Leffest.Com Directors
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Dance Design & Production Drama Filmmaking Music
Dance Design & Production Drama Filmmaking Music Powering Creativity Filmmaking CONCENTRATIONS Bachelor of Master of Fine Arts Fine Arts The School of Filmmaking is top ranked in the nation. Animation Cinematography Creative Producing Directing Film Music Composition Picture Editing & Sound Design No.6 of Top 50 Film Schools by TheWrap Producing BECOME A SKILLED STORYTELLER Production Design & Visual Effects Undergraduates take courses in every aspect of the moving image arts, from movies, series and documentaries to augmented and virtual reality. Screenwriting You’ll immediately work on sets and experience firsthand the full arc of film production, including marketing and distribution. You’ll understand the many different creative leadership roles that contribute to the process and discover your strengths and interests. After learning the fundamentals, you’ll work with faculty and focus on a concentration — animation, cinematography, directing, picture editing No.10 of Top 25 American and sound design, producing, production design and visual effects, or Film Schools by The screenwriting. Then you’ll pursue an advanced curriculum focused on your Hollywood Reporter craft’s intricacies as you hone your leadership skills and collaborate with artists in the other concentrations to earn your degree. No.16 of Top 25 Schools for Composing for Film and TV by The Hollywood Reporter Filmmaking Ranked among the best film schools in the country, the School of Filmmaking produces GRADUATE PROGRAM experienced storytellers skilled in all aspects of the cinematic arts and new media. Students Top 50 Best Film Schools direct and shoot numerous projects alongside hands-on courses in every aspect of modern film Graduate students earn their M.F.A. -
A Film by David Gordon Green
PRESENTS JOE A FILM BY DAVID GORDON GREEN 2013 Venice Film Festival 2013 Deauville American Film Festival 2013 Toronto International Film Festival 2013 Zurich Film Festival RUNNING TIME: 117 Minutes INTERNATIONAL SALES WestEnd Films - [email protected] U.S. SALES CAA - [email protected] PRESS CONTACT DDA Public Relations - [email protected] 02 Synopsis A gripping mix of friendship, violence and redemption erupts in the contemporary South in this adaptation of Larry Brown’s novel, celebrated at once for its grit and its deeply moving core. Directed by David Gordon Green (PRINCE AVALANCHE, PINEAPPLE EXPRESS, UNDERTOW, ALL THE REAL GIRLS), the film brings Academy Award® winner Nicolas Cage back to his indie roots in the title role as the hard-living, hot-tempered, ex-con Joe Ransom, who is just trying to dodge his instincts for trouble – until he meets a hard-luck kid, (Tye Sheridan) (MUD, TREE OF LIFE) who awakens in him a fierce and tender-hearted protector. The story begins as Joe hires teenaged Gary Jones and his destitute father onto his “tree- poisoning” crew for a lumber company. Joe might be notoriously reckless with his pick-up, his dog and especially with women, but he sees something in Gary that gets to him: a determination, a raw decency and a sense of resilience he can barely believe in anymore. Gary has truly had nothing in life – he’s never spent a day at school – yet something drives him to take care of his family, to keep his sister safe when his father turns monstrous, to hang onto hope of a better future. -
Omtale Af SAMTLIGE FILM DET NÆSTE ÅR Samt Hightlights 2018-2021 1 2017
