” March 2018: a photo of aris Jacson kissing top model ara elevingne on the mouth caused a media storm 2 SYNOPSIS he narrative frameor ill be structured around five main themes: 1) as Michael acson illed, as it a suicide, or as his death an accident? hortly before he died, ichael acson as dealing ith some serious legal and financial problems. He as on medication and had invested a lot in his ucoming tour. 2) hat hapened to his 12km2 Neverland ranch, hich included a theme par, theater, and a house ith 16 bedrooms and 9 bathrooms. ichael acson inside everland 3 Vie of NEVERLAND alley anch in anta arbara (alifornia 3) Ho did his mother, father, and brothers vie Michael acson the star Ho did it change after his death? And ho did his mother Katherine, aged 78, tae care of her three grandchildren atherine and rince Jacson at the world remiere of ichael acson N in 013 4 4) hat as it like groing up for Prince, aris, and lanet? he star’s three children who are no aged 21, 0 and 6 resectively. hen they ere young, they ore mass to hide their identity, hile today they are hounded by the media. Michaël acson ith his children, Prince an aris (2004) 5) What has happened to Michael Jackson’s business interests since his death? 5 SEQUENCES 1/ 10 EARS ATER: AT AUSED IS DAT AND W AS RESPONSIBLE? Who discovered Michael Jackson’s body? Did the pressure of the This Is It tour and the threat of bankruptc push Michael to take an overdose? Wh did it take three months to bur his body? We will discover how nobody wanted to pay or Michael Jackson’s burial, and yet a few days after his death AEG oranized a huge show about the star the TV rights to which would hae been sold for illions 2 10 EARS ATER: IS ORTUNE Michael Jackson is ranked #1 in the orbes list o the richest dead en in the world ahead o lvis Presle and John ennon ut while he was still alive he aced bankrupcy and was paying off debts to olony apital, an investment und that bought up all his debts and his Neerland home Where does the one (150-200,000 euros every onth given to his other atherine Jackson and his three children come rom? is will says the will only inherit ater they turn 5. 6 3 10 EARS ATER: IS HILDREN What kind of childhood did Michael Jackson’s children have and what was he like as a father? Prince Jackson is now 21 and lives alone e dreams of being an actor and director but for now, only produces short films What is life like as the son of Michael Jackson? How is he received in Hollywood? What has the last decade been like for him? rince JACKSON, aed 0 2018) Blanket J, aed 1 (2016 Paris J, aed 19 (2018) Paris Jackson has ust celebrated her 0th birthday he is no longer the model daughter who cried as her father was buried and whose words at that event broke hearts around the world he has spent the last 10 years rebuilding her relationship with her mother Debbie owe nd today, she is loved by the paparazi, who report her every outing and escapade lanket is 16 years old, and still lives with his grandmother, Katherine. We know relatively little about Michael Jackson’s youngest son, whose resemblance to his father is striking 7 4 0 YEARS LATER: FMLY His mother, Katherine Jackson, lives in alabasas, opposite to the home of the Kardashians. he is the only person to receive any money from her son’s estate, paid monthly by the lawyer who handles the will. t the age of 8, and after having already raised nine children of her own, she is now acting as a mom again to her three grandchildren, who were aged 1, 0, and five when their father died. he had to adat her life to this new mission and has a close relationship with J, Michael Jackson’s nephew, the children’s tutor. Michael Jackson’s father lives in Las Vegas and takes care of his son’s business dealings. 5/ 0 YEARS LATER: EVERLAND What is the story of this ranch one of a kind, with running costs of more than a million dollars er month and which once had its own post office? Neverland was Michael Jackson’s dream – a former ranch transformed into a giant amusement park with a oo and a home with over 50 rooms. Neverland also contributed to Michael Jackson’s financial problems. Who owns it now and how much is it worth? Was it sold? What hapened to the rides, the staff, and the animals? nd meanwhile, all of Michael Jackson’s possessions are piled up in a warehouse in Santa Monica. 