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List of the General Musical Articles. Vol 1 A

List of the General Musical Articles. Vol 1 A

The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 1

List of the General musical articles. APPOGGIATURA (CB) APPRECIATION (CB) They are not in true alphabetical order, since in the ARABIAN MUSIC (CB) original, topics beginning I, J and U, W, were ARIA, IN MUSIC (CB) conflated, so here they are in the order they ARIETTA (CB) appeared in the published volumes. ARMONICA (CB) They are coded by the authors’ initials: ARPEGGIO (CB) (CB) – Charles Burney ARSIS AND THESIS (CB) (JF1) – John Farey Sr (JF2) – John Farey Jr Vol 3 Artery-Battersea – P. 30 A number of the the topics listed are short cross - references or dictionary definitions. ARTICULATION IN VOCAL MUSIC (CB) ARTIFICIAL IN MUSIC (CB) Vol 1 A-Amarathides – P. 11 ATTACCO (CB) AUBADE (CB) ABYSSINIAN MUSIC (CB) AUTHENTIC IN MUSIC (CB) ACADEMY (CB) BACCHANALIA (CB) ACCELERANDO (CB) BAGPIPE (CB) ACCENT (CB) BALALAIKA (CB) ACCIACATURA (CB) BALET DE LA ROYNE (CB) ACCIDENTAL (CB) BALLAD (CB) ACCOMPANIMENT (CB) BALLET (CB) ACUMEN (CB) BAR, IN MUSIC (CB) ACUTE (CB) BARBITON (CB) AD LIBITUM (CB) BARCAROLLA (CB) ADAGIO (CB) BARDS (CB) ÆOLIUS’S HARP (CB) BARYPYCNI (CB) AGENTE (CB) BASE, IN MUSIC (CB) AGOGE IN ANCIENT MUSIC (CB) BASSE FUNDAMENTALE (CB) AIR, IN MUSIC BASE-VIOL (CB) A-LA-MI-RE (CB) BASSE DE FLUTE TRAVERSE (CB) ALLEGRO (CB) BASSE FLUTE (CB) AL SEGNOCB (CB) BASSE TONIQUE (CB) ALTERATE (CB) BASSO CONTINUO (CB) ALTO, HIGH (CB) BASSO STRETTO (CB) BASSO CANTATE (CB) Vol 2 Amarantus-Arteriotomy – P. 22 BASSOON (CB) BATILLUS (CB) BATON (CB) AMBROSISAN CHANT BATTERIE (CB) AMBUBAJÆ ANDAMENTO (CB) ANDANTE (CB) Vol 4 Battery-Bookbinding – P. 50 ANTICIPATION, IN MUSIC (CB) ANTIPHONALLY (CB) BATTRE LE MESURE (CB) ANTIPHONARY (CB) BATTUTA (CB) ANTIPHONY (CB) BEAT IN MUSIC (CB) APOTOME (CB) BEATS (CB) BEEN (CB) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 2

BELL (CB) CAROLA (CB) BINDING NOTES (CB) CASTANETS (CB) BIS (CB) BISCROMA (CB) Vol 7 Castramentation-Chronology – P. 72 BOBISATIO (CB) BON (CB) CASTRATO (CB) BOMBYX (CB) CATCH (CB) CAUDATUS (CB) Vol 5 Book-keeping-Calvart – P. 57 CENTONARE (CB) CHACONNE (CB) BOUTADE (CB) CHAMBER (CB) BOW, IN MUSIC (CB) CHANSON (CB) BRACCIO (CB) CHANSON DE GESTES (CB) BREVE, IN MUSIC (CB) CHANSONETTE (CB) BRIDGE, IN MUSIC (CB) CHANT (CB) BRODERIES (CB) CHANT SUR LIVRE (CB) BRUIT (CB) CHANTER (CB) BUADH-VAILL (CB) CHAPEL ROYAL ESTABLISHMENT (CB) (CB) CHARACTERS USED IN BUGLE (CB) MUSIC PRINTING (CB) BUONACCORDO (CB) CHARACTER, IN MUSIC (CB) BURDEN (CB) CHARGÉ (CB) C IN MUSIC (CB) CHEVROTTER (CB) CACOPHON (CB) CHIAREZZA (CB) CADENCE (CB) CHIMES (JF2) CADENZ (CB) CHINESE MUSIC (CB) CÆSURA IN VOCAL MUSIC (CB) CHINNOR (CB) CALASCIONE (CB) CHITARONE (CB) CALCULATION, IN MUSIC (CB) CHITARRA (CB) CHIUDENDO (CB) Vol 6 Calvary-Castra – P. 66 CHIUSO (CB) CHŒUR (CB) CAMBRO-BRITISH MUSIC (CB) CHOIR (CB) CAMPANOLOGIA (CB) CHOIR MUSIC (CB) CANARIE (CB) CHORAL SERVICE (CB) CANON (CB) CHORD, IN MUSIC (JF1) CANTARE (CB) CHOROGRAPHY (CB) CANTATA (CB) CHOROCITHARISTIA (CB) CANTICLE (CB) CHORUS (CB) CANTO (CB) CHROMATIC (CB) CANZONETTA (CB) CAOINAN (CB) Vol 8 Chronometer-Colliseum – P. 104 CAPO-TASTO (CB) CAPRICCIO (CB) CHRONOMETER (CB) CARATICO (CB) CIACCONA (CB CARILLONS (CB) CB) CARILLONEUR (CB) CITHARÆDIST (CB) CARNIVAL (CB) CITHARISTIC (CB) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 3

