MODERN LIBRARY 100 BEST NOVELS the Board's List ULYSSES by James Joyce the GREAT GATSBY by F. Scott Fitzgerald A
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Malcolm Lowry: a Study of the Sea Metaphor in "Ultramarine" and "Under the Volcano"
University of Windsor Scholarship at UWindsor Electronic Theses and Dissertations Theses, Dissertations, and Major Papers 1-1-1967 Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano". Bernadette Wild University of Windsor Follow this and additional works at: https://scholar.uwindsor.ca/etd Recommended Citation Wild, Bernadette, "Malcolm Lowry: A study of the sea metaphor in "Ultramarine" and "Under the Volcano"." (1967). Electronic Theses and Dissertations. 6505. https://scholar.uwindsor.ca/etd/6505 This online database contains the full-text of PhD dissertations and Masters’ theses of University of Windsor students from 1954 forward. These documents are made available for personal study and research purposes only, in accordance with the Canadian Copyright Act and the Creative Commons license—CC BY-NC-ND (Attribution, Non-Commercial, No Derivative Works). Under this license, works must always be attributed to the copyright holder (original author), cannot be used for any commercial purposes, and may not be altered. Any other use would require the permission of the copyright holder. Students may inquire about withdrawing their dissertation and/or thesis from this database. For additional inquiries, please contact the repository administrator via email ([email protected]) or by telephone at 519-253-3000ext. 3208. MALCOLM LOWRY: A STUDY OF THE SEA METAPHOR IN ULTRAMARINE AND UNDER THE VOLCANO BY SISTER BERNADETTE WILD A T hesis Submitted to the Faculty of Graduate Studies through the Department of English in Partial Fulfillment of the Requirements for the Degree of Master of Arts at the University of Windsor Windsor, Ontario 1967 Reproduced with permission of the copyright owner. -
MARGARET ATWOOD: WRITING and SUBJECTIVITY Also by Colin Nicholson
MARGARET ATWOOD: WRITING AND SUBJECTIVITY Also by Colin Nicholson POEM, PURPOSE, PLACE: Shaping Identity in Contemporary Scottish Verse ALEXANDER POPE: Essays for the Tercentenary (editor) CRITICAL APPROACHES TO THE FICTION OF MARGARET LAURENCE (editor) IAN CRICHTON SMITH: New Critical Essays (editor) Margaret Atwood photo credit: Graeme Gibson Margaret Atwood: Writing and Subjectivity New Critical Essays Edited by Colin Nicholson Senior Lecturer in English University of Edinburgh M St. Martin's Press Editorial material and selection © Colin Nicholson 1994 Text © The Macmillan Press Ltd 1994 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First published in Great Britain 1994 by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world A catalogue record for this book is available from the British Library. ISBN 978-0-333-61181-4 ISBN 978-1-349-23282-6 (eBook) DOI 10.1007/978-1-349-23282-6 First published in the United States of America 1994 by Scholarly and Reference Division, ST. MARTIN'S PRESS, INC., 175 Fifth Avenue, New York, N.Y. 10010 ISBN 978-0-312-10644-7 Library of Congress Cataloging-in-Publication Data Margaret Atwood : writing and subjectivity I edited by Colin Nicholson. -
Four Poems by Malcolm Lowry
383 FOUR POEMS BY MALCOLM LOWRY Quartermaster at the Wheel The Harkness light! Another hour spelled out, Struck by myself with unction but with doubt. A man is killed but does not hear the shot Which kills him; four bells kills me. Lucky to hear it jf I killed myself,- Whose age haunts calendars upon the screen; The heroine horn in nineteen eighteen, Who yesterday was born in nineteen eight. A pile of magazines assess dead love On shore, where one light burns no love will wait. -Past years are volcanoes beyond the wake, Tomorrow is the sea and then the sea, To both least faithless when we most forsake, The one unsealed, the other vomltless Of Jonah to his gourd or Nineveh .... It is a straw to tickle bloodshot eyes Of quartermasters soldered to darkness, The stiff wheel and the remembrance of the drowned, For sinking men to suck at or to claw, The thought