Maria Tallchief, Marjorie Tallchief, Yvonne Chouteau, Moscelyne Larkin, and Rosella Hightower

Total Page：16

File Type：pdf, Size：1020Kb

Maria Tallchief, Marjorie Tallchief, Yvonne Chouteau, Moscelyne Larkin, and Rosella Hightower

Maria TallChief (Osage) The Five Indian Ballerinas represent tribes of Osage, Choctaw, America’s First Prima Ballerina Cherokee, Peoria, and Shawnee The “Five Indian Ballerinas:” Maria TallChief, Marjorie TallChief, Yvonne Chouteau, Moscelyne Larkin, and Rosella Hightower St. Kateri Tekakwitha (Mohawk) On October 21, 2012, Kateri became the first Native American to be inducted into Sainthood by the Catholic Church. Seal fur bracelet by Shaax’Saani (Tlingit) Black ash crafts by Kelly Church (Ottawa & Chippewa) Traditional Native American crafts are still being made today. “Self-Fulfilling Portrait” “Wolf Pumps” by Amber Gunn Gauthier (Ho-Chunk/Menominee) by Louie Gong (Nooksack/Salish/Chinese) Contemporary Native American artists use oil paints as well as digital programs to produce artwork. The Iroquois National Lacrosse team. Photo by Percy Abrams. Native Americans created the game stickball, which is very similar to lacrosse and still played today. Jim Thorpe (Sac & Fox), Olympic Gold Medalist Billy Mills (Oglala Lakotah), Olympic Gold Medalist Notah Begay III (Navajo), the only full-blooded Native on the PGA TOUR Some famous Native American athletes of the 20th and 21st Century. East Coast region Plains region Northwest Coast region Southeast Coast Region Midwest region Southwest region Native American children from all over the US still celebrate their culture and diversity. Cynthia Leitich Smith (Muscogee Creek) Louis Erdrich (Ojibwe) Sherman Alexie (Spokane) There are many different Native American authors who write children’s and young adult books. “Sauganash Mural” on Peterson, east of Kostner “Indian Land Dancing Mural” at Lakeshore Drive/Foster underpass Visit some Native American murals around Chicago! .

Copy Link

Recommended publications

The BALLET RUSSE De Monte Carlo
The RECORD SHOP Phil Hart, Mgr. presents The BALLET RUSSE de Monte Carlo IN THE PORTLAND AUDITORIUM Thursday, November 16,1944 AT 8:30 P. M. * PLEASE NOTE the following cast changes, due to a leg injury sustained by MR. FRANKLIN. In Le Bourgeois Gentilhornrne Cleonte M. Nicholas MAGALLANES In Gaite Parisienne Tbe Baron M. Nihita TALIN In Danses Concertantes Leon DANIELIAN in place of Frederic FRANKLIN In Rodeo Tbe Champion Roper Mr. Herbert BLISS PROGRAM II. A • "*j 3 • ,. y LE BOURGEOIS GENTILHOMME Choreography by George Balanchine Music by Richard Strauss Scenery and costumes by Eugene Berman Scenery executed by E. B. Dunkel Studios Costumes executed by Karinska, Inc. SERENADE This ballet depicts one episode from Moliere's immortal farce, "Le Bourgeois Gentilhomme." A young man, Cleonte, is in love with M. Jourdain's daughter, Luetic M. Jourdain disapproves of the match, as Cleonte is not of noble birth and it is M. Choreography by George BALANCHINE Music by P. I. Tschaikowsky Jourdain's lifetime ambition to shed his middle-class status and rise to aristocracy. Cleonte and his valet, Coviel, impersonate respectively the son of the Great Turk and his ambassador, and under this disguise Cleonte asks for the hand of Lucile. Lucile, at first, unaware of Cleonte's disguise, bitterly resents the wedlock and not Costumes by Jean LURCAT Costumes executed by H. MAHIEU, Inc. until Cleonte raises his mask does she willingly consent. In exchange for the hand of his bride, Cleonte makes M. Jourdain a Mamamouchi—a great dignitary of Turkey—"than which there is nothing more noble in the world," by means of an imposing ceremony.