8 DIRECTOR’S NOTE his documentary will not be a biography, rather a film about Michael Jackson as told by those closest to him, including family, friends, and business partners, on the 10th anniversary of his passing. We will interview ito Jackson, Joe Jackson, Linda Deutsch, uz ohan, ay obledo, loria erlin, la ay, to name but a few see complete list of speakers page 11 to 3. his film will also be a chance to reveal some hitherto unseen personal documents shared by his family, along with some rare images of Neverland and of his children. o illustrate the documentary, we will also have access to footage from Michael Jackson’s concerts, and extracts of legendary music videos like Thriller and Smooth Criminal. la ay, Michael Jackson’s partner in the Thriller video, and Vince atterson, who choreographed Smooth Criminal, will take part in the film. or the first time, we will talk to those closest to Jackson, and paint a more intimate and more comple portrait one of the most famous people the world has ever seen. Smooth Criminal (1988 9 SEERS IST Joe ckson is ater t te venerale ae o 9, or te irst time, Joe acson revisits te reationsip he ad it his son He aso recounts o e too a step bac ater his death. He had sons and 3 daghters it aterine acson He as te oundation or te Jackson Five and icae Jacson's sccess Tit ackson, is roter ito is te tird son o te faily and among te cosest to icae acson; e as his conidante He tells o he had aays een different but aso at happened itin te aily ater e had passed aa. Jermaine ckson, is rother Jeraine is te ourt son of te faily He aas ad a complicated reationsip it Micae –whom e sa as a riva. He is actaly one o te e roters who anaed to ae a nae for imse and ave a semblance of a career He retels is reationsip it his roter but aso at e discovered ater his passing. 10 O Ry act from Thriller clip Sh i eading r in h Thriller ideo. Wi mor than 6 million album old oughout world Ol Ray w mu o h reputation ideo. no obody rememb her nam er fam still considerabl – although do no benefi om t. You ll discov Michael ackson guilty abou i 10 year ater d alway y er side. Gloria Roads erlin Katherin ackson' bes friend d confidante Gloria h een Katherin Jackson' osest end fo over 0 – in tim o joy d n m of sorro n told abou every littl ng. Gloria ll tell ou thei family cret You ll find u h who und everland d manag e. Buz ohan friend and author for Michael Jackson’s songs H i y gu in ollywood yet do not ou often. e ng d comedy write – notably fo mmy Davi Junio ank Sin and Astair Michael ackson ad one everything o tay n ou wi m rd to meet egend held n igh rd d discov th secret repli at strong endship rmed etwe him d z Koha – who a so autho atest scar ceremony 11 Vince rson Michael Jackson and Madonnas choreograher horeograher for the hriller ooth riminal and lack or hite videos among other horeograher for Madonnas entire Ambition Tour, choreograher for Björk in the movie Dancer in the Dark.
Recommended publications
  • Joe Jackson Dead at 89
    2726 S. Beckley Ave • Dallas, Texas 75224 ISSN#0746-7303 P.O. Box 570769 Dallas, Texas 75357 - 0769 Serving Dallas More Than 65 Years — Tel. 214 946-7678 - Fax 214 946-7636 — Web Site: www.dallasposttrib.com — E-mail: [email protected] 50¢ VOLUME 70 NUMBER 41 SERVINGTHEBLACKCOMMUNITYWITHOUTFEARORFAVORSINCE1947 July 5 - July 11, 2018 Rev.JesseJacksonPushesForFederalAnti-LynchingLawThe Time Is Now! BY JEFFREY L. BONEY NNPA Newswire Political Analyst If history has proven one thing, it’s that when Reverend Jesse L. Jackson speaks, the nation tends to always listen. Rev. Jackson continues to use his voice to speak on an atrocity that has plagued Black peo- ple for decades—the horrific act of lynch- ing. While in town to receive the 2018 Lifetime Legacy Award from the National Newspaper Publishers Association (NNPA) at their NNPA Awards National Legacy Awards Black Tie Gala and Annual Convention in Norfolk, Virginia, Rev. Jackson spoke to NNPA publishers about the need to adopt legislation to address the despicable act of lynching. “Lynching should be a federal crime,” Rev. Jackson told the group of publishers at the NNPA Annual Convention. “Blacks are still being lynched today. Not just with a rope. Unarmed Blacks are being killed on a regu- lar basis and it must be addressed. More people were killed after slavery than before slavery. Prior to the ending of slavery we were considered assets, but after slavery we were considered a threat, because we could vote. We need this legislation now.” Rev. Jackson believes that addressing the issue of lynching in this country is long over- due, and he has been aggressively pushing for members of Congress to step up to the ReverendJesseJackson,Rainbow/PUSHCoalition plate and officially make lynching a federal crime.
