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Bios of RED SPRING Curating the End of the World Contributors
Bios of RED SPRING Curating the End of the World Contributors RED SPRING is dedicated to living legend, Algernon Miller, a Father of Afrofuturist Art. Ekpe Abioto Ekpe (pronounced “eck-pay), a “musical philanthropist” and artistic director of GENIUS UNLIMITED, who specializes in children’s music and cultural entertainment. Since his career began in 1974, his motivational learning workshops on self-esteem, creative thinking, conflict resolution, drug prevention, and gang awareness have been well received by students, teachers, and administrators. As a musician, producer, recording artist, songwriter and arts educator, he plays African instruments such as the djembe drum, kalimba (thumb piano), shekere, and others, flute and saxophone. He gives entertaining and educational performances at schools, churches, festivals, colleges and universities, and is currently promoting his two CD’s entitled, “I AM A GENIUS” and “THE SPIRIT OF AFRICAN MUSIC.” His interactive music video “DON’T TOUCH A GUN” has been recognized and used as an effective means of keeping guns out of the hands of children. He is a part of The African Jazz Ensemble, a 10-piece band made up of some of Memphis' finest musicians. They've played together for over 40 years, and members have toured the world with Michael Jackson, Al Green, BB King, Eric Clapton, the Dells, Luther Allison, and Rufus and Carla Thomas. They formed the African Jazz Ensemble as a way to incorporate African influences into more traditional jazz, soul and R&B. Linda D. Addison is one of the most honored speculative poets of all time. Over the course of more than 300 published poems, stories and articles, Addison has been awarded the Horror Writer Association’s Bram Stoker Award six times. -
The American Legion Monthly [Volume 4, No. 1 (January 1928)]
HughWalpole - Samuel Scoville,Jr. ^ Rupert Hughes -HughWiley ^ For ^Distinguished Service O INCE the beginning of time, distinguished serv- ice among fighting men has been rewarded with highly coveted medals and decorations. Hundreds of Americans were decorated for distinguished service during the Great War, not as an obligation, but as a privilege. The past year your Commander and Adjutant have given freely of their time in unselfish service. PAST OFFICER'S WATCH Surely theirs has been a distinguished service which Green Gold Filled Case, 15 or 17 Jewel Elgin Movement your Post should deem a privilege to recognize. A unique line of Past Officers' insignia has been provided for the ever increasing number of Posts which annually decorate their retiring Commander and Adjutant. The wide price range and great variety—rings, watches, badges, charms and buttons PAST OFFICER'S RING —makes selection easy. Solid 10 or 14 Karat Green Gold with Hand-Carved Sides Your copy of the Emblem Catalog, which not only describes the complete line of Past Officers' insignia, but scores of other attractive emblem com- binations, is ready to mail. Write for it today. It's free to Legionnaires—and no obligation. Above-PAST OFFICER S BUTTON Solid 10 or 14 Karat Green Gold THE AMERICAN LEGION Emblem Division Below-PAST OFFICER'S CHARM Solid 10 or 14 Karat Green Gold INDIANAPOLIS, INDIANA THE AMERICAN LEGION NAME. Emblem Division INDIANAPOLIS, IND. STREET. kJMuU this Please rush my free copy of the . STATE- Emblem Catalog describing the CITY- Coupon past officers' regalia and other em- blem combinations. POST N0._ DEPT. -
The American Legion Public Relations Toolkit
The American Legion PUBLIC TheRELATIONS American Legion TOOLKIT Produced by the National Public Relations Commission of The American Legion THE AMERICAN LEGION PUBLIC RELATIONS TOOLKIT Handymen are known for the old adage, “Be sure you use the right tool for the right job.” The text you are now reading is part of a system of public relations tools designed to give you a complete kit of easy to use media products that can be tailored to promote your American Legion post, unit or squadron activities throughout the year. Whether you are reading this in a book, on the Internet or from a compact disk or flash drive in your computer, this toolkit will arm you with the print, PowerPoint, Internet, video and audio products to get the job done with confidence in today’s high-technology media world. Best of all, this all-mode system utilizes the KISS principle for ease of use. It has been designed to give you the tools