that what we saw we often hear Too late or not at all, or cannot bear To know resounding eardrums register ... Our siren now! What ugliest ship has not Borne heart from heart with that deep plangency, Sadder than masthead's light, a soul In mourning whose voice is grief gone by. Roll on, you witless, dark brown ocean, roll, And light light years and grey ones let us live Within that gracious nexus of reprieve Between the fated sight and fatal sound - Now leave the world to Harkness and to me. 384 THE DALHOUSIE REVIEW [This Bitterest Coast] This is the end but since it is the end, You are happy at least in this one certainty, As you were in the eternity Of childhood's blue summer with seagull and yacht for friend, When God was good; love, true; sea, sea; land, land. -
1 “AMERICA on a SHELF” COLLECTION 101 American
“AMERICA ON A SHELF” COLLECTION 101 American Customs : Understanding Language and Culture Through Common Practices [Paperback] Harry Collis (Author) Publisher: McGraw-Hill; 1 edition (October 1, 1999) The Accidental Tourist: A Novel By Anne Tyler (Ballantine Reader's Circle) Across The River and Into the Trees Ernest Hemingway; Paperback The Adventures of Augie March (Penguin Classics) Saul Bellow; Paperback After This by Alice McDermott (Farrar, Straus and Giroux) Age of Innocence By Edith Wharton Al Capone and His American Boys: Memoirs of a Mobster's Wife William J. Helmer (Editor) Publisher: Indiana University Press (July 7, 2011) America The Story of Us: An Illustrated History [Paperback] Kevin Baker (Author), Prof. Gail Buckland (Photographer), Barack Obama (Introduction) Publisher: History (September 21, 2010) American Civilization: An Introduction [Paperback] David C. Mauk (Author), John Oakland (Author) Publisher: Routledge; 5 edition (August 16, 2009) The American Dream: A Short History of an Idea that Shaped a Nation [Paperback] Jim Cullen (Author) Publisher: Oxford University Press, USA (June 14, 2004) American English: Dialects and Variation (Language in Society) [Paperback] Walt Wolfram (Author) Publisher: Wiley-Blackwell; 2nd Edition edition (September 12, 2005) American Values - Opposing Viewpoints Series Author David M. Haugen Publisher: Greenhaven (November 7, 2008) 1 American Ways: A Cultural Guide to the United States Gary Althen (Author) Publisher: Nicholas Brealey Publishing; 3 edition (February 16, 2011) American -
A Too-Brief, Incomplete, Unalphabetized List of Must-Read
A Too-Brief, Incomplete, Unalphabetized List of Must-Read that You Might Not Have Been Taught or Otherwise Made to Read Novels and Short Story Collections Written in the 20th and 21st Centuries Saul Bellow: Henderson the Rain King, Humboldt’s Gift, The Adventures of Augie March, Herzog Grace Paley: Collected Stories Flannery O’Conner: Collected Stories (especially the story from A Good Man is Hard to Find) Evan Connell: Mrs. Bridge, Mr. Bridge Vladimir Nabokov: Lolita, Pale Fire Ralph Ellison: Invisible Man Mary McCarthy: The Group, The Company She Keeps Nathanael West: Miss Lonelyhearts, The Day of the Locust Eudora Welty: Collected Stories Tess Slesinger: The Unpossessed Dagoberto Gilb: The Last Known Residence of Mickey Acuna Don DeLillo: End Zone, White Noise, Underworld Cormac McCarthy: Suttree, All the Pretty Horses, The Road, Blood Meridian Muriel Spark: The Prime of Miss Jean Brodie, Memento Mori, The Comforters, Aiding and Abetting Kazuo Ishiguro: Never Let Me Go, The Unconsoled Zora Neale Hurston: Their Eyes Were Watching God Donald Barthelme: Sixty Stories, Forty Stories Thomas Pynchon: V, Crying of Lot 49, Gravity’s Rainbow Padgett Powell: Edisto, Edisto Revisited, Aliens of Affection Barry Hannah: Airships Steven Millhauser: Edwin Mullhouse, Martin Dressler Colson Whitehead, The Intuitionist Heidi Julavits: The Effects of Looking Backwards John Cheever: The Stories of John Cheever, The Wapshot Chronicle Judy Budnitz: Nice Big American Baby, Flying Leap Lee K. Abbott: Love is the Crooked Thing Angela Carter: The Company of -
WEST of the GREAT DIVIDE a View of the Literature of British Columbia
