Global Digital Subscription Snapshot Welcome to the Q3 2020 Edition of the Global Digital Subscriptions Snapshot!
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EDITED TRANSCRIPT Eros STX Global Corporation – Business Update Call
NOVEMBER 04, 2020 / 9:30PM GMT, Eros STX Global Corporation – Business Update Call REFINITIV STREETEVENTS EDITED TRANSCRIPT Eros STX Global Corporation – Business Update Call EVENT DATE/TIME: NOVEMBER 04, 2020 / 9:30PM GMT REFINITIV STREETEVENTS | www.refinitiv.com | Contact Us ©2020 Refinitiv. All rights reserved. Republication or redistribution of Refinitiv content, including by framing or similar means, is prohibited without the prior written consent of Refinitiv. 'Refinitiv' and the Refinitiv logo are registered trademarks of Refinitiv and its affiliated companies. 1 NOVEMBER 04, 2020 / 9:30PM GMT, Eros STX Global Corporation – Business Update Call CORPORATE PARTICIPANTS Adam Fogelson: STX Films - Chairman Andy Warren: Eros STX Global Corporation - CFO Bob Simonds: Eros STX Global Corporation - Co-Chairman & CEO Drew Borst: Eros STX Global Corporation - EVP Investor Relations & Business Development Noah Fogelson: Eros STX Global Corporation - Co-President Rishika Lulla Singh: Eros STX Global Corporation - Co-President & Director CONFERENCE CALL PARTICIPANTS Eric Katz, Wolfe Research, LLC - Research Analyst Robert Routh, FBN Securities, Inc., Research Division - Research Analyst Robert Fishman, MoffettNathanson LLC - Analyst Ted Cronin, Citigroup Inc., Research Division - Research Analyst Tim Nollen, Macquarie Research - Senior Media Analyst PRESENTATION Operator Good afternoon, ladies and gentlemen, and welcome to Eros STX Global Corporation Business Update Call. This call is being broadcast live on the Internet, and a replay of the call will be available on the company's website. The company published earlier certain financial information, including a 20-F transition report and 6-K filing which are available on the company's website. The company would like to remind everyone listening that during this call, it will be making forward- looking statements under the safe harbor provisions of the federal securities laws. -
Volume 1 Full Text Update Order
ACADEMFIC VOLUME 1 · 2020 What If - If Then: How Fiction Fits In ................................................................. 1 Frauke Uhlenbruch Good Men .......................................................................................................................................... 4 Jeana Jorgensen Passion of the Sun Probe ..................................................................................................... 7 Eric Schwitzgebel January Thaw ............................................................................................................................... 12 K. Marvin Bruce Treatment ........................................................................................................................................ 23 Eric Reitan Foreseeable .................................................................................................................................... 40 Paul Levinson Company ............................................................................................................................................ 56 Leslie Maxwell Kaiura We Three Spies of Parthia Are ........................................................................................ 73 James F. McGrath PALNI PRESS AND ACADEMFIC PALNI Press is committed to disseminating the diverse scholarly and creative content of supported PALNI institutions and their academic communities, helping them meet their teaching and learning objectives. This service provides the capacity to create and host open access -
A Cluster Analysis of Attitudes to English in Germany and the Netherlands
