Data on Tolkien Fanfiction Culture and Practices, 1St Edition

Total Page:16

File Type:pdf, Size:1020Kb

Data on Tolkien Fanfiction Culture and Practices, 1St Edition Data on Tolkien Fanfiction Culture and Practices 1st Edition Dawn M. Walls-Thumma [email protected] dawnfelagund.com April 2019 Creative Commons Attribution Non-Commercial License Data on Tolkien Fanfiction Culture and Practices Table of Contents Introduction ....................................................................................................................... 5 License and Use ............................................................................................................... 6 Study Methodology ........................................................................................................... 7 Study Limitations ............................................................................................................... 9 Chapter One: Demographics Gender ......................................................................................................................... 10 Age ............................................................................................................................... 11 Chapter Two: Modes of Participation Reading ........................................................................................................................ 14 Writing .......................................................................................................................... 15 Commenting ................................................................................................................. 18 Chapter Three: Fandom Initiation .................................................................................. 20 Chapter Four: Multifandom Participation Primary Fandom ........................................................................................................... 23 Other Fandoms ............................................................................................................ 24 Other Fandom Types.................................................................................................... 26 Chapter Five: Sources .................................................................................................... 28 Chapter Six: Archives Author Use of Archives ................................................................................................. 30 Archive Cultures: Methodology ..................................................................................... 31 Archive Cultures: Authority ........................................................................................... 32 Archive Cultures: Social Justice ................................................................................... 35 Archive Cultures: Critical and Reparative Motives ........................................................ 37 Archive Cultures: Sexuality ........................................................................................... 39 Gatekeeping and Belonging ......................................................................................... 41 Chapter Seven: Genre Author Genre Preference ............................................................................................. 45 Reader Genre Preference ............................................................................................ 46 Genre and Demographics ............................................................................................ 47 Genre, Authority and Critical Motives ........................................................................... 49 Genre in the Wider Fic Fandom .................................................................................... 50 © 2019 Dawn Walls-Thumma Creative Commons Attribution Non-Commercial License 2 Data on Tolkien Fanfiction Culture and Practices Chapter Eight: Tolkien Studies and Fanfiction Research and Reading among Authors ........................................................................ 52 Textual Analysis among Authors .................................................................................. 53 Research and Reading among Readers of Tolkienfic ................................................... 54 Textual Analysis among Readers ................................................................................. 55 Chapter Nine: Motives for Writing Inferential Motives ........................................................................................................ 56 Interpretive Motives ...................................................................................................... 57 Critical Motives ............................................................................................................. 58 Appreciative Motives .................................................................................................... 59 Social Justice Motives .................................................................................................. 61 Corrective Motives ........................................................................................................ 62 Communal Motives ....................................................................................................... 63 Personal Motives .......................................................................................................... 63 Spiritual Motives ........................................................................................................... 64 Motives Related to Sexuality ........................................................................................ 65 Media-Related Motives ................................................................................................. 65 Miscellaneous Motives ................................................................................................. 66 Putting It All Together: Overall Ranking of Motives ....................................................... 66 Chapter Ten: Reader Preferences Inferential Interests ....................................................................................................... 72 Interpretive Interests ..................................................................................................... 73 Critical Interests and Authority ...................................................................................... 74 Appreciative Reasons for Writing ................................................................................. 75 Social Justice Interests ................................................................................................. 76 Communal Interests ..................................................................................................... 77 Personal Interests ........................................................................................................ 