[Show full text]
Peoria Tribe of Indians of Oklahoma (Oklahoma Social Studies Standards, OSDE)
OKLAHOMA INDIAN TRIBE EDUCATION GUIDE Peoria Tribe of Indians of Oklahoma (Oklahoma Social Studies Standards, OSDE) Tribe: Peoria Tribe of Indians (pee-awr-ee -uh) Tribal website(s): http//www.peoriatribe.com 1. Migration/movement/forced removal Oklahoma History C3 Standard 2.3 “Integrate visual and textual evidence to explain the reasons for and trace the migrations of Native American peoples including the Five Tribes into present-day Oklahoma, the Indian Removal Act of 1830, and tribal resistance to the forced relocations.” Oklahoma History C3 Standard 2.7 “Compare and contrast multiple points of view to evaluate the impact of the Dawes Act which resulted in the loss of tribal communal lands and the redistribution of lands by various means including land runs as typified by the Unassigned Lands and the Cherokee Outlet, lotteries, and tribal allotments.” Original Homeland - The Peoria Tribe of Indians of Oklahoma is a confederation of Kaskaskia, Peoria, Piankeshaw and Wea Indians united into a single tribe in 1854. The tribes which constitute The Confederated Peorias, as they then were called, originated in the lands bordering the Great Lakes and drained by the mighty Mississippi. They are Illinois or Illini Indians, descendants of those who created the great mound civilizations in the central United States two thousand to three thousand years ago. The increased pressure from white settlers in the 1840’s and 1850’s in Kansas brought cooperation among the Peoria, Kaskaskia, Piankashaw and Wea Tribes to protect these holdings. By the Treaty of May 30, 1854, 10 Stat. 1082, the United States recognized the cooperation and consented to their formal union as the Confederated Peoria.
[Show full text]
Ballets Russes Press
A ZEITGEIST FILMS RELEASE THEY CAME. THEY DANCED. OUR WORLD WAS NEVER THE SAME. BALLETS RUSSES a film by Dayna Goldfine and Dan Geller Unearthing a treasure trove of archival footage, filmmakers Dan Geller and Dayna Goldfine have fashioned a dazzlingly entrancing ode to the rev- olutionary twentieth-century dance troupe known as the Ballets Russes. What began as a group of Russian refugees who never danced in Russia became not one but two rival dance troupes who fought the infamous “ballet battles” that consumed London society before World War II. BALLETS RUSSES maps the company’s Diaghilev-era beginnings in turn- of-the-century Paris—when artists such as Nijinsky, Balanchine, Picasso, Miró, Matisse, and Stravinsky united in an unparalleled collaboration—to its halcyon days of the 1930s and ’40s, when the Ballets Russes toured America, astonishing audiences schooled in vaudeville with artistry never before seen, to its demise in the 1950s and ’60s when rising costs, rock- eting egos, outside competition, and internal mismanagement ultimately brought this revered company to its knees. Directed with consummate invention and infused with juicy anecdotal interviews from many of the company’s glamorous stars, BALLETS RUSSES treats modern audiences to a rare glimpse of the singularly remarkable merger of Russian, American, European, and Latin American dancers, choreographers, composers, and designers that transformed the face of ballet for generations to come. — Sundance Film Festival 2005 FILMMAKERS’ STATEMENT AND PRODUCTION NOTES In January 2000, our Co-Producers, Robert Hawk and Douglas Blair Turnbaugh, came to us with the idea of filming what they described as a once-in-a-lifetime event.
