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Roberto Benigni & Matteo Garrone Kom samen naar de film en geniet van de Bubbelkorting ZIE P. 28 ZIE P. JULI 2020 ZED SPRAK MET Alejandro Landes over Monos ZED SPRAK MET ZED SPRAK MET Eefje de Visser Roberto Benigni “Twee uitersten die samenkomen, goed en slecht & Matteo Garrone of geluk en verdriet, is altijd magisch.” “Eigenlijk is Pinocchio een mens van vlees en bloed, die zoekt naar liefde en vecht om te overleven. Net als wij allemaal.“ Dirk De Wachter De zomer van Tarkovski Cinema ZED-STUK Cinema ZED-Vesalius Naamsestraat 96 A. Vesaliusstraat 9c Vorige maanden in ZED 3000 Leuven 3000 Leuven SCHEMAP. 261 Veilig en relaxed naar de bioscoop GEGARANDEERDE AFSTAND VLOTTE CIRCULATIE Tussen iedere persoon, duo, gezin of bubbel Begin- en einduren van de films worden zoveel worden links en rechts 2 zetels vrijgehouden. mogelijk gespreid om drukte in de foyer te vermijden. Voor én achter je is de rij leeg. Bovendien geldt er in de foyer éérichtingsverkeer. ALGEMENE AANGEPASTE VENTILATIE HYGIËNEMAATREGELEN De zalen worden geventileerd met 100% verse buitenlucht. Deurklinken worden na iedere vertoning ontsmet, Er is geen enkele interne luchtcirculatie meer. personeel draagt een mondmasker, het baliepersoneel wordt afgeschermd met plexiglas en desinfecterende handgel is steeds ter beschikking. Koop je ticket online via www.cinemazed.be Vermijd wachtrijen aan de balie en koop je ticket online. Dankzij ons nieuw ticketsysteem kun je vanaf nu zelf je plaats kiezen. Kom je met een groep van vier tot tien personen? Geniet dan van de ZED Bubbelkorting! Lees er alles over op pagina 28. 2 Met in- of uitleiding Met live begeleiding Onuitgegeven ontdekking Alle films zijn Nederlands ondertiteld, tenzij anders aangegeven. INHOUD Recente releases Documentaires Filmklassiekers 22 Vorige maanden in ZED 4 Monos 12 Martin Margiela: 16 De zomer van Tarkovsky 5 ZED SPRAK MET In His Own Words 17 De spiegel Filmanjaro Alejandro Landes 13 Bitterzoet Solaris 24 Onward 6 Escape from Pretoria ZED SPRAK MET Andrey Rublev Choums odyssee 7 Un fils Eefje de Visser Wickie en het magische zwaard 8 ZED SPRAK MET 14 De Slag om Leuven Play It Again Sam 29 Hoe word ik een viking? Roberto Benigni Stadswandeling 18 Ema Willy op de onbekende planeet & Matteo Garrone ‘De Slag om Leuven’ 19 A Hidden Life Buurman & Buurman 9 Pinocchio 15 DOCVILLE presenteert: Little Women 10 Beanpole Marianne & Leonard: About Endlessness 26 Programmaschema 11 Été 85 Words of Love 20 1917 28 Praktisch ZED SPRAK MET La Vérité Dirk De Wachter Queen & Slim Fonk vzw is de filmvereniging achter deze projecten: Alle info www.fonk.be 3 “Een zinderend avontuur, een oorlogsfilm, een drama en gewoon wow (...). Nu al één van de beste films van het jaar.” DE STANDAARD Monos In het ruige Colombia worden acht jongeren overdag opgeleid tot paramilitairen. 