    [Show full text]
  • Letter Reso 1..4
    *LRB09613384KXB28107r* HR0544 LRB096 13384 KXB 28107 r 1 HOUSE RESOLUTION 2 WHEREAS, The members of the Illinois House of 3 Representatives and State Representative Monique D. Davis are 4 saddened to learn of the death of Michael Jackson, who passed 5 away on June 25, 2009; and 6 WHEREAS, Michael Joseph Jackson was born on August 29, 1958 7 in Gary, Indiana to Joseph and Katherine Jackson; at the age of 8 4, he began singing with his brothers, Marlon, Jermaine, 9 Jackie, and Tito, as the Jackson 5; and 10 WHEREAS, By 1968, the Jacksons had cut singles for a local 11 Indiana label called Steeltown; at an engagement that year at 12 Harlem's famed Apollo Theater, singer Gladys Knight and pianist 13 Billy Taylor saw their act and recommended them to Motown 14 founder Berry Gordy; and 15 WHEREAS, Motown moved the Jacksons to California, and in 16 August 1968 they gave a breakthrough performance at a Beverly 17 Hills club called The Daisy; their first album, "Diana Ross 18 Presents the Jackson 5," was released in December 1969, and it 19 yielded the No. 1 hit "I Want You Back," with 11-year-old 20 Michael on the lead vocals; "ABC," "I’ll Be There," and other 21 hits followed, and the group soon had their own television 22 series, a Saturday morning cartoon, and an array of licensed -2-HR0544LRB096 13384 KXB 28107 r 1 merchandise aimed at youngsters; and 2 WHEREAS, By 1972, Michael Jackson had his first solo album, 3 "Got to Be There," which included the title hit as well as 4 "Rockin' Robin"; his first solo No.
    [Show full text]
  • Master's Thesis
    I Know I Am Someone: Michael Jackson, Thriller, and American Identity by Sara Tenenbaum B.A. in American Studies, May 2006, Brandeis University A Thesis submitted to The Faculty of the Columbian College of Arts and Sciences of George Washington University in partial fulfillment of the degree requirements for the degree of Master of Arts May 15, 2011 Thesis Directed by James A. Miller Professor of English and American Studies © Copyright 2011 by Sara Tenenbaum All rights reserved ii Abstract of Thesis "I Know I Am Someone: Michael Jackson, Thriller, and American Identity" This thesis addresses the cultural phenomenon surrounding Michael Jackson's 1982 album Thriller and uses it as a lens through which to view and analyze the development of a distinct American, primarily youth, identity in 1983 and 1984. It is structured using a three-prong approach that first analyzes the sonic work of the music of Thriller, second explores the characteristics of Michaelmania and the youth identity being constructed within the Michael Jackson pop explosion, and third analyzes the backlash from both the white and African American communities against Jackson in that time to illuminate his subversion and danger to the status quo. I argue that Jackson's act of profound crossover during the Thriller era triggered within the American youth an equally profound act of identity formation that transcended racial stratification in America's past and created a foundational part of our contemporary identity that moves slightly beyond America's troubled racial history. Using both the voices of his fans and his critics to tease out the work his person and his music did in the early 1980's, I advocate we keep Jackson and his work foregrounded in our study of popular culture in the late 20th and early 21st centuries, as his pop explosion fundamentally and permanently effected how Americans understand ourselves and our relations with each other.
    [Show full text]
  • The Triple System of Family Law
    Scholarship Repository University of Minnesota Law School Articles Faculty Scholarship 2013 The Triple System of Family Law June Carbone University of Minnesota Law School, [email protected] Naomi Cahn George Washington University Law School, [email protected] Follow this and additional works at: https://scholarship.law.umn.edu/faculty_articles Part of the Law Commons Recommended Citation June Carbone and Naomi Cahn, The Triple System of Family Law, 2013 MICH. ST. L. REV. 1185 (2013), available at https://scholarship.law.umn.edu/faculty_articles/203. This Article is brought to you for free and open access by the University of Minnesota Law School. It has been accepted for inclusion in the Faculty Scholarship collection by an authorized administrator of the Scholarship Repository. For more information, please contact [email protected]. THE TRIPLE SYSTEM OF FAMILY LAW June Carbone & Naomi Cahn* 2013 MICH. ST. L. REv. 1185 TABLE OF CONTENTS INTRO DUCTIO N ........................................................................................ 1185 I. T HE SYSTEM S.................................................................................... 1192 A . C lass .......................................................................................... 1 192 B. Family Demographics: The Elite and the Marginalized ........... 1194 C. Family Demographics: The Middle .......................................... 1199 II. THE SYSTEMS AND THE LAW: THE NEW MARITAL SCRIPT [OR INTERACTIONS BETWEEN THE LAW AND THE TRIPLE SY STEM S] .........................................................................................