Nr. 136 - Pr. 1. januar 2017 – 47 sider – Udarbejdet af Brancheforeningen Danske Biografer Fuldstændig premiereliste på side 39 I DETTE NUMMER: Omtale af SAMTLIGE FILM DET NÆSTE ÅR samt hightlights 2018-2021 1 2017: Omtaler af samtlige kommende film det næste år: ASSASSIN’S CREED (2:20) (SF Studios/Fox) DK-premiere: 5/1-2017. (Action/sci-fi) 11 år Hjemmeside: http://www.imdb.com/title/tt2094766/ Trailer: http://dk.filmtrailer.com/cinema/51338/assassins-creed Med Michael Fassbender og Marion Cotillard. Instr.: Justin Kurzel (”Macbeth”) En bartender ved navn Desmond Miles, bliver bortført at firmaet Abstergo Industries for at udforske sin forfaders, Altaïr Ibn La'Ahad, sjæl i håbet om at finde en hellig artefakt. Baseret på videospillet af samme navn. Budget: $150 mio. (Udsendes også i 3-D) (Indspilning i USA: $28,4 mio. - de første 8 dage) Rotten tomatoes: 17% NATDYR (”Nocturnal Animals”) (1:55) (UIP/Universal) DK-premiere: 5/1-2017. (Drama/thriller) 15 år Hjemmeside: http://www.imdb.com/title/tt4550098/ Trailer: - Med Amy Adams, Jake Gyllenhaal og Michael Shannon. Instr.: Tom Ford (”A Single Man” (49.535)). Baseret på bogen “Tony and Susan” af Austin Wright. I filmen bliver Susan Morrow hjemsøgt af sin eksmands roman. Bogen er en voldsom thriller, men den fortvivlede kvinde opfatter fortællingen som en symbolsk hævn-historie med skjulte trusler. ”Dette er en fantastisk film. En film som er dømt til at vinde priser og bekræfte Fords position som værende lige så vigtig en figur i filmindustrien som i modeverdenen.” – Geoffrey Macnab, Independent. Budget: $22,5 mio. (Indspilning i USA: $9,9 mio. -
May 2019 Digital
MAY 2019 80 YEARS OF CINEMA MAY 2019 MAY GLASGOWFILM.ORG | 0141 332 6535 CINEMASTERS: HIROKAZU KORE-EDA | ITALIAN FILM FESTIVAL | HIGH LIFE 12 ROSE STREET, GLASGOW, G3 6RB WOMAN AT WAR | TOLKIEN | VOX LUX | FINAL ASCENT | AMAZING GRACE CONTENTS Access Film Club: Eighth Grade 20 Nobody Knows 9 The Straight Story - 35mm 8 Amazing Grace 13 Shoplifters 10 MOVIE MEMORIES Arctic 14 Still Walking 9 Rebecca 19 Ash Is Purest White 15 CINEMASTERS: Rebel Without a Cause 19 Beats 14 STANLEY KUBRICK SCOTTISH MENTAL HEALTH Birds of Passage 14 2001: A Space Odyssey 10 ARTS FESTIVAL Dead Good 5 Dr Strangelove or: How I Learned to 10 Evelyn + Skype Q&A 8 Stop Worrying and Love the Bomb Donbass 15 Irene’s Ghost + Q&A 8 13 Full Metal Jacket 10 Eighth Grade SPECIAL EVENTS Final Ascent 13 EVENT CINEMA Asbury Park: 6 Have You Seen My Movie? 13 Bolshoi Ballet: Carmen Suite/Petrushka 18 Riot, Redemption, Rock ‘n’ Roll High Life 14 Margaret Atwood: Live in Cinemas 18 Cléo from 5 to 7 6 The Keeper 15 NT Live: All My Sons 18 Crossing the Line: Al Ghorba: 6 Madeline’s Madeline 14 NT Live Encore: One Man, Two Guvnors 18 Be:Longing in Britain The Thing 14 NT Live: The Lehman Trilogy 18 Dead Good + Q&A 5 Tolkien 15 NT Live: Small Island 18 Inquiring Nuns + Skype Q&A 7 Neither Wolf Nor Dog + Q&A 7 @glasgowfilm Too Late to Die Young 15 ITALIAN FILM FESTIVAL Visible Cinema: Edie 20 Capri-Revolution 11 Preview: Freedom Fields + Q&A 6 Vox Lux 13 The Conformist 11 Preview: In Fabric + Q&A 7 Woman at War 13 Daughter of Mine 12 Preview: Sunset - 35mm + Q&A 5 XY Chelsea 15 -
BLACK SHEEP FILM, Fig Tree Wins the Prestigious Audentia Award at TIFF, 16/09/2018
AUDENTIA AWARD 2018 PRESS RELEASES BLACK SHEEP FILM, Fig Tree wins the prestigious Audentia Award at TIFF, 16/09/2018 BLICKPUNKT: FILM, Eurimages verleiht Audentia Award in Toronto, 14/09/2018 BROADWAY WORLD, The Toronto International Film Festival Announces 2018 Award Winners, 17/09/2018 The Toronto International Film Festival Announces 2018 Award Winners Sep. 17, 2018 CANADA GOOSE AWARD FOR BEST CANADIAN FEATURE FILM The Canada Goose ® Award for Best Canadian Feature Film goes to Sébastien Pilote's The Fireflies Are Gone (La disparition des lucioles). The jury said it was chosen, "For its true-to-life depiction of a young woman's quest to find meaning and hope in a world that has constantly disappointed her." This award carries a cash prize of $30,000 