CITOLE (CB) CONTRA-SOGGETTO, IN MUSIC (CB) CLARINET (CB) CONTRA-TONES, IN GERMAN MUSIC (CB) CLARINO and (CB) CONTRAST, IN MUSIC (CB) CLAVECIN (CB) CONTRE-DANCE (CB) CLAVICHORD (CB) CONTRE-SENS (CB) CLAVITHERIUM (CB) CONTRE-TEMPS (CB) CLAVICYMBALUM (CB) CLAVIER (CB) Vol 10 Cornea-Czyrcassy – P. 149 CLAVIOL (CB) CLEF (CB) (CB) CLERGY, CORPORATION CORNET STOP (CB) OF THE SONS OF (CB) CORNICEN (CB) CLOSE (CB) CORNO da CACCHIA (CB) CORONA (CB) Vol 9 Collision-Corne – P. 112 CORYBANTES (CB) COUNTER (CB) COLOURS IN ANCIENT MUSIC (CB) COUNTERPOINT (CB) COLOURS, DIATONIC (JF1) COUNTER TENOR (CB) COMEDY (CB) COUNTER TIME (CB) COMMA (JF1) COUNTRY DANCE (CB) COMMEMORATION OF HANDEL (CB) COUP DE LANGUE (CB) COMMON CHORD, IN MUSIC (JF1) COUP D'ARCHET (CB) COMPASS OF VOICES (CB) COUP DE GRACE (CB) COMPOSER OF MUSIC (CB) COUPER (CB) COMPOSITION, IN MUSIC (CB) CRITICISM (CB) COMPOUND STOPS ON THE ORGAN (CB) CROMA (CB) CONCERT (CB) CROMATIC FRENCH HORNS (CB) CONCERT SPIRITUEL (CB) CROMORNE (CB) CONCERT PITCH (JF1) CROOK, IN MUSIC (CB) CONCERT OF ANCIENT MUSIC (CB) CROTALO (CB) CONCERTANTE (CB) CROTALUM (CB) CONCERTATO (CB) CROWN (CB) CONCERTO (CB) CROWTH (CB) CONCINNUS (CB) CYCINNIS (CB) CONCORD, IN MUSIC (JF1) CYCLE OF HARMONICS (JF1) CONCORDANT ELEMENTS, IN MUSIC (JF1) CYMBAL (CB) CONSECUTIVE CHORDS, IN MUSIC (CB) CONSEQUENTE (CB) Vol 11 D-Dissimilitude – P. 168 CONSERVATORIO (CB) CONSONANCE, IN MUSIC (JF1) D, IN ENGLISH MUSIC (CB) CONSONENT, IN MUSIC (JF1) DA (CB) CONTINUATO (CB) DA CAPO (CB) CONTINUO (CB) DACTYLIC [MUSIC] (CB) CONTRA (CB) DAFNE [OPERA] (CB) CONTRA BATTUTA (CB) DANCE (CB) CONTRALTO (CB) DANCER, ROPE (CB) CONTRAPPUNTO (CB) DANCERIES (CB) CONTRARY MOTION, IN MUSIC (CB) DECAMARIS (CB) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 4

DEGREES, IN MUSIC (JF1) OF MARTINANUS CAPELLA (JF1) DEGREE IN UNIVERSITIES (CB) DIEZE MAXIME OF RAMEAU (JF1) DEMI (CB) DIEZE MAJOR OF RAMEAU (JF1) DEMI- DIEZE MINOR OF RAMEAU (JF1) DESCANT (CB) DIEZE MINIME OF RAMEAU (JF1) DESIGN, IN MUSIC (CB) DIFF (JF1) DIACOMMATIC (JF1) DIMINISHED INTERVAL, IN MUSIC (JF1) DIAGRAM (CB) (JF1) DIALOGUE (CB) DIMINISHED (JF1) DIAPASON IN ANCIENT MUSIC (CB) (JF1) DIAPASON STOP (CB) DIMINISHED (JF1) DIAPASON AMONG MUSICAL (JF1) INSTRUMENT MAKERS (JF1) DIMINISHED (JF1) DIAPASON-DIÆX (JF1) DIMINISHED (JF1) DIAPASON-DIAPENTE (JF1) DIMINUE (JF1) DIAPASON-DIATESSARON (JF1) DIMINUITO (JF1) DIAPASON-DITONE (JF1) IN OLD MUSIC (JF1) DIAPASON SEMI-TONE (JF1) DIMINUTIONE (JF1) DIAPENTE (JF1 DIRECT (CB) DIAPHONIA IN ANCIENT MUSIC (JF1) DIRITTA (CB) DIASCHISMA (JF1) DISCANT (CB) DIASCHISMA of EULER (JF1) DISCORD (CB) DIASCHISMA of DR BUSBY (JF1) DISCRETIONE (JF1) DIASCHISMA OF BŒTHIUS (JF1) DISDIAPASON (JF1) DIASTEM (CB) DISDIAPASON DIAPTNTE (JF1) DIATESSARON (CB) DISDIAPASON DIATESSERON (JF1) DIATESSARONARE (CB) DISDIAPASON DITONE (JF1) DIATONIC (CB) DISDIAPASON SEMIDITONE (JF1) DIATONICO-GENERE (CB) DIATONIUM (JF1) Vol 12 Dissimulation-Eloane – P. 186 DIAZEUTIC TONE (JF1) DIAZEUXIS (CB) DISSONANCE (JF1) DICTIONARY (CB) DISSONANT (JF1) DIEMERIS (CB) DISTENSION (JF1) DIESIS IN THE ANCIENT MUSIC (JF1) DITONE (JF1) DIESIS ENHARMONIC, IN MUSIC. (JF1) DITONE, GREATEST (JF1) DIESIS MAJOR OF MAXWELL (JF1) DITONE, LEAST (JF1) DIESIS MINOR OF MAXWELL (JF1) DITONICO (JF1) DIESIS MAJOR OF LORD BROUNKER (JF1) DIVERGENCY OF TUNE(JF1) DIESIS CHROMATIC (JF1) DIVERTISSEMENT (CB) DIESIS OF DR SMITH (JF1) DIVISION, IN MUSIC (CB) DIESIS QUADRANTALIS OF EUCLIDA (JF1) DIVISION IN MELODY (CB) DIESIS TRIENTALIS OF EUCLID (JF1) DIXIEME (CB) DIESIS OF BŒTHIUS (JF1) DIXNEUVIEME (CB) DIESIS OF MERCATOR (JF1) DISXSEPTIEME (CB) DIESIS QUADRILATERAL DO (CB) OF ARISTOXENUS (JF1) DOCTOR, IN MUSIC (CB) DIESIS TRIENTAL OF ARISTOXENUS (JF1) DODECACHORDON (CB) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 5