's Nachts geven ze zich over aan hedonistisch genot. Op deze manier groeien de jonge ‘mono's’ op als een onconventionele familie, in de schaduw van de mysterieuze 'Organisatie', met aan het hoofd een fanatieke commandant. Wanneer de groep een opdracht onderschat en gedwongen wordt te vluchten in de jungle, lijkt er een einde te komen aan hun speelse levensstijl en aan hun hechte band. Dit prachtig gefilmde survivaldrama lijkt een midden te houden tussen Lord of the Flies en Apocalypse Now in een Latijns-Ameri- kaanse setting. De film won meerdere prijzen, o.a. op het Filmfes- tival van Gent, waar de film geprezen werd voor zijn fantastische sound design dat harmonieus samengaat met de indrukwekkende cinematografie van Jasper Wolf. Een genadeloos, wild verhaal over leiderschap en overlevingsdrang. 2019, duur: 1:42, Colombia, Argentinië, regie: Alejandro Landes, met: Sofia Buenaventura, Julián Giraldo, Karen Quintero e.a., dialogen: Spaans Vertoningen: 1/7, 2/7, 3/7, 4/7, 5/7, 6/7, 7/7, 8/7, 9/7, 10/7, 11/7, 12/7, 13/7, 14/7, 15/7, 16/7, 18/7, 19/7, 22/7, 23/7, 24/7, 25/7, 26/7, 27/7 in Cinema ZED-Vesalius 4 ZED SPRAK MET Alejandro Landes Na de dubbele bekroning op het Film WANNEER ZE DE HOOGTE VERLATEN EN Fest Gent 2019 én een online avant- DE LAGER GELEGEN JUNGLE INDUIKEN, première dit voorjaar op MOOOV LIJKT ER EEN TOTAAL ANDERE FILM TE Filmfestival 2.0, verschijnt Monos ONTSTAAN. MIJN EXCUSES DAT IK DE VOOR nu eindelijk in de bioscoopzalen. DE HAND LIGGENDE FILM APOCALYPS NOW ZED sprak met Alejandro Landes, AANHAAL … “Geeft niet, dat is een heel goeie producer, scenarist én regisseur over film. Het grote verschil is dat in Apocalyps zijn derde, wereldwijd bejubelde film. Now het ‘blanke man’-perspectief wordt aangehouden, het blijft een externe blik op Landes: “Anders dan de traditionele de jungle. Het is hoe een buitenlander naar oorlogsfilm, wordt het verhaal niet verteld een vreemd land kijkt. Terwijl in mijn film de vanuit het standpunt van imperialistische personages ook uit die streek afkomstig zijn. grootmachten als de VS, Rusland, Frankrijk … We hebben op Ze staan daar in hun realiteit, hun hier en nu.“ Colombia ervoer oorlog meer als een inherent conflict, wat helemaal geen romantische kant dit ogenblik geen IS HET EEN ANDERS OM DEZE FILM TE ZIEN heeft omdat er geen duidelijk onderscheid nood aan cinema ALS COLOMBIAAN? “Ja, in zekere zin wel. bestaat tussen ‘goed’ en ‘kwaad’. Zo’n Want in Colombia wordt er veel gepraat oorlog ontstaat in de schaduw, de verschillen waarin een over ‘ontvoeringen’. Wat heel interessant vervagen, de uniformen van de verschillende conflict wordt is, vind ik, is dat het geen klassieke film over kanten zijn amper van elkaar te onderscheiden een kidnapping is geworden. In de eerste en het is niet duidelijk wat ‘een overwinning’ opgelost, plaats omdat het verhaal verteld wordt vanuit dan precies zal inhouden. Deze oorlog als maar wel aan het standpunt van de ontvoerders, maar een allegorie bevindt zich in een ideologisch ook omdat deze jongeren-ontvoerders op niemandsland. Het heeft iets mythisch omdat films die dat hun beurt eigenlijk ook ontvoerd zijn. Ze het ‘goed’ en ‘kwaad’ overstijgt, voorbij een conflict weten te zijn uit hun jeugdig bestaan weggehaald en ‘toekomst’ en het ‘verleden’.