and a custom award, sponsored by Canada Goose®. THE PRIZES OF THE INTERNATIONAL FEDERATION OF FILM CRITICS (FIPRESCI PRIZES) For the 27th year, the Festival welcomed an international FIPRESCI jury. This year's jury is comprised of Jury President Lesley Chow (Australia), Andrés Nazarala (Chile), Astrid Jansen (Belgium), Pierre Pageau (Canada), James Slotek (Canada), and Viswanath Subrahmanyan (India). The Prize of the International Federation of Film Critics (FIPRESCI) for the Discovery programme is awarded to Carmel Winters for Float Like a Butterfly, which the jury called "a pastoral and traditional bucolic film, capturing the familiar angst and anxiety a young adult woman undergoes in order to have her say in the scheme of things in a predominately male-driven patriarchal society." "Through her spectacular and deft narrative, nuanced understanding of the dilemmas women face, and a pitch- perfect performance by Hazel Doupe, this film is a triumph of free spirit." Honourable mention goes to Laura Luchetti's Twin Flower. -
COMITINI, Mariela
MARIELA COMITINI FIRST ASSISTANT DIRECTOR FEATURES TICK TICK … BOOM! Netflix Prod: Brian Grazer, Ron Howard Dir: Lin-Manuel Miranda IF BEALE STREET COULD TALK Plan B Prod: Jeremy Kleiner, Dede Gardner Dir: Barry Jenkins *Official Selection – New York Film Festival, 2018 Adele Romanski, Megan Ellison *Official Selection – Best Motion Picture, Drama – Golden Globes, 2019 Caroline Jaczko WIDOWS Film4/New Regency Prod: Iain Canning, Emile Sherman Dir: Steve McQueen *Official Selection – Toronto Film Festival, 2018 Amy Jackson STRONGER Lionsgate Prod: Todd Lieberman, Jeff Stott Dir: David Gordon Green Nicolas Stern CONFIRMATION HBO Prod: Susannah Grant, Michael London Dir: Rick Famuyiwa Kerry Washington THE LIGHT BETWEEN THE OCEANS Dreamworks SKG Prod: Rosie Alison, Jeffrey Clifford Dir: Derek Cianfrance MISSISSIPPI GRIND Sycamore Pictures Prod: Randall Emmett, John Lesher Dir: Anna Boden Jeremy Kipp Walker Ryan Fleck SHE’S FUNNY THAT WAY Lagniappe Films Prod: Wes Anderson, Robert Barnum Dir: Peter Bogdanovich Noah Baumbach LOST RIVER Bold Films/Warner Bros. Prod: Noaz Deshe, Gary Michael Walters Dir: Ryan Gosling Ryan Gosling KRISTY Dimension Films Prod: Scott Derrickson,Robert Kravis, Mattew Stein Dir: Oliver Blackburn BEGIN AGAIN The Weinstein Company Prod: Sam Hoffman, Tom Rice, Molly Smith Dir: John Carney PARADISE Mandate Pictures Prod: Diablo Cody, Nathan Kahane Dir: Diablo Cody THE PLACE BEYOND THE PINES Focus Features Prod: Matt Berenson, Jim Tauber, Sydney Kimmel Dir: Derek Cianfrance THE ORANGES ATO Pictures Prod: Stefanie Azpiazu, -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Valeria Golino (Actrice)
Bruno Todeschini (acteur) Il suit les cours de l'École supérieure d'art dramatique de Genève avant d'entrer au Théâtre des Aman- diers à Nanterre en 1986. Il y interprète des rôles au théâtre sous la direction de Patrice Chéreau, qui plus tard le fera jouer dans ses films. Révélé en 1992 dans La Sentinelle d'Arnaud Desplechin, il se consacre avant tout au cinéma d'auteur : on le voit dans des films de Téchiné (Ma saison préférée), Rivette (Haut bas fra- gile), Pascale Ferran, Haneke, Xavier Giannoli... Il apparaît également dans des productions destinées à un plus grand public, comme Le Libertin, et surtout à la télévision. Il a notamment joué dans Un amour à taire, Les Rois maudits, Petits meurtres en famille. Il est nommé aux Césars en 2004 pour son rôle dans Son frère de Patrice Chéreau. Il re- trouve Valeria Bruni-Tedeschi dans Un couple parfait en 2006. On peut l’aper- cevoir dernièrement dans les fantômes d’Ismael d’Arnaud Desplechin ou encore Jalouse des frères Foenkinos Valeria Golino (actrice) En 1985, elle obtient le premier rôle dans Piccoli fuochi. L'année suivante, elle remporte le prix de la meilleure actrice à la Mostra de Venise pour son rôle dans Storia d'amore. Après quelques rôles dans des coproductions euro- péennes, elle entame une carrière à Hollywood (Big Top Pee-wee en 1988) et obtient les premiers rôles féminins dans Rain Man, Hot Shots! et Hot Shots! 2 de Jim Abra- hams. Elle est également remarquée dans Respiro d'Emanuele Crialese en 20024, Actrices de Valeria Bruni Tedeschi en 2007 et Les Beaux Gosses de Riad Sattouf en 2009. -