DOIGTER (CB) ELLIPSIS IN MUSIC (CB) DORIAN (CB) DORIC, IN MUSIC (CB) Vol 13 Elocution-Extremities – P. 213 DOUBLE IN MUSIC (CB) DOUBLE IN THE THEATRE (CB) ENHARMONIC GENUS, DOUBLE BASS (CB) IN ANCIENT GREEK MUSIC(JF1) DOUBLE CHORDE (CB) ENHARMONIC DIESIS(JF1) DOUBLE COUNTERPOINT (CB) ENHARMONIC DEGREE DOUBLE CROCHE (CB) OF ARISTOXINUS (JF1) DOUBLE CHROCHET (CB) ENHARMONIC DEGREE OF EUCLID (JF1) DOUBLE DEFICIENT INTERVALS (CB) ENHARMONIC DITONE OF EUCLID (JF1) DOUBLE DESCANT (CB) ENHARMONIC QUARTER OF A TONE(JF1) DOUBLE DIESIS (CB) ENNEACHORD (CB) DOUBLE EMPLOI (CB) ENTRACTE (CB) DOUBLE FUGUE (CB) EPTAMERIDES (JF1) DOUBLE SHARP (JF1) EQUAL BEATING (JF1) DOUBLE TONGUING EQUAL HARMONY (JF1) THE GERMAN FLUTE (CB) EQUAL TEMPERAMANT (JF1) DOUBLETTE (CB) EQUISONANCE (JF1) DOUX (CB) ESCHATON (JF1) DOUXIEME (JF1) EUNUCH (CB) DOUZEAVE(JF1) EXCESSIVE IN MUSIC (CB) DRAGON OF WANTLEY (CB) EXECUTION DRAMATIC MACHINERY (JF2) IN MUSICAL PERFORMANCE (CB) DRAMATIC MUSIC OF THE (CB) EXPRESSION IN MUSIC (CB) DRAMATIC MUSIC OF THE ROMANS (CB) EXTEMPORANEOUS PLAYING (CB) DRAMATIC MUSIC IN ENGLAND (CB EXTENSION IN ANCIENT MUSIC (CB) DRAMATURGIA (CB) DRIVING NOTES IN MUSIC (CB) Vol 14 Extrinsic-Food (part) – P. 221 DRONE-BASE (CB) DRUM (JF2) FABURDEN (CB) DUE CHORI (CB) FACE (CB) DUET (CB) FACTEUR (CB) DUETTI DA CAMERA (CB) FAGOTTINO (CB) DUETTINI (CB) FAGOTTO (CB) DULCIANA (CB) FALL (CB) DULCIMER (CB) FALSE RELATION (CB) DULCINO (CB) FALSET from FALSETTO (CB) DUO (CB) FALSE RELATION (CB) DURADE (CB) FALSO-BORDONE (CB) DURUM (CB) FANDANGO (CB) ECHEIA (CB) FANFARE (CB) ECHELLE (CB) FANTASIA (CB) ECHO, IN MUSIC (CB) FAVORITO (CB) ECHOMETER, IN MUSIC (CB) FAUSSE (CB) ECMELES (CB) FAUSSE QUARTE (CB) EFFECT (CB) FAUSSET (CB) EIGHTH (CB) FAUX (CB) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 6

FAUX-BOURDON (CB) FOURTH (JF1) FEINTE (CB) FOURTH, FLAT (JF1) FEMALE FLUTE PLAYER FOURTH, SHARP(JF1) FERMO, or CANTO FERMO (CB) FOURTH, GREATEST SHARP (JF1) FETE (CB) FOURTH, GREATEST SHARP (JF1) FIATO (CB) FOURTH, LESSER FLAT (JF1) FIDDLE (CB) FOURTH, LEAST FLAT (JF1) FIFE (CB) FOURTH, COMMA-DEFICIENT (JF1) FIFER (CB) FOURTH, COMMA-REDUNDANT (JF1) IN MUSIC (JF1) FOURTH, DIASCHISMA-EXCESSIVE(JF1) FIFTEENTH STOP (CB) FOURTH, EXTREME DIMINISHED(JF1) FIFTH (JF1) FRAGMENS (CB) FIGURE IN MUSIC (CB) FRAPPE (CB) FIGURE, MUTE (CB) FREDON (CB) FIGURED IN MUSIC (CB) FUGA (CB) FILER UN SON (CB) FUGA PER ARSIN ET THESIN (CB) FINALE (CB) FUGA PER CONTRARI MOVIMENTI (CB) FINGER-KEYS IN MUSIC (JF1) FUGA IN CONSEQUENZA (CB) FINGER-KEYS INTERVALS (JF1) FUGA OMOSONA (CB) FINGER-KEYED VIOL (JF2) FUGA LIBERA (CB) FINGERING ON KEYED INSTRUMENTS (CB) FUGA LEGATA (CB) FINITO (CB) FUGA PERPETUA (CB) FLAGEOLET (CB) FUGHE (CB) FLAT (CB) FUGUE (CB) FLAT THIRD (CB) FUND for DECAYED MUSICIANS (CB) FLAT KEY (CB) FUNDAMENTAL (CB) FLAT DOUBLE (JF1) FUNDAMENTAL CONCORDS (CB) FLUTE (CB) FUNDAMENTO (CB) FLUTE TRAVESIERE (CB) G IN MUSIC (CB) FLUTE ALLEMANDE, GAGLIARDA (CB) or GERMAN FLUTE (CB) GALILEO'S TEMPERAMENT FLUTE STOP ON AN ORGAN (CB) OF THE MUSICAL SCALE (JF1) FLUTTER (JF1) GALLIARD (CB) FOLIES (CB) GAMES, MUSICAL, FONDAMENTALE (CB) IN THE GREEK ANTIQUITY (CB) FONDAMENTALIS (CB) GAMME (CB) FONDAMENTS (CB) GAMMUT (CB) GAVOTTA (CB) Vol 15 Food(part)-Generation (part) – GAVOTTA, TEMPO DA (CB) P. 246 GAYMENT (CB) GENERA IN ANCIENT GREEK MUSIC (CB) GENERATE (CB) FORCE IN MUSIC (CB) FORLANA (CB) FORT FORT (CB) Vol 16 Generation(part)-Gretna – P.261 FORTAMENTE (CB) FORTE (CB) GENERATOR (CB) FORTE- (CB) GENIUS [IN MUSIC] (CB) FOURTEENTH (JF1) (CB) GENUS (CB) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 7