Received: 19 April 2018 Revised: 29 August 2018 Accepted: 31 August 2018 DOI: 10.1111/weng.12348 PAPER A cluster analysis of attitudes to English in Germany and the Netherlands Alison Edwards1 Robert Fuchs2 1Leiden University Centre for Linguistics Abstract 2Institute of English and American Studies, University of Hamburg Although English is becoming increasingly entrenched in Western Correspondence Europe, large-scale comparative studies of attitudes among the gen- Alison Edwards, Leiden University Centre for eral public to this development are scarce. We investigate over 4,000 Linguistics, PO Box 9515, 2300 RA Leiden, Dutch and Germans’ attitudes towards English based on responses Netherlands. to an attitudinal questionnaire. Respondents saw English as a use- Email: [email protected] ful additional language, but not generally as a threat to their national language. Using k-means, an unsupervised clustering algorithm, we identified two attitudinal groups per country. Respondents with pos- itive attitudes towards English, regardless of nationality, tended to be younger, urban, better educated and more proficient in English than their compatriots with more negative views of English. These within-country differences outweighed between-country ones, for example, that Germans were more confident in the status of their L1, whereas Dutch showed signs of ‘English fatigue’. The findings thus appear to confirm the previously identified divide between elite ‘haves’ versus ‘have-nots’ of English. 1 INTRODUCTION English is becoming increasingly entrenched in continental Europe, especially in Western and Northern European countries. This study focuses on Germany and the Netherlands, two countries where this development is particularly pronounced, especially in the latter given its smaller size and historical imperative to connect economically with the outside world (Ammon & McConnell, 2002, p. -
Video Trends Report Q2 2019
1 VIDEO TRENDS REPORT Q2 2019 © 2019 TiVo Corporation. Introduction 2 Survey Methodology Q2 2019 Survey Size INTRODUCTION 5,340 Geographic Regions U.S., Canada TiVo seeks real consumer opinions to uncover key trends relevant to TV providers, digital publishers, advertisers and consumer electronics manufacturers for our survey, which is administered quarterly and examined biannually in this Age of Respondents published report. We share genuine, unbiased perspectives and feedback from viewers to give video service providers 18+ and industry stakeholders insights for improving and enhancing the overall TV-viewing experience for consumers. TiVo has conducted a quarterly consumer survey since 2012, enabling us to monitor, track and identify key trends in viewing This survey was conducted in Q2 2019 by a leading habits, in addition to compiling opinions about video providers, emerging technologies, connected devices, OTT apps and third-party survey service; TiVo analyzed the results. content discovery features, including personalized recommendations and search. TiVo conducts this survey on a quarterly basis and publishes a biannual report evaluating and analyzing TiVo (NASDAQ: TIVO) brings entertainment together, making it easy to find, watch and enjoy. We serve up the best key trends across the TV industry. movies, shows and videos from across live TV, on-demand, streaming services and countless apps, helping people to watch on their terms. For studios, networks and advertisers, TiVo delivers a passionate group of watchers to increase viewership and engagement across all screens. Go to tivo.com and enjoy watching. For more information about TiVo’s solutions for the media and entertainment industry, visit business.tivo.com or follow us on Twitter @tivoforbusiness. -
Understanding the Phenomenon of Binge-Watching—A Systematic Review
International Journal of Environmental Research and Public Health Review Understanding the Phenomenon of Binge-Watching—A Systematic Review Jolanta A. Starosta * and Bernadetta Izydorczyk * Institute of Applied Psychology, Faculty of Management and Social Communication, Jagiellonian University, 30-348 Krakow, Poland * Correspondence: [email protected] (J.A.S.); [email protected] (B.I.) Received: 8 May 2020; Accepted: 18 June 2020; Published: 22 June 2020 Abstract: Binge-watching is a relatively new behaviour pattern whose popularity has been increasing since 2013, ultimately to become one of the most popular ways of spending free time, especially among young people. However, there is