[Show full text]
Miguel Terekhov Collection
Miguel Terekhov Collection Inventory Prepared by Jessie Hopper Last Revision - June 2013 Table of Contents Collection Summary.............................................................................................................. 1 Biographical Note.................................................................................................................. 1 Scope and Content Note....................................................................................................... 1 Organization of the Miguel Terekhov Collection................................................................ 2 Restrictions........................................................................................................................... 2 Index Terms............................................................................................................................ 2 Administrative Information.................................................................................................... 3 Detailed Description of the Collection................................................................................. 4 Ballets Russes Archives at the University of Oklahoma School of Dance Collection Summary Repository Ballets Russes Archives at the University of Oklahoma School of Dance Collection Miguel Terekhov Title Miguel Terekhov Collection Dates 1928-2012 Bulk 1935-1997 Dates Quantity 8 boxes, 5 linear feet Abstract Miguel Terekhov, a Uruguayan dancer, was a member of both de Basil's Original Ballet Russe and the Ballet Russe de
[Show full text]
Ballets Russes
CINEMIEN Film & Video Distribution ABC Distribution Amsteldijk 10 Kaasstraat 4 1074 HP Amsterdam 2000 Antwerpen t. 020 – 577 6010 t. 03 – 231 0931 www.cinemien.nl www.abc-distribution.be [email protected] [email protected] presenteren / présentent: BALLETS RUSSES EEN FILM VAN / UN FILM DE DAYNA GOLDFINE & DAN GELLER Persmappen en beeldmateriaal van al onze actuele titels kunnen gedownload van onze site: www.cinemien.nl of www.abc-distribution.be Link door naar PERS en vul in; gebruikersnaam: ‘pers’, wachtwoord: ‘cinemien’ BALLETS RUSSES– synopsis (NL) Een schitterende documentaire over een revolutionaire dansgroep die bekend staat als het Ballet Russe. De groep is ontstaan uit een groep Russische vluchtelingen die nooit in Rusland hebben gedanst en splitste zich later op in twee rivaliserende dansgroepen: de ‘Original Ballet Russe’ en de ‘Ballet Russe de Monte Carlo’. De documentaire begint bij de oprichting in 1909 door de befaamde Serge Diaghilev, beschrijft de oprichting van de Ballet Russe de Monte Carlo na de dood van Diaghilev in 1929, het ontstaan van een tweede Ballets Russes groep, de voorspoedige jaren ’30 en ’40 toen het Ballet Russe door Amerika toerde, tot de ondergang in de jaren ’50 en ’60 door stijgende kosten, groeiende ego’s, competitie van buiten en intern wanbeleid. Niet alleen choreografen als Balanchine en Massine, maar ook schilders als Matisse, Dali en Picasso werkten voor de revolutionaire Ballets Russes. Om over componisten als Claude Debussy en Igor Stravinsky nog maar te zwijgen. Wereldsterren als Alicia Markova, Irina Baranova en Marc Platt halen herinneringen op. Velen van de Ballets Russes dansers van weleer zijn nu tachtig of negentig, maar zijn nog steeds actief in de balletwereld.