GERMAN SCHOOL OF MUSIC (CB) HARMONICA REGULA (CB) GIGA (CB) HARMONIC ELEMENTS (JF1) GIGG (CB) HARMONIC GENUS (CB) GINGROS (CB) HARMONIC SLIDER (JF1) GLEE (CB) HARMONICAL (CB) GLOTTIS (CB) HARMONICAL ARITHMETIC (CB) GONG (CB) HARMONICAL COMPOSITION (CB) GONGONG (CB) HARMONICAL SOUNDS (CB) GRAVE IN MUSIC (JF1) HARMONICS (CB) GRAVE HARMONIC IN MUSIC (JF1) HARMONICS, EXPERIMENTS IN (CB) GRAVE INTERVALS (JF1) HARMONICS, ACUTE (CB) GRAVE FOURTH (JF1) HARMONICS, GRAVE (CB) GRAVE PROPER (JF1) HARMONICUS, CANON (CB) GRAVITY IN MUSIC (CB) HARMONIE DIRECT (CB) GRAZIOSO (CB) HARMONIST (CB) GREAT INTERVALS IN MUSIC(JF1) HARMONOMETRE (CB) GREAT OCTAVE IN MUSIC(JF1) HARMONY (CB) GREAT SCALE IN MUSIC (JF1) HARMONY, FIGURATIVE (CB) GREAT SIXTH, REDUNDANT, IN MUSIC (JF1) HARMONY, PERFECT, OF MAXWELL (JF1) GREAT THIRD, IN MUSIC (JF1) HARMONY, EQUAL OF DR SMITH (JF1) GREATER ENHARMONICAL DIESIS (JF1) HARMONY, TEMPERAMENTS OF (JF1) GREATER HEXACHORD (JF1) HARMONY OF THE SPHERES (CB) GREATER IN MUSIC (JF1) HARP (CB) GREEK CHURCH, MUSIC OF THE (CB) HARP, BELL (CB) GREEK MUSIC, ANCIENT (CB) HARP, SILVER, OR PRIZE HARP (CB) GREGORIAN CHANT (CB) HARP, ÆOLIUS’S (CB) GREGORIAN NOTES HARPE A PEDAL (CB) IN ECCLESIASTICAL MUSIC (CB) HARPEGEMENT (CB) HARPEGGIATO (CB) Vol 17 Gretry-Hebe – P. 280 HARPERS, BRITISH (CB) HARPSICHORD (CB) GROUND BASE IN MUSIC (CB) HARRISON'S TEMPERAMANT (JF1) GRUPPO, or SHAKE (CB) HAUT (CB) GUITARRA (CB) HAUT-DESSUS (CB) HÆRLEM (CB) HAUTBOIS (CB) HALF-NOTE IN MUSIC (JF1) HAUTE-CONTRE (CB) HALF-NOTE (JF1) HAUTE-TAILLE (CB) HALF-NOTE GREATER OF HOLDEN (JF1) HAWKES'S TEMPERAMENT (JF1) HALF-NOTE LESSER OF HOLDEN (JF1) HEBREW MUSIC (CB) HALF-TONE IN MUSIC (JF1) HEMIDIAPENTE (JF1) HALF-TONE, HEMITONE (JF1) HEMIDITONE (JF1) HALF-TONE, MEAN (JF1) HEMITONE IN MUSIC (JF1) HAMBURGH (CB) HEMITONE OF ARISTOXENUS(JF1) HARMONICAL IN MUSIC (CB) HEMITONE OF EUCLID'S HARMATIAN, or CHARIOT AIR (CB) DIATONUM SYNTONUM (JF1) HARMONIA (CB) HEMITONE, GREATER (JF1) HARMONIÆ (CB) HEMITONE, MAJOR (JF1) HARMONICA (CB) HEMITONE, MAJOR OF BŒTHIUS (JF1) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 8

HEMITONE, MEDIUM OF HOLDER (JF1) HYPATOIDE (CB) HEMITONE, MINOR OF HOLDER (JF1) HYPATIODES (CB) HEMITONE, MINOR OF BŒTHIUS AND HYPATON, DIATONOS (CB) SAUVEUR (JF1) HYPER-ÆOLIAN (CB) HEMITONE, MINUMUM OF HOLDER (JF1) HYPER-DIEZEUXIS. (CB) HEMITONE, ARTIFICIAL OF HOLDER (JF1) HYPER-DORIAN (CB) HEMITONE, GREATER OF QUINTILIAN (JF1) HYPER-IONIAN (CB) HEMITONE, LESSER OF QUINTILIAN (JF1) HYPER-LYDIAN (CB) HEMITONE, SUBMINIMUS OF HYPEROCHE OF DR BUSBY (JF1) MERSENNUS, HOLDER, ETC (JF1) HYPEROCHE OF DR CALLCOTT (JF1) HEMITONE, WOLF (JF1) HYPEROCHE OF HENSLING HEPTACHORD (JF1) HYPEROCHE OF PTOLOMY (JF1) HEPTACHORD, MAJOR (JF1) HYPOÆOLIAN (CB) HEPTACHORD, MINOR (JF1) HYPO-DIEZEUXIS (CB) HEPTACHORD, MINOR OF GALILEO (JF1) HYPO-DORIAN (CB) HEPTAMERIDE (CB) HYPO-IASTIAN (CB) HEPTAMERIS (JF1) HYPO-IONIAN (CB) HERMATHIAS (CB) HYPO-LYDIAN (CB) HERMOSMENON (CB) HYPO-MIXO-LYDIAN (CB) HEXACHORD (CB) HYPO-PHRYGIAN (CB) HEXACHORD, MAJOR (JF1) HYPO-PROSLAMBANOMENOS (CB) HEXACHORD, MAJOR OF GALILEO (JF1) HYPO-SYNAPHE (CB) HEXACHORD, MINOR (JF1) HYPPOPHORBION (CB) HEXACHORD, MINOR OF GALILEO (JF1) JACK IN MUSIC (CB) HEXACHORD, MINOR OF DIDYMUS (JF1) IAMBIC VERSE (CB) IAMBICE (CB) Vol 18 Hibiscus-Increment – P. 309 JEUX D'ORGUES (CB) IMITATION IN MUSIC (CB) HIGH IN MUSIC (CB) IMPERFECT CONSONANCES IN MUSIC (CB) HISTORICAL MUSIC (CB) IMPERFECT CHORDS (CB) HOLD IN MUSIC (CB) IMPERFECT INSTRUMENTS (JF1) HOLDEN'S TEMPERAMANT (JF1) IMPERFECT INTERVALS (JF1) HOQUETUS (CB) IMPROVISARE (CB) HORMUS IN ANCIENT MUSIC (CB) IMPROVISATORE (CB) (CB) + (JF1) INCOMPOSIT IN MUSIC (JF1) HORNPIPE (CB) INCOMPOSIT OF THE CHROMATIC HUNGARIAN MUSIC (CB) SESEUPLUM IN THE GREEK MUSIC (JF1) HURDY GURDY (CB) INCOMPOSIT HYDRAULICON (CB) OF THE DITONIC MOLLE (JF1) HYMN (CB) INCOMPOSIT DITONE HYMN OF CASTOR (CB) OF THE ENHARMONIC GENUS (JF1) HYMN OF ARISTOTLE TO HERMIAS (CB) ICONCINNOUS IN MUSIC (JF1) HYMN OF BATTLE (CB) INCONCINNOUS INTERVALS (JF1) HYMNUS (CB) INCONCINNOUS SYSTEM (CB) HYPATE (CB) INCONSONANCE (CB) HYPATE HYPATON (CB) HYPATE MESON (CB) HYPATE PRIMA IN MUSIC (JF1) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 9