78 Spiritual Interests .......................................................................................................... 78 Interests Related to Sexuality ....................................................................................... 79 Media-Related Interests ............................................................................................... 79 Miscellaneous Interests ................................................................................................ 80 Specific Story Selection ................................................................................................ 81 Putting It All Together: Overall Ranking of Interests ..................................................... 81 Chapter Eleven: The Craft of Writing Author Attitudes toward Writing .................................................................................... 85 Author Perceptions of Improvement ............................................................................. 85 Writing beyond Tolkienfic ............................................................................................. 86 Reader Perceptions of Tolkienfic Quality ...................................................................... 87 © 2019 Dawn Walls-Thumma Creative Commons Attribution Non-Commercial License 3 Data on Tolkien Fanfiction Culture and Practices Chapter Twelve: Community Collective Creativity ...................................................................................................... 88 Communal Interests, Revisited ..................................................................................... 90 Social Needs ................................................................................................................ 91 Chapter Thirteen: Commenting Commenting Frequency ............................................................................................... 93 Praise and Criticism in Comments ................................................................................ 94 Motives for Commenting ............................................................................................... 95 Author Perceptions of Commenting .............................................................................. 97 Lack of Commenting .................................................................................................... 98 One-Click Feedback ..................................................................................................... 98 Appendix A: Survey Consent Form and Questions ........................................................... 100 Appendix B: Additional Fandoms Listed by Participants .................................................... 113 Appendix C: Data for Selected-Response
Recommended publications
  • Gender and Consent in Supernatural Fanfiction's Alpha/Beta/Omega
    i Just Go Find Yourself a Nice Alpha: Gender and Consent in Supernatural Fanfiction’s Alpha/Beta/Omega Universe by Tessa Barone A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Arts in English (Honors Scholar) Honors Baccalaureate of Arts in History (Honors Scholar) Presented May 28, 2019 Commencement June 2019 ii iii AN ABSTRACT OF THE THESIS OF Tessa Barone for the degree of Honors Baccalaureate of Arts in English and Honors Baccalaureate Arts in History presented on May 28, 2019. Title: Just Go Find Yourself a Nice Alpha: Gender and Consent in Supernatural Fanfiction’s Alpha/Beta/Omega Universe. Abstract approved:_____________________________________________________ Rebecca Olson Shows, books, and media are constantly negotiating power with their fans. Who decides what is canon? To whom does the story belong?? The answer has traditionally been in favor of producers. However, in the age of the internet, fans now hold considerably more power than they ever have before, and some shows, like the CW’s Supernatural, respond by participating in “fanservice.” Many fans of this show strongly support slash and incest pairings, and by allowing such interpretations to be acknowledged in the narrative Supernatural makes increasingly transgressive readings available to the audience. The trope known as “Alpha/Beta/Omega Dynamics” is extremely popular, borderline pornographic, and virtually eradicates women from the narrative—instead depicting a relationship between men that is highly heterosexual in dynamic. This trope deconstructs the gender binary by assigning gender roles based on behavior, rather than biology, and appeals to an animal code of ethics in order to indulge in problematic, sexist, and abusive sexual situations.
    [Show full text]
  • Radicalizing Romance: Subculture, Sex, and Media at the Margins
    RADICALIZING ROMANCE: SUBCULTURE, SEX, AND MEDIA AT THE MARGINS By ANDREA WOOD A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2008 1 © 2008 Andrea Wood 2 To my father—Paul Wood—for teaching me the value of independent thought, providing me with opportunities to see the world, and always encouraging me to pursue my dreams 3 ACKNOWLEDGMENTS I would like to thank Kim Emery, my dissertation supervisor, for her constant encouragement, constructive criticism, and availability throughout all stages of researching and writing this project. In addition, many thanks go to Kenneth Kidd and Trysh Travis for their willingness to ask me challenging questions about my work that helped me better conceptualize my purpose and aims. Finally, I would like to thank my friends and family who provided me with emotional and financial support at difficult stages in this process. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 LIST OF FIGURES .........................................................................................................................7 ABSTRACT .....................................................................................................................................9 CHAPTER 1 INTRODUCTION ..................................................................................................................11
    [Show full text]
  • The Roots of Middle-Earth: William Morris's Influence Upon J. R. R. Tolkien
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2007 The Roots of Middle-Earth: William Morris's Influence upon J. R. R. Tolkien Kelvin Lee Massey University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Literature in English, British Isles Commons Recommended Citation Massey, Kelvin Lee, "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " PhD diss., University of Tennessee, 2007. https://trace.tennessee.edu/utk_graddiss/238 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled "The Roots of Middle-Earth: William Morris's Influence upon J. R. R. olkien.T " I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. David F. Goslee, Major Professor We have read this dissertation and recommend its acceptance: Thomas Heffernan, Michael Lofaro, Robert Bast Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Kelvin Lee Massey entitled “The Roots of Middle-earth: William Morris’s Influence upon J.