“ opgeleid tot kindsoldaten en daar hebben overstijgen. ze hun eigen gemeenschap van ontvreemde “We hebben op dit ogenblik geen nood aan jongvolwassen gevormd. Het lijkt alsof ze zich cinema waarin een conflict wordt opgelost, in een soort van ‘eigen paradijs’ bevinden, ALEJANDRO LANDES maar wel aan films die dat conflict weten te maar eigenlijk bevinden ze zich in een overstijgen. Deze film wil geen ideologische opgedrongen hel. Ook dit is een breuk met discours voeren, want dan wordt het te het tweeslachtig denken waar iedereen aan anekdotisch. Dat is de essentie van Monos, doet. Je hebt enerzijds goed en anderzijds denk ik: het zoeken naar een universele kwaad, kind tegenover volwassene. Zij definitie van wat ‘menselijkheid’ dan precies zitten overal middenin, het zijn tieners, niet inhoudt, voorbij plaats en tijd.“ jong meer maar ook nog niet oud genoeg. het waterreservoir van Paramo, wat enorm De film wil heel subversief zijn in een heel HOE ZOU U UW STIJL OMSCHRIJVEN? “Ik hou is. Dat water komt van de berg naar beneden gepolariseerde wereld.“ niet zo van het concept ‘stijl’, zaken moeten aan een heel hoge snelheid tot het beneden voor mij een specifieke identiteit hebben, de weilanden en bossen overspoelt. Toen ik “Ik heb geen filmschool gevolgd, dus toen ik een eigenheid die ik kan benadrukken en die plekken had gevonden, heb ik het script een script wou schrijven heb ik een handboek uitwerken. Wat ons heel erg heeft geholpen, herschreven. Want water is een metafoor voor gekocht, geschreven door een Hollywood- zijn de locaties waar we hebben gefilmd. Toen het leven: het is voortdurend in beweging en scenarioschrijver. Het eerste wat in dit boek ik die plekken had gevonden, kwam het voor stroomt over de randen heen. Ik wou dat de stond was iets als “Het leven is al complex mij allemaal samen. De bergtop aan het begin toeschouwer die energie zou voelen. Daarop genoeg, het publiek verlangt helderheid. van de film bevindt zich op 4.000 meter boven hebben we de cameravoering afgestemd, Geef hen dat.”. Ik heb dat boek meteen de zeespiegel. Deze locatie is niet alleen de camera die als het ware door het verhaal weggesmeten. Want het mooiste aan kunst ‘high land’, maar ook ‘wet land’; niet alleen stroomt. Ook de personages zelf hebben is toch dat het een onderzoek is naar al de gelegen op grote hoogte, maar het is er ook hun blik gericht op het water en laten zich grijstinten die het leven ons te bieden heeft.“ heel erg vochtig. Op die hoogte bevindt zich daardoor leiden.“ (BRAM DE SUTTER) 5 Escape from Pretoria Zuid-Afrika, jaren ‘70. De blanke activist Tim Jenkin strijdt samen met het ANC tegen het apartheidsregime. Met zijn vriend Stephen Lee maakt hij regelmatig illegale, activistische pam- fletten. Dat gaat een aantal jaar goed, tot ze in 1978 op heterdaad betrapt worden. Ze worden veroordeeld als terrorist en opgesloten in de hoog beveiligde gevangenis van Pretoria. Ze zijn vastbesloten te ontsnappen en bedenken samen met hun medegevangenen een inventief maar gevaarlijk plan. Escape from Pretoria sluit als echte genre-film naad- loos aan bij grote ontsnappingsfilms als Escape from Alcatraz of Papillon. Het ontsnappingsplan is zo ingenieus en de uitbraakpoging zo zenuwslopend, dat het ronduit verwonderlijk is dat de film een waar- gebeurd verhaal vertelt. Moest iemand nog steeds twijfelen of Daniel Radcliffe zijn ronde brilletje ont- groeid is, wordt die nu ongetwijfeld overtuigd door Radcliffe's schitterende acteerprestatie. “A thriller that will have you on the edge of your seat but that also has something going on upstairs.
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