Vol 19 Increments-Kilmes – P. 321 LAUDI SPIRITUAL (CB) LEGATURA (CB) INCURABILI (CB) LEMMA IN ANCIENT MUSIC (CB) INHARMONICAL RELATION IN MUSIC (CB) LEPSIS IN GREEK MUSIC (CB) INHARMONICAL (CB) LESSONS FOR VIRGINAL, SPINET INHARMONEOUS (CB) AND HARPSICHORD (CB) INSTRUMENTS, MUSICAL (CB) LIBERTÉ DE LA MUSIQUE (CB) INSTRUMENT, WIND (CB) LIBITUM (CB) INTENSIO (CB) LIBRARY, MUSICAL (CB) INTENSION (JF1) LICENCE IN MUSIC (CB) INTERESTING (CB) LICHANOS (CB) INTERMEZZO (CB) LIEGE (CB) INTERVAL IN MUSIC (CB) LIGATURE, LIGATURA, INTERVAL, SIMPLE (CB) IN ITALIAN MUSIC (CB) INTERVAL, COMPOUND (JF1) INTERVALS, CONCINNOUS (CB) Vol 21 Lighthouse-Machinery (part) INTERVAL, DIMINISHED (CB) – P. 349 INTERVAL, HARMONICAL (CB) INVENTION IN MUSIC (CB) LIMMA (CB) INVERSION IN MUSIC (CB) LITURGY (CB) JONGLEURS (CB) (CB) IONIC, or IONIAN MODE IN MUSIC (CB) LITYERSA (CB) JOUER DES INSTRUMENS (CB) LOCRIAN IN ANCIENT MUSIC (CB) IRREGOLORE LOCUS (CB) IN ECCLESIATICAL MUSIC (CB) LOLICHMIUM IN GREEK MUSIC (CB) ISOCHRONOUS PARCELS IN MUSIC (JF1) LONDON, PLACES OF PUBLIC ISOTONIC SCALE IN MUSIC(JF1) ENTERTAINMENT (CB) ITALY [music in] (CB) LONGA (CB) IULE (CB) LONGSPIEL (CB) JULIAN, FLAVIUS CLAUDIUS JULIANUS, LOURE (CB) AN ORGAN ATTRIBUTED TO (CB) LOURER (CB) KEY IN MUSIC (CB) LUTE (CB) KETTLE DRUM (CB) LUTE, ARCHI (CB) LUTE, THEOBORO (CB) Vol 20 Kiln-Light – P 335 LYDIAN (CB) LYDIAN IN ANCIENT MUSIC (CB) KING'S BAND IN MUSICAL HISTORY (CB) LYRE (CB) KING OF THE MINSTRELS LYRE OF THE MUSCOVITES (CB) IN MUSICAL HISTORY (CB) LYRIC PŒTRY (CB) KIRCHEAN MUSEUM AT (CB) LYRODI (CB) KIT (CB) MACBETH (CB) LAMBETH (CB) MACHINE FOR TAKING DOWN LANGUAGE, EUPHONY OF, VOLUNTARIES. (CB) FOR SINGING (CB) MACHINERY, IN THE LYRIC THEATRE (CB) LARGE THE MAXIMA NOTE (CB) LARGHETTO (CB) LARGO (CB) LARIGOT (CB) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 10

Vol 22 Machinery(part)-Mattheson – P. 360 MIXIS (CB) MIXO-LYDIAN (CB) MACHUL (CB) MIXTURE, MESCOLANZA (CB) MADRIGAL (CB) MIXTURE (CB) MAGADIS (CB) MODAL (CB) MAGGIORE (CB) MODE (CB) MAITRE À CHANTER (CB) MODES OF THE (CB) ANCIENT GREEK MUSIC (CB) MANHEIM SCHOOL OF MUSIC (CB) MODERÉ (CB) MARCH IN MUSIC (CB) MODERN MUSIC (CB) MASQUE IN MUSIC (CB) MODULATION (CB) MONOCHORD (CB) Vol 23 Matthew-Monsoon – P. 365 MONODY (CB) MONOTONOUS (CB) MEASURE IN MUSIC (CB) MEASURES, MUSICAL (CB) Vol 24 Monster – Newton-in-the-Willows MEDICINA MUSICA (CB) – P. 384 MEDLEY IN MUSIC (CB) MELODIA (CB) MOOD OR MODE (CB) MELODIEUX (CB) MOSTRA (CB) MELO-DRAMA (CB) MOTET (CB) MELOPŒIA (CB) MOTION IN MUSIC (CB) MELOS AND MELODIAS (CB) MOTION, MOTO OR MOVIMENTO MENDICANTI (CB) IN ITALIAN MUSIC (CB) MENESTRAL (CB) MOTION IN ANCIENT MUSIC (CB) MENUET (CB) MOTIVO IN ITALIAN MUSIC (CB) MESOCHOROS (CB) MOUVEMENT (CB) MESOCHORUS (CB) MUSETTE (CB) MESON (CB) MUSIC (CB) METROMETER (CB) MUSICA ANTIQUA (CB) MEZZA PAUNA (CB) MUSICA ARITHMETICA (JF1) MEZZA TIRATA (CB) MUSIC, CHROMATIC (CB) MEZZO (CB) MUSIC, DIATONIC (CB) MI CONTRA FA IN COUNTERPOINT (CB MUSIC, DIDACTIC (CB) MICROLOGUS (CB) MUSIC, DRAMATIC (CB) MICROPHONES (CB) MUSIC, ENHARMONIC (CB) MILIEU HARMONIQUE MUSICA ENUNCIATIVA (CB) IN FRENCH MUSIC (CB) MUSIC, FIGURATE (CB) MILITARY MUSIC (CB) MUSIC, HARMONIC (CB) MIME (CB) MUSIC, HISTORICAL (CB) MINIM IN MUSIC (CB) MUSIC, HYPORCHEMATIC (CB) MINIM, SEXTUPLE OF THE (CB) MUSIC, INSTRUMENTAL (CB) MINIME (CB) MUSIC, MELISMATIC (CB) MINNIN (CB) Music, MELOPŒIC (CB) MINOR, IN MUSIC (CB) MUSIC, MEASURED (CB) MINSTREL (CB) MUSIC, METABOLIC (CB) MINUET (CB) MUSIC, METRIC (CB) MISSA (CB) MUSIC, MODERN (CB) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 11

