Digital Broadcasting and Interactive Television in Distance Education
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
History of the DVB Project
History of the DVB Project (This article was written by David Wood around 2013.) Introduction The DVB Project is an Alliance of about 200 companies, originally of European origin but now worldwide. Its objective is to agree specifications for digital media delivery systems, including broadcasting. It is an open, private sector initiative with an annual membership fee, governed by a Memorandum of Understanding (MoU). Until late 1990, digital television broadcasting to the home was thought to be impractical and costly to implement. During 1991, broadcasters and consumer equipment manufacturers discussed how to form a concerted pan-European platform to develop digital terrestrial TV. Towards the end of that year, broadcasters, consumer electronics manufacturers and regulatory bodies came together to discuss the formation of a group that would oversee the development of digital television in Europe. This so-called European Launching Group (ELG) expanded to include the major European media interest groups, both public and private, the consumer electronics manufacturers, common carriers and regulators. It drafted the MoU establishing the rules by which this new and challenging game of collective action would be played. The concept of the MoU was a departure into unexplored territory and meant that commercial competitors needed to appreciate their common requirements and agendas. Trust and mutual respect had to be established. The MoU was signed by all ELG participants in September 1993, and the Launching Group renamed itself as the Digital Video Broadcasting Project (DVB). Development work in digital television, already underway in Europe, moved into top gear. Around this time a separate group, the Working Group on Digital Television, prepared a study of the prospects and possibilities for digital terrestrial television in Europe. -
Replacing Digital Terrestrial Television with Internet Protocol?
This is a repository copy of The short future of public broadcasting: Replacing digital terrestrial television with internet protocol?. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94851/ Version: Accepted Version Article: Ala-Fossi, M and Lax, S orcid.org/0000-0003-3469-1594 (2016) The short future of public broadcasting: Replacing digital terrestrial television with internet protocol? International Communication Gazette, 78 (4). pp. 365-382. ISSN 1748-0485 https://doi.org/10.1177/1748048516632171 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ The Short Future of Public Broadcasting: Replacing DTT with IP? Marko Ala-Fossi & Stephen Lax School of Communication, School of Media and Communication Media and Theatre (CMT) University of Leeds 33014 University of Tampere Leeds LS2 9JT Finland UK [email protected] [email protected] Keywords: Public broadcasting, terrestrial television, switch-off, internet protocol, convergence, universal service, data traffic, spectrum scarcity, capacity crunch. -
Digital Audio Broadcasting : Principles and Applications of Digital Radio
Digital Audio Broadcasting Principles and Applications of Digital Radio Second Edition Edited by WOLFGANG HOEG Berlin, Germany and THOMAS LAUTERBACH University of Applied Sciences, Nuernberg, Germany Digital Audio Broadcasting Digital Audio Broadcasting Principles and Applications of Digital Radio Second Edition Edited by WOLFGANG HOEG Berlin, Germany and THOMAS LAUTERBACH University of Applied Sciences, Nuernberg, Germany Copyright ß 2003 John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England Telephone (þ44) 1243 779777 Email (for orders and customer service enquiries): [email protected] Visit our Home Page on www.wileyeurope.com or www.wiley.com All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London W1T 4LP, UK, without the permission in writing of the Publisher. Requests to the Publisher should be addressed to the Permissions Department, John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England, or emailed to [email protected], or faxed to (þ44) 1243 770571. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the Publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought. -
Development of a Digital Terrestrial Front End
DEVELOPMENT OF A DIGITAL TERRESTRIAL FRONT END J D Mitchell (BBC) and P Sadot (LSI Logic, France) ABSTRACT BBC Research and Development and LSI Logic are jointly developing a front end for digital terrestrial television transmitted according to the DVB-T specification. The front end consists of two separate components. First, an analogue down-converter that converts the input signal from UHF to a low IF. Second, an integrated circuit that accepts the analogue signal from the down-converter and performs the required DSP operations, which include synchronisation and demodulation, to form a stream of soft decisions suitable for presentation to an FEC decoder. The development process began by agreeing a set of requirements to which the two components must conform. This paper begins by