    [Show full text]
  • Fan Cultures Pdf, Epub, Ebook
    FAN CULTURES PDF, EPUB, EBOOK Matthew Hills | 256 pages | 01 Mar 2002 | Taylor & Francis Ltd | 9780415240253 | English | London, United Kingdom Fan Cultures PDF Book In America, the fandom also began as an offshoot of science fiction fandom, with fans bringing imported copies of Japanese manga to conventions. Rather than submitting a work of fan fiction to a zine where, if accepted, it would be photocopied along with other works and sent out to a mailing list, modern fans can post their works online. Those who fall victim to the irrational appeals are manipulated by mass media to essentially display irrational loyalties to an aspect of pop culture. Harris, Cheryl, and Alison Alexander. She addresses her interests in American cultural and social thought through her works. In doing so, they create spaces where they can critique prescriptive ideas of gender, sexuality, and other norms promoted in part by the media industry. Stanfill, Mel. Cresskill, N. In his first book Fan Cultures , Hills outlines a number of contradictions inherent in fan communities such as the necessity for and resistance towards consumerism, the complicated factors associated with hierarchy, and the search for authenticity among several different types of fandom. Therefore, fans must perpetually occupy a space in which they carve out their own unique identity, separate from conventional consumerism but also bolster their credibility with particular collectors items. They rose to stardom separately on their own merits -- Pickford with her beauty, tumbling curls, and winning combination of feisty determination and girlish sweetness, and Fairbanks with his glowing optimism and athletic stunts. Gifs or gif sets can be used to create non-canon scenarios mixing actual content or adding in related content.
    [Show full text]
  • Collecting Tolkieniana at the Marquette University Archives
    [Slide 1] Title—One Fandom to Rule Them All: Collecting Tolkieniana at the Marquette University Archives. [Slide 2] Marquette University here in Milwaukee has a student population of roughly 8,000 undergraduates and 3,000 graduate students. Our Department of Special Collections and University Archives stands on three pillars: University Records, rare books, and manuscript collections. All three come together to form our department. [Slide 3] Among our manuscript collections, arguably the most notable is the J. R. R. Tolkien Collection. At the heart of this collection are the manuscripts that Marquette purchased from Professor Tolkien in 1957, some of which came into Marquette’s possession around that time; others arrived much later, sent by Tolkien’s son and literary executor, Christopher. This remarkably comprehensive collection of manuscripts documents the creation of four of Tolkien’s imaginary works: in order of their publication, The Hobbit, Farmer Giles of Ham, The Lord of the Rings, and Mr. Bliss. A question cries out here for an answer: Why is this collection at Marquette University? [Slide 4] The 30-seconds sound bite answer is because of the vision of this man – William B. Ready, pictured here in front of the then brand new Memorial Library on Marquette’s campus. In 1956 Marquette hired Ready from Stanford to be its library director and to stock this new library with books and manuscripts. Ready identified Tolkien as somebody whose manuscripts he wanted. He asked Tolkien if he would consider selling them to Marquette. Tolkien agreed. The sale was made. That’s it in a nutshell.
    [Show full text]
  • Audiences, Gender and Community in Fan Vidding Katharina M
    University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding Katharina M. Freund University of Wollongong, [email protected] Recommended Citation Freund, Katharina M., "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding, Doctor of Philosophy thesis, School of Social Sciences, Media and Communications, Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3447 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] “Veni, Vidi, Vids!”: Audiences, Gender and Community in Fan Vidding A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong by Katharina Freund (BA Hons) School of Social Sciences, Media and Communications 2011 CERTIFICATION I, Katharina Freund, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Arts Faculty, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Katharina Freund 30 September, 2011 i ABSTRACT This thesis documents and analyses the contemporary community of (mostly) female fan video editors, known as vidders, through a triangulated, ethnographic study. It provides historical and contextual background for the development of the vidding community, and explores the role of agency among this specialised audience community. Utilising semiotic theory, it offers a theoretical language for understanding the structure and function of remix videos.
    [Show full text]
  • Festival Fever Sequel Season Fashion Heats Up
    arts and entertainment weekly entertainment and arts THE SUMMER SEASON IS FOR MOVIES, MUSIC, FASHION AND LIFE ON THE BEACH sequelmovie multiples season mean more hits festival fever the endless summer and even more music fashionthe hemlines heats rise with up the temps daily.titan 2 BUZZ 05.14.07 TELEVISION VISIONS pg.3 One cancelled in record time and another with a bleak future, Buzz reviewrs take a look at TV show’s future and short lived past. ENTERTAINMENT EDITOR SUMMER MOVIE PREVIEW pg.4 Jickie Torres With sequels in the wings, this summer’s movie line-up is a EXECUTIVE EDITOR force to be reckoned with. Adam Levy DIRECTOR OF ADVERTISING Emily Alford SUIT SEASON pg.6 Bathing suit season is upon us. Review runway trends and ASSISTANT DIRECTOR OF ADVERTISING how you can rock the baordwalk on summer break. Beth Stirnaman PRODUCTION Jickie Torres FESTIVAL FEVER pg.6 ACCOUNT EXECUTIVES Summer music festivals are popping up like the summer Sarah Oak, Ailin Buigis temps. Take a look at what’s on the horizon during the The Daily Titan 714.278.3373 summer months. The Buzz Editorial 714.278.5426 [email protected] Editorial Fax 714.278.4473 The Buzz Advertising 714.278.3373 [email protected] Advertising Fax 714.278.2702 The Buzz , a student publication, is a supplemental insert for the Cal State Fullerton Daily Titan. It is printed every Thursday. The Daily Titan operates independently of Associated Students, College of Communications, CSUF administration and the WHAT’S THE BUZZ p.7 CSU system. The Daily Titan has functioned as a public forum since inception.
