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Nick Cage Direction
craft production just because of what it does with sampling technology and that alone. It’s got quite a conservative form and quite a pop form as well just at the moment, in terms of the clarity of the sonics. When those elements are added to hip-hop tracks it must be difficult to make the vocal stand out. The biggest challenge is always getting the vocal heard on top of the track — the curse of the underground is an ill-defined vocal. When I went to bigger studios and used 1176s and LA2s it was a revelation, chucking one of them on gets the vocal up a bit. That’s how we were able to blag our way through Dizzee’s first album. What do you use in Dizzee’s vocal chain? With the budget we were on when I did Boy In Da Corner I used a Neumann TLM103B. When I bought it, £500 seemed a hell of a lot of money for a microphone. Then it goes to my Drawmer 1960 — I exchanged a couple of my keyboards for that. Certainly with Showtime, the new desk improved the vocal sound. It would be interesting to just step the gear up a notch, now we have the deal with XL, and see what happens. Do you have a label deal for Dirty Stank records with XL? I Love You came out first on Dirty Stank on the underground, plus other tunes like Ho and some beats. XL has licensed the albums from Dirty Stank so it’s not a true label deal in that sense, although with our first signings, it’s starting to move in that Nick Cage direction. -
Media Review1
Jan - April- 2019 TRINITY INSTITUTE OF PROFESSIONAL STUDIES Dwarka, Sector-9, New Delhi Trinity Media Review Advisors Dr. R.K. Tandon Chairman, TIPS, Dwarka Study of Circulation of Fake News through Social Media 3 Ms. Reema Tandon Vice Chairperson Sachin Kumar Jha TIPS, Dwarka Comparison of Advertisements: 7 All India Radio and Private Radio Channels. Editor-in-Chief Manika Srivastava Prof. (Dr.) Vikas Rao Vadi Editorial Board Evolution of Electronic Dance Music 12 Prashant Arora Prof. (Dr.) Sunil Kumar Khatri Director, AIIT, Amity University, Noida Prof. Prashant Johri Director, Galgotia University Prof. Naveen Kumar Associate Professor, IGNOU Prof. (Dr.) Saurabh Gupta HOD (CSE) Dept, NIEC Dr. Rajashree S Adhikary Associate Professor, TIPS, Dwarka Dr. Vanshika Bhatia Assistant Professor, TIPS, Dwarka Ms. Yashasvika Yadav Assistant Professor, TIPS, Dwarka Mr . Reezu Kaushik Assistant Professor, TIPS, Dwarka Vol 4, Issue 2 Trinity Media Review Jan April 2019 Media (TMR) TMR 2018 Vol 4, Issue 2 Page 1 Trinity Media Review Jan April 2019 Vol 4, Issue 2 Page 2 Trinity Media Review Jan April 2019 STUDY OF CIRCULATION OF FAKE NEWS THROUGH SOCIAL MEDIA Sachin Kumar Jha Introduction and social media was becoming more sophisticated. In simple words, Mass Media is the means to Internet relay chats, or IRCs, were first used in 1988 and communicate to the public. It is the technology which continued to be popular well into the 1990’s. The first is used to communicate with the general public and recognizable social media site, Six Degrees, was created reach the mass audience. It is the medium through in 1997. -
Grime + Gentrification
GRIME + GENTRIFICATION In London the streets have a voice, multiple actually, afro beats, drill, Lily Allen, the sounds of the city are just as diverse but unapologetically London as the people who live here, but my sound runs at 140 bpm. When I close my eyes and imagine London I see tower blocks, the concrete isn’t harsh, it’s warm from the sun bouncing off it, almost comforting, council estates are a community, I hear grime, it’s not the prettiest of sounds but when you’ve been raised on it, it’s home. “Grime is not garage Grime is not jungle Grime is not hip-hop and Grime is not ragga. Grime is a mix between all of these with strong, hard hitting lyrics. It's the inner city music scene of London. And is also a lot to do with representing the place you live or have grown up in.” - Olly Thakes, Urban Dictionary Or at least that’s what Urban Dictionary user Olly Thake had to say on the matter back in 2006, and honestly, I couldn’t have put it better myself. Although I personally trust a geezer off of Urban Dictionary more than an out of touch journalist or Good Morning Britain to define what grime is, I understand that Urban Dictionary may not be the most reliable source due to its liberal attitude to users uploading their own definitions with very little screening and that Mr Thake’s definition may also leave you with more questions than answers about what grime actually is and how it came to be. -