MUSIC, MODULATORY (CB) OBLIQUO IN ITALIAN MUSIC (CB) MUSIC, ODIC (CB) OBOE (CB) MUSIC, ORGANIC (CB) OBOISTA (CB) MUSIC, PATHETIC (CB) OCTAVE (CB) MUSIC, POETRYIC (CB) OCTAVE, DIMINISHED (CB) MUSIC, RECITATIVE (CB) OCTAVIER (CB) MUSIC, RHYTHMIC (CB) OCTAVINA (CB) MUSIC, SCENIC (CB) OCTELINE (CB) MUSIC, SIGNATORY ODE (CB) MUSICA TRANSALPINA (CB) OLMUS (CB) MUSIC, VOCAL (CB) ONDEGGIARE (CB) MUSIC, ACADEMY OF (CB) ONOFRIO ST (CB) MUSIC, CHARACTERS IN (CB) OPERA (CB) MUSICAL ACCENT (CB) OPERA BUFFA (CB) MUSICAL FACULTIES (CB) ORATORIO (CB) MUSICAL GLASSES (CB) ORCHESIS (CB) MUSICAL INSTRUMENTS OF INDIA (CB) ORCHESOGRAPHY (CB) MUSICAL MODES (CB) ORCHESTRA (CB) MUSICAL NOTES (CB) OREILLE (CB) MUSICAL PROPORTION (CB) ORGAN IN MUSIC (CB) + (JF1) + (JF2) MUSICAL SOUND (CB) ORGAN, HYDRAULIC (CB) MUSICAL STRING (CB) ORGANICAL IN GREEK MUSIC (CB) MUSICALEMENT (CB) ORGANISER LE CHANT (CB) MUSICIAN (CB) ORGANO (CB) MUSICKE'S MONUMENT (CB) ORGUES, DES (CB) MUTATIONS IN MUSIC (CB) ORTHIAN (CB) NACAIRES (CB) OSSERVANZA (CB) NAKOUS (CB) OTTUPLA IN ITALIAN MUSIC (CB) NAPLES, MUSIC IN (CB) OVERTURE (CB) NATURAL IN MUSIC (CB) OVERTURE DU LIVRE (CB) NATURAL HARMONY (CB) NATURAL NOTE (CB) Vol 26 P-Perturbation –- P. 437 NETE IN ANCIENT GREEK MUSIC (CB) P (CB) Vol 25 Newtonian Philosophy-Ozunusze – P. 396 PAMMELIA (CB) PANTALEONE (CB) NIBELES (CB) PANTALOON IN THE THEATRE (CB) IN MUSIC (CB) PANTHEON, IN LONDON (CB) NŒLS (CB) PANTOMIME (CB) NŒUDS (JF1) PAPER, RULED, FOR MUSIC (JF2) NOIR (CB) PARODY (CB) NOME (CB) PART (CB) NONUPLA IN ITALIAN MUSIC (CB) PARTHENIA (CB) NOTES (CB) PARTICIPATION (JF1) NOTE, SENSIBLE (CB) PARTICIPATO (CB) O (CB) PARTIE (CB) OBLIGATO (CB) PARTITI (CB) OBLIGÉ (CB) PARTITION (CB) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 12

PARTITURA (CB) PLECTRUM (CB) PARYPATE IN ANCIENT MUSIC (CB) PLICA (CB) PARYPATE HYPATON (CB) PARYPATE MESON (CB) Vol 28 Poetry-Punjoor – P. 450 PASSACAGLIO (CB) PASSACAILLE (CB) POINT (CB) PASSAGE (CB) POINT D'ORGUE (CB) PASSAMEZZO (CB) PORT OF THE VOICE (CB) PASSE-PIED (CB) POSITION IN MUSIC (CB) PASSING-NOTES (CB) POSITIVE IN MUSIC (CB) PASSIONATO (CB) PRELUDE IN MUSIC (CB) PASTICCIO (CB) PREPARATION OF DISCORDS, IN MUSIC (CB) PASTORALE (CB) PRESA (CB) PATHETIC (CB) PRESTISSIMO (CB) PAVAN (CB) PRESTO (CB) PAUSE (CB) PRIMA INTENSIONE (CB) PENULTIMATE (CB) PRIMO (CB) PENULTIMATE OF THE SEPARATE (CB) PRINCIPAL (CB) PENULTIMATE OF THE ACUTE (CB) PRINCIPALIS (CB) PERFECT (CB) PROGRESSIO HARMONICA (CB) PERIOD OF PERFECTION PROHIBITO (CB) IN GREEK MUSIC (CB) PROLATIO MAJOR ET MINOR (CB) PROPORTION (JF1) Vol 27 Pertussis-Pœtics -- P. 442 PROPORTION, HARMONICAL OR MUSICAL (JF1) PETTEIA IN ANCIENT MUSIC (CB) PROPORTION, CONTRA-HARMONICAL (CB) PHANTASTIC IN MUSIC (CB) PROVENÇAL POETS (CB) PHILODEMI DE MUSICA (CB) PRUDENZA (CB) PHONASCIA (CB) PSALMODY, METRICAL (CB) PHONICS (CB) PSALMODY ISLAND (CB) PHORBEIA (CB) PSALMODY, PAROCHIAL (CB) PHORMINX (CB) PSALTERY (CB) PHOTINX (CB) PHRASE IN MUSIC (CB) Vol 29 Punishment-Repton – P. 457 PHRYGIAN MODE IN MUSIC (CB) PIANO (CB) PYCNI IN ANCIENT MUSIC (CB) PIANO FORTE (CB) QUADRO (CB) PIFFERO (CB) QUART DE SOUPIR (CB) PINCH IN MUSIC (CB) QUART DE TON (CB) PIPE, HORN (CB) QUARTE (CB) PIPES, ORGAN (CB) QUATORZIEME (CB) PIOBRACH (CB) QUATRICHROMA IN ITALIAN MUSIC (CB) PITCH IN MUSIC (CB) QUATUOR (CB) PLAGALIS (CB) QUATOR PRINCIPALIA ARTIS MUSICÆ (CB) PLAIN CHANT (CB) QUAVER IN MUSIC (CB) PLAIN COUNTERPOINT (CB) QUAVERING (CB) PLAIN DESCANT (CB) QUEEN'S THEATRE (CB) PLAYHOUSE (CB) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 13