you need to be successful with the easiest possible methodology. From writing a news release to planning a major community event, this PR Toolkit will help you get the job done. THE AMERICAN LEGION | PUBLIC RELATIONS TOOLKIT TABLE OF CONTENTS THE AMERICAN LEGION NATIONAL PUBLIC RELATIONS OFFICE ADDRESS | 700 N PENNSYLVANIA STREET INDIANAPOLIS, IN 46204 PHONE NUMBER | 317-630-1253 E-mail | [email protected] THE AMERICAN LEGION | PUBLIC RELATIONS TOOLKIT SECTION ONE The Changing Media World …and how to engage it with your post public relations plan THE AMERICAN LEGION | PUBLIC RELATIONS TOOLKIT SECTION ONE | THE CHANGING MEDIA WORLD ust as the invention of the transistor began the space age rush to Developing a communications/public relations plan that addresses microchip processor computers that get smaller and more power- the use of today’s media technologies is the first step in successfully fulJ every day, the explosion of the Internet has had a profound effect on reaching the target audience(s) needed in your community. -
The Misunderstood Philosophy of Thomas Paine
THE MISUNDERSTOOD PHILOSOPHY OF THOMAS PAINE A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of History Jason Kinsel December, 2015 THE MISUNDERSTOOD PHILOSOPHY OF THOMAS PAINE Jason Kinsel Thesis Approved: Accepted: ______________________________ _____________________________ Advisor Dean of the College Dr. Walter Hixson Dr. Chand Midha ______________________________ ______________________________ Faculty Reader Dean of the Graduate School Dr. Martino-Trutor Dr. Chand Midha ______________________________ ______________________________ Department Chair Date Dr. Martin Wainwright ii ABSTRACT The name Thomas Paine is often associated with his political pamphlet Common Sense. The importance of “Common Sense” in regards to the American Revolution has been researched and debated by historians, political scientists, and literary scholars. While they acknowledge that Paine’s ideas and writing style helped to popularize the idea of separation from Great Britain in 1776, a thorough analysis of the entirety of Paine’s philosophy has yet to be completed. Modern scholars have had great difficulty with categorizing works such as, The Rights of Man, Agrarian Justice, and Paine’s Dissertation on First Principles of Government. Ultimately, these scholars feel most comfortable with associating Paine with the English philosopher John Locke. This thesis will show that Paine developed a unique political philosophy that is not only different from Locke’s in style, but fundamentally opposed to the system of government designed by Locke in his Second Treatise of Government. Furthermore, I will provide evidence that Paine’s contemporary’s in the American Colonies and Great Britain vehemently denied that Paine’s ideas resembled those of Locke in any way. -
[] SCHEER: Good Morning, Ladies and Gentlemen. Welcome to George W. Norris Legislative Chamber for the Fifty-First Day of the On
Transcript Prepared By the Clerk of the Legislature Transcriber's Office Floor Debate April 02, 2019 [] SCHEER: Good morning, ladies and gentlemen. Welcome to George W. Norris Legislative Chamber for the fifty-first day of the One Hundred Sixth Legislature, First Session. Our chaplain today is Senator Williams. Would you please rise. WILLIAMS: (Prayer offered.) SCHEER: Thank you, Senator Williams. I call to order the fifty-first day of the One Hundred Sixth Legislature, First Session. Senators, would you please record your presence. Roll call. Mr. Clerk, please record. CLERK: I have a quorum present, Mr. President. SCHEER: Thank you, Mr. Clerk. Any corrections for the Journal? CLERK: I have no corrections. SCHEER: Are there any messages, reports, or announcements? CLERK: Just one item, Mr. President. The Committee on Agriculture, chaired by Senator Halloran, reports LB657 to General File with committee amendments attached. That's all that I have. SCHEER: Thank you, Mr. Clerk. The first item. While the Legislature is in session and capable of transacting business, I propose to sign and here do sign LR49, LR50, LR51, LR52, LR53, LR54, LR55, LR56, and LR58. Mr. Clerk, first item. CLERK: Mr. President, confirmation reports: the first by the Education Committee involves three appointments to the Nebraska Educational Telecommunications Commission. SCHEER: Senator Groene, as Chair, you're welcome to open. GROENE: Thank you, Mr. President. These appointments are to the Nebraska Educational Telecommunications Commission, NETC, commonly known as NET. NETC was established in 1963 for the Educational Television Act. The purpose of the commissions are to promote and establish NET facilities, provide NET programs, and operate educational and public radio and 1 Transcript Prepared By the Clerk of the Legislature Transcriber's Office Floor Debate April 02, 2019 TV networks. -