X 7" Singles X Lps/Cds
customer name: email: RECORD STORE DAY 6/12/21 **availability subject to quantites on hand **quantity limited to 1 of each title per customer **most titles are extremely limited & will be sold on a first come, first served basis **no holds/mail order on RSD titles **no store coupons allowed on RSD titles **all items held for you from your menu must by picked up by 6PM on 6/12/21 X 7" singles Batmobile Ba-Baboon [Yellow Color] 7" Blind Boys of Alabama I Wish I Knew How it Would Feel to Be Free 7" NO STOCK Cautious Clay Prototype 3000 7" NO STOCK Czarface/MF Doom Meddle With Metal 3" Vinyl Dekker,Desmond King Of Ska: Beverley's Records Ska Singles [7"x10] 7" BOX Earle,Steve & The Dukes/Justin Townes Earle The Saint of Lost Causes 7" Goblin L'Alba Dei Morti Viventi [Zombi/Dawn of the Dead] 7" Golden Earring Twilight Zone 7" Gun Club Ruby Sessions 7" Haim feat. Taylor Swift Gasoline 7" Hu Sad But True & Wolf Totem [Picture Disc] 7" Integrity Cradle To The Grave [Blue & Black] 7" Mudhoney/Meat Puppets “Warning” / “One of These Days” 7" Richards,Keith Wicked As It Seems Live [Red Color] 7" NO STOCK Urban Renewal Project Posse Comitatvs #1: Border's Edge 7" Various Artists DJ Marky Brazil 45s Boxset 7" BOX X LPs/CDs AC/DC Through The Mists of Time [Picture Disc] 12" Air People In the City [Picture Disc] 12" Alestorm Sunset On The Golden Age [Deluxe 2LP Gold & Black Splatter] LP Alkaline Trio From Here To Infirmary LP NO STOCK Allen,Jimmie Hazy-O! 12" Animal Collective Prospect Hummer [Green & Yellow Starburst] 12" Anti-Flag 20/20 Division [Translucent -
Garage House Music Whats up with That
Garage House Music whats up with that Future funk is a sample-based advancement of Nu-disco which formed out of the Vaporwave scene and genre in the early 2010s. It tends to be more energetic than vaporwave, including elements of French Home, Synth Funk, and making use of Vaporwave modifying techniques. A style coming from the mid- 2010s, often explained as a blend of UK garage and deep home with other elements and strategies from EDM, popularized in late 2014 into 2015, typically mixes deep/metallic/sax hooks with heavy drops somewhat like the ones discovered in future garage. One of the very first house categories with origins embeded in New York and New Jersey. It was named after the Paradise Garage bar in New york city that operated from 1977 to 1987 under the prominent resident DJ Larry Levan. Garage house established along with Chicago home and the outcome was home music sharing its resemblances, affecting each other. One contrast from Chicago house was that the vocals in garage house drew stronger impacts from gospel. Noteworthy examples consist of Adeva and Tony Humphries. Kristine W is an example of a musician involved with garage house outside the genre's origin of birth. Also understood as G-house, it includes very little 808 and 909 drum machine-driven tracks and often sexually explicit lyrics. See likewise: ghettotech, juke house, footwork. It integrates components of Chicago's ghetto house with electro, Detroit techno, Miami bass and UK garage. It includes four-on-the-floor rhythms and is normally faster than a lot of other dance music categories, at approximately 145 to 160 BPM. -
Eddie Craig Wideboys