outlining these requirements. During the development of the components, many issues have been considered and resolved. A selection of the key issues and the decisions that were reached is given and, finally, a discussion of the architecture that results from these decisions is presented. INTRODUCTION BBC Research and Development and LSI Logic are working together on the development of a digital terrestrial front end which is capable of decoding transmissions compliant with the European DVB-T specification (1). This development unites the BBC's system expertise in COFDM, see Nokes et al. (2), Stott (3) and (4), and LSI Logic's long-established chip design capability. As part of the front end development, LSI Logic and the BBC are working together on two distinct, but related, development projects: a single CMOS chip implementing a complete OFDM demodulator, and a new terrestrial down-converter designed for use with the digital chip. -
TITLE *Cable Television
DOCUMENT RESUME ED 381 220 EM 011 397 AUTHOR Zraket, Charles A. TITLE Some Technical, Economic and Applications Considerations of Interactive Television. INSTITUTION Mitre Corr., McLean, Va. SPONS AGENCY National Science Foundation, Washington, D.C. REPORT NO M-73-40 PUB DATE Mar 73 NOTE 62p.; Paper presented at the Seminar on the Promise of Cable and Satellite Communications EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS *Cable Television; Communication *Computers; Information Needs; Information F zieval; Information Storage; Information Systems; Interaction; *Man Machine systems; *Metropolitan Areas; State of the Art Reviews; *Telecommunication; Urban Areas IDENTIFIERS Broadband Communications; CATV; Wideband Cable ABSTRACT During the present decade cable television (CATV) systems will be franchised in most metropolitan areas of the nation. Previously, CATV has mainly transmitted over-the-air broadcast signals to small communities, but in the urban setting the capabilities of wideband cable (e.g., 30 channels per cable) can be expanded and applied to new communication needs. First, however, CATV must outgrow its identity as a retransmitter and become the medium for delivering a wide range of broadband communications services. Linked with computers, interactive cable systems can serve social, cultural, civic, education, governmental, business and commercial interests. The utility and importance of interactive CATV systems stem from the follcwing characteristics: 1) they are individualized and respond instantly, privately, and economically to the user's needs; 2) they are computerized, offering search and calculation capabilities otherwise not available; 3) they provide unlimited points of entry aLd delivery of information, in addition to controlled storage, access, and retrieval; and 4) they are multimedia, encompassing video, audio, graphics, pictures, and alphanumeric text, and offer the potential of a common carrier between people. -
Digital Multi–Programme TV/HDTV by Satellite
Digital multi–programme TV/HDTV by satellite M. Cominetti (RAI) A. Morello (RAI) M. Visintin (RAI) The progress of digital technology 1. Introduction since the WARC’77 is considered and the perspectives of future The significant progress of digital techniques in applications via satellite channels production, transmission and emission of radio are identified. Among these, digital and television programmes is rapidly changing the established concepts of broadcasting. multi–programme television systems, with different quality levels (EDTV, SDTV) and possible The latest developments in VLSI (very–large scale evolution to HDTV, are evaluated in integration) technology have significantly contrib- uted to the rapid emergence of digital image/video terms of picture quality and service compression techniques in broadcast and informa- availability on the satellite channels tion–oriented applications; optical fibre technolo- of the BSS bands (12 GHz and gy allows broadband end–to–end connectivity at 22 GHz) and of the FSS band (11 very high bit–rates including digital video capabil- GHz) in Europe. A usable channel ities; even the narrow–band terrestrial broadcast capacity of 45 Mbit/s is assumed, as channels in the VHF/UHF bands (6–7 MHz and 8 well as the adoption of advanced MHz) are under investigation, in the USA [1] and channel coding techniques with in Europe [2], for the future introduction of digital QPSK and 8PSK modulations. For television services. high and medium–power satellites, in operation or planned, the The interest for digital television in broadcasting receiving antenna diameters and multimedia communications is a clear exam- required for correct reception are ple of the current evolution from the analogue to reported. -
Mixed Reality Technologies for Immersive Interactive Broadcast