National Park Service Cultural Landscapes Inventory 2016
National Park Service Cultural Landscapes Inventory 2016 President's Park South The White House (President's Park) Table of Contents Inventory Unit Summary & Site Plan Concurrence Status Geographic Information and Location Map Management Information National Register Information Chronology & Physical History Analysis & Evaluation of Integrity Condition Treatment Bibliography & Supplemental Information President's Park South The White House (President's Park) Inventory Unit Summary & Site Plan Inventory Summary The Cultural Landscapes Inventory Overview: CLI General Information: Purpose and Goals of the CLI The Cultural Landscapes Inventory (CLI) is an evaluated inventory of all significant landscapes in units of the national park system in which the National Park Service has, or plans to acquire any enforceable legal interest. Landscapes documented through the CLI are those that individually meet criteria set forth in the National Register of Historic Places such as historic sites, historic designed landscapes, and historic vernacular landscapes or those that are contributing elements of properties that meet the criteria. In addition, landscapes that are managed as cultural resources because of law, policy, or decisions reached through the park planning process even though they do not meet the National Register criteria, are also included in the CLI. The CLI serves three major purposes. First, it provides the means to describe cultural landscapes on an individual or collective basis at the park, regional, or service-wide level. Secondly, it provides a platform to share information about cultural landscapes across programmatic areas and concerns and to integrate related data about these resources into park management. Thirdly, it provides an analytical tool to judge accomplishment and accountability. -
Foundation Document Overview, the White House
NATIONAL PARK SERVICE • U.S. DEPARTMENT OF THE INTERIOR Foundation Document Overview The White House and President’s Park Washington, D.C. Contact Information For more information about The White House and President’s Park Foundation Document, contact: [email protected] or (202)208-1631 or write to: President’s Park, 1100 Ohio Drive, SW, Washington, D.C. 20242 Purpose The purpose of the PRESIDENT’S PARK is to: • Preserve the cultural resources of the White House—its architecture, artifacts, landscape design, gardens and grounds, and the surrounding parklands—in ways that foster and preserve dignity and respect for the office of the presidency, while still allowing for their use. • Provide a dignified transition area from an urban environment to the White House environs. • Interpret the history and significance of the presidency, the White House, and President’s Park, including their relationship to the American public, our republican form of government, and the growth of Washington, D.C. • Preserve existing historic memorials as examples of memorial art. • Provide a large open area associated with the White House for freedom of public expression and assembly activities, as well as for public use and enjoyment. The purpose statements are reprinted from the Comprehensive Design Plan for the White House and • Protect and enhance views to and from the President’s Park (2000). White House and provide a setting for viewing the White House. • Preserve Lafayette Park as open public space in The purpose of THE WHITE HOUSE is to: the foreground of the White House, as a setting for passive activities (reflecting, observing, • Provide a residence that offers privacy, making a personal connection with the protection, and recreational opportunities for presidency), First Amendment activities within the first family. -
Commemorative Works Catalog