QUINTA (CB) RISOLUTION (CB) QUINTE IN FRENCH MUSIC (CB) RISOLUTO (CB) QUINTELLO (CB) RISPOSTA (CB) QUINTER (CB) RISVIGLIATO (CB) RALLENTANDO (CB) RITARDATO (CB) RANELAGH ROTUNDA AND GARDENS (CB) RITORNELLO (CB) RATTLE (CB) RITROGRADO (CB) RAVALEMENT (CB) RIVOGLIOMENTO (CB) REBEC (CB) RIVOLTARE (CB) RECIT (CB) ROBES TO MINSTRELS (CB) RECITATIVO (CB) ROLLE IN MUSIC (CB) RECORD AMONG FOWLERS (CB) ROMAN ECCLESIASTICAL SINGING (CB) RECORDER (CB) ROMAN OPERAS (CB) RED NOTES IN OLD MUSIC (CB) ROMANCE (CB) REFRAIN (CB) RONDE (CB) REGAL IN MUSIC (CB) RONDE DE TABLE (CB) REGISTER IN ORGAN BUILDING (CB) RONDEAU (CB) REGLE DE L'OCTAVE (CB) ROSALIA (CB) REGOLA (CB) ROSALIND, OPERA (CB) REGOLA ARMONICA (CB) ROSAMOND, OPERA (CB) RELATIO IN MUSIC (CB) ROULADE (CB) RENVERSÉ (CB) ROUND IN MUSIC (CB) RENVERSEMENT (CB) ROUNDELAY (CB) RENVOI IN MUSIC (CB) RUSSIA (CB) REPEAT IN MUSIC (CB) RUSSIAN MUSIC, IN THE CHURCH (CB) REPERCUSSION IN MUSIC (CB) RUSSIAN SECULAR MUSIC (CB) REPETITION IN MUSIC (CB) REPLIQUE IN MUSIC (CB) Vol 31 S-Scotium – P. 492 REPONSE (CB) REPRISE IN MUSIC (CB) SACBUT (CB) SADLER'S WELLS (CB) Vol 30 Republic-Rzemien – P. 467 SALMI (CB) SALMODIA (CB) RESOLUTION (CB) (CB) RESONANCE (CB) SALTARELLA (CB) RESPONSORY SONG (CB) SAUVER (CB) RESPONSORIA (CB) SAXONS (CB) REST (CB) SCALDS (CB) RETROGRADO (CB) SCALE IN MUSIC (CB) RETTO (CB) SCALE IN THE MUSIC OF THE ANCIENTS (CB) REVELS (CB) SCALE OF THE CHINESE (CB) RHAPSODI (CB) SCENA (CB) RHYTHM (CB) SCENIC GAMES (CB) RHYTHMICA (CB) (CB) RHYTHMOPŒIA (CB) SCHOOL, OR COLLEGE OF SINGERS (CB) RIBATTUTA (CB) SCHOOLS OF SINGING [IN ENGLAND] (CB) RIBATTUTA DI GOLA (CB) SCHOOLS OF ECCLESIASTICAL SINGING (CB) RING (CB) SCOLIA OR SONGS The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 14

OF THE ANCIENT GREEKS (CB) SEXTULPA OF THE CHROMA (CB) SCOLION (CB) SEXTULPA OF THE SEMICHROMA (CB) SCORE IN MUSIC (CB) SHAKE (CB) SHARP IN MUSIC. (CB) Vol 32 Scotland-Sindy – P. 504 SHIFT (CB) SI (CB) SCOTS TUNE (CB) SIFFLET (CB) SECOND (CB) SILENCE (CB) SEGNO (CB) SIMPLICITY IN MUSIC (CB) SEGUE (CB) SEGUENZA (CB) Vol 33 Sines-Starboard – P. 517 SEMI (CB) SEMIBREVE (CB) SINGING (CB) SEMI-DIAPASON (CB) SINGING, PROCESSIONAL (CB) SEMI-DIAPENTE (CB) SINGING, IN THE CHURCH SEMI-DIATESSARON (CB) BY PRIMITIVE CHRISTIANS (CB) SEMI-DITONE, DIS-DIAPASON (CB) SINGING, CELESTIAL (CB) SEMI-DITONUS (CB) SINGING, IN ENGLAND SEMIQUAVER (CB) BY MADRIGALISTS (CB) SEMISISOSPIRO IN ITALIAN MUSIC (CB) SINGING, PAROCHIAL (CB) SEMITONE IN MUSIC (CB) + (JF1) SINGING, IN ITALY (CB) SEMITONIC SCALE (JF1) SINGING, IN FRANCE (CB) SENATUS-CONSULTUM (CB) SINGING, IN ENGLAND PREVIOUS TO SEPTIEME (JF1) THE REIGN OF QUEEN ANNE (CB) SERENADE (CB) (CB) SERINETTE (CB) SIXTH (CB) SERVICE, CHORAL IN CHURCH MUSIC (CB) SLUR (CB) SERVICES OF THE CHURCH SMORZATO (CB) CATHEDRAL MUSIC (CB) SOCIETY OR FUND FOR THE SUPPORT SESQUI (CB) OF DECAYED MUSICIANS (CB) SESQUIALTER (CB) SOGGETTO (CB) SESQUI-ALTERATE, SOL (CB) THE GREATER PERFECT (CB) SOL-FA-ING (CB) SESQUI-ALTERATE, SOLFEGGIAMENTO (CB) THE GREATER IMPERFECT (CB) SOLFEGGIARE (CB) SESQUI-ALTERATE, SOLLECITO (CB) LESSER PERFECT (CB) SOLMISATION (CB) SESQUI-ALTERATE, SOLMISATION OF THE GREEKS (CB) LESSER IMPERFECT (CB) SOLMIZARE (CB) SESQUIDITONE (CB) SOLO IN ITALIAN MUSIC (CB) SESQUI-OCTAVE (CB) SON (CB) SESQUI-QUARTA DUPLA (CB) SON FUNDAMENTAL (CB) SEVILLE, ORGAN AT (CB) SON FIX (CB) SEXTA PARS (CB) SONATA (CB) SEXTULPA (CB) SONG (CB) SEXTULPA OF THE SEMIBREVE (CB) SONG OF BIRDS (Not by CB but based on SEXTULPA OF THE MINIM (CB) DainesBarrington, (1773). "Experiments and SEXTULPA OF THE CROCHET (CB) Observations on the Singing of Birds, by the Hon. The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 15