still a dearth of research on this phenomenon. The aim of this study is to present the current understanding and psychological conditions of binge-watching, as provided in the research papers published between 2013 and 2020. This systematic review, including 28 articles, addresses different approaches to defining this behaviour, diverse motivations, personality traits, and risks of excessive binge-watching. Its results imply that there are two perspectives in understanding binge-watching. The first is related to entertainment, positive emotions, cognition, and spending free time. However, the second perspective emphasises the negative outcomes of excessive binge-watching and symptoms of behavioural addiction. There is undoubtedly a need for further research to be conducted on diversified populations to reach more profound understanding of binge-watching behaviour patterns. Keywords: binge-watching; behavioural addiction; new technologies; motivation; personality traits 1. Introduction Binge-watching is a relatively new behavioural phenomenon, which is defined as watching between two and six episodes of a TV show in one sitting [1]. -
2009 NATPE Buyers*
2009 NATPE BUYERS* ANGOLA Blanca Ponce BRAZIL Jose Pedro CEO Claiton Fernandes General Manager Premium Media S.A. Director Acquisitions TV Zimbo California Films Analia Pollero Acquisitions Manager Vladimir Fernandes ARGENTINA Turner Broadcasting System President Martin Bonavetti Latin America California Films Canal 7 Argentina Roberto Buzzoni de Oliveira Ariel Taboada BELGIUM Director General Programming & Head of Programming & Production Christian Loiseau Acquisitions Claxson Head of Program BE TV S.A. Globo TV International Mariano Kon Paula Miranda General Manager International Division Boris Portnoy Director of International Programming Eyeworks Cuatro Cabezas President/CEO KNTV (Keynews Television) Globo TV International Patricia Daujotas Suzy Ubing Director of Programming & Valerie Lardinois Director/Contract Department Acquisitions Head of Acquisitions Globo TV International FOX Latin American Channel RTBF Claudia Macedo Gonzalo Fiure Luc Janssens Programming Research & Acquisitons VP Content Strategy Head of Acquisitions International Relations Fox Latin American Channel SRL VMMA Globosat Programadora Ltda Alfredo de la Torre BOLIVIA Alberto Pecegueiro Corporate Strategy Manager Fernando Perez CEO Grupo Clarin General Manager Globosat Programadora Ltda CANAL 4 - RDP Ronnie Amendolara Otelo Bettin Coltro Director Ernesto Monasterio Executive Vice President, Acquisitions Illusion Studios President Playarte Pictures Canal 9 TV (Ecor Ltda) - Unitel Gaston Cami R. Mari Kodama Head of Sales & Coprodutions Carlos Novaro Manager of Acquisitions -
Separate and Consolidated Interim Financial Statements As at 30 June 2020
Separate and Consolidated Interim Financial Statements as at 30 June 2020 Separate and Consolidated Interim Financial Statements as at 30 June 2020 Contents 7 Introduction 17 Report on Operations 171 Interim Separate Financial Statements as at 30 June 2020 239 Interim Consolidated Financial Statements as at 30 June 2020 303 Corporate Directory 4 Contents Introduction 7 Corporate Officers 8 Organisational Structure 9 Introduction from the Chairman of the Board of Directors 11 Financial Highlights 12 Report on Operations 17 Mission 18 Market scenario 18 The Rai Group 24 Television 41 Radio 97 RaiPlay and Digital 107 Public broadcasting service function 116 TV production 119 Technological activities 120 Transmission and distribution activities 129 Sales activities 130 Other activities 135 Changes in the regulatory framework 143 Corporate governance 148 Corporate Governance Report - the Rai Control Governance Model and the Internal Control and Risk Management System (SCIGR) 150 Other information 155 Human Resources and Organisation 155 Safety & Security 159 Intercompany Relations 161 Significant events occurring after 30 June 2020 168 Outlook of operations 168 5 Interim Separate Financial Statements as at 30 June 2020 171 Analysis of the results and performance of operating results, financial position and cash flows for the first half of 2020 172 Financial Statements of Rai SpA 186 Notes to the Interim Separate Financial Statements as at 30 June 2020 191 Certification pursuant to article 154-bis of Italian Legislative Decree 58/98 235 Independent -