[Show full text]
Ally, the Okla- Homa Story, (University of Oklahoma Press 1978), and Oklahoma: a History of Five Centuries (University of Oklahoma Press 1989)
Oklahoma History 750 The following information was excerpted from the work of Arrell Morgan Gibson, specifically, The Okla- homa Story, (University of Oklahoma Press 1978), and Oklahoma: A History of Five Centuries (University of Oklahoma Press 1989). Oklahoma: A History of the Sooner State (University of Oklahoma Press 1964) by Edwin C. McReynolds was also used, along with Muriel Wright’s A Guide to the Indian Tribes of Oklahoma (University of Oklahoma Press 1951), and Don G. Wyckoff’s Oklahoma Archeology: A 1981 Perspective (Uni- versity of Oklahoma, Archeological Survey 1981). • Additional information was provided by Jenk Jones Jr., Tulsa • David Hampton, Tulsa • Office of Archives and Records, Oklahoma Department of Librar- ies • Oklahoma Historical Society. Guide to Oklahoma Museums by David C. Hunt (University of Oklahoma Press, 1981) was used as a reference. 751 A Brief History of Oklahoma The Prehistoric Age Substantial evidence exists to demonstrate the first people were in Oklahoma approximately 11,000 years ago and more than 550 generations of Native Americans have lived here. More than 10,000 prehistoric sites are recorded for the state, and they are estimated to represent about 10 percent of the actual number, according to archaeologist Don G. Wyckoff. Some of these sites pertain to the lives of Oklahoma’s original settlers—the Wichita and Caddo, and perhaps such relative latecomers as the Kiowa Apache, Osage, Kiowa, and Comanche. All of these sites comprise an invaluable resource for learning about Oklahoma’s remarkable and diverse The Clovis people lived Native American heritage. in Oklahoma at the Given the distribution and ages of studies sites, Okla- homa was widely inhabited during prehistory.
[Show full text]
News Release
NEWS RELEASE Weitzenhoffer Family College of Fine Arts Sandra Bent, Public Relations (405) 325-5321 Exhibition Celebrating Ballets Russes Opens Oct. 6 at Fred Jones Jr. Museum of Art NORMAN— The University of Oklahoma School of Dance, OU Libraries and the Fred Jones Jr. Museum of Art are showcasing the Ballets Russes Special Collections and Archive and its connection to the University of Oklahoma with an array of exhibitions, lectures and an Oklahoma Festival Ballet production. Many events are open to the public with complimentary admission. The public is invited to the complimentary exhibition opening at the museum at 8 p.m. Thursday, Oct. 6. From Diaghilev to Terekhov and Chouteau: An Exhibition of Material from the Ballets Russes Special Collections and Archive remains on display in the Ellen and Richard L. Sandor Gallery through Dec. 30. The exhibition opens alongside the museum’s fall exhibition Picturing Indian Territory: 1819-1907 the same night. The Ballets Russes, the pre-eminent ballet company of the early 20th century, was founded in 1909 by Russian impresario Sergei Diaghilev. Throughout the company’s history, it was a who’s who of famous artists that ensured the success of the company. Noted composers Strauss, Stravinsky, Ravel and Prokoviev wrote scores for the ballet company. Set designers included such renowned painters as Picasso, Matisse, Braque and Miró. Choreographers such as Balanchine, Fokine and Massine, and principal dancers Nijinsky, Karsavina and Danilova served as dominant figures in the ballet world. The company’s cutting-edge productions forever changed audience expectations of ballet as theatre. The Ballets Russes connection to the university comes from two of its principle dancers Yvonne Chouteau and Miguel Terekhov.
[Show full text]
NATIVE AMERICAN CONNECTIONS at JACOB's PILLOW a Summary Of
NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK NATIVE AMERICAN CONNECTIONS AT JACOB’S PILLOW A summary of the intersections between the Pillow and Indigenous peoples and traditions of the Americas, compiled by Jacob’s Pillow Director of Preservation Norton Owen. According to the chapter titled “Indians in Becket” by Pillow neighbor Ruth I. Derby in A Bicentennial History of Becket, the Mohicans camped in Becket during the summer months, hunting moose, deer, and bear, as well as otter, raccoons, beaver, foxes, and other small fur-bearing animals. A later Becket history identified descendants of the Muckhaneek, Narragansett, and Pequot tribes. They collected and dried food for the winter and skins for clothing. They also made maple syrup and sugar and taught settlers to do this. They sold the land to settlers in 1736, though the plans weren’t accurate and Chief Konkapot was upset that traditional hunting grounds were inadvertently included in the property transfer. This discrepancy was later settled with an additional payment that covered all lands west of the Westfield River. There are reportedly Indian burial grounds off George Carter Road, near Jacob’s Pillow. 1933 – During its first summer of Pillow performances, the repertory of Ted Shawn and His Men Dancers includes the Osage-Pawnee Dance of Greeting and a Shawn solo, Invocation to the Thunderbird. 1934 – Ted Shawn revives his Hopi Indian Eagle Dance, originally part of his full-length 1923 production, Feather of the Dawn. A new group work, Ponca Indian Dance, is presented for the first time. 1936 – The first act of a full-evening work, O Libertad!, opens with a section titled Noche Triste de Moctezuma and also includes other sections about Native Americans of the Southwest.