WEST OF THE GREAT DIVIDE A View of the Literature of British Columbia Allan Pritchard MASIASHION: S IN LITERARY CRITICISM change rapidly. The "sur- vival" thesis that has dominated the thematic criticism of Canadian literature in recent years may be about due to fall from favour. Yet it has proved highly stimulating, and its usefulness has still not been totally exhausted. Before it recedes from its present prominence at least one further value can be extracted from it, although of a paradoxical kind. It serves admirably as a means of defining the regional characteristics of the literature of British Columbia — if one merely reverses its central propositions. The survival thesis is now so familiar that little reminder is needed of its salient points. Like much of the best in our criticism, the view that conflict between man and nature is central in Canadian literature seems to have developed from some brief but perceptive remarks of Northrop Frye. It has been elaborated by many critics and given its fullest and most influential formulation by Margaret Atwood. According to Atwood, the essential literary symbol for Canada is survival in the face of hostile nature. In our literature, she suggests, man is seen predominantly as a victim and nature as a monster. The land is alien. Of the seasons only winter is real. The characteristic experience of the immigrant and settler is exile and defeat. Canadian books are populated by life-denying women and trapped, defeated characters. The central experience represented is death, and as a whole the literature is "undeniably sombre and negative."1 If one turns from these propositions about the nature of Canadian literature and looks at the work of such notable writers of British Columbia as Roderick Haig-Brown, Malcolm Lowry, Ethel Wilson, and Jack Hodgins, the sense of contrast is so strong as to suggest the scene in October Ferry to Gabriola where Lowry describes the journey of his central characters, the Llewelyns, westward from Ontario. -
A Study of Psychological Reverberations in Walker Percy's
Mukt Shabd Journal ISSN NO : 2347-3150 From Inertia to Dynamism: A Study of Psychological Reverberations in Walker Percy’s The Moviegoer 1A.Susai Devanesan Ph.D. Research Scholar, Department of English, Nehru Memorial College, Affiliated to Bharathidasan University, Tiruchirappalli, Tamil Nadu, India *2Dr. K. T. Tamilmani Dean, Academic Affairs and Head & Associate Professor, Department of English, Nehru Memorial College, Affiliated to Bharathidasan University, Tiruchirappalli, Tamil Nadu, India ABSTRACT Human life is a priceless opportunity for growth, a spiritual journey of Redemption. Despite the Eden’s material flavor, the present-day man is estranged in constant despair and deep-seated ambivalence of quandary. People often don’t really look for truth but are dogmatic about what they believe is true. The different forms of mental illness, such as Binx Bolling’s urbane melancholy in Walker Percy’s The Moviegoer, are essentially placed into the existential phenomenon of human situations. Percy, as a physician of the soul, posits medicine to this disquietude of modern man. Reflecting upon the disoriented and unsatisfied past, the protagonist, Binx Bolling tries to reconstruct the present reality making it more meaningful. Though not apparently, inspired by Catholicism, Percy in The Moviegoer propels advocacy against the patrimonial melancholy inherited and current spiritual scrambles. Every individual must discern who he is and what he is here for, transcending the wayfaring and shattering passivity and everydayness. Such authentic self-awareness gives vent for true humanism. When the authentic self is trudging from inertia to dynamism, there is a new beginning. This article tries to explore the transition of Binx Bolling from the past-ridden estrangement and passivity to authentic and meaningful existence. -
Cahiers-Papers 50-1