MIXED REALITY TECHNOLOGIES FOR IMMERSIVE INTERACTIVE BROADCAST O. Schreer1, W. Waizenegger1, W. Fernando2, H. Kodikara Arachchi2, A. Oehme3, A. Smolic4, B. Yargicoglu5, A. Akman5, U. Curjel6 1Fraunhofer HHI, Germany; 2University of Surrey, UK; 3HFC Human- Factors-Consult, Germany; 4Disney Research Zurich, Switzerland; 5Argela, Turkey; 6SRF, Switzerland ABSTRACT Up until now, TV has been a one-to-many proposition apart from a few exceptions. The TV Stations produced and packaged their shows and the consumers had to tune in at a specific time to watch their favourite show. However, new technologies are changing the way we watch and produce television programs. For example, viewers often use second screen applications and are engaged in lively discussions via social media channels while watching TV. Nevertheless, immediate live interaction with broadcast media is still not possible. In this paper, the latest results of the European funded project ACTION-TV, which is developing novel forms of user interaction based on advanced Computer Vision and Mixed-Reality technologies, are presented. The aim of this research project is to let viewers actively participate in pre-produced live-action television shows. This expands the horizon of the interactive television concept towards engaging television shows. The paper explains the concept, challenges and solutions resulting in a first prototype real-time demonstrator for novel interactive TV services. INTRODUCTION ACTION-TV [1] proposes an innovative mode of user interaction for broadcasting to relax the rigid and passive nature of present broadcasting ecosystems. It has two key aims: (i) a group of users can take part in TV shows providing a sense of immersion into the show and seamless natural engagement with the content; (ii) users are encouraged to use TV shows as a means of social engagement while keeping themselves and their talents more visible across social circles. -
The Future of the Bbc
Future of the BBC Future of the BBC THE FUTURE OF THE BBC: A summary of the Department of Culture, Media and Sport 2005 Green Paper with a response from the Policy group of the Centre for Media Research University of Ulster http://www.bbccharterreview.org.uk/gp_responses/organisations/ Centre_for_Media_Research%20_University_of_Ulster.rtf No. 1 in an occasional series of policy papers produced by the Policy Group of the Centre for Media Research by Dr. Andy White; Professor Máire Messenger Davies; Dr. Andrew Hill; Dr. Aphra Kerr Centre for Media Research School of Media and Performing Arts, University of Ulster, Cromore Rd., Coleraine, BT52 1SA Northern Ireland. www.arts.ulster.ac.uk/media/cmr/html 1 Future of the BBC CENTRE FOR MEDIA RESEARCH: MEDIA POLICY BRIEFING PAPERS Editor, Dr. Andy White [email protected] ISSN 1748-0175 (Print): No 1: The Future of the BBC. INTRODUCTION This series of papers has been produced by the Policy research group, of the Centre for Media Research at the University of Ulster, Coleraine, Northern Ireland. The Centre aims to provide an informed voice on contemporary matters of public concern, including the maintenance of national and regional cultures in the face of media globalisation, and to contribute to the public policy agenda in Northern Ireland, the UK and beyond. As part of its brief, the Policy group reviews and summarises topical issues of media policy and these summaries are published in these briefing papers. The first of these papers concerns the future of the BBC, and includes the response made by the CMR to the British Government’s 2005 Green Paper on this question. -
Frame Structure Channel Coding and Modulation for a Second Generation Digital Transmission System for Cable Systems (DVB-C2)
Digital Video Broadcasting (DVB); Frame structure channel coding and modulation for a second generation digital transmission system for cable systems (DVB-C2) DVB Document A138 March 2015 3 Contents Intellectual Property Rights ................................................................................................................................ 6 Foreword............................................................................................................................................................. 6 1 Scope ........................................................................................................................................................ 7 2 References ................................................................................................................................................ 8 2.1 Normative references ......................................................................................................................................... 8 2.2 Informative references ....................................................................................................................................... 8 3 Definitions, symbols and abbreviations ................................................................................................... 9 3.1 Definitions ......................................................................................................................................................... 9 3.2 Symbols .......................................................................................................................................................... -
Digital Television: Has the Revolution Stalled?