Film Education (Levan Koghuashvili, Maia Gugunava, Tato Kotetishvili) 139 1001 Ingredients for Making Films from Nana Jorjadze 146
~ editors letter ~ The year of 2015 started with our becoming members of the Creative Europe, while by the end of the year, with the purpose of supporting the cinema industry, Geor- gian government introduced a cash rebate system, we have been working on since 2009. I believe both of these initiatives will make a huge contribution to the develop- ment of our industry. 1 In 2016, movies of different genres will be released. It is notable that three feature films among those are directed by women. Projects we are currently working on are very important. We have announced new types of competitions on script development, including comedy and children’s movies, adaptation of Georgian prose of the 21st century, scripts dedicated to the 100th anniver- sary of Georgia’s independence, and animation. Winners are given long- term work- shops by European script doctors, so 2016 will be dedicated to the script development. The young generation has become active in the field: we had premieres of six short films and a short film by Data Pirtskhalava “Father” was the winner of the main prize in this category at Locarno International Film Festival. Other films – “Ogasavara”, “Fa- ther”, “Exit”, “Preparation”, “The First Day” – are also participating at different festivals. Masters of Georgian cinema are also making films side-by-side with the young genera- tion. I have to mention a film by Rezo Esadze “Day as a Month” with its extraordinary nar- rative structure and visualaspect, which will take its noteworthy place in our film collection. One of the most important goals this year will be to return Georgian cinema heritage from archives in Moscow and design a suitable storage facility for it. -
2018 - Straini DACIN SARA
Repartitie aferenta trimestrului IV - 2018 - straini DACIN SARA TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 S1 S2 S3 S4 S5 S6 S7 S8 S9 13 13 2010 US Gela Babluani Gela Babluani Greg Pruss - Gregory Pruss 1000 de intamplari mortale - 1000 ways to die - season 1, sez.01, ep.001 episode 1 2008 US Thom Beers Will Raee Philip David Segal Will Raee Tom McMahon 1000 de intamplari mortale - 1000 ways to die - season 1, sez.01, ep.002 episode 2 2008 US Will Raee Tom McMahon 1000 de intamplari mortale - 1000 ways to die - season 1, sez.01, ep.003 episode 3 2008 US Will Raee Tom McMahon 1000 de intamplari mortale - 1000 ways to die - season 1, sez.01, ep.004 episode 4 2008 US Will Raee Tom McMahon 1000 de intamplari mortale - 1000 ways to die - season 1, sez.01, ep.005 episode 5 2008 US Will Raee Tom McMahon 1000 de intamplari mortale - 1000 ways to die - season 1, sez.01, ep.006 episode 6 2008 US Tom McMahon Tom McMahon 1000 de intamplari mortale - 1000 ways to die - season 1, sez.01, ep.007 episode 7 2008 US Tom McMahon Tom McMahon 1000 de intamplari mortale - 1000 ways to die - season 1, sez.01, ep.008 episode 8 2008 US Tom McMahon Tom McMahon 1000 de intamplari mortale - 1000 ways to die - season 1, sez.01, ep.009 episode 9 2008 US Thom Beers Tom McMahon 1000 de intamplari mortale - 1000 ways to die - season 1, sez.01, ep.010 episode 10 2008 US Thom Beers Tom McMahon 1000 de intamplari mortale - 1000 ways to die - season 1, sez.01, ep.011 episode 11 2008 US Tom McMahon Tom McMahon 1000 de intamplari mortale - 1000 ways to die - season -