    [Show full text]
  • Boys' Love, Cosplay, and Androgynous Idols
    Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 3(1-2), 19 ISSN: 2542-4920 Book Review Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan Jenny Lin 1* Published: September 10, 2019 Edited By: Maud Lavin, Ling Yang, and Jing Jamie Zhao Publication Date: 2017 Publisher: Hong Kong: Hong Kong University Press, Queer Asia Series Price: HK $495 (Hong Kong, Macau, Mainland China, and Taiwan) US $60 (Other countries) Number of Pages: 292 pp. hardback. ISBN: 978-988-8390-9 If, like me, you were born before 1990 and are not immersed in online fan cultures, you may never have heard of the acronyms BL and GL that comprise the primary thrust of Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan (hereafter Queer Fan Cultures). Fortunately, this captivating anthology’s editors Maud Lavin, Ling Yang, and Jing Jamie Zhao define ‘BL (Boys’ Love, a fan subculture narrating male homoeroticism)’ and ‘GL (Girls’ Love, a fan subculture narrating female homoeroticism)’ (p. xi) at the outset in the Introduction. Lavin, Yang, and Zhao expertly unpack and contextualise these and other terms that may be new to the less enlightened reader – ‘ACG (anime, comics, and games)’ (p. xii); ‘slash/femslash (fan writing practices that explore male/female homoerotic romances)’ (p. xiv); and Chinese slang ‘tongzhi (gay), guaitai (weirdo), ku’er (cool youth)’ (p. xix) – which reappear in fruitful discussions in the following chapters. I recently assigned Queer Fan Cultures in a seminar, and my millennial students, who enthusiastically devoured the book, already knew all about BL, GL, and ACG, as well as related concepts like “cosplay” (costume play, as when people dress like manga and anime characters) and “shipping,” which denotes when fans couple two seemingly heterosexual characters in a same-sex relationship.
    [Show full text]
  • Harry Potter Fanfiction on the Internet
    POTTEROTICS: HARRY POTTER FANFICTION ON THE INTERNET By CATHERINE TOSENBERGER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2007 1 © 2007 Catherine Tosenberger 2 To my grandparents Edward and June Hard, and Michael and Katherine Tosenberger 3 ACKNOWLEDGMENTS First and foremost, I must thank the Harry Potter fandom, and all the fans who gave so generously of their talent and expertise. I have met an enormous number of brilliant, funny, creative and wise people through my interactions with this community. The following, in no particular order, have been especially kind and helpful, and I am honored to call them friends: Amy Tenbrink, Hallie Tibbetts, Kathryn Loup, Heidi Tandy, Sarah Benoot, Anna Milton, Cassandra Claire, Pogrebin, Marvolo, Ravenchel, Katiebec, Rhoddlet, Fleur, Mireille, Kayla Gagnet Castille, Sabrina Chin, Jane Glaubman, Aja Romano, Carlie Webber, Anatsuno, Rennie Guedel, Ebony Thomas, V, Folk, Kay Taylor, Katie B, Vicki Dolenga, Ellen Fremedon, Anne Kustritz, Rene, Amatia, Sharon Goetz, Executrix, Resmiranda, Kristi Brownfield, Glockgal, Flourish, Darkrose, Calico, Metempsychosis, Cathexys, Cyg, Vali, Lolaraincoat, Chris Dickson, and Meg Milford. There are others whose names have escaped me, and I hope they won’t hold it against me. I thank the mods and denizens of Fandom Wank, for continually reminding me that fandom is, indeed, fucking funny. This project would never have begun, and would certainly not have finished, without the intellectual and emotional support of my director, Kenneth Kidd, the kindest and best of men. He has been a mentor and a dear friend.