iBRIEF / Media & Communications Cite as 2001 Duke L. & Tech. Rev. 0014 3/26/2001 April 26, 2001 DIGITAL TELEVISION: HAS THE REVOLUTION STALLED? When digital television technology first hit the scene it garnered great excitement, with its promise of movie theater picture and sound on a fraction of the bandwidth of analog. A plan was implemented to transition from the current analog broadcasting system to a digital system effective December 23, 2006. As we reach the half point of this plan, the furor begins to die as the realities of the difficult change sink in. The History of Digital Television ¶1 The technological possibilities of digital television are immense.1 It could provide the broadcast of theater quality sound and picture via cable, antenna or satellite; multicasting which enables the transmission of multiple programs within one digital signal; and signals for data communications that could potentially bring to the TV the capabilities of web pages and interactive compact discs.2 ¶2 The motivation behind the development of digital television technologies can be traced back to the history of analog broadcasting. As television became a viable medium in the United States at the start of the Second World War, the establishment of technical standards in transmission and reception equipment was of vital importance. In 1940, the National Television Systems Committee (NTSC) met to determine guidelines for the transmission and reception of television signals. With the US leading the charge into early broadcasting in the late 1940s, the technology available at the time became entrenched and remains a part of our lives today, with the familiar 525-line low-resolution screens that bring us the evening news. -
A Quantitative Analysis of Red Button Television Content in the UK
Pushing the button: A quantitative analysis of red button television content in the UK Submitted in partial fulfilment of the Requirements of the Degree of Doctor of Philosophy. July 2014 Andrew Fox 1 Table of Contents Abstract p. 8 Chapter 1: Introduction 1.1 Introduction p. 10 1.2 Technohype p. 11 1.3 Internet Television p. 13 1.4 Television and Interactivity p. 14 1.5 Research Aims p. 17 1.6 Field Interviews p. 18 1.7 Thesis Structure p. 18 Chapter 2: Theoretical framework and literature review 2.1 Introduction p. 20 2.2 Has the sociological position of television changed? p. 20 2.2.1 ‘The Death of Television’ p. 21 2.2.2 Convergence p. 23 2.2.3 Uncertain future p. 26 2.3 Is interactive television happening and if so why? p. 29 2.3.1 Institutional attitudes p. 29 2.3.2 Regulatory policy p. 33 2.4 What does interactivity mean for television? p. 38 2.4.1 Participatory experience p. 39 2.4.2 Individualistic experience p. 43 2.5 What does interactivity mean for television content? p. 46 2.5.1 Enhanced content p. 46 2.5.2 Freedom of choice p. 48 2 2.6 What does interactive television mean for the audience? p. 50 2.6.1 A more questioning audience p. 51 2.6.2 An everyday experience? p. 52 2.6.3 Choice means responsibility p. 55 2.7 What does interactive television actually offer? p. 57 2.7.1 Defining ‘interactivity’ p. 58 2.7.2 Forms of interactive TV p. -
Printable Version [PDF]
CPC - H04L - 2021.08 H04L TRANSMISSION OF DIGITAL INFORMATION, e.g. TELEGRAPHIC COMMUNICATION ({coding or ciphering apparatus for cryptographic or other purposes involving the need for secrecy G09C;} arrangements common to telegraphic and telephonic communication H04M) Definition statement This place covers: Transmission of signals having been supplied in digital form, e.g. data transmission, telegraphic communication, or methods or arrangements for monitoring. As the scope of H04L covers a diversity of subject matter, the user is referred to the definitions for the main groups of H04L. The following list is intended to assist the user. Systems: • characterised by the code used, e.g. Morse or Baudot; details, see definition for groups H04L 15/00, H04L 17/00, H04L 13/00; • step by step systems, see definition for group H04L 19/00; • mosaic printer telegraph systems, see definition for group H04L 21/00; • systems not covered by H04L 15/00-H04L 21/00, see definition for group H04L 23/00; • baseband systems, see definition for group H04L 25/00; • modulated carrier systems, see definition for group H04L 27/00; • data switching networks, see definition for group H04L 12/00. Arrangements of general application: • security: errors; secrecy, see definition for groups H04L 1/00, H04L 9/00; • multiple communications, see definition for groups H04L 5/00, H04L 7/00; • other arrangements, apparatus or systems, see definition for group H04L 29/00. network architectures or network communication protocols for network security H04L 63/00 References Limiting