Org Ayuntamiento
Desde hace ya cinco años, Madrid cuenta con un Festival Internacional de Documentales que atrae a un gran número de espectadores y es, a la vez, foro y lugar de encuentro para los profesionales del género. Un género, el cine de no ficción, que abarca una enorme variedad de propuestas, desde las puramente estéticas e innovadoras, hasta las que promueven enfoques de mayor calado, que evidencian las más variadas realidades sociales, culturales, artísticas o medioambientales. 6 En su edición de 2008, y como ya es habitual, Documenta tiene su principal foco de interés en su Sección Oficial. En ella, junto a las proyecciones de películas en sus dos formatos, corto y largometraje, en los que prima la originalidad, habrá un concurso de reportajes, que valorará especialmente el tratamiento y la presencia de la actualidad. Pero, además, el festival se nutrirá de sus siempre enriquecedoras secciones informativas. En ellas, destaca el homenaje a la figura de Michelangelo Antonioni, el enigmático cineasta, escritor y pintor italiano, célebre autor de la trilogía La aventura, La noche y El eclipse, que tanto dio que hablar a los cinéfilos españoles a comienzos de los sesenta, y sorprendente creador, más tarde, de Blow-up. Antonioni fue un gran innovador del cine y cultivó el género documental, a pesar de que su obra en este campo es prácticamente desconocida. Para tratar de rescatar del olvido esta valiosa faceta, se proyectarán algunos de sus trabajos. Muy vinculado a la mejor etapa de Antonioni, se ha programado también otro ciclo retrospectivo, Recuerdos del 68, con películas que evocarán los movimientos sociales y políticos del período, así como los sucesos de Mayo del 68 en París, coincidiendo con su 40 aniversario. -
ANNUAL REPORT — 2016 a GREAT LEAP FORWARD Austin Film Society 1901 East 51St Street Austin, TX 78723 512.322.0145 Austinfilm.Org to OUR STAKEHOLDERS
ANNUAL REPORT — 2016 A GREAT LEAP FORWARD Austin Film Society 1901 East 51st Street Austin, TX 78723 512.322.0145 austinfilm.org TO OUR STAKEHOLDERS The Austin Film Society has long held the dream of our own full-time cinema, a local place where people can assemble to communally explore all that international film culture has to offer. This was the year we took action on that dream and signed a long-term lease with The Linc to create the AFS Cinema. Two full-time screens will support interesting, challenging and entertaining cinematic events, lovingly curated by our brilliant team of programmers. A kitchen, lobby bar and event hall will support community gatherings and provide extra income to supplement ticket sales. The AFS Cinema was not AFS’s only program expansion in fiscal 2016. We also opened Austin Public, a 7,000-square-foot television studio in East Austin open to anyone in Austin who wants to explore filmmaking. By virtue of a contract with the City of Austin, AFS is able to offer classes, studio space and equipment at an incredibly low barrier to entry, and distribute locally made work on our channels and website. Additionally, we are making progress on plans for building out the former National Guard Armory into a creative media hub with the help of the 2012 bonds. Our facilities team expects to have schematic designs to show in 2017 as well as a plan for obtaining the $3.5 million-plus needed to create a fully functioning building. Meanwhile at AFS, it’s business as usual, with our instructors delivering youth media programs at under-resourced schools in Austin and our programmers planning screenings at various beloved Austin theaters while the AFS Cinema is dark for renovations (November 2016 –Spring 2017).