SVOD Platforms Carried by Pay TV Operators
SVOD platforms carried by pay TV operators Source: Digital TV Research Note: Excludes SVOD platforms owned by pay TV operator Country Pay TV Operator SVOD Platform Argentina Telecentro Netflix Argentina Telecom Argentina Netflix Australia iiNet Netflix Australia Optus Netflix Austria UPC Netflix Azerbaijan Aile TV Megogo Bahrain Batelco Netflix Bahrain Viva Icflix Bahrain Viva Istikana Bahrain Viva Shahid Bahrain Viva Starz Play Bahrain Viva Telly Bahrain Zain Icflix Belgium Belgacom/Proximus Netflix Belgium Telenet Netflix Belgium Voo Canal Play Bolivia Tigo Netflix Bosnia M:tel Pickbox Brazil TIM Netflix Bulgaria Fusion TV Voyo Bulgaria Vivacom Voyo Canada Bell Netflix Canada Cogeco Netflix Canada MTS Netflix Canada Rogers Netflix Canada Telus Optik Netflix Chile VTR Netflix Colombia UNE Netflix Costa Rica Tigo Netflix Croatia T-HT Oyo Croatia T-HT Pickbox Croatia Vipnet Oyo Czech Rep T-Mobile Voyo Czech Rep UPC Netflix Denmark TDC HBO Denmark Telia HBO Denmark Waoo Netflix Denmark Waoo Viaplay Denmark YouSee HBO Egypt Telecom Egypt Icflix Egypt Vodafone Starz Play El Salvador Tigo Netflix Estonia Elion Netflix SVOD platforms carried by pay TV operators Source: Digital TV Research Note: Excludes SVOD platforms owned by pay TV operator Finland DNA C More Finland Elisa HBO Finland Elisa Netflix Finland Telia C More Finland Telia HBO Finland Telia Netflix France Bouygues Telecom Netflix France Free Canal Play France Free Filmo France Numericable Filmo France Orange Filmo France Orange Netflix France SFR Netflix Germany Deutsche Telekom -
Stream Name Category Name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---TNT-SAT ---|EU| FRANCE TNTSAT TF1 SD |EU|
stream_name category_name Coronavirus (COVID-19) |EU| FRANCE TNTSAT ---------- TNT-SAT ---------- |EU| FRANCE TNTSAT TF1 SD |EU| FRANCE TNTSAT TF1 HD |EU| FRANCE TNTSAT TF1 FULL HD |EU| FRANCE TNTSAT TF1 FULL HD 1 |EU| FRANCE TNTSAT FRANCE 2 SD |EU| FRANCE TNTSAT FRANCE 2 HD |EU| FRANCE TNTSAT FRANCE 2 FULL HD |EU| FRANCE TNTSAT FRANCE 3 SD |EU| FRANCE TNTSAT FRANCE 3 HD |EU| FRANCE TNTSAT FRANCE 3 FULL HD |EU| FRANCE TNTSAT FRANCE 4 SD |EU| FRANCE TNTSAT FRANCE 4 HD |EU| FRANCE TNTSAT FRANCE 4 FULL HD |EU| FRANCE TNTSAT FRANCE 5 SD |EU| FRANCE TNTSAT FRANCE 5 HD |EU| FRANCE TNTSAT FRANCE 5 FULL HD |EU| FRANCE TNTSAT FRANCE O SD |EU| FRANCE TNTSAT FRANCE O HD |EU| FRANCE TNTSAT FRANCE O FULL HD |EU| FRANCE TNTSAT M6 SD |EU| FRANCE TNTSAT M6 HD |EU| FRANCE TNTSAT M6 FHD |EU| FRANCE TNTSAT PARIS PREMIERE |EU| FRANCE TNTSAT PARIS PREMIERE FULL HD |EU| FRANCE TNTSAT TMC SD |EU| FRANCE TNTSAT TMC HD |EU| FRANCE TNTSAT TMC FULL HD |EU| FRANCE TNTSAT TMC 1 FULL HD |EU| FRANCE TNTSAT 6TER SD |EU| FRANCE TNTSAT 6TER HD |EU| FRANCE TNTSAT 6TER FULL HD |EU| FRANCE TNTSAT CHERIE 25 SD |EU| FRANCE TNTSAT CHERIE 25 |EU| FRANCE TNTSAT CHERIE 25 FULL HD |EU| FRANCE TNTSAT ARTE SD |EU| FRANCE TNTSAT ARTE FR |EU| FRANCE TNTSAT RMC STORY |EU| FRANCE TNTSAT RMC STORY SD |EU| FRANCE TNTSAT ---------- Information ---------- |EU| FRANCE TNTSAT TV5 |EU| FRANCE TNTSAT TV5 MONDE FBS HD |EU| FRANCE TNTSAT CNEWS SD |EU| FRANCE TNTSAT CNEWS |EU| FRANCE TNTSAT CNEWS HD |EU| FRANCE TNTSAT France 24 |EU| FRANCE TNTSAT FRANCE INFO SD |EU| FRANCE TNTSAT FRANCE INFO HD -
Television Entertainment a TWO PART CAT SERIES
Television Entertainment A TWO PART CAT SERIES CAT Web site: sirinc2.org/a16cat/ Television Entertainment Twopart presentation series: • Broadcast vs. Internet Television (Streaming) – Sept. 17 • Smart TV’s and Streaming Devices • Streaming Sites • Finding Programs to Watch Television Viewing Options 3 Basic ways to get video content: • Service provider (Xfinity, AT&T, Wave, etc.) • Streaming apps on your Smart TV • Streaming apps via external streaming device Television Service Provider (Xfinity, AT&T, etc.) “Cut-the-Cord” Streaming App Television Smart TV or Ext. Streaming Streaming App Internet Service Device Streaming