HISTORIC PARIS ROLL OR STROLL from Notre-Dame to the Pont Neuf
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Pierre Bergé Lifts Curtain on Private Library of Rare Books
URL: http://wwd.com/ PAYS: International TYPE: Web Grand Public September 10, 2015 Pierre Bergé Lifts Curtain on Private Library of Rare Books By Miles Socha from WWD issue 09/10/2015 DOWNLOAD PDF Pierre Bergé Dominique Maitre PARIS — Pierre Bergé is no book snob. The former couture boss loves paperbacks, prefers to read on a Kindle when on vacation and devours contemporary novels galore — as he judges several literary prizes in France. This story first appeared in the September 10, 2015 issue of WWD. Subscribe Today. Yet he is equally passionate about his collection of 1,600 rare books, manuscripts and musical scores that he is preparing to auction off , starting Dec. 11 at Drouot in Paris and at six subsequent sales in 2016 and 2017. A selection of about 60 of the 150 initial lots is to go on display at Sotheby’s in New York today through Sunday — providing a glimpse into a highly personal collection amassed over a lifetime. Interviewed in the cozy library on the second floor of his Paris apartment, Bergé said there’s a simple reason why he is parting with tomes that are estimated to sell for as much as $700,000. “Because I’ll be 85 before the end of the year and one has to be conscious of one’s age and think of the future,” he shrugged, seated at the leather-topped table in the center of the room. Proceeds from the auctions, to be conducted in collaboration by Pierre Bergé & Associés, are ultimately destined for the Fondation Pierre Bergé-Yves Saint Laurent , which is to transform into permanent YSL museums in Paris and Morocco in 2017. -
Place Saint-Michel the Place Saint-Michel Is
Place Saint-Michel The Place Saint-Michel is simple – a triangle between two streets, uniform buildings along both, designed by the same architect, a walk of smooth cobblestone. The centerpiece is St. Michael defeating a devil; far above them are four statues symbolizing the four cardinal virtues of prudence, fortitude, temperance, and justice. This monument came to be because of the 1848 Revolution and a cholera epidemic in Paris that followed it which killed thousands. This idea of abstract concepts given human form had been popular during the Revolution, the big one, representing the kind of big virtues – like the Four Cardinal Virtues – that everyone could strive for, instead of a single human being whose actions and legacy would turn people against each other. Simultaneous with the creation of Place Saint-Michel, Napoleon III’s renovation brought the Boulevard Saint-Michel into being, and that is the next part of our walk. Facing the fountain with the river at your back, walk on Boulevard Saint-Michel, it’s the street to your left. Walk away from the river along that street. Ultimately, you’ll be turning left on Rue des Écoles, but it’ll be about five minutes to get there, and you can listen to the next track on the way. Boulevard Saint-Michel The character of the street you’re on – wide-open space lined with trees and long, harmonious buildings, plus, often, a view of some landmark in the distance – was a central part of the renovation plan, or the Haussmann plan, as it’s also known. -
Jennifer Flay, Director of Fiac Paris, Speaks to Modern Painters About Her Favorite Places to Admire Art, Eat, Shop and Stay In
“I LOVE THE JENNIFER FLAY, DIRECTOR OF FIAC PARIS, SPEAKS TO MODERN PAINTERS ABOUT HER FAVORITE PLACES TO RESILIENCE AdmIRE ART, EAT, SHOP AND STAY IN PARIS AND INFINITE BEAUTY OF PARIS” MAGAZINE M MUSEU D An art aficionado doesn’t need a reason to visit the Louvre, the world’s largest and most visited museum AN DENNINGTON CHARLIE 52 MODERN PAINTERS OCTOBER 2017 BLOUINARTINFO.COM BLOUINARTINFO.COM OCTOBER 2017 MODERN PAINTERS 53 Come October19, collectors and art lovers from around the world will once again convene in Paris for the latest in contemporary art, thanks to FIAC, the annual International Contemporary Art Fair. “The Lafayette sector this year is particularly exciting, with 10 galleries from eight countries including Kosovo, Eygpt and India,” said Jennifer Flay, who has been the director of the festival since 2003. Flay, a native of New Zealand, has a long Chistory in the field. Born in 1959 in Auckland, she began her art history studies in New Zealand and pursued her education in France from 1980 thanks to a scholarship from the French government. From 1982 to 1987, she worked in several contemporary art galleries (Galerie Catherine Issert, Daniel Templon et Ghislaine Hussenot) and took an active part in the participation of these galleries in international fairs in Paris, Clockwise from bottom, Basel, Chicago, Madrid, Los Angeles and What are some interesting artworks we far left: Jennifer Flay, the director of FIAC; Amsterdam. During this period, Flay can look forward to at FIAC 2017? Philharmonie de Paris, collaborated, notably, with Carl André, There are many things that I am particularly the venue Flay recom- mends for all those with a Jean-Michel Basquiat, Christian Boltanski, looking forward to, for example Henry classical taste in music. -