DRAFT Commemorative Works by Proposed Theme for Public Comment February 18, 2010 Note: This database is part of a joint study, Washington as Commemoration, by the National Capital Planning Commission and the National Park Service. Contact Lucy Kempf (NCPC) for more information: 202-482-7257 or [email protected]. CURRENT DATABASE This DRAFT working database includes major and many minor statues, monuments, memorials, plaques, landscapes, and gardens located on federal land in Washington, DC. Most are located on National Park Service lands and were established by separate acts of Congress. The authorization law is available upon request. The database can be mapped in GIS for spatial analysis. Many other works contribute to the capital's commemorative landscape. A Supplementary Database, found at the end of this list, includes selected works: -- Within interior courtyards of federal buildings; -- On federal land in the National Capital Region; -- Within cemeteries; -- On District of Columbia lands, private land, and land outside of embassies; -- On land belonging to universities and religious institutions -- That were authorized but never built Explanation of Database Fields: A. Lists the subject of commemoration (person, event, group, concept, etc.) and the title of the work. Alphabetized by Major Themes ("Achievement…", "America…," etc.). B. Provides address or other location information, such as building or park name. C. Descriptions of subject may include details surrounding the commemorated event or the contributions of the group or individual being commemorated. The purpose may include information about why the commemoration was established, such as a symbolic gesture or event. D. Identifies the type of land where the commemoration is located such as public, private, religious, academic; federal/local; and management agency. -
Strategic Plan 2013—2018 Contents Looking Ahead 2 Mission 3 Our Strengths 4 Our Values 5 Love History
National Museum of American History Strategic Plan 2013—2018 Contents Looking Ahead 2 Mission 3 Our Strengths 4 Our Values 5 Love History. Moving Foward 6 Priority 1 6 Use History. Priority 2 9 Priority 3 9 Make History. Priority 4 10 Funding the Plan 12 Coda 15 A Tagline to Remember 16 Milestones 17 Credits 21 Mission Through incomparable collections, rigorous research, and dynamic public outreach, we explore the infinite richness and complexity of American history. We help people understand the past in order to make sense of the present and Looking Ahead shape a more humane future. The National Museum of American History, with more than three million artifacts and documents, is our nation’s largest institution devoted to American history. Almost five million people come here annually, and many millions more visit us online. How do we best share an understanding of what makes America … America? “America” is far more than a geographic location. It is also an idea and an experiment that has reverberated through the centuries—grounded in freedom, possibility, and opportunity, tempered by conflict, and strengthened by dissent and difference. Much of the enduring power of “America” lies in the continuous testing of its ideals. At the National Museum of American History, we draw our inspiration from this majestic idea. Over the next decade, we will use our unparalleled collections to tell an inclusive, respectful, and compassionate story of all the peoples in America who were here, who came here, and who were brought here. We will tell an overarching American story—interweaving multiple stories of perseverance, triumph, and optimism with those of struggle. -
ALEXANDER CALDER SELECTED BIBLIOGRAPHY PERIODICALS 2019 Chapman, Lara
ALEXANDER CALDER SELECTED BIBLIOGRAPHY PERIODICALS 2019 Chapman, Lara. “Examining the Void at ‘Calder-Picasso’” (The Musée National Picasso exhibition review). TL Magazine, 25 February 2019. https://tlmagazine.com/examining-the-void-at-calder-and-picasso/ Garrigues, Manon. “The Calder-Picasso Exhibition is Opening in Paris Today” (The Musée National Picasso exhibition preview). Vogue, 19 February 2019. https://www.vogue.fr/fashion-culture/article/the-calder- picasso-exhibition-is-opening-in-paris-today Heinrich, Will. “’The World According to’” (exhibition review). The New York Times, 1 March 2019. https://www.nytimes.com/2019/03/01/arts/design/what-to-see-in-new-york-art-galleries-right-now.html Schneider, Tim. “How a Legendary Alexander Calder Installation Got Ensnated in Sear’s Tortuous Bankruptcy Saga.” Artnet News, 17 January 2019. https://news.artnet.com/art-world/calder-sears- bankruptcy-1441741 Tattoli, Chantel. “Celebrating Pablo Picasso and Alexander Calder’s Symbiosis” (Musée Picasso exhibition review). Architectural Digest, 13 February 2019. https://www.architecturaldigest.com/story/calder-picasso- paris-show 2018 Goukassian, Elena. “US