Notes Bibliographical Errata Regarding the Cumulative List of Winners of the Governor General’s Literary Awards / Liste cumulative des lauréates et des lauréats des Prix littéraires du Gouverneur général, 2011 Andrew David Irvine* Several years ago a friend recommended I read E. Bennett Metcalfe’s 1985 biography of Roderick Haig-Brown, A Man of Some Importance. Chancellor of the University of Victoria from 1970 to 1973, Haig- Brown (1908-76) was an early British Columbia environmentalist, a sometime logger, trapper and fisherman, and a long-serving magistrate of the juvenile court of Campbell River. According to his biographer, he also received the first Governor General’s Medal for Juvenile Literature for his 1948 book, Saltwater Summer.1 Even so, Haig-Brown’s name and book appear nowhere on the official list of award-winners maintained by the Canada Council for the Arts: the Cumulative List of Winners of the Governor General’s Literary Awards / Liste cumulative des lauréates et des lauréats des Prix littéraires du Gouverneur général.2 Explaining the omission is not straightforward. The most plausible explanation is that Haig-Brown was likely the first (and to date the only) author to receive a Governor General’s Citation for his work,3 rather than the then-traditional medal. In the minds of some, it * Andrew Irvine holds the position of Professor of Philosophy at the University of British Columbia, Vancouver. 1 E. Bennett Metcalfe, A Man of Some Importance: The Life of Roderick Langmere Haig-Brown (Vancouver: James W. Wood, 1985), 202. 2 Canada Council for the Arts, Cumulative List of Winners of the Governor General’s Literary Awards / Liste cumulative des lauréates et des lauréats des Prix littéraires du Gouverneur général, 2011, accessed 5 April 2012, http://987321654.canadacouncil. -
Q.) the Journal of John Winthrop Is Also Known As the History of New America
Q.) The journal of John Winthrop is also known as The History of New America. A.) False Q.) Benjamin Franklin is known as the First American. A.) True Q.) Thomas Cook authored the United States Declaration of Independence. A.) False Q.) Charlotte Temple was originally published under the title Charlotte, A True Tale. A.) False Q.) Uncle Tom's Cabin is an anti-slavery novel by Harriet Beecher Stowe. A.) True Q.) Wieland is considered the first American gothic novel. A.) True Q.) The author of the famous short stories, Rip Van Winkle and The Legend of Sleepy Hollow is Washington Irving. A.) True Q.) The Leatherstocking Tales series contains six novels. A.) False Q.) The Valley of Utah is the first fiction of Virginia colonial life. A.) False Q.) Richard Henry Dana exclaimed about the poem Thanatopsis, "That was never written on this side of the water!" A.) True Q.) Edgar Allan Poe referred to followers of the Transcendental movement as Fish-Pondians. A.) False Q.) George Washington Harris is the creator of the character Sut Lovingood. A.) True Q.) Dennis Wendell Holmes, Sr. coined the term 'Brahmin Caste of New England.' A.) False Q.) Ralph Waldo Emerson delivered the famous Phi Beta Kappa address 'The American Scholar.' A.) True Q.) Henry David Thoreau penned the essay Civil Obedience. A.) False Q.) Mark Twain called The Scarlet Letter a "perfect work of the American imagination." A.) False Q.) Nathaniel Hawthorne's fiction had a profound impact on Herman Melville. A.) True Q.) H.W. Longfellow was the first American to translate Divine Comedy. -
Changing Patterns of Southern Lady's Influence from the Old to the Contemporary South in Ellen Glasgow's and Walker Percy'
ROCZNIKI HUMANISTYCZNE Tom LIV-LV, zeszyt 5 – 2006-2007 URSZULA NIEWIADOMSKA-FLIS * CHANGING PATTERNS OF SOUTHERN LADY’S INFLUENCE FROM THE OLD TO THE CONTEMPORARY SOUTH IN ELLEN GLASGOW’S AND WALKER PERCY’S ŒUVRE In the antebellum times patriarchs believed that the Southern lady defined the image of the South itself, as she was inseparable from her background (GLASGOW, A Certain Measure, 82). The myth of the Southern lady, in- vented and sanctioned by Southern gentlemen, created an image of an aristo- cratic, pure, loving, and submissive lady. Her apparent duty was to play an ornamental role in her husband’s house; however, in a larger perspective, her maternal devotion and moral uprightness were to guarantee perpetration of white hegemony. Southern patriarchs did not want to waste all the