Individual Investors Rout Hedge Funds
P2JW028000-5-A00100-17FFFF5178F ***** THURSDAY,JANUARY28, 2021 ~VOL. CCLXXVII NO.22 WSJ.com HHHH $4.00 DJIA 30303.17 g 633.87 2.0% NASDAQ 13270.60 g 2.6% STOXX 600 402.98 g 1.2% 10-YR. TREAS. À 7/32 , yield 1.014% OIL $52.85 À $0.24 GOLD $1,844.90 g $5.80 EURO $1.2114 YEN 104.09 What’s Individual InvestorsRout HedgeFunds Shares of GameStop and 1,641.9% GameStop Thepowerdynamics are than that of DeltaAir Lines News shifting on Wall Street. Indi- Inc. AMC have soared this week Wednesday’stotal dollar vidual investorsare winning While the individuals are trading volume,$28.7B, as investors piled into big—at least fornow—and rel- rejoicing at newfound riches, Business&Finance exceeded the topfive ishing it. the pros arereeling from their momentum trades with companies by market losses.Long-held strategies capitalization. volume rivaling that of giant By Gunjan Banerji, such as evaluatingcompany neye-popping rally in Juliet Chung fundamentals have gone out Ashares of companies tech companies. In many $25billion and Caitlin McCabe thewindowinfavor of mo- that were onceleftfor dead, cases, the froth has been a mentum. War has broken out including GameStop, AMC An eye-popping rally in between professionals losing and BlackBerry, has upended result of individual investors Tesla’s 10-day shares of companies that were billions and the individual in- the natural order between defying hedge funds that have trading average onceleftfor dead including vestorsjeering at them on so- hedge-fund investorsand $24.3 billion GameStopCorp., AMC Enter- cial media. -
Open Merfeldlangston.Pdf
The Pennsylvania State University The Graduate School Department of French and Francophone Studies THE VILLAGES DU LIVRE: LOCAL IDENTITY, CULTURAL POLITICS, AND PRINT CULTURE IN CONTEMPORARY FRANCE A Thesis in French by Audra Lynn Merfeld-Langston © 2007 Audra Lynn Merfeld-Langston Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2007 The thesis of Audra Lynn Merfeld-Langston was reviewed and approved* by the following: Willa Z. Silverman Associate Professor of French and Francophone Studies and Jewish Studies Thesis Advisor Chair of Committee Thomas A. Hale Edwin Erle Sparks Professor of African, French, and Comparative Literature Head of the Department of French and Francophone Studies Greg Eghigian Associate Professor of Modern European History Jennifer Boittin Assistant Professor of French, Francophone Studies and History and Josephine Berry Weiss Early Career Professor in the Humanities *Signatures are on file in the Graduate School iii ABSTRACT Over the past several decades, the cultural phenomenon of the villages du livre has exploded throughout the Hexagon. Taking their cue from the original book town, Hay-on-Wye, in Wales, rural French communities once in danger of disappearing have reclaimed their economic future and their heritage. Founded in 1961, Hay-on-Wye has served as a model for other towns to establish a used book trade, organize literary festivals, and promote the practice of traditional book arts that include calligraphy, binding, paper-making, and printing. In the French villages du livre of Bécherel (Bretagne), Montolieu (Languedoc), Fontenoy-la-Joûte (Lorraine), Montmorillon (Poitou-Charentes), and La Charité-sur-Loire (Bourgogne), ancillary enterprises such as museums, bookstores, cafés, and small hotels now occupy buildings that had stood vacant for years. -
Architecture and the Mississippi Bubble (1716–1720)
Armand-Claude Mollet. Floor plan and elevation of the Hôtel d’Évreaux (1718), Paris. Etching and engraving. From Jacques- François Blondel, Architecture françoise (1752 –1756). Typ 715.52.219 v.3, Houghton Library, Harvard University. Photo: Harvard University. 40 https://doi.org/10.1162/grey_a_00241 Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/grey_a_00241 by guest on 02 October 2021 Building on Credit: Architecture and the Mississippi Bubble (1716–1720) JASON NGUYEN In June 1733, the Count of Évreaux ordered an appraisal of his Parisian mansion located along the fashionable Rue du Faubourg Saint-Honoré . The document tallied the current market cost of his house and possessions in order to assess the value of his estate (he owned the building until his death in 1753). 1 Designed by the architect Armand-Claude Mollet, the Hôtel d’Évreux had been built between 1718 and 1722, and was already deemed to be one of the most striking hôtels particuliers of its day. The architect located the main block of the house between an entry court - yard (for the loading and unloading of carriages) and a rear garden that backed onto the leafy terrains of the Champs-Elysées. 2 The front elevation included a central pediment with symbols of war, trophies in relief, and columns and Corinthian pilasters befitting a high nobleman. The appraisal included a description of all of these components, but also more detailed information: dimensions and descriptions for each room, the woodwork, mirrors, and textiles lining the walls. In the Grand Salon, the appraisers mentioned the oak paneling and the inset decorative trophies by the ornamental sculptor Michel Lange, who added the bundled instruments of war to assert the count’s regal status. -