    [Show full text]
  • \\Apollo Vol1 Server\Vol1\Groups
    Case 1:03-cv-00844-SEB-MJD Document 227 Filed 11/10/05 Page 1 of 4 PageID #: <pageID> UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF INDIANA INDIANAPOLIS DIVISION ELVY WOODARD, WILLIAM ADAMS ) a/k/a GORDON KEITH, ALAN MICHAEL ) ROGERS and RIPPLES AND WAVES; ) ) Plaintiffs, ) ) v. ) ) MICHAEL JACKSON, TITO JACKSON, ) MARLON JACKSON, JACKIE ) JACKSON, JERMAINE JACKSON, ) CASE NO. 1:03-cv-0844-DFH JOSEPH JACKSON, THE JACKSON ) FIVE, UNIVERSAL MUSIC GROUP, a ) California corporation, as successor ) in interest to MOTOWN RECORD ) CORPORATION, a dissolved Michigan ) Corporation, and MOTOWN RECORD ) CORPORATION OF CALIFORNIA, INC., ) a dissolved California corporation, and ) DOES 1 THROUGH 100, inclusive, ) ) Defendants. ) JUDGMENT AWARDING ATTORNEY FEES The court having this day granted the attorney fee petitions filed by plaintiffs, it is hereby ORDERED, ADJUDGED, AND DECREED that plaintiffs’ attorney Norman Reed recover from defendants Tito Jackson, Marlon Jackson, Jermaine Jackson, and Jackie Jackson, jointly and severally, the sum of Three Thousand Five Hundred Thirty Dollars ($3,530.00), and that plaintiffs’ counsel Gerald Roberts recover from defendants Tito Jackson, Marlon Jackson, Jermaine Case 1:03-cv-00844-SEB-MJD Document 227 Filed 11/10/05 Page 2 of 4 PageID #: <pageID> Jackson, and Jackie Jackson, jointly and severally, the sum of Eleven Hundred Twenty Dollars ($1,120.00). Date: November 10, 2005 DAVID F. HAMILTON, JUDGE United States District Court Southern District of Indiana Laura Briggs,A. Briggs, Clerk Clerk United States District Court BY: ______________________________ By: Deputy Deputy Clerk Clerk, U.S. District Court -2- Case 1:03-cv-00844-SEB-MJD Document 227 Filed 11/10/05 Page 3 of 4 PageID #: <pageID> Copies to: Scott H.
    [Show full text]
  • WSJ Real Estate
    Trouble viewing this email? View in web browser › REAL ESTATE Some people collect stamps. Some, wealthier than I, collect vintage cars. Personally, I stick to fridge magnets from the 50 U.S. states. Ron Burkle has us all beat, it seems. The billionaire investor and Pittsburgh Penguins owner has a penchant for collecting high-end homes. “It’s a nondefensible number,” he says. You may remember Mr. Burkle grabbing headlines late last year after he bought Neverland Ranch for $22 million. But his real-estate portfolio extends far beyond Michael Jackson's ranch, and includes estates like Greenacres in Beverly Hills, a once "fake apartment" in New York, and a volcano-inspired home in Palm Springs. Mansion's Katherine Clarke takes us on a tour of some of Mr. Burkle's most notable properties right here. Ron Burkle recently completed a massive restoration of Bob Hope’s former Palm Springs home.MICHAL CZERWONKA FOR THE WALL STREET JOURNAL Mr. Burkle's La Jolla home spans about 50,000 square feet. MICHAL CZERWONKA FOR THE WALL STREET JOURNAL We also visit Napa, where artist Gordon Huether built a minimalist home made of glass and aluminum. Mr. Huether, who constructed the property with his wife, Darcy Tunt, didn't "want to live in someone else's house," so he filled the 3,000-square-foot home on the banks of the Napa River with his own artwork. Mansion's Nancy Keates shows us around the place here. And finally, Mansion reporter Candace Taylor tells the tale of a real-estate agent who invited TikTok influencers to film inside her $5.299 million Santa Monica listing.