virtues which they had been ascribing to their women through the myth of the Southern lady; there- fore, in order to create a practical reason for upholding the myth, they attrib- uted mysterious power and great significance to her demeanor — to her influence on a husband, family and society in general. The mythical image of woman as an innocent and inferior creature was enriched by her miraculous power to wield influence upon those less perfect around her. However, this imposed myth forced ladies to choose the “right” behavior in spite of themselves, or of their desires and hopes, “the Southern woman, who had borne the heaviest burden of the old slavery and the new freedom, was valued, in sentiment, chiefly as an ornament to civilization, and as a restraining influence over the nature of man” (GLASGOW, A Certain Mea- sure, 97-98). -
The Mainstream
THE MAINSTREAM Ronald Sutherland A.LONG WITH A NUMBER of other activities in Canada, literary criticism has picked up a great deal of momentum in the last decade. Like the St. Lawrence River it has deepened and broadened as it moved along, and to a large extent it also has divided in two at the Island of Montreal. In view of the mighty St. Lawrence's present state of pollution, however, it would perhaps be injudicious to pursue the analogy. But it can be said with reasonable confidence that the steady increase in the volume of Canadian literary criticism is having and will continue to have a beneficial effect on creative writing in this country. I imagine that there is nothing more debilitating for a writer than to be ignored, to be working in a vacuum as it were. Frederick Philip Grove comes immediately to mind. Despite the recent increase in the volume of literary criticism, however, several major problems remain to be resolved. They are basic problems which glare like a hole in a girl's stocking or a pair of mismatched shoes, but they can also be covered up and ignored. They would seem to invite attention, and then again they do not. For they are often charged with emotional overtones. For instance, there is the question of who precisely is a Canadian author. Anthologies and literary histories, to say the least, have tended to be gloriously free of discrimina- tion, grabbing all that could possibly be grabbed. One wonders, indeed, how Jacques Maritain, Wyndham Lewis, Willa Cather and Ernest Hemingway, all of whom lived for a time in Canada, escaped the conscription, not to mention Alexis de Tocqueville, Charles Dickens and Henry David Thoreau. -
University of British Columbia. Library, Collector
MALCOLM LOWR Y 1909-195 7 AN INVENTORY TO THE MALCOLM LOWRY MANUSCRIPT COLLECTION S I N THE LIBRARY OF THE UNIVERSITY OF BRITISH COLUMIBA SPECIAL COLLECTIONS DIVISIO N PREPARED BY : JUDITH O . COMBS, 197 .3 REVISED BY : CYNTHIA SUGARS, 1985 1 INTRODUCTIO N Clarence Malcolm Lowry, the fourth son of a Liverpool cotto n broker, was born on July 28th, 1909, in Birkenhead, Cheshire , England . Lowry's writing career began early . As a young man a t The Leys Public School, he wrote short stories and'articles fo r The Leys Fortnightly and, by the age of twenty-four, he ha d published his first novel, Ultramarine . After six months aboard the S .S . Pyrrhus as a deck-hand , the experience upon which Ultramarine is based, Lowry travelle d to the United States to visit the American writer Conrad Aiken , the man who was later to become not only Lowry ' s guardian bu t also one of his closest friends . In 1933, a year after graduatin g from Cambridge University with a B .A ., Lowry met his first wife , Jan Gabrial, with whom he moved to Cuernavaca, Mexico in 1936 . It was in Cuernavaca that Lowry began work on his major novel , UndertheVolcano, which was to take him more than ten years t o complete . In 1940, with his second wife, Margerie Bonner, Lowry move d to Dollarton, British Columbia, where he lived for the nex t fourteen years . During this period, Malcolm continued to wor k on Under the Volcano and, despite numerous set-backs, includin g the destruction of their shack by fire in 1944, the novel wa s finally published in 1947 .