The Louvre Towards Political, Social and Urban Transformations in the Grand Siècle Hélène Visentin Smith College, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Smith College: Smith ScholarWorks Smith ScholarWorks French Studies: Faculty Publications French Studies Summer 2014 Ce grand bastiment neuf et vieux’: The Louvre Towards Political, Social and Urban Transformations in the Grand Siècle Hélène Visentin Smith College, [email protected] Follow this and additional works at: https://scholarworks.smith.edu/frn_facpubs Part of the French and Francophone Language and Literature Commons Recommended Citation “‘Ce grand bastiment neuf et vieux’: The Louvre Towards Political, Social and Urban Transformations in the Grand Siècle.” In Building the Louvre: Architectures of Politics and Art. Eds Patrick Bray and Phillip John Usher. L’Esprit Créateur 54, No. 2 (Summer 2014): 45-62. This Article has been accepted for inclusion in French Studies: Faculty Publications by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected] “Ce grand bastiment neuf et vieux”: The Louvre Towards Political, Social, and Urban Transformations in the Grand Siècle Hélène Visentin HEN HENRI IV ENTERED INTO PARIS after defeating his opponents on March 22, 1594, he was determined to make the W Louvre his chief residence, a bridge from the past to the future. Not only did he have a novel vision, his intention was also to mark the reign of the first Bourbon king with imposing structures where the new dynasty would build on the Valois heritage. On his official entry into the city, the king passed through the Porte Neuve adjacent to the old Tour de Bois and in front of the entrance of the Louvre at the guichet of Saint-Germain-l’Auxerrois towards the Porte Saint-Honoré where he received the keys to the city from the Prévôt des Marchands; then, he followed the rue Saint-Honoré and rue des Innocents on his way to the cathedral Notre-Dame for the Te Deum, display- ing a Catholic attachment to ritual. -
Reflecting the Sun: Mirrors, Masculinity, and Monarchy Under Louis Xiv
REFLECTING THE SUN: MIRRORS, MASCULINITY, AND MONARCHY UNDER LOUIS XIV By ALEC MOORE A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF THE ARTS UNIVERSITY OF FLORIDA 2018 1 © 2018 Alec Moore 2 To my dear sweet Lou-Lou Bae 3 ACKNOWLEDGMENTS I would like to thank my committee members Melissa Hyde, Elizabeth Ross, and Rori Bloom for their time, attention and patience in the completion of this thesis. I owe Melissa Hyde a particular debt of gratitude for advising me over the course of my time here at the University of Florida. Additionally, I would like to thank all those who supported me during my time here in Gainesville: Jennaca Taipulus, Sarah Sloan, Ivy Margosian, Mark Hodge, Chase Machado — and few I know I am forgetting — your comradery meant the world to me. Jennifer Jurgens is due a special “thank you” for her eternal commitment to keeping me sane. As always I would not have made it this far without the support of my family whose continued investment in my success made all the difference. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS .................................................................................................. 4 LIST OF FIGURES .......................................................................................................... 6 ABSTRACT ..................................................................................................................... 8 CHAPTER 1 INTRODUCTION ......................................................................................................... -
The World of Books in Classi Antiqui
Y M u a n Rea din R i f i the Ab f r f rr o ng g , el e n bey o G otta e a ta See page 1 3 T H E W O R L D O F B O O K S I N C L A S S I A N T I Q U I H . L P I N N E R A . I W. S ] T H O F F L E I D E N M C M X L V I I I F m s r I M P R E S S I O N : D E C E M B E R 1 948 S E C O N D I M P R E S S I O N : S E P T E M B E R 1 949 N E N N . D S I R S T A L Y U W I LL . a m o d e s t t ok e n o f e s t e e m a n d gr a ti t u d e A C K N O W L E D G M E N T I cannot all ow this book to go to press without acknowledging r. F F r. my indebtedness to M reddy reund and M Louis A . de Pinna for their valuable assistance and to the Ashmolean Museum in x l n he ma e al the e c n O ford for supp yi g t t ri for r produ tio s . -