[Show full text]
Oklahoma WOMEN's HAIL of FAME
OKlAHOMA WOMEN'S HAIL OF FAME he Oklahoma Women's Hall of Fame, created in 1982, is a project ofthe T Oklahoma Commission on the Status ofWomen. Inductees are women who have lived in Oklahoma for a major portion of their lives or who are easily identified as Oklahomans and are: pioneers in their field or in a project that benefits Oklahoma, have made a significant contribution to the State of Oklahoma, serve or have served as role models to other Oklahoma women, are "unsung heroes" who have made a difference in the lives of Oklahomans or Americans because of their actions, have championed other women, women's issues, or served as public policy advocates for issues important to women. Inductees exemplifY the Oklahoma Spirit. Since 2001, the awards have been presented in odd numbered years during "Women's History Month" in March. A call for nominations takes place during the late summer of the preceding year. *inducted posthumously 1982 Hannah Diggs Atkins Oklahoma City State Representative, U.N. Ambassador Photo courtesy of' Oklahoma State University Library 158 Notable Women/Women's Hall ofFame 1982 Kate Barnard* Oklahoma City Charities & Corrections Commissioner, Social Reform Advocate Photo courtesy ofOklahoma Historical Society 1982 June Brooks Ardmore Educator, Oil and Gas Executive Photo copyright, The Oklahoma Publishing Company 1982 Gloria Stewart Farley Heavener Local Historian Photo provided Oklahoma Women's Almanac 159 1982 Aloysius Larch-Miller* Oklahoma City Woman Suffrage Leader Photo copyright, The Oklahoma Publishing Company 1982 Susie Peters Anadarko Founder Kiowa Indian School of Art Photo courtesy of Oklahoma Historical Society 1982 Christine Salmon Stillwater Educator, Mayor, Community Volunteer Photo courtesy ofSheerar Museum, Stillwater, OK 160 Notable Women/Women's Hall of Fame 1982 Edyth Thomas Wallace Oklahoma City Journalist Photo copyright, The Oklahoma Publishing Company 1983 Zelia N.
[Show full text]
Verena Ruegg Collection MS.P.007
http://oac.cdlib.org/findaid/ark:/13030/kt596nf5jp No online items Guide to the Verena Ruegg Collection MS.P.007 Finding aid prepared by Christine Kim, Zoe MacLeod, Alix Norton, and student assistants with assistance from Audra Eagle Yun Special Collections and Archives, University of California, Irvine Libraries The UCI Libraries P.O. Box 19557 University of California, Irvine Irvine, California, 92623-9557 949-824-3947 [email protected] © 2013 Guide to the Verena Ruegg MS.P.007 1 Collection MS.P.007 Title: Verena Ruegg collection Identifier/Call Number: MS.P.007 Contributing Institution: Special Collections and Archives, University of California, Irvine Libraries Language of Material: English Physical Description: 83.0 Linear feet(140 boxes) Date (bulk): Bulk, 1925-1972 Date (inclusive): 1913-1972 Language of Collection Materials: Collection materials are in English. Abstract: This collection comprises the drawings and sketches of Verena Ruegg, a painter, etcher, lithographer, printmaker, and craftsperson from Hollywood, California. Also included are works selected for exhibition or for sale. Forms of materials include sketches, paintings, lithographs, etchings, programs, photographs, correspondence, and clippings. Creator: Ruegg, Verena Access The collection is open for research. Access to fragile photographic originals is restricted. Digital copies may be requested. Publication Rights Property rights reside with the University of California. For permissions to reproduce or to publish, please contact the Head of Special Collections and Archives. Preferred Citation Verena Ruegg Collection. MS-P007. Special Collections and Archives, The UC Irvine Libraries, Irvine, California. Date accessed. For the benefit of current and future researchers, please cite any additional information about sources consulted in this collection, including permanent URLs, item or folder descriptions, and box/folder locations.