Eddie craig wideboys Continue / Dj / Remixer. 1/1 @propertings, 1/2 Wideboys, 1/3 of them and work with some amazing artists! Office [email protected] Spotify - goo.gl/c1ComWInstagram - EddieCraigMusicDj Reservations - [email protected] Kunstler/ in DJ ansehenWeniger anzeigenSeitentransparenzFacebook liefert Informationen, mit denen du die Intention von Seiten besser verstehst. Ier erfuurst du mere zu den Personin, die die Seiten verwalten and Beinriage Darin Posten. Alle ansehen This article is about the English duo of electronic music. For other purposes, see Wide Boy. WideboysGenresEDMUK Garage 1'Years active1996-presentLabelsWorld Wide Phonographics'entek RecordsMinistry of SoundMembers Eddie Craig Jim Sullivan The Wideboys is an English electronic music duo known for its club remixes and his own song Sambuca, with Dennis Gee on vocals, which reached number 15 in the UK in October 2001. Another top-40 single, Daddy-O featuring Shaznay Lewis, peaked at number 32 in 2008. Wideboys compose and produce many of their own productions, especially in favor of a 12-inch vinyl format for club DJs. In 1998, they began producing dance remixes of songs by other artists, which led to fame in 2000 for two remixes featuring Craig David on vocals: Re-Rewind and Woman Trouble, both from Artful Dodger. With this success, they began remixing songs by more famous artists such as Kylie Minogue, Rihanna, Girls Aloud, Tayo Cruz and Pussycat Dolls. In 2009, they initiated a series of dance mix albums on the Ministry of Sound label. They are also known for the theme for Wheeler dealers. See also Songs Remixes on Wideboys Links Biography, Albums, Streaming Links at AllMusic on AllMusic - Wideboys Artist Chart Story - WIDEBOYS FEAT. -
Andrew Weatherall Presente Convenanza. 21/22 Septembre 2018. Carcassonne. À Propos
ANDREW WEATHERALL PRESENTE CONVENANZA. 21/22 SEPTEMBRE 2018. CARCASSONNE. À PROPOS. LIEU. Le festival Convenanza est une expérience unique : il se déroule La cour d’honneur du château dans un lieu magique, la cour Comtal constitue un écrin d’honneur du château Comtal impressionnant pour Convenanza. dans la Cité de Carcassonne. Ce lieu colle parfaitement aux objectifs du festival, à savoir, créer Cette 6ème édition est placée une intimité et une expérience plus sous le signe du patrimoine et raffinée, dans un lieu magique. de la création contemporaine, avec la présence sur les CENTRE DES MONUMENTS remparts des cercles NATIONAUX Concentriques—Excentriques de l’artiste de renommée mondiale En 2014, Convenanza investit la Felice Varini. cour d’Honneur du château comtal avec une programmation faisant Chaque année, fin septembre, la part belle aux découvertes le légendaire producteur et musicales. Patrimoine et DJ Britannique Andrew Weatherall exclusivités artistiques font la et Bernie Fabre sélectionnent magie et le succès du festival : et accueillent groupes et DJs pour chaque année, un public un évènement qui attire international se rassemble pour un public international… ce qui est devenu l’évènement Andrew a eu un coup de foudre musical de l’automne ! pour la Cité de Carcassonne, L’esprit du festival, indissociable du et a décidé d’y créer son festival. monument, appelle à de nouvelles Il s’est ensuite passionné pour rencontres et découvertes l’histoire des Cathares, d’où artistiques. En 2018, Convenanza le nom du festival « Convenanza » s’écrit grâce à une co-production faisant référence à la conversion de « De la City à la Cité » et du à la foi cathare. -
IN SEARCH of WARMER CLIMES Following a Move to LA, Bonobo Returns to Ninja Tune with New LP, ‘Migration’
MUSIC ONE STOP SHOP February’s tunes reviewed p.106 THE LONG GAME Albums arriving this month p.128 MIX ‘N’ MATCH Compilations not to miss p.132 IN SEARCH OF WARMER CLIMES Following a move to LA, Bonobo returns to Ninja Tune with new LP, ‘Migration’... p.129 djmag.com 105 HOUSE BEN ARNOLD QUICKIES Roberto Clementi Avesys EP [email protected] Pets Recordings 8.0 Sheer class from Roberto Clementi on Pets. The title track is brooding and brilliant, thick with drama, while 'Landing A Man'’s relentless thump betrays a soft and gentle side. Lovely. Jagwar Ma Give Me A Reason (Michael Mayer Does The Amoeba Remix) Marathon MONEY 8.0 SHOT! Showing that he remains the master (and managing Baba Stiltz to do so