The Sidewalk Book Vendors of Rabat and Casablanca, Morocco Anouk Cohen
The Distribution of Knowledge and the Material Presence of Books: The Sidewalk Book Vendors of Rabat and Casablanca, Morocco Anouk Cohen To cite this version: Anouk Cohen. The Distribution of Knowledge and the Material Presence of Books: The Sidewalk Book Vendors of Rabat and Casablanca, Morocco. Ethnologie française, Presses Universitaires de France, 2019, Business people, 165 (1), pp.23-36. hal-03070364 HAL Id: hal-03070364 https://hal.parisnanterre.fr//hal-03070364 Submitted on 15 Dec 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Distribution of Knowledge and the Material Presence of Books: The Sidewalk Book Vendors of Rabat and Casablanca, Morocco Anouk Cohen Laboratoire d’ethnologie et de sociologie comparative [email protected] Translated from the French by John Angell ABSTRACT Many of the books, newspapers, and magazines sold in Rabat and Casablanca are distributed directly by informal vendors in kiosks, on sidewalks, and in small bookshops. The growing number of kiosquiers, terrassiers, and bouquinistes (as they are called locally) suggests that they are not as marginal as their appearance might suggest. This article discusses the critical role of street traders in these two Moroccan cities, many either semi-literate or non-literate, in the circulation of the printed word—and of knowledge. -
La Conciergerie, Une Enclave Patrimoniale Au Coeur Du Palais De
DOSSIER THÉMATIQUE 1 L’EDIFICATION DU PALAIS ROYAL PAR LES ROIS CAPETIENS Le palais royal est construit par les rois capétiens progressivement, dans un contexte de réorganisation du royaume et de réaffirmation du pouvoir monarchique. Conciergerie et Sainte-Chapelle sont les seules traces visibles de cette période, mais en fait, comme le souligne l’architecte Christophe Bottineau, les structures architecturales médiévales sont toujours là. LE SITE DU PALAIS ROYAL ET LES PREMIERES CONSTRUCTIONS L’historien Yann Potin rappelle que l’idée d’une continuité du palais de la Cité est discutable. Les plus anciens vestiges, découverts au XIXe siècle, datent en effet du XIIe siècle. La localisation d’un oppidum dans la partie occidentale de l’île, sur le site du palais, est aujourd’hui remise en cause par les archéologues, qui posent l’hypothèse d’une fondation gallo-romaine ex nihilo, à quelques kilomètres de la ville proto historique. Les rares chantiers Le palais royal de Paris, 4e lancette, de fouilles, menés principalement lors des travaux des années 1842- baie XV, Histoire des Reliques. 1898, montrent seulement la présence de demeures privées jusqu’aux IIIe et IVe siècles. La construction d’un palatium, abritant le Tribunal du prétoire et un hébergement occupé temporairement par les empereurs en campagne, est contemporaine de celles de deux ponts et des fortifications (dont un tronçon a été identifié sous la cour du Mai), édifiée lors du repli dans l’île au Bas Empire. Dans les siècles qui suivent, le palais paraît abandonné : les Mérovingiens y séjournaient peut-être, mais les sources mentionnent plutôt une résidence à Cluny ; les Carolingiens s’installent outre-Rhin, laissant probablement l’usage des lieux aux comtes. -
18Th March 2020 Charles II: the Court in Exile Professor Simon Thurley CBE
18th March 2020 Charles II: The Court in Exile Professor Simon Thurley CBE This year my lectures have been looking at what happens when normal patterns of life are disrupted by unexpected and uncontrollable events. In particular how the Stuart monarchy managed to carry on ruling, or attempting to rule, during the twists and turns of the seventeenth century. My focus is the building in which they lived and ruled and how those buildings shaped events and shaped the monarchs themselves. Tonight, I take up the story where I left it last time. My last lecture described the extraordinary court that Charles I created first in Oxford and then on the Isle of Wight. I now turn to what happened to his eldest son, Charles Prince of Wales. For three years Prince Charles was kept closely at his father's side but, in early 1645, the king became worried that they might both be captured and decided that his, increasingly independent, fifteen-year-old heir should take his own command. The Prince was placed in nominal control of Bristol and the royalist forces in the West. But, before he had a chance to influence events, the king's army was all but wiped-out at the battle of Naseby and, now virtually unstoppable, the New Model Army took the West of England. In March 1646, realising that he was in imminent danger of being taken, Charles sailed for the Scilly Isles from where he fled to the safety of Jersey. Thanks to the loyalty and determination or Sir George Carteret, its bailiff, Jersey had been recaptured from the Parliamentarians and was holding out for the king.