Daines Barrington, Vice Pres. R. S. In a Letter to SYSTEM ROMAN MUSIC (CB) Mathew Maty, M. D. Sec. R. S". Philosophical SYSTEM OF GUIDO (CB) Transactions of the Royal Society of London. 63: 249– SYSTEM OF RAMEAU (CB) 291. ) SYSTEM OF TARTINI (CB) SONG, RESPONSORY (CB) SYSTEM OF KIRNBERGER (CB) SONS HARMONIQUES (CB) SYSTEM OF SOLMISATION (CB) SORDINO (CB) SOUFFLEUR (CB) Vol 35 T-Toleration – P. 558 SOUND IN MUSIC (JF1) SOUNDS, HARMONICAL (JF1) T (CB) SOUNDS, HARMONIC (JF1) TABLATURE IN MUSIC (CB) SOUNDS, THIRD (JF1) TABLEAU (CB) SOUND-BOARD, OR WIND-CHEST (CB) TACE (CB) SPAIN, HISTORY OF MUSIC IN (CB) TACET (CB) SPECULATIVE MUSIC (CB) TACTUS (CB) SPECULUM MUSICÆ (CB) TAGLIATO (CB) SPINET (CB) TAMBOUR (CB) STAFF, IN MUSIC (CB) TAMBOUR DE BASQUE (CB) TAMBOURIN (CB) Vol 34 Starch-Szydlow – P. 545 TARANTARA (CB) TARANTELLA (CB) STILO (CB) TARDO (CB) STRAIN (CB) TASTATURA (CB) STRAVAGANZA (CB) TASTE IN MUSIC (CB) STRING (JF1) TASTE IN SINGING AND PLAYING (CB) STROMENTO (CB) TASTO IN ITALIAN MUSIC (CB) STYLE (CB) TASTO SOLO (CB) SUBDOMINANTE (CB) TATTO (CB) SUBJECT IN MUSIC (CB) TE DEUM (CB) SUITE (CB) TEMPERAMENT IN MUSIC (JF1) SUPERFLUOUS INTERVAL, IN MUSIC (JF1) TEMS (CB) SUPERFLUOUS SECOND (JF1) TENELLA, τενελλα, IN ANCIENT MUSIC (CB) SUPERFLUOUS THIRD (JF1) TENOR IN VOCAL MUSIC (CB) SUPERFLUOUS FOURTH (JF1) TENOR OR TENORISTA (CB) SUPERFLUOUS FIFTH (JF1) TERZA IN MUSIC (CB) SUPERFLUOUS SIXTH (JF1) TERZETTO IN ITALIAN MUSIC (CB) SUPERFLUOUS SEVENTH (JF1) TERZINI (CB) SUPERFLUOUS OCTAVE(JF1) TERZO SUONO [OF TARTINI] (CB) SUPERIUS IN MUSIC (CB) TESTA IN ITALIAN SINGING (CB) SYMPHONIALE (CB) TESTO (CB) SYMPHONY (CB) TESTUDO IN ANTIQUITY (CB) SYMPHONY, συμϕωυία (CB) TETRACHORD (CB) SYNAPHE IN ANCIENT GREEK MUSIC (CB) THEME IN MUSIC (CB) SYNAULIA (CB) THEORBO (CB) SYNCOPE AND SYNCOPATION IN MUSIC (CB) THIRD (CB) SYRINX (CB) THOROUGH-BASE (CB) SYSTEM IN MUSIC (CB) TIBICEN IN ANCIENT MUSIC (CB) SYSTEM IN ANCIENT GREEK MUSIC (CB) TIER, IN ORGAN BUILDING (CB) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 16

TIERCE IN MUSIC (CB) Vol 37 Vermes-Waterloo – P. 589 TIERCE DE PICARDIE (CB) TIMBREL (CB) VIBRATIONS (CB) TIME IN MUSIC (CB) VIDE (CB) TIME, COMMON OR DUPLE (CB) VIELLE (CB) TIME-TABLE (CB) VIOL (CB) TIME, TRIPLE (CB) VIOLA (CB) TINTINNABULUM (CB) VIOLIN (CB) TOCCATA (CB) VIOLINCELLO (CB) TOCCATINA (CB) VIOLINI PICCOLO (CB) VIOLINO (CB) Vol 36 Tol-Ver – P. 576 VIOLONISTA (CB) VIOLONE (CB) TONE IN MUSIC (CB) VIRGINAL (CB) TONIC IN MUSIC (CB) VIRGINAL-BOOK OF QUEEN ELIZABETH (CB) TONS DE L'EGLISE (CB) VIRGINAL-BOOK OF LADY NEVIL (CB) TONTON (CB) UMBRELLA (CB) TRANSPARENT (CB) UNDULATION OR BEAT IN MUSIC (JF1) TRANSPOSITION IN MUSIC (CB) IN MUSIC (JF1) TRAVAILLER (CB) UNITY OF MELODY (CB) TRAVERSIERE, FLUTE (CB) UNIVOQUE IN MUSIC (CB) TREBLE IN MUSIC (CB) VOCAL MUSIC (CB) TREMBLANT IN MUSIC (CB) VOCE SOLA IN MUSIC (CB) TRIAS HARMONICA (CB) VOICE IN PSYSIOLOGY (CB) TRICORD (CB) VOICE, PART OF THE, IN MUSIC (CB) TRIGON (CB) VOICE, OF A SINGER, ACCIDENTS AND TRIGONUM (CB) DISORDERS (CB) TRILL (CB) VOLTA IN ITALIAN MUSIC (CB) TRILLETO (CB) VOLTARE (CB) TRILLO (CB) VOLUME DE VOIX, IN FRENCH MUSIC (CB) TRIO (CB) VOLUNTARY, IN MUSIC (CB) TRIPLE (CB) VOX HUMANA (CB) TRIPLE PROGRESSION IN HARMONICS (CB) WAITS IN MUSIC (CB) TRITE (CB) WALSINGHAM [VIRGINAL TUNE] (CB) TRITONUS (CB) WALTZ (CB) (CB) TRONCO (CB) Vol 38 Water-Wzetin – P 602 TROUBADOURS (CB) (CB) WATER-ORGAN (CB) TRUMPET-MARINE (CB) WIND-INSTRUMENT IN MUSIC (CB) TRUMPET, HARMONICAL (CB) TUNE (CB) 39 X-Zytomiers with Addenda – p602 TUNE BY WATER, TO (CB) TYMBALES (CB) ZAMPOGNA (CB) TYMBRE (CB) ZOPPO (CB) TYMPANUM (CB) ZYGIA (CB) VALEUR DES NOTES (CB) VAUXHALL GARDENS (CB) The general music articles in Rees’s Cyclopaedia by Dr Charles Burney, John Farey Sr. & John Farey Jr. Edited by A. P. Woolrich 08/08/2020 17

ADDENDA AND CORRIGENDA

PANDEANS (CB) VIOLIN [ADDITIONAL] (CB) WATER-ORGAN (CB) WATER, VASES AND GLASSES TUNED BY (CB) WELSH MUSIC (CB) WESTMINSTER ABBEY (CB)

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