in under seven minutes too), Michael Mayer Is Everything smashes this remix of baggy dance-pop dudes Studio Barnhus Jagwar Ma out of the park. 9.5 The unnecessarily young Baba Satori Stiltz (he's 22) is producing Imani's Dress intricate, brilliantly odd house Crosstown Rebels music that bearded weirdos 8.0 twice his age would give their all chopped hardcore loops, and a brilliance from Tact Recordings Crosstown is throwing weight behind the rather mid-life crises for. Think the bouncing bassline. Sublime work. comes courtesy of roadman (the unique sound of Satori this year — there's an album dizzying brilliance of Robag small 'r' is intentional), aka coming — but ignore the understatedly epic Ewan Whrume for a reference point, Dorsia Richard Fletcher. He's also Tact's Pearson mixes of 'Imani's Dress' at your peril. -
Sandbox MUSIC MARKETING for the DIGITAL ERA Issue 98 | 4Th December 2013
Sandbox MUSIC MARKETING FOR THE DIGITAL ERA Issue 98 | 4th December 2013 Nordic lights: digital marketing in the streaming age INSIDE… Campaign Focus Sweden and Norway are bucking PAGE 5 : the trend by dramatically Interactive video special >> growing their recorded music Campaigns incomes and by doing so PAGE 6 : through streaming. In countries The latest projects from the where downloading is now a digital marketing arena >> digital niche, this has enormous implications for how music Tools will be marketed. It is no longer PAGE 7: about focusing eff orts for a few RebelMouse >> weeks either side of a release but Behind the Campaign rather playing the long game and PAGES 8 - 10: seeing promotion as something Primal Scream >> that must remain constant rather Charts than lurch in peaks and troughs. The Nordics are showing not just PAGE 11: where digital marketing has had Digital charts >> to change but also why other countries need to be paying very close attention. Issue 98 | 4th December 2013 | Page 2 continued… In 2013, alongside ABBA, black metal and OK; they still get gold- and platinum-certiied CEO of Sweden’s X5 Music latpack furniture, Sweden is now also singles and albums based on streaming Group, explains. “The known internationally for music streaming. revenues [adjusted].” marketing is substantially It’s not just that Spotify is headquartered di erent as you get paid in Stockholm; streaming has also famously Streaming is changing entirely the when people listen, not when turned around the fortunes of the Swedish marketing narrative they buy. You get as much recorded music industry. -
The Sound of the Next Generation a Comprehensive Review of Children and Young People’S Relationship with Music
THE SOUND OF THE NEXT GENERATION A COMPREHENSIVE REVIEW OF CHILDREN AND YOUNG PEOPLE’S RELATIONSHIP WITH MUSIC By Youth Music and Ipsos MORI The Sound of the Next Generation THE SOUND OF THE NEXT GENERATION A COMPREHENSIVE REVIEW OF CHILDREN AND YOUNG PEOPLE’S RELATIONSHIP WITH MUSIC By Youth Music and Ipsos MORI Cover Photo: The Roundhouse Trust - Roundhouse Rising Festival of Emerging Music The Sound of the Next Generation The Sound of the Next Generation CONTENTS Foreword – Matt Griffiths, CEO of Youth Music 02 With thanks to 03 Executive summary 04 About the authors 05 A note on terminology 05 The voice of the next generation 06 1) Music is integral to young people’s lives 08 Consumption channels Live music Genres and artists 2) Young people are making music more than ever before 10 Musical engagement Musical learning Music in schools 3) Patterns of engagement differ according to a young person’s background 14 Popular culture and DIY music 4) Music is a powerful contributor to young people’s wellbeing 16 Listening to music and positive emotional states Music to combat loneliness Young people’s view of their future 5) A diverse talent pool of young people supports the future of the music industry 19 Getting a job in the music industry Diversifying the music industry A win-win for education and industry 6) Music has the power to make change for the next generation 21 Appendices 22 Methodology The young musicians The expert interviewees Endnotes 24 01 Photo: The Garage The Sound of the Next Generation The Sound of the Next Generation FOREWORD – MATT GRIFFITHS, So, it’s time to reflect, look back and look forward. -