[Show full text]
1 Giselle the Australian Ballet
THE AUSTRALIAN BALLET GISELLE 1 Lifting them higher Telstra is supporting the next generation of rising stars through the Telstra Ballet Dancer Award. Telstra and The Australian Ballet, partners since 1984. 2018 Telstra Ballet Dancer Award Winner, Jade Wood | Photographer: Lester Jones 2 THE AUSTRALIAN BALLET 2019 SEASON Lifting them higher Telstra is supporting the next generation of rising stars through the Telstra Ballet Dancer Award. Telstra and The Australian Ballet, partners since 1984. 1 – 18 MAY 2019 | SYDNEY OPERA HOUSE Government Lead Principal 2018 Telstra Ballet Dancer Award Winner, Jade Wood | Photographer: Lester Jones Partners Partners Partner Cover: Dimity Azoury. Photography Justin Ridler Above: Ako Kondo. Photography Lynette Wills Richard House, Valerie Tereshchenko and Amber Scott. Photography Lynette Wills 4 THE AUSTRALIAN BALLET 2019 SEASON NOTE FROM THE ARTISTIC DIRECTOR Giselle has a special place in The Australian Ballet’s history, and has been a constant in our repertoire since the company’s earliest years. The superstars Margot Fonteyn and Rudolf Nureyev danced it with us in 1964, in a production based on the Borovansky Ballet’s. Our founding artistic director, Peggy van Praagh, created her production in 1965; it premiered in Birmingham on the company’s first international tour, and won a Grand Prix for the best production staged in Paris that year. It went on to become one of the most frequently performed ballets in our repertoire. Peggy’s production came to a tragic end when the scenery was consumed by fire on our 1985 regional tour. The artistic director at the time, Maina Gielgud, created her own production a year later.
[Show full text]
Oklahoma Today Spring 1962 Volume 12 No. 2
FIFTY CENTS EUFAUU DAM Now under construction is Eufaula Dam located on the Canadian River. Its total length I will be 3,200 feet, ' including power- house section, concrete spillway and rolled earth embankment. It will stand 112 feet above the present stream bed. Total initial storage will be 3,848,000 acre- feet, including flood control and power pool. Surface area of the lake at maximum capacity, I 143.000 acres. RESERVOIR NAVIGATION 04- COMPLETE BY BOB WOLF RESERVOIR UNDER CONSTRUCTION * I RESERVOIR a PROPOSED NAVIGATION cr* AUTHORIZED n the past, the Prairie Schooner has been about the only term with a nautical connota- tion which had any connection with land- locked Oklahoma in the minds of most people. *This idea still persists. Navigation of the Arkansas River, while being a widespread topic of conversation, is still looked upon as a far-out dream by many. Not only the magnitude of the dream, but the proximity of its realization can easily be felt in a visit to the area. Senator Robert S. Kerr, champion of water resources development in Oklahoma and the nation, confidently predicts that barge transportation from Tulsa to the Mississippi River-and thence the world-will be an accomplished fact by 1970. Throughout eastern Oklahoma preparations are being made for the new economic hori- zons that will open with the coming of water transpor- tation. Historically, Oklahoma is not a land-locked area. River steamers served Fort Gibson on the Arkansas River, CLAHOMA TODAY THREE - --- and much of the Choctaw Nation as early as the 1830's.
[Show full text]