App Internet Streaming Smart TV’s • Primary purpose of any TV is to display video content • Smart TV’s are “Smart” because they have apps to access a variety of additional media services • Almost all newer TV’s are Smart TV’s (some “smarter” than others) • Newer TV’s are rapidly getting “Smarter” • Depending on the age of your TV and/or needs, you may want to purchase a external streaming device Article Link to: What is a Smart TV? https://www.digitaltrends.com/hometheater/whatisasmarttv/ Should I get a streaming device if I already have a Smart TV? Advantages of streaming device over Smart TV apps: • Get access to more streaming services (?) (Some Smart TV’s now have app stores) • A more userfriendly interface and search system • Easier to navigate between app • Search all apps at once • Faster response (?) • A way to make old TV’s “Smart” (or Smarter) What can you do with a streaming device? • Access over 500k movies & TV shows via Hulu, Netflix, STARZ, SHOWTIME, HBO Max, Prime Video, etc. -
Balaji Telefilms Limited
Balaji Telefilms Limited Company Overview BSE Code 532382 Balaji Telefilms Limited is in Media & BSE Symbol BALAJITELE Entertainment sector and it is in film production, distribution & entertainment industry. BTL was Key Highlights incorporated in 1994 as a private limited Latest Date 17 Sept 2018 company and became listed in the year 2000. Latest Price (Rs.) 106.5 BTL produces Television serial content, Movies 52 Week High (Rs.) 181 and digital content. 52 week low (Rs.) 102 BTL has produced 18000 hours of Television Face Value (Rs.) 2 content since its inception. BTL has produced Market Cap. (Rs. in Cr.) 1112 some of the best television serials in the country Net Worth (Rs. in Cr.) 853 including the famous K series of daily soap: TTM EPS (Rs.) -4.61 ‘Kyunki Saas Bhi Kabhi Bahu Thi', ‘Kahani PE Ratio (x) 0 Ghar Ghar Ki' and more recently created ‘Naagin-1', ‘Naagin-2' a weekend fiction based PB Ratio (x) 1.34 programming. EV/ EBITDA (x) -31.01 Market Cap./ Sales (x) 3.19 Segment Summary Shareholding Pattern The company operates in 3 segments. Promoters 33% FII 18% 1. TV Serial Production DII 35% The backbone of the company is their TV serial Non-Institutional 14% production business. BTL is in this business from the incorporation of the company in 1994. The returns from the TV Business are steady because the company operates on a cost-plus model, whereby company adds profit to the whole cost of production and bill that to the broadcaster. 2. Movie Production The company started movie production in 2001. -
Amazon's Video Ecosystem Extends Worldwide
E-commerce giant’s move into the video space is multi-faceted TV Amazon’s video ecosystem extends worldwide Over the last decade, Amazon has IHS Markit forecasts 44 million offered every flavour of the Home active subscription users for Amazon Entertainment Video Industry, from Prime Video service by year-end 2017 physical disk retail and rental, to with a little over 30 million in the Amazon Prime Video and Netflix subscribers by region online transactional, subscription, USA and 11 million coming from and advertising funded video. its next top three country markets. 100% 80% 60% The Amazon Prime service bundled with video is now 40% available in 16 countries worldwide. These bundled Prime Although unable to triumph over the 20% % of total subscribers % of total Video subscription users make up king of subscription video globally, almost 99% of the total Prime Video Amazon Prime Video does now surpass 0% Netix Amazon Netix Amazon subscription user base as international Netflix by subscriber count in a few standalone Prime Video struggles to select markets owing to the perceived 2016 2021 gain similar traction. value of the bundled Prime ecosystem. Year/Company Africa and Middle East Asia Pacic Central and Eastern Europe To learn more about our new Amazon’s video ecosystem extends worldwide – 2018 Report please contact South and Central America Western Europe North America Source: IHS Markit © 2017 IHS Markit Max Signorelli Research Analyst – Home Entertainment [email protected] 203672611-MT-0118 Copyright © 2018 IHS Markit. All Rights Reserved.