The Andrew Weatherall Mixes) Label: Sunday Best Recordings Release Date: 29Th July 2016 Cat: SBEST188
Artist: Solar Bears Title: Separate From The Arc (The Andrew Weatherall Mixes) Label: Sunday Best Recordings Release date: 29th July 2016 Cat: SBEST188 Irish electronic duo Solar Bears – fresh from releasing their critically acclaimed third album ‘Advancement’ earlier this year – have received the remix treatment from seminal DJ, producer & IDM Techno forefather Andrew Weatherall. Reimagining ‘Separate From The Arc’ – ‘Advancement’s’ climactic, swirling & masterfully cathartic closer – Weatherall delivers a left field, darker-toned re-shift, preserving the track’s central energy whilst propagating and expanding its percussive elements via glitched-out rhythms and syncopated nuances. It’s a momentous pairing. Both Solar Bears and Weatherall are masters of analogue and digital collisioning, both striving to reinvent and challenge the electronic music form. A testament to their affinity, Solar Bears were in turn asked to remix ‘Kicking The River’ – a track taken from Weatherall’s latest album Convenanza. Solar Bear’s third album ‘Advancement’ was released March 18th on Sunday Best Recordings. It’s an epic statement where the individual sounds and phrases may appear familiar to the listener, but when experienced fully provide a powerful soundtrack to the primitive beauty of existence. The cryptic themes and unidentified episodes are wrapped in compelling sensation and emotion, chaos touched by balance, the known inter-twined with the ethereal, cascading rhythms and expansive plateaus of sound. The duo have garnered support from Boiler Room, Uncut & Resident Advisor, with Fact Mag noting “Advancement floats by in a slow-drift of synthy beauty, from the sparkling ‘Wild Flowers’ to the majestic ‘Man Plus”. Fact also filmed a short video with the duo – exploring their expansive equipment collection and explosive live show. -
Partnership Introduction
PARTNERSHIP INTRODUCTION DISCOVERTHEBLUEDOT.COM . Mission Statement . The Bluedot Universe . Bluedot UK . Music . Science . Cosmic Culture . Family, Food and Wellbeing . BluedotDigital inc the bluedot podcast . Microdot . Bluedot Global . Audience . Marketing . Partnerships CONTENTS . Case Studies . To inspire and entertain. To celebrate science and the exploration of the universe. To explore the frontiers of human advancement. To explore collaborations in science, culture, art and technology. THE BLUEDOT . To highlight the fragility of planet Earth. MISSION STATEMENT THE BLUEDOT UNIVERSE BLUEDOT UK bluedot UK is a four-day festival of music, science and cosmic culture, taking place each July at Jodrell Bank Observatory in Cheshire. The festival welcomes an audience of over 35,000 naturally inquisitive explorers and thinkers. This diversity is reflected in the festival programme, which supports artists and speakers of all ages, races and backgrounds. bluedot is a conduit and melting pot BLUEDOT for the worlds of science, art and FESTIVAL culture to co-exist and collaborate. THE BLUEDOT UNIVERSE MUSIC Kraftwerk · The Chemical Brothers · New Order Hot Chip · The Flaming Lips · Gilles Peterson Helena Hauff · alt-J · Pixies · Orbital · Leftfield Jean-Michel Jarre · Goldfrapp · Soulwax Underworld · Caribou · Public Service Broadcasting Andrew Weatherall · Joy Orbison · Joe Goddard Blue Planet in concert with the Halle Orchestra PREVIOUS MUSIC HIGHLIGHTS The Lovell Stage is the hub of the bluedot universe and has previously hosted The Chemical Brothers, Jean-Michel Jarre, Kraftwerk, Hot Chip, New Order, Flaming Lips, Future Islands among many others. Situated in the shadow of the mighty Lovell telescope, the stage references the iconic structure that has been at the centre of our quest for discovery, in the LOVELL known universe and beyond.