    [Show full text]
  • The 1993 Allegations
    The Michael Jackson Allegations The Michael Jackson Allegations An extensive discussion of the 1993 Chandler/Francia allegations, the 2005 Arvizo trial, and a FAQ section v2.1. A PDF version of the website https://themichaeljacksonallegations.com/ 1 The Michael Jackson Allegations Table of Contents Foreword ............................................................................................................................. 3 The 1993 Allegations ...................................................................................... 4 Key players .......................................................................................................................... 5 The Timeline ....................................................................................................................... 6 Michael Jackson’s first accuser – meet the Chandler family! ........................................... 20 Evan Chandler’s “Suspicions” .......................................................................................... 26 Taped phone conversations between Evan Chandler and David Schwartz....................... 36 How Did The Allegations of the Chandlers Emerge? ....................................................... 79 The Use of Sodium Amytal? ............................................................................................. 84 The Chandlers’ Monetary Demands ................................................................................. 87 The Chandler Allegations .................................................................................................
    [Show full text]
  • Record-Mirror-1974-0
    SectacuIarr- BOWIE returns - lull reDOrl P.8 RECORD 8 RADIO I MIRROR . I U i 5'' 4.0.5_ ;.. Í Í , ó THE -JACKSON 1,2 '4T1 '. Í CREAT ONES mu- A lilt ROAM) P AT ION 72 JUNE 1974 7P i TT[HMANIA o ROCKS BRI'IN * * * o , .1rie 4. _ QUATRO k. says: 'I'm not likes** that' 4 nr 4. '2-111- 12RM d the ys. ...9 BOTTOM? .., _ , * * * '41'j PusBóC ream top fifty and the B TTchart service RECORD B radio MIRROR, JUNE 22, 1974 RRM/BBC chart Chart chatter 111ECORD Supplied by BMRB mioA HE'S DONE ITI Young Gary takes the lop spot and pushes Ray to second place. And now, there'. strong challenge from Scaffold with Liverpool has but how about She from Charles Arnavour? Tho might of the televlilon theme has struck sgalaf There's also a dramatic chart Jump from The Drifters, yep, It's a 25 place mare.. Ink,, continues his frantic chart climbing and now, fur thin week,. rests al ten. Se. We a week of RIG MOVERAI 0 ONTO THE CHART. outside of Charles Arnavour, comes the Scotland World Clip Squad. David Bowie. Mott The Hoople, Thunderthtghe. 'The Womble. and Neil Sedaba. Just as well they use the words, "Cup Squad" for my. oh rely, there sewn to be changes daily In the selection news. The 111 Bowie single la, of Collrae, yet another single culled from an album. He and Elton John must hold the ee record for able kind of record issuing. Bowl.'. ; g single le an edited album version, at that! Still, maybe We the B side, Holy, Holy, none from 5119115 13 3s Al1YMi Space Oddity time which le the real moat.
    [Show full text]
  • Michael Jackson's Gesamtkunstwerk
    Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012).
    [Show full text]
  • The Advantages of Music Publishing for Songwriters Within the Nigerian Regulatory Framework1 1. Introduction the Curtains Are U
    Intellectual Property 20th August 2021 Franklin Okoro The Advantages of Music Publishing for Songwriters within the Nigerian Regulatory Framework1 1. Introduction The curtains are usually drawn to behold the performance of a music artist/singer who, in most cases, thrives greatly on the lyrical composition of a songwriter who is backstage and mostly unacknowledged. An artist can also be a songwriter but in this case, reference is being made to an independent songwriter who is not doubling as a vocalist. This article seeks to explore the avenues through which a songwriter not only retains total ownership and control of his original work but can capitalize on certain legitimate channels to preserve ownership and make financial gains through Music Publishing. Music publishing can be explored in two areas: (i) sound recording and, (ii) song-writing. The latter category will be the major focus of this article. 2. Background Music publishing is the act of commercially utilizing the works of songwriters by making these works available to the public. This could be carried out by the writers themselves or by a designated representative or administrator, i.e., a music publisher. The history of music publishing dates back to over a century ago when mechanical methods were developed for printing sheet music, and publishing sheet music used to be a publisher’s primary activity and source of revenue - a situation that has since changed. Due to the technological advancements in the production and consumption of music over the years, music publishers have been forced to change their long-established business model from selling a product (like ‘sheet music’), over which they had complete control, to managing 1 Franklin Okoro, Associate Intern, SPA Ajibade & Co., Abuja, NIGERIA.