Army Teams Up with Conservators to Preserve Outdoor Art.” Hyperallergic, 6 April 2018. https://hyperallergic.com/434513/us-army-teams-up-with-conservators-to-preserve-outdoor-art/ Alexander Calder: Selected Bibliography – Periodicals 2 Grace, Anne and Elizabeth Hutton Turner. “Alexander Calder: Radical Inventor.” The Magazine of the Montreal Museum of Fine Arts (September–December 2018): 4–7, illustrated. Pes, Javier. “Calder’s Home Deep in the French Countryside Opens Its Doors to the Next Artists in a Starry List of Residents.” Artnet News, 26 January 2018. https://news.artnet.com/art-world/calder-home-french- countryside-artist-residency-1206770 Rower, Alexander S. -
Arts Capital Art in the DC Metropolitan Area NEA ARTS
NEA ARTS number 2 2010 Arts Capital Art in the DC MetropolitAn AreA NEA ARTS 3 6 8 rebuilt through art a glimpse of the world vamos a la Calle! The Studio Theatre Gives a Building THEARC in Anacostia Celebrating DC’s Latino Arts and Culture Neighborhood New Life by Paulette Beete by Adam Kampe by Michael Gallant CoNNeCtivity betweeN Cultures: The World According to Dana Tai Soon Burgess .......................................................................10 by Victoria Hutter positive ChaNge: The Sitar Arts Center ..............................................................................................................................................12 by Pepper Smith a riCh aNd vibraNt Culture: The District of Columbia Jewish Community Center ........................................................................ 20 by Pepper Smith art out loud: Public Art Takes Over DC ............................................................................................................................................. 22 by Liz Stark NatioNal CouNCil oN the arts about this issue Rocco Landesman, Chairman James Ballinger Twenty years ago, boarded-up buildings in the Penn Quarter neighborhood were a Miguel Campaneria legacy from the 1968 riots, while the area around U Street, NW—once known as “Black Ben Donenberg Broadway” for its plethora of theaters—was a high-crime area, mostly devoid of busi- JoAnn Falletta Lee Greenwood nesses. Today, both neighborhoods are thriving, in no small part thanks to the arts Joan Israelite organizations that call those neighborhoods home. In the Penn Quarter neighborhood, Charlotte Kessler for example, the Shakespeare Theatre has paved the way for other businesses, like res- Bret Lott taurants and retail stores, to move to the area. It has further committed to the neighbor- Irvin Mayfield, Jr. Stephen Porter hood by building its new multimillion dollar Sidney Harman Hall just a few blocks down Barbara Ernst Prey from its Landsburgh Theater space. -
MEMORIES and INSPIRATION the Kerry and C
MEMORIES AND INSPIRATION The Kerry and C. Betty Davis Collection of African American Art TRAVELING EXHIBITION SERVICE EDUCATION PACKET TABLE OF CONTENTS Exhibition Overview 3 Selected Artist Biographies 7 Lessons and Activities 8 Glossary 15 Being a Good Caretaker 16 Reference Materials/Resources 17 COVER PHOTO: Sedrick Huckaby, She Wore Her Family’s Quilt, 2015, oil on canvas. Photograph by Gregory Staley. Memories and Inspiration EXHIBITION OVERVIEW Comprising 62 extraordinary works of art, the traveling exhibition Memories & Inspiration: The Kerry and C. Betty Davis Collection of African American Art is the culmination of an African American couple’s 35-year journey into a realm that few have explored with such passion and dedication— the world of art and art collecting. The following information will help students gain an understanding of the concepts and themes used throughout this one-of-a-kind exhibition. EXHIBITION CONTENT The works of art in this exhibition offer a glimpse into the lives, traditions, and unique experiences of African Americans in the twentieth and twenty-first centuries. The term “African American art” encompasses all forms of art (painting, sculpture, photography, etc.) created by Americans of African descent, and can also describe the artwork of anyone (not just African Americans) who has been influenced stylistically and/or thematically by black African art, culture, or history. The two definitions are not mutually exclusive. The Davis Collection of African American Art is far-reaching and expansive, employing a multitude of mediums, subjects, and styles, primarily by African American artists but including also some significant works from other parts of the African diaspora.