    [Show full text]
  • The University of Wisconsin Eau Claire Organized Crime
    THE UNIVERSITY OF WISCONSIN EAU CLAIRE ORGANIZED CRIME IN THE 20TH CENTURY: PROHIBITION’S AFFECT ON THE WESTERN UNITED STATES DEPARTMENT OF HISTORY BY BLAKE CLAY-COLTIN FISCHER SUPERVISING PROFESSOR: JOSEPH ORSER COOPERATING PROFESSOR: SELIKA DUCKSWORTH-LAWTON EAU CLAIRE, WISCONSIN DECEMBER 2013 Copyright of this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin-Eau Claire, with the consent of the author. 1 CONTENTS Abstract……………..………………………...…………………………………………..………..3 Introduction……..………………………………………………………………………………....4 Jewish, Italian-American Criminal Corporation…...………………………………………………...……………………………...…..7 Chapter 1: Gambling…...……………………………………………..………………………...12 Pre-World War II Gambling…………………………………………………………………………..…..13 “Bugsy” Siegel, and the Flamingo Hotel…...…………………………...……………………………………..………………………15 Chapter 2: Managing Their Public Perception/Image………………………………………………………,,……………………….19 Hollywood and the “Godfather” image....…...………………………………………………………………..……………………...19 Media Mangament…………………………………………………………………………………………...22 Robin Hood, the “Gangster”……………………………………………….……………………..23 Publicity…Flamingo Style!..............................................................................................................25 Chapter 3: Manipulation of Authority…………………………......………………………...…28 “Faces of Face”……………………………………………………….…………………………..29 Conclusion……………………………………………………………..………………………….34 Bibliography……………………………………………………………..………………………..36 2 Abstract The story of organized crime in America
    [Show full text]
  • 1-2 Front CFP 12-6-13.Indd
    Page 2 Colby Free Press Friday, December 6, 2013 Area/State WWeathereather Two angel trees up in Colby BBrieflyriefly The deadline for Briefl y is noon the day before. Items submitted in the By Sam Dieter morning will be set up for the following day, space available. The deadline Colby Free Press for Monday’s paper is noon Friday. [email protected] People in Colby have been Santa City open now open weekends volunteering to get presents this Santa City will be open 1 to 5 p.m. weekends until Monday, Dec. holiday season for local kids 16. After that, it will be open from 6 to 8 p.m. weeknights as well. On who need the help. Christmas Eve, hours will be 1 to 3 p.m. Bring the whole family with their The Colby Berean Church Christmas lists. For information, call the Colby Chamber at 460-3401. has had an Angel Tree up in the church for the last two Sundays, Piano recital set for Sunday as a way for members to donate Piano students of Pat Ziegelmeier will perform in a Christmas recital at gifts to local kids. Todd Mur- 1:30 p.m. Sunday in the sanctuary of the Colby United Methodist Church. dock, a volunteer who set up the The program will be a variety of Christmas selections. There is no charge, angel tree, said the trees are set and everyone is welcome. For information, call Ziegelmeier at 460-5518. up to help Prison Fellowship, an organization that ministers to Combined choirs to give special program prison inmates and helps them Everyone is invited to the Colby United Methodist Church service at 11 reunite with their families after a.m.
    [Show full text]
  • Embracing Feminist Finance by Amateur Cities in Collaboration with the Institute of Network Cultures
    ZINE TRAVEL RECORD RADICAL CARE: EMBRACING FEMINIST FINANCE BY AMATEUR CITIES IN COLLABORATION WITH THE INSTITUTE OF NETWORK CULTURES Please let us know the zine has passed through your hands by checking in below and sending us an email to [email protected]. We would like to map where the zine has travelled, and we hope to stay in touch! DATE RECEIVER’S DATE RECEIVED NAME TRANSMITTED The Future is Plural Welcome to the Feminist Finance Zine. As a new decade opens with bushfires and the threat of war it is clear an enormous challenge lies ahead. As the connection between ecological collapse and capitalist extractive growth logic slowly starts to seep into public consciousness, we will need new critical energy and collective strength to steer away from societal and planetary catastrophe. This is why Amateur Cities and the Institute of Network Cultures are proud to introduce this cooperative future-thinking effort from the MoneyLab network, a collective of artists, designers, researchers, geeks and activists dedicated to the task of experimenting with more equitable, diverse, and sustainable futures for finance and economy. Platform capitalism has an unprecedented way of trans- lating everything it touches into expressions of economic value. Not only spare bedrooms and ride-shares are now easily price-tagged, but increasingly our interactions too. Social media are encroaching upon financial services, or is it the other way around? Despite diminished trust in the financial sector, current alternatives remain rooted in market-based rationalities. How can we break this mould? What shared values lie beyond it? How can we rediscover collectivity while the gig economy makes us all into precarious entrepreneurs (what Silvio Lorusso calls the ‘entreprecariat’), self-interested by necessity? These questions form our starting point for this zine.
    [Show full text]