    [Show full text]
  • Michael Jackson Betwixt and Between: the Construction of Identity in 'Leave Me Alone' (1989)
    Contents Introduction 2 Chapter 1: Literature Review 4 1.1: Past Research: On Michael Jackson Studies 4 1.2: Disability Studies 4 1.2.1: The Static Freak/Plastic Freak 6 1.3: Defining the Liminal 7 1.4: Postmodern Theory: The Social Construction of Identity 8 Chapter 2: Methodology 10 Chapter 3: Analysis 12 3.1: Narrative Structure of ‘Leave Me Alone’ 12 3.2: Media Narratives in ‘Leave Me Alone’ 13 3.3: The Static Freak/Plastic Freak in ‘Leave Me Alone’ 15 3.4: Liminal Identity: Temporary Phase/Permanent Place 16 3.5: Postmodern Subjects: The Aesthetics of the Collage 17 3.6: Identity and Postmodernism: The Problem With Disability Studies 18 Chapter 4: Conclusion 20 Bibliography 22 Attachment 1: Images 24 Attachment 2: Shotlist ‘Leave Me Alone’ 27 1 Introduction ‘The bottom line is they don’t know and everyone is going to continue searching to find out whether I’m gay, straight, or whatever … And the longer it takes to discover this, the more famous I will be.’1 * * * ‘Michael’s space-age diet’, ‘Bubbles the chimp bares all about Michael’, ‘Michael proposes to Liz’, ‘Michael to marry Brooke’. These may look like part of the usual rumors about Jackson frequently appearing in the media, however, they are not. Instead, these headlines are the opening scene of the music video for Jackson’s song ‘Leave Me Alone’, released on January 2, 1989, and directed by Jim Blashfield. Jackson opens by singing the words: I don't care what you talkin' 'bout baby I don't care what you say Don't you come walkin' beggin' back mama I don't care anyway ‘Leave Me Alone’ is a response to the rumors that began to circulate in the media after the worldwide success of Jackson’s 1982 album Thriller.
    [Show full text]
  • Episode 061: Jonathan 'Sugarfoot' Moffett Special If Using
    The MJCast - Episode 061: Jonathan ‘Sugarfoot’ Moffett Special If using any of the below text, please reference The MJCast and display the following podcast URL. Thank-you. http://www.themjcast.com/episode-061-jonathan-sugarfoot-moffett-special/ The MJCast (Q): Hello, and welcome to the MJCast! I am Q, one of your hosts for today, and today we're interviewing one of Michael's most long-standing collaborators—potentially his most long-standing. The MJCast (Jamon): Jonathan 'Sugarfoot' Moffett worked with Michael Jackson and the Jacksons as their tour drummer starting in 1979 with the "Destiny Tour", and continued to work with them later for the "Triumph Tour", the "Victory Tour", Michael's 1988 Grammy Awards performance, the "HIStory World Tour", his "30th Anniversary" shows, and, eventually, "This is It". MJCast (Q): Not only did Jonathan Sugarfoot have the honor of collaborating closely with the Jacksons, but he has also toured with artists such as Madonna, George Michael, Prince, Elton John, and Lionel Richie. MJCast (Jamon): Jonathan, it's an honor to have you here on the MJCast how're you going? Jonathan Moffett: I'm doing pretty good—I've been doing pretty good. A little mistake in there—I'd never toured with Prince. I've worked in a studio [where] Madonna and Prince [were] on the same song "Keep it Together", so I've never toured. I don't want misinformation to get out there, so I've never toured with Prince, although he has asked me about touring with him, which never just came about because he was at a lot of the after parties at the Jackson shows, Elton shows, and cameo shows, and he'd speak to me and give me a combination of performance and he asked me about playing with him, but it just never happened.
    [Show full text]